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Nell Smith - Anxious

Nell Smith

Anxious

12inchBELLA1616V
Bella Union
11.04.2025
  • Anxious
  • Daisy Fields
  • Bubba
  • The Worst Best Drug
  • Service Song
  • Boy
  • In A Bubble
  • Splash
  • I Know Nothing
  • Billions Of People
  • Split In The Sky

Posthumous record releases are always charged with emotion but when the release comes from a 17 year-old artist that was just getting started it is heartbreaking Anxious is a mesmerizing selection of songs that explore the highs, lows and uncertainty of teenage life through the eyes of Nell and is the follow-up to Where The Viaduct Looms, her debut collaboration with The Flaming Lips that explored the works of Nick Cave.

Guided by the talented Jack and Lily Wolter of Penelope Isles, who helped shape Nell's songs, some of which had been in the works since she was twelve years old, the result is an album brimming with emotion, playful melodies and a depth that hints at what Nell's future may have held. Nell's record includes three songs which were written in partnership with Canadian folk band Shred Kelly with whom she spent winter evenings writing in her hometown of Fernie, British Columbia, huddled round the fre in 2022. Jack and Lily Wolter subsequently completed these songs and the rest of the works in Brighton in 2023.

Nell's frst and only studio recording session at Bella Union's studio in Brighton at the tender age of 15 was an intense mix of long days with Jack and Lily expertly teasing out what was really going on in Smith's mind with the help of Doritos, Fizzy sweets, Coca Cola and inspiration gained by sneaking her into venues to see local bands play.

A lot of Nell's creative drive was rooted in raw teenage emotions; apprehension; love; travel; gratefulness; ambition; and grief. These moods are visited throughout the tracks on the album with an instrumental approach that brings joy into even the darkest of songs.

vorbestellen11.04.2025

erscheint voraussichtlich am 11.04.2025

29,62
DeepChord - Vantage Isle (Remastered) 3x12"

Deepchord

Vantage Isle (Remastered) 3x12"

3x12inchECHOSPACE001-RE
Echospace
10.04.2025

Repress!

Echospace Detroit is the label launched by Rod Modell (Deepchord) and Soultek's Steven Hitchell, two leading lights of the minimal dub techno scene. And as with anything Deepchord, the entire release has an air of mystery to it. Previously, as a near-mythical vinyl pressing with minimal packaging and restricted pressings, everything about Vantage Isle was geared toward the underground, or 'those who know.' However, there's nothing but love of craft driving these grooves, and now a lot more people will finally be able to hear this absolutely brilliant collection of spacial dub wonder on CD. Vantage Isle Sessions consists of a whopping 13 takes of the title track, reworked by Modell and Hitchell in various guises (cv313, Deepchord, Echospace, Spacecho), as well as a guest spot (and first ever remix) from Gerard Hanson (Convextion). Across their 13 versions, Modell and Hitchell manage to take the Deepchord template (analog synths, deep bass, gently throbbing beats, bursts of static and noise, and deep, deep chords) into a surprising variety of directions, akin to looking at the same giant glacier from a helicopter from every angle possible: some are beatless and undulating, some are pulsing and dynamic, some are looking up from under the ice and some are towering overhead. The aforementioned Convextion version is revelatory. It's built on cascading and echoing pieces of the original that are layered like shifting sands, for a distinctly dark and shimmering journey to the bottom of the frozen ocean and back. It's remarkable enough to get all these takes on one basic template to sound somewhat different, given that the source material is really just a skeletal array of sound sheets. Vantage Isle Sessions is for anyone looking for the logical successors to the Basic Channel throne, or just looking for something mellow for those steamy late summer nights. A stone-cold classic of the genre. Don't miss it." -Todd Hutlock, Stylus Magazine/Beatz by the Pound

"Steeped in mystery, Detroit musicians Rod Modell and Mike Schommer (aka Deepchord) are legendary for their hard to find twelve-inch dub techno releases. Their sound is heavily influenced by Berlin dub techno producers like Maurizio, Basic Channel, Chain Reaction, Rhythm & Sound, Blue Train and Pole. While the German sound often has a futuristic metallic edge, Deepchord are known more for the rust and grease, which is part and parcel of those metal parts. Static, analog sounds, deep bass thumps and, of course, deep chords blend in a timeless minimal manner. However, the real gems on this disc are the drifty ambient cuts devoid of beats. This is an excellent album that is on par with the classics from a decade ago!" -Exclaim


"In terms of ambient dub, if Basic Channel is the Father (the source, remote and inaccessible and very powerful) and Pole is the Son (dazzling but ultimately stranded halfway between man and the divine), than Rod Modell’s Deepchord and his Echospace label he run with Steve Hitchell is definitely the Holy Spirit." -Popmatters


"Deepchord’s dub-techno stealthily peels away melody, leaving a bare chassis of beats to ghost-ride down Woodward Avenue. Vantage Isle Sessions, which collects remixes of a 2002 Detroit Electronic Music Festival performance, finds the duo swerving through empty, neon-smeared streets, and recalls Berlin’s Chain Reaction label, minus the anemic minimalism." -XLR8R

"The album scales a magnificent peak in “Spacecho Dub II - Extended Mix” when smeary chords ricochet over a massively deep, bass-heavy pulse, and Hanson's light-speed missile of vaporous propulsion (“Convextion Remix”) is beautiful too.
Long may they run." -Textura

‘Vantage Isle’ is a tremendous achievement that will most likely be held up as a high water mark of the genre for years to come." -Resident Advisor

