Cerca:mood

German/Canadian outfit ANiML is a collection of artists with long histories in electronic music. They founded the Stratasonic label as a way of working with friends, peers and legends without any genre restrictions. Following the ‘Star Walk’ album, which was a comprehensive deep dive into their sound with improvisation and off-the-cuff collisions of a wide array of moods and grooves, it now gets remixed by three underground mainstays.

Detroit's Seth Troxler is one of the most iconic characters in the scene. His left-of-centre sets and sounds have taken him to the world's most notorious clubs, festivals and labels over the last 20 years. His take on 'Breather' is a richly layered minimal groove with suspensory pads rising up through a cosmic sky. There is a mystic quality to the pads and tripped-out atmosphere that will hypnotise dance.

Next is the legendary Mathew Jonson, a notorious synth magician and live show maestro with a jazz schooling and countless seminal tracks to his name. His understanding of dance floor dynamics and meaningful melody runs deep and shines through his remix of 'Baby D.' It's a wonky, off-balance rhythm with shimmering melodies and soulful vocal snippets. Fractured percussive sounds, muffled horns and golden keys marble the mix, which is psychedelic and wonderfully woozy.

Brooklyn-based Galcher Lustwerk has been at the forefront for more than a decade with a signature blend of experimental house and stream-of-consciousness rap informed by funk, rhythm, and blues. His compelling take on 'Bruv' is powered by a bubbly, acidic low-end with shadowy vocal whispers bleeding in and out of the raw, ice-cold beats.

The maestro is back!
Two sides, two moods!
Side A includes house vibes with interesting sound experiments.
Side B is filled with broken rhythms with hot energy grooves for prime-time.
Enjoy it!

Repress!

The italian trio Mamosato composed of Paolo Macri, Cristian Sarde and Emanuele Montalto, come back to squeeze a new lemon.

Eko, or Eko Roosevelt, is a Cameroonian composer, pianist & vocalist. He was born in Kribi in 1946, the son of a local Tribal Chief. Eko developed his love for music at church, later pursuing his growing passionwith music studies abroad, first in Dakar and then in Paris. After concluding his studies in France he went on to a recording career and between 1975 - 1982 released a number of full-length LPs, 7" singles and albums on cassette, before returning to Kribi to take over the role of Tribal Chief from his father, a role he holds to this day.

While the name "Eko" may not be immediately familiar to all, his music will be well known to many, from the DJs to the dancers, the heads to the home listeners. Evergreen classics like “Kilimandjaro My Home”, have remained a mainstay in the record bags & USB crates of disco jocks since its release in the late 70s, while numerous of his other crossover Afro-disco gems have been bootlegged, edited and remixed by a seemingly endless number of both greater & lesser-known producers who have all paid tribute to his work. Eko Roosevelt’s position in the ranks of Cameroon’s great musicians cannot be overstated. As a composer, songwriter, pianist and singer he has influenced generations of musicians both in Cameroon and France and further abroad, while he has written & arranged for many of the Cameroonian musical community.

Here Canopy, with the benediction of Eko himself, officially reissues two of his works that have not been rereleased since their first outings. Stylistically the two songs straddle the line between Afro-disco, funk and pop, with a slightly Balearic, almost AOR sensibility.

“Phone Me Tonight” is taken from a 7” record that has barely resurfaced since it was self-released in 1981 on the “Eko Music’ imprint. The song is an uplifting opus that demonstrates Eko’s deftness for creating catchy songs that succeed in their songwriting prowess and melody crafting, both on and off the dance floor. It is a stripped back composition that employs the key elements to great effect. The groovy bass line is underpinned by a tight Afro-disco beat as Eko’s unmistakeable voice draws us in and with a masterful use of repetition and hooks, creates a song that feels familiar from the outset, while being brand new to almost all listeners. As the song develops, the synth lines lift the song higher and higher, culminating in a euphoric transcendence perfect for elevating the mood of any dancefloor.

“Take Me As I am Now”, is sourced from Eko’s first album, “Nalandi” which originally came out in 1975 on Dragon Phenix. Here we have another fine example of Eko’s ability to hone compositions that blend thelines between pop song writing and more loopy dance floor orientated structures. The vocal hook repeats throughout the song, with only minor variations, making the song feel comfortingly familiar from its early bars. An instantly appealing bass line sets the stage for the sleek guitars and taut horn arrangements. The end result is a feel-good balance of melody and groove that makes for a timeless feel with a positive message!"

