Dustin Zahn & Z.I.P.P.O team up for a brand new EP entitled “Tools for Levitation.” Looking for a party record? Wrong EP. These tracks are designed to bend reality to your will. The record focuses on 4 esoteric Techno tracks with a strong emphasis on sound design, with each track being as heavy as they are mental.
Written during the depths of lock down, the finished results have a darker and more nihilistic approach than one would normally find on their solo productions. Since then, these tracks have been road tested over the years by our close friends and favorite DJs. Now, they’re finally available to the public
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Warehouse Find!
Maceo Plex’s taste-making Ellum Audio serves up a sizzling EP from Madben, featuring a remix from men of the moment Brame & Hamo.
Frenchman Madben has a healthy reverence for Jeff Mills and Detroit techno that infuses all his work. He has been mentored by Laurent Garnier and released on a wealth of quality labels from Bedrock to Suara. A resident of the Rex Club in Paris where he puts on his MAAD parties, he is now a regular in the best clubs around Europe where he serves up his always profound sounds, something he does again here.
First up is the fantastic ‘Blooming’, with its old school rave styles and dusty breakbeats. Euphoric chords light up the whole thing and it’s a tune that is sure to get hands in the air. Brame & Hamo are Irish sensations who are based in Berlin and known for big tunes that range from house to techno to disco. After establishing their own label they step out with a remix that is superbly stripped back. On deep rolling drums, sleek synths unfold and take you on a cosmic adventure that is well paced and cinematic.
Madben’s ‘Enjoy Yourself' is well crafted techno with a sense of progression in the ever evolving lead synths. Rumbling drums provide the power below and filtered, whispered vocals are an intriguing detail up top. Last of all, ‘Haze’ is a prickly track with snappy mental drums, off kilter synths that twist and turn and a dark energy that is tinged with industrialism.
This is a fresh techno offering that comes with plenty of new ideas that are all
expertly executed.
"Trauma and the shock effect of it - the leftover residue of harsh reality so impactful that it shapes the way you imagine, envision and calculate your position in regard to everything and everyone around you.
A new type of psychological radius evolves. Boundaries are reinforced. Relationships are recessed. A damaged brief system float aimlessly. Vulnerable to and for anything reminiscent of a worthy cause. The truth about facts became satirical monologue, dead end expressions that have no critical arrangement. We all know someone that either has been or will be"
- Jeff Mills
The Eyewitness reveals a habitual pattern in the way it symbolizes a mirror reflection of mankind in our most vulnerable moments. It is the forthcoming album of Jeff Mills and it is composed from the perspective of an unknowingly complicit bystander and it is at the very least, psychologically pathological in nature. What this release is essentially proposing is an admission to the diagnosis that no one is immune to shock and trauma. Not the accuser or the accused. And this abnormality s culturally and generally transmittable - handed down and passed over to one another disguised as righteous theatre.
As an artist, what Mills is notoriously known for is the perspectives and paths he chooses to approach hefty, complex, and sometimes, awkward subjects. The best way to recognize the narratives of his mostrecent album works such as "The Clairvoyant", an eerie transcending album that plays through like a Seance for creating a bridge to reach another dimension or "Mind Power Mind Control", a cautionary warning about the consequences of supporting deceit, mind control and mass mental persuasion is to start by first taking a moment to look at yourself in a mirror. He's suggesting sound as a reflection and what we might be able to see in ourselves. Proposing that we might be the problem and a solution. In the same vicinity of his recent solo albums, the direction, scope or target of The Eyewitness is first about us, then about it.
More than the few previous albums he's released lately, this one has a unique relationship in terms of imagery and visual treatments that represent the concept. The front cover shows Mills, neatly dressed in a black suit that appears to be caught in the act of doing something methodically as he cohorts to supportwith a bright white type of surgical light towards the viewer. Stark and in the act of.......something offensive - it could be some type of hypnotic machine at work. Other photos show him in darkened spaces. Remote and deep in thought.
Other clues are the titles of the tracks such as "Sacred Iridescent Mirror (The Pledge)": this refers to the act of installing value and credit to something ambiguous and "Menticide" which means the systematic effort to undermine and destroy a person's values and beliefs. In the opening track, "in A Traumatized World" we hear the narration spoken by Mills. In a language he specifically created for this album. It's a dialect that is designed to be undistinguishable, but spoken with a compassion that it could be sympathized with. In the latter part of the track, it reaches a climatic point. Meaning, "it" has happened. And the album is the evidence.
