We are so back.
This time with a different approach. Focusing on what just feels right and letting go of everything else. Last year was not spent in silence and this one won’t be either. Join us for Underworld, a 6-track mini album by Eric OS.
Hope you enjoy!
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Sciahri and Sublunar are proud to present Kameliia's first solo EP on the label, Dont Be Naive. After debuting on Sublunar with the various artists release Veil of Echoes I, she now returns with a record that fully embodies her artistic identity. With a distinct sound shaped by releases on SK11, Token, and Unterwegs Records, Kameliia continues to carve her own path.The journey begins with "MM6", a hypnotic and forceful track driven by sweeping strings that expand and contract like a living entity. "Aspects" follows, a piece of refined minimalism where every element feels meticulously placed.
On the B-side, the title track "Dont Be Naive" sets a relentless pace, steadily building tension with masterful restraint. "Eventide" introduces eerie, spellbinding vocals that weave through the track like an incantation. Closing the EP, "Keepers of the Secret" slows the tempo, its haunting female vocal etching itself into the subconscious.
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Black Vinyl Repress
We have a proud introduced 4th vinyl-only release from our original series, featuring Romanian artists Funky Trip with two original cuts and Barac on remix duties. Titled “Alpha EP”, the record delivers a solid dose of inspiring minimal rhythms mastered by Mike Grinser at Manmade Mastering Berlin.
Funky Trip stands out from the Romanian new wave of electronic music producers, exploring an endless universe of distinct sounds and emotions reflected on his releases with Rawax, Nazca, Stamp Records, Artreform and others. On this EP, he invites acclaimed local artist Barac of Moment Records to join in and leave his fingerprint on the title track, laying out a soothing rhythm influenced by psychedelic elements.
Side A opens with the title track, “Alpha”, an immersive minimalistic composition powered by dreamy background atmospheres, swinging drumming patterns, a solid wobbling bassline and mysterious vocals that seamlessly intertwine with tension-building chords and breathing moments. Following, “Dreams” gets a bit more groovy, focusing on the percussion, the punching keyboard stabs and the phased effects that run throughout the track, all while having a subtle touch of melancholy radiating from the piano and complementary layers.
On the flipside, we find Barac‘s reinterpretation of A1 dropping a twisted progressive sound that constantly evolves as wave upon wave of spiralling synths and chugging drums mix in a massive dancefloor tool perfect for peak-time moments at any party.
Artwork by Jose Alvarez
Early support by Gescu, Sepp, Nu Zau, Mihai Pol, Sublee, Charlie, Lumieux, Tania Vulcano, Costin RP, Iuly.B, Crihan, Primãrie, Zenk and more..
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LKDNV 10 EP - Various Artists
More than a year after its last compilation, Amsterdam’s Locked-in returns with a glistening selection of club-ready tracks further anchoring the label’s progressive groove while opening avenues to different sounds and scenes.
Blending minimal techno and ambient aesthetics, Hamburg’s Rupert Marnie opens up the A-side with “Half-Baked Spel”, a mysterious yet dancefloor-ready cut elegantly setting the tone. Norwegian house and techno DJ and producer A:G (Asgeir Giskegjerde) follows up with an escape into trance influenced sounds, delivering a playful, ambitious and infectious bopper. On the flip-side, Barcelona-based Aniano takes things one notch deeper offering a dimmed light minimal groover. With its moody atmosphere and catchy samples, the track gracefully hints at Perlon's catalogue. To close the journey, Frog Dog Records crew member Slacks from Philadelphia takes the listener apart with a very subtle emotional break composition, crafting an intricate and moving piece of music reminiscing of good times.
With four tracks stemming from different parts of the world, Locked-In once again showcases the quality of its curation and the consistency of its sound and vision. This release is dimmed to resonate on both dark and sun-drenched dancefloors.
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Rhythm By Nature, the latest addition to Berlin's vibrant music scene, proudly unveils its inaugural release featuring none other than Nottingham's seasoned virtuoso, Nail. "Shake Two EP" is a testament to his enduring prowess, promises a distinctive auditory experience that transcends boundaries. The tracks showcase Nail's mastery with a distinctive sound that encompasses proper deep house excursions, Detroit and Chicago vibes, with dubby elements.
The A1 track, "Thoughts," takes listeners on a deep house excursion with mystic undertones, deep percussion, spheric vocals, and a euphoric after-hours feel, creating a truly distinctive ambiance.
On the B-side, Nail's groovy craftsmanship continues with "Ribs," offering his typical quirky minimal groove, influenced by funk and housed within a danceable, swirling soundscape. Additionally, label head SaPu contributes to a more dubby approach on the original B1, a spacey filtered infused groove excursion, with old school sample-based elements, phat basslines and deep atmospheric synths.
