Bilingual rapper/producer Joe Cupertino, hailing from Cupertino, California, follows his 2024 mini-album RE: with a 7" single featuring two standout tracks. RE: was conceived as a thematic counterpart to his 2025 release DE: (focused on destruction), while RE: explored the theme of regeneration.
Side A features "Wagamama," with Mamiko Suzuki (chelmico) on vocals and production by longtime collaborator T-Razor. The mellow jazz arrangement evokes a daydream-like atmosphere, perfectly matching the bittersweet theme of the title.
Side B, "Ruby," features Lil' Leise But Gold and production by Ryuju Tanoue (w.a.u). The track blends Brazilian, reggae, and Afrobeat influences into an alternative, cross-genre groove that embodies Joe Cupertino's unique sound.
Suche:mat joe
- A1: New Star In The Sky (Vegyn Remix) (3 54)
- A2: Sexy Boy (Vegyn Remix) (4 59)
- A3: All I Need (Vegyn Remix) (5 01)
- A4: Kelly Watch The Stars (Vegyn Remix) (3 35)
- A5: Ce Matin La (Vegyn Remix) (3 37)
- B1: La Femme D'argent (Vegyn Remix) (4 21)
- B2: Remember (Vegyn Remix) (2 56)
- B3: You Make It Easy (Vegyn Remix) (4 21)
- B4: Talisman (Vegyn Remix) (3 45)
- B5: Le Voyage De Penelope (Vegyn Remix) (3 00)
Der britische Produzent und Elektronikkünstler Joe Thornalley, bekannt als Vegyn, interpretiert das kultige Debütalbum „Moon Safari“ von Air aus dem Jahr 1998 in einem gewagten Crossover der Genres und Epochen neu. Vegyn wurde durch seine Arbeit mit Künstlern wie Frank Ocean und Travis Scott bekannt und hat sich einen Namen als zukunftsorientierter Produzent gemacht, der üppige, atmosphärische Klanglandschaften mit experimentellen Beats und einem Sinn für Unvorhersehbarkeit verbindet. Mit seinem Remix von Moon Safari“ bringt Vegyn seine einzigartige Vision in das beliebte Ambient-Pop-Meisterwerk des französischen Duos ein und verleiht ihm eine frische, moderne Energie.
Vegyns „Moon Safari“-Überarbeitung wird in einer neuen Tracklist enthüllt und erscheint auf schwarzem Vinyl und einem CD-Digisleeve, beide in einer schönen, transparenten blauen Hülle verpackt.
After a first cosmic cruise through Mediterranean Space Disco by TORRE, Musiq Voyage returns with its second release — this time from one of its own founders, Arno E. Mathieu.
Known for his label collaborations with NYC legend Joe Claussell, for his acclaimed Circumstances Of Chaos LP, and many releases on iconic labels like Compost, Yoruba, Real Tone, Deeply Rooted and Africanism, Arno has spent over two decades jamming & crafting deep, balearic & psychedelic journeys across house and electronic realms.
With MV002, he comes home, channeling the spirit of his native Provence and the sun-drenched pulse of the Mediterranean.
Arno delivers two evocative tracks:
“Phoenix” – an 80’s-inspired electronic resurrection, rising from the ashes on waves of funky basslines, soaring synths, and cosmic guitars.
“L’Amoragie” – a cosmic disco odyssey blending “Amore” and “Hémorragie” into one passionate eruption of love and sound — powered by hypnotic drums, anthemic synths, and euphoric choirs.
Mediterranean soul, space disco energy, and emotional storytelling — Musiq Voyage continues its journey.
Enjoy the trip.
- A1: Shokran - Léna C
- A2: Bossa Nova Rico Suave - Moar & The Badlibs
- A3: B Boy Love - Funky Bijou Feat. Carla Vallet
- A4: Comfortable - Terem & James Gardin Feat. Sareem Poems
- A5: Téhéran - The Big Knife
- B1: Scrabble - Medline
- B2: I Grab The Power With My Hands - The Excitements
- B3: Minéralité - Lou Blic & Prof Jah Pinpin
- B4: My Way - Joël Brown Feat. Mackenzy Bergile, Johjohmusic & Tribuman
- B5: Gabriel - Dj Mat
Second volume of the "Rebirth of jazz" series, VISIONS explores an even wider sound territory, which connects the 90s to today, between hip-hop, soul, electro and hybrid jazz. More than just a compilation, the album brings together generations of artists able to transform their influences into sensitive, generous and singular works. From Léna C. to Dj Mat and The Excitements, through Moar, Lou Blic & Prof Jah Pinpin or Joël Brown, each piece draws a soundscape where spirituality, groove and organic poetry intersect. A musical manifesto open to emotion and beauty, like the vision of the Rebirth On Wax label.
- A1: The Lady Is A Tramp (Richard Rodgers-Lorenz Hart)
- A2: Witchcraft (Cy Coleman-Carolyn Leigh)
- A3: I've Got The World On A String (Harold Arlen-Ted Koehler)
- A4: Don'cha Go 'Way Mad (Illinois Jacquet-Jimmy Mundy-Ai Stillman)
- A5: Night And Day (Cole Porter)
- A6: All The Way (Sammy Cahn-Jimmy Van Heusen)
- A7: I Love Paris (Cole Porter)
- A8: Oh! Look At Me Now (Joe Bushkin-John Devries)
- A9: Young At Heart (Carolyn Leigh-Johnny Richards)
- A10: On Efor My Baby (And One More For The Road) (Harold Arlen-Johnny Mercer)
- B1: I've Got You Under My Skin (Cole Porter)
- B2: Nice 'N' Easy (Alan Bergman-Michael Keith-Lew Spence)
- B3: Not As A Stranger (Buddy Kaye-Jimmy Van Heusen)
- B4: Come Fly With Me (Sammy Cahn-Jimmy Van Heusen)
- B5: I Get A Kick Out Of You (Cole Porter)
- B6: (How Little It Matters) How Little We Know (Hoagy Carmichael-Johnny Mercer)
- B7: At Long Last Love (Cole Porter)
- B8: I Wish I Were In Love Again (Richard Rodgers-Lorenz Hart)
- B9: In The Still Of The Night (Cole Porter)
- B10: In The Wee Small Hours Of The Morning (Bob Hilliard-David Mann)
Der legendäre Frank Sinatra (1915 - 1998) war zweifellos einer der größten Sänger aller Zeiten. Diese großartige Sammlung präsentiert 75 Highlights aus seiner Karriere begleitet von herausragenden Orchestern unter der Leitung von wichtigen Persönlichkeiten wie unter anderem Nelson Riddle, Gordon Jenkins, Billy May, Sy Oliver und Don Costa. Die erste CD zeigt The Voice in seiner schwungvollsten Stimmung, während sich die zweite einigen seiner besten Balladeninterpretationen widmet und die dritte schließlich Songs aus berühmten Filmen kompiliert, von denen er in vielen auch die Hauptrollen spielte.
