Kapitän Platte will release the debut album from Belgium based band CHATTE ROYAL in March 2024. The four-piece group has already released two EPs in 2020 and 2022 and will present eight new songs on the first full-length, Diego Di Vito who is responsible for most of the songwriting on the album is also well known as the guitar player in cinematic-post-rock band We Stood Like Kings. CHATTE ROYAL is like the music of a film whose image we would have removed. Obsessions that result in powerful riffs accompanied by an impactful rhythm. This quartet travels through music oscillating between atmospheric and aggressive math-rock and melodic post-rock with a punk attitude. In a completely uninhibited style and imbued with virtuosity and energy on stage.
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ARN4L2 (pronouced arn-al-dos) aka Arnaldo Berdugo is a producer and DJ from Cartagena, Colombia. He grew up surrounded by music, namely the vinyl treasures that his grandfather accumulated as director of a local radio station in San Estanislao de Kotska, Bolívar, a Colombian Caribbean town with a large Afro-descendant population.
In his productions, ARN4L2 combines Colombian musical traditions such as Bullerengue, Chalupa and Tambora with electronic elements such as synthesizers, samplers, and drum machines, resulting in a unique sound that reflects his own, strongly African- influenced Caribbean vision.
Galletas Calientes is proud to release his first solo project on vinyl: a collection of 5 upbeat tunes for the floor, blending Congolese soukous, Colombian Bullerengue, Nigerian highlife, Caribbean soca, and House; with a uniquely distinctive, progressive and psychedelic touch.
His Colombian, Caribbean and African roots have been shaping this young producer’s personality as an artist and a human being, and the distinguished style he has developed over the years is definitely the result of all these influences.
“Caribe” is the third volume of Galletas Calientes Records “Colombian Singles Series”, a series with a purpose of awakening interest in modern Colombian electronic music.
- 01: Little Boats...with Love (Feat. Dwindl13)
- 02: Reflections
- 03: Dream Traffic
- 04: Amore (Feat. Bryan Wilson)
- 05: Sargasso
- 06: Radio Bamako (Feat. Bunk Bed)
- 07: Lazy Summer Halo
- 08: Smile (Feat. Bryan Wilson)
- 09: Teacher, Tell Me (Feat. Opoku Mensah)
- 10: Cold War Frontier
- 11: Daughter Of Ra
- 12: Forest Of Swords (Feat. Bunk Bed)
No Wahala Sound Orchestra is a contemporary, London-based collective with members from backgrounds as diverse as Jamaica, Ghana, Bangladesh, Poland, Trinidad, Denmark, Ireland and the UK.Gideon Coe ( 6Music) Neil Luscombe (BBC Radio 3) and Steve Barker ( BBC Radio Lancashire) have all offered their support over the years.
The music takes in elements of electronica, jazz, reggae, dub poetry, Afrobeat, classical Indian music and many other global sounds."On Gossamer Clouds" is a compilation of some key recordings over the last ten years. It features 12 tracks which vary in styles and mood, but form a coherent whole.
Aquasky are a trio that formed in Bournemouth in 1995, inspired by the likes of LTJ Bukem, DJ Krust and Roni Size. They were signed to Moving Shadow for a three-single deal by the strength of the first two tracks that they made together. But the label had a heavy release schedule back then, so it took 2 years for the 3 releases to come out. During that time though they wrote more music for R&S and Reinforced as well as untold remixes.
These two tracks were written whilst signed to Moving Shadow but were not released at the time as drum and bass was progressing in style and tempo. So, they were put to DAT and forgotten about until 2015 when the band put out a 20 year compilation, finding the tracks on one of their many DAT tapes.
The music will take you right back to the mid-90’s when the music was deep and rolling and there were no hard and fat rules on how to make drum & bass.
This release has a close connection to Vinyl Fanatiks as the label is run by Brent from Aquasky.
Pressed by the mighty Phil ‘The Vinylman’ East on 180g heavyweight vinyl. This release is a bespoke product as no one record is the same. Designed to look like the planet Mars and part of a 4 vinyl Cosmik series.