"My favorite mix is by Convextion (his first remix for another artist). Reedy, distant synth tones sound like a science fiction soundtrack overheard rooms away. An undercurrent of echoes, many difficult to describe, drift in a sonic syrup." -Gridface

"Modell’s music always seems to be in this suspended animation, adrift and afloat in a majestic emptiness." -Dusted Mag

CREDITS:
Written & Produced by Deepchord. Redesigned and Reshaped by Convextion (Gerard Hanson) cv313 (Stephen Hitchell) echospace / spacecho (Rod Modell + Stephen Hitchell)
Additional Mastering, Mixing and Engineering by Ron Murphy @ NSC Mastering, Detroit, USA. Side E/F Remastering and Lacquer cutting by Dietrich @ Complete, NYC, USA. (2018)

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41,98

Last In: vor 6 Monaten
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

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40,76

Last In: vor 33 Tagen
Catching Flies - Beats & Pieces (LP)

Catching Flies' (aka Produzent/DJ George King) Musik ist ein bassig-melodisches Amalgam aus brütender Elektronik und komplexen Rhythmen mit Anklängen aus Hip-Hop, House, Soul und Jazz. Er veröffentlicht auf Ninja Tune, Anjunadeep, Cercle und seinem Label Indigo Soul, kollaboriert mit Sofia Kourtesis, Hot Chip, Pretty Girl und DJ Seinfeld und zählt Diplo, Bonobo, Keinemusik, Maribou State, Jungle und Nils Frahm zu seinen Fans. Nach "Silver Linings" (2019) und "Tides" (2024) folgt nun sein neuester Longplayer, den er wie folgt ankündigt: "Ich habe nach einer Tour an der US-Westküste ein Airbnb in Ojai gemietet und ein Beat Tape gemacht. Es ist eine Ode an die Downtempo-Beats-Szene der 1990er/2000er, mit der ich aufgewachsen bin."

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22,06

Last In: vor 12 Monaten
ANiML - Star Walk LP

Animl

Star Walk LP

12inchSTSC004LP
Stratasonic
09.04.2025

Enigmatic producer ANiML returns to the freeform Los Angeles-based label StrataSonic to release a six-track mini album, Star Walk. The new body of work, which comes alongside a new music video for “Bruv” (directed by Spanish visual artist YZA Voku), is out now.

Picking up where ANiML left off with “Breather” and “Bruv,” Star Walk elaborates further on that woozy-yet-sophisticated psychedelia, materializing as cinematic trip-hop, cavernous dub, and other unique genre concoctions across its six tracks. “Cherry,” with its free-spirited, delay-soaked guitar riffs, depicts a colorful, post-rock-inspired soundscape. “BabyD,” in step with “Bruv,” features a mischievous marimba melody among ghostly vocal samples, a punchy drumkit, and a slackened bassline.

These scenes are brought to life thanks to YZA Voku, a groundbreaking visual artist who is at the forefront of AI-assisted filmmaking in the animation space (see his work for The Weeknd, Swedish House Mafia, Hï Ibiza, and XG). The new music video for “Bruv,” out today, unfolds in stark black, white, and red, evoking a noir-inspired aesthetic steeped in mystery and intrigue. Shadowy figures move rhythmically through dimly lit alleys and smoke-filled ballrooms, blending calculated steps with hypnotic dance sequences.

The production blended real-life recordings with digital effects like blur, negatives, masks, analog textures, and AI-driven transformations using Runway’s video-to-video tools. AI-generated sequences created with Midjourney and Runway were merged to contrast real footage with synthetic imagery. This type of work is a rejection that AI is simply used as a shortcut in art and comes at a time when musicians are beginning to embrace such tools for the visual components of their products.

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12,40

Last In: vor 12 Monaten
Mali Blakamix - Ruff & Ready – Blak Nile Dub Opus 1 (LP)

Already having made his presence known with releases, 'Iron Fist', 'Retaliation', and his collaborations with Aba Ariginal on 'Ariginal Militant Steppa' and the 'Ariginal Bubbla E.P.'; Mali takes things to another level and steps into 2025 with his debut album 'Ruff & Ready – Dub Opus 1'.
This Album is an amalgamation of heavy basslines, intricate and unique melodies, striking drum patterns; mixed down with wild phasers, intense delays and expansive reverbs. It contains a selection of tracks with varying moods and styles, with 'Spiritual Trance' and 'Judgement Hall' that are mystical and otherworldly in nature, to upfront steppers tracks like 'Nebula', 'Ruff & Ready', and the album exclusive mix 'Rebellion (Unamenable Mix); even 'Know Thyself (Blak Nile Sym- phony I)' pushing the boundaries of what typically fits into dub and reggae.
This debut album offering from Mali Blakamix is sure to please fans of his previous releases, let alone all dub aficionados and reggae & dub music lovers out there. Presented to the world in the authentic 'Blak Nile Style'; be sure to listen to music and feel the vibes of Ruff & Ready – Blak Nile Dub Opus 1.

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20,13

Last In: vor 12 Monaten
MAX BUCHALIK - LUCID DREAMS EP

Max Buchalik

LUCID DREAMS EP

12inchSLMXR003
Soulmeex
08.04.2025

Max Buchalik has been shaping Frankfurt’s music scene for many years now. Thanks to the deep connection to his hometown and the artists surrounding him, Max has constantly developed his production skills that now fuel his rising career.

