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HøRD is the solo project of Bordeaux-based synthwave producer Sebastien Carl. Started in 2014, Sebastien has proven himself to be able to gather a cult fan-base around his creation in a short time, collaborating with artists as Hante, Winter Severity Index and Black Bug and performing live in most European countries.

Debuted by Antoni Maiovvi and Vercetti Technicolor’s Giallo Disco, an EP on SNTS’ Sacred Court and a second full-length on Avant! have followed. Bodies is his third album and it shows eight new passages that take HøRD’s distinguishing features one step further once more.

Ethereal synths matching deep analogue beats, veiled vocals speaking of visions, memories, meaning and failing. Synthwave sounds like a soundtrack from the 80’s meet electro and techno mechanical rhythms along a stream of tracks that almost have no name so that the listener can just let them flow and flow with them, taking a journey away from the present time and into an abstract, dream-like modern dimension where the misty and the solid are one.

2026 Repress

Four standout remixes to celebrate the 20th anniversary of iconic Australian duo Madison Avenue’s classic, ‘Don’t Call Me Baby’ from Patrick Topping, Spencer Parker, Mousse T and Super Disco Club. Be prepared as one of the world’s most prominent vocal tracks just got bigger.

Australia’s Madison Avenue continue to celebrate their 20th anniversary of ‘Don’t Call Me Baby’ a certified UK, European and US Billboard hit that returned late 2019 to cement no.1 positions across Aria Charts, Beatport and Traxsource. Now Patrick Topping, Spencer Parker, Mousse T and Super Disco Club take it to a higher level that’ll see it dominating clubs for many years to come!

A tale of two halves the A side see’s man of the moment Patrick Topping and veteran of the scene Spencer Parker provide two tech-y interpretations, the former an acid tweaked destructive whirlwind and the later a looped-up dub stomper. On the flip it’s nu disco at its best with a pair of remixes from Mousse T and Super Disco Club.

On Patrick Topping / Spencer Parker remixes:

Ben UFO - Very Nice Acid Mix
Danny Howard (BBC Radio 1) - Absolutely ripped it to shreds and turned into an absolute club weapon for 2020 (Patrick Topping’s Remix)
Annie Nightingale BBC R1 - Great reworks!
Black Madonna - Nice! | Change Underground - Premiere
Hannah Wants - Both bangaaaaaaaas. nice packageeeeeee

Autoroutes II by Pamplona's III3S (aka SuperSobreSaturado) is the soundtrack for a 21st-Century trip interconnecting continents and generations of Acid-House lovers and ravers. This record is a hard-driving journey into (Ph)uturistic sounds that takes it back to the Old School.
III3S knows that the best road-trips begin and/or end in Chicago (which is, after all, the start-point of the legendary Route 66) and he knows the start-point of any journey into Acid-House is Chicago's Phuture, the legendary masters whose "Acid Trax" created the genre in 1986. And so he is humbled to get remix support on this special edition vinyl release from none other than Phuture members Lothario Lee, Dj Spank-Spank, and Ron Maney aka Dj Skull.

A side
A68 (Acid Mix) A groovy analog bass-line rides a potent four to the floor kick while acid squelch rises over snapping rhythms of hats, snare and rolling rim-shots until deep chords bring light like the sunrise after an epic all-nighter.

B side
B1 A68 (Dj Spank Spank & Lothario Lee's Hard Acid Remix)
The Chicago legends and Acid-House inventors Dj Spank Spank & Lothario Lee step hard on the throttle by adding reverb and distortion to a crushing 4x4 kick. They push the drama of the original's rising minimalist melody by cranking up the 303 squelch and steadily building the snare-rolls and syncopated hi-hats.

B2 A68 (Ron Maney aka Dj Skull Remix)
Phuture's Dj Skull draws out the deep, groovy funk of the original's bass-line with a hypnotic, evolving rework.

Rocko Garoni knows what a techno dance floor wants. He’s learned it through countless hours spent on the floor himself as a punter, and through DJing at some of the best clubs and festivals in his hometown Berlin and all over the world. He knows exactly the type of productions that thrill crowds, and he brings this wealth of knowledge and experience to his third EP for Second State, Ammoniak.