Equally adept on the decks and in the studio, Victor Calderone has travelled the world playing for thousands and created some of the electronic music industry’s most seminal tracks and remixes. His new double sided release on Nervous Recprds is a collaboration with highly respected producer / DJ Mykol. They have a created an EP that has the driving percussive force needed to move a dancefloor in 2025, and through its inspired usage of vocal and musical elements highlights their background as born and bred New Yorkers who grew up enmeshed in New York’s nightlife and musical culture.

'What You Want' features the legendary Byron Stingily, a Chicago house singer and Ten City vocalist with a famous falsetto. Here he serves up a moody spoken word sermon over chunky house drums with a dark energy and late-night sense of soul. Electric synth patterns wave in and out to bring great drama to this full-flavour groove. 'What You Want' also comes as a more pared-back but still jacking dub with plenty of smart studio effects.

'Take You Back' is a surging house sound with deep bass and drums and whimsical synth patterns that dance over the beats. Analluring female vocal pulls you in ever closer to a track that is both emotive and physical, steamy but sensuous.

Tartelet is pleased to welcome the tranquil acid delights of fast-rising Frankfurt-Leipzig duo not even noticed for a brightly melodic, rolling EP of positive party gear.

Since forming in 2020, the pair have won over a succession of well-established labels and dancefloors with their infectious, easy-going approach to acid and breakbeat. The mellow, soulful mood on their Aerial EP arrives as the perfect soundtrack to the brightening skies of Spring in the Northern hemisphere.

From the airy pads of 'Aerial' and the psychedelic chill-out breaks of 'Voidness' to the tough groove of 'Fidelity' and 'Affected's tightly wound electro framework, there's plenty of scope across the whole record without losing a grip on the warm and grounded mood that makes this duo such a resounding success wherever their music gets an airing.

Coming correct with an all-too-rare restorative quality to their tunes and a serious weight that comes to life over a big system, not even noticed are a perfect fit right here on Tartelet.

The 12-inch is limited to 300 copies and comes in a black sleeve with sticker.

Scoville Records returns with the long awaited second entry into its catalog from rising talent Pily. Serving up 3 spicy cuts dripping with moody grooves guaranteed to make you sweat. On the remix, Mario Liberti brings a psychedelic breakbeat-infused take, simmering with late-night tension & dancefloor drive.

REVOLT hits double digits with a special release from Athenian underground veteran Other Reality—aka Alex Psaltakis—a figure deeply rooted in the rave culture of the ’90s. His journey began in the late ’80s via the Amiga demoscene, inspired by the raw energy of acid house and hardcore breakbeat. By the mid-’90s, he was DJing at raves, clubs, and open-air festivals, fueled by a passion for psychedelic trance, ambient, Goa, and experimental acid rock. His dedication to the underground has remained unwavering ever since—fed by records, synthesizers, and a deep love for sound exploration.

Still Thrill EP is a 4-track release shaped by a wide musical range, bringing together elements of Detroit techno, trance, house, Goa, ambient, and progressive. More than just a debut on the REVOLT label, this is Other Reality’s first-ever release on vinyl—a deeply personal milestone shaped by years of dedication to his craft and the support of close friends and peers.

Crafted with a mix of hardware and software, the EP draws from years of studio sketches and archived musical ideas. A hidden detail runs through it: a fragmented sample from a rock track that deeply marked Alex in the past—a line that never fully completes in the track.

Each piece carries emotional weight and narrative depth, blending analog warmth with timeless dancefloor energy. The EP moves effortlessly through moods—nostalgic yet forward-looking, playful yet deeply personal.

Ohm ’95—with a name that subtly hints at the Goa trance soul—delivers acid basslines, trance elements, and dreamy pads. A transcendental, unifying experience. Kinda Free pulses gently like a groovy caress at dawn, with dreamy layers, steady rhythm, and acid touches that feel both tender and elevating. More Than Advice embraces movement, disorder, and acceptance, rolling through intricate percussions, hypnotic loops, and a cosmic atmosphere. Emotional and raw. Still Thrill closes the EP with slow-motion energy, submerged in flowing textures and a fluid, nostalgic groove.

Vinyl only. Limited edition.

Fresh dance moods, different stories and real emotions from Soultape.
Don't miss the high-quality EP for all times.
Enjoy it!

Hell Yeah have been busy making musical connections and reaching out to like-minded beatmakers once again. This time, it is Pier Paolo Polcari aka Polcari, a founding member of cult Italian band Almamegretta, who steps up with the magnificent new album I Will Try To Imitate The Birds. The eight-track record also features Adriano Viterbini, another Italian music icon and guitarist with the revered Bud Spencer Blues Explosion and I Hate My Village as well as Ubjk, San Ignacio and Sergio Dileo.

