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Tone B. Nimble - Soul Is My Salvation Chapter 1

'Soul Is My Salvation' is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word.
Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. - A true collectors item. Chapter 1 includes the brilliant but incredibly tough pull, Rev L. Weaver’s rendition of a Sister Sledge classic. Side two is an Al-Tone extended version of The Pink Family’s Don’t Give Your Life Away.

DJ Support: Tone B. Nimble, Greg Belson, Ge-Ology, Gilles Peterson,
Skymark, Darryn Jones and Floating Points.

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13,66

Last In: 4 years ago
Moon Boots - Bimini Road LP 2x12"

Moon Boots

Bimini Road LP 2x12"

2x12inchANJLP071
Anjunadeep
03.09.2019

Moon Boots a.k.a Pete Dougherty returns with his second studio album ‘Bimini Road’ on September 6 via Anjunadeep. An ambitious and evocative follow-up to his acclaimed debut First Landing, Bimini Road combines delectable club-ready grooves with soulful songcraft into a seamlessly organic whole. Inspired by notions of mysterious lost civilizations, ancient magic utopias and the sci-fi landscapes of the mind, ‘Bimini Road’ is a joyously celebratory listen that builds off the ‘deep textures and funky melodies’ (Mixmag) of his album 'First Landing', a disco house masterpiece supported by KCRW, Annie Mac and others. Featuring familiar faces KONA, Black Gatsby and Nic Hanson among the featured vocal talent, ‘Bimini Road’ also includes new collaborators like rising US talent Niia, Kaleena Zanders and notable British sing-songwriter Little Boots. OutJuly 9, ‘Tied Up’ is the first single off the album, a sexy slice of deep house pop sure to ignite dancefloors and bedrooms alike. Moon Bootsembarks on his Live Bimini Road Tour this Fall, with dates across North America and Europe. Born in Brooklyn, Moon Boots’ musical obsession started not long after he could walk. His early love of piano lead to a passion for keyboards and synthesizers. Teenage nights lost in the work of Daft Punk, ATribe Called Quest and Herbie Hancock followed. Inspired by legends like Frankie Knuckles and Derrick Carter, he moved to the house music epicenter of Chicago, where he tirelessly passed out demos to local DJs and scoured the web for like-minded people with whom he could share and expand on his sound. Heplayed in a synth-pop trio whose demo caught the attention of Lupe Fiasco, and after a stint touring alongside the hip-hop icon, Dougherty went back to DJing with a renewed focus. The stars aligned when he had a chance encounter withPerseus, founder of an adventurous label, French Express. A fellow junkie and fan of French House and R&B-infused dance music, Perseus became a friend and mentor, the Splinter to Boots' Donatello. The label eventually disbanded but Boots has stayed true to his mission of making dance tracks that can’t be confined to one style. Pete blends the music he loves --jazz, house, funk and soul -- into songs that last longer than their runtime. Songs not just for DJs, but for everyone.

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26,85

Last In: 3 years ago
Various - Trip to the Moon - 11 Obscure R&B, Garage Rock and Deepfunk Songs About the Moon

When the Tramp Records crew read the internet-sweeping spam/story of Nigerian Astronaut and Air Force pilot Abacha Tunde, they knew that they had to spring into action to help this unfortunate fella out. Dr. Bakare Tunde, the cousin of Abacha Tunde explained the situation as follows: "My cousin was the first African in space when he made a secret flight to the Skylab Space Station in 1979, shortly before it crashed to Earth. 19 years later he was on his second spaceflight, this time to a secret Moon Base located on the far side of the Moon. In 1999 his crew members returned to earth, but his place was taken up by return cargo. There have been occasional supply flights to keep him going since that time. Although he is in good humor, he wants to come home, now, after 20 years in space."

After this hilarious story the idea of a compilation album was born - and "Trip To The Moon" is the result. The goal to raise three million dollars to cover the cost of Abacha Tunde's return flight may never be achieved. Nevertheless, a 41 year experience in the music business is the basis for a fantabulous track listing of 11 amazing and highly underrated Rare Grooves about the Moon!

