- A1: Das Neue Japanische Elektronische Volkslied, Percussion – Tatsuro Yamashita, Synthesizer – Hideki Matsutake; Synthesizer, Piano, Marimba – Ryuichi Sakamoto
- A2: Plastic Bamboo; Percussion – Shigeya Hamaguchi*; Synthesizer – Hideki Matsutake; Synthesizer, Piano, Marimba – Ryuichi Sakamoto
- B1: Thousand Knives; Guitar – Kazumi Watanabe; Percussion – Haruomi Hosono; Synthesizer – Hideki Matsutake ;Synthesizer, Drums – Shigeya Hamaguchi*; Synthesizer; Piano, Marimba – Ryuichi Sakamoto
- B2: Tokyo Joe; Bass – Rei Ohara*; Drums, Vocals – Yukihiro Takahashi; Guitar, Vocals – Kazumi Watanabe; Keyboards, Synthesizer – Ryuichi Sakamoto; Percussion – Shigeya Hamaguchi*, Pecker
- B3: E-Day Project; Bass – Rei Ohara*; Drums – Yukihiro Takahashi; Electric Piano, Synthesizer – Ryuichi Sakamoto; Guitar – Kazumi Watanabe; Percussion – Pecker; Piano – Akiko Yano
- C1: Kylyn; Bass – Rei Ohara*; Drums – Yukihiro Takahashi; Electric Piano – Akiko Yano; Guitar – Kazumi Watanabe; Percussion – Pecker; Piano, Synthesizer – Ryuichi Sakamoto
- C2: 在広東少年; Alto Saxophone, Soprano Saxophone, Chorus – Toshiyuki Honda; Bass, Chorus – Rei Ohara*; Drums – Shuichi Murakami; Guitar – Kazumi Watanabe; Keyboards, Vocals – Akiko Yano; Percussion, Vocals – Pecker; Piano, Synthesizer, Chorus – Ryuichi Sakamoto; Tenor Saxophone, Chorus – Yasuaki Shimizu; Trombone, Chorus – Shigeharu Mukai
- C3: I'll Be There; Bass – Rei Ohara*; Drums – Yukihiro Takahashi; Electric Piano, Vocals – Akiko Yano; Guitar – Kazumi Watanabe; Percussion – Pecker; Piano, Synthesizer – Ryuichi Sakamoto
- D1: ぼくのかけら; Arranged By – Yoshiharu Kawaguchi; Performer – Danceries, Ryuichi Sakamoto
- D2: Grasshoppers; Piano – Yuji Takahashi; Piano, Synthesizer, Marimba – Ryuichi Sakamoto; Synthesizer – Hideki Matsutake
- D3: Mother Terra; Bass – Rei Ohara*; Drums – Yukihiro Takahashi; Electric Piano, Synthesizer – Ryuichi Sakamoto; Guitar – Kazumi Watanabe; Percussion – Pecker
- D4: The End Of Asia; Guitar – Kazumi Watanabe; Piano, Synthesizer, Marimba – Ryuichi Sakamoto; Synthesizer – Hideki Matsutake
Search:nipp
- A1: Futurism
- A2: Dakitime
- A3: Gymnastics To Make
- A4: Do Not Remember 99
- A5: Animal
- B1: Insane Quiz
- B2: Boxes
- B3: Radio
- B4: Assembly
- B5: Kawaii
- C1: Futurism (Inst.)
- C2: Dakitime (Inst.)
- D1: Do Not Remember 99 (Inst.)
- D2: Insane Quiz (Inst.)
- D3: Assembly (Inst.)
- There's A Record Playin' (All Night Long)
- Juicy July
- Adrenochrome
- A Thousand Fumes
- Pools Of Blood
- My Leatherjacket Smells Like A Gun
- Straightjacket Calypso
- Reckless Memories
- Starfish
- Got It (2024 Version)
- One More Chance (2024 Version)
The Sexy Drugs bezeichnen ihre Musik augenzwinkernd als "Hard Nipple Power Pop". Damit wollen sie unterstreichen, dass sie ihren punkigen Rock gerne mit Popmelodien würzen. Ihre bewegte Geschichte begann bereits Anfang 2001 im Fillmore in Kaiserslautern. Nach einigen Besetzungswechseln und drei Studioalben unterschrieb die Band Ende 2024 bei Barhill Records. Dort erscheint "Reckless Memories", das erste The Sexy Drugs-Album, das als Quartett entstanden ist. Mit diesem konnten sie auch erstmals ihre Live-Energie einfangen und auf ein Album bannen. "Reckless Memories" ist ein Album über verpasste Chancen, alte Gefühle und neue Schwierigkeiten und Probleme. Es handelt von all diesen Hochs und Tiefs in unserem Leben. Es ging den vier Musikern darum, als Band zu wachsen, obwohl zeitgleich die Welt zu kollabieren scheint. Eskapismus als letzte Chance. Oder anders gesagt: Rock'n'roll ist die Antwort. Zumindest teilweise. Und Liebe sowieso. Mehr Liebe, weniger Hass.