Keep em rollin’
Big Bill Broonzy, the dean of Country-Blues singers, puts it this
way “It’s real. Muddy’s real. See the way he plays guitar?
Mississippi style, not the city way. He don’t play chords, he don’t
follow what’s written down in the book. He plays notes, all blue
notes. Making what he’s thinking.” This album contains a dozen of
Muddy’s most successful recordings, notably Hoochie Coochie
Man, I Just Wanna Make Love To You, Louisiana Blues, Rollin’
Stone and I Can’t Be Satisfied.
Post-Punk (Originally Called New Musick) Is A Broad Musical Genre That Emerged In 1977 In The Wake Of Punk Rock. Post-Punk Musicians Moved Away From Punk's Traditional Elements And Raw Simplicity, Adopting Instead A Broader, More Experimental Approach That Included A Variety Of Avant-Garde Sensibilities And Non-Rock Influences. Inspired By Punk's Energy And DIY Ethos, But Determined To Break With Rock Clichés, Artists Experimented With Styles Such As Funk, Electronic Music, Jazz And Dance Music; Dub And Disco Production Techniques; And Ideas From Art And Politics, Including Critical Theory, Modernist Art, Film And Literature.
These Communities Have Produced Independent Record Labels, Visual Art, Multimedia Performances And Fanzines. These Three Compilations Are By No Means 'Best Of' Or Collections Of Chart Hits. They Are Compilations That Endeavour (And We Think They Do Well) To Take A Wide-Ranging Look At The UK And American Post-Punk Scene In The Years From 1978 To 1984, But Here Almost Everything Stops In 1981, Giving Space To Bands And Artists That Almost Always Didn't Make It Beyond The 45 Rpm Mark. A Representation Of The True 'Outside Of Everything' Of The Era.
- 01: In
- 02: The Big Idea (Feat. Lewis Parker)
- 03: Push
- 04: The Art Of Celebration
- 05: Tea Break
- 06: Chef Yg
- 07: Gringo Lingo (Feat. Red &Amp; Nico Suave)
- 08: I.c
- 09: What Eye See, Pt. 2 (Feat. Devise)
- 10: City Breaks
- 11: Liquid Love
- 12: Everything Is Alright
- 13: Dancing Shoes (Feat. Mr Thing)
- 14: Spit Fire (Feat. Kyza Smirnoff)
- 15: Out
First Word Records is proud to bring you 'The Essance' - the classic debut album by Essa (formerly known as Yungun), originally released in 2004, now released on vinyl & digital for the first time, 20 years on!
A lyricist, lawyer and a Londoner, legendary MC Essa has earned praise over the years from artists such as Nas and Mark Ronson, as well as performing and recording with legends like De La Soul, Wu-Tang Clan, Guru, Slum Village and Pharoahe Monch.
This 15-track album is considered one of the greats to emerge during UK Hip Hop's "golden era"; a vibrant time for the genre when artists such as Ty, Jehst, Roots Manuva, Klashnekoff, Skinnyman, Task Force, Doc Brown and Foreign Beggars were garnering huge fanbases, and an eco-system of shops like Deal Real, club nights like Kung Fu, labels like Lowlife, and stations like Itch FM were prevalent, while BBC 1Xtra was a mere infant.
'The Essance' includes production and features from luminaries such as Harry Love, Mr Thing, Lewis Parker, Kyza, Devise & Ben Grymm, to name a few.
Esteemed author Musa Okwonga says on the reissue liner notes "the most startling thing about 'The Essance' was its range. Yungun (Essa) was one of the few MCs who could perfectly walk the paths of hope and melancholy with equal ease, whose artist name belied the wisdom of his lyrics. Beyond that, his delivery was supremely self-assured, filled with a swagger he could always justify.
Yungun's gifts also extended to the stage, where he was one of the best young actors that many of his contemporaries had seen, and to languages, which saw him writing and rhyming in Spanish with a notable flourish. He was also someone who constantly walked between two worlds, excelling in one of the country's most competitive academic environments during the day and then delivering a soaring radio set by night. Raised in a vibrant vein of North London, endlessly curious about the world around him, Yungun's fine ear for music and passion for the variety of life made him someone who could reach all audiences.
