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Various - NZ ELECTRO 2020

Various

NZ ELECTRO 2020

12inchINDEX2020
INDEX:Records
09.04.2020

New Zealand/Aotearoa is an island known for its lush nature and unique geographical positioning: at the centre of the Water Hemisphere, its surreal blend of beauty and isolation has a distinctive effect on its inhabitants and the art that they create.

With NZ ELECTRO, INDEX:Records brings to the fore one of the genre mutations caused by this unique environment, hoping to expose the people pushing dance music deep in the Pacific.

250 limited edition 12" vinyl in white polylined inner sleeve and purple card outer sleeve.

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11,39

Last In: 6 years ago
Perhaps - 7.0

Perhaps

7.0

12inchREPOSELP091
Riot Season
31.03.2020

LIMITED EDITION 300 ONLY WHITE VINYL

There was a terrible egregious shift in vibration the day the transmission arrived. It came to me in a dream, as was natural for these particular occurrences, and left no time for preparation. The sound was unmistakable, a low baritone that echoed wildly and reeked of ancient fumes. A deeply monumental and monolithic apparition stood before what appeared to be a crowd of hexagonal beings. The vibrations worked through them in an apparent communicatory way, though would be impossible to translate in any logical linguistic fashion. I don’t know how but I knew they were aware of me, though their disposition was imminent of their consciousness as being collective, rather than individual; and were largely unbothered by my presence.
 
Once the transmission had finished it was clear that there had been a tamper. The kind of which Id seen  before, and had resulted in definite yet undefinable change in the fabric of reality.
 
I initially stumbled upon the odd and highly dangerous musical practices of Perhaps while on an assignment in Bermuda. There had been rumors of a local tribesman partaking in occult practices, of which I knew was native strictly to the Goat Bleeding Bad Men of the Congolese jungle. These rumors intrigued my journalistic nature, so I took the afternoon off in the hopes to possibly glean something that would be an easy pitch to a tabloid back home.
 
Upon arrival it was clear there was a strange foreign intervention within the community of the tribe, which was largely uninhabited upon first glance. Much of the surrounding foliage had been strung with the entrails of various animals and there were several disturbing fixtures composed of bones and various organs lining the commune. I managed to track down the tribesman, who appeared to be in some deep trance and was entirely unable to communicate, though seemed to be fixated on a single task: the drawing of a peculiar symbol. My researching the symbol resulted in only one hit, a piece of musical literature by a band Perhaps, who I later found to be recording in the area just weeks before.
 
It didn’t take long for me to become fully fixated on Perhaps, who were anything but coy about their whereabouts and metaphysical practices. Wherever they went a small commune followed, which was typically composed of deranged acid freaks, occultists, and Norweigian dairy farmers who had sold all their assets to follow the band after “hearing their music speak from the mountains”. After managing to crack into one of their camps that was stationed in an abandoned motel, I spoke with Jim Haney of Perhaps regarding their cultish practices, who gave little in way of detail but claimed to be working towards a deconstruction of reality through a linguistic utilization of vibration.
 
My stint with the cosmic beings through the telekinetic transmission had lead to one conclusion; that Perhaps have been in the works on something new. It seems as if they may have landed on the result which Haney had mentioned years ago. Through my continued interest I’ve procured the names of other members of this current project, which include: Sean Mcdermott, Tom Weeks, Ricky Petraglia, David Khoshtinat, Ben Talmi, Makoto Kawabata, Lucas Brode, Isiah Mitchell, Olivia Kieffer, Tyler Skoglund, Chang Chang. Though I can’t say exactly what is to come, it seems as if the ideas that were proposed during my initial meet may have been surpassed. Perhaps’ plans have begun to surface, and we are all at risk, for whatever that means. The great column and the vibrational prismic beings have shifted their attention to earthly matters, it would be foolhardy to not heed their warning. Though, self-preservation may be an impossibility.
 
