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Numbers 28, 29 & 30 in the Jazzman Holy Grail Series.

Fable is a small independent record label started in Austin, Texas in the early 1970s by a young trombone player named Michael Mordecai. In autumn 1975 he debuted a trio of albums on Fable by Austin bands 47 Times its Own Weight, Steam Heat and Starcrost. With only 1000 of each pressed, and each carrying a different emphasis on soul, funk or jazz, all 3 have gone on to become highly sought after by collectors and DJs around the world.

We meet with Michael at our UK offices and over several hours he tells us the highs and lows of running Fable Records, leaving no stone unturned and with success and tragedy in equal measure. We also speak with members of all 3 bands, and they share with us interesting stories and cool anecdotes of the wild times in the mid '70s when their records were made. We acquire informative press cuttings and some awesome posters & flyers, and all of this we publish in a booklet included with each LP which are housed in a US-style tip-on sleeve. Jazzman Records - We Dig Deeper.

Soul Jazz Records are releasing this stunning new collection, The World of Keith Haring, featuring
music influential to the artist Keith Haring.
The art of Keith Haring is today one of the most recognisable of any visual artists of his generation,
defining 1980s New York during an intense period when downtown artists and musicians collaborated
like never before. Haring’s musical inspiration took in the punk/dance downtown sounds of clubs like
The Mudd Club, underground disco at Larry Levan’s Paradise Garage, as well the early days of hip-hop
and electro.
The album is released to coincide with the opening of the first major exhibition in the UK of Keith
Haring’s work at Tate Liverpool and which runs for the next six months.
Haring’s many friends included Jean-Michel Basquiat, Andy Warhol, Madonna, Fab Five Freddy,
William Burroughs, Jenny Holzer, Yoko Ono, Grace Jones, Larry Levan, Futura 2000.
If you were looking for a person to guide you through the wide variety of nightclub scenes of
downtown New York in the 1980s, then Keith Haring would have been your man.
This album comes in deluxe artwork and three formats – Double CD + 48-page book, a deluxe 3xLP +
bonus 7” + download code vinyl version, and a standard 3xLP + download standard vinyl version. All
formats of the album feature stunning photography, extensive sleevenotes and interviews.
The music here includes the work of a number of Haring’s close friends, including Jean-Michel
Basquiat, Yoko Ono, Larry Levan, John Sex and George Condo (The Girls), as well as healthy dose of
rare disco, early electro and New York punk/dance tracks.

Nach der umfangreichen und limitierten Boxset-Retrospektive "Michael Rother - Solo (Remastered)" des wohl einflussreichsten E-Gitarristen aus Deutschland und Mitglieds der Bandprojekte NEU! und Harmonia, erscheinen nun seine vier ersten Solowerke erstmals einzeln, digital remastered von den Original-Tapes: "Flammende Herzen" (1977), "Sterntaler" (1978), "Katzenmusik" (1979) und "Fernwärme" (1982). Insbesondere die LPs waren - mit Ausnahme einer US-Pressung von "Flammende Herzen" in 2010 - seit Mitte der 1980er Jahre nicht mehr erhältlich.

This is a serious collaboration, two internationally acclaimed artists joining forces on a series of new recordings and live shows showcasing the unending diversity & innovation present in UK Reggae & Dub.

First up is “Sound System Girl” - digging deep into Sandra’s Sound System History on a future sounding re-cut of the Cuss Cuss Riddim , on the flip side ‘Fyah Bun’ is stepping spiritual dub music at it’s best.