'The Essance' is a beautifully-woven meditation on the human condition, one which takes you from the dancefloor to the summer afternoon barbecue to the bathroom mirror; yet it is also the opening statement of a unique career."
In the words of Essa himself "my key goal for this album was to span so many moods and styles that I couldn't be categorised, leaving me free to then go in whatever direction I chose. I was almost too successful with this – I would later struggle to pin down my own identity, both on and off the mic, as a rapper slash lawyer, of mixed-heritage, blessed to be able to enter many circles but feeling truly at home in none. As I write this, twenty years (plus a marriage and several children) on, I finally feel more at peace with being undefinable, and am getting better at bringing my full, authentic self into as many aspects of life as I can. I am grateful to be able to look both back and forward, with equal passion."
'The Essance' was followed with a collaborative album with DJ Mr Thing ('Grown Man Business'), then some years later on First Word with 'The Misadventures of a Middle Man' in 2014. There's also a forthcoming project in the works, due for release Summer 2024 with all-new material produced by Pitch 92. Both these releases also coincide with the 20th anniversary of the First Word label (named "label of the year" at the 2019 Worldwide Awards).
A timeless piece of work, 'The Essance' is true-skool boom bap through and through that stands up two full decades later, from the ethereal anthem 'Liquid Love', to the uptempo bounce of 'Dancing Shoes', to the grit of 'The Big Idea', to the thought provoking 'What Eye See Pt.2', to bangers like 'Push' or 'Spit Fire', this is an essential addition to the collection of any discerning hip hop head.
'The Essance' is due to be released on vinyl & digital worldwide on February 23rd 2024.
Crypt of the Wizard is proud to present Dipygus - Dipygus on vinyl and digital formats. Breaking bones, sucking the marrow dry and concocting its own mind-bending blend of cryptid death metal mutilations for over a decade now, Dipygus are a North American quartet powerhouse of crushing caveman gore grooves and monstrous neanderthal percussive slaughter. With already a blood hungry host of extended plays, splits and full-lengths under their gut string loincloths, Dipygus burst forth into 2024 with their self-titled third album—pushing the primitive psychosis of their sonic assault into new arenas of hallucinogenic cannibal combat. Rife with the foetid stench of mouldering mammoth corpses, Dipygus have spared no prisoners for their latest album; amping up their jungle fever dead dreams with skull smashing drumwork, monolithic bass brutality, captivating death hooks, venomous hypnotic leads, guttural flesh growls, ancient cryptid thematics and a truly diseased atmosphere, one that is as equally oppressive, as it is ferociously ominous. Freak induced fatalism from the backward fringes of time, Dipygus have once again laid morbid massacre to the audio waves and created their most potent slab of infectious caveman styled death metal to date, one that any cannibalistic monster marauder would be thrilled to sharpen their gnarled bone axes upon.
One thing is certain about the idiosyncratic J. B. Lenoir, he was a true original. No one ever sounded quite like him and despite comparisons by some writers to Arthur Crudup his high pitched vocals were pretty much unique. Although J. B. Lenoir only had one hit in the US with “Mama Talk to Your Daughter” his influence over the British blues scene was immense. In fact John Mayall was a huge fan and he helped to get his 45s released in the UK. Rocking R&B and topical social commentary all thrown in the mix. This is Chicago blues with a twist. Let’s call it Chicago blues J.B. Lenoir style. Limited edition press on 140 gram colour blue/black marbled vinyl.
Svart Records to release new album by rising stars of eclectic heavy rock, Messa on the 11th of March 2022. Messa’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, Messa have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next. New album “Close” draws us further into Messa’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.
Brixton-based David Agrella returns after the success of his Baby Ford-remixed 'Modulo 02', with two tracks and a nifty remix of each to boot. 'I Felt It Coming' is a heady peak time track, with Underground Resistance-style drum machine handclaps and an addictive synth hook and all the suspense and drama of a Stephen King horror tale. Domenico Rosa's remix turns that frown upside down, converting it into a perky, cheeky and altogether lighter workout that nevertheless will keep feet on the dancefloor. 'Reflexion Nocturna' (Priori remix) kicks off the B-side with fizzling dub techno stealth, subtly embellished with a smidgeon of 'Funky Drummer' breakbeat, while Agrella's original closes proceedings with head down, echo-set Leftfield-style prog house skank. Not for nothing is this chap known as one of the techno scene's fastest rising new names.
