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Lee Perry & Friends - Black Art from the Black Ark 2x12"

A tumultuous selection of recordings from Black Ark, Perry's legendary studio and hotbed of creation. Rare 12" versions, unreleased mixes and featuring a stellar line-up, including:

Drums: Mikey ‘Boo’ Richards, Lowell ‘Sly’ Dunbar

Bass: Boris Gardiner, Radcliffe ‘Dougie’ Bryan

Guitar: Earl ‘Chinna’ Smith, Ernest Ranglin, Robert ‘Billy’ Johnson, Lynford ‘Hux’ Brown

Keyboards: Winston Wright, Robbie Lynn, Keith Sterling

Percussion: Noel ‘Scully’ Simms, Lee Perry

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31,05

Last In: 3 years ago
YoungBoy Never Broke Again - Sincerely, Kentrell LP 2x12"

Chart-topping, multi-platinum rap superstar YoungBoy Never Broke Again’s huge album, SINCERELY, KENTRELL is available on Vinyl.

SINCERELY, KENTRELL serves as a testament to YoungBoy’s remarkable talent and versatility, showcasing the Baton Rouge, LA-native’s true heart and soul over 21 featureless tracks. The album sees YoungBoy joined in the studio by a number of longtime collaborators and rising new producers, including Dubba-AA, Mike Laury, TnTXD & Dmac, Smashdavid (Big Sean, Chris Brown, Khalid, Bad Bunny), MikeWillMadeIt (Kendrick Lamar, Rae Sremmurd, Eminem, Beyonce), and TayTayMadeIt (Roddy Ricch, Swae Lee, Jack Harlow).

With 76 total RIAA certifications and over 72.5M certified units under his belt thus far, YoungBoy Never Broke Again is without question among the landmark hip-hop artists of this or any era. 2020 and 2021 have both seen him become America’s #1 most video on demand streamed artist of any genre. His second studio Album, Top, is officially platinum certified after an explosive debut at #1 on the SoundScan/Billboard 200 upon its September 2020 release. YoungBoy was also last year’s #3 most audio on demand streamed artist industrywide and is currently #5 for 2021 thus far and it serves as a testament to his remarkable talent and versatility, showcasing the Baton Rouge, LA-native’s true heart & soul.

pré-commande19.08.2022

il devrait être publié sur 19.08.2022

48,70
King L. Man - Headonix

King L. Man

Headonix

12inchKRXN023
Keroxen
24.06.2022

Helmed by Dave Watts aka D.WattsRiot (Fun-da-mental), the debut KingL Man album, ‘Headonix’ is beat-laden shout out in response to the perpetual state of war we seem to find ourselves at. Outrage and disgust, love and hate, history and presence.

Contributions come from four continents.

Fresh on the scene is Senegalese vocalist Sidi I.B., who arrived on Canarian shores with two hundred other compatriots, cold, wet and hungry after seven days at sea with nothing but his future in his hands.

Temporarily housed at the infamous migrant holding centre in Las Raíces, Tenerife, the studio environment provided an avenue of relief from the inadequate conditions at the overcrowded camp.

Also from Senegal, living in Santa Cruz de Tenerife, is rapper Ibrahima El Latigazo who delivers his lyrics in French, Wolof, Spanish, English & Sérère. Rounding up the Senegalese contingent is Mame Samba, a group that hold the spirits close when performing. Their contribution is from recording sessions they had with François R. Cambuzat & Gianna Greco (Putan Club / Ifriqiyya Electrique).

Kiki Hitomi (Waq Waq Kingdom/King Midas Sound) returns to the fold, exhaling positivity with Canarian multi-instrumentalist Javier Afonso (Grenouille). The Canarian faction also includes violinist Mónica Viñoly, Dani Garcia (Lagoss/Tupperwear) and Vakawuare. Further guests include percussionist Miroca Paris (Cesária Évora/Madonna); Hamid Mantu (TransGlobal Underground);
Ramjac (Dub Colossus), drums and percussion respectively.

pré-commande24.06.2022

il devrait être publié sur 24.06.2022

16,77
Various - An Introduction Part 3

* Over the past six years, Dimensions has become a leading name in the underground, with its festival, International Series, DJ Directory and Dimensions Soundsystem. Now, Dimensions extends its influence with the start of its label - Dimensions Recordings. The label launches with a 12-track compilation across three separate discs. 'An Introduction' makes a huge statement in setting out the label's intent and breadth. With artists established and new stepping up to present 12 exclusive tracks.