The Swinging Astronauts open the set, followed by La La Wilson's equally great rhythm & blues rocker "The Moon Man Is Back". With The Moon-Dawgs, this album makes a slight turn into the 1960s garage rock era while Hase Cäsar (backed by none other than the famous Ingfried Hoffmann and his orchestra!) contributes one of two songs of german origin. Now it's time for some funk: Rev. Jamel & Bob Johnson's "Walking On The Moon (Men Are Starving)" criticizes the US government for spending millions of dollars for their space program instead of supporting their own people. "Mars in 75" is deepfunk at its best although some may lament the lack of production. Sidney Ownen's breakbeat-laden "Sputnik" is sought after in collector's circles and needs no justification as to why it is included on this album. Ernest & D.L. Rocco's "Moon Child" is our personal favourite, closely followed by the hypnotic groove of "Mondgesicht" by legendary german saxophonist Ambros Seelos. Scott Cunningham's name should ring a bell as he was featured on several Tramp compilations over the past few years. Finally, the album closes with a psychedelic folk track titled "Voyage To The Moon".

Tramp Records is absolutely convinced that this album will surely be the best way to shorten the wait for Abacha until a rescue space mission finally brings our African soul brother back home.

Key selling points:

- deluxe gatefold LP with detailed liner notes and unseen photographs
- the vinyl LP comes with a full album download code
- most of the songs appear on a 12" album for the very first-time

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13,57

Last In: 6 years ago
Shimza - Eminence

Shimza

Eminence

12inchCADENZA120
Cadenza Records
15.07.2019

Shimza, one of South-Africa’s shining talents, makes his return to Cadenza with ‘Eminence’, a burning compound of profound percussions and late-night rapturing synths. This Gauteng-born artist is one of the most celebrated African electronic musicians and has garnered the reputation of the “Effect Master” and “Vinyl Assassin” for his technical prowess and intricate mixing abilities. The vibrating drums and persistent arpeggios of ‘Eminence’ make for a captivating peak-time anthem, offering the nostalgic essence of Detroit’s late-nineties splendour. As the EP journeys to ‘Dancefloor Keeper’, the slick trance-inspired stabs and permeating bassline expose its ominous nature as it swells to a seismic drop. On the B-side, Shimza expresses his creative flare with ‘Kunye’; a hypnotic cut that blends the spirit of futuristic synthwave with the soul of African tribalism. ‘Warrant For Arrest’ is a charged number, driven by a snappy compressed kick drum and chiming sequences. As its percussive forces fall away to the second break, a monstrous siren and obscure vocal cuts take focus, guiding it to its summit. The penultimate offering ‘MSC’, is a euphoric gem that flows with expressive phrases and evolving synth pads. The EP’s digital-only bonus track ‘Mirrors’ shuffles effortlessly with a funk-tinged riff, maintaining a high voltage pace, closing the EP in an emphatic manner. Shimza has been on a mission to make 2019 his biggest year to date. Launching his One Man Show concept in Soweto in 2009 to help raise funds for underprivileged children, the project has now matured into an annual event that draws in over 25,000 people each year, hosting some of the country’s most in-demand artists, such as AKA, Black Coffee and Black Motion. The show has seen international editions in France, Spain and Portugal and has helped position Shimza as one o

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7,52

Last In: 12 months ago
Hampshire & Foat - The Mage

Hampshire&Foat

The Mage

12inchAOTNLP016
Athens Of The North
30.04.2019

Greg Foat's 9th album 'The Mage' joins the dots between the past and future of British jazz. Enlisting the talenst of jazz/library/soundtrack legends Duncan Lamont, Art Themen, Ray Russell and Clark Tracey to collaborate with their modern contemporaries Greg Foat, Moses Boyd and Heliocentric's drummer Malcolm Catto to create something undeniably British but outward looking and global.

A long time personal ambition for Greg was to work with Trinidadian songstress Kathy Garcia, on 'The Mage', this wish is granted as she joins him to re-imagine the deep Xian masterpiece 'Of my Hands', 45 years after recording it as a young girl.

Greg's compositions and arrangements showcase the old and new, downtempo folkscapes, free jazz with notes of hip-hop and soul from the young team flavouring the mix. Featuring Simon Ljungman and Friends as a male choir, Greg's EMS Synthi AKS experiments (made famous by Dr Who) the album is a testament to the versatility and pure musicality of all those involved and Greg Foat's ability to bring artists together to record beautiful, timeless music.

#Greg Foat's 9th album joins the dots between the past and future of British jazz. Bringing Jazz/Library/soundtrack legends Duncan Lamont, Art Themen, Ray Russell and Clark Tracey to the table with modern contemporaries Moses Boyd and Heliocentric's drummer Malcolm Catto. A long time personal mission for greg was to work with Trinidadian singer Kathy Garcia, she joins him on The Mage to re-record the deep Xian masterpiece 'Of my Hands' 45 years after recording it as a young girl.