- A1: Armin Van Buuren - Am I Ai? (A State Of Trance Year Mix 2023 Intro)
- A2: Gareth Emery - Missing You (Feat Maria Lynn)
- A3: Above & Beyond - 500
- A4: Armin Van Buuren - Love Is A Drug (Feat Anne Gudrun)
- A5: Dim3Nsion - Stronger Now
- A6: Armin Van Buuren & Matoma - Easy To Love (Feat Teddy Swims - Tanner Wilfong & Assaf Remix)
- A7: Estiva - Via Infinita
- A8: Aname - Escape
- A9: Super8 & Tab & Crowdplusctrl - Incomplete (Feat Jess Ball)
- A10: Miss Monique & Avira - Subterranean (Feat Luna)
- A11: Laura Van Dam - Needing You
- A12: Maor Levi & Magnificence - Let You Go
- A13: Kasia - Universal Nation
- A14: Hel Slowed & Amber Revival - If You Only Knew
- A15: Aname - Anywhere (Road Trippin’) (Road Trippin’)
- A16: Armin Van Buuren - Dayglow (Feat Stuart Crichton)
- B1: Dekkai - Firmament
- B2: Armin Van Buuren - In & Out Of Love (Feat Sharon Den Adel - Innellea Remix)
- B3: Orjan Nilsen - 9910
- B4: Armin Van Buuren - Motive
- B5: Chicane - Saltwater (Feat Moya Brennan - Ilan Bluestone Remix)
- B6: Seven Lions & Above & Beyond - Over Now (Feat Opposite The Other)
- B7: 7 Skies - Tokyo777
- B8: The Blizzard - Kalopsia (Matt Fax Remix)
- B13: Dim3Nsion - Adagio In G Minor
- B14: Giuseppe Ottaviani Vs Alex Sonata & Therio - Tears Of The Kingdom (Feat Tishmal)
- B15: Giuseppe Ottaviani & Ilan Bluestone - Futuro
- B16: Hel Slowed & That Girl - Hold Onto This
- B17: Gareth Emery - Vertigo (Feat Sarah De Warren)
- C1: Ahmed Helmy - Glitch
- C2: Ferry Corsten - Mind Trip
- C3: Cubicore - Bifrost
- C4: Lostep - Burma (Aname Am Remix)
- C5: Armin Van Buuren - Vulnerable (Feat Vanessa Campagna)
- C6: Ahmed Helmy - R4Ve 201
- C7: Achilles & Wintersix - Night Vision
- C8: Fergie - Here Comes That Sound
- C9: Dod - So Much In Love (Armin Van Buuren Remix)
- C10: Ferry Corsten - Yes Man
- C11: Ahmed Helmy & D72 - Analogy
- C12: Ben Gold & Ruben De Ronde - Bliksem
- C13: Bryan Kearney Vs Karney - Compromise
- C14: Achilles, Semblance Smile & Sharon Valerona - Never Lost
- C15: Orjan Nilsen - Xiing (Nilsix Remix)
- C16: Maarten De Jong, Frank Spector & Luca Morris - Minuetto
- C17: Asteroid - Free
- C18: Murzo - Kiss The Night
- C19: Xijaro & Pitch - Invisible (With Adara)
- B9: Luke Bond Vs M6 - Nexus
- C20: Bryan Kearney & Bo Bruce - Shine A Light
- B11: Eelke Kleijn - Time Machine
- C21: Paul Van Dyk & Ciaran Mcauley - Someone Like You
- D1: Paul Van Dyk, Marc Van Linden & Sue Mclaren - Beautiful Life (Shine Ibiza Anthem 2023)
- D2: Miyuki - Love Again Like That (Feat Tara Louise)
- D3: Xijaro & Pitch - Chasing Dreams
- D4: Binary Finary - 1998 (Victor Ruiz Remix)
- D5: Emma Hewitt Vs Roman Messer - Fallen
- D6: Will Rees Vs Asteroid - Exhilarate
- D7: Artento Divini Vs Davey Asprey Presents Adda & Ontune - Divas
- D8: Whiteout - Adsr
- D9: Mhammed El Alami - Healing
- D10: Ciaran Mcauley & Susie Ledge - You’re Never Alone (Uplifting Mix)
- D11: Driftmoon - Feel The Waves
- D12: Allen Watts & Rene Ablaze - On My Way (Feat Cari)
- D13: Xijaro & Pitch - Time (With Cari)
