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Shadows fold into colour. Memory dissolves into noise. You brush up against the walls of the mind. Touch is soft as breath. On ‘B side’, Areliz Ramos follows her work’s current into its more “fantastic and elusive… and even romantic” side; a place where fantasy loosens the bolts of reality and memory, and emotion is alluringly refracted into musical collages and loose-strung compositions. Across the album, voices drift in and out of an intimate space, while pensive guitar lines stumble and bloom like scribbled unresolved notes in a diary. Beneath its icy, often chaotic surface, ‘B side’ radiates a deep sense of joy and fragility. Ramos sketches out an entire world by free association, collaging notions and echoing quiet thoughts into deeply honest snapshots of daydreams.

Areliz Ramos is a Peruvian producer living in London, recognized for an evocative palette weaving lo-fi and downtempo threads into dreamlike, abstract emo narratives. While her debut ‘Frío’ (Where to Now?), orbited around homesickness and estrangement, ‘B side’ embraces imperfection, incorporating her guitar (named "Frank"), pedals, synthesizers, and her own vocal textures for the first time, privileging emotional immediacy over technical precision. The creative process behind this album reflects a conscious decision to let go, loosen control, let intuition lead, and engage her own ‘B’ side.

Rather than constructing a safe haven from hardship, Ramos offers a cracked mirror, staring right at it, embracing that vulnerability. The gentle and beautiful ‘B side’ explores fleeting satisfaction, or the elusive comfort sitting just out of sight.

We're proud to present our third vinyl release, showcasing one of the rising talents in the contemporary electronic music scene.
M.I.T.A. lands on Chapeau Music with a 4-track EP that moves between straight grooves and refined sampling work.

The title track, 'Money Driven', goes straight to the point: groove, cadence, and a punchy vocal, essential elements finely designed to lock the dancefloor into motion. The A-side is completed by a sharp and highly functional remix by Elisa Bee.

Flipping the record, 'My Love' delivers a filtered, groove-heavy anthem, radiating a rush of joy while maintaining a tight, practical structure.
Closing the record, 'Movie Scene' finds M.I.T.A. at his creative freedom peak, where delicate melodic fragments and high-pitched vocals float above the groove, perfectly balancing the rhythm.

Back on limited classic black vinyl, includes the original 8 track album. At the forefront of the Paisley Underground scene, The Dream Syndicate are one of the most revered indie-rock bands of the 1980s. Medicine Show is the band's second album. Remastered from the original reel-to-reel tapes and featuring liner notes by Steve Wynn. Medicine Show has always been a controversial album, even before it was recorded. The indie rock darlings became the first Paisley Underground band to sign to a major label, hire a mainstream rock producer, change bass players, and spend months recording the album - after having banged out their previous one, The Days of Wine and Roses, in mere hours. After succesful debut and waves of positive press and , A&M Records signed the Dream Syndicate and they went into the studio with producer Sandy Pearlman, who spent five months in the studio guiding the band through their second LP. ... Medicine Show was greeted with openly hostile reviews, largely because it sounded practically nothing like the album that sent tongues wagging two years earlier. ... [...] sounded big and polished, but also dusty and weathered, with the terse, nose-thumbing lyrics of the debut replaced with dark, complex narratives full of bad luck and bad blood backed with booming drums and roaring guitars that were significantly more rockist than what Steve Wynn and Karl Precoda brought to their earlier recordings. Viewed in the context of Wynn's career, Medicine Show marks the spot where the lyrical themes and musical approach of his later work would first come into focus, but it still doesn't bear much resemblance to what the Dream Syndicate would create on their subsequent albums in its grand, doomy tone and obsessive but curiously unobtrusive production style. [...] there are a few great songs scattered throughout (especially "Merrittville" and "Armed with an Empty Gun"), and once it works its way in, the 8:48 of "John Coltrane Stereo Blues" is as potent a guitar workout as anything this band would ever release. [...] Lots of bands let loose with a major-label budget for the first time have made lavish records that didn't quite work, but unlike most of them, Medicine Show doesn't sound like a grandiose waste of money. Instead, it's a widescreen guitar spectacle [...] and if it doesn't always work, enough of it does to make it worthy of serious reappraisal. - allmusic.com

Hip-hop legend Ice Cube finally returns with his latest studio album “Man Down” – a hard-hitting statement that once again proves why he remains one of the most vital voices in rap today. With “Man Down”, Ice Cube delivers a powerful project that dives deep into today’s social realities, both musically and lyrically. Fans can expect raw lyrics, strong production, and real stories from one of the most inflfluential MCs of all time.

