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Emanuel Satie returns to Crosstown Rebels with his expansive new three-track EP, ‘A Love Fantasy’. Releasing on 19th June 2026, the Lisbon-based artist delivers his first full EP in three years, exploring the deeper, more emotive corners of his sound, alongside a collaboration with Bruno Roth.

German DJ/producer Emanuel Satie returns to Damian Lazarus’ Crosstown Rebels with ‘A Love Fantasy’, a three-track EP that captures an artist equally at home in peak-time spaces as in more introspective territory. Bending emotional depth with groove-led energy, Emanuel continues to refine a sound that balances timeless house sensibilities with a sharp modern edge, following acclaimed releases on Innervisions, Diynamic, Cocoon, and more. Having already released on the label with ‘Personal Liberation’ back in 2021, his return brings three tracks of late-night house bliss.

Title cut ‘A Love Fantasy’ brings soulful vocals, vibrant chords, and crisp rhythms, shaping the deep-rooted energy felt across the EP. On ‘Touch’, he links with Ibiza’s Bruno Roth for a deeper excursion guided by sweeping melodies and fluid movement – born from collaborations between the pair that began in the years following the pandemic. To close, second solo track ‘Some Love’ leans further into melody and emotion, rounding out the release with an uplifting finish.

Over the past few years, Emanuel has continued to solidify his place as one of the most consistent artists around. From Beatport chart-toppers and DJ Awards recognition to standout records and his role within internationally renowned collective SCENARIOS, his output continues to bridge underground credibility with global dancefloor appeal.

HILOMATIK proudly announces the vinyl release of the A-Sides EP 2, including six techno records covering the genre's spectrum from Markus Schulz, Nicola Fasano, The YellowHeads, Jochem Hamerling, Deus Deserto and Paula van Klar. This second installment once again combines a mix of renowned- and young, talented producers.

As the successor of the A-Sides EP 1, this second EP is a must-have vinyl for all techno enthusiasts and marks another chapter in the story of HILOMATIK.

Check The Description Before Asking For A Track ID is a thoughtfully curated four-track journey through modern deep tech house, balancing forward-thinking sound design with emotional depth and dancefloor functionality. The release unfolds across two distinct yet complementary sides, guiding the listener through evolving textures, moods, and states of energy.

On Side A, A1. Overt – Annular and A2. Third Echo – 31th Session introduce a spacious and immersive atmosphere. Built around shimmering arpeggios, airy melodies, and fluid progression, both tracks explore a subtle interplay between progressive motion, trance-like elements, and dub-infused textures. The result is a weightless yet driving experience — refined, hypnotic, and perfectly balanced for setting a tone that feels both futuristic and deeply engaging.

The B-side shifts into more introspective territory. B1. Eric Louis – Grooving In The Future and B2. Severin – Shiti bring a melancholic edge, focusing on emotive melodies and transitional energy. These tracks are crafted for pivotal moments within a set — where the atmosphere deepens, emotions unfold, and the narrative takes a new direction. Warm, bouncy grooves intertwine with cooler, more restrained tones, creating a contrast that feels both elegant and expressive.

Spanning a wide emotional and rhythmic spectrum, NRP006 is a versatile tool for selectors — designed to navigate the subtle shifts of a dancefloor with precision, intention, and depth.

NOREPRESS is a division of MixCult Records. Limited Edition.

FPTAM01 marks the 10th vinyl output on Futurepast and introduces a new subseries initiated by T.A.M.22.
Conceived as a time-based operation, the project moves between memory and projection, reactivating past structures in a forward, anticipatory mode. The tracklist is inscribed as time codes, each one indexing a separate temporal trajectory.
The core of the project relies on a reduced setup: Jomox Alphabase, a single synthesizer per track, and a one-take recording approach, capturing a specific moment in time. Post-editing is kept minimal to preserve its raw, live character.
Across the EP, transformation unfolds through shifts in perception, dissolving any stable sense of reality. Temporal drift replaces fixed structure. The sonic language focuses on raw drum architecture, low-end pressure, and submerged textures.