In 1978 a newly formed Augusta, Georgia group Marshall, Donovan and Broomfield chose to record cover versions of two songs previously recorded in 1973 and 1974 respectively by Florida siblings group Cornelius Brothers and Sister Rose. These Eddie Cornelius penned songs “Let me Down Easy” and “Since I Found My Baby” would form both sides of Marshall, Donovan and Broomfield’s first 45 single, released on group founder John Marshall’s own Augusta label. The flipside “Since I Found My Baby” would eventually gain popularity across the pond with aficionados of the UK modern soul scene of the early 1980’s and beyond.
John Marshall began his musical career in a high school group called The Fabulous Gardenias who recorded the doowop ballad “It’s You, You, You” backed with the up-tempo R n B mover “What’s The Matter With Me” released on Tommy Brown’s local Liz label (named after his wife future Motown recording artist, Liz Lands) in 1961.The Fabulous Gardenias featured John Marshall, the late Atlanta alumni Calvin Arnold, “Little” Joe Jones Jr (later of the Tams) and a fourth guy only remembered as Harold. John Marshall later sang with another Atlanta group The Tams of “Hey Girl Don’t Bother Me” fame from 1970 through to 1978.
Later in 1978, John Marshall having relocated to Augusta, GA the previous year was casually emptying the contents of his mailbox outside his home when a car suddenly pulled up. The driver called out “Hey I recognize you, you’re John Marshall you used to be with the Tams!” The driver continued to introduce himself as John Donovan stating that he too was a singer, followed by an impromptu performance, and hey! sure enough he could sing! A later introduction to Charles Broomfield (John Marshall’s next-door neighbour at that time) would lead to the formation of the group Marshall, Donovan, Broomfield with the addition of Mary Marshall and Pat Donavan (the then, two John’s respective wives) as backing vocalists. The previously mentioned group’s first release the John Donovan led “Let Me Down Easy/Since I Found My Baby” was recorded at the now defunct Jam Studio’s in Atlanta. Upon release, the “Let Me Down Easy “side received considerable local radio play but only led to the group performing a handful of local shows. On the strength of the group’s first release a second 45 release followed in 1980 “Let’s Dance/That’s Love” both sides of this 45 were penned by Charlston, South Carolina native, Harold Thomas who John Marshall knew from his time with the Tams, Thomas having once been part of Bill Pinkney &the Original Drifters and later the Tams management teams. This second 45 never gained the same local attention of “Let Me Down Easy” and after three years together the Marshall’s, Donovan’s and Charles Broomfield went their separate ways. John Marshall lost contact altogether with his former group members and left the music business taking up employment at International Paper Mill until his retirement in 2013.
Due to the current resurgence in popularity of “Since I Found My Baby” with copies regularly selling for four figure sums, Soul Junction have reacquainted ourselves with John Marshall to you bring you “Since I Found My Baby” backed with “Let Me Down Easy” with the addition of the excellent and lesser, known stepper “That’ Love” making this an excellent value 45 release.
- A1: Rare Pleasure - Let Me Down Easy
- A2: The Family Tree - 150Th Psalm
- A3: Roslyn &Amp; Charles - Come Go With Me
- A4: Hyla Parker - Joe
- A5: The Julius Brockington Ensemble - Let The Holy Spirit
- A6: Vera Powell - I Didn&Apos;T Know How Happy I Could Be
- B1: The Family Tree - As
- B2: Roslyn &Amp; Charles - Told To Tell You
- B3: Sherm Reb Nesbary - Don&Apos;T Make Me Sorry For Loving You
- B4: The Julius Brockington Ensemlbe - Light Of My Soul
- B5: Brooklyn People - Boogie People
- B6: Roslyn &Amp; Charles - God Is
- B7: The Family Tree - Brand New Day
This is the story of how a tiny label from New Jersey changed the course of music history not once but twice.
Cheri Records was established in 1974 in New Jersey and run by one Boo Frazier. Cheri's output was limited, producing a catalogue of just eleven releases between the years 1974 and 1982. On the face of it, this appears to be insubstantial output. However, if you dig a little deeper, the quality released on Cheri Records reveals an exceptional legacy of groundbreaking music.
A dark horse in the world of record labels, a true unsung legend that would go on to alter the course of musical history and intersect with a remarkable array of talented artists, bands and DJs. From Rare Pleasure; Sandy Barber; Julius Brockington; Boo Frazier; Patrick Adams; Tom Moulton; Larry Levan and MF Doom: Cheri Records has directly impacted their artistry in significant ways. Cheri's influence even extends into the present, with DJ icons like David Morales, Dave Lee, Danny Krivit, and Colin Curtis continuing to champion its contributions.
This compilation brings together the most compelling tracks from the Cheri Records catalogue, shedding light on the label's extraordinary story and underscoring the idea that music, no matter how unassuming its origins, can transcend boundaries and reshape, influence and inform music to come for future generations.
This collection also represents the start of a new series here on Miles Away, a series that will delve into the labels and studios that were responsible for leaving a lasting imprint on the musical world. We've named this seriesEchoes From,and this compilation will be the first of many.
The vinyl package comes in a gatefold sleeve with in-depth liner notes and features interviews with Colin Curtis and David Morales. Also available on CD and digitally.
Recloose’s ‘Dust’ returns to the spotlight on The Remedy Project, with the remaster of the original joined by remixes from Natasha Diggs, Aroop Roy and a never before available accapella.
First championed by Gilles Peterson on BBC Radio 1 in the noughties, ‘Dust’ is now a cult favourite as it effortlessly bridged genres and soundtracked dancefloors across the globe. The track’s warm groove, featuring Joe Dukie’s unmistakable vocals and Recloose’s signature production, cemented it as an underground classic; Dallas Tamaira, occasionally releasing under the alias Joe Dukie, is best known as the lead singer of New Zealand band Fat Freddy’s Drop.