Exclusively for collectors and true fans: “Man Down” is available in several formats: Black Double Vinyl, Limited Marbled Double Vinyl, Music Cassette

On May 30, 2025, Pet Shop Boys will reissue their 18-track greatest hits singles collection ‘Discography : The Singles Collection’ on limited blue vinyl, featuring updated 2023 remasters. ‘Discography’ was first released in 1991. The album charted No 3 in the UK album chart and includes ‘West End Girls’, ‘Always on My Mind’, ‘It’s a Sin’, ‘Domino Dancing’ and ‘Suburbia’.



Pet Shop Boys are an English synth-pop duo formed in London in 1981. Consisting of vocalist Neil Tennant and keyboardist Chris Lowe, they have sold more than 100 million records worldwide and were listed as the most successful duo in UK music history in the 1999 edition of The Guinness Book of Records. Pet Shop Boys have won three Brit Awards and have been nominated for 6 GRAMMY Awards. At the 2009 Brit Awards in London, they received an award for Outstanding Contribution to Music. In 2016, Billboard named Pet Shop Boys the number one dance duo or group since the chart's inception in 1976. In 2017, the duo received NME's Godlike Genius Award, and in 2024, they were awarded the Pop Pioneers award at the MTV Europe Music Awards.

Blues for the Modern Daze is an album by American blues rock musician Walter Trout, focussing more on the "traditional" blues, and taking a more straightforward approach to songwriting. The album reached #1 on the UK Jazz & Blues Chart and #4 on the Billboard Blues Chart.

It was produced by Trout himself together with Grammy-nominated producer Eric Corne. Some of the highlights on this album include the tracks "Saw My Mama Cryin'", "The Sky Is Fallin' Down" and "Pray For Rain"._x000d__x000a_Blues for the Modern Daze is available as a limited edition of 1000 numbered copies of translucent pink & blue marbled vinyl. It is housed in a gatefold sleeve and includes a 4-page booklet with lyrics.
LINKS

Ryan Silva, known professionally as Plato III, is an American rapper, producer, and songwriter. He is recognized for his introspective lyrics, fusing personal narratives with sharp insights on race, class, and identity. His music blends hip-hop with influences ranging from indie rock to r&b and funk, creating a sound that is both boundary-pushing and deeply rooted in his experiences.

After self-releasing several projects throughout the 2010s, Plato III gained wider attention with his 2022 Polyvinyl debut, The Devil Has Texas, a vivid exploration of his trailer park upbringing in West Texas. On his new album, Grown, Silva pushes his artistry even further, with a more pop-forward approach that showcases his innovative sound and compelling storytelling. Produced by Phillip Odom (Militarie Gun, Say Anything), Grown features Silva’s most mature work to date, examining the weight of responsibility and aging under the strain of capitalism. Musically, the album bridges modern rap with "grown folks music," drawing inspiration from the soul of Al Green and Marvin Gaye to the funk and boogie of Prince and Earth, Wind & Fire. Grown offers a fascinating look at Silva’s reflective inner dialogue, cementing his status as one of contemporary music’s most original voices.