His debut EP “Higher State” released in 2024 turned heads and his remix for Lauer’s “Don’t Let The Music Stop” on the Spanish imprint SOULMEEX truly made waves. Now, the Madrid-based label proudly presents Max Buchalik’s latest EP: Lucid Dreams.

With “Lucid Dreams”, reality blurs into fiction: a personal dreamscape entwines with the pursuit of perfection. The track soars into cosmic dimensions – timeless and weightless. Driving basslines blend with sparkling synth textures and shimmering pads, crafting an immersive, emotional atmosphere. It takes you on a journey where your feet stay grounded while your mind takes flight – Lucid Dreams become endless!

“Soar and Sway” is a pulsating ode to life – a celebration of constant growth despite the ups and downs of reality. The soundscape ventures through rhythmic percussion and radiant harmonic melodies. At times, ethereal pads take center stage; at others, punchy kicks and sharp hi-hats dominate. Continuously evolving, Soar and Sway radiates a vibrant aura, seamlessly merging energy, motion and harmony.

By teaming up with the charismatic and passionate artists Chinaski and Llewellyn for the remixes both tracks have been infused with fresh perspectives and luminous energy, making the EP shine even brighter.

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13,40

Last In: vor 8 Monaten
Dogo du Togo & the Alagaa Beat Band - Avoudé Remixes

Following up their critically-acclaimed 2024 LP Avoude (5 stars and 'Top of the World' on Songlines, Bandcamp top pick, Le Monde, BBC Radio, Pop Matters and more), Sol Power Sound is proud to present a blistering EP of remixes from the thrilling psychedelic West African outfit, Dogo du Togo & the Alagaa Beat Band.

Combining iconic traditional Togolese rhythms and melodies, Dogo du Togo’s sound is anchored in the country’s often overlooked, but extraordinary rich cultural history, reflecting the local Vodun religion and traditions that permeate everyday life in Togo.

For the remixes, Sol Power Sound enlisted a cast of renowned producers to rework the scorching originals into deeper club-friendly burners.

Captain Planet leads off the A side with a modern and percussive African house groove that will get any room with a pulse up and jumping

Sol Power All-Stars ask the question 'what if Prince joined Dogo du Togo in 1983?' and answer with a blistering dance funk track laced with synths, arpeggios, and Moog.

Rounding out the A-side is Detroit legend John Beltran, who transports Dogo and crew to Bahia for an Afro-Brazilian balearic heat rock. Perfect for your next sunset soiree.

Blair French, another Detroit icon, leads off the B-side with a deep and organic house groove that works equally well day, night, or early morning.

Sol Power All-Stars reappear again on side b with their mid tempo groovy Afrobeats flip of Von Na Agbeto, the one track that was not featured on Dogo’s LP.

Finally, DC mystery man Glenn Echo gets loose and trippy on the boards with a psychedelic digi dub (in 12/8!) that rattles your chest and puts your being directly into the echo chamber.

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14,50

Last In: vor 11 Monaten
Vitess / Robin Graham - PILOT 20

Vitess/Robin Graham

PILOT 20

12inchPILOT20
Pilot UK
07.04.2025

Burnski's Pilot label keeps it fresh with more sounds that operate in the middle ground between house, tech and garage. This one is a split EP that kicks off with Vitess's 'You Got Work,' fizzy, sugary cosmic cut with bouncing drums. 'Play My Game' is another trippy and astral affair with disco energy and wispy synth melodies that hit different. Robin Graham steps up on the flip with 'Not Here 2 Party' which is a low-slung tech cut with a sordid little bassline. 'Pipe Dream' gets even more abstract and minimal with sleek drums and dry drums rolling onwards.

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14,50

Last In: vor 7 Monaten
Kettel - Dubio LP

Kettel

Dubio LP

12inchAQA01LP
Aquatic Ape
07.04.2025

Finally, it's here: the new Kettel! And we certainly know we're on the Kettel estate: the delicate melodies, complex orchestrations, and the crisp sound design offer familiar musicality. The new Kettel hasn't skimped on ideas and details, and each track opens a courtyard that rewards surrender and attention--we want to linger there. One thing is clear from Dubio: if you thought you'd heard all of Kettel by now, you're mistaken. In the new Kettel, doubt (dubio in Latin) and dissonance have also become part of the beauty--and in doing so, it breathes more character and liveliness than ever.

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24,79

Last In: vor 7 Monaten
Aural Float - South Of The Clouds Pt.2 Remixes

We are beyond excited to release new remixes of an absolute classic tune by none other than Aural Float, the legendary collaboration between Pascal FEOS, Gabriel Le Mar and Alex Azary. Originally released on their debut album „Introspectives“ on the mighty Elektrolux records back in 1995, „South Of The Clouds Pt.2“ quickly became the standout track of the longplayer and an absoute fan favorite as it encapsuled the very essence of the no nonsense hypnotic sound of Frankfurt at the time. On the A-Side, label head honcho Gregor Tresher presents an epic 11-minute journey that pays homage to the timeless original while updating it for the modern day dancefloor. Through layers and layers of subtle percussion lines, Gregor´s remix builds up over time, with bold breakdowns that gives the distinctive melody line time to breathe, only to eventually culminate in bringing the massive beat back to take things to the next sonic level. On the flip, our good friends Extrawelt deliver another outstanding production once again, that has their signature sound written all over it. The boys respectfully incorporate the original melody line, while perfecting their remix by adding their unmistakeable trademark sound and sophisticated beat structures. Aural Float, we salute you and are forever grateful for this seminal piece of music, that easily stood the test of time and will continue to do so for generations to come.