The title and first track ‘Ammoniak’ drags you straight into the zone; a pounding, take no prisoners cut laced with stormy synths creating a vague sense of paranoia. ‘Gece‘ cranks the energy up with trancey, bouncing synths and a cool, clipped female vocal. Instantly, you’re pulled into the very sort of club that Garoni knows so well. ‘No Border‘ is the kind of expansive track that seems destined for huge warehouses or vast festival dancefloors. There’s an insistent, brooding bassline, robotic repeated vocals and a mid-track shift in tone that will send the crowd to a heightened state of reverie. The blend of post-punk vocals and eerie beats on ‘It’s All Yours‘, a track featuring Cook Strummer on the vocals, is at once highly unusual and completely compelling. It’s the track to play when the crowd are losing themselves in the best possible way. Closing the EP is ‘Helio‘, another completely different track that showcases the extent of Garoni’s range. Faint, echoed chanting lends the track an almost holy atmosphere. Combined with tunnelling synths and spindly percussion FX, the effect is euphoric, acting as a delicious palate cleanser between heavier tracks.

Put simply, Ammoniak is another first-class EP from a dynamic act who’s fast becoming a Second State star.

The enduring balance and precision fractures in CA2+'s earlier works for Northern Electronics only hint at the ferocity of his latest release, 'Overtone Window.' Assembling itself into troubling rhythmic rises that break of their own accord, finding more efficient models within its own feedback, each track sharpens itself with every movement. Small run... dont sleep!!

Trippy minimalistic Techno by Cologne based duo Metamorphic Interface

Continuing a run of highly eclectic and quirky but consistently individual releases (most recently GAMING's internationally lauded Scenes From A Deserted City 2x12" LP, out Nov), the Hobbes Music label is very excited to welcome Jacksonville aka Yorkshire-born, Edinburgh-based artist Chris Lyth, to the fold. He has carpet-bombed the last few Hobbes Music events at Edinburgh's Bongo Club with his excellent live sets and the release has been in the pipeline for some time.

The 'FON' EP (caps intentional) combines a love of classic electro and techno with dub reggae, sound system culture, the UK's contemporary bass scene etc. Mastering was done by Optimum in Bristol, who did a really lovely job, with loads of width in the mix.

This release follows Jacksonville's 'Machines Of Loving Grace' EP which dropped in November via Inner Shift. He has a pedigree spanning some 20 years plus via releases for the likes of 2020Vision, Hizou, Doppler, Thug, Plastic City, Leftroom, A.E.R, Shanti and Dan Curtin’s Metamorphic. This record's a bit of a departure for him.

While we're deeply saddened by the knowledge that there's no chance now of us ever hearing Andy Weatherall play it out, we're kinda heartened by the idea that he would have probably dug it.... RIP.

The long awaited second release on Obscure Unfound comes from the Manchester duo Kander.

Two original Straight up dance floor destroyers & two slamming remixes from RAW’s MAKORNIK & Peryl. The guys have enjoyed an absolutely storming year with gigs in New York, Philadelphia, London, Manchester & Berlin. Recent mixes for the Brvtalist & Instrument of Death along with smashing releases on Marked & ISMUS have gained worldwide support.

Intriguing times out there! Much confusion, much uncertainty
and a little bit too much of everything. Even music. And
recording mediums. Greta probably wouldn't approve of
cramming your little apartment with thousands of vinyl discs
that will go to waste at some point. And honestly, does the
world even need another record label? The answer is no.
Except this brand new imprint right here is aiming to put things
a bit into perspective. Bisiesto, meaning leapyear in Spanish
will only issue its releases on every 29th of February. You
know what that means - one release every four years. Less
pollution, less redundancy, essential material that had its time
to ripe, plus it's a fun idea, too. Bisiesto is run and curated by
Carlo and will emphasize on the physical release on vinyl in
limited editions of 366 pieces, hand numbered by the man
himself. Bisiesto #1 is due with four jams by the label honcho
that showcase his variety in an unprecedented manner. The
laid back electro- and e-funk-induced groove of "Momo" opens
that spectrum, maintaining Carlo's unmistakable feeling for
soothing harmonies. "Casiopeia" brings in a bit more of his
signature sound, building up a straightforward feelgood
housetune on thick kickdrums, slapping hihats and energizing
vocal cutouts. You can sum this bad boy up under: Carlo on
top of his game. The following "Tengo" has been released
previously, but appears here in a completely new mix, letting
this bouncy, yet deephouse-tinged piece shine in a slightly
different colour. Closing off is "Domingo" a rather percussive
affair, bringing in some tribal grains, a funked up bassline and
an irresistible breezy disco feel.

