Our favourite Colombian of all time is by far Felipe Gordon. His individual (and jazzy) take on house music and beyond has given him a big following within the underground dance community. We reached out to Felipe and asked him if he wanted to do a release on GAMM with only one request..."do whatever you want".
The music we got sent back is a beautiful four-track EP that delivers all aspects of Felipe Gordon's unique take on dance music.
The main track 'Self Love' is a warm and intimate jazz excursion that also plays around with some quirky electronic ideas...feel good with a twist. The second jam 'The Punk Automata' got a more bumpy and driving rhythm and has a slightly stronger club play appeal.
On the third track 'Your Feelings' we go darker with a proper late-hours deep house jam...proper!
On the final track, Felipe teams up with Bob The Egoist (great name) for a deep and musical vocal jam entitled 'Please Don't Go'.
Don't forget about the amazing artwork supplied by our favourite Scotsman, Mr Al Kent. This man truly has the magic feel when it comes to creating authentic vinyl designs.
quête:mr z
Erupt returns with another explosive release in the "Unrest Hazard" series, bringing together a diverse lineup of artists to showcase the best of hardcore, jungle, and drum n bass. Wild Swan, formerly Ugly Duckling, teams up with Mr Dan Master for the frenzied track "*int," while Kool FM regulars Subbreak, D-Region, and Code deliver a pounding remix of "Industry Plant." DJ Terrace and Jon Tetly contribute hardcore jungle tracks "Doing Battle" and "I Get Stu Pid," adding to the record's intensity.
Schoco also makes a return with "Love Is The Answer," a track previously championed by Dead Man's Chest on SWU.FM, now finally getting its vinyl debut. For collectors, the vinyl release includes the exclusive track "Doing Battle." Survive the eruption and make your way to Amsterdam to secure a copy of this must-have release.
- A1: Per Sbaglio
- A2: Giochi Di Luce
- A3: Vai Pure Quando Vuoi
- A4: Sono Qui
- A5: Ancora Un Secondo
- A6: Pisolino
- A7: Un'altra Madre
- B1: Per Sbaglio Pt. 2 (Feat. Slim)
- B2: Giochi Di Luce Pt. 2 (Feat. Midan)
- B3: Vai Pure Quando Vuoi Pt. 2 (Feat. Twit One)
- B4: Sono Qui Pt. 2 (Feat. Opek)
- B5: Ancora Un Secondo Pt. 2 (Feat. The Offline)
- B6: Pisolino Pt. 2 (Feat. Mr. Käfer)
- B7: Un'altra Madre Pt. 2 (Feat. Darius Heid)
Summer of 2023: Koralle wants to escape the heat of Bologna for a few weeks. He is heading south and rents a small hut by the sea near Ravenna. One night he meets Francesco Giampaoli, a seasoned jazz & world musician at a bar on Bassona beach. The two had worked on music before and Koralle visits Francesco the next day at his studio which is stuffed with analogue gear and instruments. He stops by every single day for the next weeks and the duo creates some incredible strange music.
As a special treat, they’ve invited a talented lineup of artists, including Twit One, The Offline, Slim, Mr.Käfer, Midan, Opek, and Darius Heid, to offer unique reinterpretations of their tracks.
- A1: 1-800-Sleazorama
- A2: Tang
- A3: Smashed 'N' Trashed
- A4: Velvet Touch
- A5: Mr. Pain
- A6: Lady Luck
- A7: Motor City Resurrection
- B1: Ghettoway Car
- B2: Wild Talk
- B3: Get It Off
- B4: Always
- B5: Demolition Derby
- B6: Savage Garden
- B7: 1-800-Sleazorama (Reprise)
Blue Vinyl[28,15 €]
Das zweite Album von The 69 Eyes, „Savage Garden“, erscheint im November 2024 über Svart Records.
