DJ Support: David Penn, DJ Mes, Kevin McKay, Sebb Junior, Art Of Tones, Robbie Rivera, Moon Rocket, Peter Brown, Hatiras, Johnick, Dam Swindle, Jimpster, Disclosure, Ricardo Villalobos, Luke Solomon, Nightmares On Wax, Laurent Garnier, Louie Vega, Steve "Silk" Hurley, Terry Hunter, DJ Sneak
A1 – Vinyl opens on serious anthem by one of Chicago’s greatest also known Stacy Kidd. 'Music For You – MF Mix' encaptures the soulful power of music and the silly energy of garage house dancefloor. This already classic banger track got some little twist for 2024 re-release, and we are honored to be able to release such a nice House track on wax eventually, almost 18 years after Original release (2007)
A2 – Fouk is serving some powerful deep house disco driven music, with a clear inspiration taken from the Garage house spirit of the 90’s-2000 golden era. The result is Cobalt, an impressive dancefloor weapon delivered by the acclaimed duo from Netherlands.
A3 – We are honored to welcome Michele Chiavarini into closing A side on a deeper touch – Vibe We Share. If michele is known for its musicianship and craft capacity that brought him to work all around in the music, he delivers here an interestingly deep house track, with beautiful vocal addition that bring a modern flare to the classic soulful house sound.
B1 – B Side open on a disco banging track, and who better than the jackin house hero Angelo Ferreri to get ourselves shaking heavy on another disco cut ? All Time Disco is probably a track that will have a strong connection with hectic dancefloor. What a delight
B2 – Some very delicious vibes follow on with Marc Cotterell addition to the compilation – Paris By Night. Here goes a journey to soulful house and organ ride with many garage house hints & breaks, Marc brings here a very musical track that might fit easy listening session and dancing hours both with ease and elegance.
B3 – Last of the list comes Teuteu with Kong. Emerging artist and newer to the scene than most of the previous artists, teuteu is noneless bringing some awefully interesting vibes on his B3 closing with a heavy Jazz House track. Organ jazz solo, deep chords, broken house patterns, all you needed to wrap up our Gravity compilation with adequate taste and charm.
Search:ni
- A1: That Place Feat. Botany
- A2: Floating Feat. Brothertiger & Kenji Kihara
- A3: Hollow Dream Feat. Annie Barker & Joseph Shabason
- A4: Around The Fire Feat. Nightlands
- A5: Corner Of The World Feat. Nat Birchall & Thore Pfeiffer
- B1: Amazing Feat. Nubo
- B2: Ancient Love Feat. Jamael Dean, Nat Birchall & Sharananda
- B3: The Will Of The One Feat. Jonas Knutsson, Laraaji & Oceananda
- B4: North Star Feat. Green-House & Nubo
- B5: Understanding Feat. Miguel Atwood-Ferguson
'Crescendo' is the captivating result of a collaboration between the Swedish producers Emil Holmström and Peter Wikström, who form the duo Ecovillage, and a multi-talented cast of musicians all of whom share a passion for improvisation and experimentation.
Recorded between 2019 and 2022 in Los Angeles and Umeå, Sweden, the sessions were designed to explore the possibilities of creating a sonic environment that blends jazz and ambient to create something altogether fresh, vibrant and immersive.
‘We always wanted to create something new and original, something that would challenge us during the recording and also evolve our listeners. We also tried to break away from the conventions and expectations of ambient music’.
The album consists of ten tracks, each with its own mood and style. Some songs are uplifting and energetic, while others are mellow and dreamy. The vocals range from soft whispers to powerful chants, adding texture and emotion to the music.
‘Crescendo is an album that invites the listener to immerse themselves in a rich and diverse musical landscape that reflects the vision and spirit that we had during the recording process’.
