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Sea Blue in Coke Bottle Clear Vinyl.
Because Hold, Jack Tatum's fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie's Harriette Pilbeam, first single "Headlights On" features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch. The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. Swan put Tatum's vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before. Tatum moved from Los Angeles back to his home state of Virginia about five years ago in search of a scaled-back lifestyle. The relatively suburban environment - and the occasional regret it inspired - proved to be great artistic fodder. It's the paradox of modern America - the suburbs are supposed to be stultifying to art, but they are so full of human desperation perfect for dramatizing. On "Suburban Solutions", he presents an anti-jingle with an acidly bright synthesizer melody, imploring you to sign on the dotted line, put your feet up, and embrace sweet oblivion. Adding to the song's menacing cheeriness is a chorus-sung bridge, made with assistance from Molly Burch and Tatum's wife, Dana, It was loosely inspired by the classic Martika song "Toy Soldiers" and the long-ago pop craze for children's choirs, and he embraces the trend's less-than-stellar reputation. By design, Hold dwells in uncertainty and fear, but in a package that encourages meditation and a bit of fun. "In the face of the pandemic, I think being a parent really forced my hand," Tatum said. "I felt that I had no other choice but to have a positive outlook on the world. Because if I were to give in at any moment and say, "Oh, everything is horrible," then I'll feel as if I've lost and I've given up on my son being able to thrive in this world."
Sea Blue in Coke Bottle Clear Vinyl LP + artist signed art print. Only 200 available.
Because Hold, Jack Tatum's fifth album under the moniker Wild Nothing, was written in the aftermath of new parenthood during the pandemic, it was probably inevitable that it would be searching and existential music. But during the recording process, the artist known for synth-pop tastefulness used it as an opportunity to reach for a new sonic maximalism and wider set of influences. With contributions from longtime collaborator Jorge Elbrecht, Tommy Davidson of Beach Fossils and Hatchie's Harriette Pilbeam, first single "Headlights On" features an acid house-worthy bass groove and breakbeat that prove Tatum is playing for the rafters. Tatum produced the rest of the record on his own, partially out of necessity, due to the challenges of the pandemic. The songs were eventually brought to Adrian Olsen at Montrose Recording in Richmond to begin recording drums and filling in the gaps. While largely a product of isolation, Hold also reflects the things Tatum has learned from collaborators, both on previous records and during his acclaimed work with Japanese Breakfast and Molly Burch. The rest of the record was mixed by Geoff Swan, who listeners might know for his work with Caroline Polachek and Charli XCX. Swan put Tatum's vocals high in the mix, and throughout the album, he embraces playful vocal processing like never before. Tatum moved from Los Angeles back to his home state of Virginia about five years ago in search of a scaled-back lifestyle. The relatively suburban environment - and the occasional regret it inspired - proved to be great artistic fodder. It's the paradox of modern America - the suburbs are supposed to be stultifying to art, but they are so full of human desperation perfect for dramatizing. On "Suburban Solutions", he presents an anti-jingle with an acidly bright synthesizer melody, imploring you to sign on the dotted line, put your feet up, and embrace sweet oblivion. Adding to the song's menacing cheeriness is a chorus-sung bridge, made with assistance from Molly Burch and Tatum's wife, Dana, It was loosely inspired by the classic Martika song "Toy Soldiers" and the long-ago pop craze for children's choirs, and he embraces the trend's less-than-stellar reputation. By design, Hold dwells in uncertainty and fear, but in a package that encourages meditation and a bit of fun. "In the face of the pandemic, I think being a parent really forced my hand," Tatum said. "I felt that I had no other choice but to have a positive outlook on the world. Because if I were to give in at any moment and say, "Oh, everything is horrible," then I'll feel as if I've lost and I've given up on my son being able to thrive in this world."
Everyone’s favourite gallerists are back in town, with a brand-new offering following back-to-back sell-out shows. Two mysterious mid ‘70s creations that have been causing chinstrokers the world over to lose their marbles. The bids have been wild on this one, and for good reason too, who wouldn’t want them taking top spot glistening like gold in their collection.
Artistry like you’ve never seen it before, retouched to perfection to create two new priceless pieces of musical magic - solely played by Harvey and Artwork.