1995 veröffentlichten The 69 Eyes ihr zweites Album „Savage Garden“ auf Gaga Goodies. Dieses Album enthielt die ersten Hinweise auf die
Gothic-Richtung, in die sie sich bewegten, während sie immer noch die Fahne des Sleaze-Rocks schwenkten, für den sie zu dieser Zeit bekannt waren.
Krawallige Rockmusik und viel geradlinige, eingängige Energie mit garantiert düsterer Atmosphäre.
„Savage Garden“ wurde von Mika Jussila in enger Zusammenarbeit mit den Mitgliedern der Band in den Finnvox Studios für Vinyl neu gemastert.
Das zweite Album von The 69 Eyes, „Savage Garden“, erscheint im November 2024 über Svart Records.
1995 veröffentlichten The 69 Eyes ihr zweites Album „Savage Garden“ auf Gaga Goodies. Dieses Album enthielt die ersten Hinweise auf die
Gothic-Richtung, in die sie sich bewegten, während sie immer noch die Fahne des Sleaze-Rocks schwenkten, für den sie zu dieser Zeit bekannt waren.
Krawallige Rockmusik und viel geradlinige, eingängige Energie mit garantiert düsterer Atmosphäre.
„Savage Garden“ wurde von Mika Jussila in enger Zusammenarbeit mit den Mitgliedern der Band in den Finnvox Studios für Vinyl neu gemastert.
- Sick Of Goodbyes (Re-Record With Members Of Drive-By Tr
- Teen Angst (What The World Needs Now)
- Mr Wrong (Feat. Leftover Salmon)
- I See The Light (Redux Version)
- Almond Grove (Re-Record With John Keane)
- Low (Redux Version)
- Merry Christmas Emily (Emily's Version)
- The World Is Mine (Redux Version)
- Sweet Potato (Feat. Leftover Salmon)
- Turn On Tune In Drop Out With Me (Live At The Rockpalas
- 7: Days (Live In Madrid)
- Big Dipper (Redux Version)
- Eurotrash Girl Waltz (Feat. Leftover Salmon)
- King Of Bakersfield (Acoustic)
- I Need Better Friends
- Father Winter (Hickman Demo)
- One Fine Day (Live At The Rockpalast Crossroads Festiva
- Gimme One More Chance (Live At The Rockpalast Crossroad
- Sunrise In The Land Of Milk And Honey (Live In Madrid)
- River Euphrates (Live In Berlin)
- I Want Everything (Live In Madrid)
- Movie Star (Live In Madrid)
- Don't F*Ck Me Up With Peace And Love (Live In Madrid)
- Ain't Gonna Suck Itself
"Alternative History: A Cracker Retrospective" is a dynamic journey through the sonic landscape of Cracker, one of alt-rock"s most enduring and beloved bands. This special compilation album offers fans a fresh perspective on Cracker"s rich musical catalogue, featuring alternative versions, re-recordings, and live takes from the band"s history. Spanning their entire career, this retrospective highlights the band"s evolution, revisiting classic songs with new energy, creative arrangements, and live recordings that capture their unfiltered spirit. Featuring 5 previously unreleased versions and 6 rare live recordings the album presents a mix of fan favourites and deeper cuts.
[b] Teen Angst (What The World Needs Now) [Redux Version]
- Meditation
- Going Home
- A-1 Funk
- Every Step Of The Way
- Black Magic Woman
- Gypsy Queen
- Oye Como Va
- Yours Is The Light
- Batukada
- Xibaba (She-Ba-Ba)
- Stone Flower (Introduction)
- Waiting
- Castillos De Arena, Pt. 1
- Free Angela
- Samba De Sausalito
- Mantra
- Kyoto
- Castillos De Arena, Pt. 2 (Sand Castle)
- Se A Cabo
- Samba Pa Ti
- Mr. Udo
- Toussaint L'overture
- Incident At Neshabur
Released in 1974, "Lotus" by Santana is a landmark live album showcasing the band's incredible fusion of rock, jazz, and Latin music. Recorded during their Japan tour, the album features Carlos Santana's signature guitar work and the band’s dynamic improvisations. "Lotus" captures performances from Tokyo, presenting a mix of Santana's classic hits and extended jams, including tracks like "Toussaint L'Overture" and "Oye Como Va." Known for its energetic solos and vibrant rhythms, the album highlights Santana’s ability to blend diverse musical influences into a cohesive, powerful sound. The 1974 release is praised for its high-quality sound and passionate performances, solidifying Santana’s reputation as a pioneering force in rock and Latin music. For fans and collectors, "Lotus" remains a quintessential representation of Santana’s live prowess and innovative spirit. Lotus is a limited edition of 1500 copies on translucent yellow coloured vinyl.