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11,72

Last In: vor 53 Tagen
Josh. - Es ist alles in Ordnung (Live aus der Wiener Stadthalle) (LP)
  • A1: Martina
  • A2: Expresso & Tschianti
  • A3: Von Dir Ein Tattoo
  • A4: Alles Klingt Nach Dir
  • A5: Ring In Der Hand
  • B1: Melodie Verlorn
  • B2: Ich Gehör Repariert
  • B3: Tickets Für Oasis
  • B4: Wo Bist Du
  • B5: Cordula Grün

Das erste Livealbum von JOSH. wurde am 7. November 2024 in der mit 11.000 Besuchern vollen Wiener Stadthalle aufgenommen. Der Abend war nicht nur ein Heimspiel für den mehrfachen Amadeus-Preisträger sondern auch der Abschluß eines immens erfolgreichen Livejahres, das JOSH. und seine Band quer durch Österreich und Deutschland geführt hat. Unter den zehn Songs des Abends, die es hier zu hören gibt, sind nicht nur die großen Hits wie „Expresso & Tschianti“ oder „Cordula Grün“ zu hören sondern auch akustische Versionen von „Alles klingt nach Dir“, „Ring in der Hand“ und „Melodie verlorn“, bei denen JOSH. und Band von der Vienna Stringforce begleitet wurden. Diese Versionen gibt es hier erstmalig auch auf einem Album zu hören.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

25,84
Juicy Fruit - Liferaft (Remastered)

Definitive Recordings is proud to announce the reissue of deep house classic "Liferaft" by Juicy Fruit (aka Meredith Ledger), fully remastered and set to breathe new life into one of the 90s' most iconic releases. Originally dropped in 1993, this EP features the original as well as remixes by John Acquaviva and The Stickmen.

The standout title track, "Liferaft", is a rich and soulful deep house gem, built around a captivating piano house theme that harks back to the golden era of house music. The track's groove is driven by a classic house beat and a funky, rhythmic guitar lick that perfectly complements its melodic core. The fresh remaster brings new clarity to its timeless warmth, elevating it for modern sound systems while keeping the vintage charm intact.

House music legend John Acquaviva takes the funky guitar lick and pushes it further into the groove, layering it with a robust and simplistic bassline. His remix evolves into a deep yet vibrant soundscape, showcasing Acquaviva's signature house influence.

The "The Stickmen Dub" intensifies the original's foundation by supplementing it with a hypnotic organ sound. This remix enriches the track with subtle but powerful layers, creating a mood that's both dancefloor-ready and deeply immersive.

Definitive Recordings is excited to share this release with long-time fans and newcomers alike. Whether you're a die-hard house aficionado or just discovering the classics, the "Liferaft" EP is a must-have addition to any collection.

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14,71

Last In: vor 11 Monaten
ΣTELLA - Adagio LP

Σtella

Adagio LP

12inchSPLPX1635
Sub Pop
04.04.2025
  • 01: Adagio
  • 02: Ta Vimata
  • 03: Omorfo Mou
  • 04: Baby Brazil Feat. Las Palabras
  • 05: Can I Say
  • 06: 80 Days
  • 07: Too Poor
  • 08: Corfu
  • 09: Caravan

Kaum hatte Stella Chronopoulou mit dem Schreiben von Adagio, ihrem fünften Album als Σtella, begonnen, wusste sie, dass die Zeit endlich gekommen war, um in ihrer Muttersprache Griechisch zu singen. Es wäre eine Premiere. Sie begann mit dem Album fast zufällig im Jahr 2019, während einer 11-stündigen Bootsfahrt zur Insel Anafi. Σtella hatte kürzlich eine persönliche Krise durchgemacht und brauchte eine Pause von zu Hause. Auf der Fähre zückte sie ihr Handy, während das Boot durch das Mittelmeer glitt, und begann mit einer einfachen Melodie, aus der sie nach und nach ein grobes Instrumentalstück zusammensetzte.

Als psychedelische Keyboards über stakkatohaften Drums flimmerten und schwankten, suggerierte der Track ein tiefes Ausatmen, als ob Σtella lange überflüssigen Ballast loslassen würde. Für eine Weile legte sie das Instrumentalstück beiseite. Sie war noch nicht so weit und hatte es auch nicht eilig. ?tella ist schließlich in einer langsamen Umgebung aufgewachsen. In ihrer Jugend in einem relativ ländlichen Vorort von Athen, Griechenland, spielten sie und ihre Freunde ungehindert auf leeren Straßen, machten sich keine Gedanken über Autos oder Genehmigungen, und das Leben fühlte sich einfach an. Doch in den letzten zehn Jahren ist das Leben von Σtella, die jetzt im Herzen von Athen lebt, immer geschäftiger geworden. Mit drei anspruchsvollen, verspielten und mit internationalem Elan vorgetragenen Pop-Alben ist sie zu einem der beliebtesten Musikexporte des modernen Griechenlands geworden.

Nach ihrem Sub Pop-Debüt Up and Away im Jahr 2022 überschritt sie die Marke von drei Millionen monatlichen Spotify-Hörern. Dieser Erfolg war ein Segen, aber Σtella sehnte sich manchmal nach dem langsameren Tempo ihrer Jugend. Diese Sehnsucht ist der rote Faden, der ihr fünftes Album, das bezaubernde Adagio, locker zusammenhält. Der Name leitet sich von dem Begriff für Musik ab, die langsam gespielt werden soll, Adagio ist dabei ein Pop-Album, das sich wie eine warme Decke anfühlt; es umhüllt seine Hörer mit nylonbesaiteten Gitarren, federleichter Percussion, psychedelischen Keyboards und Stakkato-Schlagzeug.

