Buscar:miss me

Guti returns to Crosstown Rebels with improvisational new EP, ‘You Know Ya Miss Me’.An exploration of instinct, groove, and the new Latin sound, the Argentinian live maestro returns to Damian Lazarus’ imprint on 13th March 2026.

A new wave of Latin-infused groove arrives on Crosstown Rebels, and South American favourite Guti is at the helm. Returning to Damian Lazarus’ imprint with a release that captures his music in its most immediate and expressive form, his four-track ‘You Know Ya Miss Me’ EP marks his first material on the label since 2020, reigniting a relationship that stretches back over 15 years. For the Argentinian artist, the studio has always been a living room, a jam space, a place where ideas can breathe, collide, and evolve naturally. Throughout his career, Guti has blended groove-driven house and Latin percussion into a signature sonic language in which spontaneity guides the process. The result here is a new release that feels as alive as it does intentional, designed for ears, hearts, and dancefloors alike.
Title track ‘You Know Ya Miss Me’ opens with warm rhythmic layers and subtle instrumental interplay, a space where melody and movement coexist freely. ‘What You Give’ follows, pulsing with the organic energy of jam-session dynamics, each percussive gesture and melodic line alive with intention. On the flip, ‘The Truth’ unfurls a rich tapestry of percussion, soulful vocals, and improvisational motifs, while ‘La Nueva Onda Latina’ closes the EP as a vivid statement; an embodiment of the “new Latin sound” at the heart of Guti’s ethos, where instruments, electronics, and collaborative energy meet on equal footing. At its core, ‘You Know Ya Miss Me’ is a showcase of a musical mind at work: deliberate yet free, precise yet flowing, rooted in tradition but open to the unexpected. It’s a reflection of Guti’s belief that dance music can be both kinetic and expressive, that improvisation and groove can coexist, and that the most resonant sounds are born when musicians let go in the moment. This EP invites listeners into that space, to move with the rhythms, and to experience a sound unmistakably Guti; organic, vibrant, and alive.

Faith unveil a remix package of a classic straight from ’88, a year that saw Turntable Orchestra burst on to the burgeoning garage house scene. With its signature piano riff, unique vocal line, and varied instrumentation, ‘You’re Gonna Miss Me’ has seen countless iterations over the years, with many exceptional DJs putting their stamp on the golden era favourite.

First up, Berlin DJ and 803 Crystal Grooves boss Cinthie reinvents the bassline, adding a sense of urgency and allowing the mix to match the energy of her dynamic international sets.

Next, Faith head and Boy’s Own legend Terry Farley collaborates again with Music Box and XOYO resident Wade Teo, giving the record a streetwise feel with groovy riffs and a Dub that is sure to impress.

Philadelphia band Stereo League has always been about discovering new genres and working with artists who can bring unique sensibilities to their music. On their latest EP Endless Mirage, the band, comprised of boyhood friends Alex Savoth and Dan King, collaborated with the Synth & Soul record label and production crew Eraserhood Sound. The result is a timeless, shimmering collection of songs which tell evocative tales of loneliness and longing, set against the backdrop of Eraserhood Sound's signature analog production. Stereo League, who have been named Artist to Watch by NPR station WXPN, believe this release to be the clearest and best representation of their vision to date, delivering the soulful sound they have been searching for. Lead single "Money In Your Mouth" is a force to be reckoned with, featuring pulsating "Superfly"-esque drums and percussion, electrifying synthesizer stabs, and a powerful lyric from lead singer Savoth. Follow up single "Miss Me" is a tough as nails r&b burner, and features Saundra Williams (Mavis Staples, Saun & Starr, The Resonaires) providing background vocals that are as sweet as honey. Look for Stereo League to be performing their new EP in Philadelphia and beyond in the coming year, as well as their first 7" vinyl courtesy of Eraserhood Sound in 2022.

The first vinyl release of 2020 on Nang, belongs to the Parisian producer and newcomer to the label, Kelton Prima. The veteran artist has been producing and Djing since the late 80's, also releasing under the alias of D_Tekt. Prima has released on the Belgian label Disco Praline, Chicago based imprint Mathematics Recordings, Pizzico Nobel and also has contributed remixes for Thieves Like Us and Plastique de Rêve among others. Along side him on this release features Hard Ton, the Italian artist, who released previously on NANG188. The duo deliver a cover version of Culture Club's 1983 hit, Miss Me Blind. The release sticks with a retro aesthetic, yet given a modern high impact make-over and features 4 edits.