Celebrating a decade since its live debut, Detroit-based artist Rebecca Goldberg announces the first-ever vinyl release of her original score for A Trip to the Moon, the iconic 1902 silent film by Georges Méliès. Composed in 2016, Goldberg’s reimagining of the groundbreaking film—originally titled Le Voyage dans la Lune—translates early cinema fantasy into a minimalist electronic soundscape shaped by synthesis, texture, and composed foley.

Goldberg’s approach honors the wonder and theatricality of Méliès’ vision while grounding it in Detroit’s lineage of forward-thinking electronic music. The score premiered in Paris in 2016 with live performances at Silencio, the club founded by David Lynch, and at Bar à Bulles, located above the legendary Moulin Rouge. The Paris events were produced by Why So Serious Productions and marked a rare convergence of experimental electronic performance and historic cinematic space. Goldberg also presented the live score in her native Detroit, reinforcing the transatlantic bridge that has long shaped her conceptual record projects.

Now, ten years later, the score will be released for the first time on vinyl in a limited edition of 300 copies. The pressing captures the nuance of the original live compositions while offering listeners a new way to experience the interplay between silence, rhythm, and sonic illusion. As with Goldberg’s previous conceptual 12" releases, the vinyl format serves not only as a medium but as an artifact that preserves and reframes cultural memory.

SLF IMG is a dark synth pop project channeling the shadowy elegance of the 80s while injecting raw EBM drive and the hypnotic, sun-bleached nostalgia of classic italo disco. Their forthcoming EP “Carne” – Italian for meat – sinks its teeth into the genre with sleek, modern production, razor-sharp hooks, and basslines so catchy they feel almost carnal. Seductive yet menacing, “Carne” strips the sound back to its pulsing, flesh-and-wire core: dancefloor-ready grooves wrapped in velvet darkness.

Limited to 200 copies on splattered vinyl.

Belgian saxophonist, composer, and producer Mattias De Craene (Nordmann, MDCIII) announces a new solo album, ‘A House Where I Dream,’ on VIERNULVIER Records. On his second album, he delivers a highly personal and healing journey, presented as an alternative soundtrack to the 1973 cult film ‘The Holy Mountain.’

The record will be released on October 11 on vinyl LP and through all digital platforms.

"The Holy Mountain" is a surreal Mexican film from 1973 directed, written, and produced by Alejandro Jodorowsky, who also stars in the film. The film holds a prominent place in avant-garde cinema and explores themes such as spirituality, mysticism, and the quest for enlightenment. It is in this vein that ‘A House Where I Dream’ is crafted.

“My mind and soul - and thus my music - come home to this motion picture” - Mattias De Craene

The album will be presented live with the film on October 16 at Videodroom during Film Fest Gent.

ABOUT THE ALBUM
With hypnotic tape loops, grainy textures, and mesmerizing saxophone, Mattias De Craene creates possible worlds that herald a spiritual transformation. From the Scottish Highlands and desolate mountains to the deepest recesses of the soul, this music has the power to create cinematic landscapes that transcend time and space. The sound of these 8 tracks is closely related to the minimalist compositions of Terry Riley, but the work of contemporary artists like KMRU or William Basinski is also drawn from the same material.

Above all, this album is a deeply personal journey and unintentionally serves as a metaphor for De Craene's ascent of his own mountain. For the Videodroom festival by Arts Center VIERNULVIER, the saxophonist began working on a new soundtrack for the film ‘The Holy Mountain’ in 2023, but his body and mind abruptly called him to a halt, forcing him to take a professional break. However, this project never left him, leading to an honest and raw quest to find himself as both a person and an artist, with Jodorowsky as a companion de route and music as an anchor. It initiated a long process of dismantling, searching, healing and back again. The album not only provides a sanctuary for dreaming to all who listen, but for its creator it also serves as both an outcry of despair and a source of comfort during challenging times.

