Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to Manchester, London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in......
MC065 presents a highly anticipated reissue of Kilowatt's 'The Last EP' – a coveted 4-track compilation featuring a blend of technoid electro-funk and Detroit-inspired house grooves. Originally unleashed on Rob Gretton's legendary Manchester label 'Rob's Records', this EP seamlessly meshes with contemporary sounds and promises an immersive experience on a powerful sound system. Catering to aficionados of the more intricate and funk-infused facets of electronic music, Kilowatt unleashed this underground gem in 1995, earning it a well-deserved cult status among dedicated music explorers and DJs alike. Secure your copy of this exceptionally rare piece of UK musical brilliance now, courtesy of your friends at MC.
All tracks have been lovingly remastered by London's Curve Pusher from the original sources especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition.
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Ja, funky Leute, hier kommt eine neue frische Veröffentlichung der großartigen Betty Black. Nach den ersten beiden Cover-Releases "Cry Me A River" und "Sweet Dreams" hat Skyline Recordings nun die Ehre, Bettys Originalmaterial herauszubringen. Pandora's Box ist somit geöffnet und voller Schätze. Frech, funky und vorgetragen mit der unglaublich sinnlichen, aber bissigen Stimme von Betty, einer Sängerin, die man sich nicht entgehen lassen sollte.
DOJO ZONE, a local lurker of the backstreets of Santa Catalina. When he’s not eating tapas, sipping on cold cañas or digging through our dusty record boxes, he’s producing strange wonky house beats for the weekend shenanigans. Expect sounds from the past, feelings of the present, movements of the Mediterranean Express…
Recorded, mixed and arranged by Todd Gartland at The Castle Studios, Mallorca.
Mastered by Justin Drake at The Bakehouse Studio, London.
- A1: Introduction & Scene
- A2: Valse
- A3: Pas De Trois/Intrada/Allegro Semplice/Moderato/Allegro & Coda
- B1: Sujet & Danse Des Coupes
- B2: Scene
- B3: Scene
- B4: Danse Des Cygnes/Tempo Di Valse
- B5: Andante Non Troppo
- C1: Allegro Moderato
- C2: Temo Di Valse
- C3: Moderato Assai
- C4: Coda
- C5: Allegro Giusto/Scene Et Valse
- C6: Scene
- C7: Danse Neapolitaine
- D1: Mazurka
- D2: Danse Hongroise
- D3: Pas De Deux/Intrada/Andante/Tempo Di Valse/Coda
- D4: Scene/Scene Finale
Here is a true delight for all ballet fans and music-lovers. This recording of what is probably Tchaikovsky’s most popular ballet, Swan Lake, by Ernest Ansermet and his orchestra in a masterly performance is now available as a new pressing in vinyl. The Russian composer’s first ballet is offered here on a double LP and although not a complete recording, this compilation (with a minimum of cuts) certainly comprises the most beautiful and expressive scenes, losing nothing in the process. “Ballet specialist“ Ansermet and his wonderfully balanced Orchestre de la Suisse Romande offer here a recording which you’ll want to hear again and again for it captures both the tragic moments of the fairy tale and the festive dance scenes. The precise winds in, for example No. 4, provide a marked contrast to the lively and exciting tutti (No. 5), while the gentle woodwinds blend charmingly with the dreamlike cantilena of the strings (No. 11). The various characteristics of the festive national dances (Polkas, Mazurkas, Hungarian Dance etc.) are performed with temperament, verve and rhythm, but it is the waltzes with their sweet dreaminess which invite the listener most of all to put on their dancing shoes and join in the dance.
Here is a true delight for all ballet fans and music-lovers. This recording of what is probably Tchaikovsky’s most popular ballet, Swan Lake, by Ernest Ansermet and his orchestra in a masterly performance is now available as a new pressing in vinyl. The Russian composer’s first ballet is offered here on a double LP and although not a complete recording, this compilation (with a minimum of cuts) certainly comprises the most beautiful and expressive scenes, losing nothing in the process. “Ballet specialist“ Ansermet and his wonderfully balanced Orchestre de la Suisse Romande offer here a recording which you’ll want to hear again and again for it captures both the tragic moments of the fairy tale and the festive dance scenes. The precise winds in, for example No. 4, provide a marked contrast to the lively and exciting tutti (No. 5), while the gentle woodwinds blend charmingly with the dreamlike cantilena of the strings (No. 11). The various characteristics of the festive national dances (Polkas, Mazurkas, Hungarian Dance etc.) are performed with temperament, verve and rhythm, but it is the waltzes with their sweet dreaminess which invite the listener most of all to put on their dancing shoes and join in the dance.
