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ISABELLE ANTENA - EN CAVALE 2x12"

Isabelle Antena

EN CAVALE 2x12"

2x12inchNUMLPC1192
Numero Group
24.02.2023

SEASIDE SILVER VINYL

After Belgian electro-samba wunderkinds Antena split at the end of 1985, singer Isabelle Antena immediately shed her cold wave crown for a sophisticated pop princess tiara. On 1986's Martin Hayles-produced En Cavale, echos of Madonna and city pop abound, with a lipstick stain of L80s Euro dance and spilled cosmopolitan's worth of bossa nova stirred in for good measure. This elegant second chapter of a French pop diva has been expanded to include Antena's shelved Island Records demo, adjacent B-sides and rarities, plus an expansive essay and previously unpublished photographs.

pre-ordina ora24.02.2023

dovrebbe essere pubblicato su 24.02.2023

34,41
THE WAVES - MOTORIKHERZ 2x12"

The Waves

MOTORIKHERZ 2x12"

2x12inchPERLON134
Perlon
24.02.2023

A matter of pace, an analog memory…
Feel safe: like newborn, take your first careful steps on a clean slate while Maayan is your supervisor. Naïve and happy, you leave carbonbon footprints on your way into the positives. Then a faster pace: some tribal folk music from a tiny world, where people dance around an LED fire, commands a gallop to the one and ollam. Latinfection guaranteed.
Your nonplus motion interferes with environmental geometry. A memory from an analog past flashes like a daydream. Upward and rising, your smile workout succeeds while scintillating waves say “hello!”. Having grown up to a motorik being, the determined goal however never appears. The journey into a perfect storm is the reward. Maayan sends you some motivating words.
Then have a break and jump on the light train of thoughts to enjoy blurred reflections: on the water and in your mind. Sing your body beautiful and free. Words come in bubbles, a heart-throb away from a light tower. Feel like stumbling into new adventures on a pathless terrain.
Slowly and cautious, the novemberme, which is the one that approaches dawn, celebrates tristesse with a funny accent. Kick the blues with a beat. Somewhere lost but regenerated, find sisyphos’ generator of vitality. A nascent religious mood at the Autobahn service station fades into the fog.
Finally, the circle of pace is almost closed. After laughter of amazement, Maayan leaves you with a soothing mantra of confidence: an everyday ritual fun you should indulge yourself in. It comes in waves.

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22,65

Last In: 10 months ago
Pixey - Dreams, Pains & Paper Planes

Dreams, Pains & Paper Planes will be Pixey’s first longer form project since the glittering Sunshine State EP arrived in October 2021, which had followed her hugely acclaimed early-2021 debut EP for Chess Club, Free To Live In Colour. The Sunshine State EP’s lead single and title track was crowned Tune Of The Week by Jack Saunders at BBC Radio 1, and received further airplay from Clara Amfo (who also had the EP’s second single ‘Take Me On’ on regular rotation), Mollie King in her Best New Pop playlist and Introducing’s Gemma Bradley. The EP was awarded a second consecutive 5* review from Dork Magazine who subsequently placed Pixey on the 2022 Hype List, to add to her list of accolades including The Sunday Times’ Breaking Act, Notion’s Internet Crush, The Daily Star’s Rising Star, and DIY’s Neu artist.



Commenting on the mini-album, Pixey says: “Dreams, Pains & Paper Planes is my biggest release to date. The majority of the record was written, recorded and produced by myself in my bedroom, alongside a couple of studio tracks. Genre bending was something I wanted to experiment with, tailoring to the moods of each song but still keeping to the core big beat elements. I wanted to write a record that kept a sunny sound but was more anxious lyrically. More than anything, I want the listener to feel like they can dip into an alternate world for a while, whether it’s comforting or not”

