Wildflower is a trio comprising Idris Rahman (sax), Leon Brichard (bass) and Tom Skinner (drums).
The trio takes you on an intense, meditative and spiritual musical journey that embodies the spirit of freedom. Based around hypnotic grooves laid down by Brichard’s unswervingly solid bass lines, drummer Skinner plays around artfully with the beats, grooving hard in constantly shifting, unexpected turns of rhythmic play. Rahman’s contributions range from subtle conversational interplay to loudly expressed angry passion to the most delicate of whispers, conveying a depth of emotion and a deep sense of musical structure withIn an ever changing sea of musical conversation.
Using simple, arresting melodies as a starting point, the trio create freely improvised waves of emotion ranging from powerful climaxes to hauntingly beautiful breath-like passages and everything in-between, creating unique forms and structures that react to the acoustics and the atmosphere of the situation.
Taking inspiration from the spiritual jazz pioneers such as John and Alice Coltrane, Pharoah Sanders, Yusef Lateef and Sun Ra, compositional influences range from Gnawa music to modal jazz to Bengali folk music but the scope is wider still and the important unifying factor is the spontaneous communication and interplay between the three musicians. Rather than having a tight rigid structure, the tunes are allowed to breathe and develop into new unexplored forms, allowing fresh interpretations that make each performance a unique experience.
The album is a collection of live and studio recordings that have been recorded and mixed by the band.
Buscar:mod x
Sonic chaotic, tender terror. On New Stone, Lithuanian producer Kamile Rimkute a.k.a. Caline with C dazes and uplifts us with her reflective post-modern electronics. This album is a personal long-term project in the making, one of auditive self-expression, treading across themes such as adventure, love, discovery and grounding.
The album is driven by Kamile's interest in futuristic boundary-crossing music and intersectional feminism, as well as her studies in Sonology. With an advanced skill for composition, sound synthesis and her knowledge on the totality of sound, she claimed the means of production, as New Stone is all produced, mixed and mastered by herself.
New Stone was recorded in a period of two years that started in 2020 and incorporates highlights of her landmark livesets ever since. New Stone is full of concocted emotion that sustains and releases through her trademark of stark contrasts - triplet-driven, jolted yet angelic atmospheres - resulting in a tangible, body-driven sound.
Interweaving her vocals near the final salvo, this album marks the end of a creative cycle and start of a next, allowing her personal touch to seep through her art more and more. Embarking from home ground, stepping on a new stone.
Debut album by Akane, a new bedroom solo project by Tenerife's Carolina Machado - best known for her role as drummer and singer in space rock psychedelic outfit Gaf y La Estrella de la Muerte.
Cooked and slowly matured over the last couple of years, Carolina opens up her heart to present an intimate collec-tion of dreamy avant pop songs under the banner title Night-Time Birds.
With various nods to David Lynch’s dreamlike imagery and weird americana landscapes, Carolina gracefully merges her own local sensibilities to re-imagine a panoramic, fictional soundtrack to an unmade road movie, creating a per-sonal musical language made up of vintage pop songs, lush ambient soundscapes and West Coast lo-fi electronica. Her pursue of sonic exploration through modular synthesis techniques pushes her sound further out into a wider realm as she blends exotic alien-like melodies with her trademark soothing, shoe-gaze style voice. An album that seems to be floating gracefully and frozen in time…
The album’s seven tracks were recorded live during her performance in a disused gas tank at the Keroxen festival in 2022 and counts with the special collaboration of her bandmate in Gaf César Chinarro on guitar. No doubt, Night-Time Birds is not the last we’ll hear from Carol demonstrating once again the varied and eclectic creative energy currently flowing from the Canary archipelago shows no sign of slowing down.
repress !
First vinyl slice of the year and a brand new act onboard: El Joven Prisionero. We have been told that this project is made by two well known experts: Oscar Mulero and Another Machines.
About the music, three cuts on vinyl and four on digital, all named in Spanish to add more confusion for the non speakers.
El Joven Prisionero opens the EP in a gymnastic mode, solid kicks, an energized raw sequence setting things up and a mutant structure. A proper bullet for the post restricted dancefloors when ready.
Agitate incides directly on the most sensible parts of your mind and sound receivers, hysterical synth lines running over a shuffled beat and random resonant bleeps. Another physical exercise of abstract dancefloor weaponry.
Extrano Mundo follows, an elastic beat runs alone on the first bars, soon joined by martian and asymmetrical sequences growing from below. Additional percussive layers complete the equation, that as always is wisely administered on an intelligent arrangement.