Sandra Cross needs no introduction, she is a true legend whose career begun at the age of 14 with a no.1 hit in the UK Reggae charts. Since then she has gone on to be one of THE defining female voices of British Reggae. Sandra’s award winning career has seen her hook up with the likes of Mad Professor and Sly & Robbie for a near endless round of hit singles & albums.
Vibronics, the future sound of dub, have been vibrating the world with bass since 1996. Their music is at the forefront of the UK Dub scene, proven by over 60 releases on their own legendary SCOOPS label as well as a host of albums, singles and remixes for a myriad of other labels such as Jarring Effects, Dubhead and Jah Tubbys. In the studio they have worked with Michael Prophet, Iration Steppas, Macka B, Aba Shanti, Brain Damage, High Tone, Big Youth, Gaudi and an almost endless list of dub & reggae luminaries.

fter Liquid Liquid disbanded in 1985 I continued to record electronic music at my home studio inEdison,New Jerseybut I decided to mix the songs for "Concepts" at another studio so I could have another set of ears to help with the mixes. I was lucky when I looked in the local music ads that I to find Gabriel Farm Studios inPrinceton,New Jerseyowned and operated by Andy Gomory. Andy was a true talent, a keyboardist and arranger, we hit it off immediately. After he recorded my mixes we would record songs together. Andy played drum machines and keyboards while I played percussion, keyboards, & guitar and we both sang. When Andy and I parted ways in the late 1980's I decided to add both drums and percussion as well as overdubs from guest musicians many of which are included on this album. The albums timeframe ends in the year 2004. The later recordings have a jazz feel to it yet still had dance music elements mixed in. The title track "Primitive Substance" really sets the tone as you hear the great playing of Michael Gribbrook on Frugel horn/Trumpet and Gerry Carboy on bass. Also, my favorite song on the recording "Forgiveness" has David Axelrod (not the famous one) playing beautiful melodic bass guitar thru out.

Special thanks to Euan Fryer of "Athensof the North" for releasing this album. As I listened to the songs I decided to use for this recording it brought back memories of the hours spent adding the extra sounds and instruments to the point where I wanted to listen to them again and again to see what I missed hearing . Keep a close ear this might happen to you after hearing "Primitive Substance".

Thanks for listening!

Dennis Young/April 2019

U Know Me Records proudly presents a special album showcasing Polish drumming scene - each track was produced by a different drummer - these are their portraits.

official video promo: https://youtu.be/qxuTYjMRUMM

In the 21st century drummers imperceptibly switched from the background to the front line, despite popular music not exactly pandering to them. In the early days of rock culture this joke made the rounds "What's the last thing a drummer says in a band?" "Perhaps we could play one of my songs…?"
In popular music the drummer became the first to compete with machines. They were the first band members that consequently began disappearing, however, as contemporary electronic music took hold, they were also the first to return. First they were incorporated into compositions but gradually - took centre stage. Thanks partly to the ubiquitous culture of Hip Hop recognising the drummer's role as key in any recording, alongside the eclecticism of new music, which demanded fluid transitions between musical forms, a drummer's adaptive skills – as a trained multi instrumentalist – became truly impressive. This new generation of drummers seen on Polish stages today are exceptional even against the backdrop of today's unusually creative and well-educated music scene which rejects narrow minded or genre-centric views.

This album exhibits portraits from the cream of today's Polish drummers. Kovalevo Tone Bank by Michał Bryndal tags the 1980's, the era which began stealing drummers' bread. Incidentally, the heavy groove laid down by the artist references a hit by Wham!, the same hit in which the group decided to cut the drummer's part because he was late and replace him with a LinnDrumm machine. Hubert Zemler in The Life and Death of Ben Bekele and Łukasz Moskal in Father Sparrow show they've found themselves perfectly in close cooperation with electronic instruments.
Multifaceted improvisors - Qba Janicki (Kabina projekcyjna) and Jan Młynarski (Roj) - transform their drums kits into multifunctional devices capable of delivering wildly diverse palettes of sound. Rafał Dutkiewicz (Displaced) showcases drums as the lead instrument on a club track. Marcin Rak (Alpaka) does the same, but with the conventions of Funk and Hip Hop, whereas Krzysztof Dziedzic (Vagabonde) gravitates towards the edges of jazz. Each of them here is a leader and… plays one of their songs.

