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Charlotte de Witte's mighty KNTXT label rolls on with another big new EP from Italian wonderboy Alignment. The Berlin based techno talent serves up four suitably supersized cuts that follow on from his Time EP, which landed earlier in the year.
For the last five years, this artist has been amassing a fine discography of thrilling techno. This has earned him a worldwide reputation amongst the techno cognoscenti, and despite the global
pandemic this year, he has still put out plenty of red hot new material that proves he has used his extra free time at home wisely. He can do old school inspired bangers as well as refined futuristic techno rollers with equal style, and proves that once more with this fantastic new EP.
He says it, “reflects more the ‘sentimental' moments during these hard times. Nevertheless, you can also expect trippy and hypnotic vibes that will make you dream to dance again until the early hours.“
While Charlotte adds, "Ever since I started playing these tracks, people started asking for track IDs. They stood out and always were one of the highlights of my sets. These tracks are made to
destroy any type of dancefloor. A true masterpiece by one of the most exciting artists around.”
Opener Nothingness is a hunched over techno power-groove, with high pressure kicks and scraping synths peeling off the drums. It's a big wall of irresistible sound, then Injection brings
even bigger and more kick drums that are sure to rattle any club to its foundations, while the rave synths will get hands in the air.
Reverberated keeps up the good work with a more all-consuming techno cut thanks to the laser-like synths that light up the track from above. It has superbly dark and unsettling vocals stitched into the groove for extra layers of mental intensity. Last of all is the dark and urgent Sensory Deprivation with its edgy synth motifs and unrelenting energy.
These are four more high powered tracks from man of the moment Alignment.
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Following up to Rob Belleville's inaugural delivery, Fluid Electronics returns in 2021 with a new collaborative EP courtesy of Dutch veteran Jarno, the man behind Trouw's infamous Below evenings, and Fluid Electronics' co-founder and owner Shirazi, back in full swing after a ten-year break from production. The EP features remixes from Amsterdam's Love Over Entropy and seminal Rotterdam-based duo, Duplex.
The A-side finds Shirazi and Jarno dishing out a vaporous dub with the focus track, "Late Night Thoughts". Engineering a mix of reverb-drenched atmospheric techno laced with hedonistic house accents and mystique-imbued melodies on a dreamy tip. Upping the tempo and overall vibe of the track, Love Over Entropy's remix propels its listener in a blazing corridor of synth arpeggios and luminous chords.
The flip side sees Shirazi go solo on the ethereal "Continue Learning", all in evocative spaciousness and textural finesse, as it merges the immersive depth of Basic Channel-esque envelopes with further straightforward floor dynamics. Clone-affiliated duo Duplex provides a tighter, jacking match to the original's vaster headspace, tweaking it into a proper clinical club-ready weapon.
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Guy J returns home to Lost & Found with two absolute monster tracks! And for the first time in the labels history, these tracks will be available on vinyl as well digital download.
Let's get straight to business then and its Dizzy Moments kicking us off. A techno grooved workout with percussive layers meeting subtle yet ethereal pads, creating a warm atmospheric vibe. The track expands with the sounds growing as the elements ooze from within, creating an epic melodic masterpiece as delays interact creating a dreamy smile inducing gem of a track that we are positive will create a serious fuss and will send clubbers wild.
Diaspora grinds in to action from the off, with its slightly tribal tinged percussion, brooding bass stabs and cool fx setting the mood, swiftly followed by creeping pads that lighten the vibe while adding an air of mystery, dropping its fierceness, but only temporarily, before we pound back in to action. Gated chords meet cool keys as we meander around the ups and downs of this monster. Another serious slab of dance floor devastation from Guy.
Two outstanding tracks that will no doubt be flying straight in to many a DJ's playlist at rapid speed.