Geschrieben und aufgenommen über einen Zeitraum von fünf Jahren mit einem Konsortium von internationalen Kollaborateuren, darunter Rafael Cohen von !!! und der britische Songwriter Gabriel Stebbing, ist Adagio eine 27-minütige Meditation über Liebe und Sehnsucht, Ruhe und Zeit. Obwohl der Großteil des Albums auf Englisch gesungen ist, wie alle ihre Alben, wartet Σtella auch mit ihren ersten beiden Songs auf Griechisch auf: „Omorfo Mou“ und eine Coverversion eines griechischen Kultklassikers von 1969, „Ta Vimata“ von Litsa Sakellariou. Es ist ein Zeichen des Selbstbewusstseins, das diese zarten und verliebten kleinen Stücke ausstrahlen. Von Anfang bis Ende klingt Σtella auf Adagio entspannter und wohler als je zuvor. Diese bezaubernden Songs werden ihre Karriere nicht bremsen oder ihr den Wunsch des Titeltracks erfüllen, aber für eine halbe Stunde lockert die Zeit ihren Griff, auch auch wenn sie nicht langsamer wird.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

26,68
SCOWL - ARE WE ALL ANGELS

Scowl

ARE WE ALL ANGELS

12inchDOCLP358
Dead Oceans
04.04.2025
  • Special
  • B.a.b.e
  • Fantasy
  • Not Hell, Not Heaven
  • Tonight (I'm Afraid)
  • Fleshed Out
  • Let You Down
  • Cellophane
  • Suffer The Fool (How High Are You?)
  • Haunted
  • Are We All Angels
auch erhältlich

OLIVE GREEN VINYL[22,27 €]


Produziert von Will Yip (Turnstile, Title Fight, Mannequin Pussy, etc.), der auch schon an der 2023er "Psychic Dance Routine" EP der Hardcore-Band Scowl aus Santa Cruz mitgewirkt hat, findet man auf "Are We All Angels" die giftige und antagonistische Band, die ihre Aggression durch eine expansivere Version ihrer selbst leitet. Das Album wurde von Rich Costey (Fiona Apple, My Chemical Romance, Vampire Weekend, etc.) gemischt. "Are We All Angels" ist geprägt von Entfremdung, Trauer und Kontrollverlust, und setzt sich größtenteils mit ihrem neu gefundenen Platz in der Hardcore-Szene auseinander, einer Gemeinschaft, die die Band in den letzten Jahren sowohl umarmt als auch zu einer Art Blitzableiter gemacht hat. Auf "Are We All Angels" erkunden Scowl auf Schritt und Tritt ehrgeizige neue Richtungen und verbiegen Genre-Normen. Sängerin Kat Moss macht die am unmittelbarsten erkennbare Entwicklung, indem sie einen strukturierteren und manchmal zarten Ansatz wählt. Sie spielt mit Harmonien und melodischem Feingefühl, das selbst die eingefleischtesten Scowl-Fans überraschen dürfte. Moss nennt eine breite Palette von Einflüssen außerhalb des harten Rock - alles von Billie Eilish bis Radiohead, Car Seat Headrest bis Julien Baker. "Die meisten von uns waren wirklich keine geübten Musiker, als die Band begann", gibt sie zu. "Es war in dieser Hinsicht sehr Germs-esque, wie die erste Hardcore-Band eines Babys, was großartig ist. Jetzt wissen wir vielleicht immer noch nicht, was wir tun, aber wir haben eine bessere Vorstellung davon, was wir tun wollen." Instrumental gibt die Band Einflüsse von Negative Approach, Bad Brains, Hole, Mudhoney, Garbage, Ramones, Pixies, Sonic Youth, Rocket From The Crypt und anderen an. Bassist Bailey Lupo merkt an: "Das Songwriting für die neue Platte war das bisher kollaborativste in der Geschichte von Scowl. Jeder hat so viele Ideen eingebracht, und wir konnten sie alle in Ruhe analysieren und uns Zeit nehmen. Wir haben alle so unterschiedliche Geschmäcker, Einflüsse und Persönlichkeiten, und das kann man auf diesem Album wirklich in jeder Ecke hören." Selbst durch diesen eklektischen Ansatz verlieren Scowl nichts von ihrer Schärfe und schaffen es immer noch, die Wut und Frustration zu vermitteln, die dahinter steckt. Sie sind zutiefst dem Ethos des Punk und seinem Gemeinschaftssinn verpflichtet. "Hardcore und Punk haben uns geprägt, wie wir arbeiten, was wir als Band tun wollen und wie wir uns beteiligen", sagt Greene. "Im Kern sind wir eine Punk- und Hardcore-Band, unabhängig davon, wie sich der Song verändert." Das Album wird von dem bereits veröffentlichten "Special" eröffnet, einen Song mit großer, hymnischer Energie, der die rohe Intensität von Scowl beibehält. Scowl haben sich schnell als einer der dynamischsten und fleißigsten Acts in der Rockszene etabliert und ausgiebig in den USA und international mit Bands wie Limp Bizkit, Destroy Boys, The Bronx, Militarie Gun, Show Me The Body, Zulu, Touche Amore, A Day To Remember, Speed, Sunami und vielen anderen getourt, sowie Festivalauftritte beim Coachella, Reading & Leeds, No Values, Outbreak, Primavera und Sick New World, um nur einige zu nennen, absolviert. Die Band - Malachi Greene (Gitarre), Bailey Lupo (Bass), Cole Gilbert (Schlagzeug), Mikey Bifolco (Gitarre) und Kat Moss (Gesang) - gründete sich 2019 und feierte 2021 mit ihrem Debütalbum "How Flowers Grow" ihren Durchbruch. Seitdem sind sie unaufhaltsam auf dem Vormarsch.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