Soul Jazz Records' are releasing their long-out-of-print album 'Hustle! Reggae Disco' in a new expanded 2017 edition which now features five extra tracks. This ground-breaking album features non-stop killer reggae versions of original funk and soul classics in a disco style. Reggae disco updates of seminal classics by Anita Ward ('Ring
My Bell'), Chaka Khan ('I'm Every Woman'), Michael Jackson 'Don't Stop 'til You Get Enough,' Sugarhill Gang ('Rappers Delight' here performed by Derrick Laro and Trinity for producer Joe Gibbs) and more, all showing the hidden but inseparable link between the dance floors of New York, Kingston and London.

New bonus tracks to this collection include Derrick Harriott's funky take on Eddie Drennon's 'Do It Nice and Easy', the classic disco reggae of Risco Connection's take on McFadden and Whitehead's 'Ain't No Stopping Us Now' and the London rare groove lovers rock take on Barbara Acklin's soul classic 'Am I The Same Girl'.
'Hustle! Reggae Disco' has been one of Soul Jazz Records' best-selling releases since its first release 15 years ago (and subsequently featured heavily in the early Grand Theft Auto games!). This new edition comes complete fully re-mastered and with all original titles plus new tracks. This new expanded edition now comes a triple album (+ download code), CD and digital album.

'The effect of American R&B and soul music on Jamaican reggae is well documented, but the story doesn't stop there, for disco (and more so now for rap and hip-hop) have also been subsumed into the reggae mix, and while one might suspect that the resulting hybrid would die of its own implausibility, the feral mix of disco with reggae rhythms is so darn infectious that it hardly matters. Once you take your brain out of the frame and just let your feet go, this collection is a dancer's delight all done up in full-blown disco style, but with huge dub-style rhythm tracks ... if you're looking for an impossibly infectious dance collection, this is
it.' All Music

VincentIulian debuts on Subtil after his recently published EP on Atipic.

SBTL018 – called Various Whispers – kicks off with “Something”, a mesmeric groover, recurring layers of sequenced sounds and rhythmic patterns on side A.

On the flip side you find the particularly reduced track “Nue Tans”. Looping fragments of words merging with the drums wholly. The most notable characteristic of B2 “PWMA” is a bubbly synth bassline so rich and sugary that you might feel pangs of toothache.

Blue-Transparent vinyl (300 copies limited edition)

The Liverpool-based DJ and producer ASOK returns to DVS1's Mistress Recordings with his most diversified EP yet: "Mistress 14" unfolds ASOK's raw, analog-heavy sound aesthetic full of broken kick drum patterns, stepping basslines, and lush synths.



With 25 years of record collecting, DJing, and promoting parties around the UK, there is little of the dance music spectrum that Stu Robinson has not been involved with. The Liverpool-based artist has amassed a fine understanding of a wide array of scenes, styles and sounds from drum & bass to electro-funk, disco to house and techno – underpinned by a love of breakbeat. The music under his alias ASOK is an amalgamation of this diversity that has found favor with labels like M>O>S, Lobster Theremin, Crème Organization, and Mistress Recordings.



"Mistress 14" opens with "Space Rockets" which is a nod to his breakier love affairs without using actual breakbeats. While second track "Is Anyone" displays his take on classic Chicago House with a little Roland JD-800 euphoria thrown in. On the flip, "Last Refuge" explores driving, rhythmical techno with ASOK's typical ravey pad-like break in the middle until "The Alchemist" closes the 12-inch by laying more focus on melody and texture with a growing, always changing bassline and an ethereal synth that carries the track's energy. The digital bonus track "Apano Sin" concludes the package with a scruffy somewhere in between everything vibe.