Italian DJ and producer DIMMISH is one of the most appreciated artists of the high energy, yet minimal panorama thanks to his innovative sound and style. He began studying Sound Engineering and Music Technologies at Scuola di Alto Perfezionamento Musicale, and then embarked on the path of music production.
Later his passion for analog synths and modular systems prompted him to experiment more until he found his own sound and musical imagery. This four-track EP is nothing short of his high-energy, up-beat, groovy flavour. ‘Orbit’ kicks things off with dubby effects and a deep bass power, ready for any peak dancefloor moment.
Continuing to ‘Lemon Life’, which squeezes soft synths over an understated house groove. ‘Singularity’ has a slightly tougher feel, with the chugging bassline and rolling synths for a darker club side. Finally concluding with ‘Dissolve’, a delightfully deep and breezy minimal dub house roller with pensive chords draped over hypnotic lyrics.
With distorted arpeggiated synthesisers and cold metallic drum-machine patterns, William Wiffen from Yorkshire invites you to his sonic warzone. Höga Nord Rekords proudly presents RED (Rapid Ear Damage), a stripped and harsh take on postpunk, motorik and EBM. With haunting and reverbdrenched synthesizers, Wiffen’s new project sometimes resembles acts like Two Lone Swordsmen in their dirtiest moments.
RED is not a wholesome and pleasant experience. Heavily modified vocals, used more like an additional instrument, breaks through the distorted, hard, backbeat, contributing to the feeling of being trapped in a mental slit trench or bomb shelter: no light coming in – only sound. Set the controls for the heart of the void.
- A1: Roman Holiday
- A2: Come On A Cone
- A3: I Am Your Leader (Feat Cam'ron & Rick Ross)
- A4: Beez In The Trap (Feat 2 Chainz)
- A5: Hov Lane
- B1: Roman Reloaded (Feat Lil Wayne)
- B2: Champion (Feat Nas, Drake & Young Yeezy)
- B3: Right By My Side (Feat Chris Brown)
- B4: Sex In The Lounge (Feat Lil Wayne & Bobby V)
- B5: Starships
- C1: Pound The Alarm
- C2: Whip It
- C3: Automatic
- C4: Beautiful Sinner
- C5: Marilyn Monroe
- D1: Young Forever
- D2: Fire Burns
- D3: Gun Shot (Feat Beenie Man)
- D4: Stupid Hoe
Pink Friday: Roman Reloaded, also known as Roman Reloaded, is the second studio album by Nicki Minaj. Looking to transition from her debut studio album, Pink Friday (2010), Minaj wanted to make a follow-up record about “just having fun”. Stylistically, the album is divided by a first half of hip hop tracks and a second half of dance-pop songs.
Internationally, the album peaked at number one in Canada and the United Kingdom, and reached the top five in Australia, Ireland, and New Zealand.
The album was promoted with six singles. Its lead single “Starships” peaked at number five on the US Billboard Hot 100. Follow-up singles “Right by My Side” and “Beez in the Trap” experienced moderate success on the Hot R&B/Hip-Hop Songs component chart. “Pound the Alarm” and “Va Va Voom” peaked at numbers fifteen and twenty-two on the Billboard Hot 100, respectively. “Automatic” was released as single only in French. The album was additionally promoted through the Pink Friday Tour and the Pink Friday: Reloaded Tour, which visited North America, Asia, Europe, and Oceania throughout May and December 2012.
Expanding an ever-evolving discography of cutting edge minimal house and techno, Modeight adds another brilliant release to the fold. This time beamed in from Spain-based groover Loopdeville.
People familiar with his work on Bodyparts, Rotate and his own imprint Delooped, will certainly be excited to wrap their ears around this freshly minted three-tracker. Opening with the low-slung, breakbeat jam 'Incase', Loopdeville injects his characteristic funk and fun-loving vocal flair into the A-side cut. Creating an irresistible dancefloor destroyer.
On the B-side, we begin with the swooning tones of 'Cleansing'. Lacing airy atmospherics and tonal key strokes over a seductive bassline roll. Finally B2's 'The Bounce' is every bit as elastic as its title suggests. With a buoyant breakbeat rhythm underpinning stuttered vocals, and ghostly tonal dissonances. Back with the fire once more, Loopdeville has found the perfect platform on Modeight for his enigmatic.