The "Miss Me Blind" original takes you you on a voyage, straight to a dance floor worthy of the infamous New Dance Show in the late 80's. The upbeat, nu-disco grooves, with Solid bass lines (that later trans into squelchy acid affair) are counter balanced with Hard Tons sublime vocals. The Vintage drum machine sequence is perfectly matched with shimmering synths and guitar riffs.

Second on the release is the The Caribbean House "Vision". This edit takes things a little deeper with a modulating bass arpeggio, that pans across the stereo field. Spliced and pitched down vocal cuts feature in this version alongside chime bell melody and pads that creates a emotional ride.

DJ Rocca, the Italian producer a Nang Records regular, delivers a rhythmic and percussive remix. This is classic Rocca style with retro drum machine programming, and a variety of smooth and silky Italo synth patches. The final edit of "Miss Me Blind" consists of Club Domani's bouncy, bass heavy club version. This upbeat and energetic remix keeping things rolling with break-downs and snare filled drops.


b 02: Miss Me Blind (The Caribbean House Vision) feat. Hard Ton
[c] 03: Miss Me Blind (DJ Rocca Italo Vocal Remix) [feat. Hard Ton]
[d] 04: Miss Me Blind (Club Domani Remix) [feat. Hard Ton]

Third time is a charm they say. But if the first 2 times were already so memorable, what more can you ask for?
Nebraska comes in with a bang for his third release on Heist after ‘Soften the Wireless’ EP in 2016 and ‘Metaphor to the floor’ in 2017. It’s hard to believe it has been 3 years since his last appearance on Heist, but with ‘Y’miss me baby?’, Nebraska takes back center stage with another releasefull of disco flavored electronics. Italian disco man-of-the-moment Giovanni Damico comes along for the ride and delivers a stunning 80’s flavoredremix.
It’s not to say that Nebraska (Alistair Gibbs) has been sitting still since 2017. He’s launched his own label ‘Friends & Relations’ where he explores his cut-and-paste style even more with some seriously cool disco dubs and other sonic adventures. Furthermore, he made a guest appearance on Aaron Dae and JKriv’s Razor ‘n tape Reserve. Apart from his regular musical explorations, he has also published a book (Surprise party every week) where we get a glimpse of how Gibbs sees the world.
His view is one of humor and positivity and one of creating new meaning through rearranging context. This is certainly true for his music and this new EP on Heist. The title track ‘Y’miss me baby?’ oozes funk with a clever combination of samples from different contexts put together to create something altogether new, yet familiar. The track has a real 80’s disco vibe to it and the vocoder adds even more to the ‘Zapp & Roger’ flavor of things. It’s a laidback track that feels like it was recorded on a gloomy Sunday evening with no pressure on anything and just room for fun.
The vibe takes a complete left-hand turn with ‘Dip and Flip’, a high energy house track that rattles, loops and bleeps into a full-on disco frenzy.
The b-side kicks off with Italian disco wizard Giovanni Damico remixing the title track. He’s had a great run recently with releases on Lumberjacks in Hell and more recently on Star Creature, where he’s found a home to explore his own view on modern day boogie. His ‘jam’ remix flips the track into a freeform arrangement where guitars, disco claps, delays and retro synth licks all work together for a great taste of Italian boogie.
The EP finishes off in true Nebraska style, with yet another curveball. ‘Xia long bao’ sounds like a lost Nick Holder track from the 90’s with its loopy island style Rhodes and lazy chanting. The choice of samples along with the catchy groove makes this a signature Nebraska track and a quality closer for this single.
We are super happy to have Nebraska back on Heist and with this amazing EP, you are certainly going to create smiles on your dancefloor of choice.
Yours Sincerely,
Lars & Maarten

2x 180g grey vinyl repress!

The compilation album The Best of the Guess Who is the ultimate collection of the best songs The Guess Who recorded in the '60s and early '70s. The multi-talented Canadian band created a masterpiece by recording their single hit "American Woman". The 11 track album shows a versatile band, starting with the keyboard hook and guitar accent of "These Eyes". Other Guess Who classics included on this album are "Laughing", "Share the Land" and "No Time".