- A1: Edo River - Carnation
- A2: Futari Bun No Atsui Yum - Yakushi Nakanishi
- A3: Stardust Night - Jadoes
- A4: Don't Call Me On The Phone - Keiko Kimurai
- B1: Samugari - Tomoki Kikuchi
- B2: Mayonaka No Denwa - Yumi Seino
- B3: Fuyu Kitari Naba - Takaki Horigome
- B4: Spacewalk - Midori Hara
- C1: Me Ni Mienai Mono- Emi Necozawa
- C2: Umi Ni Ukabu Piano - Nanako Sato
- C3: Harumi Futo - Kyoko Furuya
- C4: Fly High - Escalators
- D1: Weekend Night - Mitsuko Horie
- D2: Moonlight, Starlight - Namihiko Ohmura
- D3: Nostalgic Spaceman - Chikako Ueno
- D4: F.w.y. - Hiroshi Sato
Ein prächtiges Doppelalbum (2x LP) im Gatefold welches die besten Beispiele eines bis vor kurzem sehr unterschätzten Genres enthält.
Jetzt ist es natürlich der angesagteste Sound überhaupt.
Aus dem umfangreichen Nippon Columbia-Katalog hat Cunimondo Takiguchi die heißesten Stücke der innovativsten Schöpfer des City Pop-Genres zusammengestellt.
Wenn man dann noch die berühmte hohe Produktionsqualität und Qualitätskontrolle von Gearbox hinzunimmt, hat man einen frühen Anwärter auf die Compilation des Jahres!
Edit master Scruscru rarely misses no matter what sounds he decides to put under his scalpel. For this one on his own superb Scruniversal label he turns his attention to the lush sound world of City Pop over in Japan. On one vital 12" the maestro cooks up six varied but equally vital sizzlers starting with the funky sounds and big brass of 'One For Xsuxsu' then taking in the blissed out disco and house beats of 'Kyoto Sunshine', jazzy keys of 'Horomi & Rikishi', funky bass twangs of 'Secret Dream' and jazz lunge excellence of 'Nippon Bossa' before 'Scrutinised Tune' closes out with brown beats and sunny chords. Scruperb stuff.
- A1: Bells
- A2: Night Drive
- B1: Gaming Man
- B2: Fuyuukan
- C1: Gotta Have House
- C2: Machibouke
- D1: Way Of Jungle
- D2: Quiet Town Of Tokyo
- E1: Right Here Right Now
- E2: Sora - Sky Magic
- F1: Water Melodies
- F2: Nippon No Natsu
- G1: Rain
- G2: Orange Moon
- H1: I Know You Like It
- H2: Tokyo 018
- I1: Time Traveling
- I2: This Moment
- J1: Timeless
- J2: Take Yours
- K1: Night Drive (Reprise)
- K2: Simoon
- L1: Lens 1992
- L2: Bass Man
WRWTFWW Records is in a state of total bliss as it announces the release of the Pitstop Box compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota’s two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12inches housed (!) in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets.
Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota’s album discography finally gets a long overdue vinyl release in the form of a limited-edition box set housing (!) six 12inches and a total of 24 songs showcasing the house legend’s celebrated sound. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota’s music is loved for its simplicity, its hypnotic quality, and, most importantly, its SOUL – homegrown 90s soulful melodic club music…pure love!
The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota’s personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits (“Right Here Right Now”, “Night Drive” and the list goes on), a cover of “Simoon” by Haruomi Hosono’s Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada.
Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992 (from which his viral hit “Do It Again” is from), he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It’s this side of Yokota’s life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased 90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.
Full unadulterated pleasure forever - from night drives to dancefloors.