All the tracks on 'A House Where I Dream' share an unfiltered grain of life, as one can almost feel the damp breath of the saxophone blowing.

The album opens with the three-part strong 'Transcention,' where the hypnotic interplay between soprano sax and lo-fi tape loops leads to higher realms of the mind and soul.
Alternating between deep frequencies and farout folk modalities, this mantra-like triptych acquires an alchemical character and ultimately transcends time and space.

In the ethereal 'Away,' one can peer into an abyss of resonance while a saturated tenor sax lends guidance in the spirit of Terry Riley's productions. 'You and Me' also bathes in a similar atmosphere, albeit in the vein of healing 90s ambient as granular sax tones converge with celestial chants. 'Gazing Upwards Towards The Sky,' offers different shades of blue as a slumbering tenor sax is juxtaposed to swift sax patterns. On 'A Stranger That Moved Me,' beauty lands in a soft and subtle manner, while the closing track 'Shepherd's Glow' drifts like a mountain wind flaring up at the darkest hour of the night.

The artwork is created by Gent-based artist Sam Timmerman, who portrays the world of 'A House Where I Dream' with playful repetition and mystique.

Basking in the glow of Lightsaber, the swashbuckling synthesizer synergy of Tending Tropic, Kay-Chi and Sharlese debuts. A cross-continent collaboration that bridges the Atlantic, this group joins forces through a shared passion for italo and wave with their sound set firmly on the floor. The title track is analogue brightness, drums drive a melody that dips and soars next to Sharlese’s uplifting lyrics. Energy levels are high from the needle drop. Cymbals crash for “Timeloop.” Vocoder words are softened by gently scaling chords before generous builds give way to sparking synthwork. Disco flourishes and bongos break to spiralling notes in the playful “Luminara.” Cosmic influences radiate through key shifts and understated toms in this celebration of the night sky. “Inertia” marches to a heavy-hitting beat. Industrially dipped, the percussion is fortified by a simmering melody that spills over into a bold body-throbbing close. Despite being oceans apart, this is a partnership light years ahead.

Ground16 proves his genre-bending talent with his latest release on A.2AUM, the new sublabel from SEVEB. The “Breaking Through” EP is like a Swiss Army Knife: Highly versatile, broken beats on the A-side and 4×4 on the flipside.

A DJ must-have, suitable for every occasion, whether opening slots, early-morning closings or the afters. Ranging from electro to deep house and broken beats, plus an uplifting techno remix by Turkish delight Pink Concrete, the record carries an overall dreamy, texture-rich sound aesthetic.

Berlin-based label Ascension on Wax continues its deep, jazz-inflected trajectory with the forthcoming release A Quiet Storm EP from DFRA, arriving June on 12" vinyl and digital formats (Cat No: AOW005). Available to buy and pre-order from May 15, the EP showcases DFRA's refined blend of soul, jazz, and classic house sensibilities, enriched further by a remix from Detroit's Jon Dixon.
Hailing from Colombia and now based in Buenos Aires, DFRA (Diego Ruiz) brings a deeply musical approach shaped by formal studies in composition and a lifelong immersion in hip-hop, gospel, soul, and disco. His productions balance two complementary sides, lush, jazz-rooted musicality and the raw, driving energy of Detroit and Chicago house. This duality is fully realised across A Quiet Storm EP, marking another step in his evolving sonic identity.
The title track, "Quiet Storm," opens the record with a deep, rolling groove elevated by exquisite saxophone work, setting an introspective yet dancefloor-ready tone. "Strings" follows with a dreamy atmosphere, rich piano textures, and a warm jazz undercurrent that highlights DFRA's compositional finesse. On "Charlene," soulful vocals intertwine with chord progressions reminiscent of early Motor City Drum Ensemble, delivering a nostalgic yet forward-looking house cut.
Completing the package, Jon Dixon reimagines "Charlene" through a distinctly Detroit lens. Stripping the track back and rebuilding it with deeper textures and signature keys, Dixon channels the spirit of Underground Resistance while pushing into more meditative territory, bridging jazz improvisation with machine-driven rhythm.
Founded in Berlin, Ascension on Wax continues to honour the legacy of jazz within house music, pairing contemporary producers with a strong visual identity and limited vinyl releases. With A Quiet Storm EP, the label reinforces its commitment to soulful, authentic club music rooted in the traditions of the 90s US scene while looking firmly ahead.