Erstes Soloalbum des Queenryche Sängers Todd La Torre. Die durch die Pandemie verschobene Queenryche Tour bot Todd La Torre die Gelegenheit,das lang geplante Soloalbum zu verwirklichen. Todd tat sich mit seinem langjährigen Freund Craig Blackwell zusammen. Wie bei Queensrÿche's The Verdict spielte La Torre Schlagzeug und übernahm die Vocals, Blackwell spielte Gitarre, Bass und Keyboards. La Torre und Blackwell produzierten das Album selbst, zogen jedoch Queensrÿche- Produzent Zeuss hinzu. Gastauftritte von Jordan Ziff (Age Of Evil, Metalhead, Ratt) und Al Nunn. Insgesamt zeigt sich der Solo-Output vielseitig, ohne die progressive Basis von Queensryche zu vernachlässigen. Die Grundlagen sind allerdings mehr im klassischen Metal verortet und werden mit verschiedenen Einflüssen kombiniert. . Der Opener "Dogmata" oder "Vanguards Of The Dawn Wall" kommen mit mächtig Speed um die Ecke und mixen Heavy mit Speed und Thrash. "Pretender" erhält einen leichten epischen Touch und La Torre bewegt sich stimmlich in überraschende Höhen. Metallisch klassisch wird es mit "Hellbound And Down", dem starken "Vexed" und "Rejoice In The Suffering". Der progressive Part kommt bei "Darkened Majesty", "Apology" oder "Critical Cynic" zum Tragen. Die Balladenfreunde hören in "Crossroad To Insanity" rein.Zum Schluss gibt es mächtig dunkle Töne zu entdecken - "One By One . Craig Blackwells Gitarrenspiel setzt den Gesang von La Torre musikalisch perfekt in Szene. Todd findet sogar Vocals, die noch nie zuvor von ihm gehört wurden, wie auf dem Titeltrack und dem bestechenden "Vanguards of the Dawn Wall" zu hören ist. 2021 nur in den USA veröffentlicht, macht ROAR dieses Juwel nun endlich auch in Europa erhältlich, zusätzlich in 2 luxuriösen Vinyl Versionen. "Rejoice The Sufffering"ist ein herausragendes Opus von einem spät berufenen Sänger, der völlig losgelöst beweist, wie man eine wuchtig-moderne und vitale Metal Scheibe schreibt, arrangiert und produziert Für alle Queensryche Fans und Liebhaber des klassischen Metal.
It's been a while since we last had an all-Polish collaboration as part of a single release, but here we are! And what a collab it is! We're bringing to you two of our long-time favourites - Mateusz Dudzinski aka SNIK and Piotr Kalinski aka Hatti Vatti. The occasion? Well, we don't want to spoil too much but there some fresh stuff by SNIK on the horizon, and to shake things up a bit, we decided to release Hatti Vatti's remix of SNIK's track that will be available as part of something bigger in some time first.
The track is called "Absence", but the title is actually a lie - you'll find no absence of solid jungle vibes, riveting synth samples, dubby basslines, and classic vocal bits spread across the entire track. Think autonomic blended with modern-day jungle and you'll get the idea.
- A1: David
- A2: Loquillo Feat Caramelo De Cuba
- A3: Guajiro Italiano Feat Dany Noel
- A4: Georgina’s Rumba Feat Jorge Pardo
- A5: Las Olas Del Ma Feat Aroa Fernández
- B1: El Miramar Feat Kilino Y Joni Jiménez
- B2: Twanguero Gitano Feat Rafita De Madrid
- B3: Acacias Feat Alain Pérez
- B4: Tema De Vero, Cami Y Coni Feat Ismael Maitin
- B5: La Media Naranja Feat Frederlyn Mayora
Georgina's Rumba is a magnum opus in the field of latin music in the broadest sense. Gabriele Deiana Sardinian guitarist, composer, arranger, producer and lyricist brings together 36 musicians for this work, including the winners of the Latin Grammy 2021 Alain Perez and Ivan "Melon" Lewis. 15 Cubans, 12 Spanish gypsies, 5 Spanish and 3 Venezuelans give life to a musical biographical journey that ranges from latin jazz to bolero, salsa, flamenco-jazz, tropical, nordic
argentine style, son montuno and modern flamenco.
The record also features former members of the Paco de Lucia sextet including Jorge Pardo and Carles Benavent. The best of the best of each genre. The vinyl format is gatefold and contains a 6 pages insert 30cm x 30cm with photos and the history of the album.
A true and fascinating novel in that began in 1992. The cover is a hand-painted watercolor by the illustrator Gianluigi Concas and contains an encrypted rebus that can be solved by reading the novel in the insert.
TAKAHIRO MUKAI is a Japanese electronic music composer who has about 60 official releases to his name. This is 8 pieces of brooding, modular electronic, rhythmic hypnosis from a contemporary maestro of the experimental electronics tape circuit underground.