- A1: The Man Made Of Stone 07:01:00
- A2: Window To The World 03:58:00
- A3: What Awaits Me 05:22:00
- B1: He Once Was 12:17:00
- B2: Underneath The Orphan Moon 03:53:00
- B3: Clouds That Never Rain 05:17:00
- C1: Bulletproof 04:17:00
- C2: Somewhere North Of Nowhere 06:46:00
- C3: Summoned From Afar 07:33:00
- C4: Love Is Still The Light 04:42:00
- D1: There Goes My Baby 03:50:00
- D2: Orphans Of The Universe 10:39:00
- D3: Elegant Vampires 04:27:00
Pattern-Seeking Animals sind eine bahnbrechende Prog-Rock-Band, die die Grenzen der musikalischen Erkundung immer mehr erweitert. Bestehend aus John Boegehold, Ted Leonard, Dave Meros und Jimmy Keegan, fesselt die Band mit komplexen Kompositionen. Auf ihrem 4. Album nähern sie sich neuen Klangwelten und Themen, die sie mit der DNA ihrer bisherigen Arbeit zu ihrem bisher einprägsamsten und stärksten Album kombinieren. Boegehold erklärt: "Da dies unsere vierte Veröffentlichung in weniger als 5 Jahren ist, war es meine Absicht, nicht über bereits bekanntes Terrain zu gehen. Wir haben andere Sounds, Texturen und Musikstile verwendet und sind auch ganz anders an den Gesang herangegangen." Der neue Ansatz macht sich nicht nur in Produktion und Sound bemerkbar, sondern auch bei den Texten. "Die Themen umfassen einen nordischen König, der über das Leben nachdenkt, während er erobert wird, einen alternden Sucher auf dem Weg zur Erleuchtung, Außerirdische, die Menschen jagen und sich der Gefangennahme entziehen, einen konfliktbeladenen Soldaten vor und nach dem Ersten Weltkrieg, eine schwangere Teenagerin, die eine schlimme Situation zu Hause hinter sich lässt, einen widerwilligen Helden, der in seiner letzten Schlacht siegt, und die Freundin eines Mannes, die ihn wegen seiner Verschwörungstheorien verlässt." Die Fans werden mit der ersten Single "Window to the World", einem energiegeladenen Up-Tempo-Art-Rock mit einem Hauch von Ska und Reggae, etwas Neues erleben. "Somewhere North of Nowhere" ist ein geradliniger Prog-Song mit einzigartigem Bridge-Teil. "Underneath the Orphan Moon" ist eine düstere Ballade über ein Teenager-Mädchen, das einer schlimmen Situation entflieht. Der stimmungsvolle und cineastische Song erinnert an einen klassischen Elton-John-Song, mit echter Streichergruppe. Das Album ist erhältlich als Ltd. 2CD Digipak und Digitalalbum (inkl. 3 Live-Bonustracks von ProgStock 2022) und als 2LP Gatefold 180g (inkl. 2 Live-Bonustracks von ProgStock 2022).
- A1: Thunder
- A2: Daddy Pop
- A3: Diamonds And Pearls
- B1: Cream
- B2: Strollin’
- B3: Willing And Able
- B4: Gett Off
- C1: Walk Don’t Walk
- C2: Jughead
- C3: Money Don’t Matter 2 Night
- C4: Push
- D1: Insatiable
- D2: Live 4 Love
- E1: Gett Off (Damn Near 10 Min.)
- E2: Gett Off (Houstyle)
- F1: Violet The Organ Grinder
- F2: Gangster Glam
- F3: Horny Pony
- F4: Cream (N.p.g. Mix)
- G1: Things Have Gotta Change (Tony M Rap)
- G2: Do Your Dance (Kc’s Remix)
- G3: Insatiable (Edit)
- G4: Diamonds And Pearls (Edit)
- H1: Money Don’t Matter 2 Night (Edit)
- H2: Call The Law
- H3: Willing And Able (Edit)
- H4: Willing And Able (Video Version)
- H5: Thunder (Dj Fade)
- I1: Schoolyard
- I2: My Tender Heart
- I3: Pain
- J1: Streetwalker
- J2: Lauriann
- J3: Darkside
- K1: Insatiable (Early Mix - Full Version)
- K2: Glam Slam ’91
- K3: Live 4 Love (Early Version)
- L1: Cream (Take 2)
- L2: Skip To My You My Darling
- L3: Diamonds And Pearls (Long Version)
- M1: Daddy Pop (12" Version)
- M2: Martika’s Kitchen
- M3: Spirit
- M4: Open Book
- N1: Work That Fat
- N2: Horny Pony (Version 2)
- N3: Something Funky (This House Comes) (Band Version)
- N4: Hold Me
- O1: Blood On The Sheets
- O2: The Last Dance (Bang Pow Zoom And The Whole Nine)
- O3: Don’t Say U Love Me
- P1: Get Blue
- P2: Tip O’ My Tongue
- P3: The Voice
- P4: Trouble
- Q1: Alice Through The Looking Glass
- Q2: Standing At The Altar
- Q3: Hey U
- Q4: Letter 4 Miles
- R1: I Pledge Allegiance To Your Love
- R2: Thunder Ballet
- S1: Thunder
- S2: Daddy Pop
- S3: Diamonds And Pearls
- T1: Willing And Able
- T2: Jughead
- T3: The Sacrifice Of Victor
- U1: Nothing Compares 2 U
- U2: Thieves In The Temple
- U3: Sexy M.f
- V1: Insatiable
- V2: Cream/Well Done/I Want U/In The Socket (Medley)
- W1: 1999/Baby I’m A Star/Push (Medley)
- W2: Gett Off
- W3: Gett Off (Houstyle)
- X1: Etching
Paisley Park Enterprises, in Partnership with Sony Music Entertainment and Warner Records, announces expanded reissue of Prince & the New Power Generation’s multi-platinum album Diamonds And Pearls. This 12LP+ Blu-ray features 47 previously unreleased tracks and over two hours of live filmed concert footage in high definition.