On extra note:
In this day and age,it's comforting to see a musician like Jeff Mills administer music conceptually without any conditions attached. The artistry and craft of using sound and rhythm to bring forth a concern, a warning or the result of a diagnosis to the listener.
The story of this EP dates back to 2021, when we—the whole BMP crew—were attending our annual family gathering at the now-defunct Sarcus festival (R.I.P).
On a late Saturday afternoon, we all gathered under the same tent to watch one of our dear friends perform live. You guessed it: this friend is Malouane. From the first track of the live set, we in the audience exchanged astonished looks. We knew he had been working hard on this live set for months but didn't know anything about it. As the live set unfolded, we kept traveling mentally in a perpetual state of amazement.
By the end of the set, we all had the same idea: to congratulate Malouane and ask for the tracks so we could release an EP that would capture the essence of this live set, allowing us to relive that very special moment.
After a long wait, we are now more than happy to share some selected tracks from the set with you, hoping you will feel the same excitement we felt at the time.
As a cherry on top, besides having four tracks from Malouane, we asked our dear friend Gabriel Belabbas—from Positive Future—to craft an additional remix, giving this EP a deep house edge.
Certified floorfiller!
LIMITED Quantity. Deep dive into the realm of electro music. Hypnotic multi-layered baselines, unpredicted drops and bursting beats would make precise, nevertheless not full definition of this EP. Following the
debut of the sequel with an exhibition showcasing artwork’s creation and conceptualization, we face SEQ002: False Destination, a new chapter where the story continues in an unexpected way. It holds the question, to which unknown territory did the agent headed from his collapsed dimention? – Side A takes you on a journey that echoes the spirit of interdimensional travel, a recurring theme in electro music. Impact One throws you into a captivating sonic environment, grabbing your attention with distinct sonic events, all layered over a foundation of subtly shifting rhythmic patterns. A2 is another mention of wrong dimention, hard alterations on early 90s Rave revivalism with peculiar artifacts and touch of blue note with breakbeat burst out conclusion. –
On the flip, a couple of heavyweights. Thick kicks jumping from 4 tothe-floor to broken beat, uncertain breakdowns and unexpected amen breaks driving audience on the edge. Hypnotic bassline for B1 was characterized as Giorgio Moroder on steroids. Last track is a calm blend in ending on a hybrid cosmic breaks combined with Yamaha DX7. – ABOUT ARTWORK This time comic-like backside artwork has an insert accompaniment to immerse within the world created by the artist behind the record. AI has been used to create artwork, generating imagery as a way to bring ideas to life. It offers a cryptic clue, a fragmented piece of the puzzle that complements the music to tell the story
Longtime collaborators Olga Korol and Per Hammar are releasing a long-awaited new record on Abartik this summer. The title track Glizzo features a captivating blend of house and breaks, along the other originals with minimal touches, showcasing their signature style.
Developed over years of producing and DJing together, this record promises rhythmic complexity and understated elegance, perfect for both dance floors and intimate listening sessions.
The Australian act Cutting Room strikes back with a EP extracted from their latest album “5 Years of Pure Energy”, they deliver one of the most modern and mental stimulating planetary electro/breaks sound, akin to AtomTM or Cultivated Electronics label. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany). Includes inmediate digital download.
The Caledonian Dream is a supergroup from Glasgow, Scotland. They bring you the single, "Shot at Glory", a rousing terrace anthem that will surely help the Scotland National Football Team win their Euro 2024 campaign in Germany.
Tired of the dirge that is our sporting national anthem, "Flower of Scotland" by The Corries, and the depressing, negative tone of Scotland's previous official World Cup song, Del Amitri's "Don't Come Home Too Soon", three old friends - John 'Sponi' Murray, Dave Clark & Bruce Jolliffe - made the decision to shake things up with a stomper to get the national blood pumping again. They took to the studio, melded proud lyrics, conquering beats, and tear-jerking pipes to produce what surely should be THEE Scottish football song for AT LEAST the next 200 years - our very own trophy-lifting soundtrack. Now the boys hope the tune will go viral, go mental - so please share it FAR AND WIDE!
'Matriarchy' is a rebirth for the celebrated, multi- faceted artist, as girli further explores her sound and takes the reins with full creative control, truly cementing her place as a cult figure and ambassador for the next gen of LGBTQIA+ music.
girli's passions have always migrated beyond music and she continues to use her platform to ignite conversations around feminism, sexuality, identity and mental health, opening up topics that most have always shied away from. Representation matters more so now than ever, and girli is ready to rewrite the rules.
Introducing Foreign Tech Division a mysterious and confident new label curated with the purpose of taking your listening experiences to new places in mind.