Composed, mixed and produced by Emil Holmström & Peter Wikström
Featuring Jonas Knutsson, Laraaji, Miguel Atwood-Ferguson, Green-House, Brothertiger, Kenji Kihara, Botany, Nightlands, nubo, Nat Birchall, Oceananda, Sharananda, Thore Pfeiffer, Annie Barker and Joseph Shabason
Recorded in Austin, Berlin, Los Angeles, Manchester, Mainz, New York, Philadelphia, Tokyo and Umeå
- A1: Fred Again ., Duoteque, Orion Sun – Itsnotreeaallllllll 5 27
- A2: Fred Again ., Berwyn, Gesaffelstein – Berwyngesaffneighbours 2 03
- A3: Fred Again ., Lil Yachty, Overmono – Stayinit 4 34
- A4: Fred Again ., Baby Keem – Leavemealone 3 42
- B1: Fred Again ., Skrillex, Four Tet – Baby Again.. 5 19
- B2: Skrillex, Fred Again ., Flow Dan – Rumble 2 26
- B3: Fred Again ., Swedish House Mafia, Future – Turn On The Lights Again.. 4 27
- B4: Fred Again . – Jungle 3 18
- C1: Fred Again ., India Jordan – Admit It (U Dont Want 2) 6 25
- C2: Fred Again ., Romy, Haai – Lights Out 4 48
- D1: Fred Again ., Baby Keem – Leavemealone (Nia Archives Remix) 2 59
- D2: Fred Again . – Jungle (Rico Nasty Remix) 3 33
- D3: Fred Again ., Romy , Haai – Lights Out (Haai Remix) 6 15
Fred again.. has announced the release of ‘USB001’ - the first volume of his ‘infinite’ album project, now available as a limited vinyl drop.
‘USB001’ is an infinite, ever-evolving album that includes recent releases ‘Baby Again’, ‘Rumble’ w/ Skrillex & Flowdan, ‘Jungle’, ‘leavemealone’ w/ Baby Keem and ‘stayinit’ w/ Lil Yachty, plus remixes featuring HAAi, Rico Nasty and Nia Archives.
‘USB001’ also features two new records; ‘BerwynGesaffNeighbours’, which samples BERWYN & Gesaffelstein, and ‘ItsNotREEAALLLLLLLL’. The latter samples DuoTeque, Orion Sun and uses a drum beat first sent to Fred by Four Tet, lifted from an hour-long Richie Hawtin mix 'DE9 - Closer To The Limit' recorded in 2001. Richie trawled back through the mix stems of over 100 records spliced together to track down where the drums originated from, tracing them back to a producer called Steve Sullivan.
Thompson Sound and Dubquake Records team up to offer O.B.F-style versions of iconic roots & rub-a-dub tracks from Linval Thompson's label. Gems from the 70s and 80s that’ve been reworked by Rico O.B.F using original recordings. Each release comes with a reinterpretation of the original vocal, dubs, and a mix with our dearly missed Nazamba pon the version!
After 'Curfew' and 'Sweet Sensimilia', here’s 'Evening Love', the third banger in this series: a freshversion of Sammy Dread's 'Morning Love'! A passion-infused song known for its appearance on the legendary dub-album 'Scientist Meets The Space Invaders'.
On 'She Nah Lie', Nazamba's poetry is filled with warmth & romance, backed in finesse by the Roots Radics. To finish things off nicely, Katja Bot gives the artwork her magic touch.
This is one of the best ways to remove dust safely from your recrods
The brush has over a million conductive carbon fibers. they are small enough to get into the groove and their conductivity helps to drain static charge that attract dust particles to your record.
How to use:
Gently hold brush fibers in the groove while the record spins, this way you can collect dust particles and also reduce static bulid-up. After the records has made a full rotation, just sweep the brush towards the outside of the records to remove the particles carefully from the vinyl surface.
- Handgefertigte Kohlefaserbüste, zur Entfernung von Staub auf Schallpaltten
- Die Reinigungsbürste macht Schallplatten antistatisch, so dass Staub nicht angezogen wird
- Für die Pflege von alten und neuen Schallplatten
2024 Repress
This was the first release of legendary dutch ESP Records! We're happy to bring you this gem back on vinyl (only)!
Break 3000 present this special vinyl re-issue of some much sought after Electro Clash classics from the period 1998-2003.
Available now on limited Red Marbled Vinyl for the first time again since almost 25 Years ago!
After the fast selling “Emolotion EP” on Italy’s “Mondo Phase” imprint and the “The Rise of Poseidon 1” on the Argentinian label “Calypso’s Dream” released last year we present you the final chapter of the early 00’s Electro and Electro Clash gems produced by Break 3000 while living in Maastricht and Cologne.
The first track is a remix made for the legendary “Pocketgame” label from Germany in 2003 that was run by Maru & Comix, released on the “We Are He-Man EP” by “STR & Tim Tycoon” that also featured a stellar “Legowelt” remix. This one is an absolute belter of a track and to this day is one of Break 3000’s favorite tunes he ever produced. Followed by the cool, dark and Cold-Wave’esque Electro cut “The Wait” that was released on a massive Compilation on “Pocketgame” that same year called “Bonuslevel One – North and South” with such amazing artists on it like “Steril”, “Ladytron”, “Mutron”, “Nitsch and Gleinser”, “Hong Kong Counterfeit” and of course the label heads “Maru & Comix”.