Following the successful release of the 1999 Super Deluxe Edition (2019), and Sign O’ The Times Super Deluxe Edition (2020), the Diamonds And Pearls Super Deluxe Edition represents the third deep dive into Prince’s vault. It includes a total of 75 audio tracks across 7x CDs and 12x 180g vinyl records.
The set offers a newly remastered version of the album, plus 15 of the incredible remixes and B-sides from the era, including the never commercially released “Gett Off (Damn Near 10 Min.)” mix. The Super Deluxe Edition also features 33 previously unheard studio gems from Prince’s Illustrious vault, ranging from alternate versions of album tracks to numbers Prince gave away to other artists, and songs recorded while on the road in 1990.
Prince & The NPG previewed the Diamonds And Pearls Tour at Prince’s Minneapolis club, Glam Slam, on January 11, 1992. The sweaty, sold-out, last-minute show captures the sheer joy and sense of endless possibility that came to define this era. This previously unreleased live concert performance has been mixed from the 24-track master and rounds out the audio content of this 12LP set.
This same previously unreleased concert is also presented in stunning 2K video on the Blu-ray disc that accompanies both Super Deluxe Edition formats, in Stereo, 5.1 Dolby True HD, and Dolby ATMOS audio formats. The Blu-ray also features Prince & The New Power Generation’s performance at The Special Olympics at the Metrodome in Minneapolis in July 1991 (also in Stereo, 5.1, and ATMOS), as well as a previously unseen soundcheck.
The Blu-ray is completed by the long out of print Diamonds And Pearls Video Collection, originally released on VHS and LaserDisc in 1993. The 120-page hardback book which accompanies the SDE set features unseen photos by Randee St. Nicholas, and essays by: author & broadcaster Andrea Swensson; Archivist and Senior Researcher for the Prince Estate Duane Tudahl; British music critic and Prince expert Jason Draper; De Angela L. Duff, an Industry Professor at NYU Tandon School of Engineering in Brooklyn; Social Media Personality KaNisa Williams; and an introduction from Public Enemy founder, Chuck D.
Originally released in January 1962 and simply titled 'Howlin' Wolf (aka The Rockin' Chair Album), this is one of the blues legend's best-loved LPs and widely recognized as one of the all-time cornerstones of Chicago Blues and named the third greatest guitar album of all time by Mojo magazine in 2004.
Now reissued as 'Little Red Rooster', the first side features iconic singles like 'The Red Rooster, (aka Little Red Rooster). However, it is on the second side that Wolf really steps into the light and delivers his dynamic and unique voice like never before, with songs such as Back Door Man and his variation on Willie Dixon's Spoonful, one of the finest blues songs ever recorded.
"One of the pinnacles of early electric blues and an essential album for any quality blues collection." - AllMusic
- A.1. I Wanna Be Somebody
- A.2. L.o.v.e. Machine
- A.3. The Flame
- A.4. B.a.d
- A.5. School Daze
- B.1. Hellion
- B.2. Sleeping (In The Fire)
- B.3. On Your Knees
- B.4. Tormentor
- B.5. The Torture Never Stops
- C.1. Wild Child
- C.2. Ballcrusher
- C.3. Fistful Of Diamonds
- C.4. Jack Action
- C.5. Widowmaker
- D.1. Blind In Texas
- D.2. Cries In The Night
- D.3. The Last Command
- D.4. Running Wild In The Streets
- D.5. Sex Drive
- E.1. The Big Welcome
- E.2. Inside The Electric Circus
- E.3. I Don`t Need No Doctor
- E.4. 9.5. - N.a.s.t.y
- E.5. Restless Gypsy
- E.6. Shoot From The Hip
- F.1. I`m Alive
- F.2. Easy Living
- F.3. Sweet Cheetah
- F.4. Mantronic
- F.5. King Of Sodom And Gomorrah
- F.6. The Rock Rolls On
- G.1. The Heretic (The Lost Child)
- G.2. The Real Me
- G.3. The Headless Children
- G.4. Thunderhead
- H.1. Mean Man
- H.2. The Neutron Bomber
- H.3. Mephisto Waltz
- H.4. Forever Free
- H.5. Maneater
- H.6. Rebel In The F.d.g
- I.1. The Titanic Overture
- I.2. The Invisible Boy
- I.3. Arena Of Pleasure