First up is MSRG; After solo appearances and eps on Solar One Records and Analog Concept Records, MSRG debuts his first full length vinyl album Part Time Hover Lp. Lovers of Detroit classic electro with warm analogue frequencies will feel right at home in the midst of these 9 compositions designed with intricate machine formulas that glide through aquatic and celestial aesthetics, dipped in both dark and colorful tones.
Whether you seek bold and funky sci fi grooves, or temples into the lush and mental with mysterious vocals (featuring Roger Versey);
MSRG's Part Time Hover has you covered with the electro essentials, and features the fine mastering of Johanz Westerman for the smooth listen you can enjoy again and again.
Kheper Wax is the second solo album of Imhotep, artist known for have being the sound architecht of IAM, a very popular hip hop group from Marseille (South of France) in the 90’s and the early 00’s.
The 100% instrumental album is a blend of Dub and Trip-Hop, infused with oriental music samples.
It was self-released by the artist in 2013 and since, the album price has increased a lot on Internet.
CoN and KwAkE are Confucius MC and Kwake Bass. They share long and entwined histories with saxophonist and Native Rebel label owner Shabaka Hutchings, and with many of the incredible London musicians and producers who have emerged over the last decade.
Eyes In The Tower, their debut album released one year ago, was the second release on Shabaka Hutchings’ Native Rebel Recordings, where he invites friends and family to RAK Studios improvise around sketches he’s written specifically for the invited artists. A uniquely London evolution of classic hip hop, it was brewed for over a decade before being made in three days.
Two tracks from the album have now been remixed to celebrate the one year anniversary of the album: 15 Minutes gets reworked by Daisuke Tanabe and Dance In The Dark by Anja Ngozi.
Confucius MC has been embedded in UK hip hop since the early 2000s. He was the support of choice for Mos Def, and recently toured with UK hip hop stalwart Jehst.
Kwake Bass is musical director for Sampha and Kae Tempest. Behind the kit he has become the player of choice for travelling US heavyweights, playing with MF DOOM, The Roots and Joey Bada$$, as well as UK major players Lianne La Havas and Mica Levi.
2024 Repress
Alberto Pascual, also known as Ribe is a well seasoned veteran in the Spanish scene. An expert synthesist and modular weirdo, his sound palette is amazing. If you have been so fortunate to enjoy his live PA before these turbulent times, you've got the precision and hypnosis he always provides.
This release has a physical side and a digital one, with four and seven tracks respectively, including two Oscar Mulero remixes.
"Palette" opens the release, a lone kick drum squashed in reverb sets the pace on the first bars while abstract details appear randomly and a continuous sequence grows from below. The tension is kept all over the arrangement, not additional percussive elements, just the few principal elements going back and forth.
"Shapes" has a Basic Channel approach soundwise, texturized techno as its best, exploring the dark corners of sound design, and again all relaying on a linear and mental arrangement.
"Ad Infinitum" is remixed by Oscar Mulero in his first remake, transforming the formerly broken and abstract Ad Infinitum is a danceable intelligent weapon.
Original version of "Ad Infinitum" follows, providing the experimental slice of the EP. Broken rhythms, shuffled components and low rated tempos.
The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shopof the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond.
Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
The Mental Groove Classic series returns with a treasure trove of rare and hard to find tracks plucked from the personal collection of label founder Olivier Ducret, a pivotal figure in Switzerland's acid house and rave-era party scene.
On Volumes Two and Three of the series - the first installment hit stores in 2017 - the Mental Groove and Musique Pour La Danse label founder takes us back to the turn of the '90s, a time he spent promoting parties in fields, squats, forests, warehouses and former factories in and around Geneva and behind the counter of a record shop of the same name. While others in Switzerland's emerging dance music scene gravitated towards US house and garage, Olivier and his crew opted for a bass, breaks and techno-focused sound inspired by regular trips to clubs, raves and record shops in the UK.
Drawing directly from his own record box and a memory bank full of snapshots of euphoric dancefloor moments, Mental Groove Classics volumes Two and Three sees Olivier reaching for cuts of near-mythical rarity, genuinely overlooked gems, and undeniably brilliant tracks that have left a long-lasting impression on the local raving landscape. It's an autobiographical audio document, historical archive and personal musical statement all rolled into one, inspired by a moment in time where musical boundaries were being redrawn in a wave of carefree optimism and freedom inspired new rave scenes across Europe and far beyond.
Matt Anniss
Original artwork by Soho's Brain Club co-owner and artist of early British club culture Mark Wigan.