Bartek Chaciński
(translation: Sean Palmer)

'Mallumo' is the introspective and therapeutic works of Nottingham born musician, producer and composer Neil Tolliday.
Known to most simply as Nail, on this his first solo LP under his given name, Tolliday releases four meditative dark ambient pieces recorded between 2010 and 2015 that explore the depths of his psyche.Made as a direct response to a period of clinical depression this self therapy gave birth to soundscapes that branch between hope, tranquility and torment as a man searched for solace through sound and his own creativity resulting in the listener being taken on a heady ride through their own subconscious mind. Limited to 300 copies, this 180 gram double vinyl LP comes with your own Utopia Project incense and a download code for the full hour long versions of each movement.
Cover photography shot and printed by Michael Bradley, Design and curation by Alexander Bradley for Utopia Records, London 2019.

- One 140 gram RED Vinyl Disc in plain white paper inner sleeve

- 4/color Single-pocket jacket - shared with 093624903444

- 4/c over 4/c Lyric Insert - shared with 093624903444

- 2/c (PMS 186 + Black) 2.0' x 4.0' FYE Exclusive Marketing Sticker

- 1/c (Black) UPC sticker and affix directly on jacket over existing barcode.

Global superstar Michael Bublé is scheduled to release(pronounced love) as his first studio album in two years on November 16th following a two year break from public life to spend time with his family.

The Canadian singer-songwriter returned to the studio with a new perspective on life and a renewed commitment to honouring the music he has always loved.

I didn't anticipate returning to recording or performing and I was fine with that. My entire world view has changed completely these last few years. I wanted to spend all my time with my wife and kids. That was my focus. During that time, I also learned how much love and humanity is out in the world from the prayers and good wishes we received. But slowly, along with understanding what my priorities in life are, I began to feel a new commitment to express the emotions and lessons I've embraced. Whether I am the narrator, the observer, the main character, the dreamer, the broken hearted guy at a bar or having the night of a lifetime, I have stories to tell on this record. It's all there in the songs. I have had so many blessings in life and one of them is that I hold the torch to keep these songs alive for generations to come. I take the responsibility very seriously. My end game for the new record was to create a series of short cinematic stories for each song I chose and have it stand on its own. I'm so proud of what we accomplished,' commented Bublé.

Bublé co-produced his new album and brings new love to several rich classics from the American Songbook. The album opens with the idealistic and dreamy 'When I Fall In Love.' It also includes a haunting take on another Rogers & Hart standard, 'My Funny Valentine.' Other standouts are an ebullient 'When You're Smiling,' a swinging 'Such A Night' as well as Bublé's hand-picked favorites including 'Unforgettable,' 'Help Me Make It Through The Night,' and 'I Only Have Eyes For You.' Two standout tracks are Charlie Puth's swinging 'Love You Anymore' and an achingly poignant 'La Vie En Rose' -a Bublé duet featuring singer Cecile McLorin Salvant. A touching Bublépenned original 'Forever Now' demonstrates his songwriting skills, which were previously shown in such Bubléwritten hits like 'Home,' 'Haven't Met You Yet' and 'Everything.' The album closes with a show-stopping version of 'Where or When.'

was produced by David Foster, longtime collaborator Jochem van der Saag and Michael Bublé. The trio brought Bublé's visions to life with luscious arrangements surrounding his rich vocals. Michael Bublé has sold over 60 million records worldwide, performed hundreds of sold-out shows around the globe, and won four Grammys and multiple Juno Awards during the course of his extraordinary career.