- D14: Trance Wax - Artificial Intelligence
- D15: John O’callaghan - Riverside
- D16: Alex Morph & Amy Wallace - Surrender
- D17: Allen Watts - Set Me Free
- D18: Giuseppe Ottaviani - Angel (Feat Faith - Yelow Remix)
- D19: Aly & Fila Vs Chapter 47 Vs Richard Bedford - Edge Of Tomorrow
- D20: Sneijder Vs Cari - You Take My Breath Away
- D21: Ben Gold - Follow The King (Feat Madelyn Monaghan - David Forbes Remix)
- D22: Solarstone - Solarcoaster (Maarten De Jong Remix)
- D23: Daxson - Who We Are
- D24: Giuseppe Ottaviani - To The Stars (A Dreamstate Anthem) (A Dreamstate Anthem)
- B10: Uufo - Energize
- B12: Armin Van Buuren & Punctual - On & On (Feat Alika)
- D25: Haliene - Reach Across The Sky (Ben Gold Remix)
- E1: Trance Wax - Ascend
- E2: Emma Hewitt Vs Xijaro & Pitch - Everlasting
- E3: Craig Connelly & Christina Novelli - Black Hole (Giuseppe Ottaviani Remix)
- E4: Andrew Rayel - One More Memory
- E5: Craig Connelly - Nathan’s Song
- E6: Armin Van Buuren, Ferry Corsten, Rank 1 & Ruben De Ronde - Destination (A State Of Trance 2024 Anthem)
- E7: Ardi - Mystical
- E8: John Askew - Aces Hi
- E9: Giuseppe Ottaviani - Conscious Mind
- E10: Armin Van Buuren & Just Us - Make It Count
- E11: Bk - Xtc Nation
- E12: Bryan Kearney - Encanta
- E13: Somna & Sarah De Warren - Satellites (Will Atkinson Remix)
- E14: Emma Hewitt Vs Daxson - Warrior
- E15: Craig Connelly & Haliene - Other Side Of The World
- E16: Ram & Cari - What Matters
- E17: Sneijder Vs Nat Conway - Everybody’s Free
- E18: John Askew - Running In The Dark
- F1: Ben Gold - Ultrasonic (Maarten De Jong Remix)
- F2: Armin Van Buuren - Computers Take Over The World (Maddix Remix)
- F3: Will Atkinson - Cosmic Heartbreak
- F4: Armin Van Buuren Vs Xoro - God Is In The Soundwaves (Feat Yola Recoba)
- F5: Armin Van Buuren & Vini Vici - When We Come Alive (Feat Alba)
- F6: Bk - You Are The Master
- F7: David Forbes - Dreamstate
F8 . Liam Melly - Energy
F9 . Armin Van Buuren - Space Case
F10 . The Obsessed - Free Yourself
F11 . Ie Shuuk & B Stylezz - Konje
F12 . Armin Van Buuren - Lose This Feeling (Maddix remix)
F13 . Armin Van Buuren - Lose This Feeling (Dimension remix)
F14 . Armin Van Buuren - AI Vs Humanity (A State Of Trance Year mix 2023 outro)
- A1: Pushing Feat Derane Obika
- A2: Right Of Me Feat Derane Obika (On My Dace Side Version)
- A3: Back In The Underwater Feat Reiwa Pia
- A4: Walkin’ A Dream Feat Derane Obika
- A5: Hold The Line Feat Derane Obika
- A6: Cat With Camera
- B1: Fall Into The Flame Feat Derane Obika
- B2: I Am Believe Feat Derane Obika
- B3: Don’t You Worry Feat Derane Obika
- B4: Are U Ready? Feat Derane Obika
- B5: Watergate Feat Manuela Amalfitano
- B6: I Am Believe Feat Derane Obika (Dreamy Vibe)
The debut album by musician and producer GO.SOUL.MAP. is a little gem in which pop and soul intersect and the clichés between
mainstream and underground leap. A sexy and pensive nocturnal journey, immersed in thirteen songs between soft bass and space disco trips, with the voice of Londonbased Derane Obika of Living Sounds.
