10". Violet-schwarzes Marble-Vinyl, limitiert auf 200 Exemplare. Gegründet in Stendal (Sachsen-Anhalt), ist NEW HATE RISING nach 17 Jahren und 5 Studioalben ein wichtiger Bestandteil der deutschen Metal/Hardcore-Szene geworden und nicht mehr wegzudenken. NEW HATE RISING ist eine weitere deutsche Band, die nichts macht, was nicht schon andere Bands vor ihnen gemacht haben. Aber die Leidenschaft und das Herzblut, das in ihrer Musik steckt, heben sie hervor. Mach dich bereit, dein inneres Biest zu entfesseln mit ihrem einzigartigen Sound! Diese Band wird dein Art Musik zu hören auf eine ganz neue Ebene heben. Ihre Songs sind eine emotionale Achterbahnfahrt, die dich von den dunkelsten Tiefen zu triumphalen Höhen führt.
Suche:new hate rising
- 1
- A1: Kim English - Treat Me Right (David Morales Club Mix)
- A2: Sandy B - Feel Like Singing (Adelphi Music Factory Remix)
- B1: Byron Stingily - Get Up Everybody (Darius Syrossian Remix)
- B2: Byron Stingily - Get Up Everybody (Parade Mix)
- C1: Pj - Can Ya Tell Me (Gerd Janson Piano Megamix)
- C2: Pj - Can Ya Tell Me (Gerd Janson Bonus Beat)
- C3: Pj - Can Ya Tell Me (Pierre’s Phat Dub)
- D1: Wonderboy - Jerk It (Sorley Street Mix)
- D2: Wonderboy - Jerk It (Felix Da Housecat Original Nooworld Underground Mix)
- E1: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ian Friday Libation Vox)
- E2: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ricanstruction Vocal)
- F1: Kim English - Learn 2 Luv (Ralf Gum Remix)
- F2: Kim English - Learn 2 Luv (Mood Ii Swing Club Mix)
- G1: Deep Creed - The Anthem (Monki Remix)
- G2: Deep Creed - The Anthem (Armand Van Helden Original Circle Mix)
- H1: Kim English - It Makes A Difference (Danny Howard Remix)
- H2: Danny Krivit & Kyle Smith Present Kim English - It Makes A Difference (Dub)
Black Vinyl[33,57 €]
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
- New Day Rising (Live January 30Th, 1985 At First Ave)
- Everything Falls Apart (Live January 30Th, 1985 At First Ave
- The Girl Who Lives On Heaven Hill (Live January 30Th, 1985 At First Ave)
- I Apologize (Live January 30Th, 1985 At First Ave)
- If I Told You (Live January 30Th, 1985 At First Ave)
- Every Everything (Live January 30Th, 1985 At First Ave)
- Makes No Sense At All (Live January 30Th, 1985 At First Ave)
- Terms Of Psychic Warfare (Live January 30Th, 1985 At First Ave)
- Powerline (Live January 30Th, 1985 At First Ave)
- Books About Ufos (Live January 30Th, 1985 At First Ave)
- Broken Home, Broken Heart (Live January 30Th, 1985 At First Ave)
- Diane (Live January 30Th, 1985 At First Ave)
- Hate Paper Doll (Live January 30Th, 1985 At First Ave)
- Green Eyes (Live January 30Th, 1985 At First Ave)
- Divide And Conquer (Live January 30Th, 1985 At First Ave)
- Pink Turns To Blue (Live January 30Th, 1985 At First Ave)
- Eight Miles High (Live January 30Th, 1985 At First Ave)
- Out On A Limb (Live January 30Th, 1985 At First Ave)
- Helter Skelter (Live January 30Th, 1985 At First Ave)
- Ticket To Ride (Live January 30Th, 1985 At First Ave)
- Love Is All Around (Live January 30Th, 1985 At First Ave)
- Don't Want To Know If You're Lonely (Live 1985)
- I Don't Know For Sure (Live 1985)
- Hardly Getting Over It (Live 1985)
- What's Going On (Live 1985)
- Private Plane (Live 1985)
- Celebrated Summer (Live 1985)
- All Work And No Play (Live 1985)
- Keep Hanging On (Live 1985)
- Find Me (Live 1985)
- Flexible Flyer (Live 1985)
- Sunshine Superman (Live 1985)
- In A Free Land (Live 1985)