Parisian house priestess SERIOUS A makes her STARCREATURE/GLOBAL CARESS debut with a deeply dreamy 7". This record finds Chicago somewhere between Detroit and Vancouver as an ethereal strand of synths and funky hypnosis. Highly serious, highly fun tracks to make you bounce

Vinyl Only!

Unsung Hero Lady D appears out of nowhere, delivering three cuts of pure dancefloor attitude. Raw 90s house energy on “Son of a Gun”, deep Balearic moods and a forward-pushing Dub on the flip.

Released via kickin’ up dust on dark blue vinyl. Limited to 300 copies.

Special UK Import - Straight from the Stay Up Forever Headquarters !! Low Quantity available. The 8th Triple A brings Ben Fraser’s floor smashing ACID LOVE EP to the table…4 tracks of pounding psy-tinged Acid Techno for acid lovers everywhere…

Auntie Flo delivers two extended versions of Costa Rica based singer-songwriter Doe Paoro. If you liked Auntie Flo's 'Green City', check these...

Doe Paoro approached Brian d’Souza aka Auntie Flo to do a remix for her album 'Living Through Collapse' last year. He loved the parts she sent so much he asked her if he could do two remixes, press onto vinyl and release via A State Of Flo.

We're doing a limited run of 300 copies only, orange vinyl - so buy today if you don't want to miss out.

The tracks... Teach Us Of Endings - a classic balearic groove, gloriously uplifting disco-style strings and complete with Green City-style drum rolls and a killer Ziggy Funk bass line ... just waiting for those strings to come in...bliss

Maya - exotic, deep, hypnotic. Centred around a Ziggy Funk groove with analogue washes and Middle Eastern sounding instrumentation.

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

Support from Colleen ‘Cosmo’ Murphy, Luke Una, Dar Disku, Paula Tape, Sean Johnston, Gabriels, Batida etc

Silk Cuts returns with its second fresh drop of "nameless and shameless" series edits. These essential 7-inch mashups are floor-fillers lovingly crafted for all the party DJs, turntablists bods and heads. Highly recommended and available exclusively as a limited edition vinyl only release, stay tuned for more.

Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke POLE @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)

On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!

Nach dem Sommertheater nun die nächste Veröffentlichung Drittelpause mit A dreams A und dem niederländischen Musiker Jerzz .
Er steuerte auf der B-seite einen Track zur Circuit Beats 09 bei .

Musikalisch gibt es clubtauglichen Acid Techno 2026 original aus den amtlichen Maschinen zu hören und fühlen. Die Scheibe ist gepresst mit Ökovinyl aus Bioplastik , entstanden aus dem Recycling von Vinyl-Schallplatten wodurch u.a. Pressungen mit einmaligen Mustern entstehen.

For the 6th edition of Easy Tiger, Marko Nastic welcomes Bosko Balos for the first chapter of their new project, Mooshoo Clan, presented through a 4-track EP titled A Journey To Hyperspace. The record opens with Bellissimo - a wavy bassline-driven track followed by old-school drum programming that pulls you straight onto the dancefloor. Down the grooves, we arrive at Original 59. From the very first moments, you’re drawn into a vocal and bass-led paracosm, evoking the feeling of falling into a lost world of pure joy. On the flip side, the strong energy continues with Take It From The Top - a classic pumper, fueled by vintage stabs designed to get the crowd moving. Part one closes with the signature track Mooshoo Clan - a bass-heavy roller that keeps the momentum alive, this time leaning into a darker, more hypnotic mood.