* Dimensions Recordings explores its darker side on An Introduction Part 3 with intergalactic oddities and twisted techno constructions, the release is definitely ones for the late hours. 'Crosstalk' from gear heads London Modular Alliance opens; a squelching, electro, hardware excursion demonstrating a small snippet of what's to come from the talented trio. Next, French artist, Upwellings steps up to demonstrate his purist approach as he unites elements of dub and techno to create the beautifully spacey 'Soft Shadows'. The third offering comes courtesy of Fachwerk label boss and prolific techno artist, Mike Dehnert; who presents raw but melodic track in 'Tokio,'which maintains his minimal and stripped back aesthetic beautifully. Chicago's Steven Tang in his Obsolete Music Technology rounds off the release with 'Comb Freq,' a devastatingly powerful mix of acidic, bleeping dance floor energy!

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8,36

Last In: 3 years ago
TORTOISE - RHYTHMS, RESOLUTIONS, & CLUSTERS LP

Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. One of the throughlines that create that distinctive sound is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. Rhythms, Resolutions and Clusters follows in this line as Tortoise turned their iconic early songs over to their friends to play with. The remixes by other legends including Bundy K. Brown, Steve Albini, Jim O'Rourke, Brad Wood (Liz Phair), Casey Rice, Mike Watt (Minute Men), and Rick Brown (75 Dollar Bill) create a sense of community, and unlimited creativity. It's been out of print since 1995. Tortoise...have spent the past 25 years and seven albums fusing dub, jazz, prog, and indie into an instantly recognizable and much-loved trademark sound. - Pitchfork As with the best of Tortoise, these tracks can be enjoyed on many levels, but when listened to carefully, they reveal seemingly infinite sonic treasures. - Pitchfork

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25,84

Last In: 4 years ago
TORTOISE - RHYTHMS, RESOLUTIONS, & CLUSTERS LP

Tortoise has spent nearly 30 years making music that defies description. While the Chicago-based instrumental quintet has nodded to dub, rock, jazz, electronica and minimalism throughout its revered and influential discography, the resulting sounds have always been distinctly, even stubbornly, their own. One of the throughlines that create that distinctive sound is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. Rhythms, Resolutions and Clusters follows in this line as Tortoise turned their iconic early songs over to their friends to play with. The remixes by other legends including Bundy K. Brown, Steve Albini, Jim O'Rourke, Brad Wood (Liz Phair), Casey Rice, Mike Watt (Minute Men), and Rick Brown (75 Dollar Bill) create a sense of community, and unlimited creativity. It's been out of print since 1995. Tortoise...have spent the past 25 years and seven albums fusing dub, jazz, prog, and indie into an instantly recognizable and much-loved trademark sound. - Pitchfork As with the best of Tortoise, these tracks can be enjoyed on many levels, but when listened to carefully, they reveal seemingly infinite sonic treasures. - Pitchfork