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- A1: Omniverse - Antares (Micky More & Andy Tee Special Edit)
- A2: Dreams Unlimited - Deep In You (Flavio Vecchi Deep Love Remix)
- A3: Riviera Traxx - Love
- B1: Riviera Traxx - Gimme Good Love
- B2: Be Noir - Give Me Your Love (House Club Instrumental Mix)
- B3: Dreams Unlimited - Cool Beat (Ricky Montanari Remix)
- C1: Key Tronics Ensemble - We Need Music (Feat Elise - The Needed Mix)
- C2: Houseterity - Moonlite
- C3: Jestofunk - Disco Queen (Moz-Art Remix)
- D1: June Mitchell - All & All (Ethos Mama In Dub) (Ethos Mama In Dub)
- D2: Bam Bam Musique - Milk Of Magnesia (Small Stainway) (Small Stainway)
- D3: Be Noir - Love Themes (Radio Edit)
- D4: Legato - Till You Take My Love (Feat Karen Jones - Dub 2)
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This Mini-LP was originally released on Materiali Sonori in 1984 in Italy and is long out of print. Alexander Robotnick (aka Maurizio Dami) is an Italian electronic musician. He made his debut on the Italian music scene as the founding member of Avida, a dance-cabaret band featuring Daniele Trambusti and Stefano Fuoch. in 1983 he attained international popularity with his track “Problèmes d’amour”, published first by the Italian label Materiali Sonori and then by Sire-Wea. “Problèmes d’amour” went on to become a “cult track” of the disco scene. After 40 years Spittle Records in joint venture with Materiali Sonori re-issues the mini album and the 12” with its original artwork.
"Once I was in Chicago, it was around 2010, I was just finishing my set and went outside the club to light a cigarette. Suddenly a police car stops nearby. I thought the policeman was here to fine me (I was more than 20 meters outside the venue), but he just lifted a poster of mine and asked to sign it. Then I realized that "Problèmes d’Amour" has been for a longtime the opening theme for a popular radio broadcast well-known between the black community (hence the policeman was black)”. - Maurizio Dami
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Dynamite Cuts 45s series is proud to release another double-pack; loaded with jazz funk 7” wonders. F.B.I. (Funk Band Inc) was the UK’s original Jazz-funk band. Four tracks from this timeless LP are now on 7” for the first time. Originally released in 1977, this LP is now massive with the collectors, and is in the ‘must-have’ category. The incredible ‘Bad Deal’ (my personal favorite), and, yes, the outstanding, “Talkin about love”, are both on there. This Dynamite Cuts release is a gatefold edition; with some previously unseen photos of the band. Unmissable
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- A1: Fink - Covering Your Tracks
- A2: Alfa Mist - Mulago
- A3: Charlotte Day Wilson - Mountains
- A4: Moreton - Count A Heart (Feat Jordan Rakei)
- B1: Puma Blue - Untitled 2
- B2: Connan Mockasin - Momo's
- B3: C Duncan - He Came From The Sun
- B4: Oso Leone - Virtual U
- B5: Joe Armon-Jones - Idiom (Feat Oscar Jerome)
- C1: Snowpoet - Eviternity
- C2: Maro - Forever & Always
- C3: Homay Schmitz - Speak Up
- C4: Bill Laurance - Singularity
- D1: Jordan Rakei - Lover, You Should've Come Over (Exclusive Jeff Buckley Cover Version)
- D2: Cubicolor - Counterpart
- D3: Jordan Rakei - Imagination (Exclusive Original Piece)
- D4: Alejandro Gonzalez Inarritu - Imagination (Exclusive Spoken Word Piece)
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“I wanted to try and showcase as many people as I knew on this mix. My idea of Late Night Tales was to distil a series of relaxing moments; the whole conceptual sonic of relax- ation. So, I was trying to think of all the collaborators and friends that I knew, who’d recorded stuff with this horizontal vibe. Plus, I was also trying to help my friends' stuff get into the world. I know the story of Khruangbin blowing up after appearing on the series (in fact, I think that's how I discovered them). So, the main idea was to create a certain atmosphere, but also to help some of my favourite collaborators and bud- dies to give their songs a little push out into the world. Hope you like it” Jordan Rakei
Due for release on 9th April, Late Night Tales celebrate their 20th anniversary with the release of multi-instru- mentalist, vocalist and producer Jordan Rakei’s majestic compilation. The 28-year-old modern soul icon effortlessly stamps his own jazz and hip-hop driven sound all over this gorgeous array of handpicked tracks. A beautifully layered blend that is mirrored in the music he’s made, itcomes as no surprise that such a supremely gifted songwriter should deliver a mix that is all about the song.