Label head Marco first got in touch with Polcari after he remixed Italian cultural hero Sergio Messina's cover of 'Fly Away' back in 2021. The pair began sharing music, discussing their favourite records and, eventually, the natural next step was to work towards the album now served up here.

The multi-talented Polcari is a master of downtempo sounds and as well as several solo projects that fuse trip hop, folk, dub and world music, he made a global mark as part of Almamegretta. The revered Naples band formed in the late 80s and has worked with greats like Massive Attack and Adrian Sherwood across more than 15 albums and are currently on a special 30th anniversary tour. Also playing on the album are Adriano Viterbini, a composer and member of blues-rock outfit Bud Spencer Blues Explosion, San Ignacio who is a downtempo and cumbia innovator behind the much sought-after albums like La Identidad Es Una Trampa and Sergio Dileo, sax player in the much-loved Naples band Nu Genea as well as being a busy jazz collaborator.

Opener 'Jardino' Feat. San Ignacio sets a laidback vibe from the off with gently breaking drums topped with whimsical melodies. 'Vita Nova' is cavernous dub with more lush instrumentals, xylophones and wispy synth motifs making for a world escape and 'Mundo' (Feat. Ubjk) has an air of Eastern melody with delicate pads and glowing keys floating above the pillowy drums. 'The Birds' (Feat. Adriano Viterbini) has fluttering harp strings that bring real beauty to a downtempo groove packed with vocoder vocals, synth smears and organic percussion.

'Orcos Ou Fadas' carries on with a rich blend of strings and percussion, shuffling rhythms and curious moods, 'Raifuki' lurches on moody drums and introverted melodies and 'Ligea' Feat. Sergio Dileo brings some romantic Latin rhythms and seductive clarinet while 'Superluna' completes the odyssey with more wavy dub and magnificent collages of melody and percussion.

I Will Try To Imitate The Birds will lift you off your feet and carry you away to a lush world of cathartic, sun-kissed musical pleasure.

Italian producer Deyayu delivers a powerful new EP on Party Tricks, channeling emotion and subtle melancholy into four striking cuts. Blending elements of progressive, deep, and tech house, the release is designed for late-night energy and golden hour moods, capturing the feeling of first light, where rhythm meets reflection.

"Bordeaux-based emerging talent Salomee deals in menacing and moody atmospheres, drawing on a range of techno, electro, house, and the ill-lit corners in between. Hypnotizing and neon-tinged melodies drive her tracks: these are bare bones, high on repetition, and very compelling. They come backed by elaborate and agile drum rhythms, composed with a rawness that references the most seasoned inspirations. The Before Time Began EP sees the artist further develop her sangfroid aesthetics with four tracks that assuredly reach beyond bunkers and basements. On Sacred Gatherings, several entrancing, alternating arpeggios work up a spark against a backdrop of tightly choreographed kicks and SH101 patterns. When the cut rises to a peak, a salvo of vocal chops drops - a rare event in Salomee's discography, even though the samples are rearranged beyond recognition. Before Time Began utilizes a similar palette, but this time, an undercurrent of melancholy seems to propel the track. A leisurely modulated, dubby sub segment amplifies the theme. By The Sea combines dark bass sequences and strings as gloomy as a fog horn with vivid 909 drums. The highs of the lavishly programmed hats and claps and the intense lead provide a slug of energy. It is a rendition of trance, manipulating both the genre's and the artist's signifiers. On Love Prevails, a slowly filtered, heavily delayed lead is spread atop a Bristol techno style beat. An array of cinematographic chords and subtly mixed gasps inject this closing track with a precarious balance, one that explores the tension between yearning and relief."

INDEPENDENT RECORD SHOP AND LABEL KLANG TONE RECORDS RE-ISSUE DEBUT ALBUM BY 8 PIECE INSTRUMENTAL EHTIOPIAN JAZZ/AFRO-BEAT/PROG COLLECTIVE;
TEZETA

“Absolutley gorgeous from start to finish…”
- Deb Grant, BBC 6 Music

“An instant obsession. Impeccable rhythms and hypnotic melodies—Tezeta crafts a spellbinding fusion of Addis and Avon that takes you on a journey."
- Don Leisure

“Gorgeous mood music with more than a nod to Addis. Lovely tapestries and textures”
- Matt Temple, Matsuli Music


'Formed in Bristol back in2014 Tezeta were an experimental 8 piece instrumental group effortlessly combining Ethiopian jazz, Afrobeat, prog and improvisation. The band spawned out of the much loved Bloom Collective - a collective of musicians and friends from an experimental corner of the city’s buzzing music scene.