- Somewhere (Live 1985)
- Flip Your Wig (Live 1985)
- Never Talking To You Again (Live 1985)
- Chartered Trips (Live 1985)
- The Wit And The Wisdom (Live 1985)
- Misty Modern Days (Live 1985)
- Sorry Somehow (Live 1985)
- Eiffffel Tower High (Live 1985)
Hüsker Dü. Live. 1985. Das transzendente Punk-Trio aus Minneapolis in seinem explosivsten Jahr, live aufgenommen auf der Bühne im First Avenue, in der vielleicht am besten klingenden Aufnahme der gefeierten SST-Ära der Band. Diese 4xLP/2xCD-Edition enthält Beau Sorensons Restaurierung der 21 Songs des gesamten Sets vom 30. Januar 1985, dazu 20 zusätzliche Live-Tracks aus dem weiteren Tourneeverlauf des Jahres und ein Deluxe-Booklet mit detaillierten Informationen zu den zwölf geschichtsträchtigen Monaten von Hüsker Dü. Wie klingt eine Legende, in dem Moment, wenn sie geschrieben wird? Betrachtet man das Jahr 1985 durch die dynamische Linse der Independent/DIY-Musik, so gab es Mitte des Jahrzehnts für Hüsker Dü einen kraftvollen und unbestreitbaren Sprint von der rauen Punk-Institution bei SST zur künstlerischen Empathie bei Warner Bros. Die New York Times bezeichnete die Band als "die beste, die aus der Hardcore-Szene hervorgegangen ist". Im Einklang mit diesem Lob zeigte Hüsker Dü ein kreatives Tempo, das in keiner anderen Musikära zuvor oder seitdem jemals erreicht wurde. Nachdem sie im Juli des Vorjahres mit dem Doppelalbum "Zen Arcade" die aufkeimende Alternative-Rock-Bewegung sprengte, veröffentlichte die Band nur sechs Monate später, am 14. Januar 1985, das epochale "New Day Rising" und hörte nie auf, dem Sonnenaufgang über dem Hidden Beach nachzujagen, der das Cover des Albums zierte. Am 30. Januar 1985 erreichte Minneapolis am Abend zum Zeitpunkt des Konzerts -11 °C, was einem gnadenlosen Temperatursturz von 19 Grad gegenüber dem Tageshöchstwert von 8 °C bedeutete. Die 1500 Besucher im First Avenue brauchten jedoch kein T-Shirt, geschweige denn eine Daunenjacke: Von den ersten blendenden Momenten von "New Day Rising" an war klar, dass Bob Mould, Grant Hart und Greg Norton fest entschlossen waren, jedes Molekül im Raum in Brand zu setzen. Ihre Setlist bot eine nächtliche Kaskade von Feuerbällen aus den Alben "Everything Falls Apart", "Metal Circus", "Zen Arcade" und "New Day Rising" sowie fünf neue Songs, die später auf "Flip Your Wig" wieder auftauchen sollten. Außerdem würdigten sie ihre rockigen Vorfahren: mit einer rasanten Version von "Eight Miles High" von The Byrds, einer turbulenten Interpretation von "Helter Skelter" von den Beatles mit Dave Pirner von Soul Asylum, einem Pop-Punk-Remake von "Ticket To Ride" ebenfalls von den Beatles und ihrem charakteristischen Cover von Sonny Curtis' Mary-Tyler-Moore-Titelsong "Love Is All Around" zum Abschluss. Die First-Avenue-Bänder von 1985 zeigen Hüsker Dü in Höchstform mit bereits beliebten Songs, ein paar Jahre bevor sie ihren Status als Blaupause für den kommenden Alternative-Rock-Boom endgültig gefestigt hatten. Dieses Box-Set feiert diese Aufnahmen, die vielleicht die besten Hüsker-Dü-Aufnahmen sind, die während der legendenhaften SST-Jahre der Band produziert wurden. "Wenn ich an diese Zeit zurückdenke", kommentiert Greg Norton, "waren das drei Jungs, die das taten, was sie liebten, Spaß hatten und im Grunde anderen Menschen zeigten, dass man sich selbst treu bleiben kann, seiner Musik treu bleiben kann und sich nicht der Mode oder den Erwartungen beugen muss, um etwas wirklich Großartiges zu schaffen."