Hör mal, es gibt jede Menge DJ-Duos in Brooklyn. Die meisten sind ganz okay. Fundido gehören zu denen, die schon seit 10 Jahren richtig gute Arbeit leisten. Was als euphorische, wilde Partys nach den Auftritten im vorderen Raum des ,Baby's All Right" begann, findet mittlerweile in immer größeren Locations statt, weiter außerhalb, wo Stammgäste und neue Gesichter Seite an Seite stehen. Es ist ein Paradies für Musikliebhaber und der schlimmste Albtraum eines verantwortungsbewussten Erwachsenen. Nachdem sie jahrelang beliebte jährliche Compilations kuratiert haben, machen Latane Hughes und Billy Scher nun mit Hilfe des Produzenten Miles Felix ihre eigene Musik. ,Get A Grip" wirkt fast wie maßgeschneidert für DFA: Four-on-the-Floor-Drums, ein Synth, der deine Hemmungen wegfrisst, und ein Gesang von Emma Dufaux, der den Sack zumacht. Es ist wirklich gut. Die 12" bietet dir vier Möglichkeiten, den Track zu hören: den Original Mix, einen Bliss Mix (weniger ,Maw") und Remixe von den aufstrebenden Stars Make A Dance und Asa Tate. Diese Jungs haben ein Jahrzehnt damit verbracht, herauszufinden, was die Leute dazu bringt, sich zu verlieren und immer wiederzukommen. Jetzt machen sie die passenden Tracks dazu.

The fifth release from Diggers Society Records is signed by one of the most influential duos in the underground electronic scene of the past 20 years: The Analogue Cops. Lucretio and Marieu deliver a finely crafted, dancefloor-oriented EP, strongly defined by the techno, electro, acid, and house sounds that have become their unmistakable signature. The A-side opens with two full-on techno dancefloor bangers, ‘Fake Black Out’ and ‘Do What You Want’, while the B-side leans more towards house, driven by the hypnotic progression of ‘Milano Gipsy’ and the intense bassline of ‘Chinese Coffee’. The duo’s creativity and brilliance shine through in raw, unconventional solutions that surface in every moment of the EP.

This special edition also includes a 10" limited to 100 hand-numbered copies, featuring two exclusive productions: “Burning Jack” and “Yes Or Not”.

Artwork by @designattitude_graphic

The fifth release from Diggers Society Records is signed by one of the most influential duos in the underground electronic scene of the past 20 years: The Analogue Cops. Lucretio and Marieu deliver a finely crafted, dancefloor-oriented EP, strongly defined by the techno, electro, acid, and house sounds that have become their unmistakable signature. The A-side opens with two full-on techno dancefloor bangers, ‘Fake Black Out’ and ‘Do What You Want’, while the B-side leans more towards house, driven by the hypnotic progression of ‘Milano Gipsy’ and the intense bassline of ‘Chinese Coffee’. The duo’s creativity and brilliance shine through in raw, unconventional solutions that surface in every moment of the EP.
Artwork by @designattitude_graphic

Special UK Import from the headquarters of Stay Up Forever; Low Quantity Available ! Benji 303 delivers one of the best Acid Techno EPs he’s produced so far for Triple A (Acid Artists In Action) with loads of attitude and funked up 303’s, and a strong anti racist message on the A1 !

Drumcode returns with its flagship A-Sides series, featuring an exciting mix of established heavy-hitters, alongside a slew of new faces set to make their mark on the genre.

V4 features big names like DC regular Oliver Huntemann, Bulgarian DJ and producer known for his energetic techno-trance style JackRock on the flip we have DC Radio regular Alex Stein and rounding off with new Romanian artist Tao Andra, who shares the celestial ‘Unity’.

R.A.N.D. Muzik Recordings welcomes Tallinn’s Squash (aka Gearmaster/Abdul Raeva) to the label for an EP of tech house.

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

For the past two years, we have been playing almost every production by Matthew Dekay & Lee Burridge. Now we're very happy to welcome both of them on Innervisions IV38.
"Lost In A Moment" is a track that has given us goosebumps when playing it out in the clubs. A Dixon Mix on the flipside takes a different approach and shows that the summer
season is just around the corner. 2026 Repress on transparent Vinyl!