Glow in the dark vinyl. Ida Maria returns in full force with Seven Deadly Sins + 3, a riotous, confessional, and deeply personal punk-rock opus that confronts our ugliest truths with blistering honesty and a wicked grin. Written and recorded with her longtime core band - Jan Ole Kristensen, Ruben Fredheim Oma and Alf Magne Hillestad, - alongside producer Martin Selen and engineer Hans Petter Heggli, Seven Deadly Sins + 3 is as immediate as it is fearless. From the volcanic fury of "STILL ANGRY" (co-written with Finnish rocker Joonas Parkkonen) to the unhinged groove of "LAZY", a brutally honest take on shame, duty and the paradox of living in a world that preaches modesty while idolizing fame and fortune. As such each track is a sin dissected, and shouted out loud with no remorse. DO NOT expect a sermon! - this is Ida Maria. It's punk rock, baby. For nearly two decades, Ida has set her own rules, building a legacy that resists every attempt at softening her edges. From her breakout debut Fortress Round My Heart to viral anthems like "I Like You So Much Better When You're Naked," her music has always offered a kind of sonic confessional - messy, bold, and impossible to ignore. With Seven Deadly Sins + 3, Ida Maria offers more than just a rock album - it's a confessional booth, a punch in the gut, and a kitchen table chat with a friend who's seen some things and still comes back with laughter, love, and rock'n'roll.

Lights… Camera… Revolution is the fourth studio album from Venice Beach, L.A. heavyweights Suicidal Tendencies. Suicidal’s flirtation with the mainstream (complete with obligatory criticism of ‘selling-out’) went Gold in the US with over half a million copies sold, and to this day remains an essential record in any Metal or Punk collection. It is an excellent record for fans of Anthrax, Metallica, Biohazard and Black Flag. Lights… Camera… Revolution is available as a 35th anniversary edition of 2000 individually numbered copies on red coloured vinyl

Dillinger one of the most consistently successful DJ’s to come out of the Jamaica, fondly remembered for his massive ‘Cocaine In My Brain’ hit from the great CB200 album and the later reworked ‘Marijuana In My Brain’ which gave Dillinger crossover hits in both England and Europe. But the versatile DJ has many more strings to his bow.

Dillinger (born. Lester Bullocks,1953 Kingston, Jamaica) began his musical venture around 1971, working asa DJ to Sound Systems run by Prince Jackie and El Brasso.1974 saw his first vinyl release in the form of ‘Freshly’ for Producer Yabby U and in 1975 he came with the great ‘Brace A Boy’ for the young Mr Augustus Pablo.But his first album release was through Coxsone Dodd’s Studio One setup, where he let Dillinger fire some vocals over classic Rocksteady rhythms. It took the form of ‘Ready Natty Dreadie’. It was his time at Joseph ‘Jo Jo’ Hookim’s Channel One Studio that produced his second album set(a crossover release and fore mentioned) the timeless 1976 classic ‘CB 200’. It contained three big singles in ‘Plantation Heights’, ‘Cocaine In My Brain’ and ‘Crank Face’. The reworked ‘ Marijuana In My Brain’ even became a No 1 hit in Holland in 1979.

We have taken our set of tunes from his classic 70’s period when Mr Dillinger could do no wrong.Alongside the big ‘Cocaine’ and ‘Marijuana’ hits the great opening track ‘Love Is All I Bring’ sees him working over Alton Ellis ‘Still In Love With You’ which Itself turned into ‘3 Piece Suite’. ‘Money Alone Is Not All’ where he works over Barry Brown’s ‘Mr Money Man’, ‘Hear and Deaf’ working over Johnny Clarke’s ‘Nobodies Business’. ‘King Pharaoh Was A Baldhead’ has him working Frankie Jone’s ‘ Jesse Black’ cut. ‘Concubine’ reworks the Mighty Diamond’s ‘Mother Winney’ and ‘Time So Hard’ sees Dillinger telling it like it is over Ronnie Davis’ original ‘ Time So Hard’ cut, empathizing the points in fine style.

A classic set of tunes all ‘Killer No Filler’ from the master of rhyme himself we hope you agree…..

After the success of GEMS001 they have unearthed yet another GEM in the shape of Pure Science 'Sunset' EP this goes for big money on discogs now remastered and freshly pressed for 2025.

Pure Science Underground House Tech Master..

Phivo's music has been referred to as 'Other Worldly' and he has been referred to as the 'Prince Of Tech House'. Pure Science has been at the forefront of electronic music since 1990 and pushes a timeless sound which has stood the test of time.

Ready for take off?