pre-ordina ora24.02.2023

dovrebbe essere pubblicato su 24.02.2023

30,04
MACHIAVELLIAN ART - Indoctrination Sounds

West Midlands five piece MACHIAVELLIAN ART follow up their self released and self titled cassette only album with their first release proper, ‘Indoctrination Sounds’ released February 24th via Riot Season Records, with an eye popping promo video to go with it.
A Maximalist blowout of Sax-honking Noise Rock, Doom Metal, Hardcore Punk, and Shoegaze, with Industrial Noise, Howls, Paranoid Rambles, and pure Disdain for oneself and the rest of you layered on top.
Indoctrination Sounds was conceived in various practice spaces in Digbeth throughout 2020 and 2021 and recorded at Ian Boult's Stuck On A Name Studios in Nottingham in the Summer of 2021, despite the best efforts of a global pandemic. Will Killingsworth mastered the record at Dead Air Studios.
Serotonin Problem opens the record with a huge sludge bass riff before the rest of the band pile in on top to create an all-encompassing and oppressive low mood that continues for the rest of the album. Next, we spiral down into the more open and atmospheric post punk of Faceless Voices - the collective bad feelings of a nation in decline reach boiling point. Indoctrination Sounds, for which the record is named, is a hardcore punk song regarding the clear and easily understood ways that humanity in the Western World is indoctrinated into the death-cult of capitalism under fear of violence, soaked in misinformation and conspiracy. Revolution is a call to action as guitars shift and glide uncertainly around, in a menacing inversion of shoegaze's dreamy safety. Side A is finished - a brief respite.
Side B opens with the more introspective Let Down, as the band play out a pounding homage to Iggy and the Stooges with Fenriz taking a turn on the drums. The drum intro to We're Not Gonna Take It gives way to a Rusted Shut bassline as the band turns their disdainful gaze to the violent pornography that is the 24-hour news cycle and reality TV in Watch Them Crawl. The album closes with Digbeth B5, an improvised piece on the gentrification of Digbeth. During the pandemic one of the band's practice spaces was turned into an overpriced ping pong bar for yuppies. As our culture is softened and cleaned up to make profit, so are our communities and cities.
Machiavellian Art are : Amy Murphy - Bass Guitar Benjamin Thomas - Vocals and Saxophone Joe Parkes - Guitar and Noise John Andrews - Guitar and Vocals Sam Hunt – Drums

pre-ordina ora24.02.2023

dovrebbe essere pubblicato su 24.02.2023

17,86
ELECTRIC LIGHT ORCHESTRA - Eldorado 2x12"

Electric Light Orchestra leader Jeff Lynne did more than figuratively reach for the sky on Eldorado. Daring to be bold, and creating imaginative worlds that invite the listener to escape the mundane, the visionary composer-musician achieved a multidisciplinary fantasia and, in the process, a prog-rock landmark. Nearly 50 years later, the concept album's brilliance can be experienced like never before in cinematic, IMAX-worthy fashion.

Sourced from the original analogue master tapes, pressed on MoFi SuperVinyl vinyl at RTI, housed in a keepsake box, and limited to 10,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP set of Eldorado allows the long-time audiophile staple to resonate with reference-setting dynamics, tones, and colours. Conjuring the feeling of journeying to different horizons, the record's songs teem with layer upon layer of details, which can now be heard as the producers intended. This very special release both pays tribute to the record's merit and enhances the spectacular program for generations to come.

Presenting the album with breathtaking clarity yet retaining the warmth, texture, and emotion that differentiate live music from reproduced sounds, the collectible reissue features beguiling levels of in-the-moment presence, grand-scale sound-staging, and instrumental balance. Bursting with a veritable cornucopia of stimuli, MoFi's Eldorado package also benefits from superb separation and immersive atmospherics that stem from the meticulous remastering process – as well as an ultra-low noise floor, industry-leading groove definition, and dead-quiet surfaces courtesy of the MoFi SuperVinyl properties.

The premium packaging and gorgeous presentation of the UD1S Eldorado pressing befit its extremely select status. Housed in a deluxe box, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. No expense has been spared. Aurally and visually, the reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

An artistic breakthrough that established Electric Light Orchestra as a pioneering band (and confirmed Lynne as the leading practising Beatles disciple), the 1974 effort remains notable for its involvement of a full orchestra and choral section, the range of which are captured with exquisite results on this LP. Eldorado distinguished itself from the band's first two works not only via Lynne's sharpened songwriting but due to the hiring of an orchestra that augmented the group's three string players. Co-arranged by Lynne and conductor Louis Clark, the symphonic movements bolster the contagious fare without ever drowning it. The accents also act as transports into the varied narrative universes.

Finished as a story before Lynne put notes down on paper, Eldorado ironically owes its inspiration to Lynne's father. In response to his dad's criticisms about the band, Lynne conceived a melodic tour de force that, like The Wizard of Oz, which informs the cover art, emphasizes the power of everyday dreams and everyman heroism. It's no coincidence that the sonic journey begins with an overture punctuated by the words of a cynic who condemns "the dreamer, the un-woken fool."