Warehouse Find!
Following the sold out Theo Parrish remix of Marcos Valle's '1985', here's the second in Far Out's Brazilika 12" with three scorching remixes from UK dance veteran Ashley Beedle. Three peak time excursions into percussive, soulful house on a stylish, cosmic Brazilian party tip.
Following the sold out Theo Parrish remix of Marcos Valle's '1985' back in April, the second release in Far Out's Brazilika 12' series features a highlight from Sabrina Malheiros' 2011 album 'Dreaming': the blissed-out, sun soaked samba classic 'Opara', which gets three scorching remixes from UK dance veteran Ashley Beedle.
Currently celebrating a decade since the release of her critically acclaimed debut album 'Equilibria', Sabrina Malheiros has remained at the forefront of modern, soul-infused Brazilian music. Growing up in Rio, the daughter of Alex Malheiros, bassist of Jazz-funk pioneers Azymuth, Sabrina has taken the legacy of samba and bossa nova and forged her own forward-thinking path, taking with her all the style and substance of the early days.
Produced under his Afrikanz On Marz moniker, Beedle's remix brings all the right elements of the original to the fore. The result is three peak time excursions into percussive, soulful house on a stylish, cosmic Brazilian party tip, infused with rich, warm rhodes, synth and flute throughout.
The vocal mix on the A side provides a spacious backdrop of twinkling keys and buoyant percussion to Malheiros' gently floating strains. The other mixes offer similarly floor-focused variations: the aptly titled 'Galactic Flute Remix' on the flip pairs the titular wind instrument with a deeper groove that retains the loose-limbed appeal of the original, plus a bonus instrumental to boot. A sure fire heat bringer and certainly one of the most colourful dance 12's we've heard this year.
The Brazilika 12' series is the new vinyl home to the previously unreleased dance exclusives taken from the Spiritual South mix on CD2 of Far Out's 20th anniversary double compilation, released in May 2015.
Re-Press of Original Pirate Material on a burnt orange vinyl
- The 25th March 2022 marks the 20th anniversary of the instant British classic Original Pirate Material - The Streets.
- For the PR approach for this anniversary label are working with zeitgeist creatives: Sabotage Studios and photographer Isaac Lamb. Sabotage Studios will connect the creative anniversary projects with with cool, veritable influencers and magazines in an authentic way. Aiming for an editorial around the anniversary projects with: The Face, Vice, 10 Magazine, HERO, Noisy Wonderland and Hunger.
- Hugely popular and influential designer Corbyn Shaw, who focus on archetypes of British Culture is creating a Original Pirate material tribute piece of work for the OPM anniversary:
- Minnow Films and comedian James Acaster to create a short documentary around the for the OPM Anniversary. Talking to BBC, Amazon and smaller publications like Vice and Noisy to promote this.
Presenting Naural's latest EP by DJ Puma, aka Zefzeed. This collection features three tracks blending uplifting house and techno with smooth baselines and complex percussion. Expect a mix of spicy, sweet, and salty contrasts, along with vivid vocals and unexpected melodic lines. The result is a groovy and danceable journey with a touch of complexity.
Over the past decade Rising Sun has firmly established himself as a purveyor of the finest deep, dubby and cinematic leaning house and techno, consistently delivering a sound that is distinctly his through labels such as Fauxpas, Freund Der Familie and his own numerous imprints Reality Used To Be A Friend Of Mine, Kristofferson Kristofferson and Beautiful Things Don't Ask For Attention under a variant of guises such as The Ambientist, Rising Sun Project, Rising Sun Psyche, Rising Sun Melancholia and simply Rising Sun under which he returns here for Echocord. As one has come to expect from a Rising Sun release ‘The Eternal’ has a firm foundation in emotive melodies and atmospherics across six alternate versions. ‘Eternal 1’ leads with muted drums, fluttering stabs and a preaching spoken word vocal. ‘Eternal 2’ edges into darked realms, merging expansive dub echoes with swelling subs and tension building strings before ‘Eternal 3’ dives head first into ethereal hypnotism via unfurling textures, soft stab sequences and a rounded kick. ‘Eternal 4’ opens the B-side with a subtly unfolding construction as vocals, chords and swinging drums run in unison. ‘Eternal 5’ then strips things back to a gritty statured feel with boomy percussion, enchanting strings and nuanced stabs before ‘Eternal 6’ rounds out the release laying down murky, multilayered pads, widely dispersing reverberations and bubbling delays throughout.