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27,10

Last In: 4 years ago
µ-Ziq & Mrs Jynx - Secret Garden LP

In Spring 2021, Mike Paradinas (µ-Ziq and the owner of Planet Mu) spoke to long time friend and past label signing Hannah Davidson (Mrs Jynx) about the therapeutic power of writing music when times are tough. Both had recently been dealing with the loss of a parent due to cancer, and fresh from writing Scurlage, Paradinas suggested a collaboration. “I’ve always thought Hannah’s melodic sensibilities chime well with my own," says Paradinas, "and I've wanted to collaborate with her for a long time, since her 2010 album 'Shark Carousel' in fact, because she'd written some melodies that I wish I had.” In a matter of weeks the two collaborated online, sending stems back and forth, each encouraging the other and fitting perfectly together. “After about ten days we had ten tracks we were happy with." adds Davidson, "It was exciting to hear what Mike would do with the stems I sent, and equally exciting to see what he thought of my additions to his stems.” Overall the result is an opus of deeply personal moments of grief, depicted in a feeling of serene, misty tranquility that makes it easy to get lost in. Davidson and Paradinas settled on the title 'Secret Garden' due to the melodic vista which unexpectedly opened up before them on the final track. The album truly is a melodic exploration that is so often missed in this genre. There are twists and turns in mood, from the pastoral loveliness of 'Jynxiq' and 'Unheard Melodies' which fall away to the dubby beats of 'Hi Jynx'; the sadness of 'Loss' leading into the beatless forlorn 'The Ballad of Darth Vader. The album ups the pace with the muffled kicks and warm atmosphere of 'Afternoon Sunshine', which sets the tone for the happier mood of the second half. This all leads up to the album's denoeument in final track 'Secret Garden' whose naïve meandering synth melodies, orchestral accompaniment and glockenspiel end the album in happy resolution.

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24,33

Last In: 3 years ago
TOROZEBU (Clap! Clap! & Domenico Candellori) - TOROZEBU EP

After the standout collaboration 'Southern Dub', Clap! Clap! and the Italian percussionist Domenico Candellori officially join forces as TOROZEBU. This project is a marriage of traditional percussive sound sources and cutting edge sound engineering, as Clap! Clap! explains, "In some of the tracks you can hear a sound like an 808 BD but it's a surdo percussion passed through a pile of compressors and eqs. All sub frequencies in this work are made from percussion leathers. So the electronic sound of this project it's all about sound engineering" With inspirations ranging from Mike Dean to Babatunde Olatunji TOROZEBU is a soundclash between the past and future of global rhythm.

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17,61

Last In: 18 months ago
Various - Nervous Records 30 Years (Part 1) 4x12"
 
13
également disponible

part 2[37,77 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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33,57

Last In: 16 months ago
Various - Heavenly remixes 1 (2x12")
 
13
également disponible

Part Two[30,67 €]

Part 4[29,79 €]

Part 6[31,51 €]

Volume 7[38,61 €]

Volume 8[38,61 €]

Part 7[38,61 €]

Part 8[38,61 €]


Marshall McLuhan’s famous edict ‘the medium is the message’ has never been more apt than with regard to modern remix culture. Although the idea of the remix goes way back to the Jamaican dub pioneers and New York disco remixers of the 1970s, the form didn’t truly come into its own until the acid house explosion of the 1980s, when remixers’ credentials often subsumed — and sometimes surpassed — the original source material. Some, among them our lost friend Andrew Weatherall, used remixing as a springboard into multiple other directions, and became auteurs in their own right.

Forged in the white-hot heat of post-acid house Britain, these Heavenly remixes are perfectly weighted with respect and irreverence, the remixer in each case carefully chosen to add heft to the song (as on Al Breadwinner’s dubwise reworking of Mattiel’s ’Guns of Brixton’— the pairing more a game of chess than a best-of-three arm wrestle).

Although Heavenly was founded in the wake of huge upheavals in electronic music, it was still imbued with its own curious parallel life. I’ve always thought of Heavenly as one of the UK’s alt-pop labels; a place where brilliant pop bands live and record, if the general public would only realise. Some of them have ended up in the real, actual charts (Saint Etienne, Doves), but that’s missing the point about Heavenly, who are, like Factory and Fast Product before them, pop music’s conscience.

There is no sense of order to this compilation and we make no apologies. It’s the Heavenly way. Think of it as a present from Loki, the Norse god of mischief. You’ll find a smattering of older tracks: album openers Saint Etienne are taken on a Poseidon Adventure with Underworld, who inject ‘Cool Kids of Death’ with typically manic energy. Elsewhere, ’90s Brum duo Mother add dancefloor pzazz to Espiritu’s innate glamour on an all-funked-up reworking of ‘Los Americanos’, and Mark Lusardi’s remix of Moonflowers’ ‘Get Higher’ is an early Heavenly classic.