- I.4. Chainsaw Charlie (Murders In The New Morgue)
- J.1. The Gypsy Meets The Boy
- J.2. Doctor Rockter
- J.3. I Am One
- K.1. The Idol
- K.2. Hold On To My Heart
- K.3. The Great Misconceptions Of Me
- L.1. The Story Of Jonathan (Prologue To The Crimson Idol)
- L.2. Phantoms In The Mirror
- M.1. Inside The Electric Circus (Live)
- M.2. I Don`t Need No Doctor (Live)
- M.3. L.o.v.e. Machine (Live)
- M.4. Wild Child (Live)
- M.5. 9.5. - N.a.s.t.y. (Live)
- M.6. Sleeping (In The Fire) (Live)
- N.1. The Manimal (Live)
- N.2. I Wanna Be Somebody (Live)
- N.3. Harder Faster (Live)
- N.4. Blind In Texas (Live)
- N.5. Scream Until You Like It (Theme From Ghoulies Ii)
- O.1. Animal (F**K Like A Beast)
- O.2. Show No Mercy
- O.3. Paint It Black
- O.4. Savage
- O.5. Mississippi Queen
- O.6. Flesh And Fire
- O.7. D.b. Blues
- P.1. Locomotive Breath
- P.2. For Whom The Bell Tolls
- P.3. Lake Of Fools
- P.4. War Cry
- P.5. When The Levee Breaks
DELUXE 8LP BOXSET FROM THEIR ‘CAPITOL YEARS’, WITH STUDIO ALBUM HALF-SPEED MASTERING, LP OF BONUS TRACKS, 60 PAGE BOOK, POSTERS & NUMBERED CERTIFICATE
Currently on the 40 Years Live World Tour and sounding better than ever, W.A.S.P. is one of the most consistent and reliable forces in rock music - unstoppable and unassailable, like a heavy metal juggernaut sent back in time from a long, distant galaxy. Frontman Blackie Lawless is undoubtedly one of rock’s everlasting figures – someone’s whose attitude and vision changed the musical landscape around him, in the process bearing fruit to some of the biggest anthems of their time.
Their first five studio albums (W.A.S.P., The Last Command, Inside the Electric Circus, The Headless Children & The Crimson Idol) contributed enough on their own for W.A.S.P. to be considered one of the greatest rock bands of all-time. Those LPs are all presented in this set, mastered half-speed at Air Studios, London, for a superior, sharper, more direct and engaging sound.
Packaged within a deluxe red leatherette effect double slipcase, The 7 Savage: 1984-1992 is completed on vinyl with two more LPs: 1987’s Live… in the Raw and new compilation Bonus Tracks & B-Sides featuring the controversial breakthrough anthem ‘Animal (F**k Like a Beast)’.
Compiled with the full cooperation of Blackie Lawless, the box set also includes a 60-page book with exclusive and rare pictures from legendary metal photographers (including Ross Halfin, Tony Mottram, David Plastik and Paul Natkin), along with extensive liner notes from Amit Sharma (Kerrang!, Planet Rock). Also included is an exclusive Blackie Lawless poster, plus an individually numbered circular saw shaped certificate.
The 7 Savage: 1984-1992 will be released Friday 27th October 2023 on Madfish and is strictly limited to 2000 copies worldwide.
[yb] L.2. Phantoms In The Mirror [04:36] D.3. The Eulogy
- A1: Ray Barretto Y Su Charanga Moderna – El Watusi
- A2: Willie Bobo – Bobo! Do That Thing
- A3: Willie Bobo – Be’s That Way
- A4: The Joe Cuba Sextet – El Pito (I’ll Never Go Back To Georgia)
- A5: The Joe Cuba Sextet – Bang! Bang!
- A6: Candido – Madrid
- A7: Ray Barretto – Babalu
- B1: Eddie Palmieri And Cal Tjader – Come An’ Get It (Boogaloo)
- B2: Tito Puente Y Su Orquestra – Fat Mama
- B3: The Joe Cuba Sextet – Oh Yeah!
- B4: The Joe Cuba Sextet – Sock It To Me
- B5: Tito Puente/La Lupe – Steak-O-Lean
- B6: Tito Puente’s Orchestra – Tp’s Shing-A-Ling
- B7: The Joe Cuba Sextet – Hey Joe, Hey Joe (Hey Girl, Hey Girl)
- C1: The Joe Cuba Sextet – Psychedelic Baby
- C2: Eddie Palmieri & His Orchestra – The African Twist
- C3: La Lupe – Fever
- C4: The Modern Sound Of Al Escobar – Tighten Up
- C5: The Modern Sound Of Al Escobar – The Horse
- C6: Celia Cruz/Tito Puente – Aquarius/Let The Sun Shine In
- D1: Gilberto Sextet – Yes I Will (Part 1)
- D2: Tito Puente & His Orchestra – Hit The Bongo
- D3: Tito Puente & His Orchestra – Oye Como Va
- D4: Jimmy Sabater – Times Are Changin’
- D5: The Joe Cuba Sextet – Do You Feel It?