The B-side looks back in time even further. “Electric Blue” and “Spacemachinenreise” were released on “Meuse Muzique” from Maastricht and were on the “Maastricht-Liege EP” and the “Electric Kingdom EP” from 2002 and 2003. Lastly “Lectrolite #2” was released on a one-off vinyl release on Break 3000’s own “Casa Nova” imprint in 1999. And especially this tune marked the start of his Electro endeavors the following years.
So get your hands on these fine tunes once more with this special packaged and limited re-release. All tracks have been carefully re-mastered from the original tapes and sound better than ever! Play it LOUD!
All tracks are re-mastered by Salz Mastering in Cologne. Music, Photography & Art by Break 3000.
Mit seinem verstärkten dreistufigen Griff, dem robusten Trittschrutz und dem verbesserten Rollengehäuse ist der SlingBag Trolley DELUXE nicht nur ein beständiges Transportmittel für Ihre Schallplatten sonder auch ein zuverlässiger Begleiter.
Features:
- Platz für ca. 90 Schallplatten
- Robustes, wasserabweisendes Nylon-Material
- Vordertasche mit vier CD-Mappen für insgesamt 96 CDs
- Große Vorder- und Seitentaschen für Zubehör und Handy
- Solider Griff an der Oberseite
- Gepolsterter Schulter-Tragegurt
- UDG-Sicherheits-Schloss mit Nummerneinstellung
Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Trolley Deluxe will hold approximately 60 Vinyl records and the SlingBag approximately 50 Vinyl records. However it also fits your MIDI Controller, Audio equipment, Headphone and cables.
Specification
Weight 8,50 kg / 18.7 lbs
EAN 8717228272776
Color Black, Orange inside
Outer Dimensions (W x H x D) Trolley cm: 40 x 45.5 x 31 | inch: 15.7 x 17.9 x 12.2 - SlingBag cm: 39 x 38 x 21 | inch: 15.4 x 15 x 8.3
Inner Dimensions (W x H x D) Trolley cm: 31.5 x 32 x 20 inch: 12.4 x 12.6 x 7.9 - SlingBag cm: 32 x 32 x 16 | inch: 12.6 x 12.6 x 6.3
Material Water Resistant Nylon 420D
Protection Foam padded with PVC reinforced walls for extra protection
Padded handgrip for comfortable carryng
Electroplated zippers and integrated combination lock
Extra's Includes SlingBag Trolley Deluxe + SlingBag
Larger side & front pockets provides convenient storage for accessories & smaller gears
Built in trolley system
Fits 60 + 50 LP's
or 2x Wallets 128 + 2x Wallets 280
and/or 2 MIDI Controllers + misc. Accessories
Trolley fits up to 13" laptop
Hypnotone's iconic self titled mini album reissued!
Originally released by Creation Records in 1991, long out of print and now reissued, meticulously remastered and pressed onto pristine white vinyl.
Exclusive liner notes by band member Tony Martin "The Hypnotone Story: From Manchester to Creation" and including after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson.
Formed in the vibrant milieu of Manchester's legendary Hacienda nightclub, Hypnotone emerged from the creative partnership of Tony Martin and Martin Mittler. Tony, initially involved as the in-house lighting designer, and Mittler, a bar staff member, fused their interests and talents amid the fervor of the late '80s Acid House movement that pulsated through the club. Their musical venture began earnestly after an introduction to Alan McGee, head of Creation Records. This connection would soon lead to a record deal, propelling Hypnotone into the heart of the emerging electronic dance music scene, releasing 2 albums, multiple singles and standout remixes for artists such as Primal Scream, Sheer Taft, and The Lilac Time.
With Creation Records' support, Hypnotone crafted their unique sound combining state-of-the-art digital samplers like the Akai S1000 with a collection of classic analog synths. Their debut self titled mini album includes after hours favorite "Sub" and Balearic hit "Dream Beam" featuring vocals by Denise Johnson. Hypnotone not only shaped their distinct sonic footprint but also influenced the broader trajectory of electronic music. Their journey, marked by innovation anda deep affinity for Manchester's music scene, exemplifies the transformative power of the era's cultural and technological shifts in music.
This is another must have for collectors and fans of early British (pop) house music, and very happy memories.