The Pusher Distribution / info@thepusher.fr
Hyperjazz Records presents the self-titled debut album from Tera Tera, an unexpected collaboration between two
visionaries of the Italian music scene. Drummer Jacopo Battaglia, founder of the cult Italian trio Zu and collaborator with
Mike Patton and The Bloody Beetroots, joins forces with guitarist Adriano Viterbini, founder of the rising sensation I Hate
My Village and collaborator with Rokia Traorè and Bombino. Born from two intense jam sessions of pure improvisation, this
album emerged through multiple phases of fragmentation, psychedelic experimentation, and sonic reconstruction. Hours
of raw material were distilled into structures, then subjected to further manipulation and synthesis, documenting the inherent
chemistry between two sound wanderers. Tera Tera's primary interest lies in exploring sound, creating new pathways
toward transcendence. Their music defies genre boundaries, pushing beyond conventional limitations into uncharted
psychedelic territories.
Jacopo Battaglia
Jacopo Battaglia has established himself as one of the most innovative and respected drummers in the Italian experimental
music scene. As a founding member of the cult band Zu, he pushes the boundaries of music since 1997. Blending elements
of noise rock, free jazz, and avant-garde into a distinctive style, he’s a pivotal figure in the “evolutionofavant - gardemusic”
internationally.
Adriano Viterbini
Over the years, Adriano Viterbini has built an international credibility like few other Italian musicians. He’s one of the most
inspired guitarists of contemporary Italian music, best known as founding member of I Hate My Village and Bud Spencer
Blues Explosion bands. An entire career voted to the research of the purest language of blues, Viterbini's impact extends
far beyond Italy, influencing a new generation of musicians with his dynamic approach to composition and performance.
Courtesy Of Balance is the tasteful house label run by Brawther and it was back in 2019 in Lviv during an underground warehouse party that he first made contact with Laconica label founders Ocean and Sasha Pervukhin. They all hit it off and so were invited to showcase the deeper side of the house sounds of Western Ukraine, and the results make up this new EP with the artists taking one side each. Ocean T's opener is a psychedelic, trance-infused cosmic trip while 'What If' rides on crisp beats with some lush dubbed-out synths. On the flip, Pervukhin's 'I Hate This DJ' is balmy, heady deep house from up amongst the stars and 'TR 18 Blues' is a nice kinetic, lithe minimal house cut.
THE SINISTER DEBUT ALBUM OF PURE NORWEGIAN BLACK METAL
FEELING,FEATURING MEMBERS OF AURA NOIR, OBLITERATION &
CONDOR."Underground metal the way it should sound returns to
Kolbotn!" - Fenriz (Darkthrone)From the depths of Norway looms a new
rising beast of hate & misanthropy in the form of Avmakt
Featuring the duo of Kristian Valbo & Christoffer Brathen - known for their work
with such acts as Aura Noir, Obliteration & Condor - their debut album, 'The
Satanic Inversion of....', is a grim & revelatory offering. Primitive in a way that
captures the early magic of Kolbotn's metal kings, Darkthrone, as well as the stark
chaos of early-era Bathory along with their very own distinguishable stamp on the
genre, 'The Satanic Inversion of....' is a masterclass of real Black Metal feeling,
wrapped up in a hypnotic frenzy of ice-cold riffing.
Though both members had played in bands covering different genres since their
early teenage years, Black Metal had always been one of the most important as a
vehicle for an honesty & fierceness that resonated deeply within the duo, without
the need for extravagant clothing or pretentious concepts. And so Avmakt itself
was born as the vessel for channelling this stripped-down raw feeling.
Formed in 2020 & with their one & only demo release gaining traction in the
underground, the Norwegians quickly came to the attention of Darkthrone's Fenriz
& Peaceville Records & Avmakt was swiftly included on Peaceville's Black Metal
Compilation, 'Dark Side Of The Sacred Star' which launched at the end of 2022.
Avmakt itself means "powerlessness", the sense of being overwhelmed & not
able to have any influence - without choice, voice, or hope. And so, it is from far
down in this psychological abyss that Avmakt's ideas & expressions manifest
with the completion of their debut studio release; 6 sprawling epic tracks
recorded with the assistance of Arild Torp, also of Obliteration & encapsulating
such themes as emptiness, desolation & alienation in a powerful display of
sinister, uninhibited Black Metal.