Beautiful yet fun, ambitious yet consistent, Eldorado proceeds to celebrate such romantics and escapists. A Technicolour escapade marked by lush melodies, fluid crescendos, and an intoxicating blend of energetic rock and sweeping orchestral elements, the album weds rich imagery and sweeping sounds in manners that make the two inseparable. In Lynne and company's hands, reality and fantasy collide, and dissolve any dividing lines. The proof is not just in the epic production, but in the timeless (and catchy) nature of songs such as the balladic "Boy Blue," power-pop packed "Illusions in G Major," and, of course, the aptly titled hit, "Can't Get It Out of My Head."

Decades later, Eldorado doubles as an invitation to break away from monotony whether you're listening to your Mobile Fidelity reissue on a large system or an excellent pair of headphones.

MoFi SuperVinyl


Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior

Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

pre-ordina ora24.02.2023

dovrebbe essere pubblicato su 24.02.2023

195,17
Derrick Morgan - This Is Derrick Morgan

Derrick Morgan ia one of the greats of Jamaican music, he is the undisputed King of Ska.
But his recording career dod not stop in 1967 when the sound of Ska slowed down into Rocksteady.
Nor did it stop in 1968 when Rocksteady evolved into the early sound of Reggae.
The set you have here was first released in 1974 when Reggae was King,the album carried the name 'In the Mood'..but also had the working title 'This is Derrick Morgan'.
A title in the world of Reggae carrying the moniker would normally be used to introduce new singer and be his showcase album.
In this case in could be used to reintroduce the singer Derrick Morgan to the new Reggae sound.
But we feel someone of Derrick's calibre needs no introduction as his voice works on any rhythms put his way.
So sit back and enjoy one of the greats of Jamaican music showing the world with the help of producer Bunny Lee that he can roll with the Reggae sound....respect...

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13,24

Last In: 10 years ago
V.I.V.E.K - Colours EP

V.i.v.e.k

Colours EP

12inchVIVEK002
VIVEK
23.02.2023

V.I.V.E.K announces his second release on the self-named VIVEK label. Known for his cult label, SYSTEM MUSIC, this label focuses more on eclectic 140 bpm outside the realm of the dance floor.

The 4 track EP explores broken beat, ambience, melody and rhythm at 140, something that has been missing over the last few years within the genre. Colours is not only the EP title, but a reflection of the diversity of the tracks. Musicality sits at the heart of this with a nod to easy listening.

“The main focus of this release was to take me out of my musical comfort zone. I wanted to work with other musicians as well as push myself to inhabit new creative ideas.” - V.I.V.E.K

Whether it’s as an artist, label owner, a deep-drawing world-touring selector or system-building soundman behind some of London’s most important dances, V.I.V.E.K has an inherent drive to push things forward and contribute to the craft of music with serious attention to detail. A life-long frequency student dedicated to soundsystem culture, he has total respect for the heritage, value and rich variety of true music, an ability to totally arrest your full attention and imagination with his music... And has done so since he emerged in the early 2000s.

Musically pressed and blessed on key imprints such as his own System Music, Deep Medi, Tectonic and iconic reggae imprint Greensleeves, V.I.V.E.K’s creations are a crucial brew of bass styles encompassing everything from heavyweight bass hypnosis to flighty, steppy garage hybrids via sweet dub soul and all-out low-end pressure. His self-built custom soundsystem, SYSTEM, meanwhile, is a unique force of nature in UK bass music culture; the most prominent modern system to be established this decade, it’s a whole new chapter in the UK’s longstanding and illustrious history of barrier-breaking soundsystem communities. As such, it attracts committed fans from around the globe and selectors from across the system spectrum.

His label System Music has the same treasured, trusted status; not only as a source of legit never-to-be-repressed artefacts that prize the real value of music, but also as a key platform for encouraging forward-thinking, powerful system music from across the OG – freshmen continuum. Karma to Kromestar, Sleeper to SP:MC, LAS to Egoless: System Music’s celebration of bass music’s sonic scope and nurturing of talent and craft ensures its consistent buy-on-sight ranking.

Most importantly it’s as a selector that V.I.V.E.K’s position is the most vital. The selective tailor of rich, immersive and eclectic sessions, few DJs dig as deep, join the dots or draw for dubs quite like this West London operator. Accentuating his influence as a producer, engineer, dubsmith, label curator and system builder; his creative excursions as a DJ, both on the dancefloor and the airwaves as a broadcaster on the likes of Rinse FM, galvanise his status as one of the most respected, influential and singular artists who is driven by nothing but craftsmanship, unity and the sense of culture that UK bass music needs to thrive and inspire.