Remarkable warm IDM mini-album by Shlomo, Peligre and Katu.
Steel Drum covers of Drake, Snoop Dogg & Dr Dre, Claudja Barry, The Game & 50 Cent, A$AP Rocky, Stranger Things Theme, and more. Bacao Rhythm & Steel Band, the mysterious steel pan outfit hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7”s and three critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their fourth album BRSB, Bacao are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is finding out what covers they do it is equally intriguing to see what original tunes they cooked upland this record is foul of standout originals. The album opener, “In The Crosshairs” is a rough and tough mid-tempo head nodder while both “Grilled” & “Treasure Quest” pick up the tempo with heavy African Funk in‑fluences on both. Bacao goes deep with “Hazy Memories”, a bass heavy slow burner that walks a line between hypnotic and hype. All these originals stand as testament that the term “cover band” is a shoe that could never fit Bacao. However, in the tradition of steel pan music, they do a heavy amount of covers. This time around there is a big West Coast Hip Hop influence with covers of Game & 50 Cent’s “How We Do”, Dr Dre & Snoop Dogg’s “Nuthin But A G Thang”, and Tupac’s “Got My Mind Made Up” all of which take on new energy and lend themselves to the BRSB steel treatment. Bacao puts another certified dance‑floor filler on their resume with their cover of Claudja Barry’s uber Disco classic “Love For The Sake Of Love” which they flip into a dubbed-out affair aptly changing even the title to “Love For The Sake Of Dub”. Pulling from the contemporary smash hit section of Hip Hop they cover Drake’s “Hotline Bling” and “Love$ick” by Mura Masa & A$AP Rocky. Then they go very unexpected with “Stranger Things Theme” where they take the synth heavy theme song to the hit show and give it a more hypnotizing tone than the original. By the time BRSB is through, Bacao has taken the listener on a journey spanning a myriad of energies, tempos, and moods while keeping it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy
The track 'Abyadh Aswad' is a manifestation of Ali's self-described Middle Eastern beats with Southeast Asian twists, specifically influenced by Indonesia. It offers tropical cruising vibes and tranquil melodies, incorporating Arabic lyrics and repetitive desert-like riffs. Floating melodies and background vocals inject a psychedelic element into the track. The lyrics themselves translate to 'Black and white in one vision.'
On the B-side, there is an instrumental track titled 'White Stallion.' It's a simply cinematic funk track with psychedelic elements and hypnotic repetitive riffs. This track aims to capture the adventurous landscape of Indonesia through music, offering a flat, chill, and contemplative vibe that would suit a cinematic soundtrack.
This is it. Poly dance theatre 006 arrives. Fresh arrival. For the 6th POLY DANCE THEATRE release, androo has decided to release exclusive dubplates from NS Kroo sound system (androo & baba). Yes. 2 tracks from the smoky, always intense and sometimes very special sessions of the NS Kroo sound system over the last 10 years. Exxxperienceee. Wave Dub style is a blend of synth wave, dub stepper and club elements. A side: Fast Dub, tribute to Kitachi, (Iration steppas). Indeed, NS Kroo didn't wait for the recent re-issues to play Kitachi tracks, and has been inspired by this vibe from the outset. Club meets Dub! Fast Dub is trance, it's raw, it's sporty, it's for the legs, it's good support (aducteurs), it's for nimble feet, it's a book whose last sentence ends on the first, it's repetition, it's different style, it's dance, it's wild, it's club rhythm, it's baba operator, it's androo selector, it's sound system vibes, it's NS Kroo in 2019, it's a discreet, slightly punkish non-chalance, it's distortion, it's "we don't give a fuck about codes", it's that and lots of other things... B side: Wave Dub Style Is Back. It's all in the title. This track is probably from 2014? Wave dub... A mix of new wave/synth pop and dub, with a club mix feel. Again, trance music, the kind you play when the night never ends to end, an epic end-of-session odyssey. Soft and strange synth with strong 808 rhythm. 2 mixes. 1st mix: pop synth experience. 2nd mix: raw trance club mix. Wave Dub Style Is Back was remastered by androo in 2023 with the support of poly dance theatre compagnie.