Sam Hailstone Dec 24/ 2019

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17,10

Last In: 6 years ago
Ghédalia Tazartès - Diasporas

Ghédalia Tazartès

Diasporas

12inchDAIS21LPC2
Dais Records
31.03.2020

Originally recorded in 1977, following a limited release in 1979, Ghédalia Tazartès debut album, Diasporas, introduced listeners to the surreal, mysterious and truly unclassifiable statement of Tazartès and his out-of-time place in the French avant-garde canon. Born in Paris in 1947 to Judaeo-Spanish parents of Greek descent, Tazartès spent his early career as an autodidact utilizing his knowledge of repetition and collage, coupled with his Ladino linguistic heritage, to create some of the most unique recordings of the late 20th century. Interest in the works of Tazartès truly sparked when artist Steve Stapleton included his follow up album, Tazartès' Transports, in his famed "Nurse With Wound List," thus adding endless curiosity to the folklore behind Tazartès and his mystical entrée.

From the onset of Diasporas, looping incantations seemingly pile up at the behest of Tazartès. In almost a prayer-like decree, Tazartès chants to the gods in an undefined whail that is both haunting and spiritually divine. Tazartès unique use of tape loops to capture the disappearing traditions of his family's past creates an atmospheric texture that unexpectedly complements his cut-up, manipulated vocal experiments. While contemporaries within the French avant-garde maneuvered academic theory and rigid tradition, Diasporas strays away from these boundaries, working in Tazartès' invented practice of 'impromuz', a method in which he endlessly records for hours and edits only the moments that display any sense of spontaneous enlightenment. Further emboldening the obtuse nature of Diasporas are the seemingly random recitation of poet Stéphane Mallarmé and the traditional 'Parisian-style' piano accompaniment of experimental composer Michel Chion.

Since its initial release over 40 years ago, both Dais Records and Alga Marghen have released reissues of Diasporas in various formats, all of which quickly fell out of print. Dais Records presents an official reissue, newly remastered by Josh Bonati, utilizing the original artwork of Diasporas in its sole album form, for the first time in over four decades.

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24,75

Last In: 5 years ago
Various - Seltene Erden

Various

Seltene Erden

12inchLIMP001
Limpio Records
30.03.2020

Limpio Records is a vinyl and digital record label, founded in 2019 and based in Frankfurt am Main. The releases mainly focus on downtempo, organic and slow techno music. The first label release „Seltene Erden“ is a various artists EP, produced by artists that create new ideas of slow electronic and danceable music between 100 and 108 BPM. Our aim is to bring people, nature, cities and music together in a slow and powerful way. All our releases tell a story and are made for the dance floor.

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8,19

Last In: 6 years ago
Daniel Avery + Alessandro Cortini - Illusion Of Time

To coincide with the announcement, the pair have shared a video for the album’s title track directed by Sam Davis and Tom Andrew, who has previously received two UK Music Video Awards nominations for his work with Avery. Speaking about the video, Andrew explains, “We were keen to capture a visual representation of the tempo and atmospheric emotion of the track and make a video exploring the notion of collaboration. A super-motion approach allowed us to explore details of motion shared between two people, in tactile actions of aiding and supporting.” Cortini adds, “The video embodies the volatility and hidden nature of the music’s subject and meaning. A meaning that is ultimately personal and unique the listener/spectator.” Watch the clip .



Beginning as a collaborative experiment before the pair had even met, Avery and Cortini then worked remotely and free of concept or deadline over several years. The result, finally completed when both artists were touring with Nine Inch Nails in 2018, is a quietly powerful album rooted in trust, process and experimentation. The first fruits of their labour were unveiled last year when ‘Water’ and ‘Sun’ appeared online, subsequently released as a very limited 7” run that was sold at FYF Festival and Mount Analog in Los Angeles, and Phonica Records in London. Both tracks are included on the album.



“It was very much a shared process”, notes Avery. “I would like to credit Alessandro with his belief that music has a life of its own, as well as the importance he places on the first take... That even something that may be considered out-of-step by some should be respected. Some of the tracks were borne simply out of a tiny synth part, or a bit of tape hiss that we had recorded. And that approach taught me a lot. It’s a record that’s been worked on hard, but not laboured over.”



“I was a big fan of Daniel’s, and his work always spoke to me in a certain way,’’ explains Cortini. “Then, when we started working together, it just clicked. It’s very hard to explain, but I can always hear the love in his work, and that is true on this record. After our first collaboration, we just kept sending each other music and maintaining that dialogue. Next thing you know, we’re sitting in a hotel room in New York and had finished the record in three hours.”