Greg's compositions and arrangements showcase the young and old, downtempo folkscapes, free jazz with Notes of Hip-Hop and Soul from the young team flavouring the mix. Featuring the Simon Ljungman male choir, Gregs EMS Synthi AKS experiments (made famous by Dr Who) the album is a testament to the versatility and pure musicality of all those involved and Greg Foat's ability to bring artists together and make beautiful timeless music that moves deeply

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22,65

Last In: 5 years ago
Soul Intent - U Got Me

Soul Intent

U Got Me

12inchTEMPO1213
Tempo Records
06.12.2018

This highly prolific UK Drum and Bass producer returns with his second Tempo Records release. This work sees Alex' Judd rhythmic tweaks and overlays of texture with intricate melodies, heavy dub basslines giving the tracks a live & energetic feel. He draws out each track with his own distinctive craftsmanship and still giving them space to breathe. ''U Got me'' might be his best work to date but that's just our opinion. ''No Hype'' on the flip side says it all; music shouldn't be a hype but this release surely creates a huge buzz with all the dj's worldwide. This release comes as a limited 140g crystal clear vinyl pressing with full artwork sleeve + white glossy inner sleeve, including a mp3 download voucher + a free poster/inlay and all tracks mastered by Stuart Hawkes of Metropolis Mastering London.

Early Dj Support & Feedback
More Coming Soon!
Ltj Bukem thanks For Sending'
Grooverider good'
Icicle thanks, I'll Support No Hype On Rinse Fm'
Dj Flight nice Release, U Got Me & Loved Up Are Probably My Picks On First Listen. Will Play The Former This Weekend.'
A-sides no Hype', Thanks!'
Doc Scott thank You'
Drumsound & Bassline Smith nice One'
Gremlinz dope'
Hyroglifics (aka The Executioner) nice Ep!'
Villem hype Hype Hype'
Lynx yesssss Not A Media Hype!'
Chromatic nice Ep, Big Up Alex!'
Dj Clarky great Tracks On This'
Dj Chef (ministry Of Sound) big Ups Full Support'
Dj Tendai (swerve) loved Up Is Sublime'
Dj Kalm great Release Thanks!'
6blocc love The u Got Me' Track'
Earl Grey u Got Me Is The One, Badness.'
Arkaik will Be Supporting 'no Hype' Thanks'
Bulletproof Tiger (nyc, Usa) always A Pleasure To See Tempo In My Inbox. Biggups Y'all'
Dj Ros (addiction Fm + Label, Poland)'!'

...

Radio & Podcast
Coming Soon!
Icicle (rinse Fm) thanks, I'll Support No Hype On Rinse Fm This Thursday 20-09-2018'
Dj Chef (ministry Of Sound) big Ups Full Support'
Onedek (origin Radio Uk) awesome!!!!!'
Andre (soulsurfer - Bassdrive) now This Is A Strong Release... I Agree That This Is Alex Greatest To Date. U Got Me, Loved Up And Feel Good Are Immediate Favorites. Support In Club And Radio!'
Benjamin (the Dance Mission Dnb Show - Kiss Fm Australia) cool Music'
Overfiend (bassdrive) superb!'
Stunnah (bassdrive) big Release!!'
Chris Muniz (insomniac / Bassrush) mashing It Up Proper!'
J Swif (dnb Hq Podcast) dope Release Duded, 'feel Good' Is The One!'
Stanislav (zima - Czech Radio 1) gonna Play no Hype' Today... Cheers. Stanislav'
Matze (urban Wildlife / Syncopix Records) 5/5 The Rework Of Sweet Sensation Is Killer. The Crowed Loved It. Cool Arrangement And Use Of The Vocals. Feel Good With It´s Long Bassline Is Also A Most Functional Dance Floor Banger. Thanks For This One!'
Jose (nas Radio Show - Brazil) awesome Crazy Material Right Here'
Simon (see You Next Life Podcast & Night) soul Intent Fan Here So It's All Good. Cheers!'
Francesco (delta9 Recordings / Podcast) interesting And Diverse Album! All Are Great, Fav Are Loved Up And No Hype'
...

Reviews Blogs & Magazines :
More Coming Soon!
Julian (mixmag Germany Dnb Reviews) i Really Enjoy loved Up'.
Aliina (jungledrumandbass) big Up !!
Matthew (one Hour One Dj) great Tunes. Particularly Feeling The Two 2 Sides, Loved Up And Feel Good. Lovely Gritty Rollers.'
Rohan G. (dj Mag Spain) pow!'
...