- D6: Joe Panama And Company – My People
The first Latin soul collection featuring a mix of chart-topping hits and deeper cuts from the crown jewel of the mambo era Tico Records, celebrating the iconic imprint’s 75th Anniversary. The 2-LP set includes 26 tracks from trailblazers Tito Puente, Ray Barretto, Joe Cuba, Celia Cruz, Eddie Palmieri, La Lupe, Willie Bobo and more. New liner notes by DJ Dean Rudland that tell the story of the New York City label that launched the careers of some of the most revered names in Latin music.
Black Vinyl[46,18 €]
Doppel-LP erhältlich auf gelbem Vinyl - Definitive Sammlung von Nancys seltenen Singles, Demos und bisher unveröffentlichten Stücken - Enthält 3 bisher unveröffentlichte Tracks, plus 3 Tracks, die ihr Vinyl-Debüt feiern - Das ausführliche Booklet enthält neue Interviews mit Nancy und Don Randi (The Wrecking Crew) PLUS nie zuvor gezeigte Fotos aus dem persönlichen Archiv von Nancy Sinatra - Der Ton wurde von den analogen Originalbändern von dem GRAMMYr-nominierten Toningenieur John Baldwin neu gemastert - Doppel-LP im Gatefold-Jacket mit 24-seitigem Buch - CD mit 40-seitigem Booklet // Light in the Attic feiert weiterhin die einflussreiche Karriere der Sängerin, Schauspielerin, Aktivistin und Ikone Nancy Sinatra mit einer fesselnden neuen Sammlung, "Keep Walkin': Singles, Demos & Raritäten 1965-1978", die vom GRAMMYr-nominierten Toningenieur John Baldwin neu gemastert wurde und 25 B-Seiten, seltene Singles, Cover, Demos und bisher unveröffentlichte Aufnahmen aus Sinatras reichhaltigem Katalog enthält. Das 2-LP-Set wird in einem erweiterten Klappcover präsentiert und von einem 24-seitigen Booklet begleitet (das auch in der CD-Ausgabe als 40-seitiges Booklet enthalten ist), das eine Reihe von Fotos aus der persönlichen Sammlung der Künstlerin sowie ein neues, ausführliches Interview mit Sinatra enthält. "Keep Walkin': Singles, Demos & Rarities 1965-1978" dient als Ergänzung zu der weithin gefeierten Retrospektive Start Walkin' 1965-1976 aus dem Jahr 2021, die die gesamte Karriere umfasst.
- A1: The Bo Street Runners – Bo Street Runner (Single Version)
- A2: The Others – Oh Yeah
- A3: David John And The Mood – Bring It To Jerome
- A4: Mickey Finn And The Blue Men – I Still Want You
- A5: Ronnie Jones And The Night-Timers – I Need Your Loving
- A6: The Second Thoughts – Seventh Son
- A7: James Royal – Work Song
- A8: Alexis Korner’s Blues Incorporated – Taboo Man
- A9: The Trendbender Band – Unchain My Heart
- B1: The Syndicats – Crawdaddy Simone
- B2: The In Crowd – Things She Says
- B3: The Boys Blue – You Got What I Want
- B4: The Rocking Vicars – It’s Alright
- B5: The Artwoods – I Take What I Want
- B6: The Favourite Sons – That Driving Beat
- B7: The Moody Blues – And My Baby’s Gone
- B8: The Stormsville Shakers – Number One
- B9: The Union – See Saw
- C1: Rod Stewart – Shake
- C2: Laurel Aitken And The Soul Men – Last Night
- C3: Barry St John – Gotta Brand New Man
- C4: The Soul Brothers – Good Lovin’ Never Hurt
- C5: Lucas & The Mike Cotton Sound – Ain’t Love Good, Ain’t Love Proud
- C6: J.j. Jackson – But It’s Alright
- C7: Carl Douglas & The Big Stampede – Something For Nothing
- C8: Wynder K Frog – Turn On Your Lovelight
- D1: The Spencer Davis Group – Looking Back
- D2: Double Feature – Baby Get Your Head Screwed On
- D3: Scots Of St. James – Tic Toc
- D4: The Attraction – She’s A Girl
- D5: John’s Children – But She’s Mine
- D6: The Drag Set – Day And Night
- D7: Rupert’s People – Hold On
- D8: The Action – Look At The View
Modernists loved the latest R&B, blues and soul sounds coming from US cities such as Chicago, Memphis and Detroit and when British groups started playing their own interpretations in clubs and dancehalls they gained their own mod followings, their music remaining popular on the mod scene today.
Side 1 of this bespoke collection spotlights the British R&B scene and features a founding father of British blues Alexis Korner with the rare ‘Taboo Man’ alongside ace mod tracks from The Bo Street Runners, The Others, Mickey Finn and The Blue Men (featuring a youthful Jimmy Page on harmonica) and more.