Unstable Signal is a new record label focused on quality Electronic music founded by Michalis Vassiliou in early 2018. The label’s vision is to support the underground music culture, through the pressing of records, as well as pushing for quality curations at the events/concerts of the label.
In less than a year of activity it has managed to associate its name with very strong events such as the debut party at About Blank in Berlin, the follow up in Athens with Ancient Methods and the one with SHXCXCHCXSH at Temple Athens.
Also the long awaited EP of Celldöd under the name Myndighetsförakt is finaly available by the label in 12-inch vinyl and digital format.
Celldöd Is the Stockholm based producer Anders Karlsson. Anders has been active in the music scene for some time working on different musical projects, always with a strong DIY ethic.
Celldöd has built a reputation as a strong live act through gigs at Berghain, About Blank and Griessmühle in Berlin, Joy in Moscow, Femur Club in Madrid as well as live performances as far away as the Epizode festival in Vietnam.
His music has been played and supported by DJs such as Ancient Methods, Beta Evers, Alienata and The Hacker.
His EP on Unstable Signal is the debut release for the label.

This is the companion to Disco 3000, made on the same classic Italian quartet tour with John Gilmore, Michael Ray (trumpet) and the minimal but perfect Luqman Ali (drums). Ra himself plays piano and electronic keyboards, including the mysterious Crumar Mainman, which Ra describes as 'like a piano, organ, clavichord, cello, violin and brass instruments' and which also, importantly, has a facility for pre-programmed bass-lines and electronic percussion, which Ra uses constantly and to great effect in this small ensemble setting and seldom, if ever, elsewhere. The best of this collection (most of CD1) is luminous: very electronic, often rhythmical and melodic, always economical and making every sound count. These tracks are like no other jazz ensemble and, although recognisable as Ra - who else could think of, and then get away with, this - unlike any other Ra ensemble either. Ra makes the machines do amazing, visionary things while the band exercises restraint, remaining always in focus. In between, there are piano, saxophone, trumpet and drum vignettes, fresh and perfectly judged; this real was a fine band. This places the original vinyl release (and related releases, Sound Mirror and Disco 300) back into the context of the concerts, from which they were drawn. An important addition to the Sun Ra canon, since it is a rare document of an unusual Ra project that produced three classic late '70s LPs. Beautifully packaged and well annotated.

There are few people across the globe, who will have not been touched by the work of Frankie Knuckles. Forever regarded as ‘The Godfather of House’ for his unrivalled contribution to the house music we know today; what started as an underground movement in Chicago has grown to international heights thanks to Frankie. His records earned him recognition on a global scale, allowing him to work with some of the globes biggest names including the likes of Diana Ross, Whitney Houston and Michael Jackson.

Five years ago, Frankie passed away in Chicago on 31st March 2014 leaving behind one of the greatest house music legacies spanning almost four decades. Now he is commemorated by long time writing and production partner Eric Kupper. Eric, himself a seasoned DJ producer and writer, has worked on over 116 Billboard #1 Dance Records and played a pivotal role in a many of Frankie’s productions. Having both worked together for many years they established themselves at ‘Director’s Cut’ from 2011 and set about producing original releases and remixes based on the classic ‘Def Mix’ sound while sharing equal credits for their creations.

Together they re-produced and re-purpose classic cuts for modern dancefloors, with reworks including tracks from Marshall Jefferson, Ashford & Simpson, Artful & Ridney and The Sunburst Band, alongside Frankie Knuckles originals. These releases have now been brought together by Eric to feature on special album called ‘The Directors Cut Collection’ on SoSure Music. It includes the Director’s Cut reworks of Frankie’s classic cuts such as ‘Your Love’ and ‘Take You There’ with Jamie Principle, alongside Frankie’s first #1 single - ‘The Whistle Song’ on which Eric shares writing credits.

Within a multitude of classic reworks, highlights include a previously unreleased version of Ashford & Simpson’s ‘Bourgie Bourgie’ and a huge Director’s Cut Retro Signature mix of Marshall Jefferson’s 'The House Music Anthem (Move Your Body)' featuring Curtis McClain.

The Director’s Cut Collection is a fitting tribute to commemorate the fifth anniversary of Frankie’s passing whilst giving Eric a platform to tell his side of the creative story. This album is to be released in collaboration with The Frankie Knuckles Foundation who work to continuing Frankie’s legacy well into the future.