With his new album 'Cruise Control', Satin Jackets presents a perfect musical soundtrack for relaxed moments that take us away from the stresses of everyday life. The title of the album is meaningful: 'Cruise Control' stands for the feeling of switching on the autopilot, leaning back and enjoying the journey to the fullest - an atmosphere that the album unfolds.

The album is a collection of singles that have been released over the last few years and are all interwoven at their core. Because no matter where you listen to the songs, they work, images arise in your head and your feet rarely stay still. Satin Jackets remains true to himself with his album sound, as he repeatedly receives feedback from listeners who appreciate the positive mood in his songs and which always puts them in a good mood.

The songs are first created in the producer's head and then develop together with the features, who add their own touch. For Satin Jackets, 'the most important thing is this immediate feeling that it fits musically and atmospherically'. This can also come out of nowhere, as was the case with David Bay and Small Black, who got in touch with the producer and it was an instant fit.

'There are always those magical moments when a song comes out of nowhere. Once I had an idea for a chord sequence that I couldn't get out of my head, but somehow that certain something was still missing. I then spontaneously asked a bassist friend of mine if he would like to play something to it - ten minutes later we had a hook that carried the whole piece. It's these unexpected, spontaneous inspirations that make the process so exciting.'

'Cruise Control' is more than just another album from Satin Jackets. It is an invitation to enjoy the moment and surrender to the music - a soundtrack that creates a good mood and takes us on a relaxing journey. So just switch on the autopilot again, put on your headphones and let yourself go.

Ready for take off?

Satin Jackets präsentiert mit seinem neuen Album "Cruise Control" einen perfekten musikalischen Begleiter für entspannte Momente, die uns vom Alltagsstress befreien. Der Titel des Albums ist vielsagend: "Cruise Control" steht für das Gefühl, den Autopiloten einzuschalten, sich zurückzulehnen und die Reise in vollen Zügen zu genießen - eine Atmosphäre, die das Album entfaltet.

Das Album ist eine Sammlung der Singles, die über die letzten Jahre erschienen und im Kern alle miteinander verwoben sind. Denn egal, wo man die Songs hört, sie funktionieren, es entstehen Bilder im Kopf und die Füße bleiben selten still. Mit dem Albumsound bleibt Satin Jackets sich treu, denn immer wieder bekommt er die Rückmeldung von Hörer:innen, die die positive Stimmung in seinen Songs schätzen und die immer wieder für gute Laune sorgt.

So entstehen die Songs zuerst im Kopf des Produzenten und entwickeln sich im Anschluss gemeinsam mit den Features, die ihre eigene Note mit einbringen. Für Satin Jackets ist es "das Wichtigste dieses unmittelbare Gefühl, dass es musikalisch und atmosphärisch passt". Das kann auch aus dem Nichts kommen, so wie bei David Bay und Small Black, die sich bei dem Produzenten meldeten und es sofort passte.

"Es gibt immer wieder diese magischen Momente, in denen ein Song quasi aus dem Nichts entsteht. Einmal hatte ich eine Idee für eine Akkordfolge, die mir nicht aus dem Kopf ging, aber irgendwie fehlte noch das gewisse Etwas. Ich habe dann spontan einen befreundeten Bassisten gefragt, ob er etwas dazu spielen möchte - zehn Minuten später hatten wir einen Hook, der das ganze Stück getragen hat. Es sind diese unerwarteten, spontanen Eingebungen, die den Prozess so spannend machen."

"Cruise Control" ist mehr als nur ein weiteres Album von Satin Jackets. Es ist eine Einladung, den Moment zu genießen und sich der Musik hinzugeben - ein Soundtrack, der für gute Stimmung sorgt und uns auf eine entspannte Reise mitnimmt. Von daher einfach mal wieder den Autopiloten einschalten, , Kopfhörer aufsetzen und fallen lassen.