ASOK about Mistress 14:



"Mistress 14 is probably the most important EP I have ever made in terms of showing all the different things I am into. I’m difficult to pin down because I’m not really a techno DJ, or a house DJ, or anything like that. I like all forms of electronic dance music. As a DJ, I mix up old and new, familiar with unfamiliar, playing everything from Italo disco to really dark high-bpm breakbeat. As a producer, it’s not easy to put an EP together that covers a little of everything, yet still sounds cohesive. Especially considering that all my tracks were recorded in long live takes, then edited down with no ability to change parts. Sometimes that requires some pretty heavy editing, but that’s one of the good things you get when making music this way. I’m in control of the creative process, rather than feeling like some kind of colored block administrator drawing blocks out on arrangement view of my computer."

Following the tragic passing of Philippe Zdar last summer, Ed Banger and Glitterbox Recordings have come together to release the final collaborative Cassius production, with the blessing of Hubert Boombass and Philippe’s family. This special vinyl only release features their remix of Fiorious’ powerful call-to-resistance anthem ‘I’m Not Defeated’, a record that captures the energy of historical protest songs, and inspired remixes from Honey Dijon and Catz ‘N Dogz with critical acclaim. The B-side has been specially etched, and the release will be limited to just 2000 pressings, making this a true collector’s item. Described by Fiorious as “an inspiring eight-minute tour de force and the most bittersweet gift to all of us,” all profits from the 12” will be donated to Rainbow Railroad, a Canadian charity working to help the LGBTQ+ community escape persecution and violence.

Speaking of the record, Ed Banger founder Pedro Winter said “Zdar played me the remix while we were heading to the last gig we would ever played together. He knew he and Boombass had delivered a banging remix. The original song was already one of the strongest of the year and adding Cassius’ powerful groove, hypnotic drums and these unifying chords would make this remix an instant classic.”

We are proud to release ‘Fortunate Isolation’ the sophomore album from Borusiade. Born and raised in Bucharest, Romania, Borusiade aka Miruna Boruzescu started DJ-ing in 2002 as one of the very few female DJs in the city’s emerging alternative clubbing scene. Influenced by a classical musical education, a bachelor in film direction and fascinated by raw electronic sounds, Borusiade first combined these universes in the construction of her DJ sets and starting 2005 also in her music production. A sound of her own has slowly crystallized, often dark with poignant bass lines, obsessive themes and by all means melodic. She has released EPs on labels like Pinkman, Unterton, Cititrax, Correspondant and Cómeme, who released her debut album ‘A Body’ in 2018.

‘Fortunate Isolation’ is perhaps Borusiade’s most personal release to date. Eight songs that capture a bystander witnessing the world as it undergoes drastic changes. We have disconnected ourselves from ecology, humanity, preservation, care for what surrounds us, for what is still alive. Borusiade adds, “| know that this place, our home has went through so many other extinctions, but | believe things will find their own way on this planet only once we are gone. Entropy creates a time-line but also a transformation - a new beginning.” The album’s sound is gloomy and powerful mixing sonic film sequences, rhythmic excursions and soothing yet obsessive vocals that touch one’s deepest senses. Lyrically the songs tackle themes of forgotten memories, spirituality, mortality, and destruction. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each copy is housed in a jacket designed by Eloise Leigh with decaying daguerreotypes against a rust color palette and includes an insert with lyrics.

Shcuro is the alias of João Ervedosa a DJ, producer and graphic designer based in Lisbon. He also runs the record labels Sombra and Paraíso, makes music as Jose Acid and hosts a show on Rádio Quântica. His first contact with a DJ setup happened at age 15, and that’s when Shcuro decided to buy his own turntables and mixer; and started producing his own beats, too. He’s since released music on Basal, Circus Maximus, Obscuur Techno, Golden Mist Records and his most recent collaboration with Photonz for Future Déjà Vu.