Italian electronic music mastermind ABYSSY and the Marseille underground hero DONARRA, share for the ALLEY VERSION's 4th release the split E.P. "CLOSE".

ABYSSY aka Mayo Soulomon has, over the years, released records of great interest for Mathematics, New Interplanetary Melodies and many other labels, marked by Detroit and Chicago influences reworked in his personal complex cut.
DONARRA comes to ALLEY VERSION after two beautiful E.P. for Skylax Records and La Chinerie, and recently spotted with its synth-dark-industrial-punk moniker Cardinal & Nun, on L.I.E.S.

The opening ABYSSY's "Close To Me", an obscure rough track totally jacked with the legendary rhythm sampler E-MU SP1200, is an instant cult.
In the following "Lower Michigan Ave", a hypnotic dark plot of analog synthesizers runs on a leftfield rhythm cut, while a whiny female voice condenses the air.

First track of DONARRA's side, "Nostalgie Futuriste", is a surreal sound voyage where are merged Chicago House and Zen atmospheres.
In the culminating Detroit style banger "Rivières Lumineuses", the trippy movements of percussions and synthetic melodies are pure magic.

Exclusively on limited 12" vinyl.

With a discography held in such high esteem amongst fans of conceptual French pop and soundtrack composition, the likelihood of finding an unturned stone amongst maestro Jean-Claude Vannier’s fertile psychedelic rockery falls somewhere between slim and skeletal. Even the most intrepid explorers of the most fearless and fastidious nature should naturally expect to encounter one or two shadowy characters when braving the oblique corners of the Vannier vault, but few lost souls cast a darker silhouette than the cinematic obscurity known only as La Bête Noire (The Black Beast).

Lost and presumed missing for decades the soundtrack tapes to this lesser-known 1983 French thriller (featuring a cast culled from films such as Alphaville, The Modern Couple and Sweet Movie) captures the revered composer and arranger of Serge Gainsbourg’s Histoire De Melody Nelson embarking on a darker exploration of free jazz, frenzied batucadas and cyclic carousel psychedelia. Counting key players of the French jazz scene within its ranks, The Insolitudes group comprises a crack team of Palm/Futura/Actuel/Saravah regulars such as saxophonist Philippe Mate´ (Acting Trio/Mate´-Vallancien/Tacet) alongside drummer Bernard Labat (Mad Ducks) and legendary Arpadys/Voyage rhythm masters Marc Chantereau and Pierre-Alain Dahan (Brutus Drums) all of whom alongside Michel Zanlonghi (Ensemble De Percussion De Paris) make up this thunderous, tumultuous, four-headed rhythm machine bridging an authentic gap between The Jef Gilson Groups and France’s signature “cosmic” revolution. Naturally these previously unheard compositions are spearheaded by lead pianist and composer Vannier and for devotee’s of his 1972 concept album L’Enfant Assassin Des Mouche there is much to admire and cross-reference herein.

Having been the most loyal and long-running guardians of Jean-Claude’s monster archive over the past two decades Finders Keepers Records are proud to present this first catch of newfound vintage Vannier discoveries on this limited and unlikely free jazz 45 single (which should find a perfect home between coveted Euro jazz 7”s by Krzysztof Komeda, Franc¸ois Tusques and Brussels Art Quintet). Almost 15 years since Finders Keepers once liberated the Mouches it is now time to set free another Black Beast amongst discerning listeners.