On ‘Terracotta Warrior’, a perfect, psyched-out, Mancunian union is created betwixt Jimi Goodwin and Andy Votel, whilst Goodwin cohort Simon Aldred, in his Cherry Ghost guise, receives a proper Tamla-Motowning from Richard Norris (aka Time & Space Machine) on an inspired cover of Cece Peniston’s glam-house hit, ‘Finally’.

There are several of Heavenly’s current darlings here too. One of the most exciting young British prospects, Yorkshire’s Working Men’s Club, effectively remix themselves, as Minsky Rock — WMC’s Syd Minsky-Sargeant and producer Ross Orton — cleave ‘X’ into a riotous industrial racket. Jagwar Ma’s Jono Ma takes the Kraftwerkian leitmotif on ‘Automatic’ and drives the Australian jazz-funkers Mildlife down an electro-convulsive psychedelic tunnel (thankfully no-one was harmed during the making of this remix); Sheffield’s DJ Parrot and Jarvis Cocker deliver one of the outstanding remixes of 2018, turning Baxter Dury’s ‘Miami’ into a lovelorn minor opera; and, making its first appearance on vinyl, David Holmes’ Unloved project is taken on a panoramic Welsh waltz thanks to Gwenno.


There may well be no rhyme, nor reason, to how these compilations have been put together, beyond the fact that they are assembled with love, an innate understanding of the power of great pop music, and a skilled marriage of song and remixer — but does one really need anything more than that for an album to make sense? I’d suggest not.

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29,37

Last In: 3 years ago
Various - Heavenly remixes 2 (2X12")
 
12
également disponible

Part One[29,37 €]

Part 4[29,79 €]

Part 6[31,51 €]

Volume 7[38,61 €]

Volume 8[38,61 €]

Part 7[38,61 €]

Part 8[38,61 €]


It’s incredibly easy to get a remix wrong — as the back catalogues of far too many major labels, whose slapdash commissioning of the latest hot remixer half-guarantees an unsympathetic mangling of the song, can attest. At their best, remixes can make you look at an artist as though positioned from a different angle or using a different camera; sometimes hearing a song in a different context gives it a completely new meaning. “So you take a piece of a vocal…blah” says master remixer David Morales. “That’s a remix? That represents the artist? That doesn’t represent the artist, it represents you.” In the hands of the insensitive a remix is like chucking a song into the washing machine for a 100 extra spins.

In the hands of a master, things are a little more complex. Heavenly was all but founded on the art of the remix; our departed friend Andrew Weatherall remixed the first ever release, and the label has built up an immense catalogue in the intervening years that demonstrates all that is good about the art form.

Assembled on this compilation are twelve sterling examples of the remix, from Hanspeter Lindstrøm’s reading of Doves’ ‘Jetstream’, which turns their glistening pop into Lieutenant Pigeon meets Italo-disco (in a good way), to Andy Votel’s gentle folk-funk version of Halo Maud’s délicieuse ‘Des Bras’. We delve deep into the vaults for Saint Etienne’s ‘Filthy’, Monkey Mafia turning it into a rump-shaking groove perfectly suited to Q-Tee’s rap, while more recently, Flying Mojito Bros, purveyors of Tex-Mex house groove, reimagine Katy J. Pearson as a lonesome Lone Star lover.

Though not purposely themed, beyond being judiciously chosen as the catalogue’s finest gems, there’s a tiny hint of psychedelia about this set that is hard to ignore. Firstly, there are the acid contributions from Gabe Gurnsey, who knows his way around a coruscating bassline, and from Graham Massey, whose impeccable credentials in 808 State are brought to bear on ‘Valleys’, by young turks Working Men’s Club (acid house being modern psychedelia, whether the rock press approves or not).

Jono Ma, meanwhile, flips Night Beats’ amazing ‘Sunday Mourning’ into ‘Warm Leatherette’ on benzos, creating a disorienting glimpse of a dystopian Sunday that most definitely doesn’t include a genteel read of the papers and a nice cup of tea. On the other side of the miasma is Beyond The Wizard’s Sleeve’s redemptive re-interpretation of M. Craft’s ‘Chemical Trails’, which, alongside Boy Azooga’s ‘Face Behind Her Cigarette’ (Mikey Young remix), Gwenno’s ‘Chwlydro’ (R. Seiliog remix) and and Katy J. Pearson’s ‘Take Back The Radio’ (Flying Mojito Bros Refrito Dub), is issued on vinyl for the very first time.