An interesting insight into some of the diverse dancefloor oriented sounds going on in Canada during the 80s sitting somewhere between electro, italo disco and proto house. A-side starts off on a slow paced 80 bpm pop/rock italo-disco crossover track featuring lyrics in english with an unidentifiable accent, very much reminiscent of Italian local neighbourhood private press ventures featuring someone's sister on the vocal. 3 versions later, on the B side, things step up a notch coming in at 130 bpm with "Heat In Africa's" drum machine propelled rhythmic mayhem pulling out all the latest studio bells and whistles of the time. Big electric guitar solo build up on the "Dance Mix" and additional Bonus Beats mix by Castro. Remastered and officially re-released almost 4 decades later.
Hailing from Kaliningrad x Berlin, new vinyl only label Garderobe, heralded by Malish, launches the first EP release. Limited to 250x copies
Keeping things edgy, deep, and minimal this 3 track release from Bilalov colors darker shades of house and techno for dancers and party people who are seemingly never ready to go home.
Also included in this release is a remix from prolific minimalist dj and producer Alci who delivers a superb remix that keeps the groove within respectable norms of avant-garde minimal for the audiophiles and chin strokers alike.
A genuine gem for any dj’s record bag or crate diggers collection. Honest, pure, and full of integrity this first release sets the tone for things to come and is sure to hit all the right spots during different hours of the party!
Repress!
Electric Ballroom is proud to present our latest release, Thomas Schumacher’s remix of “Mayday Anthem” by Members of Mayday, the brainchild of Westbam and Klaus Jankuhn. “Mayday Anthem” was originally released in 1992 and quickly became a classic of the genre. The original version still resonates with fans to this day, and we are thrilled to bring a fresh perspective to this beloved track with Thomas’ remix. The remix will premiere at this years Mayday in Dortmund where Thomas will play the much coveted closing set.
Tel Aviv's Elado has put out a fine run of eight releases in just two years on the likes of GAMM, Barefoot Beats and Bonfido Disques, but for his next move, he branches out with his own reissue label. its aim is to "focus on uncovering lost gems" with the original paired with his own remixes. The first one is a 1983 private press from the Canadian pair OUI. 'Circle Of Love' is a big disco banger with flashy synth work and rugged arps, with a pair of Elado's mixes making it even more dancefloor ready. 'You Make Me High' is a more sentimental 80s pop sound. A fine start to life for this new label.
- A1: Pegasus Meteor Fist (Pegasus Fantasy ~ Blue Forever) 04 44
- A2: Sanctuary, Precepts Of Death 03 26
- A3: Galaxian Wars 03 54
- A4: Burning Cosmo 04 09
- A5: Oath To One's Guardian Star 05 47
- B1: The Saints Of Athena 04 31
- B2: Revenger Phoenix 04 27
- B3: The Challenge Of The Black Saints 03 59
- B4: Sad Brothers 04 38
- B5: Into An Era Of Legend 04 56
First vinyl issue of the Saint Seiya Anime's cult Soundtrack. Limited Edition.
Seiya is an orphan who, as a young boy, was selected by the Kido Foundation to bring legendary bronze armour back to Japan. He succeeds, along with 10 other orphans. Forced by the foundation to take part in a "show", the knights embark on a tournament before the prize, the golden armour, is stolen. Little by little, they realise that their problems stem from the Sanctuary in Greece, home to the 12 most powerful knights, the Golden Knights, and their leader, the Great Pope. His target is the young Saori Kido, heiress to the foundation and reincarnation of Athena.
The series was a huge success and spawned an extensive franchise, with TV series, films and video games. This album features the best music and songs from the anime, composed and arranged by Seiji Yokoyama (GATCHAMAN).
Mad-heads, rave veterans and lovers of having their brains rewired by previously unexplored sonic realms unite, because here comes the first of four, yes four, new albums from the fantastic freak of nature that is Special Request. His 'What Time Is Love? Sessions' arrives in several different formats this month and across six sizzling tracks that re-wire the KLF's hit of that name, he taps into everything from "ephemeral ambiance to barnstorming hardcore, pummelling house to pointillist trance" and does so with a mix of the surreal and the psychotic, the psychedelic and the downright ridiculous. It's mental, and we love it.




