Side 2 starts with British R&B groups developing their own sound by turning up their guitars, employing distortion, feedback and fuzz pedals to take the music in a new direction. Highlights include the Joe Meek produced ‘Crawdaddy Simone’ by The Syndicats (described as proto punk because of its ferocity), The In Crowd’s snarling ‘Things She Says’ and The Artwoods’ fuzz drenched mod favourite ‘I Take What I Want’ featuring future Deep Purple organist Jon Lord on organ.
Denny Laine (later of Wings) sings with The Moody Blues calming things down with some soulful beat.
Side 3 focuses on UK soul music - Rod ‘the mod’ Stewart backed by The Brian Auger Trinity takes on Sam Cooke’s ‘Shake’, the godfather of ska Laurel Aitken proves he’s also a natural soul man with his floor filling version of The Mar-Keys’ ‘Last Night’ and the amazing Barry St. John sings the funky ‘Gotta Brand New Man’. Popular club acts Lucas & The Mike Cotton Sound and Carl Douglas & The Big Stampede would regularly bring the house down at mod clubs and also feature.
Side 4 includes mod club dancefloor smashes from The Spencer Davis Group and Rupert’s People (AKA mod group Fleur De Lys) while mod heroes The Action go psychedelic with ‘Look At The View’. A moonlighting Jeff Beck of The Yardbirds plays on John’s Children’s ‘But She’s Mine’ and there are brilliant singles revered by freakbeat and psych collectors such as Double Feature’s ‘Baby Get Your Head Screwed On’ and The Drag Set’s ‘Day And Night’.
Rarities from The Trendbender Band and The Union (featuring Elmer Gantry) appear on vinyl for the first time.
- A1: I'll Tell The Man In The Street 02:24:00
- A2: Bewitched (Bothered And Bewildered) 02:45:00
- A3: Absent Minded Me 02:53:00
- A4: The Shadow Of Your Smile 02:54:00
- A5: Where Or When 03:05:00
- A6: Ma Première Chanson 03:07:00
- B1: I Don't Know Where I Stand 03:09:00
- B2: I Never Meant To Hurt You 03:16:00
- B3: Letters That Cross In The Mail 03:26:00
- B4: Answer Me 03:28:00
- B5: Tomorrow 03:31:00
- B6: Can't Help Lovin' That Man 03:36:00
- C1: Two People 03:37:00
- C2: Some Enchanted Evening 03:41:00
- C3: I Believe 03:44:00
- C4: Isn't It A Pity? 03:47:00
- C5: Moon River 03:51:00
- D1: Here's To Life 03:52:00
- D2: The Windmills Of Your Mind 03:55:00
- D3: Who Can I Turn To (When Nobody Needs Me) With Anthony Newley 04:23:00
- D4: Lady Liberty 04:35:00
- D5: Evergreen (Love Theme From "A Star Is Born") 05:21:00
EVERGREENS feiert Streisands 60-jähriges Jubiläum als Künstlerin bei Columbia Records. Das Album enthält 22 Songs - 1 Song von jedem Studioalbum, das sie veröffentlicht hat. Die Songs wurden von Barbra als einige ihrer Lieblingssongs während ihrer Karriere ausgewählt. Keiner dieser Titel ist auf früheren Streisand-Compilation-Alben erschienen. Die für EVERGREENS ausgewählten Lieder haben nichts mit Verkaufszahlen oder Auszeichnungen zu tun. Sie wurden von Barbra ausgewählt, um ihre emotionale Verbindung zu diesen Melodien und Texten zu veranschaulichen, da jeder von ihnen einen besonderen Platz in ihrem Herzen und in ihrer Erinnerung einnimmt.
James Blunt ist mit neuer Musik zurück: Sein kommendes Album "Who We Used To Be" erscheint am 27. Oktober bei Atlantic Records, inkl. der aktuellen Single "Beside You".
"Who We Used To Be" ist das erste neue Studioalbum seit der Veröffentlichung von "Once Upon A Mind" im Jahr 2019.
Mit dem Erfolgsalbum erreichte er die Top 10 der Albumcharts in Deutschland und schaffte es bis auf #3 in Großbritannien. Für die neue Platte arbeitete der Brite nun mit einer ganzen Reihe von Produzenten zusammen, darunter Jonny Coffer, Red Triangle, Jack & Coke und Steve Robson. Seine zuletzt veröffentlichte Greatest-Hits-Sammlung "The Stars Beneath My Feet" hat mittlerweile mit mehr als 100.000 verkauften Einheiten Goldstatus erreicht.
Blunts 2004 erschienenes Debütalbum "Back To Bedlam" brachte den weltweiten Hit "You're Beautiful" hervor und gehört zu den zehn meistverkauften Alben des zugehörigen Jahrzehnts. Es erreichte - neben einer Vielzahl von weiteren Ländern - auch hierzulande die Spitze der Charts. Im Laufe seiner Karriere wurde der Brite nicht zuletzt mit zwei Echos, zwei Brit Awards und zwei Ivor Novello Awards ausgezeichnet und fünf Mal für den Grammy nominiert.