‘Particle of Memory’ is a hypnotic 6-track EP that explores new territories in contemporary dance music. Sonically Shcuro paints his sounds blending moody techno with industrial noises alongside fast, apocalyptic electro and breakbeat. He is influenced by Portuguese rave culture that was born in the mid-90s at Lisbon clubs Alcântara-Mar and Kremlin and the country’s first electronic label Kaos Records. Shcuro continues to expand and morph this rich dance heritage to create something entirely different. The bouncy, lead track “Afterlife” features vocals and lyrics by London's ELLES followed by a Decadent Dub rework. All songs have been mastered by George Horn at Fantasy Studios. Housed in a die-cut jacket designed by Eloise Leigh reminiscent of ‘90s escape/sci-fi films with futuristic bright pink pop flourishes

Berlin-based Frag Maddin bursts onto STRCTR with four hefty cuts. Maddin, whose hard-hitting sound has touched Mistress Recordings, Madhouse Records, W&O Street Tracks and Snatch! in the past makes his way into 2020 in style.



Side A’s lead track kicks of the label’s sixth release; the aptly-titled ‘Industrial Deafness’, is one warehouse-proof, downright dirty jumble of loose 4x4 drums and hardware groove. Nick Behringer’s remix forms its own subtle groove with a minimal house edge – more intimate bar, less cavernous warehouse.



Side B’s ‘Stuhltanz’ has floating flutes, jazz keys and one catchy vocal sample – a weighty kick and bumping bassline brings it together. And the DOS remix takes the euphoria of the special track one step further, adding a warm break and a complimentary sprinkling of acid.

Chaotic Discord - Time Migration introduces the second vinyl-only release from Tsarskoye Selo record label.

180g White Vinyl

* Following on from the hugely popular ‘Klavirni’ (Emika’s first solo piano album in 2015) her second installment of piano solos are a magical cluster of melodies, dreamy effects, obscure production mistakes with tape echo’s and other old analog gear.

* The pieces were recorded during the time she was pregnant with her first child Silvy, to whom she has dedicated this record ‘To Silvy who heard it first from the inside’.

* The collection of ‘Dilo’s’ which means moment in Czech, were recorded ‘in a state of ultra hyped up creativity combined with a massive fear about losing my identity or creativity as an artist once I would become a mother’ - says Emika about the album process.

* A truly personal affair and in keeping with the original style of the first Klavirni, all the Dilo’s were recorded improvisations by the composer on her home piano, this time in Berlin.

* Dilo 7 from the first album has been streamed more than 15 million times on Spotify and there will also be a ‘Red Edition’ repress of the album on vinyl.

* This release marks the 5 year anniversary of Emika Records, celebrating 5 years of independence since her days with Ninja Tune.

* Dilo Variations EP (not released previously before on vinyl) will come with the anniversary releases on a cute little 10’’ with updated artwork.

* This is also the final release in her Emika Records catalog before starting a new venture in 2020 with more details to follow later in the year.

* ‘Klavirni Temna’ which means dark piano in Czech, explores the relationship between dark and light, good and evil, death and rebirth.

* ‘Music is a powerful and sometimes unexplainable force.’ - Emika

RX-101 has quietly been making waves in the IDM/electronic music underground for the past few years, through a series of archival releases — material recorded in the late-90s, but previously unreleased until Suction Records began compiling and releasing these records in 2016. What’s truly mind-boggling about RX-101’s output is the sheer quantity of stunning, top-drawer material that Dutch producer Erik Jong recorded over the period of just 3 years, 1997-1999. Many have suggested that the whole thing is a publicity stunt — some insisting that this is all new material masquerading as vintage, while others have proposed that the material may in fact be a secret alias for Aphex Twin to release gems from his own legendary ’90s audio archive. RX-101 has absolutely nailed the sound, and quality, of early-90s AFX/Rephlex, that much is true. “Serenity,” this latest full-length RX-101 release, is no exception.