The Guess Who is one of Canadian's most successful band's, originated in 1965. Fifty years later they're still performing live, with founding member drummer Gary Peterson sitting behind his kit.

The Best of the Guess Who includes an insert and exclusive poster.

Sie ist zurück und lässt sich nichts mehr gefallen! Brandneues Studioalbum von Miss Ludella Black! "Niemand hält mich zum Narren Das ist mein viertes Soloalbum. Wir hatten einen Riesenspaß beim Aufnehmen, wie ihr sicher merken könnt! Ich werde wieder von den fabelhaften Masonics begleitet, und die eigenen Songs stammen aus der Feder von Mickey Hampshire. Wir haben das Album mit der lokalen Legende Jim Riley in den Ranscombe Studios aufgenommen, nur einen Katzensprung von meinem Hausboot entfernt. Das Etta-James-Cover (ich weiß, wie kann ich es nur wagen!) spielen wir schon seit einer Weile live, ebenso wie "Why Don't You Smile Now", das auch auf dem Album Delmonas 5! zu finden ist. Das Gänsehaut erzeugende "You Waster You" lässt euch die Nackenhaare zu Berge stehen und ist auch ein Highlight meines Live-Sets. Meine persönlichen Favoriten sind "I Bear the Scars" und "I'll Get Over Losing You" beide ganz unterschiedlich, aber sehr typisch Ludella! Ich freue mich riesig, diese tolle LP wieder bei Damaged Goods Records zu veröffentlichen, und hoffe, ihr liebt sie alle genauso sehr wie ich!"" - MISS LUDELLA BLACK, Rochester, Kent (August 2026)

This blissful example of Lover’s Rock from 1985 showcases the very specific sonic template of a portion of Reggae music that was coming from the United Kingdom during the period - steeped in a soulful, Pop sensibility. We are also treated to a version by Lindel Lewis aka The Gentle Giant of Reggae music under the guise of One Man Band that submerges the original into a rich, sun-kissed honey, securing it firmly into the territory of Balearica. Whilst not achieving commercial success at the time, You, Me & He has grown to become a much coveted artefact and we are pleased to have lovingly reissued this gem for your listening pleasure.

Miss Louistines Version von 'Con Me' war einer der besten Deep Soul-Funde der letzten Jahre. Die sanfte Chicago-Interpretation der Paragons von Sam Dees' Komposition aus dem Jahr 1975 wird seit langem bewundert, aber diese Southern-Soul-Bearbeitung des mittlerweile zum Klassiker gewordenen Songs ist atemberaubend. Um diesen geheimen Song-Klassiker wirklich in den Mittelpunkt zu rücken, haben wir Sam Dees' eigene Version als B-Seite hinzugefügt. Auch diese blieb unveröffentlicht, bis Kent 1998 auf die Bänder zugegriffen hat und sie nun endlich auf Single erscheint.

,In the Grace Of Your Love" kam ursprünglich 2011 raus und war ein Neustart für The Rapture und eine willkommene Rückkehr zu DFA, dem Label, das ihnen zu ihrem sofort erfolgreichen Debüt ,Echoes" verholfen hatte. Der Schwung und Erfolg dieser Jahre führte zu einer Achterbahnfahrt mit einem großen Label, die sie wieder da landete, wo sie angefangen hatten - mit Narben, aber jetzt frei, die Grenzen der Erwartungen zu sprengen. Begleitet wurden sie dabei vom verstorbenen, großartigen Philippe Zdar, einer Hälfte des französischen Dance-Duos Cassius und Produzent von Künstlern wie Phoenix und den Beastie Boys. Zdars Begeisterung und technisches Können sind schon in den ersten 30 Sekunden des Albums zu hören: ,Sail Away" ist The Rapture in voller Pracht und Strahlkraft, ein fünfminütiger Ausatem mit Disco-Drums. Natürlich gibt es auch jede Menge Futter für die Dance-Kids - ,How Deep Is Your Love" rockt immer noch die Tanzflächen der New Yorker Bars, ,Miss You" ist ein unwiderstehlicher kleiner Streich in Moll -, aber insgesamt herrscht das Gefühl vor, dass man langsamer wird, Bilanz zieht und an den richtigen statt an den falschen Orten nach Sinn und Liebe sucht. Daher auch das Finale: ,It Takes Time To Be a Man", ein charmant ehrlicher, von Klavierklängen untermalter Song über Verantwortung übernehmen und anderen helfen. Er klingt wie nichts anderes im Repertoire von The Rapture und rundet es dennoch perfekt ab. Der Abspann läuft, die Zeit vergeht, Platten bedeuten immer noch alles.

new repressed !!