Formed in 2007, The Boxmasters have recorded an impressive and diverse catalogue of music that touches on their love of a wide array of influences, but most importantly, the rock and roll of the 1960’s. Love & Hate In Desperate Places is their 17th album and the ten songs evince a wry perspective on human nature and love. The lively melodic rock cloaks the wry wit of the lyrics. The album was produced by The Boxmasters, Billy Bob Thornton and J.D. Andrew, who also wrote every song. Listening to The Boxmasters, one can hear obvious odes to the Beatles, Byrds and Beach Boys, but also important to The Boxmasters are The Mothers of Invention, Kris Kristofferson, John Prine and Big Star. Since forming The Boxmasters, several long-time friends have contributed to the sound of the band, but the core of The Boxmasters has always been Andrew and Thornton. As primary songwriters, the sound of the Boxmasters has been an evolution as the duo constantly strive to find new inspiration, new sounds and new ways of expressing what is in their hearts and on their minds. But at the core, there is a backbeat, a lyric with meaning and music played with emotion. As a touring band, The Boxmasters have cultivated a rabid cult fanbase across the United States and Canada. Opening for the likes of ZZ Top, Steve Miller, George Thorogood and Kid Rock The Boxmasters have proven to win over large audiences. As a headliner, frequent stops in Kansas City at “Knuckleheads”, Springfield, Illinois at “Boondocks” and “Merrimack Hall” in Huntsville, Alabama have shown dedicated yet still growing audiences. Two appearances at Levon Helm’s “Midnight Ramble” in Woodstock, New York were highlight performances for the band, as well as the “Ramble at The Ryman” that Levon hosted in 2008. The Boxmasters performed on “The Grand Ole Opry” in 2015, another in a growing resume of must-play venues.
- 01: The Band With The Three Stripes
- 02: Heaven's Hate
- 03: Valley Of Hinnom
- 04: Forever Soldiers Of Esther
- 05: Stay Awake
- 06: Bare Witness
- 07: The Plague On Both Your Houses
- 08: In The Shadow Of Deaf
- 09: Welcome To The Next Level Above Human
- 10: It's Not Us, It's Them
- 11: Hate Us Cause They Ain't Us
- 12: Keep My Seat Warm
- 13: Burn Again
- 14: Decades
- 15: Reap What You Sow
- 16: Blue North
- 17: Holy Unblack
- 18: World Domination
- 19: Losing Faith
- 20: Tetragram
Bergen, Norway- Blood Command have announced their new studio album, "World Domination"(Produced by Yngve Andersen) to be released on the 29th September 2023 through Hassle and Loyal Blood Records. Alongside the announcement is the third and title track single, another self-proclaimed "loser anthem, that tells the sad story of never being good enough for the person of your dreams"
Whilst early singles have cradled audiences with their ethereal death pop sound, make no mistake, the album "World Domination" is 20 rapid bursts of every side the band has to offer. Infectious grooves, blast beats, singer Nikki Brumen’s powerful screams and riot grrrl chanting, techno interludes and that delicate side which lulls you into a false sense of security before ripping into the listener once more.
The record dives into unrequited love, the hatred of the unjust, the power of faith and the darkness of the abyss and never giving up on trying to climb out of it.
"Like various underground religious groups throughout history, Blood Command’s ever growing following, The Awaketeam, is rising around the globe, and we are not stopping until World Domination. So keep your eyes peeled for purple shrouds, three stripes and black and white sneakers."
This is Blood Command at its most interesting. Come and be a part of the movement.
- 01: The Band With The Three Stripes
- 02: Heaven's Hate
- 03: Valley Of Hinnom
- 04: Forever Soldiers Of Esther
- 05: Stay Awake
- 06: Bare Witness
- 07: The Plague On Both Your Houses
- 08: In The Shadow Of Deaf
- 09: Welcome To The Next Level Above Human
- 10: It's Not Us, It's Them
- 11: Hate Us Cause They Ain't Us
- 12: Keep My Seat Warm
- 13: Burn Again
- 14: Decades
- 15: Reap What You Sow
- 16: Blue North
- 17: Holy Unblack
- 18: World Domination
- 19: Losing Faith
- 20: Tetragram
Milky clear vinyl w/ black / neon green splatter.