Led by composer, pianist and bandleader Daniel Inzani (Spindle Ensemble, Cosmo Sheldrake) the band also featured tenor saxophonists Andrew Neil Hayes (Run Logan Run) and Lorenzo Prati (Count Bobo, the Evil Usses, Itchigo Evil), Harriet Riley (Spindle Ensemble, Paraorchestra) on Marimba, vibraphone and percussion, Pete Gibbs (Count Bobo) on bass, Conrad Singh (Alabaster dePlume, the Evil Usses) on electric guitar and finally two(!) drummers Matthew Jones (The Brackish, Slate Trio) and Daniel Truen (Yama Warashi, The Evil Usses, Rozi Plain, Count Bobo).

They initially got together to play music from ‘The Ethiopiques Volumes’, in particular, the work of Mulatu Astatke, hence the name Tezeta (Ethiopian for nostalgia) but quickly evolved into their own style with all original material, incorporating many other influences along the way. Their much loved, debut album 'Seventh Place' was released in Sept 2016.

“We at Klang Tone have been admirers of Daniel Inzani’s work with Spindle Ensemble and I was fortunate to catch Tezeta perform before they disbanded. I bought one of the last available copies of their home released cdr at their gig at local Stroud venue The Prince Albert. It became a firm favourite - a recording I keep playing and never got tired of. It’s such a beguiling mix of styles - always evolving and resolving in different ways to what you might expect - some thrilling ensemble playing rhythmically propelled by two drummers and a percussionist with Daniel’s evocative melodies at the centre. I was convinced this was a recording that deserved a bigger audience and felt it needed to be heard on vinyl so I started a conversation with Daniel about releasing it on Klang Tone as it perfectly encapsulated the raison d'être of the shop and label. We didn’t want this recording to languish online barely listened to - I felt it was in danger of becoming a lost classic. I hope that this vinyl release is a worthy testament to this great band and helps draw attention to the creative genius of composer Daniel Inzani and the talented ensemble of players featured on the recording.” - Sean Roe, Klang Tone Records

Tezeta had a cult following among other musicians and were known for their wild group solo wig outs, virtuoso musicianship and creative use of unusual rhythm, harmony and melody. They toured across the UK at various venues and festivals including Glastonbury, Shambala and Green Man, and subsequently released an EP named ‘Curious Bubble’ in 2020.

In 2023 Tezeta performed a sold out final show at Strange Brew, Bristol as Inzani decided to pursue solo releases, notably his critically acclaimed triple vinyl album ‘Selected Worlds’ released on Hidden Notes Records which landed in the Guardian Top 10 Contemporary Albums of the Year in 20204. The third disc ‘Play’ was a clear continuation and development of the music Inzani had developed with Tezeta and featured many of the same musicians.'

The cover image is from ‘Project Rewind’, a double exposure photography collaboration between Karen Dews and Paul Blakemore.
Graphic design by Adam Hinks.

Romanian groove technician SEPP lands on _NRV with a trio of high-powered, floor-primed cuts. 'Feeling Ma Bass' opens up with weighty low-end pressure and a hypnotic pulse that locks you in early. 'Body Language' twists with crisp percussion and a woozy sense of movement, keeping tension tight throughout. 'Do You Love Me’ dips into moodier territory, with dusty textures and a vocal loop that cuts just enough to keep the floor leaning in.

There’s a particular magic that happens when seasoned producers with global roots come together under a shared ethos - not for hype, but for connection. That’s precisely what MISINGO represents. A cross-continental studio experiment born out of Covid-era isolation, the group spans hemispheres and histories: Yorkshire's Doorly, L.A. legend Gary Richards (aka Destructo), and Australian duo Colour Castle. Their debut offering, Give You Love, lands via UK House Music institution Hard Times Records, and it’s as emotionally resonant as it is built for the floor.

Anchored by a slow-burning acid line and moody, immersive synthwork, 'Give You Love' carries the DNA of classic house without feeling like pastiche. DJ Rae’s smokey vocal, recorded in Doorly’s Ibiza studio, sets the tone - raw, intimate, immediate. Gene Farris enters with a gravelly, magnetic counterpoint, flipping the call-and-response into something spiritual. It’s a record that feels both new and deeply lived-in, a jam session from afar that somehow lands with unity and purpose.

For the remix suite, Hard Times dig into family ties and deliver a heavyweight lineup that spans generations of dance music lineage.