Special vinyl re-issue of Trentemøller's groundbreaking debut album. Includes all of the 13 songs on vinyl for the first time. Triple-vinyl in gatefold sleeve.

Trentemøller's debut album remains one of the few genre-defining and groundbreaking albums in many regards. It's still being praised for its composition and sounddesign alike and sounds as fresh and breathtaking today as it did when it was originally released in 2006.
The Last Resort - a beautifully crafted, astonishing masterpiece, that will leave you breathless. The 13 instrumental tracks together form a wordless musical story, almost like the soundtrack of a movie. It
manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. An ever-changing kaleidoscope of colours and moods. Although it's an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even DJ scratching to create a more organic feel. The album received fantastic acclaim from both music fans and journalists around the world and made it into the top-lists of the month, the year, the decade - alongside an array of awards for best production or best album.

Back in 2006, the original pressing only included a selection of songs from the original 13-track album release. It missed out on songs which had been released on singles or didn't "fit" on the so called "vinyl edition". Due to 'public demand' and simply because this album deserves a proper vinyl release we are happy to finally present, for the first time, the full album on vinyl. It spans of three vinyl discs and is packed in a beautiful gatefold sleeve which also holds a download-code. The recut has been carefully crafted from first generation, orignal masters by Calyx in Berlin. Since the album has been praised for its fantastic sound the primary directive was to cut the lacquers for the re-issue so that they would sound exactly the same as the original release, which has been the CD version of the album. No 'digital remastering' or any other alterations have been applied.
All 13 songs of the classic album on one vinyl release for the first time. Triple-Vinyl edition. Gatefold sleeve. download code. original sound-quality. NO digital remastering.

'The greatest man that came from Jamaica and changed the whole beat from Ska to Rock Steady was Lyn Taitt.He was from Trinidad but Bryon Lee did bring him come to Jamaica as an organist but he started playing guitar and the rest is history! We should call him Rock Steady...Its Lyn Taitt as he was the man! He played lead guitar and Ska at the same time'...Bunny Lee

Rock Steady only lasted for a brief period from 1966 to 1968,but its significance to the subsequent development of Jamaican music is incalculable and it would go on to shape each successive musical movement over the next four decades.
Deejays,Digital and Dance hall all stepped to the tune and pace of rhythms whose origins were grounded in the Rock Steady beat and it is impossible to ever overstate its importance...or its beauty

2022 re-press, 180g vinyl

A monumental force firmly rooted in the soul canon, Willie Hutch is most notable for recording two of the best Blaxploitation soundtracks, The Mack and Foxy Brown. Yet his legacy is much greater. Outside of Marvin Gaye, Stevie Wonder and Smokey Robinson, Hutch was arguably Motown's top male solo artist of the 70s. Prior to his association with Gordy et al, Hutch crafted his opening statements for RCA, two vital LPs that Be With Records is honoured to present today.His debut, Soul Portrait (1969), is an incredible slice of gritty, Southern-fried soul. Think Stax with a touch of Detroit sparkle. As a whole, the album demonstrates the self-contained act Hutch was, he wrote every tune on the album while also arranging and conducting for it. It features 11 timeless grooves, with a blend of beat ballads and undeniable dancers.
The album's centrepiece is undoubtedly the iconic, brooding minor-key masterpiece "A Love That's Worth Having". The album's most recognisable track, it's a towering ballad drenched in stylish, sliding horns and elevated by its stunning backing vocalists. It was famously sampled by Madlib to augment his soundtrack for Stones Throw's Our Vinyl Weighs A Ton as well as 9th Wonder for the Murs classic "Dreamchaser". Whilst one can understand these iconic beatmakers for leaning on the work of a master, you really need to own the track in its full, unedited glory.
Horn-heavy opener "Ain't Gonna Stop" is a funk-fuelled monster, Hutch's fatback vocal aided by a vicious drum 'n' conga rhythm whilst the bumping uptown soul of "You Can't Miss Something That You Never Had" anticipates the Motown-vibe that Hutch went on to create. Supple guitar licks propel the loping, head-nod breaks of "Good To The Last Drop" whilst "That's What I Call Lovin' You" features gospel piano and plaintive, tender vocal turn. Rounding out Side A, the blazing horns of "You Gotta Try" hints at the Blaxploitation that was to come.Ushering in the flipside, the thundering proto-70s-Motown rhythm of "Let Me Give You The Love You Need" segues neatly into the bouncing Northern Soul favourite "Lucky To Be Loved By You" whilst Hutch's gutbucket guitar stylings are all over the smouldering "Keep On Doin' What You Do". "Your Love Keeps Liftin' Me Higher" is not a rendition of the Jackie Wilson classic, rather, it's a powerhouse original that indicates where Hutch would take his sound on The Mack. Closing the album, the anthemic "Do What You Wanna Do" name-checks contemporary dance fads before instructing the listener to just get up and dance.Brilliantly supported by a heavy roster of studio cats who combined to create a winning combination of horns, strings, and gorgeous female background vocalists, Soul Portrait is as complete a soul album as the decade's very best. Tricky to find for a number of years, this lovingly produced reissue is certainly welcome. Paired with the soaring follow-up, Season For Love, these recordings shine a new light on the early work of a soul legend. Officially licensed and remastered for vinyl by Simon Francis, it has been pressed on audiophile 180g vinyl for the first time and features the original artwork and liner notes.