23,49
Buffet Lunch - PERFECT HIT! (LP)
  • A1: Perfect Hit!
  • A2: Blue Chairs, Blue Floors, Blue Folders
  • A3: Merchandise
  • A4: Another Face Entirely
  • A5: The Local Void
  • A6: King Conker
  • B1: List Of Walls
  • B2: Songs For The Quarrymen
  • B3: Blip
  • B4: The Slowing Of The Shoes
  • B5: Whitsun Sound
  • B6: Slug Circles
  • B7: (Function Suite)

Buffet Lunch have been a band since 2017. They are a pop group formed of musicians based in Glasgow, Edinburgh and (sometimes) Newcastle. Described previously as a band that creates 'a hodgepodge of noises' who are 'lyrically ridiculous'. Both claims are strongly denied by the group.
Buffet Lunch have released 3 EPs & 2 LPs since 2019 and 6 months after self-releasing 'For Display Purposes Only' are back on Upset the Rhythm with their third album 'Perfect Hit!'
‘Perfect Hit!’ was recorded in the West Highlands, in the shadow of the UK’s Biggest Ben, during Leap Year week 2024. George Horler (Holy Loaf) joined the band as recording engineer along with new members Matthew Lord and Jack Shearer plus founding members Perry O’Bray & Luke Moran, to spend a week writing and creating the record. The majority of the record was completed in the studio, with as much recorded ‘live’ as possible and the week flew by, and we had such a lovely time we forgot to go on a walk. Most of the songs are new and only been played a few times live.
Lyrically, the album contains more deliberately personal lyrics than previous records, with several songs addressing ancestry and becoming a parent (Quarrymen, Shoes, Blue Chairs). Elsewhere, the songs deal with thorny issues such as; identity & full face tattoos, hands, legs & a swordfish sighting (Perfect Hit), the importance of kindness (Blip), disgraced Presbyterian John Knox (Merchandise), a potentially disgraced sportsman featuring star turn from Beef Jerk front man Jack Randall Lee (King Conker) and historical consciousness via Wikipedia (List of Walls).
Musically, the aim (as ever) was to make an album which is as fun to listen to as it was to make. These are mostly playful pop songs with a focus on melody and hooks. There are approximately 40% more guitar chords featured on ‘Perfect Hit!’ than on previous records.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

14,24
Momma - Welcome To My Blue Sky (LP)
  • Sincerely
  • I Want You (Fever)
  • Rodeo
  • Stay All Summer
  • New Friend
  • How To Breathe
  • Last Kiss
  • Bottle Blonde
  • Ohio All The Time
  • Welcome To My Blue Sky
  • Take Me With You
  • My Old Street
auch erhältlich

Sky Blue Marbled Vinyl[27,61 €]


Wie so viele Coming-of-Age-Geschichten mit nachhaltigem Eindruck spielt das neue Album der Brooklyner Band Momma in einem bezaubernden und turbulenten Sommer. "Welcome To My Blue Sky" wurde mit der gesamten Band live im Studio aufgenommen und von Bandkollege Aron Kobayashi Ritch produziert. Mit Hilfe des Drummers Preston Fulks gelangen Momma 12 kraftvolle Songs, die die rohe Dringlichkeit des Rock mit den eindringlichen Melodien und straffen Arrangements des Pop kombinieren – eine Dynamik, die aus ihrem Engagement entstand, das direkteste Ventil für ihren emotionalen Ausdruck zu finden. Jeder Track ist zugleich geteilte Erinnerung, gemeinschaftlicher Erguss und fesselnder Reisebericht voller Selbstbewusstsein und Sensibilität. Das Ergebnis ist ein mutiger Sprung nach vorne für eine der kreativsten, kompromisslosesten und einzigartigsten Stimmen im Indie-Rock.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

30,46
Yaron Herman - Radio Paradise LP

Nach zwei Jahren Solo-Tourneen präsentiert Yaron Herman sein neues Album. Er kehrt mit einem außergewöhnlichen Ensemble zurück und verbindet sich mit zwei der besten Saxophonisten der Welt: María Grand, ein aufsteigender, internationaler Star, und Alexandra Grimal, eine bedeutende Persönlichkeit der improvisierten Musik. Dieses Album nimmt uns mit auf die Suche nach Lyrik, Tiefe und Aufrichtigkeit, mit eleganten Melodien und kraftvollen Rhythmen, in einem Projekt, das sowohl spirituell als auch tief bewegend ist.