A deep and mysterious groove that makes you hesitate to give in to it. Kiyoshi Sugimoto is a guitarist who has sharply shot through the heart of the times. This is the highest point of his achievement.
Kiyoshi Sugimoto is a guitarist that Terumasa Hino longed for and Akira Ishikawa fell in love with. His cutting-edge and diverse sound has always been at the forefront of modern jazz and jazz rock, and has sharply shot through the heart of the times. There is no doubt that this work, "Babylonia Wind", captures one of the pinnacles of his musical expression. Hideo Ichikawa's electric piano spreads like a ripple, Yoshio Ikeda's rich yet restrained bass, Motohiko Hino's drums with good grain and strong propulsion, Takao Uematsu's saxophone that combines wildness and luster, and Sugimoto's sharp guitar that flashes. From the deep sea-like "Babylonia Wind" to the delicate and fleeting "Hieroglyph", when you listen to the whole album, you will be astonished by the variety of expression and awed by the depth of the groove.
This sense of speed, this sense of elation. The man who knows no end, Takeshi Inomata, breaks through the limits of groove with his ever-changing stick work.
Another masterpiece released by Takeshi Inomata, a great drummer who has always kept his eye on the times and opened up new horizons, during the golden age of jazz rock. It is a so-called instructional record produced as one of the "Method" series, but its musicality is fiercely funky and groovy, as if provoking the listener. Leading the famous group Sound Limited, which played a part in the development of jazz rock in Japan, he breaks through the limits of groove with his ever-changing stick work. From cover songs such as "Runaway Child" and "Smack Water Jack" to "Sleeper" and "Seven Four" composed by his close friend Norio Maeda, who also participated in the arrangement, and the overwhelmingly powerful drum solo ""Drum Concert"", the diverse selection is filled with a flawless, high-density groove.
- A1: Flying Easy
- A2: Cloudy
- A3: Do Like You Do In New York
- A4: Jojo
- B1: Breakdown Dead Ahead
- B2: Simone
- B3: Mind Flower
- B4: Home Work
First vinyl reissue since its original release in 1980! Track A2 - Cloudy is featured in WAMONO A to Z Vol. I - Japanese Jazz Funk & Rare Groove 1968-1980 (Selected by DJ Yoshizawa Dynamite & Chintam) compilation. A rich groove crafted by a rhythm section featuring Harvey Mason on drums and eight trombones. This Jazz Funk/Fusion album is a mix of original compositions by Chikara Ueda and covers of Boz Scaggs' tracks.
Original soundtrack for the Nippon Television drama "Matsuribayashi ga Kikoeru" starring Kenichi Hagiwara (Shoken) aired in 1977. The album features two theme songs, "Dream Racer" and "Stranger", arranged in various arrangements.
Written and arranged by Katsuo Ohno, who has worked with The Spiders, PYG, Takayuki Inoue Band, and has provided music for "Taiyo ni Hoero!", "Kizudarake no Tenshi", and the popular anime "Meitantei Conan" which began in 1996. The music is performed by George Yanagi and the NADJA Band, known for backing Shoken, and this pinnacle of Japanese groove is finally being reissued on vinyl.
Liner notes written by lyricist Ryo Shoji (summer 2024) for this reissue are included.
Black Vinyl[38,61 €]
The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and musicality with an eye on the times, formed Sound Limited at the end of the 1960s, influenced by the brass rock music that was flourishing at the time. He said, “I wanted to fuse jazz and rock and bring together young musicians to play music with vitality. I want this group to be a group with a large scale that is not confined to the small frame of modern jazz,” he said, launching a new axis. Their first album, “The Sound of Sound Limited” (1970), became their masterpiece. It is a masterpiece that is full of energy and enthusiasm throughout the album, starting with “Theme~Mustache,” which has become one of the most beloved and iconic songs of the band.