This 3LP compilation documents B.B.King's breakthrough years, when, initially signed to the Bihari Brothers' RPM label, he unleashed a torrent of superb recordings that would establish him as the world's most famous blues singer-guitarist. He made scores of remarkable recordings during his career - but the ones on this compilation represent that marvelous moment in time when Riley King and Lucille combined to make their indelible mark on the history of the blues.

Repress

Be With Records present the hugely anticipated first ever vinyl release of r'n'b star Cassie's seductive debut. A late-night classic of chilly electro-soul, the self-titled album has influenced many in the dance music fraternity since its original CD-only appearance back in 2006. Particularly revered by Jamie xx, Four Tet, Hot Chip and Tri Angle Records, the r'n'b cognoscenti went into overdrive when rumours of this release first leaked.

Perhaps most famously, it features the slick summer smash "Me&U" which reached No.6 in the UK charts and topped the US equivalent. Yet the remaining 10 tracks serve to create a "minimalist r'n'b" masterpiece; the intricate and space-filled arrangements are laced with sinister synth bleeps that wouldn't have been out of place on an early 90s Warp record. The dark, hypnotic high ends coupled with Cassie's ice-queen delivery made this stand out from the tired crowd of mainstream r'n'b at the time. It still sounds wholly and eerily unique.

Like all Be With releases, this record is officially licensed and has been cut by Frank Arkwright at the legendary Abbey Road Studios. Pressed on audiophile 180gram vinyl - befitting the heaviness of the music contained within - it also features the original artwork set elegantly within its 12"x12" borders.

Emotional Rescue is delighted to present the first of two EPs from British '80s band Furniture, starting with their much sought-after, six-song "mini-album" - as they were known then - which has recently been rediscovered by a new generation of DJs and collectors. "Transatlantic Cable" compares the cliches of a certain type of American romance - Bogart, Sinatra, Dean - to the reality of life in West London. "They're On Me" is probably one of very few pop songs to feature double bass and the word "newsagent", while "Robert Nightman's Story" is powered by a riff on marimba and abrasive rhythm guitar.
"I Miss You", a torch song so good you'd think Julie London might have cut it. A highlight for many is "Why Are We In Love". This track is a key reason for the revival of interest in the band, with pattering rhythm part and the sweet clarinet melody, creating an atmosphere that has attracted a following among discerning DJs. "A Letter To Myself" introduced the band's new, expanded line-up adding Sally Still (bass, vocals) and Maya Gilder (keyboards), which would endure until the band stopped in 1990.

- Chas's very sad passing in September this year has made this release all the more poignant, as he had been planning
it for a while. Here is how Dave describes the LP:
- 'It had been on Chas's mind for quite some time to showcase our more laid-back numbers. A lot of people had never
heard this side of what we do even though our biggest hit - 'Ain't No Pleasing You' - was a ballad. So when the
opportunity came to put together this compilation, it became a labour of love for Chas. In fact, it was the last release
that he was involved with and wrote sleeve notes for. Enjoy listening to our 'other side''.
- The inner sleeve features many photos and Chas's commentary, and the record is pressed on 180 gram white vinyl.