A pioneering figure in the Detroit electronic scene, Recloose (aka Matt Chicoine) first broke through in the late 90s with support from techno legend Carl Craig, releasing on Planet E and later building deep ties with New Zealand’s fertile soul and jazz community. His music fuses house, funk, and broken beat with a distinct warmth and musicality that have made him a trusted name across generations of selectors.
To mark its 20th anniversary, ‘Dust’ is renewed with a package of remixes from some of the scene’s finest tastemakers. Natasha Diggs injects her soulful New York finesse, while Aroop Roy brings his global dancefloor touch. With the two new remixes sitting alongside the both the original record and the accapella, ‘Dust’ is ready to gain a new generation of fans.
- A1: Savage - Magic Carillon (Also Playable Mono Remix) Zyx55910-1
- A2: Italove - At The Disco (Also Playable Mono Remix) Zyx55910-1
- A3: Carino Cat - Passion Of Love (Extended Version) Zyx55910-1
- A4: Excitations And Fred Ventura - State Of Confusion (Italoconnection Remix) Zyx55910-1
- B1: Italoconnection - Metropoli Zyx55910-1
- B2: Francesca E Luigi - Watch Me Dance Tonight (Zyx Remix) Zyx55910-1
- B3: Stockholm Nightlife Feat Nathalie Hanberg - Stay One Day (Cliff Wedge Special Zyx Remix 2018) Zyx55910-1
- B4: Mike Kremlin - The Years (Go By) (Flemming Dalum Remix) Zyx55910-1
- A1: Savage - Italodisco (Flemming Dalum Remix) Zyx55917-1
- A2: Bunny X - Words Feat Fred Ventura (Original 12“ Version) Zyx55917-1
- A3: Moderno - Waves Of Light (Night Mix) Zyx55917-1
- A4: D White - One Wish (Zyx Extended Version) Zyx55917-1
- B1: P Lion - Happy Children (Flemming Dalum Remix) Zyx55917-1
- B2: Tam Harrow - Your Love Is So Nice (1St Extended Mix) Zyx55917-1
- B3: Brian Ice - On The Moon (Vocal Version) Zyx55917-1
- B4: Mode One - Man On The Moon (Extended Mix) Zyx55917-1
- A1: Flexx - Forever Starts Today (Also Playable Mono Remix) Zyx55929-1
- A2: Savage - Lonely Night (Flemming Dalum Remix) Zyx55929-1
- A3: D White - Don‘t Be Shy (Ryan Benson Remix) Zyx55929-1
- A4: Ken Laszlo - Forever Young (Flashback Remix) Zyx55929-1
- B1: Victor Ark Feat Matt Doll - Dark Affair Zyx55929-1
- B2: Also Playable Mono - Love Is In Your Heart (Extended Mix) Zyx55929-1
- B3: Alex Valentini - See You Again (Extended Mix) Zyx55929-1
- B4: Plastic Mode - Me Amor (Flemming Dalumn Remix) Zyx55929-1
- A3: Simon Bennett – I Wanna Tokyo'u (Flemming Dalum Remix) Zyx55934-1
- A4: George Aaron – Midnight Love (Extended Version) Zyx55934-1
- B1: Tom Hooker & Tam Harrow – You And I (Extended Version) Zyx55934-1
- B2: Flemming Dalum – Don't Take Your Time (Special Zyx Remix) Zyx55934-1
- B3: Some Bizarre – Don't Be Afraid (Also Playable Mono Remix) Zyx55934-1
- B4: Wish Key – Orient Express (Flemming Dalum Remix) Zyx55934-1
- A1: Flexx - Break You Down (Vocal Version) Zyx55955-1
- A2: Tom Hooker & Tam Harrow - Love Me Tonight (Extended Version) Zyx55955-1
- A3: Linda Jo - Keep Trying (Flemming Dalum Remix) Zyx55955-1
- A4: Fred Ventura & Dj Tintin - Come On (Flemming Dalum Remix) Zyx55955-1
- B1: Joe Yellow - Flash In The Night (Extended Version) Zyx55955-1
- B2: Flemming Dalum - Walking In The Neon (Special Zyx Remix) Zyx55955-1
- B3: Agf - Loved By You (Flemming Dalum Remix Edit) Zyx55955-1
- B4: Italove - Viva La Victoria (Royal Flashback Remix) Zyx55955-1
- A1: Den Harrow – Always (Flemming Dalum Remix) Zyx55934-1
- A2: The Sweeps – Voices (Extenden Version) Zyx55934-1
ZYX Italo Disco New Generation – Limited 5LP Box
Ein echtes Sammlerstück für alle Italo Disco Fans!
Diese streng limitierte 5 LP Box vereint gleich fünf Alben aus der erfolgreichen „ZYX Italo Disco New Generation Vinyl Serie“ – erstmals als exklusives Box-Set erhältlich. Auf insgesamt 5 hochwertigen Vinyl erwartet dich eine einmalige Zusammenstellung von Klassikern und modernen Hymnen im typischen Italo-Disco-Sound, der weltweit Fans begeistert. Tauche ein in die Welt des Italo Disco – mit dieser Box sicherst du dir ein Stück Musikgeschichte zum unschlagbaren Preis!
They say that if you keep your ear to the ground, you might catch a sound welling up from the depths. That this sound takes shape underground, rising toward the cosmos. They say these lyrics speak of resistance, and that the words they’re made from flow from the subconscious. That through rhymes & rhythms, an oasis has formed, and that beneath the surface, another life is possible.
« l’important est de maintenir des oasis de resistance… » Edgar Morin
(What matters most is to preserve oases of resistance…)
Stand High Patrol presents « Underground Oasis » : an underground utopia, a new album.
Joaquin Joe Claussell readies the ‘Raw Tones’ LP on Rekids this June.
The first LP since 2008’s ‘Corresponding Echoes’ on his Sacred Rhythm Music, Joaquin Joe Claussell arrives on Radio Slave’s Rekids for ‘Raw Tones’, a nine-track excursion through the sound of his exquisitely soulful house music.
Originally released on uber limited cassettes, the music within ‘Raw Tones’ caught the ear of Radio Slave, aka Matt Edwards, who messaged Claussell, a friend since remixing Edwards’ Machine project in 2012, and convinced the legendary producer that the music needed a wider audience and, so, ‘Raw Tones’ the LP is here.