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8,87

Last In: 3 years ago
Justin Robertson's Deadstock 33s - The Music Is Madness (To Those Who Cannot Hear It)

Silicone Soul welcome the return of old friend Justin Robertson as he brings his much- loved Deadstock 33s project back to Darkroom Dubs. Last spotted on the label only a matter of weeks ago with 'Infinite Interchange' on the 'Darkroom Dubs Presents Summer Love' collection, here he builds on the momentum with two more singular missions deep into the timeless analogue abyss. What's more, they come covered with a print of one of Justin's very own hand-drawn pieces. 'Dr. Spectro On The Frontier' marks the start of this new Deadstock trip. Celebrating the lesser spotted DC super villain who could control people's emotions with a brazen line or two of sinewy acid; what starts off dark and gnarly gradually unfolds into a much more emotional narrative. Watch out for the harmonic riff that rekindles feels of raving fields and a salvo of chords towards the climax that genuinely will control your emotions.'The Music Is Madness (To Those Who Cannot Hear It)', meanwhile, is more than just a poetic title. Already a summer anthem at A Love From Outer Space, it's a roomy, cosmic affair that's laced with layers of trippy textures and chugs at a cool 120. It's one of Justin's classic signature smouldering sessions; what ostensibly seems forlorn and introspective is actually coded with deep hope and positivity. You'd be mad not to hear it.You'd be mad not to stay tuned too... For the first time in Darkroom Dubs history, this release and all this year's vinyl dispatches will be released digitally as part of an end of year compilation, 'Tales From Underground Vol. 1' and will also feature an exclusive Silicone Soul remix of Rigopolar & Cannibal Ink's 'Thousand Years Before'. And to round the year off The long-awaited new single from Silicone Soul themselves.

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10,71

Last In: 7 years ago
RP Boo - I'll Tell You What!

While notorious in the Chicago streets, RP Boo's music had been unfairly confined to a few white labels and self-released mixtapes until his two archival Planet Mu LPs Legacy and Fingers, Bank Pads & Shoe Prints introduced broader audiences to his sonic history, some of it fifteen years after it was first recorded. I'll Tell You What! is the next step in his mission, and the first time he's released an album of contemporary material. The title, a favorite maxim of his, welcomes listeners to sit down and let him narrate in the unforgettable abstract fashion he's known for. He explores familiar motifs such as the cosmos, movement, and opposition, using densely interwoven vocals, unpredictable percussion, and evil humming bass as his tools of choice. RP Boo's music doesn't follow the traditional rules that most compositions do. Layering decades of samples from yesteryear to the present over his commanding vocal cut-ups, he transports the listener to their own realm of the space-time continuum. The main difference between this record and his prior work is now we hear Boo tell new stories about preaching his gospel outside of Chicago, from his experiences frantically touring the globe over the last five years. The words 'things ain't been the same / since I hopped the plane' are repeated on top of engine sounds and rumbling bass on Flight 1235, a glorious paean to his new jet-setting adventures. The spirit of competition runs through RP's veins as much as blood does, something you can't unlearn when you've been making music for Chicago's footwork circuit as long as he has. The local culture has served as a shelter from the violence that has plagued the city, pitting kids against each other with their feet rather than weapons. On At War Boo reminds us 'we are at war in the streets', a double meaning to both the mayhem in this world and the sweetness of rivalry on the dance floor. Another battle-themed track Cloudy Back Yard, one of the spacier moments on this album, is an abstract on the state of footwork's home. Chicago remains the backyard of this artform even though it's left the porch and traveled to new neighborhoods worldwide. Back at home though, competition among the DJs and dancers continues, and as the man himself says, 'with all this hate, there's smoke, and it's cloudy'. I'll Tell You What! throws more than a few curveballs into the mix. Footwork has always borrowed from hip-hop, and many vocal tracks are almost condensed raps, dating back to the street chants pioneered on Dance Mania Records in the ghetto house days. On Bounty, Boo grabs the mic and brazenly lays down a full-on verse of terror over a thick atmosphere of his signature sweltering low-end and erratic Roland R-70 patterns. While he's most famous for his confrontational battle anthems, his melancholy moments are just as powerful. You get the best of both of those worlds on U-Don't No, with soulful samples finishing his own cocky sentences, one of the most elegant tracks RP has made to date. Deep Sole closes the record out, with the words 'It's always beautiful at the end' looping over waves of hypnotic synthesis, confidently looking death straight in the eyes.