Just as RX-101’s last album, 2019’s Dopamine, concentrated on one hallmark of Aphex Twin’s sound — the smooth melodic techno of his Selected Ambient Works 1985-1992 LP — so too does Serenity reference another classic early-Aphex era, but this time it’s a completely different beast. Don't let the title fool you - Suction Records' latest dive into RX-101's 1997-1999 tape archives is not all lush, serene melodies. On Serenity, scorched, crunchy jackhammer beats combine with emotional, plaintive pads, delivering a classic set of vintage-Rephlex-style bliss, à la AFX, Caustic Window, and Cylob. It was Cylob who coined the term Industrial Folk Songs for his classic 1995 LP, and that release is clearly a blueprint for RX-101’s latest collection.

Standout cut Hearts Utd., featuring a stunning music video by Aidan Fantinatto and I Dream Of Wires’ director Robert Fantinatto, not only nails the magic of AFX’s trademark, irresistible jackhammer-beats-meets-plaintive-melody device, it arguably rivals the master at his own sound. As a whole, what could be a harsh and monotonous collection is lifted by RX-101’s subtle diversity and skill, particularly in his ability to create eerie, evocative moods, with gorgeous melodies that speak volumes of emotion.

German cult band "Bohren & der Club of Gore" release their eigth studio album via 'PIAS Recordings'. The band have built a loyal international fanbase on the back of their trademark ‘Doom Jazz’ sound and count musical icons such as Mike Patton and Stephen O’Malley among their fans. Strictly instrumental, this band and their sound have the healing power to survive these hectic modern times. For fans of Melanie de Biasio, Sunn O)))' and the soundtracks of David Lynch. The band played two sold out shows in London’s Round Chapel recently and will tour the UK again in 2020.

'PIASD5045LP' pressed & designed on 2x12" Gatefold Coloured Vinyl.

It's been a while but the sharpened Label from Marseille is back for his second release : the Brawshleter EP .

This various hosts 4 tracks from 3 members of the D-Mood Squad and offers a nice trip around their universe.

FACE A is dedicated to KUMANOPE : A1/GLITTERING WOODS & A2/BREAK OF DAWN : two trippy tracks with jungle rhythmic signatures and chopped-reworked breaks everywhere. A well-known sample used with class coupled with a perfect ambient and vapored atmosphere which will bring you back for sure to the UK of 90'.

FACE B starts with a Dancefloor Friendly weapon by JOZ. B1/DON BREAK is a techy track with minimalists fx, dubby and delayed chords, breaks samples and an acid bass line to spice up the whole thing!

SUAVE occupies the end of the release with B2/LA MADONNE. A trip into the suavity and the deepness of this track is perfect to start the night or to let the dancefloor breath in the middle of it ! Exhilarating melody and endless acid bass line are the main ingredients of this little beauty made with love in our missed studio !

Utter presents 'The Saturn Star', a score to an imaginary film by music producer and visual artist Jorge Velez.

Inspired by The Third Ear Band, late-period Coil, Carlos Peron's lurid soundtracks and European folk music, Velez's score accompanies the evocative tale of a 16th-century physician-alchemist hunted down by The Inquisition in western Europe.

Much like his acclaimed 'Hassan' soundtrack, Velez purposefully limited the amount of equipment he used to create a cohesive sonic environment, this time restricting himself to a Korg MonoPoly and Prophet 6. The music flowed quickly, with the entire project recorded and mixed within two weeks. The resulting work veers from moments of unsettling intensity to blissful beauty, underpinned by a lingering sense of mystery and paranoia.

Velez is also an avid illustrator and a new 8-page riso-printed booklet titled 'Systema' is included within the LP sleeve. It's intended as a 'guide for self-transformation', with each image to be taken in slowly alongside the music. For Velez, sound and vision are closely intertwined:

"Making music is as visual a process for me as making a drawing. A piece of music that's working is able to take on some fantastic shapes or evoke entire scenes or environments. Creating a story, characters and scenes that vary in intensity make the process of building a score for an imagined film tremendous fun. Listening back to 'The Saturn Star' I can still see those 'film scenes' in my mind..."