The collaborative album follows Avery’s second record Song For Alpha, released in early 2018, and last year’s expanded edition B-sides & Remixes. Mixmag called the sophomore LP “A beautiful maturation of Avery’s work as a producer,” while The Guardian hailed its “Majestic, cavernous techno” and Loud & Quiet praised Avery as “A producer fast approaching the peak of his powers,” “This album cements Daniel Avery as one of the best,” wrote DIY. The London-based producer will perform at BBC Radio 3’s Unclassified Live on April 3rd, a new series of concerts in the Southbank Centre's Queen Elizabeth Hall presented by Unclassified host and presenter Elizabeth Alker and conducted by André de Ridder – tickets are available here. Avery has also just been announced in the first wave of acts for London festivals Re-Textured and the inaugural Wide Awake, taking place in April and June respectively.



Cortini released his most recent solo album Volume Massimo on Mute in July 2019, following Fine, the Italian artist’s final album under his SONOIO alias, which came out the previous year. The Quietus called the former “an album that showcases just how much Cortini‘s aesthetic has developed since his early days,” while Exclaim! hailed it “a melodic exploration of textures and layers … an instrumental masterpiece that adds to an already incredible body of work by the gifted and skilled composer.”

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19,29

Last In: 6 months ago
WILLIAM EATON - MUSIC BY WILLIAM EATON

Originally released in 1978, Music By William Eaton is a private-press album from the accomplished experimental stringed instrument builder. The atmospheric recording techniques, mixed with a hint of Fahey/Takoma-lineage make for a listening experience akin to the mountainscape drawing represented on the album cover. The experience may seem simple at first, but like any great trip in nature, new details consistently reveal themselves upon each listen.

“When I started building instruments, playing guitar took on a whole new dimension. From the conception to the birth of each instrument, new layers of meaning unfolded. Cycles, connections and interdependencies became apparent as I contemplated the growth of trees from seed to old age, and the transformation from raw wood to the building of a musical instrument. I sought out quiet natural environments to play and listen to the “voice” of my 6 string, 12 string, 26 string (Elesion Harmonium) and double neck quadraphonic electric guitar. Deep canyons contained a beautiful resonant quality and echo. A starlit night with a full moon provided all the reflection and endless space by which to project music into the cosmos. The sound of a bubbling stream and singing birds added a natural symphonic tapestry to a melody or chord pattern. As I perceived it, everything was participating in a serendipitous dance. Everything was part of the music.

During this time, I decided to record an instrumental album of music. The idea was simple; it would be a series of tone poems with no titles or any information attached, only the words ‘Music by William Eaton.’ While some of the songs evolved out of composed chord progressions, most of the songs were played spontaneously, only on the occasion of the recording. These improvised songs haven’t been played since.” -- William Eaton

Recommended for fans of John Fahey, Harry Partch, Robbie Basho, Laraaji

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21,64

Last In: 6 years ago
Solat - Change The World / Try, Try

It is hard to think of many 7” singles where both sides are as heavy as this one! "Change The World" & "Try, Try" were released in 1977 by 'Solat', a Dutch-based funk group made up of Surinamese and Dutch-Antillian musicians.

Formed after ex-band members of Reality/Tony And Reality; Eddy Veldman, Franky Douglas, Ivor Mitchell and Glenn Gaddum teamed up with singer Billy Jones, Solat went on to release two singles for Poker records. With it's crossover nature, it pleases disco, funk and modern-soul collectors and DJs alike, plus due to only been released in the Netherlands, the record has now become an extremely sought-after item with a high price tag to match.

Both amazing cuts are aimed straight for the dance-floor, but retain conscious and positive messages that are as relevant now as they were back then. 'Change TheWorld’ is an anthemic feelgood disco funk gem, whilst 'Try, Try ‘ is reminiscent of a Mizell Brothers golden-era production.

Mr Bongo present a replica edition with dinked centre- and original cover- and also label artwork, for all to enjoy!

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15,92

Last In: 5 years ago
Picture - M For

Picture

M For

12inchORBIT01
In Orbit
13.03.2020

The three tracks on "M For" ORBIT01 represent a different path for Natal Zaks under the alias of Picture.

"Milias" is a hard-driven groove, consisting of uplifting stabs and pads, relying on a surface of percussion eternally moving back and forth.

"Malaska" is a melodic trip taking you in various directions with it's enchanting harmony. Synths are ever-evolving and unexpected.