Bergen, Norway- Blood Command have announced their new studio album, "World Domination"(Produced by Yngve Andersen) to be released on the 29th September 2023 through Hassle Records. Whilst early singles have cradled audiences with their ethereal death pop sound, make no mistake, the album "World Domination" is 20 rapid bursts of every side the band has to offer. Infectious grooves, blast beats, singer Nikki Brumens powerful screams and riot grrrl chanting, techno interludes and that delicate side which lulls you into a false sense of security before ripping into the listener once more.
The record dives into unrequited love, the hatred of the unjust, the power of faith and the darkness of the abyss and never giving up on trying to climb out of it. "Like various underground religious groups throughout history, Blood Command's ever growing following, The Awaketeam, is rising around the globe, and we are not stopping until World Domination. So keep your eyes peeled for purple shrouds, three stripes and black and white sneakers."
This is Blood Command at its most interesting. Come and be a part of the movement.
- 01: The Band With The Three Stripes
- 02: Heaven's Hate
- 03: Valley Of Hinnom
- 04: Forever Soldiers Of Esther
- 05: Stay Awake
- 06: Bare Witness
- 07: The Plague On Both Your Houses
- 08: In The Shadow Of Deaf
- 09: Welcome To The Next Level Above Human
- 10: It's Not Us, It's Them
- 11: Hate Us Cause They Ain't Us
- 12: Keep My Seat Warm
- 13: Burn Again
- 14: Decades
- 15: Reap What You Sow
- 16: Blue North
- 17: Holy Unblack
- 18: World Domination
- 19: Losing Faith
- 20: Tetragram
Neon violet vinyl.
Bergen, Norway- Blood Command have announced their new studio album, "World Domination"(Produced by Yngve Andersen) to be released on the 29th September 2023 through Hassle Records. Whilst early singles have cradled audiences with their ethereal death pop sound, make no mistake, the album "World Domination" is 20 rapid bursts of every side the band has to offer. Infectious grooves, blast beats, singer Nikki Brumens powerful screams and riot grrrl chanting, techno interludes and that delicate side which lulls you into a false sense of security before ripping into the listener once more.
The record dives into unrequited love, the hatred of the unjust, the power of faith and the darkness of the abyss and never giving up on trying to climb out of it. "Like various underground religious groups throughout history, Blood Command's ever growing following, The Awaketeam, is rising around the globe, and we are not stopping until World Domination. So keep your eyes peeled for purple shrouds, three stripes and black and white sneakers."
This is Blood Command at its most interesting. Come and be a part of the movement.
Lola Young’s neues Album „Sometimes My Mind Wanders And Leaves Completley‘‘ erscheint auf Vinyl und CD!
Die 21-jährige Sängerin aus dem Süden Londons ist eine außergewöhnlich talentierte Künstlerin mit einem unbestreitbar kreativen Fokus. Als Absolventin der renommierten BRIT School, die auch schon Superstars wie Adele, Amy Winehouse & Jessie J hervorgebracht hat, zählt sie mit ihrer gefühlvollen, bewegenden
Stimme und packenden Texten zu einem der aufregendsten neuen Talente Großbritanniens.
Ihre Musik spiegelt ihre Individualität wider und ihre Lyrics treffen direkt ins Herz, wofür sie ihre Fans lieben und sie sich einen Platz auf der BRIT Rising Stars 2022 Shortlist sichern konnte.
Zu ihren Supportern gehören auch bekannte Namen wie Kylie Jenner, Bella Hadid, Madonna und SZA, die Lola Young kürzlich als ihren „new favorite artist“ betitelte.
Fans dürfen sich freuen: Am 26.05.2023 erscheint „Sometimes My Mind Wanders And Leaves Completely‘‘ auf CD und Vinyl !
In a world of Player Haters and Nay sayers its only right that the Underground Legend sets that standard with high quality sonics for you to ride around and be motivated by. New Jersey's own rising star Da$H links with London's SONNYJIM, who handles production duties, to bring you their latest offering "BETWEEN THE LINES". A project that embodies Grimy Drums and soulful Samples laced with thought provoking lyrics that complement each other perfectly.