Genieße jetzt die Musik aus der Emmy-nominierten PBS-Kids-Serie ,Carl The Collector"! ,Sound Spectrum: A Collection of Themes From Carl The Collector" präsentiert die einzigartige Musik von Eraserhood Sound aus Philadelphia. Auf 34 Titeln, darunter der unvergessliche Titelsong der Serie, bekommst du einen Vorgeschmack auf Funk, Soul, Rare Groove, Jazz, Samba, R&B, New Wave und mehr - alles im typischen Synth-&-Soul-Stil von Eraserhood Sound. Die bahnbrechende Serie, die Carl, einen autistischen Waschbären, und seine Freunde begleitet, ist eine der ersten großen Serien, in denen Figuren mit Autismus vorkommen. Serienschöpfer Zachariah OHora wusste, dass er eine einzigartige Musikkomposition brauchte, um das Potenzial der Serie voll auszuschöpfen. Er wandte sich an Eraserhood Sound aufgrund ihres italienischen Library-Music-Albums ,Ribelle Di Mare" und bat um einen ähnlichen Synth-&-Soul-Ansatz. OHora sagt: ,Ich wollte keine typische Kindermusik. Ich wollte nuancierte, emotional reichhaltige Musik, die von und für Plattenliebhaber gemacht wurde." Die Musik, die vollständig von Vincent John und Maxwell Perla komponiert, produziert und eingespielt wurde, fängt die raffinierte Soulfulness von Vince Guaraldis klassischen Peanuts-Soundtracks ein und klingt dabei dennoch absolut frisch und modern. Jeder Song auf dem Album stammt direkt aus Episoden der unvergesslichen ersten Staffel von Carl The Collector. Von funkigen Fuzz-Freakouts bis hin zu düsteren, introspektiven Balladen - genieße einige von Vincents und Maxwells liebsten musikalischen Momenten aus der Serie.

Active for more than a decade within the Geneva scene, DJ Laxxiste A. has established himself as one of the key figures of the local club culture. A DJ digger, musician, producer and experimenter, he moves between rave culture, dub and adventurous electronic music. As one half of Oram Modular, a project that left a mark on Geneva's house and techno landscape, and through several live projects, he has long navigated between soundsystem culture, the dancefloor and free party. This new release, composed of five original tracks and two remixes, offers a synthesis of Laxxiste's musical obsessions. Jungle, acid, breakbeat and dub collide in a dense, textured universe shaped by a distinctly dub-driven mix. The tracks were first tested in a hardware live set, where machines, FX and samples were pushed and reshaped in real time before being refined into finished pieces. The result is an organic and sometimes raw sound, combining lo-fi textures, twisted samples and deep basslines designed for adventurous dancefloors.
The record also features two collaborations. Lateena, a key voice of the Swiss dancehall scene, appears on one track, bringing a distinctive vocal presence. Another piece unfolds through a double transformation, with a remix by Bony Fly later extended into a dub version by dubmaster Androo.

Thessaloniki is a hotbed of electronic talent. Tendts are testament to this. The triumvirate of brothers Christos and Fotis Papadakis, joined by guitarist Elias Smilios, have carved out a truly unique sound. Blending disdainful punk with synth‑pop sheen, the group arrive at the Bordello with Ghost Boys. Cymbals crash in the title piece, a lone key circling percussive precipitation before rich guitar strings bring balance and ballast. The song, an emotion‑stripped story of missed opportunities and narrowing prospects, is sensitive and sharp; an emblazoned anthem to the lost and forgotten. Distilled down to a powerful essence, the radio version focuses on the throaty message, meandering synth melody, and smoky strings.

Lauer steps in for remix duties, dipping the original into a blue acid‑electro syrup before it re‑emerges as a fresh‑faced reimagining, its chorus lanced with vocoders while a minimal melody simmers beneath Chicago‑style knob twists. Taking another direction, Boys’ Shorts melt broken‑beat revelry into their countrymen’s original. Smilios’ guitar riff becomes a central column around which samples spin and house warmth emanates. Sheer quality from needle drop.