"Main" is an alternative take on the classic ambient B2. It's nature-like atmosphere and crunchy beat, makes your head bop and soothes you.

We promise they'll stick to you for weeks - if not more.

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8,03

Last In: 4 years ago
Fluqx - Monolith

Fluqx

Monolith

12inchHFN106LP
HFN MUSIC
09.03.2020

Comprising producer-engineer Joel Krozer ((Clark (Warp), Smerz (XL Recordings), When Saints Go Machine (Escho)) and Brian Della Valle (singer-songwriter of Of The Valley) the Copenhagen based duo got together when Joel heard Brian recording in the studio below his. Their encounter led to a series of late-night recording sessions, together with collaborator Søren Holme, that quickly became the cornerstone of their partnership and the formation of Fluqx. Monolith is the exceptional debut album of Fluqx and offers state of the art production and highly creative Electronica tracks with that special something. The sound of Fluqx is distinct - a merging of deeply warped synthesizers, swirling textures and Brian’s affecting vocals. There is a versatile range of sounds and atmospheres across these twelve tracks - from the delicate arpeggios of ‘Carvings’ and ‘Ephemeral Objects’, to the massive drum sounds and cutting synth leads of ‘Monolith’ and ‘Hanami’. Della Valle’s warm falsetto navigates through this dynamic landscape with ease and hooks the listener in on tracks like ‘Feather’ and ‘Staring At The Sun’, whilst providing space to breathe on tracks like ‘Here‘ and ‘Golden Hour‘. Elsewhere, ambient, droney textures are at the forefront on ‘Mojave Booth’ and ‘Diamond Dust’, maintaining the dreamy, otherworldly nature of the Fluqx sound

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15,08

Last In: 6 years ago
Schoolly D - P.S.K. What Does It Mean?/Gucci Time

Now available in February with a big price reduction. Split Coloured Vinyl (Clear & “Schoolly D Yellow”). Olly was a musician, drum-programming wizard and force of nature, and he would go on to shock the world with his in-your-face approach to making music – as bombastic lyrically as he was musically. He simply gave no f*cks, and listeners were drawn into his street-influenced vortex of “b-boy rhyme and riddle.” As noted in the liner notes to this special release:
“The demand for “P.S.K.” was so large that nationwide bootlegging was a major distribution avenue, albeit an unpaid one. ‘Those bootleggers made me big because, when it came down to it, I didn’t have the money to get the records out there,’ Schoolly says.

‘The person who helped me figure that sh*t out was Luke Luther Campbell of 2 Live Crew and Luke Skyywalker Records. He took me all over Miami and showed me all the different bootlegged versions of my own records. It was crazy.’” On the flipside of “P.S.K.,” Schoolly gave the world another classic: “Gucci Time.” Flexing brutal brag muscles, it was another gangsta masterpiece, furthering his legend and bringing even more 909 boom to the still expanding rap world. The opening lines are still quoted by scholars of the game today: “Lookin’ at my Gucci/It’s about that time.”

Get On Down presents this classic for the first time in deluxe form, which is also fully Schoolly-approved: a custom 12-inch sleeve adorned with Schoolly-D’s famed artwork; unique split clear & yellow vinyl; a liner notes insert featuring Schoolly’s own look back on the year 1985 as told to author Brian Coleman; and a unique sticker sheet with 8 images taken from the artwork on this 12-inch cover (which was first seen on his early 12-inches, as well as his 1985 Schoolly-D EP and 1986’s Saturday Night: The Album).

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13,40

Last In: 5 years ago
Ed1999 - Moving Glow

Ed1999

Moving Glow

12inchPORPAX002
Porpax
01.03.2020

Having released his last fantastic EP Melodius Hubbub a year previous, ED1999 is back with his newest project, named Moving Glow on Porpax records, illustrated by Graphic Designer Oliver SPERL, representing Belgiums best talent. Remaining serious in sentiment but developing his sound, ED1999 uses elements of light to contrast with the dark. As his previous EP followed the theme of interpreting pathways, this EP isn’t all too much different, as it captures the autonomous and excitable nature of light. Even though the speed of light is the fastest most constant definitive, ED1999 manages to bend, warp and interpret light itself through each track’s alternate paces and elements.