The selection of songs in this album were made with the hope to bring the listener to deep thought, the lyrics and melodies seamlessly
married to tracks that drive the listener's emotions.
Produced, written and performed by Derane and Salvo, they came together by chance and were inspired to make the album making
sure to balance the sound between the Lyrics, Melody and Music to insure that not only the songs are heard but the experience
remembered and both spirit and soul are touched.
The album is truly "Music From The Heart"
Behind the alias GO.SOUL.MAP. hides one of the most authentic and purest talents of the current Catania music scene. Of which,
moreover, under other guises and names, he has been an indispensable pillar for over a decade. An artist of immediate sensitivity, not only artistic. His training is fairly canonical: as a child, he studied piano. From there, as if following the movements of concentric circles, the passion for synths, drum machines, the world of samples and the recording studio. Above all, an uncommon ability to breathe in music. Accepted and found without prejudice, but always with the need to reveal a distinctive track, a signature. Touring between bars, streets, concerts and clubbing. An experience very consistent with the subject matter of this disc. Which is, in fact, the debut of a nonrookie. An ambitious record, because it possesses a sound that is as sexy as it is thoughtful and a writing style, exemplary, that lies on that borderline that, in the stereotype, defines underground and mainstream. Fields that instead it crosses naturally and between which it moves without any particular problems. After all, the music comes not from the malice of the intellect but from the nuances, tender or vehement, of naivety.
Peaceful Sound For Broken Minds is a pop record, pop soul, of modern urban pop. Yes, labels, even in the sense of tags, are definitely that. Of course, it is the way in which ideas are rendered that makes the difference. The record is about the need to find one's peace, but it is the fall that it shows and not the landing. With honesty and, above all, style. That is, mastery of means and an important file work with which to decline that therapeutic soul pain in which his songs are immersed.
We wait for hours more, the initial Fall Into The Flame and I Am Believe seem to tell us from there we move on. Hold The Line is where trip hop forgets itself, immersing itself, to the point of blurring, with the retro atmospheres of someone like Curtis Harding. Pushing has a space disco cadence that, more pronounced, we also find in the lunar expedition sound of Watergate. The exotic visions of Back In Underwater, between the stardust of Air and the innocence of Plone, become more jazzy in Cat With Camera. Just as in the urban streaks of Don't You Worry, which in upbeat mode would sound like a great reggae song, or Are U Ready, or in the disco funk of Right Of Me, the soulful accent of Derane Obika of Living Sounds emerges, a Londoner of Nigerian origin who grew up listening to gospel, Prince and Stevie Wonder, whose voice guides us through the songs of Peacefull Sound For Broken Minds. Which is a new point for that work of redefining the standards of pop today that Space Echo is doing. Throwing the clock overboard, because the time it wants to capture is nothing more than the movement of its hands.
After capturing the attention of audiences, DJs worldwide and the media with the brilliant "Flight Of Sagittarius", Brazilian Diogo Strausz, signed to Parisian label Goutte d'Or Records, presents : Samba From Outer Space This second opus takes us on a journey through time and style, from jazz-funk to dance music and Afrobeat, invoking masters such as Caetano Veloso, Giorgio Moroder or Tony Allen.
"This idea of "Samba From Outer Space" comes from dance music being a universal language beyond electronic but mainly a form of gathering people together in the same frequency." says Diogo. We could summarize everything in "Electronic dance music is nothing but samba from outer space."
The third album by RICO FRIEBE is a clearance, an outcry, an universe within itself, a hope and a message at once – sending out ANTHEMS FOR A LOST GENERATION!