2012 album from the Italian/Norwegian Metal band. Mixing and mastering sessions featured Stefano "Saul" Morabito behind the knobs and Marchello Baltadjiev for the cover artwork. 11 tracks, 46 minutes of what can be easily defined as relentless death metal at its finest. The lyrical concept is based on John Carpenter's immortal masterstroke "They Live", dramatically relevant testimony of a dark era that never ended. credits
For genre-bending band Whiskey Myers, 2019’s self-titled and self-produced album offered a watershed moment. With Rolling Stone raving that the “irresistible” album was “the record the band was poised to make” while declaring them “the new torch bearers for Southern music” in a story titled “How Whiskey Myers Won Over Mick Jagger and Made the Album of Their Career;” Billboard and No Depression naming the album to best-of-the-year lists; 41,000 first week album sales; and the project debuting atop both the Country and Americana album charts (as well as at No. 2 on the Rock charts, behind only a re-release of The Beatles’ Abbey Road), the band celebrated mainstream success a decade in the making. Now, after spending 21 days isolated at the 2,300-acre Sonic Ranch studio deep in the heart of their native Texas, just miles from the U.S./Mexico border, the Gold-certified renegades have doubled down on what they do best: sharing honest truths with no-holds-barred instrumentation, letting the self-produced music speak for itself. Yet with Tornillo, named for the border town that is home to the pecan orchard-filled recording complex and set for release on July 29 via their own Wiggy Thump Records with distribution by Thirty Tigers, the six-piece band has taken their solid decade-plus foundation and pushed themself to further explore new sonic landscapes. “It’s going to have a little bit different sound,” lead singer Cody Cannon shared recently with Outsider. “It’s still Whiskey Myers at its core, but it’s kind of fresh… We did a lot of bass and horns on this one, which is something we’ve always wanted to do. Just being fans of all that old music and Motown stuff, and a lot of the stuff coming out of Muscle Shoals, old rock and roll. “We’re going to bend genre even more, I think, with this new record,” he continued. “It’s all over the place. But that’s fun, right? I hate the whole ‘Put it in a box. You gotta be this.’ … That’s not art to me. I love the idea of just doing, really, whatever you feel. It comes out a certain way because that’s just how it comes out. Whiskey Myers never really tried to be a certain way. It’s just how we are. So I think that’s really the whole thing about music, or the beauty about music; it’s just that freedom to create.” Tornillo as a whole does exactly that, drawing as much inspiration from Nirvana as from Waylon Jennings – even adding the legendary McCrary Sisters’ gospel influence to the project on background vocals. With Cannon leading the way on songwriting, the album also features writes from lead guitarist John Jeffers and fellow bandmembers Jamey Gleaves and Tony Kent, as well as rising singer/songwriter Aaron Raitiere (Anderson East, Oak Ridge Boys, A Star is Born).
- A1: Willie Ninja - I’m Hot (Louie Vega & Josh Milan Remix)
- A2: Willie Ninja - I’m Hot (Expansions Nyc Dub)
- B1: Willie Ninja - Hot (Louie Vega’s Why Because I’m Hot Original Mix)
- C1: Ralph Falcon - Break You (Radio Slave Remix)
- D1: Ralph Falcon - Break You (Original Mix)
- E1: The Messenger - End This Hate (Tensnake Remix)
- E2: The Messenger - End This Hate (Todd Edwards Original Mix)
- F1: Beltram Presents Phuture Trax - Future Groove (Agent Orange Dj Rework)
- F2: Beltram Presents Phuture Trax - Future Groove (Maxed Out Original Mix)
- G1: Kim English - Unspeakable Joy (Dr Packer Remix)
- G2: Kim English - Unspeakable Joy (Maurice Joshua Original Mix)
- H1: Byron Stingily - You Make Me Feel Mighty Real (Kevin Mckay Remix)
- H2: Look Out - Let Your Body Go (Franky Rizardo Remix)
part 2[37,77 €]
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
- A1: Sunspots
- A2: Wishing Well
- A3: Compositions For The Young And Old
- A4: Heartbreak A Stranger
- A5: Dreaming, I Am
- B1: If You're True
- B2: Poison Years
- B3: Sinners And Their Repentances
- B4: Lonely Afternoon
- C1: Brasilia Crossed With Trenton
- C2: See A Little Light
- C3: Whichever Way The Wind Blows
- C4: All Those People Know
- D1: Shoot Out The Lights
- D2: Hardly Getting Over It
- D3: Celebrated Summer
- D4: Makes No Sense At All
- E1: Gift
- E2: Company Book
- E3: Hoover Dam
- E4: After All The Roads Have Led To Nowhere