Als Yaron Herman mit der Arbeit an diesem Album begann, war das Erste, was ihm in den Sinn kam, die Melodie. Er habe in den letzten Jahren viel geschrieben, hauptsächlich in Notizbüchern, so der Künstler. Unterwegs oder zu Hause, alles von langen Zeilen bis zu kurzen Fragmenten. Mit der Zeit (und harter Arbeit) begannen diese "Motive" Gestalt anzunehmen und sich in "Lieder" zu verwandeln. Während er sie spielte und erkundete, was aus ihnen werden könnte, wurde klar, dass er nach einem Klang suchte, der nicht "nur" das Klavier war. Diese Melodien erforderten eine andere Stimme. Die Saxophonistinnen Maria Grand und Alexandra Grimal haben unterschiedliche Ansätze, doch beide haben eine geheimnisvolle, kraftvolle und lyrische Qualität, nach der gesucht wurde. Diese Qualitäten, kombiniert mit Haggai Cohen Milos wunderschönem Ton und rhythmischer Vielseitigkeit und dem Spiel und damit wertvollen Ideen von Herman's langjährigen musikalischen Bruders Ziv Ravitz während des gesamten Prozesses, ließen diese Lieder wirklich zum Leben erwachen. Im Studio hatte man das Glück, die Erfahrung und Perspektive des Produzenten Daniel Yvinec zu haben, der dazu ermutigte, die Musik weiter voranzutreiben und Risiken einzugehen. Improvisation: eine Suche nach dem Sweet Spot zwischen Freiheit und Zwang. Die Verspieltheit des Ganzen. Die Werkzeuge bereitstellen, aber nicht das endgültige Gebäude, die Leinwand bereitstellen, aber nicht vorschreiben, was darauf gemalt werden soll. So ist 'Radio Paradise' entstanden. Man ist im Studio auf den Titel gestoßen während einer Diskussion, wie sich Gegensätze ergänzen und wie die Rolle als Künstler darin besteht. Zu versuchen, das scheinbar Widersprüchliche in Einklang zu bringen. Den Raum zu finden, in dem Musik mühelos und aus dem Herzen fließt.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

20,97
WALT MCCLEMENTS - ON A PAINTED OCEAN
  • A Painted Ship
  • Cloud Prints
  • On A Painted Ocean
  • Sirens
  • Washed Up
  • Parade
  • Clattering

Stille kann entweder Ruhe oder Stagnation bedeuten. Walt McClements hat sich mit diesen gegensätzlichen Kräften auseinandergesetzt, um "On a Painted Ocean" zu realisieren: eine Suite von Akkordeon und Pfeifenorgel geleiteten Stücken, die einen stetigen Kurs verfolgen, anschwellen und sich mit einer Flut von zarten Emotionen erweitern. Der Komponist und Multiinstrumentalist hat den Titel seines zweiten Albums von Samuel Taylor Coleridges berühmtem Epos "The Rime of the Ancient Mariner" und dessen Beschreibung eines Bootes, das auf See feststeckt ("As idle as a painted ship / Upon a painted Ocean"). Es ist ein Eindruck, der sowohl den Prozess als auch das Produkt von McClements' Western Vinyl Veröffentlichung widerspiegelt, vom sanften Entfalten eines rauen Schilfrohrtons im Opener ,A Painted Ship" bis hin zum düsteren, mit Effekten beladenen Drone von "Washed Up" und dem abschließenden Flattern und Signalstörungen, die sich in ,Clattering" geräuschvoll zu triumphaler Euphorie erheben. "On a Painted Ocean" ist das Ergebnis eines Zusammenflusses von Ereignissen und Inspirationen, die sich verändert haben wie das Wetter selbst. Die ersten Skizzen begannen mit dem unerwarteten Zugang zu einer Kirchenorgel in Pasadena im Jahr 2022, bevor diese Skizzen zur Seite gelegt wurden, um sich auf ein arbeitsreiches Jahr als Mitglied der Live-Band von Weyes Blood vorzubereiten. Die Monate im Tourbus mit begrenzten Instrumenten veranlassten McClements dazu, den Klang seines bearbeiteten Akkordeons auf dem Synthesizer nachzubilden, und überlagerte ihn mit den Orgelstücken. Als dieser Zyklus zu Ende ging, war McClements begierig darauf die Platte zu beenden, war sich aber nicht sicher, wie er den Faden wieder aufnehmen sollte. Festgefahren in der Flaute einer kreativen Blockade, nahm McClements seine Spuren von bearbeiteten Akkordeons und Synthesizern, Pfeifenorgel und Melodica, Zungen und Pfeifen, die durch Pedale und Computer laufen, in seine ehemalige Heimat New Orleans zum Karneval mit. Nachdem er ein Jahrzehnt in der Stadt in Louisiana gelebt hatte, bevor er nach Los Angeles zog, fand McClements in einer der ekstatischsten und bedeutungsvollsten Zeiten des Jahres neue Inspiration. Das Ethos der Kunst um der Gemeinschaft willen und die Praktiken der Fürsorge inspirierten ihn den Rat seiner Musikerkollegin und Mentorin Rachika Nayar zu befolgen und Mitstreiter einzubeziehen, darunter auch Nayar selbst, die eine zusätzliche Produktion zu ,Sirens" beisteuert. Aurora Nealand, eine alte Freundin und ehemalige Bandkollegin, antwortete ebenfalls auf den Ruf und fügte Saxophon zu den unruhigen Gewässern von ,Cloud Prints" und ,Parade" hinzu. Der letztgenannte Track ist der klangliche und konzeptionelle Höhepunkt auf McClements' Reise zur Verwirklichung von "On a Painted Ocean", wo eine steigende Tonhöhe und aufgewühlte Segel auf eine Feldaufnahme von Community Care treffen. Ein Verdienst von starken Beziehungen und gegenseitiger Unterstützung, das Album zeichnet als eine persönliche Pilgerreise auf - die Anpassung an die Gezeiten und die Erinnerung daran, dass die Gemeinschaft helfen kann, wenn man sich auf dem Meer festgefahren fühlt.

vorbestellen04.04.2025

erscheint voraussichtlich am 04.04.2025

22,27
Thought Leadership - III Of Pentacles LP

Every so often an album of such deceptive genius, of such aesthetic clarity, comes across our desk and transfixes us. Thought Leadership's III Of Pentacles is one such work of art. It's an instant classic and glides into the pantheon of timeless guitar-soul totems. Originally out on cassette only, we present the first ever vinyl issue. It's a hideously limited pressing of 300 for the world, so don't sleep on this.