With the title "Treatise On A Narcissist" hinting at the EP's thematic exploration, the four originals by Shaleen are a masterclass in atmospheric, driving techno-built on powerful basslines, intricate percussion and an unnerving emotional intensity. This formidable body of work is then subjected to four distinct and high-calibre reinterpretations, each pushing the originals into new sonic territories.

Fiedel delivers a masterclass in raw, functional Berlin Techno. His "Treatise on a Narcissist" Remix builds on a foundation of caustic percussion and echoing metallic textures to create a journey into the machine's heart, powered by monolithic kick drums and pulsating, hypnotic sequences. This is peak-time, strobelit intensity-a dark, unforgiving lesson in rhythm and propulsion.

Mareena's sophisticated version of Shaleen's "Treatise On A Narcissist" strips the original back to its essential hypnotic core. It locks into a precise, relentless rhythm with characterizing sharp hi-hats, a focused, pulsating kick drum and creates a sense of deep,
foreboding atmosphere by utilizing subtle, filtered synth drones and echo effects.

Rosati's Remix of Shaleen's "Nymphomaniac" layers hypnotic elements, leading to a massive, euphoric breakdown and creates a captivating, almost obsessive mood. This track demands movement. It's an unrelenting sonic journey characterized by a hard-thumping rhythm section that maintains relentless forward momentum.

JakoJako steps up to deliver a nuanced and immersive re-imagining of Shaleen's "Fused in Desire". Moving away from high-impact euphoria, this remix focuses on dark, driving Techno.
The textural soundscape features a powerful low-end as well as lush, evolving pads and shimmering, modulated synth textures that create a vast, emotional space to establish a profound, steady pulse. Designed for total immersion, this track serves as both a
high-energy peak-time weapon and a hypnotic journey for early-morning dancefloors.

Aspetuck has been steadily carving out a name for himself through releases on Never Late and Oslated, garnering a respected following for his DJ mixes and festival performances. Aspetuck’s latest record, Immersion, was sequenced and curated from dozens of ideas spanning a transformative few years in Griff’s life. The album is less a snapshot in time and more of a memory bank - flashes of fatherhood, loss, modular rabbit holes, late-night studio sessions, and long walks by the Hudson River with his daughter.
The emotional undertow of the album is immediate. Opener Hit Me With Your Pet Shark is one of the earliest compositions in the collection, created just months after the loss of Griff’s brother and during the sleepless swirl of new parenthood. Built around a single sound from Spectrasonics Omnisphere, found while rediscovering his brother’s studio gear, the track sets the tone: restrained yet searching, personal without becoming precious.
From there, The Printing Press captures the raw energy of a live jam in Griff’s upstate New York basement, running through a 1980s Tascam mixer like a lo-fi assembly line of synths, pads, and drum machines. REI, named after a spontaneous family mission to find a pink water bottle, encapsulates his knack for imprinting daily minutiae into sound. And title track Immersion- once known simply as Tuesday 303 Jam- emerges from a dinner break and a blender, distilling modular sketches and distorted drums into a powerful, slow-motion march.
Under, Under The Tree hits hardest. Built around a grainy iPhone voice memo of Griff’s daughter singing by the Hudson. And closing the album is Bobik, a collaborative studio session with Moon Patrol channeling the playful chaos of a close friendship and modular exploration. Named after a joke about their golden retriever and filled with alien textures from Griff’s beloved EMU XL7 gifted years ago by his late brother, it’s a fitting send-off to an album that straddles celebration and mourning with grace.
The artwork comes courtesy of Peter Skwiot Smith, whose textured analog/digital aesthetic resonated immediately with Griff’s original vision. Peter’s treatment draws on Griff’s personal photography and leans into motion, blur, and the layered nature of memory, echoing the album's sonic tone without overexplaining it.
Mastered by Sven Weisemann, Immersion is available on blue smoke colored 12”

RAWAX welcomes Caruan to the artist family! We are very happy to present you this great artist, who already released on iconinc PERLON. Gaetano delivered here a fantastic mixture of genres. Each track is diffrent and the whole ep tells a story from Minimal to Techno, from House to Jazz and that makes Gaetanos debut for us so special.