- Who's Gonna Take The Garbage Out (Feat. Iris Dement)
- Storms Never Last (Feat. Lee Ann Womack)
- Falling In Love Again (Feat. Alison Krauss)
- Color Of The Blues (Feat. Susan Tedeschi)
- I'm Tellin' You (Feat. Holly Williams)
- Remember Me (Feat. Kathy Mattea)
- Look At Us (Feat. Morgane Stapleton)
- Dim Lights, Thick Smoke, And Loud, Loud Music (Feat. Amanda Shires)
- Fifteen Years Ago (Feat. Lee Ann Womack)
- Cold, Cold Heart (Feat. Miranda Lambert)
- Dreaming My Dreams With You (Feat. Kathy Mattea)
- Mental Cruelty (Feat. Kacey Musgraves)
- Mr. & Mrs. Used To Be (Feat. Iris Dement)
- My Happiness (Feat. Fiona Prine)
- Just Waitin
- Private Eye
- Mr. Chainsaw
- Take Lots With Alcohol
- Stupid Kid
- Another Innocent Girl
- Steamer Trunk
- You're Dead
- Armageddon
- I'm Dying Tomorrow
- Bloodied Up
- Trucks And Trains
- Crawl
- A1: Boulangerie Anthem (Feat. Oogo, Blanka)
- A2: Tourment D'amour (Feat. Saneyes)
- A3: Okin (Feat. Oogo)
- A4: Tarte Au Sucre (Feat. Mr.hone)
- A5: Cree's Brownees (Feat. Creestal)
- A6: Pain À L'oseille (Feat. Blanka)
- A7: Papanasi (Feat. Mr.gib)
- A8: Éclair Pistache (Feat. Dal Gren)
- A9: Fougasse (Feat. Mr.hone)
- B1: Bible Meringuée (Feat. Saneyes)
- B2: Cupcake (Feat. Hoosky)
- B3: Dog Cookies (Feat. Hoosky)
- B4: Flao (Feat. Guts)
- B5: Bear Claw (Feat. Madwreck)
- B6: Pièce Montée (Feat. Geteye)
- B7: Friandises (Feat. Chomsk')
- B8: Nuage À L'orange (Feat. Buddy Sativa, Blanka)
- B9: Bollo (Feat. Blanka)
- C1: Chocolate Cake (Feat. Mister Modo, Ugly Mac Beer)
- C2: Beijinho (Feat. Chomsk')
- C3: Cheese Cake (Feat. Chomsk')
- C4: Fraisier (Feat. Blanka)
- C5: Muffin (Feat. Chomsk')
- C6: Tarte Tatin (Feat. Dr)
- C9: Brioche Vendéenne (Feat. Mr.hone)
- D1: Canistrelli (Feat. Oogo)
- D2: Negrinho (Feat. Creestal)
- D3: Brigadeiro (Feat. Nicky Lars)
- D4: Mont Blanc (Feat. Santo)
- D5: Canolli (Feat. Chief)
- D6: Beurré Nantais (Feat. Moar)
- C7: Love Cake (Feat. Santo)
- C8: Financier (Feat. Powell)
An integral part of La Fine Equipe's famous La Boulangerie series, La Boulangerie II had never seen its Part 2 released on vinyl until now. That’s now a thing of the past thanks to this double LP!