I B3. Old Dog & Me [new version]

We really think there are no accidents in life, or rather it's chance that makes things happen. When we started our project 'In The Meantime' we could immediately feel a connection, that invisible line joining people who have the same passion and feeling
towards music. We shared emotions and ideas, making music in harmony and mixing our visions like if we knew each other since longtime. This collaboration was a great opportunity for us both artistically and personally.

'In The Meantime' is a project that aims to find new ways of expression mixing ambient, electronic, techno and drone music into original dimensions and evocative atmospheres.

A love beyond...

* Out of print since 1997

* Sixteen carefully selected tracks including their most renowned work

* Covering Funkadelic at the height of their career (1970-1976)

* Double LP set that comes with OBI-strip, Limited to 1000 copies

Tidal Waves Music proudly presents: FUNKADELIC Finest

Compilations are tricky and hard to get right ... Finest is that rare one that knocks it out of the park. This release focuses on George Clinton and crew at the height of their career & on their most renowned work.

Comprised out of sixteen carefully selected tracks and covering a six-year period (1970-1976) Finest may be the best-assembled Funkadelic collection from this period yet, as both renowned band standards share space with several oft-overlooked tracks.

The early tracks "I Got a Thing" and "I Wanna Know if It's Good to You" show the band-members still honing their rich 'n' funky sound, before they hit their stride with selections from the classic 'Maggot Brain' album. As a result, you get a healthy sampling of some of the best funk the '70s had to offer, including "Hit It and Quit It," "You and Your Folks, Me and My Folks," "Loose Booty," "Cosmic Slop," "Red Hot Mama," and "Get Off Your Ass and Jam."

Finest is an exceptional sampler for those discovering the wild and wacky universe of Funkadelic. Out of print since 1997 and transferred from the original analogue master tapes, now finally back available as a deluxe Double-LP set with some of the craziest psychedelic crumb-style artwork you'll ever see.

Continuing the very successful 'From The Vault' series of classic, previously unreleased Rolling Stones live shows this release is taken from their performance at Roundhay Park in Leeds, England on 25 July 1982. This show was the last concert on their 1982 European Tour in support of 1981's acclaimed 'Tattoo You' album which would be their last live tour for seven years. About half of the 'Tattoo You' album is included in the set including the hit single 'Start Me Up'. This would be the last Rolling Stones show to feature Ian Stewart on piano. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.Key Selling Points: Simultaneous release on DVD, SD Blu-ray, DVD+2CD and DVD+3LP. The 'From The Vault' series is now firmly established with Rolling Stones fans and has been very well received by critics. Full length concert of The Rolling Stones performing at their very best. Includes 'Under My Thumb,' 'Black Limousine,' 'Let's Spend The Night Together,' 'Beast Of Burden,' 'Honky Tonk Women,' 'Jumpin' Jack Flash,' 'Angie,' 'Tumbling Dice,' 'Miss You,' '(I Can't Get No) Satisfaction,' 'Start Me Up,' 'Shattered,' 'Brown Sugar' and many more!

Back in stock !

Michael Mayer is one of the leading German tastemakers in dance music and his DJ sets have influenced a generation (or two) of musicians and fans.As an artist, Mayer remains tirelessly motivated to DJing, in the studio or behind his desk at KOMPAKT, the label he co-owns. His recording career spans four albums, 23 EP's, nearly 170 remixes and the legendary DJ mixes for fabric and Immer. '&' is his third full-length, a passionate and personal album that speaks as broadly as his DJ sets - embracing his genre-busting love for music, rhythm and atmosphere - and the dancefloor in front of him. '&' is the rare manifest of an established artist who is willing to risk it all and challenge himself, and the world around him. 12 tracks, 12 single narratives coming from a group of very individual minds orchestrated by Michael Mayer - the DJ, artist, A&R but most importantly, obsessed music lover. Michael describes the process of curating and creating '&' as a constant battle between his three alter egos but 'the obsessed music lover has had the final say.' As diverse as they are, all the tracks that result from this long and winding road create a cohesive story and present the elasticity of Mayer's musical galaxy. Michael gladly leaves it to the rest of the scene to discuss the different grey shapes of club culture. For him there is only one club culture - a playful and open-minded one that's easy to comprehend after you hear ‚&'.