Thought Leadership has already garnered big support from such tastemakers as Ruf Dug, Jason Boardman, Nathan Gregory Wilkins, J Walk, Evan Woodward, Justin Robertson and Heavenly's Jeff Barrett. The first time we heard III Of Pentacles, we nearly wept at the thought that something so beautiful, so bursting with real hope, could even exist in this brutal world. To quote the Quietus, "imagine if Stockport was situated somewhere along the Pacific Coast Highway rather than the M60, and you’ll have some idea of the coordinates to the post-industrial, sunburnt dream space opened up here."

So, who is Thought Leadership? What do we know about them? They reside in Stockport and are obsessed with ethereal guitar records. That’s about it. That and these X ideas shared with you, the listener.

Captured on a multitrack recorder in a terraced house in Stockport, this is as DIY as it gets. Glaringly obvious is a love for classic Factory and early 4AD. Perhaps it is the proximity to the River Mersey where the ideas arrived, and there being but three miles between where this and the Durutti Column’s classic “LC” was recorded, as the two operate across a familiar aural plain. Be it geographic or otherwise, limited by a true economy of means, namely guitar, pedals and drum machine, the fruit borne from these humble tools has been indelibly shaped by the perma-gloom that hangs low over the Manchester and Stockport environs.

Ushered in on 808 kicks, “I” opens the record as a beautiful Sketch for Stockport; a chiming maj7 chord dripping in chorus and delay sets us on our way. The Vini Reilly comparisons are unavoidable. “II” is all John McGeoch, with its trippy goth-psyche arpeggiated pattern cascading across the stereo image. Do those drums swing? But goths don’t swing?! They do here. We’re treated to a bit of crunch on the lead guitar part and some really lush reverb. We even step forth into shoegaze territory, albeit briefly, for the middle eight. “III”, a firm Be With favourite, continues the dreamy psyche leanings of the previous track, with an even bigger melody this time. We’re hearing The Teardrop Explodes on quaaludes here. A proto-dream pop cut soaked in melancholy. But watch out! The coda finds Johnny Marr has gotten into the ‘ludes and gatecrashed the final bars with some incredibly ignorant B minor pentatonic noodling.

“IV” ditches the drum machine for the first in a suite of three beatless electric guitar duets. The first of these semi-improvised rubato ideas is a striking departure from the earlier playful pieces, coming over emo and moody. Greyscale sulking for Stratocaster. Sign us up. “V” contains some really lyrical phrasing; a gorgeous conversation between two guitars. Real Stopfordian Primitive; meditative, crude, rain-soaked. We cycle through the same feels, then end on an alluring chord that breaks the pattern. Sometimes thoughts are like this. “VI” creeps in all plaintive, then a huge reverberating descending guitar line comes tumbling in like something off those classic Dif Juz 12”s. There’s some Maurice Deebank in there too, for sure, and the coda nods to early Meat Puppets.

“VII” rounds out the A Side, and succinctly presents a summary of all ideas explored thus far on our journey. The drum machine is back, this time with some wispy delay, before both guitars enter together playing interlocking lines. As we start, we end, with the delayed 808 guiding us out.

Opening Side B, “VIII” sees us embark on the other side of our journey as we slow down and space out. The drum machine is here, but the guitars are different now. Think Sensations Fix or Göttsching at his most peeled out. Drones, ambient drifts of broken chords and distorted lead lines all swirl round the mix. Side B is one for headphones for sure. “IX” is almost too exquisite for words. A New Age Mixolydian voyage through the cosmos. If you’re unmoved by the end you’ve probably got no pulse. We were left blunted ineffable by this one, such is the smudged elegance radiating from this idea. All hail the Thought Leader.

“X” is a full circle moment, and a fitting end. If you’ve not already elsewhere across the platter, you will be getting heavy Robin Guthrie vibes from this piece. Like the rest of Side B, this improvised jam sticks within a framework of related chords but the celestial energies channelled might invite us to wander “outside”, especially when the Tubescreamer is engaged.

RIYL Durutti Coulmn, Cocteau Twins, Dif Juz, Sensations Fix, Spike and adjacent guitar musicks – but, ultimately, this is just its own thing; such is the strength of ideas presented. "It’s good music to chill out to." (??)

Be With is honoured to present the first ever vinyl release of III Of Pentacles, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever after its initial tape release. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry, in Holland. The original tape cover artwork, so crucial to Thought Leadership's striking visual aesthetic, has been rejigged for vinyl issue here at Be With. Its stark presentation befits the music contained within. They inform us that they shuffled their tarot deck to ask what the album should be called and the card you see on the cover popped out. The III Of Pentacles tarot card represents teamwork, shared vision and the ability to achieve goals through collaboration. We like to think Thought Leadership and Be With have nailed this one.

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