- A1: Anna - Kalimba Dreams
- A2: Bonobo & Jacques Greene - Fold
- A3: Tsha - Renegade (Feat Ell Murphy)
- B1: Yotto - Just Over (Franky Wah Extended Remix)
- B2: Len Faki - Hymn (Anna Remix)
- B3: Rival Consoles - Recovery
- C1: Mind Against - Onlyl (Feat Tsha & Nimmo)
- C2: Sam Shure - Heir Of Snare
- C3: Victor Ruiz - Eventide
- D1: Wehbba - Symmetry
- D2: Odesza - This Version Of You (Feat Julianna Barwick) (Joseph Ray Extended Remix)
- D3: Parra For Cuva - Mimose
- E1: Agents Of Time - Zodiac
- E2: Gorgin - Heartbeater
- E3: Tao Andra - Dream On
- F1: Anna & Reb?Ke - Ignite
- F2: Binaryh - Daemon
- F3: Paul Roux - Baby Baby
- A1: Ebuka Ebuka - Mwana Nsana
- A2: Afro Negro - Palado Palado
- A3: Carlos Lembe - Gozalo Mulata
- A4: Yéyé National - Mathinda
- A5: Ba Bolingo - Flamenco Para Ti
- A6: Afro Negro - A La Mode
- B1: Los Nickelos - Gancia
- B2: Ebuka Ebuka - Ngaï Desholé
- B3: Los Nickelos - Kinsuena
- B4: Ekebo - Bina Pachanga
- B5: Los Nickelos - Echantillon Salukani
- B6: Afro Negro - Suena, Suena
The compilation ‘Les Belgicains – Na Tango Ya Covadia 1964-1970’ (‘Les Belgicains’ during the time of Covadia 1964-1970) tells the remarkable story of the first Congolese student orchestras in Belgium. During that time Congolese referred to countrymen living in Belgium as ‘Les Belgicains’. The Congolese Rumba presented on this compilation blew a new, fresh wind through the musical landscape of Congolese popular music under the supervision of the legendary editor and producer Nikiforos Cavvadias (Ngoma label).
All tracks are remastered from the original tapes. This album is available in a deluxe vinyl edition with gatefold sleeve (1LP) + insert.
Future Romance presents the 2nd edition of their vinyl release series called „Collector“, featuring the labels most wanted and most sucessful tracks. This collector's release is a sonic journey through the realms of melodic house & techno, featuring four captivating tracks by different distinct artists. Each composition has already garnered widespread acclaim and massive DJ support from across the globe. "Collector" is a testament to Future Romance's commitment to delivering unparalleled musical experiences on the beloved vinyl medium. Part II gives us wonderful tracks by Solee, Drumcomplex & Frank Sonic, Off Night and Paul Angelo & Don Argento.
DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche
Next up on our new Toolroom Trax vinyl series, we kick things off with a fresh new banger from Italian talent Nausica who with another deep club cut 'Se Pone Loca'. Featuring rolling percussion, a hooky lead vocal with expertly placed chops, 'Se Pone Loca' is looking to lay carnage on the dancefloor. Nausica's mastered her infectious minimal, percussive sound that has seen the likes of AAA talent support her music from John Summit, to Jamie Jones, MK to Solardo proving Nausica's a name many acts are reaching for in their sets! D.Ramirez returns to Toolroom Trax with his highly anticipated remake of Bodyrox's anthemic 'Yeah Yeah'. Firmly rooted within Toolroom's foundations, releasing genre defining dance music for nearly two decades with hits such as 'Downpipe' in collaboration with label boss Mark Knight and UK pioneers Underworld, 'Colombian Soul' and many more. D.Ramirez doubles up as not only a genius in the studio, but as one of the talented Toolroom Academy tutors, teaching a new generation of producer's fundamental skills in dance music production. Remaking the Bodyrox Electro House classic 'Yeah Yeah'; an era defining masterpiece with an unforgettable synth line, D.Ramirez gives us an essential update for today's dancefloors. Label favourites, Sllash & Doppe return to Trax next with their unique style of uplifting, feel good house music. Their music is regularly found in the sets of artists like Fatboy Slim, Solomun, Bedouin, Blond:ish, Martin Solveig, Roger Sanchez and more, and the playful cousins are now conquering the world, from deck to deck, with an energetic and exuberant style that has won them favour on the dancefloors.
Closing out the sampler is Saison with their signature house sound. The London based duo have been solidly in the game for the best part of a decade perfecting their unparalleled sound of raw, feel-good house music at it's very best. With numerous releases on revered labels including Defected, Nervous, Big Love and of course their own imprint, No Fuss.
Countless radio plays on Radio 1 from Danny Howard, Sarah Storie, Pete Tong Other notable radio plays – Kiss FM, Toolroom Radio, Sirius XM, Data Transmission Radio, Radio 1 Dance Anthems, Radio 1 Party Anthems, Rinse FM, Select Radio, Tomorrowland Radio
International Superstar DJ and world-renowned artists, Jamie Jones along with hit making, Brit nominated songstress Jazzy, deliver THE ear-worm, dancefloor hit of the summer 2024…there’s no avoiding this future anthem.