For the uninitiated, Velez has been producing music since the mid-90s - his early work was compiled by Rush Hour on its dedicated 'MMT Tape Series' releases - and has been prolific since, with releases under his own name on L.I.E.S, Berceuse Heroique, Skudge and Crème Organization coming in quick succession. He has also produced under a number of aliases such as Professor Genius, Bridge & Tunnel Kids and Duermo for Echovolt, Italians Do It Better and Borneo. His collaborators include Willie Burns, Gilb'r and Acid Arab among others. He currently lives in Amsterdam, Netherlands.

*Limited to 250 copies - includes 'Systema' A5 booklet*

Legacy Chicago craftsman Mark Nelson’s latest offering as Pan. American is less a distillation or divergence than it is a return to his musical and spiritual beginnings. Spare, subdued, and largely acoustic, A Son unfurls like late summer dusk on the edge of town, expansive but intimate.

Motivated by notions of “moving backward” and tracing roots – as well as a couple years of hammered dulcimer lessons – the album’s nine songs were written and recorded in his home in Evanston, Illinois, and honed during a recent solo tour in Europe. The emphasis on uncluttered arrangements and the centrality of the guitar and vocals reveal these songs as the most direct and emotional statement of his career.

Nelson cites everything from June Tabor, The Carter Family, Suicide and Jimmy Reed as oblique inspirations, though his truest muse was creative self-inquiry: “What does music do, Where does music start? How simple can it be? How honest can it be?”

After decades of mining post-rock pathways and latticework electronics in Labradford and early Pan. American, A Son strips away ornament and distraction in favor of a direct gaze into the heart of what is.

The "second limited vinyl edition on Scena_731 label, is a sharp weapon like the Blade Knifee, recorded by the talented "Yari Greco"
with a sound that screams like the 90's and with heavy industrial themes. On B side, amazing are the featuring with the incredible dutch
duo, "Noneoftheabove" with riding rides of drummer and to the end, the techno lord by "Mr. Endlec" it's pure industrial adrenaline.

This new Signatune various artist EP is something special to have in anybody's record collection! It starts off with a cosmic and trippy tune by Timo called 'Pilar', followed by 'Ravisher' an excellent
warm up tune by Romanian LOy. Litmus comes back on the label with 'Shoelace' a bouncy minimal beat guaranteed to get tired feet up dancing, and Hyacin closes the EP perfectly with
'Hayzy'. Out in May 2018!

Kölsch makes his debut on Drumcode, as an Adam Beyer favourite gets his classy remix touch. Drumcode set the standard with its first release of 2019, recruiting Amelie Lens to deliver an electrifying re-rub of Adam Beyer’s ‘Teach Me’, a fitting highlight to mark the labels 200'th release back in January.

As we hit the business end of the year, another Beyer vintage gets the remix treatment as Kolsch adds to his outstanding discography with a maiden DC contribution. First released back in 2015, ‘What You Need’ was the perfect marriage of deep groove-licked techno and slinky smooth synth lines. Retaining the exotic riff of the original, Kolsch builds tension and euphoria in equal doses as melancholic chords build up in intensity before dramatic string sequences enter the game.

It’s the kind of end-of-night soundtrack that’ll make even the most hardened raver go a little misty eyed and a classic addition to the Drumcode catalogue.

Lapalux kehrt für sein viertes Album zu Flying Lotus' Brainfeeder-Label zurück! Während es beim Vorgängeralbum „Ruinism“ 2017 um klangliche Wrackteile und Dekonstruktionen ging, ging Howard mit „Amnioverse“ einen anderen Weg, indem er jeden Track um einen Ausschnitt gesprochenen Wortes von „Freund*innen, Liebhaber*innen und Ex-Partner*innen“ konstruierte und die Musik darum baute.

Die erste Inspiration für das Album kam von einem Foto von James Turrells „Twilight Epiphany Skyspace“ Installation in Texas. „Ich habe es mir drei Jahre lang jeden Tag angesehen, während ich diese Platte gemacht habe.“, erklärt Howard, „die Leute sitzen in einem Wartezimmer, das in einem violetten Farbton beleuchtet ist, und schauen durch ein rechteckiges Loch in der Decke in den dunklen Nachthimmel.
Das Bild hat so viel Tiefe und bedeutet mir so viel … es scheint, als wären wir alle in diesem Wartezimmer und warten darauf, irgendwo zu sein oder irgendwo hinzugehen. Das ist es, was ich versucht habe, mit dieser Platte abzubilden.“

'GO Wax' is a vinyl only record label designed to show off the underground sound that is the life and soul of the Game Over X One Night Stand parties in Ibiza.