After his preceding albums of intimacy WORD VALUE and FACES MEET, based on personal tragedies and the accompanying struggles, RICO FRIEBE has something to tell to a whole generation and delivers ten radiant and distinct top-notch productions that find a most modern and futuristic sound within different styles of pop music while his soft and emotive voice is hovering above all.
Originally, ANTHEMS FOR A LOST GENERATION has been recorded as an acoustic double-album, but RICO FRIEBE threw it all out, wrote new songs and found a truly more fitting sound after he realised that there could only be one musical outcome to tell these stories: Songs like BAD SEED, I LIKE MEMES, REDO, GAMES or LAZY, BORED AND SAD are milestones of capturing a complete zeitgeist and beyond. Each line within the lyrics is taken from close and personal experiences and interactions that made him undergo a whole spectrum of emotions, creating deep worries and sadness, but also a far hope.
Feel lost? Be found! With ANTHEMS OF A LOST GENERATION...
Da Buze BruvazpresentsClever 1 X Lord Beatjitzu
Master Sip, Legendary teacher of Bruce Lo Da First Drunken
Grilchy Party presents another epic from Da Buze Bruvaz own Clever 1 and mysterious production wizard Lord Beatjitzu. This new adventure follows where the last one, Perverted and Drunken, left off. They have cooked up another album following the footsteps of their classic Perverted and Drunken LP. This new adventure follows where the last one left off. Introducing Master Sip, Legendary Teacher Of Bruce Lo Da First Drunken. It is illuminating one of the many chambers of their Drunken Fly Chi style, the martial arts mind states of Clever 1 and Lord Beatjitzu combining as the "Fly Chi School Of Da Drunken Artz". The duo pops the listener in the face With vicious, bloody Nunchuck Lyrics over high-velocity, swift kick-in-the-chest production. With these seasoned masters of their perspective arts, they form a powerful, unstoppable combo and truly take no prisoners in this Action-Packed sophomore foray. It's a pure Saturday morning Kung Fu sound theater where Wing Chun enters the world of Drunken Fist on Wax. Beware as you enter the Dojo and watch your step!
Oxblood & Blood Red[42,82 €]
Full of collaborations with fellow artists, incl. Thor Harris, Meredith Yayanos, Matt Lebofsky, Dominique Leroni Persi, & members of Kitka Eastern European Women’s Choir. RIYL: Primus, King Crimson, Frank Zappa, Mastodon, Bauhaus. After thirteen years of hibernation, Sleepytime Gorilla Museum, the most gloriously uncategorizable American band in existence, has emerged from stasis to proudly announce the imminent release of their fourth studio album, of the Last Human Being. The album marks the first release of AVANT NIGHT - a new imprint headed by Nick Ohler and facilitated by Joyful Noise Recordings. Sleepytime Gorilla Museum, comprised of multi-instrumentalists and rotating vocalists Nils Frykdahl, Carla Kihlstedt, Michael "Iago" Mellender, Matthias Bossi, and Dan Rathbun, plays an arsenal of instruments ranging from the somewhat standard (drums, electric guitars, bass, electric violin) to the rare (bass harmonica, nyckelharpa, marxophone) to the homemade (Slide-Piano Log, Electric Pancreas, Pedal-Action Wiggler). The group has consistently evaded easy categorization, garnering accolades from across the aisles of contemporary classical music, prog rock, industrial music, metal, avant-garde improv, and more. Their music, in turns bashing and bucolic, enveloping and unsettling, tends towards long-form epics interspersed with mysterious field recordings. "As this slow-rolling planetwide Anthropocene Extinction event deepens, Sleepytime's work has only grown more resonant, more prescient," offers Mer Yayanos, current symposiarch and secretary of the Museum's long standing social math club, the John Kane Society. "What better time for them to Bring Back the Apocalypse than right now, with a new full-length record that integrates the past and the future?" "SGM creates a cohesive statement of virtuoso metal musicianship with the avant garde focus of an art-rock collective." Pitchfork // “I love this style of music –it has great power, great musicianship and great bass playing by Dan Rathbun, sometimes on instruments he built himself. One thing you gotta love about music: this band may have been influenced a bit by King Crimson, but then I, a member of King Crimson, was very much influenced by them” Tony Levin (bassist, King Crimson