Introspective opening cut ‘Lock Down’ draws for breathy strings and swirling pads, followed by the hypnotic and low-slung ‘The Blame Game (Table Top Idea)’, which sees jazzy keys float around carefully crafted dubbed-out ambience and subtle, whispered vocals.
‘Break Free’ ups the energy, bringing a wonky bassline under decisive, machine-like drum hits while both spoken and sung vocals interplay throughout. ‘You Mutha Fuka’ brings rock-solid drums and thick bass underneath delayed vocals before the dreamy chords and twinkling keys of ‘Way Back Then’ close out the B-side.
The gorgeous ‘Air We Breathe (Revisited Cassette Demo)’ marries rolling percussion across live bass and softly drawn-out pads, followed by an instrumental version of ‘Break Free’. The final side of vinyl sees the extended trippiness of ‘If It's All In Your Mind Let It Out’ lead into the floaty low tempo closer ‘Hallucinations Ejaculations’.
Joaquin Joe Claussell, co-founder of Body & Soul with Francois Kervorkian and Danny Krivit, continues to run his Sacred Rhythm Music record label and curate the Cosmic Arts community centre in his hometown of Brooklyn, NYC.
Aer making everyone dance with "I'm Gonna Dance," Muzic Family Vs. Stylóo is ready to ignite the
dancefloors again with "Sweat," an adrenaline-fueled track that unites the tradi!on of Italo Disco with a
modern pop-dance sound.
At the helm of "Sweat" is Roberto Tura, one of the most influen!al producers in the Italian and
interna!onal dance scene. A key figure of 80s Italo Disco, Tura( has shaped !meless hits for ar!sts like Den
Harrow, Joe Yellow, Albert One, and Stylóo themselves, helping to define the sound of an era that s!ll
makes fans' hearts beat faster all over the world. With "Sweat," Tura( once again proves his ability to
merge the magic of those years with a modern, powerful sound, capable of winning over new genera!ons of
listeners and ge(ng everyone dancing.
By his side is Silvio Melloni, a top-level musician and arranger, who is now part of the historic band Ma"a
Bazar. Melloni brings his experience and musical sophis!ca!on to the project, cura!ng arrangements rich in
detail and nuance, where every element is calibrated to maximize the emo!onal and rhythmic impact of the
track. His ar!s!c sensi!vity perfectly matches Tura('s energy, crea!ng a winning combina!on of technique,
passion, and crea!vity.
The release of "Sweat" doesn't stop at the original version: two exclusive remixes are included to enrich the
project, promising to make the track explode on the most demanding dancefloors.
Italoconnec"on Remix – The duo formed by Fred Ventura and Paolo Gozze( (aka Italoconnec!on)
transforms "Sweat" with their characteris!c touch: sonic elegance, pulsa!ng energy, and a refined
sound that blends dance-pop rhythms with the vibrant nostalgia of Italo Disco. It's an interpreta!on
that leaves no room for rest and pushes you to listen and move.
A.P. Mono Remix – A.P. Mono infuses an 80s-flavored electro-disco soul: funk syncopa!on,
enveloping synths, and an irresis!ble groove. His reinterpreta!on turns the track into a true
energe!c vortex, perfect for making anyone who dances to it sweat.
- A1: Kajagoogoo - Kajagoogoo (Instrumental)
- A2: Simple Minds - Don't You (Forget About Me)
- A3: Orchestral Manoeuvres In The Dark - If You Leave
- A4: Oingo Boingo - Weird Science
- A5: Furniture - Brilliant Mind
- A6: Dave Wakeling - She’s Having A Baby
- B1: The Flowerpot Men - Beat City
- B2: The Psychedelic Furs - Pretty In Pink
- B3: Flesh For Lulu - I Go Crazy
- B4: Dr. Calculus - Full Of Love
- B5: Lick The Tins - Can't Help Falling In Love
- B6: Steve Earle & The Dukes - Six Days On The Road (A
- C1: Kirsty Maccoll - You Just Haven't Earned It Yet Bab
- C2: Suzanne Vega & Joe Jackson - Left Of Center
- C3: Pete Shelley - Do Anything (Soundtrack Version)
- C4: Carmel - It's All In The Game
- C5: The Dream Academy - Power To Believe (Instrume
- C6: Kate Bush - This Woman's Work
- D1: The Beat - March Of The Swivelheads (Rotating He
- D2: Nick Heyward - When It Started To Begin
- D3: Orchestral Manoeuvres In The Dark - Tesla Girls
- D4: Big Audio Dynamite - Bad
- D5: Killing Joke - Eighties
- D6: The Specials - Little Bitch
- E1: Gene Loves Jezebel - Desire (Come And Get It) (Us
- E2: Flesh For Lulu - Slide
- E3: Love And Rockets - Haunted When The Minutes Dr
- E4: Sigue Sigue Sputnik - Love Missile F1-11 (Ultraviole
- E5: Lords Of The New Church - Method To My Madnes
- F1: The Jesus And Mary Chain - The Hardest Walk (Sing
- F2: Echo & The Bunnymen - Bring On The Dancing Hor
- F3: General Public - Tenderness
- F4: The Blue Room - I'm Afraid
- F5: Belouis Some - Round, Round
- F6: Thompson Twins - If You Were Here
- F7: The Dream Academy - Please, Please, Please Let M
- G1: Yello - Oh Yeah
- G2: Book Of Love - Modigliani (Lost In Your Eyes)
- G3: Otis Redding - Try A Little Tenderness
- G4: Patti Smith - Gloria In Excelsis Deo
- G5: Westworld - Ba-Na-Na-Bam-Boo
- G6: Divinyls - Ring Me Up
- G7: Topper Headon - Drummin' Man
2LP Edition[87,35 €]
Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch
Billy Idol - "Catch My Fall" (From The 1987 Movie 'Some Kind Of Wonderful')
The Association - "Cherish" (From The 1986 Movie 'Pretty In Pink')
Penguin Cafe Orchestra - "Music For A Found Harmonium" (From The 1988 Movie 'She's Having A Baby')
Zapp - "Radio People" (From The 1986 Movie 'Ferris Bueller's Day Off')
Blue Room - "Cry Like This" (From The 1987 Movie 'Some Kind Of Wonderful')
Ray Charles - "Mess Around" (From The 1987 Movie 'Planes, Trains & Automobiles')
Joe Turner - "Lipstick, Powder & Paint" (From The 1989 Movie 'Uncle Buck')
Darlene Love - " (Today I Met) The Boy I'm Gonna Marry" (From The 1984 Movie 'Sixteen Candles')
Marvin Gaye - "How Sweet It Is (To Be Loved By You)" (From The 1988 Movie 'She's Having A Baby')
Perry Como/Mitchell Ayres & His Orchestra/The Ray Charles Singers - "Juke Box Baby" (From The 1989 Movie 'Uncle Buck')
The Chordettes - "Mr Sandman" (From The 1989 Movie 'Uncle Buck')