The first release welcomes Salty Nuts & BE9 rising star Fabe who has been one of the all stars of the Game Over parties this summer -
The A-Side is straight club cuts designed to blow minds, while the
B-Side shows off the trademark Fabe groove which has made him one of the biggest names in the scene throughout 2019.

Vinyl Only.

For the first time ever repressed on FullTime Production the iconic disco record "Easy Going" by Easy Going!
That's a brand-new great landmark for the label as "Easy Going" set a milestone in the italian Disco culture.
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above.

The homonymous 33 rpm debut of 1978 is remastered and repressed on a glossy white vinyl and due next December 13th on FullTime Production!
It features the original LP cover highlighting the mosaic of masculine struggle between a sailor and a strictly naked policeman , photographed in the Roman club.

The music explodes with the piece that will define the group par excellence: "Baby I Love You" also released as the first single, sung by a very filtered voice on a hypnotic rug of keyboards and a captivating melody that define a real masterpiece of italian disco and beyond. The same goes for the remaining three tracks of the album, which are also set to set the dance floor on fire: "Do It Again" is pure dance from Studio 54 and on the flip side, Creedence Clearwater Revival's cover "Suzie Q" and the ballad "Little Fairy".

A very effective collection of new works by Staffan who has previously released on great labels such as
Field, Stockholm Limited, Chronicle and many others. In this special extended release titled "Every choice never made"
it shows a great variety of Sci-Fi influenced, rhythmic and dramatic cuts that will sound great in any club or warehouse.
Many of the early reviews by djs around the globe say that the release is some of Staffans best work we hope you enjoy this as well.

What’s The Secret Word Tonight has been the question of Summer 2019. As a four tracker, the EP has already gained vast support from Sven Vath who is set to include the Arian 911 Remix on Cocoons legendary compilation series, The Sound Of The 20th Season.This collection featuring Joe Metzenmacher, Arian 911, DJ Schwa and Filburt marks a fine return back from hiatus for the Heideton family.

Photonz is the alias of Marco Rodrigues a DJ, producer and driving force of Lisbon's underground scene. For little over a decade now, he's been crafting his own deeply personal style of Portuguese house and techno. As a DJ, Photonz grew a reputation for deep crates and intensely euphoric sets and in 2017, together with Violet (co-founder at his Radio Quantica) and Lisbon's own Rabbit Hole collective, he started the now infamous Mina parties - a monthly, sex-positive, queer and intersectional-feminist techno party aimed at using the dissociative potential of intense raving to create a temporary space of suspension away from patriarchal expectations. 'Nuit' is Photonz?s debut album and a simultaneous reference the Egyptian Goddess of the Stars or Night. Marco was really swept away by the concept of ?freedom of form under the night sky?, the accepting embrace of Nuit. Ancestral, but also socially advanced and utopian; a deification of the night time. These ideas manifest themselves as eleven songs spread across two LPs that wax and wane like the moon. Photonz channels early techno, Drexciyan rhythms, balearic & atmospheric house; layering sounds, creating moments. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a royal blue and neon yellow jacket with duality/birth symbolism and trance-hieroglyphs designed by Eloise Leigh. Each copy includes a glow-in-the-dark sticker and a postcard with notes

“This sound / synapse transposition is as haunting as it is beautiful—surely Grouper’s best.”—Tiny Mix Tapes
“If past Grouper releases have inhabited abyssal trenches and damp backwoods, here Harris takes us journeying across constellations and stars. Two of the most beguiling albums of the year, exquisitely realized and singularly evocative.” —The Quietus
“This music feels both spacey and expansive and also oddly intimate and grounded, the work of someone who has mastered her tools and knows how to get the most out of them.”—Pitchfork “Harris nds a way to dive deeper in simple and unassuming ways.”—NPR