Leon Dinero returns with "One Way Love", another magical rendition from the James Hunter catalogue. Dinero, along with the Inversions and produced by Victor Axelrod, transforms the uptempo R&B classic into a rocksteady mover whose relaxed groove and soulful vocal give the track an authenticity that may have folks scratching their head as to which version came first. A testament to the incomparable songwriting savvy of Mr Hunter, "One Way Love" is a track that defies the constraints of genre labelling with unfettered elegance and lyrical prowess.
qebrus (pronounced Ké-brusse) was a project by Thomas Denis, an enigmatic French musician and producer born in 1981 and based in Caen, France, before his untimely passing in February of 2018. His undefinable otherworldly compositions and internet glitch trickery turned many heads catching the attention and support of esteemed artists such as Aphex Twin, Four Tet and Venetian Snares. The appeal of his music to other forward-pushing producers was emblematic of the uniqueness of his productions and led to collaborations with the likes of Tom Middleton, Otto Von Schirach and Mr Bill. His only release on Love Love Records, 'ᐔ ᐌ ᐂ ᐍ ᐚ', proved to be one his furthest reaching, originally released on CD during a flurry of musical productivity during 2017. Those 6 tracks of intricate extraterrestrial electronics now get the vinyl treatment, having been lovingly remastered or this reissue and pressed on green coloured wax.
The qebrus guise was that of an alien stranded on Earth and this concept was consistent throughout. The project gained notoriety almost exclusively on the internet, with many people's first experiences of his persona coming from the use of chaotic ASCII syntax in track titles which at the time 'broke' many of the websites he used to host his music. This theme of incomprehensibility extended to the sonic qualities of his music, foregoing any shred of familiar sounds in favour of an entirely electronically synthesised sound palate resulting in jarring and frenetic works full of near-imperceptible micro-details.
qebrus rarely performed live with one of the few occurrences being at an after-party following the now legendary Day For Night Festival 2016 in Austin, Texas where Aphex Twin played some of Qebrus' music to a crowd of 20,000 as Thomas watched on in what was undoubtedly an otherworldly experience for him.
Despite his vision being entirely self-driven without a care for popularity or recognition, there were many people across the globe that connected with the sheer weirdness of it all. 7 years on 'ᐔ ᐌ ᐂ ᐍ ᐚ' still sounds wholly futuristic and will likely remain so for centuries to come. In a time where it seems everything has already been done before Thomas leaves behind a legacy of an artist who was truly 'doing their own thing'.
Thomas is survived by his two children who will be receiving his proceeds from sales of this release.
“really alien sounding music”
Aphex Twin —
“Did you know that guy, Qebrus? He was on his own shit, he was making some really out there music, his music was incredible”
Venetian Snares —
“Listening to intelligent dance music producer Qebrus feels a lot like entering another dimension, his music stumbling its way through electronic chaos, leaving the listener unsure over what just happened.”
Thomas Hobbs — Crack Magazine
- A1: Steven Julien - Payn Me Mind Ft Kristian Hamilton
- A2: D'eon - Transparency
- A3: Ryuichi Sakamoto - A Day In The Park
- B1: Steven Julien - Retriate Ft Dreamcastmoe
- B2: Elli - Just For Me & You
- B3: Steven Julien - Number
- C1: Brothermartino - Kah
- C2: Dam-Funk - Morphing
- C3: My Girlfriend - Uber Hype
- D1: Mr Flash - Disco Dynamite
- D2: Devin Morrison - Shesbi
- D3: Ryuichi Sakamoto - Rio
London-based DJ and producer Steven Julien’s career has always been about contrasts. Across a decade of releases on labels including Eglo and his own Apron Records, as well as club sets around the world, he’s consistently mixed light and dark, soft and heavy, yin and yang. From rough-edged house and techno to laid-back soul and boogie, or meditations on his familial and musical heritage with 2018’s Bloodline LP Julien’s music has always moved between moods, styles and emotions.