Ray Anthony & His Orchestra - "The Peter Gunn Theme" (From The 1984 Movie 'Sixteen Candles')
Lindsey Buckingham - "Holiday Road" (From The 1983 Movie 'National Lampoon's Vacation')
Emmylou Harris - "Back In Baby's Arms" (From The 1987 Movie 'Planes, Trains & Automobiles')
Hugh Harris - "Rhythm Of Life" (From The 1989 Movie 'Uncle Buck')
Spandau Ballet - "True" (From The 1984 Movie 'Sixteen Candles')
Propaganda - "Abuse" (From The 1987 Movie 'Some Kind Of Wonderful')
The Dream Academy - "The Edge Of Forever" (From The 1986 Movie 'Ferris Bueller's Day Off')
Yello - "Lost Again" (From The 1987 Movie 'Planes, Trains & Automobiles')
Bryan Ferry - "Crazy Love" (From The 1988 Movie 'She's Having A Baby')
The Rave-Ups - "Positively Lost Me" (From The 1986 Movie 'Pretty In Pink')
Los Lobos - "Don't Worry Baby" (From The 1985 Movie 'Weird Science')
Steve Earle - "Continental Trailways Blues" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Revillos - "Rev Up" (From The 1984 Movie 'Sixteen Candles')
Boston - "More Than A Feeling" (From The 1988 Movie 'She's Having A Baby')
Balaam & The Angel - "I'll Show You Something Special" (From The 1987 Movie 'Planes, Trains & Automobiles')
The Rave-Ups - "Rave Up/Shut Up" (From The 1986 Movie 'Pretty In Pink')
Pop Will Eat Itself - "Beaver Patrol" (From The 1988 Movie 'The Great Outdoors')
The Vapors - "Turning Japanese" (From The 1984 Movie 'Sixteen Candles')
Silicon Teens - "Red River Rock" (From The 1987 Movie 'Planes, Trains & Automobiles')
out
- Hotel California
- New Kid In Town
- Life In The Fast Lane
- Wasted Time
- Wasted Time (Reprise)
- Victim Of Love
- Pretty Maids All In A Row
- Try And Love Again
- The Last Resort
The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the record's genius becomes obvious all over again. Ranked the 118th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling LP in history, and considered the foundation on which the Golden State's mid-‘70s music scene was built, the 1976 landmark is a music staple immune to shifts in trends, eras, and styles. Fearlessly addressing the chaos and consequences of American life, its songs remain strikingly prescient and gain creedence with each passing day.
Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 17,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set ensures you will want to permanently check into and never leave this particular Hotel California. Up to the herculean task of standing head and shoulders above all prior reissues, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, massive dynamics, and microscopic levels of detail. You'll be able to practically smell the colitas and feel the breeze in your hair. Songs come across with an epic sweep and feature immersive, front-to-back soundstages that allow the music unprecedented air, roominess, and separation. As for the noise floor? It's basically as invisible as the spirits that waft in the corridors of the unforgettable title song.
Aesthetically, the premium packaging and presentation of the UD1S Hotel California pressing befit its esteemed status. Housed in a deluxe box, it features gorgeous foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. From every angle, this UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the renowned cover art to the meticulous finishes.
Indeed, the opportunity to zero in on all the particulars of the 26-million-selling Eagles record dubbed "a legitimate rock masterpiece" by vaunted Los Angeles Times scribe Robert Hilburn has never been better. A global phenomenon that marked the band debut of guitarist-singer Joe Walsh, Hotel California continues to resonate and connect with listeners of all generations taken by its narrative depth, stark directness, picturesque melodies, daring majesty, and ardent emotionalism. Adorned with a breathtaking exterior photograph of the Beverly Hills Hotel that serves as the simultaneously haunting and alluring cover art, and rounded out by a rear-cover shot of the Lido Hotel lobby that reinforces a notion that teeters between permanence and transience, Hotel California is brilliantly tied to a specific place that functions as a universally understood metaphor for the American Dream.
Confronting the darker undercurrents and oft-ignored constructs attached to that romantic notion, the record's songs revolve around a host of shared themes: excess, mobility, stability, illusion, fame, destruction, and idealism included. Notably, Hotel California appeared at a crucial junction in American history: During the country's bicentennial and amid escalating controversies related to the Vietnam War, energy crisis, and governmental corruption. That the Eagles manage to channel such cultural, social, and economical matters into a cohesive, stately, big-picture statement is alone a stupendous feat. That the album's reach, boldness, vitality, accessibility, and understated intensity have never waned make it a marvel.
Reflecting on Hotel California 40 years after its original release, and indirectly explaining its enduring appeal and increasing relevance, singer-songwriter Don Henley confirmed the record pertains to the "loss of innocence, the cost of naiveté...the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of ‘peace, love and understanding.'"
It can be argued that Henley and company squarely hit on and drove home those ideas in the surreal title track, chart-topping "Life in the Fast Lane," and grand "The Last Resort" alone. But that would miss the forest for the trees. Experienced as an unbroken whole, complete with the pristinely shot imagery and physical grooves, Hotel California unfolds like a geography-conscious saga by James Michener and plays like colour-saturated movie shot on 70mm film by Martin Scorsese. It's about our collective and individual decisions – and the shape of our past, present, and future. And, just like that conjured by our imaginations, Hotel California continues to take on a life of its own.
More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.
MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
- A1: Kajagoogoo - Kajagoogoo (Instrumental)
- A2: Simple Minds - Don't You (Forget About Me)
- A3: Orchestral Manoeuvres In The Dark - If You Leave
- A4: Oingo Boingo - Weird Science
- A5: Furniture - Brilliant Mind
- A6: Dave Wakeling - She’s Having A Baby
- B1: The Flowerpot Men - Beat City
- B2: The Psychedelic Furs - Pretty In Pink
- B3: Flesh For Lulu - I Go Crazy
- B4: Dr. Calculus - Full Of Love
- B5: Lick The Tins - Can't Help Falling In Love
- B6: Steve Earle & The Dukes - Six Days On The Road (A
- C1: Kirsty Maccoll - You Just Haven't Earned It Yet Bab
- C2: Suzanne Vega & Joe Jackson - Left Of Center
- C3: Pete Shelley - Do Anything (Soundtrack Version)
- C4: Carmel - It's All In The Game
- C5: The Dream Academy - Power To Believe (Instrume
- C6: Kate Bush - This Woman's Work
- D1: The Beat - March Of The Swivelheads (Rotating He
- D2: Nick Heyward - When It Started To Begin
- D3: Orchestral Manoeuvres In The Dark - Tesla Girls
- D4: Big Audio Dynamite - Bad
- D5: Killing Joke - Eighties
- D6: The Specials - Little Bitch
- F2: Echo & The Bunnymen - Bring On The Dancing Hor
- F3: General Public - Tenderness
- F4: The Blue Room - I'm Afraid
- F5: Belouis Some - Round, Round
- F6: Thompson Twins - If You Were Here
- F7: The Dream Academy - Please, Please, Please Let M
- G1: Yello - Oh Yeah
- G2: Book Of Love - Modigliani (Lost In Your Eyes)
- G3: Otis Redding - Try A Little Tenderness
- G4: Patti Smith - Gloria In Excelsis Deo
- G5: Westworld - Ba-Na-Na-Bam-Boo
- G6: Divinyls - Ring Me Up
- G7: Topper Headon - Drummin' Man
- E1: Gene Loves Jezebel - Desire (Come And Get It) (Us
- E2: Flesh For Lulu - Slide
- E3: Love And Rockets - Haunted When The Minutes Dr
- E4: Sigue Sigue Sputnik - Love Missile F1-11 (Ultraviole
- E5: Lords Of The New Church - Method To My Madnes
- F1: The Jesus And Mary Chain - The Hardest Walk (Sing
6LP Edition[79,79 €]
Demon Music group in conjunction with the Hughes family are proud to present the first official compilation of music
from the movies of legendary filmmaker John Hughes, covering the classic eighties period 1983 – 1989.
For anyone growing up in the 1980s, the films of John Hughes are some of the most iconic of the decade and have
created a lasting cultural impact still felt and referenced across TV, film and music. As well as the characters and
stories created in these iconic movies, what made John Hughes’ movies different from the rest was the symbiotic
relationship between scene and music. Whether Cameron Frye staring at the painting in Ferris Bueller’s Day Off set to
The Dream Academy’s “Please, Please, Please Let Me Get What I Want (Instrumental)”, Duckie and Andie from Pretty
In Pink at prom set to Orchestral Manoeuvres In The Dark’s “If You Leave”, or even Neal and Del’s classic “Those aren’t
pillows” scene from Planes, Trains and Automobiles set to Emmylou Harris’ “Back In Baby’s Arms”.
“Music was a huge part of filmmaking for him, it was a thing he seemed to like the most.” Matthew Broderick
Curated by John Hughes’ music supervisor Tarquin Gotch, this 6LP vinyl boxset includes 73 tracks from the movies
National Lampoon’s Vacation, Sixteen Candles, The Breakfast Club, Weird Science, Pretty In Pink, Ferris Bueller’s Day
Off, Some Kind Of Wonderful, Planes, Trains And Automobiles, She’s Having A Baby, The Great Outdoors and Uncle
Buck.
“Back when we were working on these movie soundtracks, the best way to send music around the world was the
cassette, by Fedex. We sent John cassettes of newly released music, of demos, of just finished mixes (and in return he
would send VHS videos of the scenes that needed music).” Tarquin Gotch
The films of John Hughes spawned many classic tracks, some licensed for the films, some commission specifically, and
many going on to become huge international hits from acts such as Simple Minds, Kate Bush, Furniture, Yello, and
The Psychedelic Furs.
“It serves as a reminder not just to the musicians he championed in the 1980s, but to how intensely his search for
music expanded beyond this era. Until his final days, he was still collecting outrageous amounts of music from around
the world, galaxies removed from the New Romantic and new wave sounds that, to many, still define him.” James
Hughes
Also includes an extensive 24-page booklet including memories from Matthew Broderick, James Hughes, Tarquin
Gotch, Ron Payne, plus track-by-track sleeve notes.
“John said he only made movies so he could choose what music to put in them, so as his success at the Box Office
grew, and thus his power with the studios, the number of tracks in his films, by up and coming UK bands, steadily
grew.” Tarquin Gotch
- A1: Lovetempo - Same Ole Love (365 Days A Year) (Extended Summer Breeze Mix)
- A2: Nicholas Cangiano - Falling Behind
- A3: Poolside - Ventura Highway Blues (Monsieur Van Pratt Dub)
- B1: Prep & Eddie Chacon - Call It (Turbotito Rem
- B2: Moi Je - Découvre
- B3: Turbotito - Time Starts Moving Slow
- C1: Young Gun Silver Fox - Curious
- C2: B U.m.p. - Give A Little Love A Lot
- C3: Woolfy Vs Projections - Seeds
- C4: 1-900 - Breakin' 84
- D1: Goodvibes Sound - Stay For One More Night (Matt Hughes Remix)
- D2: Moods & Nic Hanson - Music Never Looked So Good Good
- D3: Bowaswell - Over When The Night Is Gone
- D4: Joel Sarakula - Hands Of Love (Phil Martin Remix)
- D5: Kimchii - Do You Ever
lim. 2xLP colored yellow and oxblood vinyl with Poster, Sticker & Mp3 Download!