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12,82

Last In: 3 years ago
Blackploid - Enter Universe LP 2x12"

Blackploid has become one of Central Processing Unit's stalwarts in the past couple of years. Martin Matiske's project contributed a trio of EPs to the Sheffield label across 2021 and 2022, with each of them showing off the kind of electro chops and production sensibilities that made Blackploid an ideal fit for an imprint which also boasts the likes of Cygnus, Silicon Scally and Bochum Welt among its catalogue.

Now, for CPU's first release of 2023, Matiske levels things up with the debut Blackploid LPEnter Universe. Across these twelve tracks, Matiske leaves us in no doubt that he's a prime mover in the world of modern electronic music.Enter Universedoes not let up from start to finish, delivering a dozen pieces of leftfield electro that draws from the sound's greats while also showcasing an unpredictability and flair that is all of Blackploid's own.

The tone is set from the first frosty chords of opening cut 'Pulsation'. The track traverses the starscape on pitter-patter drums and chirruping synths, a lively and slightly dystopian roller with an adventurous undercurrent reminiscent of classic Rephlex drops. It's a style which Blackploid often draws for throughout the rest ofEnter Universe, albeit with elements added or subtracted at each stage.

Indeed, this album features some of the most unusual production you will hear on any record this year. While the grooves pulse away in a manner reminiscent of Drexciya or Legowelt, Blackploid layers the mixes with a whole cornucopia of synth tones. 'The Mission' boasts a bleep-bloop breakdown that sounds like malfunctioning rotary telephones; 'Silent Room' is a ghoulish jam which harks back to Warp's legendary Artificial Intelligence compilations; 'Automatik' and 'Wormhole' are defined by some brilliantly strange low-ends - you'll be thinking of Mr. Oizo's 'Flat Beat' with the wiggly former, while the gurgling, writhing anti-lead that dictates 'Wormhole' is oddly thrilling and more than befits the track's title.

This inventive approach is also apparent in some of the structural choices onEnter Universe. While the tracks here all keep a steady, dancefloor friendly pulse, several of them surprise you by switching up the approach after a minute or two. 'Pulsation', 'Automatik' and 'The Mission' all feature moments where a new element - extra hi-hats, a synth line entering from leftfield - inject fresh impetus into the tune to keep the listener on their toes.

Blackploid may push the sonic envelope onEnter Universe, but this does not mean there is no room for melody. In particular, the cuts here which most strongly channel 'Computer World'-era Kraftwerk do so by fronting some slyly tuneful work, particularly in the low end of the mix. 'Unidentified' serves up delightfully springy chords, 'Cell Mutation' leads from the bassline, and 'Space Curve' features little cells of melody and counter-melody working together to closeEnter Universeout on a high.

Blackploid's debut LP Enter Universe marries Drexciyan electro and Warp-school electronica with some brilliantly inventive production choices.

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24,33

Last In: 2 years ago
Wax Tailor - Fishing for Accidents LP

Wax Tailor announces the release of his new album "Fishing For Accidents" on February 10th, 2023, accompanied by a new international tour.

"The starting point of this record is a quote from the film director Orson Welles, which evokes the notion of accident in the creative process. I always thought that accidents were an integral part of creation and the job of a film or music director is also to know how to capture them in order to make the accident an artistic intention. I decided not to follow a well established concept but this more instinctive guideline and to go fishing for accidents".

In this new opus, Wax Tailor explores with his sampler a world of vinyls and cinematographic references, brandishing as a flag a stamped musical culture and multiplying references to the 7th art in a music written in 33 rpm and 24 images seconds. After the dark "The Shadow Of Their Suns" released in 2021, Wax Tailor takes us with "Fishing For Accidents", on a brighter and more colorful side without ever betraying his universe and his convictions.

A multi-recidivist talent scout, he gathers around him a prestigious cast ranging from hip hop (Mick Jenkins, Mr. Lif, Kuf Knotz, Lojii, Napoleon Da Legend, Ill Conscious, Voice Monet, David Bars, Mattic) to the indie rock scene (Jennifer Charles, singer of the legendary band Elysian Fields and Victoria Bigelow).

With one eye on the past and the other on the horizon, Wax Tailor instills the incandescence of an organic sound and distills his art of sound anachronism in a wide gap between nostalgia and modernity that has made him one of the leaders of the international electro hip hop scene for over 20 years.

