This release holds special significance as it captures MC Conrad’s final recording session, completed just days before his passing. On the day of the session, Conrad and DJ Prime Cuts laid down the chorus for Together, with plans for further writing that tragically never came to be. This release is both a tribute and a responsibility for DJ Prime Cuts, honoring Conrad’s last creative contribution and sharing it with the world.
Proceeds from the single will go toward the MC Conrad Foundation and a GoFundMe campaign, supporting Conrad’s son and continuing his legacy.
A-side Together is a vibrant electro-funk track combining chopped vocals, jazz-infused loops, and MC Conrad’s legendary voice. DJ Prime Cuts’ production masterfully blends the soulful essence of Roy Ayers with innovative, future-forward rhythms. The 130 BPM tempo breaks from Conrad’s typical work, but this track pushes beyond genres, creating a timeless piece that speaks to both artists’ versatility.
The B-side, Our Time Is Now, stands as a high-energy tribute to Roy Ayers. It showcases DJ Prime Cuts’ prowess as a producer, blending deep basslines with techno-infused elements to create a track that’s both innovative and nostalgic. Originally conceived as part of the tribute to Ayers, the track celebrates the present moment and is a powerful homage to one of music’s greatest legends. With its infectious rhythm and dynamic production, Our Time Is Now is a must-listen for electronic music fans and Roy Ayers. "
Buscar:mc 1
- A1: Arthashastra
- A2: Dragon`s Descent
- A3: Fatherless Son
- A4: A City Painted With Red
- A5: Memories Of A Sword
- A6: Walls Of Pataliputra
- A7: Refuge In Chandraketugarh
- A8: Crossing The River
- A9: Recycle Accession Succession Ii
- A10: Epilogue I
- B1: Epilogue I (Susu Laroche Remix)
- B2: Crossing The River (Racine Remix)
- B3: Crossing The River (Arexibo Remix)
- B4: Dragon`s Descent (Yikii Remix)
- B5: Refuge In Chandraketugarh (Flora Yin Wong Remix)
Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.
Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.
Material Object is the main production alias of veteran Australian producer Andre Ruello. His focus is on the most psychedelic forms of techno and ambient. As well as his own productions he has collaborated extensively with Uwe Schmidt (Atom™) and the late Pete Namlook, including releasing on Namlook's Fax label. Ruello has performed and DJed live all over the world, including a number of appearances at Japan's Labyrinth festival. The summer of 2024 sees him give his debut live performance in the UK.
Mastered by Uwe Schmidt, Colour is a set of six single take studio improvisations that explore the boundaries of what can be achieved with a single instrument in the hands of a skilled musician.
Old Technology Records is Surgeon and Dan Bean's record label, focussing of psychedelia in all its varied forms.
NO UPS SHIPPING POSSIBLE !
analogis »clean ’n’ play« MC cleaning cassette
including cleaning liquid
analogis »clean ’n’ play« MC Reinigungscassette
inklusive Reinigungsflüssigkeit
New tape from Gabber Eleganza's Never Sleep imprint.
This time its a live recording of Drum & Bass legend / Critical Sound boss Kasra at Fabric with MC's GQ and Mantmast.
The tape is in honour of Shaun Roberts, the sadly departed Fabric booker who was a pivotal figure in the UK's electronic scene. All proceeds go to Bowel Cancer UK
"Fabric played a huge role in shaping me as a music fan and years later became the London home for me and my label. This wouldn’t have happened without the help and support of Shaun Roberts, who left us far to soon in Dec of 2022 after an 18 month battle with colon cancer.
When the Never Sleep crew asked me to contribute to their mix series I knew id like to honour Shaun and help raise some money for Bowel Cancer UK.
Without Shaun and people like him taking chances on people like me the music landscape would look very different.
This is mix is taken from the Critical Sound 15th birthday event in 2017.
For the 30th anniversary of the release of the first single by Frankie HI NRG MC 'Fight Da Faida' Irma Records together with the artist have decided to pack an unreleased collector's version of the song.
The new look is in 7-inch format (45 rpm) in a limited edition on white vinyl with a gatefold format cover containing, in addition to a photo of the artist of the time and one of today, the original lyrics of the song and a text by the well-known journalist and radio and television host Luca De Gennaro who was the first to notice the artist.
The song Fight Da Faida has been seminal for the evolution of Italian Hip Hop.
At the time, few such songs had come out and they were all known mostly on the alternative circuits. Fight Da Faida, despite its harsh and explicit text against the mafias, was the first to have real radio programming on national networks.
It was also obviously the launching pad of the artist who later released his first album 'Verba Manent' which also contains this single.
The new format contains the original version, the instrumental version and the 'famous' Sicilian nursery rhyme 'Tri Tri Tri Trinacria Breakdown' which over the years has been repeatedly sampled abroad for club music songs.
- A1: Intro
- A2: The Magic Number
- A3: Change In Speak
- A4: Cool Breeze On The Rocks (The Melted Version)
- A5: Can U Keep A Secret
- A6: Jenifa Taught Me (Derwin's Revenge) (Derwin's Revenge)
- A7: Ghetto Thang
- A8: Transmitting Live From Mars
- A9: Eye Know
- A10: Take It Off
- A11: A Little Bit Of Soap
- A12: Tread Water
- A13: Potholes In My Lawn
- B1: Say No Go
- B10: Daisy Age
- B2: Do As De La Does
- B3: Plug Tunin' (Last Chance To Comprehend) (Last Chance To Comprehend)
- B4: De La Orgee
- B5: Buddy (With Jungle Brothers & Q-Tip From A Tribe Called Quest)
- B6: Description
- B7: Me Myself & I
- B8: This Is A Recording 4 Living In A Full Time Era (Life) (Life)
- B9: I Can Do Anything (Delacratic) (Delacratic)
2X12 VINYL[35,25 €]
Blue Version[18,28 €]
Yellow VINYL[35,50 €]
Magenta version[35,50 €]
Finally back on tape, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).
- 1: The Show Ain't Over Till The Fatman Swings
- 2: Portrait Of A Fiend
- 3: Just Like A Niguh
- 4: From The Brick Jungle
- 5: It Ain't Easy Bein' Me
- 6: Only In America
- 7: Hustler
- 8: It's Getting Hard
- 9: T.h.i.c.k
- 10: Marrero
- 11: You Said It Couldn't Be Done
- 12: Leave 'Em Out There
- 13: Bitch Contro
Originally released in 1993 on Big Beat/Atlantic, MC Thick’s The Show Ain’t Over Till the Fatman Swings followed his 1991 underground single “Marrero (What the Fellas Be Yellin)” and marked a defining moment for the Marrero, Louisiana rapper. While early ’90s New Orleans was dominated by bounce, MC Thick stood apart with gritty, street-level storytelling and a raw, unapologetic voice.
Featuring “T.H.I.C.K.” and production work involving T-Ray (Todd Ray), known for his work with Cypress Hill, the album remains an important piece of Southern rap history.
Fully remastered and pressed on black vinyl, this is the first vinyl availability in decades. Housed in a full-color jacket with a printed insert and is limited to 500 copies worldwide.