File under house, breakbeat, techno and warehouse rave music
- A1: The Indian Sound Of... Black Foot - Smoke Signal
- A2: Hearts Of Soul & Shampoo - We Love The Policeman
- A3: Roland Thyssen - Riff For Peggy
- A4: R. Dero - Soul Melody
- B1: Philip Catherine - Give It Up Or Turn It Aloose
- B2: Skleroptak - Punktowiec
- B3: Etta Cameron - Guess We'd Better Break Up Now
- C1: Selectasound '88 & The Bob Boon Singers - Tabou
- C2: Hugo Raspoet - Spuitje Op, Laat Je Rijden
- C3: Leslie Kent - Inner City Blues
- C4: Patricia Burns - Paddock
- C5: Georges Hayes And His Philarpopic Orchestra - Concerto For Right Foot And Orchestra
- D1: The Free Pop Electronic Concept - Chewing Gum Delirium
- D2: Lieven - Akkerwinde
2024 Repress
2LP gatefold with liner notes, 180gr vinyl. 'Funky Chimes' is a two-hour collection of excellent and unique grooves. It contains 27 of the most interesting yet long forgotten Belgian dance tracks from the seventies.
'Funky Chimes' is a two-hour collection of excellent and unique grooves. It contains 27 of the most interesting yet long forgotten Belgian dance tracks from the seventies, when a generation of extremely gifted and versatile musicians experimented with funk, jazz, latin and other grooves.
'Funky Chimes' is in many ways the logical follow up to 2014's highly acclaimed compilation 'Funky Chicken'. Uncovering a blind spot in Belgium's musical heritage and unearthing a diverse collection of hidden treasures. 'Funky Chicken' has induced a renewed interest in Belgium's rare grooves from the seventies, which until then had never been regarded a genre worth mentioning. Having said that, this second instalment is much more than just a fast sequel or a batch of leftovers. The music's quality matches that of its predecessor, but the treasure hunt was even more adventurous, and the stories behind some of the nuggets even more gripping.
Technics' EAH-DJ1200 DJ headphones have run with the RP-DJ1200 concept and taken it to new heights with more advanced functionality, a better design and superior sound quality that meets all the demands of today's DJs. You'll be able to monitor your beats like never before, even at the biggest clubs and gigs. Extra-large 40mm drivers with CCAW voice-coils deliver clear, detailed sound that stays free of interference thanks to the durable 2,500 mW input and, to match the looks of the SL1200MK7, this robust pair of EAH-DJ1200 headphones are similarly cloaked in black.
For Both Carefree and Careless DJs
Blessed with a lightweight, on-ear design, the Technics EAH-DJ1200 headphones are equipped with a lockable rotating mechanism to suit the style of all DJs, including one-ear monitoring. Because they can be folded up, they won't take up much storage space and Technics agreeably throw in two TRS mini-jack cables plus a TRS jack adapter. It's worth mentioning that these removable cables can be locked into place to prevent them from accidentally coming loose during the set; perfect for both carefree and, dare we say, slightly more careless DJs.
Driver Unit
40 mm
Impedance (with Detachable Coiled Cord)
45 Ω
Sensitivity
106 db / mW
Power Handling (IEC)
2500 mW (IEC)
Frequency Information - Frequency Response (with cord)
8 Hz - 30000 Hz
Operating Temperature Range
0 °C to 40 °C
Weight (without cord)
Approx. 233 g
Weight (with Detachable Straight Cord)
Approx. 251 g
Supplied Accessory
Detachable Straight Cord: Approx. 1.2 m, Detachable Coiled
Cord: Approx. 1.5 m (Extended Length 2.2 mm), Carrying
Pouch, Plug Adaptor (6.3 mm)
Plug
3-Pole 3.5 mm Stereo Plug
Cord - Cord Length (detachable straight cord)
1.2 m
Der DJ1200 begeistert mit einem natürlichen, detaillierten und harmonischen Klang. Auch bei hohem Eingangspegel und den damit verbunden extremen Lautstärken ist der Ton stets verzerrungsfrei. Unabhängig von der Lautstärke sorgt der On-Ear für eine rauschfreie und komfortable Sound-Kontrolle. Der Technics EAH-DJ1200 verfügt über ein sehr geringes Gewicht und ist mit einem 270-Grad-Schwenkmechanismus für beide Ohrmuscheln ausgestattet. Diese sind unabhängig voneinander wegklappbar und variabel arretierbar. Somit kann der EAH-DJ1200 zur Sound-Überwachung auch mit nur einem Ohr verwendet werden und ist flexibel einsatzbereit.Für perfekten Sitz sorgen das gepolsterte Kopfband und die schweißabweisende Kunstleder-Ohrmuschel-Polsterung, welche sich angenehm auf der Haut anfühlt. Darüber hinaus kann der DJ-Kopfhörer für den Transport kompakt zusammengeklappt werden. Zum Lieferumfang gehören ein 1,5 Meter Spiralkabel, ein 1,2 Meter langes gerades Kabel sowie ein 6,3-mm Klinkenstecker-Adapter. Beide Kabel verfügen über einen praktischen Verriegelungsmechanismus, welcher ein versehentliches Ablösen des Kabels effektiv verhindert. Mit seinem modernen Design und der Verwendung hochwertiger Materialien überzeugt der Technics DJ1200 auf ganzer Linie. Durch die matt-schwarze Optik passt der Kopfhörer perfekt zum Technics DJ-Plattenspieler SL-1200MK7 und fügt sich bestens in die Technics DJ-Welt ein.