- A1: Turn Ix 03:47
- A2: Super Freeloader 03:41
- A3: Turn X 07:57
- A4: Turn Xi 03:10 Site
- B1: Turn Xii 03:25
- B2: Zeit Ohne Harmonie Iii 05:45
- B3: Turn Xiii 01:57
- B4: Turn Xiv 02:12
- B5: Festival Mood Iii 00:56
- C1: Turn Xv 02:14
- C2: Turn Xvi 06:00
- C3: Turn Xvii 02:34
- C4: Turn Xviii 04:32
- D1: Turn Xix 04:41
- D2: Turn Xx 06:08
- D3: Turn Xxi 01:38
- D4: Festival Mood Iv 01:47
With the label MPS, post-war musical history was written in Germany: noble music productions with many international greats come from the Black Forest and are timelessly legendary. In this tradition, HGBSBlue releases selected projects on high-quality vinyl.
The DLW trio has been working together for twelve years now and is now setting the tone in the modern European music scene, as the trio has long since left the boundaries of jazz behind. DLW, that is the sound-painting vibraphonist Christopher Dell, the virtuoso Danish bassist Jonas Westergaard and the German star drummer Christian Lillinger.
Time and again, the three jazz musicians from Berlin play together with artists from classical or avant-garde music. "Supermodern"
is the project that brings the three DLW musicians together with US pianist Bob Degen. This music is also unikal. It is a reverence
to the legendary Modern Jazz Quartet (MJQ), which in the 1950s was the link between chamber jazz and European classical music.
With "Supermodern," this reference to the MJQ is illuminated from the perspective of European avant-garde music, rather than
its African-American roots, which nevertheless resonate respectfully throughout.
DLW has "developed a concept based on repetition and difference. The starting point for a piece is always a single bar, which is
rhythmically interlaced and repeated trance-like until the smallest irregularities occur, which are written down and creatively
processed further. From this "superimposed combinatorics" (Christopher Dell) a perpetuum-mobile-like sound movement
develops, which is further radicalized on record by sound alienations and cut-up techniques." Thus respectfully wrote the Neue
Züricher Zeitung in August 2023.
Word has long since spread outside the German jazz scene that the DLW projects are always musically new. This is also the case
with the double LP "Supermodern 2", with recordings made in 2021 in analog at the MPS studio in the Black Forest. Together
with US pianist Bob Degen, who has been one of the creative voices of the German jazz scene for about 50 years, they play highenergy music, with sparkling virtuosity and close communication. A musical treat, further enriched by the immensely present
analog sound of this recording.
- A1: Bleeding Love 04:21:00
- A2: Whatever It Takes 03:26:00
- A3: Homeless 03:49:00
- A4: Better In Time 03:55:00
- A5: Yesterday 03:53:00
- B1: Take A Bow 03:54:00
- B2: I Will Be 03:58:00
- B3: Angel 04:14:00
- B4: Here I Am 04:50:00
- C1: I'm You 03:47:00
- C2: The Best You Never Had 03:41:00
- C3: The First Time Ever I Saw Your Face 04:25:00
- C4: Footprints In The Sand 03:56:00
- D1: A Moment Like This 04:17:00
- D2: Forgive Me 03:45:00
- D3: Misses Glass 03:45:00
- D4: Run 05:12:00
'Debut album from the 2006 X-Factor winner. The album is a mixture of pop ballads and soulful R&B tracks and includes her first single 'A Moment Like This', the international hit single 'Bleeding Love' and 'Better in Time'. A double, Gold coloured LP Vinyl package. Promo & marketing activity.
Mit einem Engelsgesicht und einer Stimme mit vier Oktaven Umfang ausgestattet, eroberte sich die Siegerin der britischen Erfolgs-TV-Show "The X-Factor" innerhalb von nur zwei Jahren ihren Spitzenplatz im Pop-Olymp. Sowohl ihre Debütsingle "Bleeding Love" als auch ihr erstes Album "Spirit" erreichten Platz eins der Schweizer Charts. Jetzt gibt es die Deluxe Edition mit DVD und drei neuen Songs (incl. "Run" und "Forgive Me")
Die Aucklander Chillout-Soul-Elektronik-Band LEISURE enthüllt ihr exquisites viertes Studioalbum "LEISUREVISION". Das Album wurde in den letzten 2 Jahren in ihrer Heimat Neuseeland geschrieben und produziert.