That eclecticism also defines Julien’s upcoming instalment in !K7’s iconic DJ-Kicks mix series. Featuring a broad spectrum of artists including Ryuichi Sakamoto, DāM-FunK and Todd Edwards, alongside a selection of his own exclusive productions, Julien takes us on an imagined journey from day to night: from a bucolic afternoon in nature to heady domestic vibes before a big night out, and finally the euphoric embrace of the dancefloor itself.
Julien describes his creative approach to DJing in general, and this mix in particular, as letting his energy and intuition guide him - it’s only on listening back to the finished session that he realised how often he mixes tracks in key, creating smooth transitions from one moment to the next.
That instinctive approach, where seamless mixing becomes second nature, speaks to Julien’s decade of appearances in DJ booths around the world: he cites sets at Ormside Projects in London, Doka and De School in Amsterdam, or Mitsuki in Tokyo as specific inspirations for this mix. Julien describes the feeling he’s tried to capture on tape as an out-of-body energy: just letting loose, and being yourself. “When you get in that position of doing what’s true to you, playing what’s true to you” he says, “people just resonate with that.”
"VOLUME 1" ist eine denkwürdige Einführung in die Welt von MRCY. Ihre Vision von Soul lässt sich von den Größen der Kindheit (SAM COOKE, MARVIN GAYE) bis hin zu Genre-verschmelzenden Modernisten wie KHRUANGBIN oder SAULT inspirieren - "it's like hearing a distant memory," sagt Barney, "but one that speaks to where you are now". Auf ihrem Debüt blickt der Sound von MRCY tiefer nach innen und weiter nach außen: Die Debüt-Single "Lorelei" war eine ätherische, jenseitige Geschichte über eine Liebe, die in einer Katastrophe enden sollte, während "Flowers In Mourning" Afrobeats und Northern Soul in einer ergreifenden Meditation über Familie und Verlust zusammenbrachte. Das Album wird von einer auffälligen, visuellen Ästhetik begleitet, die in Zusammenarbeit mit Harris Elliot entstand und KI, Adinkra-Symbolik und britische Ikonografie zu einem Look - und Sound - verbindet, der bereits unverkennbar MRCY ist. Auch wenn MRCY sich mit einer ausgereiften Vision präsentieren, haben sie auch hart daran arbeiten müssen. Barney, der inmitten der Schmelztiegel-Kultur von Huddersfield aufgewachsen ist, hat sich als einer der gefragtesten, eklektischsten jungen Produzenten Großbritanniens etabliert; von einem Ivor Novello Award für seine langjährige Zusammenarbeit mit Obongjayar bis zu Mercury-nominierten Künstlerinnen wie Joy Crookes und Olivia Dean. Der in Süd-London aufgewachsene Kojo verdiente sich seine Sporen in der Kirche und sang mit ebenso illustren einheimischen Künstlerinnen wie Cleo Sol und Little Simz. Nachdem sie sich während der Pandemie über Instagram kennengelernt hatten, trafen sich MRCY zwischen den Abriegelungen in Brixton, wodurch sich der Sound der Band - und ihre Verbundenheit - vertiefte. Und obwohl das soziale und politische Chaos unweigerlich in ihr kommendes Projekt einfließt, geht es bei MRCY auch um das Bedürfnis nach einer gemeinsamen Basis: universelle, aber höchst individuelle Erfahrungen mit Klasse, Gemeinschaft und der Qualitätsmusik, die gute Menschen schon immer zusammengebracht hat.
Eclectic Beats Music release number 7 is Fradinho’s “Tropicafrica EP”, inspired by Ghana’s Highlife music.
On the A-side, Fradinho delivers two original Broken Beat tracks: “Tropicafrica”, which also names the EP, is a journey into a slower syncopated Highlife guitar track, with a lovely progressive harmony and guitar picks. “Highlife” has a more upbeat atmosphere, still with the Highlife guitars on a happy vibe and a faster beat structure.