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23,24

Last In: 7 years ago
Lor - Mystery To The Viewer EP

Lor

Mystery To The Viewer EP

12inchWARM3
Warm
19.06.2018

Warm return once again... One of the most consistent and influential agencies to have operated in the 2000s, the collective continue to develop their original agency, events and record label, and things are heating up very nicely. Following soul-arresting releases from Elliot Lion and Face + Heel comes this four-track odyssey from Belfast's Lunar Orbit Rendezvous AKA LOR. Ready for take-off

Our mission is set with 'Mystery To The Viewer', but what is the main mystery Is it the gravity-defying thrust of our engines or the identity of the anonymous (yet well spoken) narrator Listen closely for clues amid the heavy pulsating chords as we break away from the earth orbit and plunge deeper into the stars.

'In This Detail' sees us hurtling further and further into the dark unknown. There's a deep chilling aesthetic at play here as LOR makes his 808s weep with the loneliness only a long-stay astronaut can sympathise with. In perfect contrast, the isolation is balanced by the direct and vital 'Oriole'. One of LOR's earliest projects, updated with all the skills and techniques he's learnt on labels such as Exit Strategy and Cin Cin, it's a vital composition that rises and rises as we engage hyperspeed through the cosmos. 

Finally we land back on our home planet to the marching momentum of 'White Light'. Almost stately in its pace and rhythmic stride, things suddenly take a turn for the intense as a warping bass siren triggers a much darker direction and a series of spasmodic kicks and heavily shelved filters. Welcome home...

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12,31

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Various - Pop Ambient 2018

Various

Pop Ambient 2018

12inchKOM377
Kompakt
17.11.2017

2022 Repress

Our POP AMBIENT compilation series returns for its 2018 instalment, with series curator Wolfgang Voigt presenting another batch of hand-picked recordings from genre veterans and newcomers alike. The more seasoned among this year's contributors are easily identified by their individual artistic sensibilities, ranging from the morphing, organic rhythms of THE ORB's sample collages (on SKY'S FALLING) to KAITO's ethereal, trance-infused soundscapes (TRAVELLED BETWEEN SOULS) and MIKKEL METAL's intimate ambient songwriting (SHAME).
They join the ranks of Pop Ambient scholars such as MAX WÜRDEN & THORE PFEIFFER (co-authoring the sparkling PANORAMA), Magazine's JENS-UWE BEYER (creating rich drama out of cinematic textures on ATHOS) or Adjunct's KENNETH JAMES GIBSON (who pairs soaring strings with bubbly percussion on DISINCLINED TO VACATE). Pfeiffer can also be found working with genre mainstay LEANDRO FRESCO on opener SPLINTER, crossing the growth rings of the Pop Ambient family tree with a subtle, atmospheric collaboration. Another welcome return to the roster, Jörg Burger dusts off his iconic TRIOLA project last heard on Pop Ambient 2013 (KOMPAKT 269 CD 103) with the floating, echo-drenched cut L'ATALANTE.
After making his Pop Ambient debut on last year's instalment (KOMPAKT 365 CD 135), YUI ONODERA continues his exploration of deep, intricate string sounds on PRISM and NINE CHAINS TO THE MOON (CD only) - it's compelling material that shows the Tokyo-based musician and architectural acoustic designer as a strong addition to the Pop Ambient talent pool. He's joined by the two latest recruits to the series, both well-established artists in their own right: techno provocateur T.RAUMSCHMIERE flexes his drone muscles on the elegiac ETERNA, while pedal steel guitar maestro CHUCK JOHNSON creates expanding sonic spaces on the meditative BRAHMI - a uniquely immersive cut that draws from the idiosyncratic country post-rock he established on his acclaimed 'Balsams' full-length released earlier this year.
(de) Unsere POP AMBIENT Compilation-Serie kehrt für 2018 ins Rampenlicht zurück, natürlich kuratiert von Wolfgang Voigt, der auch für die aktuelle Ausgabe eine handverlesene Auswahl an Genre-Veteranen und Neuzugängen präsentiert. Bereits vorhandene Erfahrung mit der Mission macht sich unter den diesjährigen Beiträgen schnell bemerkbar - dank individueller Künstlerperspektiven,