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19,75

Last In: 3 years ago
Alien D - D’s World

Alien D

D’s World

12inchBCV005
Budget Cuts
20.02.2023

Budget Cuts is honored to present the debut EP from New York’s finest, Alien D. In a commanding vinyl debut, Alien D conjures new worlds on D’s World which boldly traverses the territories of breakbeat, techno, and Baltimore club. Deep subs, slowed breaks, and Hazy stabs. In the eternal words of Alien D: “Another World is Possible”

Daniel Creahan is an artist whose musical output takes many different forms. Creahan formed the noise group Mind Dynamics and went on to release solo material under the moniker Stress on Embalming lately and Bootleg Tapes. The Alien D moniker emerged in 2018 with a focus on amphibious textures. Most recently, Creahan co-created DeKalb Works with and releases a stunning album for Where to Now? In 2020. Creahan is a central figure in the New York underground scene as both an artist and co-founder of Sweat Equity records.

"D's World tones down hard-hitting dance floor cuts with dazed melodies, balancing older sounds with the new” - Padideh Aghanoury (Resident Advisor)

"Hard to pick a fave, between Berger's Breaks, Conga Dance and Magnet Dance, I love the melody of Magnet Dance and the overall mood and groove of the record" - Louise Chen (NTS, Rinse France)

"magnet dance for me" - Posthuman (Balkin Vinyl, I Love Acid)

"Dope EP!" - Santiago Salazar (UR, Dublab)

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15,55

Last In: 3 years ago
Grim Beazley - Big World

Grim Beazley

Big World

CassettePURR0134
Constellation Tatsu
20.02.2023

Grim Beazley translates the mix of chaos and calm of the Australian bush into his new album Big World. It is a fascinating listen that combines "sounds and stories with deep evolutionary narratives" into soundscapes that are both dreamy and meditative. There is a strong emotional connection in these sounds as environmental themes bubble up next to fusions of house and trance that are both old school chill yet futuristic. 'Acheron Way' is the loose-limbed and breezy opener, 'Big World' has deeper Chicago drums, 'Eucal Regnans' has a more celestial electro vibe and 'Reefer Red Gum' is a post-rave comedown.

pre-ordina ora20.02.2023

dovrebbe essere pubblicato su 20.02.2023

7,98
Various - House Of Riviera Vol.2 (2x12")

Following up on the success of House Of Riviera released in 2019, Mona Musique releases House Of Riviera Volume 2 curated by label head Nick V, a compilation that pays homage to forgotten gems of the classic Italian House scene, circa 1991-1994. 9 tracks from the artists and record labels that were central to this seminal era of House music, including two never released cuts from Ricky Montanari, Davide Ruberto and Ivan Iacobucci.

In the early 1990s, Italy hosted one of the most prolific scenes in the burgeoning world of House music. Whilst the majority of Europe was only just beginning to digest the arrival of this new musical genre born in the US, Italian clubs, DJs and labels were hot on the heels of their counterparts in the already established scenes of New York and London. The clubs of the Adriatic coast, also known as the Italian Riviera, were full every weekend, hosting the major US and UK Djs of the time, but also seasoned resident DJs that had been honing their trade since the early 80s. By the early 90s, Italian House music was regularly exported around the world with labels such as UMM, MBG, Flying, Palmares, DFC, Oversky, Zippy, D:Vision, Irma - and its sublabels Antima and Calypso, releasing tracks inspired by the original New York House and Garage sound, but with a very different, unique and emotional take. This was the specific aesthetic that was to become the House sound of the Riviera, the soundtrack to the golden era of Italian House music.

With all releases between 1992 and 1994, House Of Riviera Vol. 2 unites a selection of 9 tracks that encapsulates the atmosphere, the energy and creativity that reigned during that era. Including 2 previously unreleased tracks from Ricky Montanari and Davide Ruberto, and Ivan Iacobucci, both in the vaults since 1992, the compilation spans the different shades of the genre : from classic deep vocal house by Ricky Montanari and Sound Set, to the more dubbier late night dance floor cuts by Workin’ Happily and Night Communication, with Mental Detector and More Heavy Soul bringing some well chosen disco samples to their contributions, without forgetting the characteristic deep Italian dream house style by Green Baize. Artists featured are iconic producers and DJs from the day : Ricky Montanari & Davide Ruberto, Alex Neri & Marco Baroni, Ivan Iacobucci, Workin’ Happily and More Heavy Soul.