Treiber
40 mm
Impedanz (mit abnehmbarem Spiralkabel)
45 Ω
Empfindlichkeit
106 db / mW
Frequenzgang
2500 mW (IEC)
Frequenzwerte – Frequenzgang (mit Kabel)
8 Hz – 30.000 Hz
Betriebstemperaturbereich
0 °C bis 40 °C
Gewicht (ohne Kabel)
Ca. 233 g
Gewicht (mit abnehmbarem Spiralkabel)
Ca. 251 g
Mitgeliefertes Zubehör
1,5m Spiralkabel, 1,2m gerades Kabel, 6,3-mm Adapter, Transporttasche
Stecker
3,5-mm-Stereostecker, 3-polig
Kabellänge
1,2m; 1,5m
- A1: Oriana Ikomo - Never Forget
- A2: Moodprint - Eartha
- A3: Kin Gajo - Exit, Gajo!
- A4: Adja - Told You So
- A5: Bodies - Brioche
- B1: Orson Claeys - Conversations
- B2: Bodem - Kleine Mars
- B3: Honey - Bossa Dolce
- C1: Azmari - Sheep Party
- C2: Le Ministère - De L'amour
- C3: Ciao Kennedy - Parcifal Pt. I
- D1: Echofarmer - Beginning Would Have Been Outside
- D2: Kassius - Escapism
- D3: Bruno X Soet X Moene - Ott
Vol. 1[22,27 €]
Vol.2 Black Vinyl[24,79 €]
Vol.2 Limted Red Vinyl[26,01 €]
Vol. 3 Transparent Violet Vinyl[27,52 €]
Standard version on 2LP black vinyl in gatefold sleeve. ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.
'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.
Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.
2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.
Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.
Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.
Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."
Fierce and forlorn, Swarm Intelligence’s “The Shattered Self” delves into the complexities of human existence in an era dominated by technological advancements. In this thought-provoking exploration, the artist challenges listeners to confront the consequences of a near future where physical and mental augmentation are commonplace. In a world where limbs can be upgraded, where consciousness can be uploaded, where memories can be digitally archived and shared on social media, where our AI clones can liberate us from menial tasks… What remains of our selves? Who is our self?
Swarm Intelligence draws influences from black metal, industrial-tinged dub and post rock, splicing these with his distinctive take on techno to devastating effect. "Dejected," the inaugural track, unleashes grinding walls of feedback against a relentless broken beat, its foreboding atmosphere heightened by a menacing low growl of distorted bass that permeates the unease. It's a disquieting overture that sets the stage for the tumultuous journey ahead.
The second track, “Eros” envelops the listener in a visceral soundscape, where haunting atmospheres intertwine with grinding feedback and pounding percussion. Initially tense, the track evolves into an unexpected and almost euphoric climax, adding an unforeseen emotional depth to the sonic narrative. Yet, beneath the surface, an undercurrent of tension remains—an ever-present reminder of the fragility of our self.
On the flip side, "Inciter" channels inner fury through a guttural chant punctuating a Birmingham-styled broken beat, marching forth with unyielding force.
Finally, "Portal" offers a moment of quiet introspection, as haunting pads echo a mournful refrain while micro recordings of whirring machinery are assembled into the percussion section. It serves as a poignant curtain-closer.
Through "The Shattered Self," Swarm Intelligence challenges listeners to reconsider their perceptions of identity, consciousness, and agency in an age where the machine and the human converge. It's a haunting and profound journey—one that invites introspection and contemplation long after the final reverb tails fade into silence.




