von den organisch-rhythmischen Samplecollagen THE ORBs (zu hören auf SKY'S FALLING) zu KAITOs ätherischen Trance-Klanglandschaften (TRAVELLED BETWEEN SOULS) und MIKKEL METALs intim wirkendem Ambient-Songwriting (SHAME).
Im 2018er Line-Up treffen sie auf die neue Pop-Ambient-Schule, vertreten durch MAX WÜRDEN & THORE PFEIFFER (die gemeinschaftlich für das glitzernde PANORAMA verantwortlich zeichnen), Magazine-Mitbetreiber JENS-UWE BEYER (der auf ATHOS reiche Dramatik aus Texturen zaubert) oder Adjunct-Boss KENNETH JAMES GIBSON (mit aufsteigenden Streichern und sprudelnder Percussion auf DISINCLINED TO VACATE unterwegs). Pfeiffer findet sich ausserdem auf dem Albumopener SPLINTER wieder, eine subtile, stimmungsvolle Aufnahme, die er zusammen mit Genre-Wegbereiter LEANDRO FRESCO produziert hat - gewissermassen generationsübergeifend über die Jahresringe des Pop-Ambient-Stammbaums hinweg. Als weiteres altvertrautes Gesicht der Serie entstaubt Jörg Burger sein beliebtes TRIOLA-Projekt, welches wir zuletzt auf Pop Ambient 2013 (KOMPAKT 269 CD 103) gehört haben, und legt das durch die Wellen gleitende, echogetränkte

L'ATALANTE vor.
Nach seinem Pop-Ambient-Debüt auf der letztjährigen Ausgabe (KOMPAKT 365 CD 135) führt YUI ONODERA seine Erkundung tiefer, vielschichtiger Streicherklänge mit PRISM und NINE CHAINS TO THE MOON fort - zwingendes Material, dass den in Tokyo ansässigen Musiker und Architektur-Klangdesigner als besonders überzeugenden Zuwachs zum Pop-Ambient-Talentpool kennzeichnet. Zu ihm gesellen sich zwei Serien-Neuzugänge, die bereits äusserst erfolgreich an anderen Fronten tätig waren: der Techno-Provokateur T.RAUMSCHMIERE lässt auf dem elegischen ETERNA seine Drone-Muskeln spielen, während der gefeierte Pedal-Steel-Gitarrist CHUCK JOHNSON mit dem meditativen BRAHMI stetig wachsende Klangräume erschafft - ein herausragender Track ganz im Stile des eigenwilligen Country Post-Rocks, den er auf dem zuvor in diesem Jahr erschienenen 'Balsams'-Langspieler verewigte.

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21,72

Last In: 6 years ago
Alex Alben - 03

Alex Alben

03

12inchNYT03
New York Trax
07.02.2017

With this record, New York Trax furthers its mission of presenting to the world the upcoming talents hailing from the New York scene. New York Trax 03 is the first release of the talented Manhattan-based producer Alex Alben. The A side has 'Irin' and 'Chimera', two very mean prime time techno bombs. 'Kamikiri' rounds up the EP with its relentless tribal beat and arpeggio that will cheer up even the darkest souls. ONLY on vinyl!

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10,04

Last In: 3 years ago
Various - No Intro

Various

No Intro

12inchOUZA1306
OUTERZONA13
24.11.2016

Another off-the-books mission to the OUTERZONA !
Consistent best-sellers, these little collections of secret weapons have made many friends out there on the floor
No.6 delves once again into the ammo cupboard, but reassembles this devastating array of weaponry into altogether more potent smart-bombs
From a wigged-out Jazz-Rock monster to familiar & timeless symphonic Disco licks, to a hidden mid-Seventies Soul rewire Once again, Outerzona refresh the parts other edits cannot reach !These are never around for long, so you know what to do

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8,03

Last In: 4 years ago
Mattia Trani - The Hi-tech Mission

Trani has been representing the Detroit sound in Italy for some years now, with releases on Minimal Soul Recordings, as well as his own Pushmaster Discs (a label that has also hosted the likes of Ilario Alicante, Myles Sergé and Percyl). His latest outing will be his first full-length, an album inspired space travel, that continues to push Detroit sounds, as well as venturing into some jungle rhythms.

DJ FEEDBACK
early support from
Jeff Mills: I like the Alien Pattern Track!
Robert Hood: nice tracks from Mattia.
Dimi Angelis: Like this! Thanks!
Marcel Dettmann: Thanks.
Thomas Hessler / IMF: Nice one! Thank you!
Darko Esser aka Tripeo: Excellent album, right up my alley!
John Heckle: Thanks, some stuff I really like on here.
Marco Zenker: Sounds really dope! Thank you.
Jonas Kopp: Great stuff, will check carefully! Thanks.
Ben Sims: Plenty of great moments here, nice to hear some Detroit/real techno flavours on an album. Thanks!
Milton Bradley: Very nice tracks, 'Traffic 2 Traffic' is my fav.
Truncate: Downloading, thanks.
Donor: Really looking forward to giving this a good listen after download. Thanks.
Marcelus: Wow that's pretty... Very nice one, great tracks and the all thing makes sense, congratz!
Ben Gibson: Looking forward to having a proper listen to this.
Zadig: Really into electro stuff here, and 'Alien Pattern' is also great. Thanks.
Radio Slave: Great sounds here.