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23,49

Last In: 4 months ago
HER ABSENCE FILL THE WORLD - DEAD HANDS LP

The duo HER ABSCENCE FILL THE WORLD is the new sensation in Berlinese synthwave scene. Their genre classical song structures with a modern twist capture and transport immediately to the likes of successful past releases of Oráculo Records like Boy Harsher, Ultra Sunn, Synths Versus Me or NNHMN. Their debut EP include four songs already relased by Detriti Records in cassette tape format and two new songs previously unreleased plus one remix by techno master KOR. Comes presented in a one-off truly limited edition of 300 copies lacquered pressed on 180gr. high quality solid black vinyl. All tracks have been specially remastered for long cut vinyl by Daniel Hallhuber at Young and Cold Studios.

(Oraculo Records - OR109)

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20,80

Last In: 19 months ago
Various - Imaginary Landscapes LP 2x12"

chant#11 is the first VA compilation by David August's imprint featuring KMRU, Yu Su, Kareem Lotfy, Hadj Sameer, Sara Berts and more. Including also two new projects by August himself, Aşa (with jazz-noise vocalist Cansu Tanrikulu) and Madrā (with Carnatic vocalist Sushma Soma).

Observing how the world is continuously transforming, an idea of motion comes to mind. Inspired by Plato's concept of movement ("Nothing ever is, everything is becoming"), 99CHANTS has invited artists to create an "imaginary landscape." What does tomorrow sound like?

With creativity an increasing part of our daily lives, we must consider how we navigate the changes this contemporary environment brings. This means thinking through our responsibilities as a label, but also the role of music at this particular moment in time. We believe creativity and looking within our interior worlds can set hope and action in motion. We are curious to further explore music's ability to create gateways to such inspiration. With humility and gratitude, we hope this compilation can be a small contribution to a larger picture.

Since we started 99C in 2018, the safeguarding of the environment has been paramount to our existence. Considering the possibilities of tangible impact, we thoughtfully considered the act of compensation and decided that all proceeds will go directly to the non-profit organisation ONETREEPLANTED. Founded in 2014, OTP works with partners around the globe to plant trees in areas affected by deforestation. With 10 million trees planted as of 2020, biodiversity has been stimulated, jobs have been created, and while multinational conglomerates and energy companies produce the vast majority of global CO2 emissions, areas destroyed in the name of profit can once again flourish with life.

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26,01

Last In: 2 years ago
NU GENEA - NUOVA NAPOLI LP

NU GENEA

NUOVA NAPOLI LP

12inchNG01LPR
NG Records
20.02.2023

2023 Repress

Almost 2 years after the success of the album The Tony Allen Experiments and a few months after the release of the 7inch Amore, Nu Guinea returns to the scene with a new LP published by their newborn label NG RECORDS.

After touring the world looking for sounds suitable for their vibrations, NU GUINEA decided to go back to square one, Napoli, where Massimo Di Lena and Lucio Aquilina were born and raised. They watched their city from a distance reconstructing its energy from their studio in
Berlin, calibrating the synths on the meridian of Vesuvius, the volcano that has always protected and threatened Napoli.

Nuova Napoli is the result of a long musical research that has become a historical investigation on the sound that shaped Napoli during the ‘70s and ‘80s, starting from the contamination of genres (disco, jazz-funk, African rhythms) which ended up in Nu Guinea’s DNA.

In this album the synthesizers fill the spaces between the past and the future, tightening in a single body acoustic instruments, electronics and voices in Neapolitan dialect. It is the first time that the duo has worked with such a large group of musicians, some of whom are exponents of the contemporary Neapolitan scene.

WARNING: We recommend listening to Nuova Napoli while walking in the alleys of Napoli’s
historic center, around wet clothes hanging and street vendors on tiny three-wheelers.

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18,91

Last In: 3 days ago
The Pretty Reckless - Other Worlds - White Album

The Pretty Reckless veröffentlichen 2022 ein neues Projekt namens »Other Worlds«. Die Sammlung wird akustische Aufnahmen, Cover-Versionen und mehr von Taylor Momsen und Co. enthalten.

Vor allem einige der Cover-Versionen dürften für Fans der Hardrocker aus New York eher überraschend kommen. So enthält »Other Worlds« neue Interpretationen von Elvis Costellos »(What's So Funny 'Bout) Peace, Love And Understanding«, Soundgardens »Halfway There«, Chris Cornells »The Keeper« und David Bowies »Quicksand«.

»Wir haben lange Zeit versucht, einen alternativen Weg zu finden, um Musik zu veröffentlichen, einschließlich Songs, die wir lieben und die es nicht auf unsere Platten geschafft haben, sowie Cover und alternative Versionen«, erklärt Frontfrau Taylor Momsen.