All tracks are written and produced by Gaetano Caruana aka Caruan
Piano on "Diaphragm Jazz" by Stefano Onorati , trumpet by Andrea Guzzoletti
Piano on "La Vida Siempre Puede" by Stefano Onorati
Big Sausage is written and produced by Gaetano Caruana and Marzio Aricò.

For almost two decades, Igor Škafar has honed a own unique sound. Warm and nostalgic, the Slovenian artist melts unctuous analogue tones with subtle percussive patterns. This palette is at the heart of Ichisan’s fifth appearance on Bordello A Parigi. An undulating and understated introduction ushers in “Erotika,” the cosmic gazing sounds of the 1970s and the turquoise waters of Balearic flowing as one. Swirling space synthlines are countered by punchy beats, fudgy basslines balanced by the gently rippling melody. The break offers new directions, drum patterns scatter before regrouping around those sunkissed scaling chords care of Škafar’s impeccable craftsmanship. The beats take on a disco snap for “Midnight House,” a smouldering snaking synthline unfurling itself to glorious heights. Bongos and toms support the sci-fi dipped keys of this seven-minute journey into the musical mind of Ichisan. Two tracks that offer a deep dive into the sounds of a truly singular artist.

R.A.N.D. Muzik Recordings welcomes Subb-an back to the label. This time in a solo capacity for an EP of house/tech house.

"I think I have never met anybody, with the exception of Brazilian guitarists Baden Powell and Toquinho, as connected to his instrument as Agustín Pereyra Lucena" – Vinicius de Moraes

Far Out continues its exploration into the singular catalogue of Argentine guitarist and songwriter Agustin Pereyra Lucena with a special Record Store Day edition of his most celebrated album Ese Dia Va A Llegar.

Agustín Pereyra Lucena was one of South America’s outstanding guitarists. Hailing from Buenos Aires but obsessed with the music of neighbouring Brazil, Agustin abandoned his architecture studies to pursue music full-time, earning friendship and collaborations with Brazilian music's greatest figures including Vinicius de Moraes, Baden Powell, Toquinho, Dorival Caymmi, Maria Bethania and Chico Buarque.

Originally released in 1975, the album has been better known in some parts of the world as Brasiliana – a title repurposed by Agustín's European record label in the 70s to exoticize the sounds of South America for the continental market. It finds Agustin and band—which includes key collaborators Guillermo Reuter on contrabass, and Carlos Carli on drums and percussion— at their most blissfully laid back. The album features idiosyncratic renditions of classics by Antonio Carlos Jobim, Vinicius de Moraes, João Donato and Agustin’s personal hero and friend Baden Powell, alongside Agustín's own works which ooze with captivating mystical wonder.

The analog warmth of the recording is such that it feels like you’re there in mid-seventies Buenos Aires, on a balmy late night session at Estudios Audión, with a group of phenomenally impressive musicians. The heat generated is offset only by the cool temperament of everyone involved. On the handful of vocal tracks on the album, Agustin’s gentle voice is responded to by the liquid smooth vocals of Laura Hatton, Luis Maria Cosenza and Patricia Scheuer.

Agustin’s unique position in the annals of his continent’s musical history has been lovingly maintained by Agustin’s nephew Jose Luis Pereyra Lucena, who has entrusted Far Out Recordings to preserve and re-release Agustin’s works. The music has been professionally remastered at London’s Metropolis Studios, using multiple copies of well kept original vinyl.

Reissued worldwide for the first time under its original title and cover as Agustin originally intended, Ese Dia Va A Llegar will be presented in a limited edition obi-stripped gatefold replica sleeve.