- Four Secret Weapons for the Night' wäre sicher auch ein
passender Titel für Katalognummer 11 aus dem Hause
Polyfon gewesen. Doch das erschien den stets angenehm
zurückhaltenden Label-Aktivisten aus Thüringens MiniMetropole Erfurt vielleicht ein ganz klein wenig zu dick
aufgetragen. Gerechtfertigt wäre der Name auf jeden Fall
gewesen. Schlussendlich aber haben wohl die gefühlten 12000
Jahre Danceoor-Erfahrung der beteiligten Protagonisten die
EP benannt. Dass das Ganze dabei absolut fresh rüberkommt,
steht außer Frage. Den Auftakt zu der Mini-Compilation liefern
Tino Bohne und Benjamin Brunn aka The Hangout Project mit
- I´m crazy about you', einer charmanten Elektronik-Nummer,
die durch ein wunderschön und dezent eingesetztes VocalSample sowie einer sowas von überraschend loslegenden 4/4-
Bassline überzeugt. Diese erinnert auch sofort daran, dass
man zum tanzen auf der Welt ist. Weiter geht es mit Le
Rubriques Abenteuern in der - Bar Celona'. Ob diese nun in
Katalonien oder Hessen steht, weiß man nicht. Die Tonart ist
auf jeden Fall nach Frankfurter Art, so dass der Bembel bebt.
Kez YM ist sowieso egal, in welcher Region oder Galaxie sich
etwas bendet. Mit - CL05VER06' lässt er Raum und Zeit auf
jeder Tanzäche links und rechts der Milchstraße zerießen,
wie es auf unserem Planeten noch am ehesten die großen
Meister in Michigan zelebrieren. Und dass Johannes Albert
seinen ganz eigenen - Style of House' hat, sollte nun wirklich
jeder wissen. Ob in der Waldschänke Dornheim oder im Boiler
Room Amsterdam! Check!

After the praise for Morning Worship, released back in 2015 on Royal Oak, Portuguese duo Sabre returns to releases with the EP "Fora de Turf", pointing directly towards the dance floor. There is in "Fora de Turf" a certain idea of transient existence as a series of car journeys cruising the night with no clear sense of direction, recalling the gradual disappearance of public space and loss of community. The weight of Kraut references such as Kraftwerk's Autobahn or Stratosfear by Tangerine Dream is somehow clear in its alignment with a 1995 Carl Craig who had just released Landcruising

On the A side, 'Condor Sense' and 'Sem Terra'. The first one is a banger built around broken beats and repetitive synth chords that guide us through the drone landscapes on the background, very clearly marked by the 808's rhythms. The second one is anchored in a broken kick and on a growing acid line, punctuated by warm chords and some sliced pads that reminds us of the pulsating heart of the city of Detroit.

On the B side, "Condor Senses" and "Driving Bruno" got some sort of a gliding character. "Condor Senses" is the only track on the EP to accept the classic four-on-the-floor to guide some dubby chords along a quieter landscape where organic and natural sounds lurk. Is it dawn arriving No. On the last track of the album, "Driving Bruno," Sabre get in the car and step on the throttle, full speed, on a bassline that could resemble some synthwave releases if synthwave had been lucky enough to be born a decade earlier and in the center of the state of Michigan.

Switzerland's Alma Negra are known for their deft, tasteful explorations of world roots, anchored in digging, sampling and sharing. On this brand new remix collection, Alma Negra invite a trio of equally curious producers to remix some three of their best-received musical endeavours. French producer and DJ Bambounou capitalises on the quick tempo and raw-energy at the heart of the Maloya sound as the basis for his raw and hypnotic reimagining of 'Kabare', originally sourced from Christine Cabare, one of the most notable stars of the contemporary Maloya scene. Glenn Astro, meanwhile takes on another release, 'Haleto lale lalô'. Originally influenced by the Saho sound, the origins of which lie in the musical history and landscape of Eritrea, the Money $ex Records owner fashions two distinctive reworks out of the already adapted original material. After applying the soft pressure of his weightless, smooth funk for an initial, blissed-out remix, he switches up to a warm, percussive jack session on his 'Rhythm Trax' remix, available here as a digital bonus. Finally, cult producer and musician Michal Turtle, best known for his sensational LPs and compilations on Music From Memory, delivers only his second ever remix in a forty year career, conjuring a magical slice of dreamy, percussive pop from 'Tany Be', awash in signature brass.

Wehbba collaborates with ghetto tech legend DJ Deeon, to deliver another superlative EP on Drumcode.

