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A few years in the making, Dauw finally announces the reissue of the humble bee’s quietly classic morning music. Now, for the first time, the remastered album is available on vinyl, presented as a double LP, alongside a digital edition.

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:30 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, morning music served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to morning music - and with it, the hope that it will find its way to new ears as well.

Thompson Sound and Dubquake Records team up to offer O.B.F-style versions of iconic roots & rub-a-dub tracks from Linval Thompson's label. Gems from the 70s and 80s that’ve been reworked by Rico O.B.F using original recordings. Each release comes with a reinterpretation of the original vocal, dubs, and a mix with our dearly missed Nazamba pon the version!

After 'Curfew', 'Sweet Sensimilia' and 'Evening Love', here's 'Guide & Protect', the very last scorcher in this series: a reimagined version of Michael Prophet's 'Guide And Protect You', taken from his iconic self-titled album.

Special guest Mark Iration jumps on his own cut, 'Protection'. Prophet and Mark trade verses as if side by side, capturing their connection. A celebration of Prophet’s legacy. Protection brings together reggae’s past and future.

On 'Raw Born Reggae', Nazamba flows with absolute groove. It's a preview of his highly anticipated posthumous album, 'A Message from Zion', set to release in November.

First release from the EXPERIMENTAL BEAT RECORDS label, two tracks that blend techno with melodic-house produced by Disco Infinity, pioneer of Italian Techno-Progressive in the early nineties, suitable for both the most sophisticated underground club tracks and the main dancefloors.

First release from the EXPERIMENTAL BEAT RECORDS label, two tracks that blend techno with melodic-house produced by Disco Infinity, pioneer of Italian Techno-Progressive in the early nineties, suitable for both the most sophisticated underground club tracks and the main dancefloors.

2025 Repress

Portland was produced by our mate Dave Clark aka Sparky and was the first record we released in 2002, about a year before the first ever Numbers party took place.

Originally recorded live to tape using an MMT8, a Microwave II, and an ESi32 in the summer of 1998, it was released on an old label of ours named Stuffrecords and formed part of a somewhat rambling compilation called STUFF001. We hastily stuck this record out without any proper distribution, because at the time we didn't know any better. Despite this the record did pretty well, selling 500 copies to a few select stores who had faith in what we were doing.

Fast forward a year or so to when Numbers kicked off and the track became one of the first bonafide anthems in the club. It was our tune and it would tear the roof off at any of our parties.

A couple of years later, we booked DJ Pete, aka Substance, to play. We're talking about the record in the pub when he suddenly informs us that Ricardo Villalobos is crazy about it and even charted it. This was a deep, almost Drexciyan electro track and here was the king of crazy experimental minimal house music caning it in his DJ sets.

Not long after that night, the Numbers label was up and running and the idea to re-release Portland with a remix from Mr Villalobos was brought up almost as a kind of pipe-dream. Now in 2013, with a little help from Gerd Janson, it has finally happened. Recorded live in one take and clocking in at over 30 minutes long, it's cited as an "experiment" by Ricardo. Designed to play at two speeds, at 33rpm its almost like an early 90s Black Dog track stretched out to infinity, whilst at 45rpm, it's a club-ready groover with an almost Dopplereffekt rhythm to it - the sort you could imagine sneaking into a DJ Assault or Godfather Ghettotech mix. Somehow, it also manages to be classic Villalobos.

To finish off the record Dave gave us a two unheard tracks from those original Portland sessions in 1998. The malevolent electro of 'Jigsaw' would instantly have become another Numbers anthem if only Dave had let us hear it ten years ago, and closer track 'Wilson St' heads down an ambient route.

2025 Repress

The second EP of Global Pulse is brought to you by young Dutch prodigy JSPRV35. Riding a constant flow of creative energy, he originates the Kyoto EP: a solid collection of tracks that explore the full spectrum of pure and unpolluted Techno. On this record, Jasper brings it back to the essentials by mixing a minimalistic sound selection with a fast-forwarding rhythm palette, making The Kyoto EP an essential contemporary masterpiece!

Sourires is back on Saint Wax. This time with a mix of fresh sounds and disco references on one side. On the other, he delights us with the soul samples and old school beats that set him apart. To be leaving is a must-have album if you want to be transported in an instant from a dimly lit aperitif
to a sparkling dance floor.

Dabrea is the first release by Kliche, a new alias from Biri. The record features three timeless and dubwise dancefloor cuts alongside a closing downtempo roller. Steeped in lush ambiance, and with a sense of urgency echoing the exploratory energy of rave’s formative years.