20th Anniversary Special Edition vinyl for Gucci Mane's classic first album 'Trap House'. The seminal album released in 2005, is his debut studio album and a foundational project in the trap music genre. Featuring standout tracks like 'Icy' (with Young Jeezy), the album introduced Gucci's gritty street narratives, raw southern drawl, and unfiltered storytelling, which would become hallmarks of trap music. 'Trap House' laid the groundwork for Gucci Mane's prolific influence on a new generation of rappers, producers, and the overall aesthetics of trap.



















s D5. Icy (Feat. Young Jeezy) remix



















[s] D5. Icy (Feat. Young Jeezy) [remix]



















[s] D5. Icy (Feat. Young Jeezy) [remix]

More than thirty years after their seismic arrival, the legendary Wu-Tang Clan remains as relevant as
ever, whether inspiring an acclaimed TV series or securing a historic Las Vegas artist residency. With a wealth of talent that may never be duplicated, the group’s impact has been amplified by the solo careers of all nine members. Masta Killa has been an important part of this legacy, with four acclaimed solo albums containing countless Wu classics. Now, in the midst of the last Wu-Tang Clan tour ever, Masta Killa is back with the highly anticipated new album Balance. Executive produced by Wu-Tang mastermind RZA, the collection is vintage New York hip-hop at its finest, with thunderous drums courtesy of beatsmiths like Easy Mo Bee, PF Cuttin, Nick Price, and RZA himself. Lyrically, Killa proves his sword is sharper than ever, sharing wise words alongside a diverse set of guests including Method Man, Snoop Dogg, RZA, Raekwon, N.O.R.E., Cappadonna, AZ, Uncle Murda, and more. “What the world and the musical universe needs now is balance,” Masta Killa explains. Capturing a wide spectrum of moods and content, Balance embodies its title perfectly.

Du kannst sie nicht ab? Auch gut. Die SKINFLICKS machen ihr Ding so oder so.
Die Leute zerreißen sich gern das Maul, wollen andere lieber schnell abstempeln statt genauer hinzuschauen. Wie man sich auch anstellt, man wird verurteilt. Drum bleiben die SKINFLICKS sich treu, lassen sich von ihrem Pfad nicht abbringen und pfeifen auf das Geschwätz des Gesocks.
Nun sind „Luxemburgs meist Gehasste“ zurück mit ihrem fünften Album, „Condemnation, Inevitably“, auf dem sie wirklich ordentlich Gas geben! 13 Streetpunk-Granaten Marke Eigenbau, mit dem unverwechselbaren, hauseignen Sound, der euch die Ohren zum Schlackern bringen wird!
Wer Pogo mag kommt hier mit Krachern wie „Paedo“, „Skins in the Pit“, „Soho Boho“ und „Cross and Flag“ vollends auf seine Kosten. Gleichzeitig zeigen die Jungs ihre Vorliebe für eingängige Melodien, sodass selbst Hartgesottene nicht umhinkommen, bei „Hammer and Wrench“, „Your Boys“ und „Roots ’n' Boots“ inbrünstig mitzugröhlen.
Die SKINFLICKS sind natürlich auch bekannt für ihre äußerst provokanten und sarkastischen Texte. Dank der grosszügigen Prise Zynismus, die Songs wie „We're Only in it for the Money“, „F*** You and Yer Politics” sowie „Boomers and Groomers“ innewohnt, sind die Kritiker erst einmal wieder ausreichend versorgt.

Black 12" Vinyl, klassisch schwarz, 180 Gramm; extra audiophiler Tonträger von hoher Qualität - deutsche Pressung!; Stabile Kastentasche; Cover im Inside-Out Druckverfahren bedruckt, mehrfarbig bedruckte Innenhülle mit allen Songtexten, Innenhülle aus speziellem, rauem Papier; mehrfarbig bedruckte Vinyletiketten; CD mit allen Tracks des Albums; Handnummerierte Autogrammkarte von der gesamten Band signiert; limitiert auf 1.000 Exemplare.

When you love a record too damn much, you will soon discover whether you "got what it takes” to make it yours. Such is the case with Turbo label head Tiga, who has played 11Schnull & Newinfluenzer’s 2023 underground hit “Ich und meine Ubahn” in each and every one of his DJ sets since its non-Turbo release. But unbridled track-passion is not always enough, and sometimes one must take a step back and recognize that the music business is also a business. So our in-house Corporate Development team, which has of late been entirely focused* on figuring out how best to monetize Tintin entering the public domain, set to work, successfully licensing the original while also creating the fun and potentially life-saving opportunity to visualize just how amicable the licensing process was.