We’re honored to publish another chapter of his ever-evolving communique with machines. Early DJ support by DJ Voices. Inorganically mesmerizing, full of shadows, plumbing the depths of modular telekinesis…perhaps “Out Of Place” for some, right in time for the deep listeners….
Limited edition of 100 professionally dubbed and manufactured C50 cassettes.
Mastered by Dietrich Schoenemann.
Design by Nick Owen.
Distributed by One Eye Witness.
Spanning a decade of sophisticated funk from the Motor City, two midtempo picks from the crates of Mr. K get his trademark classy edit treatment on this Detroit-themed 7-inch.
G.C. Cameron was a solid singer in the Motown stable, a vocal chameleon whose range extended from clear tenor to soaring falsetto. Though this agility is most easily heard via his lead vocal on the Spinners’ “It’s A Shame,” he shows off the same versatility in the rare groove classic “No Matter Where,” a 1973 Curtis Mayfield-esque burner that’s the subject of Mr. K’s latest release on Most Excellent. For Krivit this has been a lesser known & hard to find floor filler for years. Intro cleanly extended, now ready for the big stage and modern club play.
Our flip side stays in midtempo, rare groove Detroit territory but jumps ahead a decade to the early ’80s with Candye’s “Time Is What You Need.” Candyce Edwards got her start in the Detroit funk powerhouse One Way (her predecessor was Alicia Myers) and soon became connected with the group’s wunderkind songwriter/multi-instrumentalist Kevin McCord. McCord had already taken Myers to the top with “I Want To Thank You,” and seeing if lightning could strike twice with Edwards. Although only resulting in this solo debut, time and the untiring excavations of latter-era vinyl junkies have subsequently made her collaboration with McCord (a union that briefly included marriage) a sought-after boogie gem in the rough. Mr. K plucks perhaps the most winsome LP-only cut and subtly extends intro and outro to provide a useful 7-inch version that should get plenty of warm weather play.
Both tracks have been carefully remastered for this release & have never sounded better.
2025 Repress
Beste Modus, we_r_house and Unison Wax co-founder Cinthie launches her new imprint Crystalgrooves this October with three raw House cuts.
Berlin's Cinthie has long been a respected figure in the underground electronic music scene of Berlin and further afield, heading up the Beste Modus and we_r_house imprints, as well as Unison Wax alongside Diego Krause amongst holding a residency at the infamous Watergate club in her hometown and recently opening her new record store in Friedrichshain, Elevate. It's clear to see electronic music scene plays a huge part in Cinthie's life and here we see her adding another label to her already impressive coterie of imprints, namely 803 Crystalgrooves, a platform for her own material edging towards more classic, raw House sounds in contrast to the deeper more stripped back sounds heard across the other labels. Leading on the package is the anthemic heavy hitter 'Together', a heady House groove fuelled by a filtered, funk-infused bass line, bright organ chords and bumpy 909 drums, the result is an emotive slice of peak-time house to kick start the EP.x 'Ada Lovelace' follows and tips the focus over to dusty, swinging drum sounds and an amalgamation of choppy disco string and vocal samples all intricately programmed to create a dynamic dance floor workout. 'No Need To Worry' then rounds out the package with murky bass tones, wandering stab sequences and stripped-back shuffled percussion to close the package on a more dark and brooding tip.
The formidable Rex The Dog returns with his first single for Kompakt in three years, “Change This Pain For Ecstasy”, a slow-burning disco-glitter stomp that’s charged with analog energy. Pushing his self-built modular hardware set-up to its limits, “Change This Pain For Ecstasy” is taut and thrilling, stripped-back and pulsating, with sweeping chords shimmering through a classic Moroder arpeggio, as a delirious voice sings out a psychedelic raver’s plaint for liberation, pleading for you to "take away my sorrow and this pain”. Deeply emotional, it’s also a masterwork in tension and release, dizzy with snare-rush peaks, and dark, humid valleys where Rex is bound to the patchbay.
On the flipside, Rex gives us “Moto”, which tickles your ear with cymatic phenomena, its gentle vibrations building, beautifully, into a monster-piece of stealth techno. Rex’s DIY synths work overtime as he chases patterns and phases through circuitry, wielding the tones until they erupt into a spray of pointillist pizzicato. The sounds here crackle and corrode, the textures so tantalizing, so sensual, you can almost grab hold of them with your hands. It’s great to have Rex The Dog back, making livewire, yet deeply human techno, alive and bursting with electricity.