This dozen tracks — each one curated, remixed and delivered with love (and a teensy bit of impertinence) — is just a glimpse into the catalogue of one the UK’s finest indie labels.

In the alternative reality in which I’d prefer to exist, this what Top of the Pops might sound like; or, at the very least, the jukebox in the Korova Milk Bar. Pop disruption at its best.

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30,67

Last In: 3 years ago
Hannes Buder - Outside Words

Hannes Buder

Outside Words

12inchLAAPS016LP
LAAPS
17.12.2021

Hannes Buder (born 1978 in the former GDR) is a musician, composer and improviser in the field of experimental music. His works concentrate on issues of movement, authenticity, intuition, minimalism, and slowness.

Buder's current projects include the bands 'Zug Zug' with Todd Capp and Andrew Lafkas, 'Gravity' with Hannes Lingens and Andrew Lafkas, the duo Nothingness with Sarah Jegelka, and his solo projects. Beyond that he has collaborated with Audrey Chen, Tony Buck, Audrey Lauro, Hilary Jeffery, Mike Majkowski, Steve Heather, Nicole Mitchell's Black Earth Ensemble, the Berlin Improvisers Orchestra and many others. Hannes Buder's Solo recordings include "Changes" (2000), "Dunkelbunt" (2004), "Openyoureyescloseyoureyes" (2006), "Changes II" (2015) and "Oustide WOrds" (2021). He performed concerts in Europe, Australia and in the USA.

Buder has also composed, improvised and recorded music for different dance (Oxana Chi, Judith Sanchez Ruìz), theater (Jörg Mihan, Johannes Maria Schmit) and film projects (Barbara Lubich, Annick Gaudreault). He's been giving workshops at festivals, music schools and with prisoners in jail. He studied guitar in Weimar and Dresden.

pré-commande17.12.2021

il devrait être publié sur 17.12.2021

20,80
JESSE SHARPS - SHARPS and FLATS

Originally recorded in 1986

featuring Nate Morgan and Horace Tapscott

Finally on LP as originally intended:

Straight from the 1/2” MASTER TAPES (All Analog Cut)

With Unseen Photos from the recording session

Tip-On Sleeve

Insert with Liner Notes by Mark Weber



First official Nimbus vinyl release of this classic album. LP cut directly from the 1/2” Master Tapes, this is, without a doubt, the definitive version of “Sharps and Flats” … the sound is akin to sitting in the control room while the band recorded, very detailed and deep in presentation and articulation. One of the very best (and also very last) studio recordings that Tom Albach undertook in the USA for his Nimbus label… this album sat in the vaults for many years before a cd was issued in the early 2000’s. (Unfortunately, the Cd and subsequent versions were sourced from a dubious DAT transfer which was 4 generations removed from the master tapes (at best).) This is really the first opportunity to hear the album as it was originally intended… Featuring a tip- on sleeve with session photos and a great shot of Jesse from the original cover shoot, and an insert with a new essay by Mark Weber.

pré-commande03.12.2021

il devrait être publié sur 03.12.2021

52,56
Various - Syncrophone 15 Years Anniversary Vol.1

First volume of a long series for the fifteenth anniversary of Syncrophone. This first EP brings together the first artist released on Phonogramme. John Jastszesbki, talented French artist with multiple facets & not stereotyped. Cold sun is one of the flagship tracks ever released & produced in 2015. Its dazzling style is reminiscent of a flagship track released by Mike Grant remixed by Mr G. Cold sun is surely one of the tracks not to be missed on this first volume. To finalize this first EP, we wrote the classic of 1993 "Symphonium" already released with an edit by DJ Deep in 2018 but this edit is surely one of the most timeless of the edit series made by the godfather of electronic "frog" music