First up, DJ Pierre, the Phuture pioneer himself, brings a Wild Pitch revision that is pure summer sleaze and shimmer. Glistening keys, kinetic snares, and a syrup-thick bassline collide in a mix that’s tailor-made for golden-hour sets and open-air systems.

DJ Romain brings that New York swing. All velvet chords, stabbing pianos, and organ swells that spiral skyward. It’s gospel-house energy that doesn’t need to shout to be heard, a reminder that soul still moves the dancefloor.

Closing out the package is Charles Lavine of Soul Clap fame, whose Boston-bred funk sensibility steers things into new territory. He strips back the mix, lets Rae’s vocal ride the groove, and injects a subtle bounce that turns heads and hips in equal measure.

With 'Give You Love', MISINGO and Hard Times haven’t just released a single, they’ve bottled a moment: one born of distance, stitched together with soul, and destined for collective release on dancefloors worldwide.

Repress!

"Vision of Love 002," from Vision of Love Records, is a vibrant compilation that encapsulates sexy, groovy, and funky vibes. Featuring artists like Monsieur Van Pratt, Disco 86, C. Da Afro, Clean Is Good, The Move, and The Funk District, the album creates an alluring soundscape perfect for any setting. The tracks seamlessly blend slow, jazzy elements with infectious rhythms, inviting listeners to both relax and move. Monsieur Van Pratt's sultry melodies set the mood, while Disco 86 delivers captivating beats that keep the energy alive. C. Da Afro and Clean Is Good contribute playful, catchy hooks, and The Move and The Funk District add dynamic layers that enhance the overall groove. Together, these artists craft a collection that celebrates modern funk and jazz-infused dance music, making "Vision of Love 002" an essential experience for anyone looking to elevate their musical journey.

Majestic Fantasies, debut album from the duo Space Ghost & Teddy Bryant, is the second release on Space Ghost’s new record label, Peace World Records. Produced by Space Ghost, with Teddy Bryant’s powerful vocals at the forefront, this new album sees the two artists effortlessly blend their shared influences from the late '80s and early '90s.

Over three years in the making, in Majestic Fantasies Space Ghost & Teddy Bryant look to the past for inspiration as they explore genres, techniques, and moods. Across the record, Bryant’s vocals shine as he demonstrates a strong ability to create memorable nostalgic hooks and catchy backing harmonies. Similarly, Ghost displays his knack for dissecting vintage production tropes and breathing life into them in a modern context.

Filled with underground, soulful gems, Majestic Fantasies draws deeply from the duo's passion for R&B, UK Street Soul, New Jack Swing, House, and G-Funk. Their 10-track LP freely blend these genres, paying homage to song writers like Teddy Riley, Jam & Lewis, Carl McIntosh, an DeVante Swing. On the album you’ll find tracks like “Some Things Last Forever” which explore New Jack Swing drum patterns and vocal hooks. Additionally the record holds dancefloor-ready House tracks including “Majestic Fantasies”’ and “Unconditional” which sit side by side with heartfelt ballads such as “Cheer Me Up, ” and “Ultimate Love, ”

Although the two have never met in person, Space Ghost and Teddy Bryant still find a way to connect through their music. Throughout the album, they demonstrate a mutual understanding of the sound they like to produce together: tasteful and playful love songs that feel positive and optimistic, bringing classic songwriting styles from the past into the modern music landscape.

Majestic Fantasies lands on Peace World Records June 13th, 2025.

**CASSETTE**

Budapest based independent concept label Blue Sun celebrates its first anniversary with their second VA cassette, showcasing artists from the local underground and/or electronic music scene, along with some international guests.

Bound together by an aesthetic rooted in the "listening" culture, the release features mostly downtempo tracks with a colorful palette of genres like ambient, trip-hop, jazz, experimental electronica, new wave and even modern classical music. With a contemplative, wandering feel, it shifts the focus from music consumption at dancefloors to the listening-at-home experience.

Just as on the first VA (BLSN001VA) there are no ‘A’ or ‘B’ sides on this release. Instead the label uses colors to distinguish them, largely based on the mood of the tracks. The ‘orange side’ covers a more upbeat line of music, while ‘blue side’ takes us on a more introverted, experimental journey.

Curated with a ‘circular listening concept’ by the founders of the label, the tracks are sorted in such a specific order that they are designed to take the listener on an endless auditory loop - wherever the journey begins.

Curated by Hanussen & Kozmo D

Designed by Idil Emiroğlu

Mastered by Márton Grema Gregus

Manufactured by Headless Duplicated Tapes

Released under the Blue Sun.