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Țaru, the non-profit label from Romania, returns with an exquisite 2x12" 180g vinyl album featuring minimal gems from Dragomir, Broascka, Gringow and Sensek. Expertly mastered by Manmade Mastering and crafted by handle with care manufacturing, this release promises exceptional quality — from the vibrant artwork to the meticulously produced tracks.
Staying true to its mission, all proceeds from this release will be donated to dog shelters and NGOs supporting stray pups.
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Every label’s first release sets a tone. With "Pegasi EP", Saraw establishes itself with a focus on sonic precision and ethereal atmospheres, exploring the intersection of house, techno, and minimalism. Founded by Root, the label debuts with Apolinic, a project that approaches these genres with a sharp, cinematic aesthetic. "Pegasi EP" emphasizes rhythm, space, and texture, with remixes by label owner Root and seasoned producer Tommy Vicari Jnr.
'Alt Nod De Cravata' (A1) builds around crisp percussion and evolving walls of sound, creating a subtle yet persistent momentum perfect for special peak-time moments. 'Root’s remix' (A2) deepens the original’s swing, heightening its hypnotic effect through morphing basslines, shuffling hi-hats, whispered vocal fragments, and emotive pads. 'Sense Of' (B1) plays like a sequel to A1, delving further into its subdued yet cinematic power, infused with oriental-tinged atmospheres. 'Tommy Vicari Jnr’s Remix' (B2) reshapes the original with a refined, pumping house structure, threading acidic undertones through the same atmospheric palette.
Saraw is centered on refined electronic music—focused, understated, and designed for both dancefloor action and deep listening, and "Pegasi EP" marks the beginning of a carefully curated catalog.
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At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.
Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”
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Nadia Struiwigh returns to Blueprint for her second EP "The X1 Shift EP is more than a collection of tracks; it's a story, a refl ection of the shifts I've embraced, and the identity I'm uncovering at my core. I've always felt that music is storytelling, not boxes to be labelled. Whether through ambient textures, techno grooves, or experimental soundscapes, each genre represents a chapter in a bigger story.
The magic lies in weaving them together into something timeless and deeply resonant-much like the origins of electronic music. For me, the essence of being an artist is freedom-creating without limits and exploring the beauty of the unexpected.
This EP represents thatfreedom: the love of pushing boundaries, the courage to evolve, and the joy of stepping into the unknown. Every sound on X1 Shift is intentional, every transition meaningful, yet there's also room for spontaneity.
Technically, the EP features the tools and hardware that inspire me: the Korg Electribe (my heart), Yamaha DX200, NI Maschine+, Arturia Minifreak, and plugins from NI and Plugin Alliance.
These tools became the palette for painting this journey.
Thank you, James, for supporting this music and giving it a second round. Your belief in this, especially something a little out of the box, means the world to me!!
Here's to breaking free, telling stories, and creating from the heart.
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Limited to 200 Copies
The debut release from Tensegrity Records brings together five tracks, each capturing a unique mood while staying grounded in the label’s philosophy.
"Tensegrity" introduces the label’s concept with sounds that intertwine to create a subtle yet strong balance. "Érase una vez" blends electro and new wave with a nostalgic touch, while "Meritocracia" shifts gears, offering lush melodies and reflective tones.
On the B-side, "Romi" takes a darker turn, with tribal rhythms and minimal grooves that resonate on the dancefloor. "Structural Stress" closes the release with a raw, personal energy, drawing from a challenging moment to deliver a track that feels direct and real.
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2025 Repress
Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.
Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.
Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.
Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.
2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.
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Welcome to Hypnodose, a new vinyl-only project focused on hypnotic minimalist grooves, curated by Vek Neirbo, based in Denver USA.
The first Hypnodose record arrives courtesy of Chicago's Max Jacobson, featuring three deeply hypnotic and groovy original cuts.
Romania's Lizz supplies a chunky rendition of the title track on the B-Side, a groove suited for the peak hours.
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CLUB U NITE RECORDS presents: Deep Trax Volume 3
Deep, groovy, and straight from the soul!
Purple Kush - It's a Feelin' kicks things off with a hypnotic shuffle beat and sizzling hi-hats. Deep house at its dopest!
DMA - Feel Da Rythm brings smooth, soulful female vocals over classic 90s house vibes. Pure!
Mellow Man - Touch The Sky lays down jazzy Rhodes chords on a laid-back deep groove. Minimal, yet oh so effective.
Flip it over ...
Manhattan Project - Get It Right revives that early 90s Italian house magic - melodic, timeless, beautiful.
Mellow Man - Dive Into The Deep closes the 5 Track-EP with a deep house gem that pulls you under like an ocean of pure sound.
Get ready to dive deep and touch the sky!