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10,71

Last In: 2 years ago
REFLEX - FUNNY SITUATION

Paint A Picture are incredibly pleased to announce news of their first release: a fully
remastered, licensed reissue of rediscovered British 7” Funny Situation recorded by Reflex - a
band put together by drummer David Humphrey (Public Image Ltd., Sparks, Mike Oldfield) and
privately released on his Star Records back in 1981. With the original record now changing hands
for in excess of £200 and just in time for a 40th anniversary release the reissue - remastered and
cut by Frank Merritt at The Carvery - will include updated original artwork whilst also containing an
insert providing further details and context on the release.
Recorded a few months after seminal Britfunk tune "Southern Freeez" at the very same Vine
Yard Studios and with the same engineer Simon Sullivan - the release unfortunately suffered from
a lack of marketing and proper distribution but almost forty years later the record is now receiving
the attention it deserves and with a price tag to match.
The A side presents a beautiful mesh of funk and soul styles with influence from other Britfunk
bands of the time but with a more overt jazz and rock feel fusing a tight rhythm section with smooth
vocals and climaxing in a guitar and saxophone duel.
The instrumental Version Two provides a fresh approach with the addition of dub FX and
Indian percussion with the use of a tabla added to the mix.

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11,47

Last In: 3 years ago
THE HELLO DARLINS - GO BY FEEL

Canadian collective The Hello Darlins, dubbed “the Broken Social Scene of
Americana”, release their first full-length LP Go By Feel on June 11, 2021.
With over 500,000 combined Spotify streams for their initial three singles, it’s
safe to say there’s a lot of anticipation for their debut album. The buzz began
building almost immediately after the Calgary, Alberta-based Americana collective debuted on the scene in early 2020, with American Songwriter calling the
group “the product of a talented pool of session musicians craving more,” while
Americana UK stated, “It’s great to see a band put together by the talented
folks who would usually be ‘behind the scenes.’”
So, who exactly are The Hello Darlins? The seeds of the band took root in 2016
when vocalist/producer Candace Lacina crossed paths again with keyboardist/
producer Mike Little after first meeting at a recording studio years earlier. Once
reconnected, they soon found themselves making music together in between
their work with other artists, an impressive list that ranges from Shania Twain
to Charlie Major, The Road Hammers to George Canyon as well as the late B.B.
King.
In short order, the couple began inviting others within their circle to participate, including Murray Pulver (Crash Test Dummies), Clay- ton Bellamy (The
Road Hammers), Matt Andersen, Dave and Joey Landreth (aka The Bros. Landreth), Russell Broom (Jann Arden), and ace fiddler Shane Guse.
On Go By Feel, this incredible collection of talent has forged a hybrid of country,
gospel and blues like no other, from the heart-wrenching ballads “Aberdeen”
and “Prayer For A Sparrow” to the classic country-rocker “Mountain Time” and
the album’s soulful title track.
Making music influenced by times of joy and sorrow is natural for Candace and
Mike, as both come from families with long musical traditions within Canada.
It all adds up to The Hello Darlins preferring to add “North” to the Americana
genre, a more than symbolic gesture that’s in line with a musical vision that will
continue to evolve as soon as the band gets a chance to play live with a lineup that could potentially consist of anywhere between five to nine players on
stage.
Until then, audiences will now be able to fully savour the tunes, musicianship
and production of Go By Feel, proof positive that teamwork ultimately leads to
exceptional results.

pré-commande27.08.2021

il devrait être publié sur 27.08.2021

23,49
Unknown - Them Nights

After taking some time off due to the pandemic, Moteur Ville Musique fires up its engine and delivers a roaring vinyl only release just in time for summer.

Side A kicks off with a sensational remix by Mike Shannon as he takes us on a journey of grinding psychedelic funk. The Mole switches it up and delivers a chuggy groover that is strictly for the heads, if you know what I mean.

Side B begins with a deep, hypnotic, psychedelic remix by New York phenoms J Gabriel and Chuffy Buffy. And closing things off, Detroit hometown heroes Ataxia kick in to overdrive with a true techno banger with their Re-dub that screams warehouse rave! The sound of summer is here!

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10,04

Last In: 3 years ago
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