Enjoy all of Old Blue Eyes' classic songs on cool white vinyl.

A collection of tracks formerly released on 7' vinyl only by Dance Drugstore Records in the Netherlands. The original coloured 7' singles were released in the period from 1994 to 2000 in small limited editions quickly sold out around the world. Check!!

Out soon. EMBILTD013 - Daniele Casa/ Carmine - Frankfurt Affairs Vol 14 (12")

Both artists delivered here 4 functional minimal house cuts - not to be missed!

Wisconsin house music legends Solid Gold Playaz return with Minds Beneath Atlantis EP, a timeless deep house gem first released in 2003 on Silver Network before receiving a sought-after reissue from Still Music in 2017. Long out of print and highly coveted by collectors, copies have regularly fetched upwards of £50 on the second-hand market. Thankfully, Still Music have answered the call with a welcome repress, making this essential release available once again for DJs, collectors, and deep house enthusiasts who missed out the first time around.

Confessions of a Lonely Heart follows the journey of a heart searching for connection. Across nine tracks, including “Miss Me More,” “Someday” and “Psycho,” Eric Nam shares deeply personal confessions of heartbreak, yearning, obsession and self-discovery. While the stories are his own, the emotions behind them are universal: the desire to love, be loved and feel understood. “Loneliness can make us feel as though we’re the only person experiencing it, when in reality, it’s one of the most universal parts of being human,” Eric shares. “This album gave me a place to be honest about emotions that can be difficult to admit and confess things we often keep to ourselves. My hope is that people can hear pieces of their own stories in these songs and feel understood by them. When we’re willing to share what’s in our hearts, we remind one another that none of us is truly alone, and together, we can all be a little less lonely.”

Pain threaded with joy is the sound of survival. On The Hard Truth, Wynonna isn"t letting go of either one, carrying everything she"s endured and reinventing herself as an artist. This ten-track tribute to deep sorrow and dogged persistence strips away layer after layer of the lush production that defined Wynonna"s previous recordings, delivering in its place her most personal and powerful work yet. ANTI- is proud to continue its tradition of embracing American legends and giving them a platform to reach new heights. The Hard Truth has a major contributor in the form of producer Cactus Moser, Wynonna"s partner in music and life. Wynonna and Moser shared songwriting duties on The Hard Truth, and the resulting tracks were recorded to capture and compliment the raw power he"d witnessed decades ago. What they"ve created together is an unvarnished elegy to the dead and the missing, an album that pays tribute to choosing love in the face of suffering. Through instrumentation and arrangements unlike any record in Wynonna"s four-decade career, The Hard Truth rolls in like a night train hitting listeners on the blind side.

R.M.F.C. sound like? Let’s stay with the overused descriptors – I think R.M.F.C. is rock music band, more specifically a post-punk band. Indulge me. If you could say anything about post punk it means post-Wire, who were past punk before punk had an opportunity to codify and become everything brilliant and stupid that we’ve spent 40 years unpacking. Wire’s opening Pink Flag jab – Chairs Missing straight – and 154 hook knockout has haunted the mixing desks of ambitious post-punk bands since, and every major city in the western world has at least one Pink Flag band, one Chairs Missing band, one 154 band. Few bands manage to sound like all 3 records, but R.M.F.C. are a Rock Music Fan Club...

Anyone paying attention to underground Australian guitar overdose would relate: the R.M.F.C. Club Hits LP has been the culmination of five years of work, patience and discipline. If you’ve heard these songs live at any of their shows over the past couple of years you’ll understand – the wait is over and the result is exhilarating.

‘Bands like Devo, The Fall, and The Birthday Party have set the way for this type of post-punk rock (all in their own way). Surely, also, the rock scenes of the past fifteen years in Australia have also been influential. Thinking of bands like Royal Headache, Dick Diver, and Eddy Current Suppression Ring, there’s even been a fairly recent tradition of expanding styles of rock and roll (let alone the bigger, famous rock-centered acts). The Sydney based R.M.F.C., and the scene (or friend circle) from which it’s emerging, is carrying a torch of rock music which has the potential of a wider appeal.’ - POST-TRASH