That makes it no surprise that Beam of Light starts us off with a full-body feeling of suspense. His classic momentous techno beat with a gratifying and anchoring kick drives the track the entire way through. Then, as the title foreshadows, the glimmers of light - in the form of synthesisers - manage to push their way through the cracks and eventually bleed out until they’re completed absorbed by the beats and become one.

Unknown Luminescence is nothing short of a fun, intense and gyrating episode; in true groovy techno fashion, it’s designed to get any listener’s shoulders swinging and body’s sweating. The repetition of the light ambient melody throughout gives the sense of a far off signal call, drawing in techno lovers from far and wide to enjoy the experience in synchronicity.

Darker again with more sinister undertones, Flamboyant Ray is an assertive approach to techno, yet cloaked in mystery thanks to its muffled kick drums and reverbs. As a more consistent track meant to maintain intensity, it’s style and confidence hardly alters throughout its duration.

The final track on the EP, Photonic Energy, embodies the environment of electrical currents swimming through dark and damp corridors; reacting and gurgling as electricity meets moisture. Distant murmurs give the effect that the space is alive and every inch of existence is thanks

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9,71

Last In: 6 years ago
Gamayun - Filterealism

Gamayun

Filterealism

12inchGOST014
Gost Zvuk
28.02.2020

"Filterealism" starts from the territories where Gamayun haven't stepped before, from the music that only seems to be simple, but in fact it turns out to be very compound. Their recordings are not escapist in any sense of its meanings anymore; the whole album consists of divisions, explorations and adoptions through the personal and collective experience of music-making. The technical side of this sound acts likewise: you can hear a large amount of routine items (furniture, utensils and deformed recordings of the nature) among "conventional" electronic gadgets and live instruments.

"Filterealism" sounds just like some Soviet electronic music pioneer, which had shifted his focal grip from the modulations and synthesizers to all the simple things of surrounding and completed the piece with profounder shot of weirdness and commonplace wondering. And it literally works like a wonder.

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5,84

Last In: 5 years ago
Kit Sebastian - Remix 12"

Kit Sebastian

Remix 12"

12inchMRB12051
Mr Bongo
07.02.2020

"Mr Bongo" is proud to present three unique reworks of Kit Sebastian.
Each of the producers featured in this package created their own
interpretation of the 'lo-fi-hi-fi’ originals and have taken the duo’s
sound into bold new directions. When it came to choosing who should remix Kit Sebastian, Natureboy Flako (Flako/Dario Rojo Guerra) was a producer at the top of our list.

Keeping true to the original, whilst leaving his own stamp on the
track, his mix adds break-beat drums and middle-Eastern guitar riffs
that transform the track into a more cinematic piece. It sounds to us
like the music from an exotica dive-bar scene in a David Lynch film -
which of course, is a very good thing.

Producer and DJ Baris K, who was behind the awesome 'İstanbul 70'
series (re-edits of classic Turkish gems), takes ‘Durma’ in a very
different direction. Totally reconstructing the track, his remix has
flipped the original and totally run wild.

The results are an epic left-field electronic workout. By bringing the spoken-word vocals to the forefront and giving the track a darker industrial vibe, it wouldn't sound out of place bouncing around the walls of a Berlin basement club at 5am on a Sunday morning.

The paring of Kit Sebastian and Halal Cool J grew after DJing together
at the alternative Great Escape party at the Mr Bongo HQ in May 2019.
They share a love for dusty old psychedelic Turkish records. Halal Cool J (aka Aly Jamal/Don Leisure) has released records on First World and is a co-member of Darkhouse Family with Earl Jeffers.

For his interpretation he has delivered a mix-tape-collage with a hip-hop aesthetic, and rather than focusing on remixing a specific song, he has cut and paste his favourite elements of tracks taken off the band’s 'Mantra Moderne’ album. Available in 2 limited-edition, hand-numbered sleeve designs.

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12,82

Last In: 6 years ago
Monolithe Noir - Moira

Monolithe Noir

Moira

12inchKTW011
Kowtow Records
29.01.2020

'Moira', the new album by Monolithe Noir opens it's doors to the voices of a few fellow artists who can easily be described as "peers" - 'ROZI PLAIN' on the spellbinding 'Blinded Folded'.
'PETER BRODERICK' on the intimate 'By Twos' and Belgian Elsie dx on the haunting 'Valslava' - who are fuelled by the same drive not to settle for a single colour or tone.