Gold Nugget[42,82 €]
Full of collaborations with fellow artists, incl. Thor Harris, Meredith Yayanos, Matt Lebofsky, Dominique Leroni Persi, & members of Kitka Eastern European Women’s Choir. RIYL: Primus, King Crimson, Frank Zappa, Mastodon, Bauhaus. After thirteen years of hibernation, Sleepytime Gorilla Museum, the most gloriously uncategorizable American band in existence, has emerged from stasis to proudly announce the imminent release of their fourth studio album, of the Last Human Being. The album marks the first release of AVANT NIGHT - a new imprint headed by Nick Ohler and facilitated by Joyful Noise Recordings. Sleepytime Gorilla Museum, comprised of multi-instrumentalists and rotating vocalists Nils Frykdahl, Carla Kihlstedt, Michael "Iago" Mellender, Matthias Bossi, and Dan Rathbun, plays an arsenal of instruments ranging from the somewhat standard (drums, electric guitars, bass, electric violin) to the rare (bass harmonica, nyckelharpa, marxophone) to the homemade (Slide-Piano Log, Electric Pancreas, Pedal-Action Wiggler). The group has consistently evaded easy categorization, garnering accolades from across the aisles of contemporary classical music, prog rock, industrial music, metal, avant-garde improv, and more. Their music, in turns bashing and bucolic, enveloping and unsettling, tends towards long-form epics interspersed with mysterious field recordings. "As this slow-rolling planetwide Anthropocene Extinction event deepens, Sleepytime's work has only grown more resonant, more prescient," offers Mer Yayanos, current symposiarch and secretary of the Museum's long standing social math club, the John Kane Society. "What better time for them to Bring Back the Apocalypse than right now, with a new full-length record that integrates the past and the future?" "SGM creates a cohesive statement of virtuoso metal musicianship with the avant garde focus of an art-rock collective." Pitchfork // “I love this style of music –it has great power, great musicianship and great bass playing by Dan Rathbun, sometimes on instruments he built himself. One thing you gotta love about music: this band may have been influenced a bit by King Crimson, but then I, a member of King Crimson, was very much influenced by them” Tony Levin (bassist, King Crimson
Termination is an album inspired by the halting problem in computer theory, i.e. whether the program will finish running or continue to run forever. The halting problem is undecidable, meaning that no general algorithm exists that solves it. This is true also for human life, as it goes up and down and one can’t program it, because simply you cannot predict the future, and even if we could there are so many variables that can easily f*ck up any sort of forecast. Modern Stars is an Italian neo psych rock band which showcases a unique musical style characterized as instinctive, flickering, fuzzy, aerial, groovy, bizarre, distorted, harmonious, and dissonant. Influenced by bands like Spacemen 3, Primal Scream, Suicide, and lesser known musicians. Termination is Modern Stars' fourth studio album, following Silver Needles (2020), PsychIndustrial (2021) and Space Trips for the Masses (2022).
For the sixth release of Stolen Goods Records, Lele Sacchi welcomes back Rogue D and Ruff Stuff for the first ‘B2B’ EP on the label, a shared release consisting of five top draw house tracks following their appearance on the Stolen Goods VA that launched the label in 2022.
First up, Snatch! & Classic Music Company artist Rogue D unveils ‘The Vibe’, a track of real style featuring the voice from London mainstay Joe Le Groove. The track is remixed by JOB AKA Jack On Black, an alias of Joe Le Groove and Jib Rafill, who join forces to infuse the original’s deep and groovy classic house vibes with acidsoaked psychedelica. Next, Ruff Stuff kicks off the B-side with ‘The Gathering’, a slow-burning chugger with smooth chord stabs and a
retro vocal sprinkled on top. This is before the Sloth Boogie, Shall Not Fade and !K7 artist finishes on ‘Brighter Mood’, a high-energy dub and acid track destined for late evenings and early mornings.



