- F1: Where Diamonds Are Halos
- F2: Slick
- F3: Going Home
- G1: Changes
- G2: Can't Help You Any More
- G3: Helpless
- G4: If I Can't Change Your Mind
- G5: In The Eyes Of My Friends
- H1: Clownmaster
- H2: Gee Angel
- H3: Explode And Make Up
- H4: The Slimlp 5 & 6
- I1: Moving Trucks
- I2: Taking Everything
- I3: First Drag Of The Day
- I4: I Hate Alternative Rock
- I5: Stand Guard
- J1: Classifieds
- J2: Hear Me Calling
- J3: Art Crisis
- J4: Anymore Time Between
- K1: Skintrade
- K2: Eternally Fried
- K3: Roll Over And Die
- K4: Lonely Afternoon
- L1: Egoverride
- L2: Reflecting Pool
- L3: Disappointed
- L4: Hanging Tree
- F4: Running Out Of Time
- L5: Man On The Moon
- M1: The Act We Act
- M2: A Good Idea
- M3: I Hate Alternative Rock
- M4: See A Little Light
- M5: Hoover Dam
- M6: Circles
- N1: Paralyzed
- N2: I Apologize
- N3: Chartered Trips
- N4: Celebrated Summer
- N5: Makes No Sense At All
- N6: New Day Rising
- O1: Fort Knox, King Solomon
- O2: I Hate Alternative Rock
- P1: Could You Be The One?
- P2: I Apologize
- P3: Chartered Trips
- F5: Frustration
Demon Records presents Distortion: Live, the fourth and final edition in a series of expansive vinyl box sets chronicling the solo career of legendary American musician Bob Mould.
Bob Mould’s career began in 1979 with the iconic underground punk group Hüsker Dü before forming the beloved alternative rock band Sugar and releasing numerous critically acclaimed solo albums. The final volume in the series features 8LPs of live recordings from across Mould’s solo career.
8 LPs including –
• 4 live albums – Live At The Cabaret Metro, 1989 (first time on vinyl), The Joke Is Always On Us, Sometimes, LiveDog98 (first time on vinyl), and Live At ATP 2008 (first time on vinyl)
• Each album is presented with brand new artwork designed by illustrator Simon Marchner and pressed on 140g clear vinyl
with unique splatter effects
• Bonus LP Distortion Plus: Live which features live rarities including B-sides and stand-out tracks from the Circle Of Friends concert film
• Mastered by Jeff Lipton and Maria Rice at Peerless Mastering in Boston Plus -
• A 28-page companion booklet featuring: a new and exclusive foreword by Bob Mould; an interview conducted by journalist Keith
Cameron; an exclusive testimonial from Bully’s Alicia Bognanno; rare photographs and memorabilia
The second release on AF Trax, again with all profits being donated to Hope Not Hate, is the debut from Al Jerry who has the following to say -
I was initially picturing Al as an ambivalent character trying to evoke in his music deep issues and emotions related to Middle Eastern cultures, but not without a certain self-depreciating sense of humour and a questionable taste for stereotypical arabesque harmonies.
On a personal level, I'm from a family who is half-French, half-Armenian (from Turkey). I grew up with this sort of historical ambivalence in mind, born and bred in the relatively untroubled French culture but not completely oblivious (how could I) of the troubled past of my modern Armenian ancestry who had experienced the first genocide of the 20th century - which as you may know some people and countries still deny its very existence as we speak now in 2018. So, instead of doing something purely on my personal history and origins, I just wanted to celebrate/acknowledge the modern history of the both fascinating and chaotic Middle Eastern cultures.
When I introduced that vague idea of a project/alias to B with an early version of Sana'a Riots, he got instantly into it. The hybrid feel of the project really allowed us to experiment and mess around with odd tonalities and enthused solos. It was the first time for both of us that we manage to collaborate on an EP with someone else. We had never tried something together before and it actually turned out to be a lot of fun. More to come from Al then :)
AF Trax = Against Fascism Trax and is a new label project instituted by JD Twitch/Optimo Music. Its aim is to make a musical and cultural protest in opposition of rising far right politics and ideology in the world. Encouraging artists to make music intended to interrogate these toxic ideas, and with all label profits donated to Hope Not which campaigns to counter racism and fascism. Against Fascism Trax's intent is to provoke conversation, inform and financially support the opposition to fascist thinking. Its simple idea is that we must do something more than just talking. The moral thing to do is to act
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