Rakei, born in New Zealand, but raised in Australia, moved to the UK in 2015; he released his debut album, Cloak, with Oz label Soul Has No Tempo, but his two subsequentLPs, Wallflower and Origin, came out on Ninja Tune, the former#2 in Album Of The Year for Gilles Peterson’s Worldwide poll, while Origin was nominated for Best Album at the AIM Awards. Jordan had this to say on his upcoming mix:
As Jordan says,there’s so much more to the song selection on Late Night Tales’latest outing than a random collection of artists. Many have some sort of personal connection, so just as Bonobo provided a platform for the breakout of Khruangbin on a previous LNT, this may have the same ef- fect for Rakei’s friends. After a soothing opener from Fink, good friend and big influence Alfa Mist (part of the Are We Live collective) delivers ‘Mulago.’ “I want to champion their sound and show the world how good he is, and I thought it’d be fitting to start the mix with family,” says Jordan.
Next up is Charlotte Day Wilson with ‘Mountains,’ followed by ‘Count A Heart’ from Moreton, an exclusive collab- oration with Jordan, who grew up on the same street in Brisbane, Australia. “She was the first artist I ever collabo- rated with, and one of the first artists to be involved in mycareer,” he explains. Elsewhere we hear Scottish producer and multi-instrumentalist C Duncan’s haunting ‘He Came from the Sun,’ Barcelona collective Oso Leone deliver a dreamy ‘Virtual U’ and Bill Lauren’s ‘Singularity,’ which evokes a striking sense of time and place.
Snowpoet’s ethereal ‘Evitenity’ is a “long mediative nar- rative over a beautiful soundscape,” which at times seems chaotic, nicely juxtaposed with undeniable beauty, and Maro’s kooky songwriting shines on ‘Always And Forever.’ Long-time buddy Armon-Jones contributes ‘Idiom,’ and Jordan’s exclusive cover version is a two-for-one, Radio- head’s ‘Codex’ merging with ‘Lover, You Should’ve Come Home’ by Jeff Buckley and another exclusive,original com- position by Jordan, ‘Imagination.’ The latter works as a piece with the spoken (Spanish) word voiced by movie director Alejandro González Iñárritu (Babel, Birdman, and The Reve- nant,) who is a big fan of Jordan’s. “He messaged me when I went to L.A and asked to come to my show. I was in such shock and we hung out after. I thought it would be nice to get him to do this in his native tongue, because I don’t think that’s been done yet on the series.” It certainly is a familyaffair. Not theblood is thicker than water kind, but certainly musical kindred spirits.