Following a move to London from Berlin, these tracks were recorded early 2025 and mixed at Willem Twee Studios in Netherlands. The record represents a fresh start for the producer after stepping away from club music, seeking a freedom of expression beyond the conventions of techno.

Fusing the melodic ideations of braindance with soundsystem weightiness and a deftness of craft, Dabrea is an impressive statement that ignites new energy into the contemporary club continuum.

Two Grammy Award–winning artists joined forces for this inspired peak-hour track, originally featured on Louie Vega’s Expansions In The NYC album. The pairing of Louie’s signature house-driven percussive energy with Robyn’s instantly recognizable vocals created a moment that pushed boundaries and hinted at a future direction for the genre.

The remix package builds on that vision, showcasing a stellar line-up of some of the scene’s most innovative tastemakers—including Honey Dijon, KDA, and Dam Swindle—each delivering their own unique grooves while honoring the spirit of the original.

Call Sender is the collaborative brainchild that unites the talents of Paul Elliott, a versatile multi-instrumentalist, composer, producer, and recording engineer from Suffolk/UK and Michael Reed, a multi-talented instrumentalist, recording engineer, and drummer residing in the Bay Area/USA. Despite working together for the past four years, the pair are yet to meet in person!

After connecting on social media over their love of drum breaks and vintage reverbs Elliott and Reed fostered their creative partnership by bouncing recordings back and forth via email and this virtual collaboration resulted in their first album, the jazz-funk inspired “Lost To The Storm” (Tru Thoughts, 2023). With four singles from the album gaining radio play and becoming a favourite for tastemakers and DJs, the pair began work on the follow up “Golden Langur”. With this new record, the aim was to retain their signature Call Sender sound, a heady mix of B-movie soundtracks, classic library music and psychedelic funk and soul, but also introduce elements of lo-fi soul as well as collaborating with some of their talented friends as featured artists.

These features include fantastic instrumental contributions from the incomparable funkmaster Shawn Lee (Ping Pong Orchestra/Young Gun Silver Fox) on “Brainforests” and the legendary JJ Whitefield (Poets Of Rhythm/Whitefield Brothers) who kicks ass in two tempos on “Two Tails”. Not to mention the silky-smooth vocals from the Bay Area’s Andre Cruz, vocal duet from Lucid Paradise that is reminiscent of Gil Scott Heron and Paul Elliott’s seven year old son Buddy drops a vocal on the future B-boy classic “Rainbow”. Together Call Sender has an old-school vintage foundation with a modern perspective. Influenced by iconic acts such as Klaus Weiss, Miles Davis and Nino Nardini and with a hip and funky sonic aesthetic, Call Sender’s music is nostalgic without being pastiche, has a sense of travelling at its core, having been recorded in different parts of the globe, while never hesitating on the direction of the music.

Space Echo is proud to present the new single by Derane Obika and Go.Soul.Map., arranged and performed by Sicilian
mastermind producer Salvo Dub - an overwhelming fusion of electronic sounds and soulful vibes. This track is a balance
of pulsating rhythms and enveloping melodies, a sonic journey that invites dancing and reflection.
The production stands out with its electronic soul — a rich blend of synthesizers and deep bass lines that pull the listener
into an energetic and immersive atmosphere. Every beat is crafted to move your feet and light up even the most
sophisticated dance floors.
It’s an explosion of energy, set against the unmistakable voice of Derane Obika. With his warm, soulful tone reminiscent of
Seal, Derane brings a unique spirit to the track, infusing every word with raw emotion and deep.
Here, Derane and Go.Soul.Map. don’t just celebrate dance music — they invite the listener into a full-bodied sensory
experience, where electronic beats meet soul tradition to create something truly extraordinary.
The lyrics expresses the idea of a complete fulfilment found in someone or something essential. It suggests that this
presence — a person, an emotion, or a spiritual guide — is so fundamental and complete that everything else becomes
unnecessary.
It evokes a profound sense of connection, purpose, and clarity. Like a path that leads directly to the essence of existence,
it conveys the feeling of being guided, inspired, and grounded all at once. It is a declaration of absolute trust, of love or
devotion — where the journey and the destination fully coincide.
Side B features a new version of “Walkin’ a Dream” from the debut album “Peaceful Sound for Broken Minds”. The new
rework 25, offers us futuristic and electronic sounds with 70s and 80s disco influences, mixing with space and cinematic
themes - very interesting!