»Mit ›Other Worlds‹ haben wir einen Weg gefunden, dies kohärent und konsequent zu tun. Wir sind eine Rockband, deshalb gibt es auf unseren Platten viele E-Gitarren. Allerdings haben wir von unseren Fans unglaubliches Feedback zu unseren akustischen Auftritten bekommen, und die haben wir nie in einem richtigen Format veröffentlicht. Dies ist also eine andere Sichtweise auf das traditionelle Format einer Platte und eine abgespeckte Version von uns, die unsere Fans noch nie zuvor gehört haben, aber es sind immer noch wir.«

»Other Worlds« enthält auch einige besondere Gäste, darunter David Bowies Pianist Mike Garson, Pearl Jams Matt Cameron und den Multiinstrumentalisten Alain Johannes.

pre-ordina ora17.02.2023

dovrebbe essere pubblicato su 17.02.2023

23,49
KHOTIN - RELEASE SPIRIT LP

Pink Vinyl
Canadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014's Hello World immersed him in the heart of Vancouver's underground dance scene, and sometimes it follows, like 2018's Beautiful You, a downtempo salve for DJ fatigue His melodic sensibility and playful ear for atmosphere remain the rippling core of the project's fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Ed- monton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft _ the tone, pacing, and dynamism of new material _ arriving at a definitive full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin's dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he's never sounded better doing it. The album title borrows from the "release spirit" mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go- around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds _ including the classic Casio SK-1 presets he's used since the start _ mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. "I think it's my best sounding record to date." We begin on "HV Road" or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia's Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin's most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of "Lovely," a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up. The bubbling atmosphere and absurdity of "3 pz" offer a cosmic/comic interlude and also speak to reflections on his family's move to Canada two generations ago, and the audio tutorials they used to learn English. "I can only imagine my grandpar- ents repeating some of the bizarre phrases." "Fountain, Growth" finds Khotin in collaboration with Montreal's Tess Roby (Dawn to Dawn) for the project's first-ever vocal track. Roby's soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of "Life Mask" and seamlessly reaching "Unlimited <3." The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop. Release Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of "Techno Creep," a hyperactive REM state before the digitized ambient sprawl of "My Same Size." In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded "Sound Gathering Trip" to soundtrack a genre of YouTube videos he's taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin's project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.

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Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.