We are back with another chapter in our ongoing series of unearthing smooth vibes from all over the world, this time we go back to the FUTURE for you with: THE SUNSET MANIFESTO Volume 2. After a five year break mainly concentrating on the late 70s/early 80s Westcoast Soul/Yacht/AOR sound, we finally dive deep into the modern world of our beloved sister-label Too Slow To Disco NEO (for the third time after 2018s TSTD NEO - En France and 2020s The Sunset Manifesto excursions). But of course it wasn't a real 5 year break since the first Sunset Manifesto compilation, as in the meantime we also released a few digital TSTD Neo singles, and - more importantly - our "Too Slow To Disco NEO - FM" playlist on spotify (handcurated by Dj Supermarkt every week and now hosting more than 1500 tracks of mellow, modern sunshine vibes) was growing steadily and becoming a new, important fixpoint in the TSTD musical universe. TSTD NEO is the outlet Dj Supermarkt is using to unearth modern laidback, smooth, sunny slow disco vibes with a soulful Westcoast/Balearic touch. For him TSTD always has been about a laidback vibe/feeling, not a certain time period in musical history. And that sunny Westcoast vibe we dug out on those traditional TSTD compilations has become a huge influence to so many modern artists. So it makes sense that we present the cream of new slo/mo NuDisco/Sunset Disco/Daytime Disco acts in the TSTD format, a luxurious compilation, with artists from all across the globe: Not only from the two homelands of that modern slow disco sound, Los Angeles/California and France, but also from Beijing, Montreal, Mexico, London, New York, Stockholm, Rotterdam… the moon, you name it! This music is more a state of mind, a feeling, then a geographical thing. We are happy and really excited to annouce the following passengers are on board with exclusive tracks: Poolside, Woolfy, Prep & Eddie Chacon, Turbotito, Young Gun Silver Fox, Lovetempo, Kimchii, Goodvibes Sound a.m.m.
Mood Child Presents ‘Various Moods Vol. 4’: Six Multi-Mood Tracks from Nick Curly, Joey Daniel, Wilder (ITA), and more
Mood Child, the forward-thinking label helmed by Sirus Hood and Manda Moor, proudly unveils Various Moods Vol. 4, a striking album of six genre-blending tracks that each bring a unique sonic perspective. Set for release on both vinyl and digital formats, this carefully curated collection showcases the label’s signature commitment to innovation, groove, and dancefloor energy.
Side A leans into classy, funky house vibes, while Side B ventures into wilder, tech-driven territory, offering a versatile listening experience for both crate diggers and peak-time DJs.
The compilation marks the return of German house icon Nick Curly, Italian heavy-hitters Wilder (ITA) and Mattia Scolaro, and rising Brazilian talents Las Heras and ROKKE, who teamed up with RAMOOX for a potent collaboration. Mood Child is also thrilled to welcome Dutch maestro Joey Daniel to the label for the first time.
- A1: Get It Up For Love - Doheny, Ned
- A2: Let's Put Our Love Back Together - Denne, Micky / Gold, Ken
- A3: Deco Lady - Holmes, Rupert
- A4: Over & Done With - White Horse
- A5: Liverpool Fool - Browning Bryant
- B1: Lotta Love - Larson, Nicolette
- B2: Do You Feel It - Alessi Brothers
- B3: Steal Away - Photoglo
- B4: Room To Grow - Elliot, Brian
- C1: Saturday In The Park - Chicago
- C2: Shut The Door - Don Brown
- C3: Rendezvous - Cassel, Matthew Larkin
- C4: If I Saw You Again - Pages
- C5: Losin' End - Doobie Brothers, The
- D1: Sugar Daddy - Fleetwood Mac
- D2: Steal Away - Dupree, Robbie
- D3: Spaceship Earth - Batteau, David
- D4: I've Got A Thing About You Baby - White, Tony Joe
- D5: Don't You Know - Hammer, Jan Group
RECORD STORE DAY EXCLUSIVE!
Late 70s Westcoast Yachtpop you can almost dance to!
Man nannte sie nicht umsonst die - Me Me Me Generation'. Die sehr von sich überzeugten bärtigen Musiker (und die Musikerinnen in wabernden Kleidern), die Mitte/Ende der 70er in L.A.'s Strassen rum hingen und sich selbst feierten. Der geschmackvolle Teil der Musik-Welt hätte diese Musikrichtung noch vor einigen Monaten nicht mit der Zange angefasst. Zu sanft, zu übertrieben, zu luxuriös, zu offen hedonistisch, zu ausladend. Zu unecht, zu gekünstelt, nicht authentisch, und dann noch diese unfassbaren Akkordwechsel...Aber ' Too Slow To Disco - vol. 1' hält sich nicht auf mit solchen alten Geschichten und Klischees. Wir alle wissen, sobald Musikgenres alt werden, scheinen die wichtigen, relevanten Teile auf einmal durch und diese Zusammenstellung versteht sich als Dokument eines fast vergessenen Teils der West Coast Musikwelt Mitte bis Ende der 70er Jahre.Es hat ein Jahr gedauert, die von uns ausgewählten, meist unbekannteren Songs aufzutreiben. Songs von Musikern, die damals gerade ihre ersten, oft wenig erfolgreichen Schritte unternahmen, bevor sie Jahre später mal eben eine Handvoll Welthits aus dem Ärmel schüttelten und die - grosse Welle' der Musik der kalifonischen Küste surften. Also, willkommen zu Volume 1 unseres sogenannten PRM (Personal Rediscovery Movement).
- A1: It Feels Much Better Feat Harry Stone (Extended Mix)
- A2: Set The Mood Right Feat Harry Ston (Extended Mix)
- A3: Know You Love Me With Flight Facilities (Extended Mix)
- A4: Novalight Feat Close Counters (Vinyl Edit)
- B1: House Of Mirrors Feat Harry Stone (Extended Mix)
- B2: She's Cosmic Feat Close Counters (Extended Mix)
- B3: I Was Lost (And I Found You) Feat Chromeo (Extended Mix)
- B4: Boudoir (Extended Mix)
- C1: Keep Me On The Dancefloor Feat Harry Stone (Extended Mix)
- C2: Chasing Thrills Feat Harry Stone (Extended Mix)
- C3: (I'll Be Your) Paradise Feat Nic Hanson (Extended Mix)
- C4: Keep Me On The Dancefloor Feat Harry Stone (Mo' House Vinyl Edit)
- D1: Internet (Vinyl Edit)
- D2: Only Love Feat Harry Stone (Vinyl Edit)
- D3: Vicino O' Mare (Reprise)
- D4: We Made The World Feat Biishop (Extended Mix)
- D5: Wildfire Feat Biishop (Original Mix)
DJ support from - Hector Romero, Marco Lys, Mousse T, Sam Divine, Vintage Culture, Ferreck Dawn, Mat.Joe, Claptone, Joseph Capriati, Claude VonStoke, Dennis Cruz, Huxley, Mark Knight, Format:B, Nic Fanciulli.