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As Hudd Traxx approach their 15th anniversary year, Iron Curtis steps up for a mini album split in 2 parts. As a long-time label collaborator and friend, it’s no surprise that Curtis delivers his 5th and 6th EP for the label. Total Art Of Living contains straight up house jams, hints of techno, nods to broken beat, references to Detroit and a few interludes for good measure. These new cuts are further proof that Iron Curtis music has always celebrated the deepest foundations of house and all its varieties, whilst resolutely refusing to get nostalgic. Curtis’ previous 4 Hudd EPs have gone on to be classics, Total Art Of Living has all the ingredients to become a future classic too.
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Glasgow’s Cloth announce their return with new music by way of a four-track EP and their first release for their new label Rock Action Records. ‘Lucid’ is resplendent yet brooding, offering airy dream-like, haunting vocals over dark guitar riffs and resonating percussion - a perfect moment of minimal alternative rock.
Guitarist Paul Swinton says, “It was the first song we wrote for the EP and it felt like it set a tone for where we should go with the other songs - somewhere darker and bigger. The song is about being wrapped up in a situation you feel you have no control over then realising you do have the ability and agency to change things for the better.” Ice blue coloured 12” vinyl with digital download code. For fans of The xx, Cocteau Twins, Beach House and War Paint.
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The multi-talented global traveller Shawn Lee starts the new year 2025 with "Lost", the first album by Shawn Lee's GPS Band. The story behind the album is best told by the artist himself: "Inspiration can come from the most unlikely places. In this case…Italy. While on tour there in 2024, I found that I never knew where I was or where I was going. For that matter, I affectionately dubbed it 'The Lost in Italy Tour'!"
Shawn Lee continues: "While listening to music in the car barreling down the open road, GPS voice directions kept barking instructions over the tunes. Suddenly, the full musical concept of the 'Lost' album smacked me right between my ears. Instrumental tracks equipped with GPS voices on top robotically guiding me to my various destinations. Sometimes it was a venue like the Parasdiso in Amsterdam. or record label like Légére in Hamburg - and for goodness' sake, even a pizza restaurant in Italy! The possibilities were infinite.
"I lovingly explored the sounds of the late 70s & early 80s delicious brew of Post-Punk, Post-Disco, Krautrock, Punk-Funk, old school HipHop and No Wave. Armed with a P bass,Madcat Telecaster, a handful of synths and a few choice effects, the album was both a minimal and focused affair. Sometimes less is more… The world on the other hand, is way more than less and a very big place to get 'Lost'. So this is just the beginning of a long journey and with my GPS Band, I will always arrive at my destination."
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Deep as deep can be. Amazing release. After years of releasing in the digital realm, Perception - 知覺 goes on wax! This first record is signed by head-honcho Dawn Gab, serving 3 groovy and percussive tracks. To wrap it up, minimal's maestro Diego Krause delivers a solid remix in an after-hour vibe. A punchy record shaped to hit the dance-floors - are you ready?
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SATYA is thrilled to announce the next chapter in its vinyl-only catalog: an evocative EP by São Paulo-based producer Dru. Scheduled for release on March 21, 2025, this record captures the serene yet dynamic energies of Dru's distinctive sound, blending aquatic themes with dubby textures and grooves.
Dru is a producer and DJ with a passion for minimal and microhouse. He has steadily risen through the scene, earning the support of luminaries such as Mihai Pol, Arapu, and Barac. With previous releases on his own labels, Totoyov and Microdots, Dru has honed a sound that is both personal and universal, reflecting his unique journey.
Rooted in the calming beauty of Brazil’s pristine beaches, Dru explains that the EP emerged during a reflective chapter of his life. "I was looking to produce tracks on a more dubby vibe," he shares. "The aquatic and fresh feel of the tracks reflects my connection to the sea and the tranquility I find there." This theme flows through the EP, offering listeners a refreshing escape into soothing yet intricate soundscapes.
The EP comprises two standout originals:
"Lax" captures a serene moment in Dru’s life, characterized by personal harmony and simplicity. The title itself is an
abbreviation for "Relax," reflecting the calm state of mind during its creation.
"Afterbreak" marks a transitional period post-breakup, yet the track maintains a composed energy, symbolizing growth,
renewal, and forward momentum.
Dru draws on a broad spectrum of influences for this EP, from the African-reggae-inspired percussive touches to the intricate dubby aesthetics of Andrey Pushkarev’s Luck of Access label. These elements intertwine with Dru’s Brazilian roots, creating a fusion of global sounds with a personal twist.
One of the most exciting milestones during the production process was securing remixes from Nicolas Duvoisin and Superlounge, both of whom enthusiastically joined the project early on. With contributions from these respected artists, the EP transcends boundaries, bridging dubby minimalism and deep house groove.
The vinyl-only release marks an exciting new chapter for Dru and SATYA. With its aquatic themes, dubby energy, and heartfelt storytelling, this EP promises to captivate both seasoned collectors and fresh ears alike.
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