All of which brings us to the remix pack at hand. The essentially perfect electro programming and vocal performance of the 2023 original leaves virtually no angle for improvement, save for the fact that the 4:20 runtime not enough for the median touring DJ to satisfy their chatbot mistress before they must begin the exacting work of selecting and mixing the next track. As such, we enlisted producers who could interpret the song from different planes of existence, namely Chilean-German wizard Matias Aguayo, French hardstyle prodigy Krarmpf, German aesthetes Extrawelt, Hamburg electro master DJ MELL G, and Asturian highbrow god Architectural. For reference, the planes conjured by these remixes are as follows: blacked out on Ivermectin; finally beat a pay-to-win mindfulness game; voted the Greatest Living Teen Artist by the readers of US Weekly; transformed into an expressionless little muscleman as if by magic; going viral; and curing jet lag in our lifetime. It is not for us to say which remix corresponds to which realm of human experience, but we do know that it is limited to those options.

Finally, please do not invite a chatbot lover into your marriage. Your spouse cannot hope to compete. And know that this advice comes from our best understanding of current world affairs, and does not represent what a repressed British man would calling “taking the pee.” At their very best, jokes are funny, and the fate of the human bedroom is no laughing matter at all.

*Like a laser!

MEMOTONE, aka Will Yates, has announced details of a new 12-track album, smallest things, set for release on World of Echo on 1 August 2025 on vinyl and digitally.

The album launches today with first track, ‘Time Is Away Theme’, a live favourite that is finally available on album. Watch the video HERE Talking about the release, Will has said, “Staring at a square inch of neglected concrete, I recognise the beauty of existence. Quietly hysterical. While humanitarian catastrophes bubble across the planet, the tides remain in constant and disinterested motion. Your money is worth less than the dusty moss that powders this pavement.

It's certainly not worth a life. We are the smallest things, along with everything else." Will Yates has made music as Memotone since 2007. He operates in the tradition of what Robert Fripp has called 'a small, independent, mobile, and intelligent unit.' If you book him, he will come. When he arrives, he will have everything he needs to make his complex, engaging music: a clarinet, a guitar, synths, samplers and pedals, quickly unpacked in the corner of a club, gallery or village hall. Starting small, he will build layer upon layer of melody, accompanying himself and cutting across himself, creating a music that avoids cliche and moves beyond easy description. His recordings have followed the same trajectory. Moving quickly, he has released fifteen or so albums across various labels (including Trilogy Tapes, Discrepant, Soda Gong). Taken together, these recordings are the sound of a skilled, inventive composer pushing at the edges of what he wants to listen to himself. It is possible to hear a variety ofinfluences in his music: folk and jazz forms, the textural inventiveness of British DI electronica and Chicago post-rock and the blurred sci-fi brass of Jon Hassell are all discernible. But mostly, Will's work seems to stem from a constant drift between long hours in his home studio, and time spent outside in the woods and hills around his home in Wales.

Listening to the album, lushness creeps in at the edges, tiny green shoots appear on what might at first appear to be bare soil. smallest things sheds the skin of Will's previous recordings, removing the electronics and the looping and layering of previous work, to create something almost entirely acoustic. But don't be fooled into imagining music that's folksy, pastoral or twee. Opening track 'I Could See the Smallest Things' is a statement of intent. Widely spaced guitar is underpinned by earthy cello and sleepwalking clarinet, making a gorgeous threadbare pattern, which recalls a Morton Feldman miniature or a Morandi still life.

Beyond the skill involved and the years of self-taught music making that have gone into putting this record together, it is Will's close, careful attention and his talent for existing, observing and creating in the moment that make his work special. Memotone will perform at World of Echo’s annual birthday celebration on 8 Nov Expected Music, when they take over Walthamstow Trades Hall for an inter-genre, day-long investigation into some of the more outré manifestations of the contemporary worldwide underground.