Riva Starr presents his fifth album 'Keep Me On The Dancefloor' on Snatch! Records.
An opportunity to demonstrate his growth as a producer and as an artist, the album showcases an unexpected Riva Starr sound – one that explores a fresh creative approach, focussing on songwriting, collaboration, and telling stories that are firmly rooted on the dancefloor.
Featuring collaborations with Chromeo, Flight Facilities, Harry Stone and more.
'The album was entirely crafted through writing sessions with talented musicians, writers, and singers. This approach brings something unique, as being in the room with other creatives adds an extra layer of creativity and depth, enhancing the production quality. Most of the tracks came together quickly, thanks to the incredible vibe and chemistry in the studio. Sometimes, the process needed a bit of back and forth and more than one session to perfect.' – Riva Starr
Fusing sounds that represent different eras of Riva’s career, 'Keep Me On The Dancefloor' wistfully and effortlessly glides between disco, funk, soul, filtered house, and even the guitar licks of classic rock; a sum of his career to date, it is a body of work that focusses on amplifying the positive moments, memories, and experiences that can only be found in music. Exploring what it means to connect with someone in the moment; a celebration of losing your inhibitions to the music and finding yourself completely in sync with someone you’ve only just met.
Charged with storytelling and heartfelt lyrics, his most personal work to date is the result of a considered approach to making music, one of collaboration with one foot still on the dancefloor, and the other firmly in the studio guiding an array of talent to build something unique with him. Moving away from the DJ-friendly cuts that have underpinned much of Starr’s career, the fifteen tracks on 'Keep Me On The Dancefloor' are much deeper. With singer Harry Stone providing catchy toplines and infectious vocals across at least half of the album, there is a clear maturity on display at every level.
Additional features come from electro-funk duo Chromeo on the irresistibly groovy 'I Was Lost', and Prince-esque vocals from Nic Hanson on '(I’ll Be Your) Paradise'. 'Know You Love Me' – the laid-back, sun-kissed cut with Flight Facilities – compliments the melancholy vocals of Biishop on “Wildfire” and the disco-infused 'It Feels Much Better' with Harry Stone.
Music is a tonic for the soul, but it feels much better with someone else.
- A1: Delenz & Zeitstill – Place To Be
- B1: Superpitcher – Dream B
- C1: Patrice Bäumel – Nat
- D1: Sawlin – Der Jasager
- E1: Dc Salas – Escapism
- F1: Tal Fussman – Eyes
- G1: Ken Ishii & Yuada – Split Second
- H1: Marcel Fengler – Aura
- I1: Impérieux – Kala
- J1: Joe Metzenmacher – Da Freak
- K1: Joseph Capriati – Cosmopop
- L1: Matthias Schildger – Distorter
Limited Vinyl Box Set including 6x olive 12” vinyl & download code
Cocoon Recordings presents: Cocoon Compilation V
Back for the summer season, Cocoon Recordings proudly unveils the next chapter in its iconic compilation series. With its 22nd edition, Cocoon Compilation V once again bridges past and future, showcasing the essence of electronic music’s constant evolution. True to the spirit of the label, this handpicked collection delivers a diverse, emotional, and forward-thinking selection that drifts through shimmering currents, pulsating machinery, and moments of pure release.
Delenz & Zeitstill set the tone with “Place To Be”, a smooth and warm opener that invites the listener into a meditative microcosm. What starts as dreamy minimalism steadily unfolds into deep, shimmering depth. A sublime invitation to get lost in sound. Superpitcher takes us further into the mist with “Dream B”, an ethereal and cinematic dreamscape that floats between melancholy and magic. Its stretched textures and hypnotic pacing form a gentle passage into inner space.
The energy intensifies with Patrice Bäumel’s “Nat”, a sophisticated tension-builder with a subtle pulse and haunting atmospheres. Sound waves that breathe, evolve, and subtly command movement. Sawlin switches gears with “Der Jasager”, a deep technoid beast that hits with low-end pressure, modulated percussions, and gritty textures and spooky features. Raw, physical, and unrelenting.
A bright contrast comes from DC Salas and his track “Escapism.” Psychedelic, synth-heavy, and effortlessly groovy, it channels the playful side of electronic storytelling. It channels a trancy 90s flair with its vibrant energy, brilliant use of choir bits, and irresistible vibe that transports you back to a golden era. With Tal Fussman’s “Eyes”, we’re taken into euphoric territory. This stomper is a conversation between piano and strings, rising above crisp grooves, weaving emotion and momentum with finesse.
On the second half of the journey, legendary Ken Ishii teams up with Yuada to deliver “Split Second,” a bold, wild and crazy techno excursion full of mechanical grace and Japanese precision. An ode to organized chaos. Marcel Fengler’s “Aura” follows, powerful and deep, pushing air like an engine through tunnels of tension and light. The blend of rhythm and sentiments is a masterclass in functional elegance and states of mind.
Impérieux brings us “Kala,” a track both twisted and beautiful. Its detuned hypnotic melodies and skewed harmonics are unsettling in the best way while the unconventional rhythms cloak the entire track in a mysterious aura. It creaks and twists toward transcendence, underscored by primordial flute sounds. A fractured lullaby for the club. Joe Metzenmacher injects wildness and attitude into the mix with “Da Freak.” Fuzzy, distorted synths collide with a funky bassline, sharp guitar stabs, and mad bleep effects, bringing the raw groove and dancefloor chaos of a bygone funk era into a futuristic setting.
Joseph Capriati debuts on Cocoon with “Cosmopop” and surprises with an unexpected stylistic shift. Capriati explores a more melodic, emotionally driven sound. Subtle harmonies meet a warm, rolling groove. It’s a bold and personal statement, showing a new side of an artist who continues to evolve beyond expectations. To close, Matthias Schildger offers “Distorter,” a raw and emotional cut that leaves room to breathe while keeping the mind spinning. It begins with beautiful pads, before distorted kicks drop in, yet the track retains a certain tenderness, like the feeling of sitting at a tranquil, untouched nature spot, surrounded by the beauty of the world. A grand finale to a compilation that refuses to settle.
From sunrise moments to peak-time madness, Cocoon Compilation V captures the full spectrum of what dance music can be. Transcendent, visceral and endlessly evolving. This isn’t just a collection of tracks. It’s a curated experience for the body, the mind and the soul.




