Der formidable Rex The Dog kehrt mit seiner ersten Single für Kompakt seit drei Jahren zurück, “Change This Pain For Ecstasy”, ein mit analoger Energie aufgeladener, stürmischer Disco-Glitter-Stomper. Man kann förmlich spüren, wie Rex’ selbstgebautes modulares Hardware-Setup an seine Grenzen gerät. “Change This Pain For Ecstasy” ist eine Hymne an das Nachtleben, an die kathartische Qualität einer durchtanzten Nacht. Über schwungvolle Akkorde und ein hochenergetisches Moroder-Arpeggio bittet eine delirierende Stimme um Befreiung von allem Leid und Schmerz. Das ist zutiefst rührend und emotional – da es sich hier aber um ein Meisterwerk der Spannung und Entspannung handelt – schwingt sich der Track plötzlich auf in schwindelerregende Höhen der Euphorie.
Auf der anderen Seite gibt Rex uns “Moto”, das das Ohr mit zymatischen Phänomenen kitzelt, deren sanften Vibrationen sich zu einem Monster von Stealth-Technotrack aufbauen. Rex’ DIY-Synthesizer machen Überstunden, während er Muster und Phasen durch die Schaltkreise jagt bis sie in einen Sprühregen aus pointillistischem Pizzicato ausbrechen. Die Sounds hier knistern und korrodieren, die Texturen so verlockend, so sinnlich, dass man sie fast mit den Händen greifen kann.
Es ist großartig, Rex The Dog zurück zu haben, der hochverdrahteten und doch zutiefst menschlichen Techno macht, voller Leben und Elektrizität.
2023 Repress
'Soleil Tartare' is Dim Garden's debut album on Rotterdam's young label Yarrow Ballet. This five-track EP embodies both the depths of Hades' underworld and Helios' realm. The album is a worship of the metaphysical side of nature. The opening track, 'Cunning Morose' evokes incandescence and sun worship. Its propulsive 808 beat and lofty vocals conjure flamboyant pagan ceremonies. The instrumental track 'Golfinho do Rio' is a heroic ode to the infinite sea, combining driving rhythms with new-age-inspired synthesized sea creatures' cries, layered with mighty string melodies. It is followed by the grungy 'In Sorrow', where ghoulish and fiery rebel energy is summoned through ice cold drums, and haunting gothic vocals. The album sees the re-emergence of the blazing sun in the softer and melodic title-track 'Soleil Tartare'. 'Vostes et Cercueils' crowns the album with its epic and dramatically ascending polysynth sonic poem. With her seminal and genre-defying album, Dim Garden brings new and disruptive energy into the hinterlands of electronic music. Her work spawns a distinctive mix of raw electronics, minimal wave, noisy industrial and gothic ballads. Having previously released mostly on digital and cassette tape labels (Nightwind Records, Italo Moderni, Ophism, Hunger!, ClanDestine, tanzprocesz, ERR REC, Ernest D. Tapes etc), Dim Garden's debut vinyl, which collates a variety of influences, is sure to compel listeners with its poetry and awe-inspiring synthesis.
Repress!
Let the celebrations begin, 10 Years of a vision Anané created and called Nulu, her independent label letting the world know about a genre we now know as Afro House, today after many years of dedicated work you'll find it as main stream.
Nulu means 'Nothing Ultimately Leaves Us' and just in time for Winter Music Conference in Miami Nulu presents a special vinyl sampler including 4 tracks representing 'Past, Present & Future' of the labels sound.
Side A includes an elegant and melodic remix of 'Ubatuba (Roots Mix)' by Grammy Award winner Louie Vega & Agev Mungsen feat. Anane, originally produced by Brazilian Soul Crew, where the fusion of Afro House and Soul help to soothe the spirit, followed by the African duo AMRoots aka Filipe Narciso and Fresh Nunas who deliver a fantastic combination of melodies and sounds ready to make dreamers dream with a fresh remix of their original release back in 2009 'Old Times At Barracuda (Cielo Roots 09 Remix)' and was also the first release for Nulu.
Side B includes a superb beat and unmistakable touch of Dj Angelo, bringing you straight to dance floor on a journey you'll wish to never leave and finish this 4 track sampler is the incredible talent of Manoo always setting the contemporary route of Afro House music with his modern style, creativity and authentic sound. The special vinyl sampler will be available exclusively at Winter Music Conference 2019 in Miami, and later for all Nulu followers. Take your time to know the Past, experience the Present and understand the Future of Nulu, a pioneering label of Afro House Music.tti




