Drums, Music Director – Takeshi Inomata
Electric Bass – Jun Suzuki
Electric Guitar – Ryo Kawasaki, Shigenori Kamiya
Flute – Toshiaki Yokota
Mixed By – Eiji Uemura
Organ – Yusuke Hoguchi
Tenor Saxophone – Takao Uematsu
Trombone – Shigemichi Domoto, Takashi Imai
Trumpet – Shunzo Ohno, Takashi Kumagai
- A1: Human Universe (6 21)
- A2: Jesus Joy Of Man's Desiring (3 26)
- A3: Ground In C Minor (2 41)
- A4: In Paradisum (3 27)
- B1: Nocturne I Pre Rain (3:29)
- B2: Nocturne Ii After Dawn (3:22)
- B3: Nocturne Iii Once In A Blue Moon (3:57)
- B4: Pavane Pour Une Infante Defunte (6 07)
- C1: Nocturne In C Minor (5:44)
- C2: Recollection (4 36)
- C3: Clair De Lune (2 49)
- C4: Solari (2 42)
- D1: Day One" (From Interstellar) (3:18)
- D2: New Birth (3 36)
- D3: Bolero (8 39)
- D4: 7 Variations On Twinkle Twinkle Little Star (3 50)
Auf seinem Sony Classical Debut-Album "Human Universe" zeigt der außergewöhnliche japanische Pianist und Komponist Hayato Sumino seine facettenreichen musikalischen Einflüsse in einer vielfältigen Auswahl an Stücken klassischer Komponisten wie Bach, Händel, Purcell, Chopin, Fauré und Debussy, ikonischer Filmmusik von Hans Zimmer und Ryūichi Sakamoto sowie seinen eigenen Kompositionen und Arrangements.Die Besonderheit an Hayato Suminos Klavierspiel ist sein einzigartiger, souverän-virtuoser Stil, bei dem er eine präzise klassische Technik mit dem feinen Gespür eines Arrangeurs und ausgeprägten Improvisationsfähigkeiten verbindet. So lässt er beständig Eindrücke aus Genres wie dem Jazz oder der Popmusik, in denen er ebenso aktiv ist, in seine fundierten klassischen Interpretationen einfließen."Für `Human Univers' habe ich mich von den antiken Vorstellungen des Universums und dem Zusammenhang zwischen Kunst und Wissenschaft inspirieren lassen. Die alten Griechen glaubten, dass Himmelskörper im Universum Töne aussenden und dass das gesamte Universum Harmonie und Musik erzeugt, die sogenannte 'Musik der Sphären'."Hayato Sumino ist ein außergewöhnliches Phänomen: Bereits als Teenager begeisterte der 1995 in Tokio geborene Pianist und Komponist unter dem Namen "Cateen" mit virtuosen Videos klassischer Klavierdarbietungen und emotionalen Klavierarrangements von Anime- und Games-Soundtracks ein Millionen Publikum bei YouTube. Bis heute hat über 200 Millionen Aufrufe erzielt und über 1,5 Millionen Follower bei YouTube und Instagram gewonnen. Wenngleich Hayato Sumino bereits seit seinem 2. Lebensjahr Klavier spielte und Unterricht erhielt, studierte er bis zu seinem ausgezeichneten Master-Abschluss im Jahr 2020 Informationswissenschaft und -technologie an der Universität Tokio. Noch vor Abschluss seines Studiums gewann er 2018 als Außenseiter völlig überraschend den Grand Prix bei einem der wichtigsten Klavierwettbewerbe Japan - dem PTNA-Wettbewerb. Der Gewinn war der Startpunkt seiner Karriere als professioneller Pianist. Im Anschluss nahm er für ein halbes Jahr Klavierunterricht bei Jean-Marc Luisada in Paris und avancierte seitdem auf einer Welle der Begeisterung zum Klavier-Superstar in Japan. So spielt er am 14. Juli 2024, seinem 29. Geburtstag, ein Klavierrecital vor 14.000 Menschen in der ausverkauften Tokioter Konzerthalle Nippon Budōkan.Internationale Aufmerksamkeit erregte er 2021 beim Internationalen Chopin-Wettbewerb, wo er mit seiner hervorstechenden Interpretationen das Halbfinale erreichte. Im April 2024 feierte Hayato Sumino sein spektakuläres Debüt in der Royal Albert Hall mit seiner Aufführung von Gershwins "Rhapsody in Blue", die sowohl online als auch im Konzertsaal für Aufsehen sorgte. Als Solist tritt er mit zahlreichen Orchestern auf der ganzen Welt auf, darunter die Hamburger Symphoniker, das NHK Symphony Orchestra, das Boston Pops Orchestra, das Chicago Symphony Orchestra, das Baltimore Symphony Orchestra, das Tokyo Philharmonic Orchestra, das Japan Philharmonic Orchestra und das Polish National Radio Symphony Orchestra. Sein Debüt in der Elbphilharmonie gibt Hayato Sumino im Januar 2025.