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18,70

Last In: 9 years ago
Beaner - Coopted & Exoticized Ep

We here at L A MISSION like to whip out our politics in public. We kinda get off on it. And so we're especially excited to slip you B EANER' s first solo outing on the label . From track titles to sound samples to magazine articles to packaging, this record / magazine / performance package highlights im/migration, the brown experience, and stripped identity. La Mission knows from brown. The collective is run by a crew of devastatingly handsome deviants whose racial identity is, well...it's complicated. We've lived our lives being neither white enough nor brown enough to fit neatly into racial categories. And so we took some time out from our usual exploits (like our MultiDirectional Playground Tire Swinging' orgies and Elected Candidate/Dead Pig/HungerGames slashfic) to focus on brownness. People started talking about cultural appropriation' when Miley Cyrus started twerking. We couldn't throw shade fast enough. But cooptation and exotification runs rampant in all genres of music-including dance music. We here at La Mission feel pretty fucking awkward about it. We've seen queerofcolor culture turned into whitedudebro business ventures. And as brown folks with stripped and fragmented identities, we're never sure of what culture is ours to use and abuse, anyway. Can we honor our own roots if they're messy and broken When we're inspired' by the music of other cultural groups, is that solidarity or stealing Nothing we have is whole. We can only work with the fragments we have at hand, well aware that there's unfinished business... BLACKMOUTH is the live version of the classic soul/disco sampling house tune. Take the work o f o t h e r s w h o c a m e b e f o r e y o u a n d t u r n i t i n t o a d a n c e a b l e j a m . G O T B L U E S u s e s t h e w o r k o f a b l i n d 1930s blues bongo player to form a weirdo repetitive rhythm tool: another example of using a forgotten artist for one's own gain.

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10,04

Last In: 6 years ago
Aquarius Heaven - Bato Chargé

Reaching the milestone of its 100th single/EP release, Circus Company welcomes back Aquarius Heaven with a new EP of poignant, uplifting house music loaded with a meaningful message for these transient times. It's nearly three years since Brian Brewster delivered the Parallela Mundi 12', and in that time he has been on a relentless mission to spread his unique blend of house music, Caribbean roots and psychedelic magic across the globe in a whirlwind of live performances and collaborations. In a manifestation of his well-travelled soul, these new pieces call upon traditional influences in amongst the modern motifs that Aquarius Heaven has been built on, while lyrically dealing with the pressing issue of refugees escaping conflict, poverty and famine. The proud drum throwdown and carnival bleeps of 'Bato Chargé' conceal the seriousness of its theme. In Brewster's native tongue Creole, bato chargé translates as overloaded boat. With the Caribbean as equally rooted in the history of displaced humanity at the hands of sinister powers, the groove of 'Bato Chargé' takes on a defiant, hopeful tone directly inspired by the traditional percussive music style Gow Ka. '50 Drops' by way of contrast takes on a noirish tone with its gritty, street-weary tale and nocturnal melodics played out through enchanting arpeggios and warbling leads. Cooling off the tempo and heading into a digi-dub skank that plays off Brewster's roots in reggae and dancehall, 'Marie Galante' takes those same warm synths and runs them through a low-but-heavy stepping landscape; the perfect backdrop to the vocalist's dexterous ramblings on the mic. It's not often you hear Creole New Release Information delivered in contemporary electronic music, with a rare exception being the legendary work of Tikiman et al with Rhythm & Sound in the 90s.

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6,93

Last In: 6 years ago
Fred P - Rawax Aira Series Vol. 3

Vinyl Only!
Anyone who followed the development of house music made in the usa in the last decade will certainly have met the art of Fred Peterkin aka Fred P aka Black Jazz Consortium.

His musical set phrase isn't following new trends. Fred is often simply melting shuffling percussions with elementary melodies. but he does it in a sense that the heavy used and abused phrase "deepness" finally gets a fresh truthfully new meaning.

This new project is directed by Miho in collaboration with Robert Drewek, the owner of respected label RAWAX. It is a special edition 'RAWAX - AIRA EP vinyl series".