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- A1: Jestofunk - The Ghetto (Feat Ce Ce Rogers & Fred Wesley)
- A2: Bossa Nostra - Home Is Where The Hatred Is (Feat Vicki Anderson - Progetto Tribale Soul Mix)
- A3: Gazzara - Keep Yourself Together
- A4: Legato - If You Suck My Soul (Feat Karen Jones)
- B1: Ltj Sound Machine - Funky Superfly
- B2: Key Tronics Ensemble - Anamaria
- B3: Ohm Guru - Tokio Station
- B4: Sam Paglia - Lo Bianco Theme
- B5: Jerome Van Rossum - Nublado
- C1: The Last Minister - Tribute To Jb Family
- C2: S-Tone Inc - Get Freaky Now (Acid Jazz Mix)
- C3: Tameka Starr - Going In Circles (Ltj Soul Invention Remix)
- C4: Typhorns - Nightlife (Feat Trudy Newman - Full Jazz Version)
- D1: 2 Men 4 Soul - Spread Your Sax
- D2: The Sonic Family - Never Stop Dreaming (Never Stop Jazz Dream) (Never Stop Jazz Dream)
- D3: Voo Doo Phunk - Starsky
- D4: Soul Quality Quartet - Amor Ideal
- D5: Man Sueto - Mansueto Theme
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Its been more than 2 years since I did an original release on my own label. Its been 9 months since I had an original NOIR release.I wanted some time without releases. Some time to breathe, to think and most importantly time to be creative and to experiment.I have picked 2 productions I felt sounded different to everything else out here. Eruption was already made in the fall 2017 and I have been road-testing it since ADE17 and changed it quite a lot over the 6 months period from when I thought it was finished to what it actually sounds like now. I wanted the track to be brutal like a volcano erupting but at the same time have beautiful and peaceful elements. Hence the breakdown lava sliding into the middle of the track before it all erupts again. I have spent many hours trying to make it sound raw and unpolished. Disruption is build around a super simple sequence loop I played by hand while jamming with new pluck sounds. As the sequence got layered and washed in effects it became a quite haunting loop and that led me to add a boys choir to give that feel bigger impact.This track sounds simpler than Eruption but its actually stacked with layers. Disruption is meant to make you close your eyes, follow the rhythm, the simple sequenced loop and get hypnotized.
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The 17th in our Attack The Dancefloor Series that is always a strictly vinyl affair. This time we’ve got some exclusive remixes to dish out in this Special Remix edition of the series.
First up we got the Freerange boss in to remix the classic Sunburst Band track ‘He Is’. The mighty Jimpster has turned in a rich and sublime mix that truly deserves to be called Deep House. Warm Rhodes licks twinkle over deep kicks dubbed out guitars and hazy echoes. The whole track is drenched in Jimpster's deft touch as a producer and we think this is one of his best remixes. A Heavenly rework you might say.
Next up is a long lost remix from Andrés of ‘I Recoginise’ by Joey Negro. Never before released this was unearthed deep within a hard drive in the ZR vaults, now seeing the light of day it deserves. Andrés does what you would expect of him delivering a bass heavy MPC driven rework, utilising the synth lines and vocoder to great effect.
Fresh off a run of hot remixes for Glitterbox is Razor n Tape’s JKriv who turns the disco arpeggios up to 11 with his soaring remix of Prospect Park’s ’The Kinda Love’ complete with live strings and percussion.
Last but not least, The Visions’s dreamy piano led remix of the classic 'My Vision' by Jakatta featuring none other than Seal on lead vocals.
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After their killer first release 'A Homies Journey To The 11th Quadrant', the Future Funktion crew return with another EP absolutely stacked with variation and character.
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- A1: Les Pensees
- A2: L'usine A Disques (Duke Ellington & Louis Armstrong Remix)
- A3: Dreader Than Dread (Feat L'entourloop & Skarra Mucci)
- A4: Who's The Real Skinhead? (Ska Edit)
- B1: Old Mob Blues (Feat Shaolin Beatmaker)
- B2: Design Of The Future (Feat Dizzy Dustin (Ugly Duckling)
- B3: Streets Of Neryhi
- B4: The Earth Is My Witness (Feat Caminuksuk (Bloc)
The Architect is an artist that travels through styles: Swing, Jazz, Electro, Soul, Funk and Hip Hop... A real digger of hidden samples, he is also beatmaker for the famous collective L'Entourloop! 2019 marks its big comeback, with the announcement of a new album and a new immersive live under the name of The Architect & the Unique Orchestra. The 1st EP of the beatmaker The Architect entitled "Foundations" is finally available on vinyl more than 6 years after its original release in 2013 !