Since his debut on Drumcode in 2017, Brazil's Wehbba has become one of the most dependable and impressive artists on the roster. Last year saw two standout EP's 'Eclipse' and 'Catarse' drop on the imprint, alongside 'Just', his strong contribution to A-Sides Vol.7. He also made his mark playing Drumcode events at OFF Week, Resistance Ibiza and the much talked about double header in Manchester and Bristol when DC took over Warehouse Project and Motion respectively.

A true master craftsman in the studio, his first contribution for 2019 is typically impressive. A huge inspiration to Wehbba since his nascent raver days, ghetto tech icon DJ Deeon contributes a fierce vocal to 'We Have Bass', after a serendipitous hook up in São Paulo. A peak career moment collaborating with one of his original heroes and the artist responsible for the classic 'Freak Like Me', the resulting percussive-heavy cut kicks like a rodeo bull. 'Third Wave' is coffee geek Wehbba's homage to his favourite brew, constructing the production to mirror the experience of a caffeine fix, as a loopy trance-inducing groove leads to powerful synth stabs that are heavy on impact. 'Steamroller' is a stripped back slice of techno driven by the Brazilian's Korg MS-20 and found form after it initially begun as a studio jam inspired by Richie Hawtin's 'Minus Orange'.

A Jean-Michel Jarre fan stretching back to his childhood, 'Another Mistake' was conceived after Wehbba saw the French legend in concert last year and was subsequently able to meet him backstage through a mutual friend. While creating the track, the producer imagined Jarre playing the main layers of the hook on his famous Laser-harp, eliciting an almost celestial quality with the melody. This is a stirring slice of techno fit for stadiums. The EP ends with 'Purge', the artist's stream-of-consciousness expression recorded in one-take and a beautiful beat-less way to conclude the work.

Véronique Sanson is one of the most famous French pop oriented female
singer, songwriter, and composer of the 80s. She began her career in the 70s,
and was the girlfriend of genius composer Michel Berger. Her world turnt
upside down when she met Stephen Stills of Crossby Stills & Nash. One Day,
during a recording session in Paris, she left the studio pretending to go buy
cigarettes, but never came back... She flew overnight to the USA, where she
married Stephen Stills. In LA, she records new music with superstar
composers such as Ray Parker JR and Harvey Mason. "On m'attend là-bas",
produced in 1974, was one of the single of the album Le Maudit.
Funky French League is an intergenerational collective (based in Paris)
formed by Young Pulse (Gamm) , Dabeull (Roche Musique), Arthur Chaps,
Woody Braun (Malka Family), Mr Willy, DJ Asko et Uncle T (Groove
Deluxe). All coming from different universe from hip-hop, to electronic music,
but united by their love for the groove and the funk.

Out February 22nd, Grammy-nominated Hot 8 Brass Band "Take Cover" as they bring their iconic hip hop and brass grooves to classic tracks from Joy Division, Michael Jackson, George Benson and The Jacksons. This EP features recent single "Give Me The Night" & "Love Will Tear Us Apart"

This EP features recent single "Love Will Tear Us Apart" - which received support from Rolling Stone, Songlines, John Kennedy (Radio X), Craig Charles (BBC Radio 2 and 6 Music), Ed Adoo (BBC 5Live), Gilles Peterson (BBC 6Music) and Laurent Garnier (Worldwide FM) - and new track "Give Me The Night".

LIMITED EDITION RUN OF 200

A gem of an EP, the "Untitled" track could easily have been mistaken for a Warp Records release or AFX. Techno to drive you nuts.
Written by my Sound Designer friend, Michael Bolton, at University in 1998.

The Driving Me Nuts track is a sample of our tutors reaction to a track I made she hated.

Voodoo Dance Malarky's intro would be worthy of a Chemical Bros track, full of little surprises and an evil break at the end.

Originally recorded to tape. Cleaned up by me years later, remastered by Subvert Central Mastering and cut at Curve Pusher. Pressing by Vinyl Presents on clear Vinyl.