Zum Jahresjubiläum zu ”Alligator Bites Never Heal” veröffentlicht Doechii ihr Album im neuen Look.
Mit Doechiis neuem Mixtape „Alligator Bites Never Heal“ liefert die Rapperin, Sängerin und visionäre
Künstlerin Doechii 19 Tracks, die an die wöchentlichen „Swamp Session“-Folgen anknüpfen, die das Internet mit auffälligen Visuals und ebenso fesselnden Bars in Brand setzten. Mit einem aussagekräftigen Mix
aus Boom Bap, Rap und RnB zeigt Doechii wie vielseitig sie ist und überzeugt damit auch die größten
Künstler ihrer Zeit:

In a fusion of science and sound, Kalocain's debut vinyl release, "Genetic Memory," unfolds an eerie tale. "W.N.G." opens a portal to an ancient world, where forgotten tongues unveil cryptic secrets. "Genetic Memory" weaves ethereal connections between ancestral recollections and the present, warping the fabric of time. "Ivermectin" delves into the surreal realms of molecular melodies, as if sonic DNA deciphers sound's enigmas. Remixes from Normal 4, Patricia Kokett, and Jacques Satre reshape the auditory cosmos with a dash of the bizarre.

To amplify the weirdness, Evaldas Bubinas aka Hermandrowning, concocts mind-bending artwork, beckoning listeners into a realm where sound and art meld in uncanny harmony.

But that's not all! The digital copy unveils an additional original track, "Groove Drift," along with a wild array of remixes by Henry Greenleaf, Frankfurt Bass, and Dogpatrol.

"Genetic Memory" isn't just music; it's a transcendent odyssey blending the past, present, and the surreal future, with a digital twist that will leave you questioning the boundaries of sonic exploration.

LodoLand is an album performed, arranged, mixed, mastered and produced by Roberto Lodola. DJ and producer since 1982, Lodola is a pioneer of the afro, funky disco, balearic, electronic and world music sound. He alternates his performances between Italy and Ibiza, where he promotes a unique and personal style, rich in influences and contaminations that the White Island -- the capital of electronic music -- has deeply etched into his musical identity. A blend of styles and cultures that could be defined as afro balearic. Vocals on Marley Eh by Rae, vocals on Manda Toto by Sofiya Nzau, and Weya by Jelani. Percussion on Faith In You by George Aghedo.

Neben den Original Mixen auf Seite A (Dominator Sleeps Tonight & Dominator Wakes Tonight) gibt es auf Seite B zusätzlich alle Versionen der Remix Maxi Single (Bea Version, Sea Mix, Tizi‘s Love Mix)

As a preview of the upcoming release Richie Weeks' The Love Magician Archives: Boogie & Post Disco. NYC 1980–1983 Vol. 3 on Past Due Records, we’re proud to present a killer 7” featuring two previously unreleased versions of What’s In It For Me by Hot Cargo.

Hot Cargo was a fresh project Richie Weeks was developing with Salsoul Records around 1982–83, right at the height of New York City’s Post-Disco and Boogie Funk explosion. These two versions were recorded at the legendary Right Track Studios, with an all-star lineup of top-tier disco and funk musicians.

Had it seen the light of day back then, there’s little doubt that What’s In It For Me would have become a staple at Larry Levan’s Paradise Garage—and yet another major hit in Richie Weeks’ unstoppable run.

Adam Wise, you may know, is Fabulous Lover and this new record marks his first for Pete Herbert's Music for Swimming Pools. It's a mature mix of 80s-inspired Balearic electro-funk with a tropical twist straight from his Bali studio. This sun-soaked collection bridges sunset vibes and dancefloor energy with 'It's Lonely At The Top' a funky opener with a squelchy bassline and playful riffs. 'Elevate' douses you in 80s synth sounds that glow warm, and label head remixes into a more buoyant Balearic house beat. Elsewhere is the gentle swagger of 'Low Bounce' and lush synth disco buzz of 'Automatic.' Feel-good grooves, for sure.

DJ Feedback

Ed Templ�:
"Stunning release!!"

Ben Gomori:
"Another beaut from Pete, gorgeous stuff"

Dicky Trisco:
"Nice chilled Balearic vibes"

Pathaan:
"Top release! Top package!"

S/A/M:
"Chunky, squelchy delights just how we like it :)"

Mat Anthony:
"Brilliant EP of 80's infused machine funk"

Justin Deighton:
"Will be playing a selection of these"

Joey Fitzgerald:
"Nice work!"

Bill Brewster:
"It's Lonely At The Top is the best track"