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- A1: Chasing Shadows
- A2: God Knows We Tried
- A3: If You Dare (Feat Zun)
- B1: Omnipotent Love Energy
- B2: Skin On Skin
- B3: Fast Lane
- B4: Different People
- C1: Cosmological Horizon Entropy
- C2: Losing Sleep
- C3: Matter Of Time
- D1: Space 2 Breath
- D2: Outer Space Jam
- D3: Unpowered Descent
- D4: Beyond Completely Gone (Feat Judas Mordache)
DJ Support
Nathan Micay, Madam X, Ben UFO, Extrawelt, Answer Code Request, Mosca, Foul Play, Crazy P (Hot Toddy), Lauer, Ben Sims, Om Unit, Martyn Bootyspoon, hrdvsion, Nick Craddock, Kikelomo, Laurent Garnier, Carl Craig, Addison Groove, My Nu Leng, Anja Schneider, Ame, Kassian, Orde Meikle (Slam), Richie Hawtin, DJ Autumn (Banoffee Pies), Henry Greenleaf, Rhyw, Fault Lines, Bake, Sly-One, Mak & Pasteman, Littlefoot + more
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Rising French techno producer Trudge makes his debut appearance on Lobster Theremin with the blistering four-track EP, Self Love Club. Following releases for ARTS, 1Ø Pills Mate and Of Paradise - as well as his transformation from hazier sounds into full throttle techno - Self Love Club is a defining record for the young artist and an ambitious taster ahead of his debut album, slated for release at the start of the
summer.
Opener Ice On My Neck sets the pace of the release combining bone-rattling drums & glacial pads to maximum effect, while title track Self Love Club ramps up the emotion without sacrificing any intensity. On the flip, Bird Ghost’s ethereal synth lines punctuate a pummelling kick and Night Shift lowers the aggression ending the record on a dreamy, break-lined note.
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Dynamite cuts 45s series is proud to release two Jazz gems by the wonderful Nanette Natal – she ain’t shy! What a voice!
“It’s Over” b/w “Love Signs both taken from the mega rare private press and incredibly hard to find LP “My song of something”. Both were part of the original Jazz dance vibe in the 90s.
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- A1: I Was Never Really Here
- A2: Like Sunlit Threads
- A3: Last Silence
- B1: Mystery Beyond Mystery
- B2: Outwardly Attaching
- B3: Holographic Matrix Of Informational Totality
- C1: Self Aware Field Pt. 1
- C2: Birth Of The Healer
- C3: Self Aware Field Pt. 2
- D1: In The Absence Of Becoming
- D2: Logos Triggering Agent
- D3: Deeply Rooted Peace
Encounters with the ineffable.
The dormant roused.
Openness, observation, questioning, humility, sincerity.
Re-imagining the known, that which is untapped, all that was concealed.
Pathways to wholeness unearthed.
Meeting of truest self.
Temporal versus infinite.
The fallout.
Sudden disintegration, falling away, continuity shattered.
Facade ruptured, persona released, identity laid bare, history withdrawn.
Appearance of no-thing-ness.
Pregnant with possibilities, birth out of chaos, mystery unfolds.
Healing through anguish, renewal through trauma.
Newborn imaginings.
Accept the summons.
Chapters of lucidity, adventures in clarity.
Alignment in harmony.
All encompassing.
Reorientation emerges, subsequent renewal, transcendent insights, enlightened revelations.
Surrender reached, acceptance embraced, liberation appears.
Transmutation.
Solemn symbols of gratitude.
New found depth of meaning, of understanding, of moving, of seeing.
Beyond mental illusion, unifying as nature, expression of stillness.
Vision of the undivided, transmission of wisdom.
Flowering into being.
- Kas ॐ
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We stumbled onto Al Muntzie’s under the radar soul beauty ‘Die Happy’ after conducting an interview with Joe Quarterman for a feature on our website.
It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. ‘Die Happy’ was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco.
Initial research didn’t shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself.
“I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to ‘Die Happy” and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians.
Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (EU). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done.
The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art.” We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves. Produced by the legendary Joe Quarterman
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Gidge - the Swedish duo consisting of Ludvig Stolterman and Jonatan Nilsson - return with their new album “New Light” on November 6th. Marking their 5th release on Atomnation, this LP can be seen as their second full-length album to date, following up 2014’s mythical “Autumn Bells” LP. Their discography furthermore includes short-film “Lulin” (in collaboration with Lampray), mini-album “LNLNN”, and debut EP “For Seoul”.
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