Das Album erkundet die menschliche Erfahrung und all die Hoffnung, Freude, das Chaos und die Euphorie, die damit einhergehen, während es Themen wie Wachstum, Erneuerung und Wiedergeburt aufgreift und Balance, Frieden und Gelassenheit verkörpert. Es schöpft Inspiration aus verschiedenen Epochen - von der Geschmeidigkeit
des Blue-Eyed-Soul der Siebzigerjahre bis zur romantischen Energie des frühen Achtzigerjahre Post-Disco, kombiniert mit Drum-Programmierung des Hip-Hop der Mitte der Neunzigerjahre und verankert mit dem mittlerweile signifikanten, üppigen Gitarrensound von LEISURE, der sich durch ihre Diskografie zieht.
"LEISUREVISION" enthält die Single "All the Good Times Never Die", einen hoffnungsvollen, optimistischen Track, der in Zusammenarbeit mit der Londoner Gruppe Night Tapes entstand, sowie "Back In Love", einen souligen Track über die Herausforderungen und Freuden der Elternschaft und die Bedeutung, wieder Zeit füreinander zu finden.
- Sky
- Shortwave Radio
- Uninhibited
- Bailer
- Now And Then
- Failure
- Reconstructing Barriers
- Controller Controller
- Driver
- Satellite Screens
- Security
- Drifting
- In Motion
- 10: 22/94
- Curve
- Drown
- Two Left Standing
- Table
- The Game
- Archaeologist
- Blocks And Channels
- Untitled
- Spark Lights The Friction
- Rope And Pulley
- Add And Subtract
- Fine Day
- One Two
- In Betweens
- Nick's Question
- I Say
- Newest Sound System
- Believe In
Shotmaker was formed in 1993 by three friends from the small towns of Tweed and Belleville in Ontario, Canada: Matt Deline (drums, vocals), Tim McKeough (guitar, vocals), and Nick Pye (bass, vocals). The band relocated to Ottawa in 1994 before ending its run in 1996. They are widely recognized for influencing the direction of emo and post-hardcore music. During their relatively short time together Shotmaker harnessed the collective creativity of the Canadian DIY community to make something special happen. They wrote and recorded two 7”s, two LPs, a split LP (with Washington, D.C., based Maximillian Colby) and numerous songs for compilations and other split records.
The band thrived on playing live shows and completed three coast-to-coast North American tours in addition to many smaller tours. They regularly shared the stage with bands like Policy of 3, Los
Crudos, Unwound, Rorschach, Cap’n Jazz, Indian Summer, Rye Coalition, Modest Mouse, Propagandhi, Hoover, Clikatat Ikatowi, Blonde Redhead and Fugazi. "A Moment in Time: 1993-1996"
is a band-curated, 3xLP box set on colored vinyl. Also included is a 12 page booklet with never before seen images from Canadian photographer Shawn Scallen who chronicled much of the band's history.
All the music has been mastered for vinyl by Brad Boatright at Audiosiege in Portland, OR.
Steve Overland ist eine Legende zu Lebzeiten. Gibt es überhaupt jemanden da draußen, der seinen Namen nicht kennt? Seine Geschichte reicht bis in die späten siebziger Jahre zurück, seine erste bedeutende Aufnahme erfolgte 1980 mit der Band "Wildlife". Nach
dem Ende von "Wildlife" gründete Steve die Britische-Kult Melodic-Rock-Band "FM", eine Band, die im Laufe der Jahre viele großartige Alben veröffentlichte und bis heute erfolgreich ist.
Steve hat sich ursprünglich mit Escape Music zusammengetan, um den Leadgesang für das Boston-Tribute-Album (ESM 081) zu liefern, auf dem er 'Amanda', einen der Höhepunkte des Albums, sang. Steve arbeitete auch mit Steve Morris von "Heartland"-Ruhm zusammen, um vier "Shadowman"-Alben aufzunehmen, die alle in der Rockgemeinschaft hoch geschätzt werden. Über die Jahre hinweg hat er so viele großartige Songs geschrieben, aufgenommen und gesungen.
Dieser Mann scheint einfach immer wieder atemberaubend gute Songs schenken zu können und mit großartigem Songwriting. Diese neue Veröffentlichung für 2023 trägt einfach den Titel "S.I.X" und wird sowohl auf CD als auch auf Vinyl veröffentlicht (limitierte Edition von 500 Stück, alle nummeriert in Yellow Flame) und enthält zwei Bonustracks. Spannende Neuigkeiten!
Speaking about her new concert album, Lyytinen said: "When playing live, you've got one moment to get it right, and then the moment is gone. There is no correcting stuff later, so it is very raw and exciting to play and sing at the same time. The adrenaline runs through your body, and everything around you affects your performance."
The release marks Erja Lyytinen's fourth live album, and follows on from Songs from the Road, Live in London and Lockdown Live. The album is the first concert release from the gifted guitarist to capture the post- Covid live experience.
"Diamonds on the Road was recorded towards the end of our Spring tour in March 2023," she says. "We played ten shows in a row, of which eight were sold out.



