Concept and mission will always be, to connect and invite great musicians who produce and create "essence of the real music', not following the trend but let the music speak itself with groove, melody, vibe, energy and soul....

Roland has made evolution in dance music all over the world in 80's, Music needed those machines, and machines needed those creators of music. AIRA are not rehashing of the legendary original TR or TB, But respecting those great machines from the past, AIRA continues to evolve toward into the future simultaneously, newly developed, new generations tools to keep the music alive and to bring more possibilities for the future.We seeks out this exciting movement of dance music history, as the music lover who has actual experience the flow of this evolution, and connections between musicians and machines to make their musical pieces on this project to inspire listeners and to challenge the genres they represent by each series.

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8,61

Last In: 8 years ago
Pulshar - Blood And Mathematics

Pulshar

Blood And Mathematics

12inchDESOLATLP007
Desolat
21.10.2014

Pulshar return to Desolat with another stunning long player filled with a selection of sumptuous productions that further demonstrate their grasp over intimate and deeply ethereal electronic music. Vinyl version of 'Blood and Mathematics' features the originals and instrumentals via download code, and is perfectly timed for when the days begin to draw to a close. Barcelona based duo Sergio S. Vidal and Pablo Bolivar have cemented the Pulshar name and reputation as proponents of dub-heavy, soulful and at times psychedelic electronic music. Their first Desolat long player 'Inside' received critical acclaim and effortlessly bridged the gap between the dance-floor and the home listening environment. They returned to Desolat in 2013 with a deliciously deep and trippy EP in 'Different Drum', and now continue their relationship with the label with 'Blood and Mathematics'. Pulshar continue their affair with Electro, Instrumental Hip-Hop, Dub and Psychedelia. They have distilled this to create a distinctive and soulful brand of electronic music and the new Long Player represents where the artists are in 2014. All the tracks are written and produced by them, with only Guti as a featuring artist on 'Running Away'. This has resulted in them cultivating a traditional 'album' experience where one track effortlessly segues into the next and takes the listener through a range of emotions across the record. Blood and Mathematics is a contemporary electronic music listening experience that will be revisited again and again.

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13,40

Last In: 8 years ago
Moniker - Billy D, Patrice Scott Rmx

It's always a treat here at Circus Company to be able to shed the light on a lesser known talent. After all, it's a philosophy we have built the label on, but there's no denying we need to have that personal connection with the artists whose music we release. In the case of San Francisco act Moniker, our own dear Dave Aju has a previous history with Kenneth Scott from the duo, having lent some vocals to his 2009 jam 'What Do I Do' So it is that we come to release this, the first fully fledged vinyl offering from Scott and his studio partner Emilio Orlandi after years spent treating Californian crowds to their live, hardware-driven sound. The machines definitely rule the roost in the world of Moniker, but unlike so much of the current obsession with analogue noise and the lo-fi aesthetic, Scott and Orlandi instead coax heartfelt emotion and hand-crafted grooves from an array of beat boxes and synthesisers without making any self-conscious moves to demonstrate how .undigita' they are. Instead, the music takes priority, coming forth in soothing waves of harmonious chords, captivating leads and understated drums that speak volumes for simplicity and soul within deep house. The live aspect of Moniker's mission undoubtedly shines through, manifesting itself in smart switch-ups and breakdowns, impulsive edits and subtle variations that can only result from an on-the-fly jam. Mainly though, this is an exercise in satisfaction, speaking to the same pleasure neurons that would have been tickled the first time you heard Metro Area. In keeping with the warm tones of the original material, Patrice Scott makes for a thoroughly welcome addition to the fold.

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8,36

Last In: 6 years ago
Navid Izadi - Ain't Got The Time

A musician on a mission, Navid Izadi has quickly risen from a San Francisco club kid to buzzing new one to watch. Rolling as a DJ, singer and rapper (but rarely over rap beats), and producing music that effortlessly weaves between influences, his talents are being drafted in and championed by a range of industry heavyweights. Aside from recent andupcoming vocal features for major leaguers like Deniz Kurtel, Soul Clap and close friends PillowTalk, the past year has also seen Navid remix the likes of Pezzner and Miguel Migs. The future holds much more with several EPs lined up for the 'crew love' label family (Wolf + Lamb and the forthcoming Soul Clap Records) as well as a full-length album that will see the young Renaissance man stretching his musical legs far and wide On the sublime debut EP for Double Standard Records, A-side 'Ain't Got The Time' pays homage to trippy, proto electronics but with Navid's forward-thinking attitude.

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6,37

Last In: 7 years ago
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