On the B-side, there’s 2 distinct quality remixes:
Sun 793 delivers a journey into a darker, futuristic, yet contemplating sonic bruk experience, with lush keys contrasting with the overall deep feeling of their “Tropicafrica” remix.
Mr. Bird also remixes the track “Tropicafrica”, in a cross-genre fusion between house and broken beat, adding some vocal elements and brass, that results in this uplifting remix.
Detroit native Jackie Wilson aka "Mr. Excitement," left jump blues and R&B group The Dominoes in 1957 to pursue a solo career. The following year he released this, his debut LP, a rollicking collection of orchestrated pop R&B of the highest caliber. Including the hit "Reet Petite," half the songs on this LP were written by Berry Gordy, Jr. nearly two years before he founded Motown, which was partially funded by songwriting royalties Gordy earned writing hits for Wilson. A fine debut from one of the great soul and R&B singers of the late '50s/early '60s, a man who counted among his fans and followers no less than James Brown, Michael Jackson, and The King himself, Elvis Presley.
- A1: Mother Liza - Leroy Smart
- A2: Mr Ellis - Bobby Ellis
- A3: Tina May - Vin Gordon
- A4: Mirror Mirror - Leroy Smart
- A5: Warning - Desmond Young
- A6: Keep The Pressure Down - Errol Dunkley
- B1: Happiness Is My Desire - Leroy Smart
- B2: Hell And Sorrow - Hortense Ellis
- B3: Tribulation - Big Youth
- B4: Black Cinderella - Errol Dunkley
- B5: The Best Big Youth - Big Youth
- B6: Cinderella In Black - Augustus Pablo
Classic no filler roots rockers selection from Jimmy Radway's Fe Mi Time productions.
Brand New Label coming straight out of Woodside, Queens, New York but bringing together some real international flavour. Ibiza resident Mr Doris with Australian D Funk deliver a classic funk / hip hop mash up that will work a treat on dancefloors, whilst on the flip British mash up artists Dunproofin brings you the soul / punk mash ups you never knew was so essential, limited press so be quick!
Transcendental poetry meets Southern Nightmare Jazz on the third album by Alabama-based artist Johnny Coley Mister Sweet Whisper is the meeting of poet & artist Johnny Coley and the band Worst Spills, led by guitarist & arranger Joel Nelson. (Imagine "King Tubbys Meets Rockers Uptown," but more like "William Burroughs Meets Lounge Lizards in Ghost Swamp"). Joined by vibraphone player and recordist of the group, Jasper Lee, Mister Sweet Whisper centers Coley as a gifted writer and unique elder voice, supported by an eclectic cast of friends & collaborators. Tapping into French surrealism and transgressive American poets such as John Ashbery, the songs in Mister Sweet Whisper evolve, cinema-like, with Coley as an uninhibited, almost mystical, narrator. Textural, jazz-like playing complements Coley's decadent landscapes, which glide by like cigarette-inspired invocations. Echoing, and at times, dissonant notes of saxophone, crystalline tones of vibraphone, and jagged guitar arrangements punctuate Coley's dreamlike visions, populated by ballet dancers, haunting nightclubs, and ghostly car drivers. Wistful and expansive, the songs in Mister Sweet Whisper speak of Coley's talent and natural ability to channel his poetic world into songs. A remarkable follow-up to Coley's first two albums_Antique Sadness, from 2021, and Landscape Man, from 2022_which were praised as "exquisitely haunting, sublime, hilarious" and falling "somewhere between Robert Ashley, David Wojnarowicz, and Intersystems," Mister Sweet Whisper arrives in full form: unpredictable and brilliant. LP comes with a 4-page booklet featuring artwork and writing by Johnny. Pressed in black vinyl.




