Unpredictable by nature, surprising by choice, Monolithe Noir's music escapes all the over-used adjectives that divide our record collections but cheerfully digs into clearly distinct repertoires: from prog to ambient segueing into electronica and folk with a dip into the hidden gems of the Italian music library.

... It never hides behind a screen of fake complexity, clearly it speaks straight to us! Hope, you enjoy.

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15,50

Last In: 6 years ago
eedl - Unstored

Eedl

Unstored

12inchLPS21
Lapsus Records
29.01.2020

Twelve years have passed since eedl released their masterpiece “Everse” spa.RK, 2007 and in that time the duo -formed by Miguel Ángel Martínez and Joan Duat- have shied away from the spotlight and stage. Despite this apparent lethargy, their previous two works - "Parallemped EP" spa.RK, 2003 and the aforementioned "Everse"- provided them with cult national scene status, while raising more than a few eyebrows among European “headz”. Both works continue to sound overwhelmingly modern and
undated, an obvious signal that eedl is a special breed of cutting edge electronic music.

Although creatively silent for a number of years they have remained musically active. As well as his career as a product designer, Miguel Ángel has applied his musical experience to the technology sector, and since 2016 has fully immersed himself in “modular”–Winter Modular, Plankton Electronics and Patching Panda–; Meanwhile, Joan, office programmer and classically trained pianist, has found his equilibrium with work and building a family life.

"Unstored" is their long awaited return to the fray and their second studio album. It is comprised of eight songs, some of which have been have been slow cooked since 2002, with others gestating more recently. Maybe such a long hiatus seems excessive, but the meticulousness nature and obsessive love for detail found in "Unstored" more than justifies the wait, which at times felt like a long goodbye.

This collection of songs navigates between perfectionist electronica, new generation electro, noisy harmonies, glitch and deconstructed rhythms; a sonic memoire with strong roots in British experimental electronic music -reminiscent of Autechre or Plaid-, another reason in understanding the longing produced by their extended absence.

It is therefore with great honour that in early January 2020, Lapsus will release the new album from the elusive eedl project in a luxury edition format.

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14,24

Last In: 6 years ago
Steve Hauschildt - Nonlin

Chicago-based contemporary electronic musician Steve Hauschildt has composed panoramas of synthesized sound for over a decade. First within his former band, Emeralds, an American touchstone of 2000s home-recorded psychedelic noise music, and later across a steady and critically-acclaimed stream of solo releases spanning ambient techno, arpeggiated electronica and post-kosmische styles utilizing synthesizers, computers, and digital processing. In 2018, he extended a collection of rich, visceral tracks titled Dissolvi, his first release on Ghostly International and his most collaborative work to date. Just a year later, Hauschildt returns with Nonlin, an album that's freer, leaner, and looser, both structurally and conceptually; less linear compared to its predecessor, but still captivating. Developed and recorded in several studios during and around the edges of tour - Chicago, Los Angeles, New York, Tbilisi, and Brussels - this material emulates an alienating encounter with a smattering of places, a replicant of culture shock, a solitary and stark experience with uncanny environments, melody and dissonance as oblique locales. Nonlin finds Hauschildt evolving his palette of tools, integrating modular and granular synthesis. The improvisatory and generative nature of modular systems, when paired with his signature grid-oriented and hand-played techniques, guides these compositions slightly out of line to hypnotic effect. Opener "Cloudloss" permeates the mix with an unsettling smog, which reappears and all but engulfs "A Planet Left Behind." On cuts like "Attractor B" and "Subtractive Skies," pockets of air rest between sequenced pulses, whose crumpling and flattening folds build into a restrained rapture of crisp frequencies and milky reverb-swallowed coruscations. The album's title track and centerpiece logs on to a foreign network, a fractured percussion signal that modulates and stutters into static amidst curious melodic sparkling in the hazy bandwidth. "Reverse Culture Music" casts an elegant and brooding stream of strings, pizzicato and churning bow from Chicago cellist Lia Kohl, against chiming minimalist synth frameworks. A surprising pattern emerges in the taciturn systems at work. Hauschildt continues to expand his already horizon-wide repertoire, here exploring the effects of corrupting coordinates; a flight subject to the collapsable abilities of time in remote spaces, a smearing of the axis to elegiac ends.