‘We Groovin’ is the latest addition to Jones’ discography, following hit singles like ‘Fine Fine Baby’ and ‘Lose My Mind’. Tracks that continue to be supported by some of the best DJ's worldwide as well as plays at Jones weekly Paradise residency at Amnesia, one of Ibiza biggest club nights.
Jazzy, a Brit-nominated Irish DJ, earned acclaim with her Irish #1 single ‘Giving Me’. Her mix of training and passion for club music led to a Top 5 UK single with Belters Only on ‘Make Me Feel Good’.
Available on limited edition orange vinyl (1000 units only), in a collectable picture sleeve.
JKriv’s long out-of-press Bukom Mashie Rework gets a king-size reboot in this tasty 7 Inch package with a fresh new acid dub! J’s original 8 min opus is nipped and tucked in all the right places to make for a streamlined A-side stomper, and a brand new version on the flip, with a tastefully reimagined arrangement, punctuated with spicy 303 acid lines and live flute performed by the inimitable Domenica (of Underground System). Big summer banger alert!
1981. A new South African band is making waves. Produced by the team “Van Blerk/Roos & Greg Cutler", it includes succulent voices and melodies, psychedelic Moog, Fender Rhodes surrounded by some Afro-folky guitars. This album is definitely a winner.
Between 1972 and 1973 Poy-Poy Makhubela appeared on 4 singles with The Young Movers produced by David Thekwane.
In 1975, as a lead guitarist, he decided to bring together four musicians to form the band Unity. Jeff Radine (Fender Rhodes, Moog), George Legobye (bass), Edward Modiselle (percussion) and Robert Moema (drum). The members were all from the group The Sound Jaws, except Jeff Radine who was with Rugare and played with Harari, Chicco, The Black Five or Prince Nico.
In 1978, after hearing Unity playing in a club, Mike Tswai joined the band as a manager.
Poy-Poy has gone on to have a long career, touring the world and playing with some of the South African’s greats including Brenda Fassie, Don Laka, Blondie & Pappa, Dorothy Masuka as well as Kwaito bands like Alaska, Boom Shaka or Trompies.
- A1: On Air Feat. Serpentwithfeet
- A2: Dark Days Feat. Lady Blackbird
- A3: Where Is Your Pride? Feat. Benjamin Zephaniah
- A4: Transit Feat. Gaidaa
- B1: Ild Flame Feat. Danaé Wellington
- B2: Precious Mind Feat. India Carney
- B3: Should Sleep Feat. J.p. Bimeni
- C1: Feelings Come Undone Feat. Raquel Rodriguez
- C2: Medusa Feat. Aynzli Jones
- C3: We’re Going Wrong Feat. Brie O’banion
- D1: Fall Back Feat. Akemi Fox
- D2: Sweet Moon Feat. Choklate
- D3: Ache For Feat. José James
On his new album always centered at night, moby has once again conjured into reality a collection of heartachingly beautiful, tender-yet-defiant songs, made in collaboration with uniquely talented, soulfully aware, other-worldly vocalists. All the songs are love letters to the unrestricted and enchanting music scene of late ‘70s, early ‘80s New York that shaped Moby as a musician. The featured vocalists were given the same assignment: “Please don’t write anything commercial. Let it be weird. Let it be personal. It doesn’t have to make sense.”
“Because of that randomized freedom, I’ve been on the receiving end of so much genius work,” says moby. “And the result has been one of the most exciting, surprising things I’ve ever done as a musician, and it’s one of the most worthwhile things a human being can do: make tender, gentle, vulnerable music that’s a clarion call to act.”
Featured on this album are some of the most exciting vocalists of our time. Some are well-known - such as serpentwithfeet on the breathless daydream of a song ‘on air’, the jazzy soulstress Lady Blackbird on the haunting ‘dark days’, or the astounding poet and activist Benjamin Zephaniah on ‘where is your pride?’. Other contributors have been found in relative obscurity - such as friend and vocalist Brie O’Banion on the Cream cover ‘we’re going wrong’, or Sheffield poet laureate Danaé Wellington on the powerful ‘wild flame’.
“The goal for always centered at night is to do something uncompromising,” says Moby. “To make music that is emotional, atmospheric and potentially beautiful. And what better use of this weird privilege I have than trying to foster creative expression that has uncompromising integrity?”




