23,66

Last In: 3 years ago
KHOTIN - RELEASE SPIRIT

Canadian producer Dylan Khotin-Foote has kept his Khotin alias going for the better part of a decade; the impressionistic electronic project shifts with the movements in his life. Sometimes it leads, like when the club-friendly grooves of 2014's Hello World immersed him in the heart of Vancouver's underground dance scene, and sometimes it follows, like 2018's Beautiful You, a downtempo salve for DJ fatigue. His melodic sensibility and playful ear for atmosphere remain the rippling core of the project's fingerprint; whether beat-driven or ambient, a foggy smear or a dusted and pristine print, a Khotin track has a distinct and instantly recognizable swirl. During and after the 2020 release of Finds You Well, his second LP on Ghostly International, Khotin-Foote settled back into a slower vibe in his hometown of Ed- monton. Even before the pandemic, his pivots to softer production, and away from DJing, left him with fewer opportunities in Vancouver and club bookings overall, and as a self-identifying introvert, he was fine with that. But the change of pace did open space for Khotin-Foote to grapple with concepts of adulthood and career. At his lowest, he almost walked off this musical path altogether; instead, he doubled down on the craft _ the tone, pacing, and dynamism of new material _ arriving at a definitive full-length. With Release Spirit, Khotin releases himself from the pressure of expectation, fusing and refining everything we know about his music. The warmth and familiarity of Khotin's dreamy, dulcet style meet new ideas and frameworks, a natural progression, a modest revelation; Khotin confirms it is okay to move slowly and he's never sounded better doing it. The album title borrows from the "release spirit" mechanic in the video game World of Warcraft. When players die, they are prompted to release their spirit and return as ghosts to find their corpses and come back to life. Khotin sees it as a worthy metaphor for the impending change his return home presented and the resulting process of purging artistic expectations to find his creative self again. On this go- around, he is freer, more playful, and more intentional within his palette of warped synth, breakbeats, and piano sounds _ including the classic Casio SK-1 presets he's used since the start _ mingling with wistful samples, field recordings, and other abstract snippets. For the first time, he enlisted Nik Kozub to do the mix and assist with sequencing. Khotin-Foote has long worked with the Edmonton-based musician and engineer in the mastering phase, as well as their days co-running the label Normals Welcome, and this time was able to involve his ears earlier given their newfound proximity. "I think it's my best sounding record to date." We begin on "HV Road" or Happy Valley Road, where Khotin-Foote spent time during a family vacation in British Columbia's Okanagan Lake. His plans to record crickets at night are quickly foiled by his younger siblings; the cute exchange orients the listener to a core memory of sorts, setting the tone of universally understood warmth and wonder that has defined some of Khotin's most transportive tracks. Hazy percussion takes hold, and we are swept further into the wisp of "Lovely," a grooving, melodic standout built on the interplay between the beat and human voice-like hums. Khotin knows this zone well; equally suited for a reverie or a club warm-up. The bubbling atmosphere and absurdity of "3 pz" offer a cosmic/comic interlude and also speak to reflections on his family's move to Canada two generations ago, and the audio tutorials they used to learn English. "I can only imagine my grandpar- ents repeating some of the bizarre phrases." "Fountain, Growth" finds Khotin in collaboration with Montreal's Tess Roby (Dawn to Dawn) for the project's first-ever vocal track. Roby's soft cadence echoes atop spiraling air pockets of rhythmic production, lending a breezy, almost shoegaze pop feel. Throughout the single and the album, wind gusts between the compositional layers, akin to the roaming spirits of its namesake, curving around the birdsong of "Life Mask" and seamlessly reaching "Unlimited <3." The latter bumps in slow motion; disembodied whirrs from his Casio collide with 808 drums and sub-bass for a vibe that teeters on trap and instrumental hip-hop. Release Spirit rests in a dream sequence. Oscillating synth lines dance around the heartbeat of "Techno Creep," a hyperactive REM state before the digitized ambient sprawl of "My Same Size." In the final pass, Khotin imagines transcontinental travel from the glow of his screen. He recorded "Sound Gathering Trip" to soundtrack a genre of YouTube videos he's taken to that follows train routes through Europe and Japan. The scene is serene and moving; piano keys warble as static-filled sound design shimmers off the rails, from cityscapes to the countryside, an introspective ride through a world beyond his bedroom. It doubles as an apt parting image for Khotin's project as a whole: dreaming big but happiest when riffing on the details, shaping environments from the inside out. Over the last decade, he has stretched from his core in Edmonton, leaving a trace in Vancouver and beyond; but when all signs point home, he loops back to see it all from a different vantage, revitalized, refined, and free.

non in magazzino

Ordina ora e ordineremo l'articolo per te presso il nostro fornitore.

22,23

Last In: 7 months ago
Four Year Strong - Enemy of the World

New England rock band Four Year Strong have announced a re-recorded version of "Enemy of the World” complete with an updated depiction of the album art. The album originally came out over 10 years ago and was a breakout record for the band. Now it sees new production and 4 extra b-sides. "We decided to re record EOTW first and foremost to be as cool as Taylor Swift, but secondly because we wanted to be able to repress the vinyl and offer it to fans that haven’t been able to get it since the record came out." says Alan Day. He continues "It was really interesting to revisit all of the songs down to every detail, getting to kind of relive it in a way. We recorded the drums with Will Putney (who worked on the original EOTW as a engineer), did the rest by ourselves at Dans house, and then had Will work his magic on it and mix and master it. We had just worked with Will for the first time since 2010 on our new album Brain Pain, and figured it would be perfect to work with Will as he knows FYS old and new more than anyone. So give it a listen, come out to the tour, and party like it’s 2010 again."

pre-ordina ora17.02.2023

dovrebbe essere pubblicato su 17.02.2023

24,74
Four Year Strong - Enemy of the World

New England rock band Four Year Strong have announced a re-recorded version of "Enemy of the World” complete with an updated depiction of the album art. The album originally came out over 10 years ago and was a breakout record for the band. Now it sees new production and 4 extra b-sides. "We decided to re record EOTW first and foremost to be as cool as Taylor Swift, but secondly because we wanted to be able to repress the vinyl and offer it to fans that haven’t been able to get it since the record came out." says Alan Day. He continues "It was really interesting to revisit all of the songs down to every detail, getting to kind of relive it in a way. We recorded the drums with Will Putney (who worked on the original EOTW as a engineer), did the rest by ourselves at Dans house, and then had Will work his magic on it and mix and master it. We had just worked with Will for the first time since 2010 on our new album Brain Pain, and figured it would be perfect to work with Will as he knows FYS old and new more than anyone. So give it a listen, come out to the tour, and party like it’s 2010 again."

pre-ordina ora17.02.2023

dovrebbe essere pubblicato su 17.02.2023

28,36
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