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19,87

Last In: 5 years ago
ANSATZ DER MACHINE - BURIAL SONGS

Ansatz der Maschine is back with a new record! For the album "Burial Songs", Frontman Mathijs Bertel went to the Greenhouse Studio's in Reykjavik, Iceland. He worked together with Producer Valgeir Sigurdsson (Bjork, Feist, Bonnie 'prince' Billie, Coco rosie,...) . The result is a poetic and fairylike record, a mindblowing trip where neo classical harp and cello meets organic click 'n cut electronics, but just as well there are some warm folktronica songs where singer Sophia Ammann (Be/Ca) takes the lead. Every record Ansatz der Maschine likes to collaborate with other musicians. For the song "Invisible" they worked together with AMEN RA frontman Colin H. Van Eeckhout. The video was shot in the wild nature of Iceland with both of them. The Britisch born ambient/folk musician Will Samson (who just released an album on Wichita) lents his voice to the song ‘Untold’.
For this record, Mathijs worked together with musicians Nicolas Rombouts (ex-Dez mona/ Stef Kamiel Carlens...), Seraphine Stragier ( Laïs, SunSunSun Orchestra,....) Gianni Marzo (Isbells, Marble Sounds,...)

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17,27

Last In: 4 years ago
Yogtze - Yogtze

Yogtze

Yogtze

12inchRBINC005LP
Running Back Incantations
21.01.2020

unning Back Incantations present Yogtze!
A joint venture of Daniel Helmer - musician, producer (Mantra Mantra, Gudrun von Laxenburg)and filmmaker from Vienna and Daniel Meuzard - (Feater, Skymax, Vallay) and a headstrong trip deep into the tune-in-turn-on-drop-out-mentality of European minds outside of their natural environment. Helmer and Meuzard met around 2005 in Peru where they both participated in an ayahuasca ceremony.
After this experience they decided to travel and discover South America together for some weeks. During that journey, the idea of a musical project (Yogtze) was born.
Two years and many miles later, Helmer and Meuzard saw Alejandro Jodorowsky’s „Montana Sacra“ at a small film festival in Paris. The movie inspired them to create a musical composition that reflects its spirit and atmosphere. In order to do so, they decided to travel Morocco and record music on a small 8-track tape machine at a friend’s home studio in Essaouira. "The artistic process felt very natural. All we had to do was to open up to the cosmos and let the music flow through our bodies“, said Meuzard. Neither Meuzard nor Helmers intented to release those recordings, since the sessions were more of a personal nature and meant to create a musical experience for themselves.
A decade later, their moroccan friend, who stumbled upon the tapes while cleaning his storage, urged them to release their recordings so everyone could experience the same musical journey as they had back in 2007. "It would be a grand act of selfishness not to share this work of art with others“ he told them. Luckily for thew world, Helmer and Meuzard decided to finally edit, mix and master the rest of the material in 2018/2019 and named their project „YOGTZE“. Expect a record full of wondrous soundscapes, haunting melodies and capturing themes that would fit in many categories or definitions and none at the same time. Music from and for memories, tangerine dreams and chessboards.

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17,10

Last In: 4 years ago
Bruscagin & Visnadi - Agartha Stories Ep

Bruscagin&Visnadi

Agartha Stories Ep

12inchSIAMESE004
SIAMESE
20.12.2019

'Agartha Stories' is a record we were looking forward to release for quite some time. Hailing from the Venice area in Italy, Bruscagin & Visnadi are representing a specific sound from that region, a certain type of melodic techno but with its very own sound design we have rarely heard before. Hear the interesting story behind it. As half forgotten legends from ancient civilisations like Celts, Aztecs, Vikings and Incas say, there is a mythical place located in the centre of our planet. This enchanted place is called Agartha and only accessible through hidden gateways under different places on our Earth's surface, like the Pyramid of Giza, Mato Grosso or Mount Epomeo. Agartha is populated by an ancient civilization that survived Atlantis. What diversifies these inhabitants from our society is the respect and the love they feel for the nature and the fundamental elements that are substantial for the progress of human beings. Following their 'Indian Stories' release on Lost & Found, Bruscagin & Visnadi dedicate their second episode of the saga to the mysterious civilization of Agartha
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9,20

Last In: 17 months ago
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Vinyl