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Our next Stil vor Talent 12 sounds like a mysterious, alien soundscape transmitted straight from outer space to the peak-time dance-floors of planet Earth. Edu Imbernon has already demonstrated a brilliant ear for pulsating house music on his remix for Niconé & Sascha Braemer's 'Dreamer'. Here, he once again teams up with fellow Spaniard Triumph, while SVT favourites Kellerkind and Niko Schwind are on remix duty. The title 'Mystery Inside' couldn't be more fitting to the meteorite shower the duo conjure up with the aid of vocalist Sutja Gutierrez on the A-side: sharp hi-hats lead straight into a moody bass-line that meets a beautifully rounded kick and percussion-workout. Things get otherworldly as synths start flying through the speakers, finally beaming you to another galaxy once Gutierrez' heavily spaced out vocals set in. On the flip, Kellerkind slows things down considerably and builds on the original's UFO-synths, while Niko Schwind cherry picks his favourite parts of 'Mystery Inside' and contextualises them within his own 80s synth motif and fat breakdown. Extraterrestrial warning: the Spaniards have landed!

After his ace remix for Nicolas Jaar's 'Space Is Only Noise' here on Circus Company, our man Dave Aju is back with an appropriate dose of in-between original music for the fall season.

Party girl grows from a a collaboration between 2 artists coming from different fields in music. NicoNote brought her Voice and  Indie-Soul Stylings to Limo's Club Production Sound. The release is completed with hot remixes by Dapayk, Guido Nemola and Dachshund. This simply but very Cute and intense Spleen made Party girl be here!  Enjoy !

Tuba's inaugural release features Antiserum's dark, forceful, hip hop focused banger, Mofo. This A side has been supported by Benga, Babylon System, Sukh Knight, Tes La Rok, Nicon, 12th Planet, DJG, Excision, Datsik, and 16BIT, getting plays around the world. Neighborhood Lasersniper, on the flip, is a dubstep interpretation of a hip hop classic.

PLAYS BY : TOLGA FIDAN, DARIO ZENKER, DE WALTA, NICO, PAWEL GZYL, JULIETTA, ALI KURU, ANA, PETER, SVEN HARTMUELLER, TIEFSCHWARZ, KASPER, MUTLU, JIM HUTCHISON, DESY BALMER, BONN CHAVEZ, LUCADOOBIE, CIAN O CIOBHAIN, MILOSH, JORGE SAVORETTI, YOURI

Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz's leading figure Jorge López Ruiz, the project Viejas Raíces marked López Ruiz's departure from the traditional forms of jazz. The trio that recorded this album, consisting of López Ruiz joined by his life-long friend drummer Pocho Lapouble and gifted Chilean pianist Matías Pizarro, created a thrilling blend of jazz and Uruguayan candombe, surrounded by an undeniable cinematic feel spurred by López Ruiz's long experience in the soundtrack field. When read as one element, the cleverly chosen combination of group name and album title (in English: 'Old Roots of the Colonies of the River Plate') readily hints at the kind of sounds the listener will be challenged with when diving into this LP.

Recorded in 1976 in the wake of the "Proceso de Reorganización Nacional", the bloodiest period of dictatorship in Argentina, the album was initially frowned upon by critics and public alike, both still firmly rooted in jazz traditionalism and obviously not ready for the new ideas that musicians like López Ruiz were experimenting with. Despite being a commercial flop upon its release, the album has been enjoying a growing reputation over the last two decades, acclaimed by jazz enthusiasts who value it from a different historical perspective and embrace its experimentation during this revolutionary period of change.

Forty-five years after its release, the album receives the Altercat treatment with a much deserved deluxe reissue, with sound direct from the master tapes and an accompanying 12-page booklet with previously unpublished pictures and bilingual liner notes telling everything you ever wanted to know about the album and those who made it possible.

Amsterdam might be susceptible to grey skies and rain as any other, but cup your ear to the music flowing out of the Dutch capital, and another story emerges. The Mauskovic Dance Band are a prime example of an act who have been dialing up the sunshine over the river Amstel in recent years.On Shadance Hall, their first release of 2020, they concoct a tantalising brew of no-wave, psych rock, cumbia, power dub and numerous other colourful shades of global grooves.

No stranger to Dekmantel as one of half of electro-grouping Bruxas, Nicola Mauskovic leads his percussive troupe through a heavy, trippy, disco fiesta with this, their first debut on Dekmantel Records.
The Mauskovic Dance Band’s epic sonic journey on Shadance Hall began deep in the Welsh valleys. Partnering dusty drum machines alongside phat layers of congas, assorted bric-a-brac of percussive tools, and distortion-soaked guitars, Mauskovic’s ensemble suspend the tempo and turn up the grooves. on this soundsystem-inspired, post-punk odyssey. The resulting soundsystem-inspired concoctions are a mixture of 130bpmbeats (‘Ventura Phase’), Jah Wobble-influenced bass rhythms (‘Squeeze Dogs’) and Carnival-ready soca-jams (‘Theorie Amerikaan’).

Taken back to Amsterdam’s famed Electric Monkey Studio (a favourite for Ghanian great Ebo Taylor and Dutch youngbloods Jungle By Night alike, Mauskovic teamed up with engineer Kasper Frenkel to mix down the record. Here the two acted as Mad Professors, experimenting with the recordings and making multiple versions of each track by creating tape loops, bouncing the audio back and forth and layering the resulting recordings in waves of reverb and echo. In classic dub style, the band ended up with dub edits, rich in space echo, reverb, crush, and dub-goodness, completing the second half of Shadance Hall like a funky palindrome. It rounds off an expressive EP steeped in musical history, bursting with inventiveness, projected at the listener as a maze of influences to get lost within.