2023 Repress.
In honor of the January full moon, 2016.
Supported by Alan Backdrop, Claudio PRC, Ness, Svreca, Antonio de Angelis, Arnaud le Texier, Exium, Kwartz, Takaaki Itoh, The Noisemaker, Unam Zetineb, Vilix, Oscar Mulero, Eric Cloutier, Conrad van Orton, Acronym, Felix Lorusso, Jose Pouj, Nihad Tule, Nobody Home, Brando Lupi, Brendon Moeller (Echologist), Francois X, Gianluca Meloni, Artefakt, Iori, Rasmus Hedlund, Reggy van Oers, Retina.IT, Stefan Vincent, Antonio Ruscito, Sam Kdc and more.
Suche:no home
Two years after their previous effort, regular as clockwork, Swiss throbbing synth pop duo Veil Of Light is back with a new album and what can we say? These guys keep on getting better and better.
If you have followed the Zurich-based outfit over the past few years, you must have noticed the constant moving towards 80’s FM new wave and synthpop tones – without losing their electro/body music outline – that have marked the band’s parable, especially since their latest Landslide LP.
Sundancing is their sixth full-length and it stays the course, bringing what we’ve just said to the next step. Nine new dancy and bright tunes with emotional depth that blend lush instrumentation and robust rhythms, guided by funky and rubbery basslines. Syncopated rhythm sections match suburban cool synths in the lead single Apricot Kiss and Hypersleep, while Raindancing and Tonight summon a sinuosity long gone since the mid Eighties. The musical backdrop here serves as the fundament for emotional vocals delivering lyrics dealing with the fragility of love, joy and loneliness.
There’s some subtle addictiveness to these songs, one that will gently grab you by the collar of your coat and stick the refrains from Sundancing inside your head for good.
Veil Of Light might make it look easy to keep it neat without being minimalist, intimate without being depressing, romantic in the most true sense of the word, but we know that’s possibly the hardest thing to do.
“Somaesthesia” is for the body, for how the body feels and how the body communicates with its soul. It was written through a year of growth and sickness, which stimmed inflection to a body at rest, a body aroused, a body communicating needs, a body happy, a homeostatic body, a friend body.
These four songs drift through different dimensions of somatic sensation. Deep corporal sensuality, spectrums of control of self, identity, and their relation to others, plateau, release, extra sensorial touch, extraterrestrial encounter, novelty, experiment, finding self where you thought you stood alone, finding self in bass, basing self in body.
Do not disembody, hold closeness to body, trust body, body as a litmus, body as a truth, truth as unmovable, unmovable as grounded, rooted, dense body, flesh body, REAL body, this is your body, feel your body feel.
Somaesthesia: the faculty of bodily perception; sensory systems associated with the body; includes skin senses and proprioception and the internal organs
In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then known) began to realise their own potential.
With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fled during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.
Just like Hermeto Pascoal’s Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio’s hemispherical tiled room, which served as an acoustic reverberation chamber.
The album begins with Zé Eduardo Nazario’s thunderous drum solo on “Porão da Teodoro”, before clearing the clouds with the lone Berimbau which opens “Onze Por Oito”. Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it’s a rapturous, electrifying freak-jam in 11/8.
Like some invertebrate deep-sea curiosity, the free-form “Organica” is made up of Lelo Nazario’s playfully eerie prepared piano, with Zé Eduardo’s percussion flurries darting around Assumpçao’s double bass. The equally non-conformist, percussion-only piece “Jardim Candida” features many of Zé Eduardo’s home-made instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the “Barraca de Percussão” (Percussion Tent) - the first of its kind in Brazil, which he would also use on Hermeto Pascoal’s Viajando Com O Som and throughout his career.
“Suite Orquidea Negra'' (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie - the story of a rare, black orchid which produced a substance meant to cure all diseases, but which had mysteriously disappeared from the laboratory… “As a screenplay it’s not very good” reflects Lelo in jest, “but the music ended up being very interesting, the way its parts are chained to one another carries a little of the mystery I imagined for the movie.”
The album closes with the triumphant “Cortejo dos Reis Negros” (Procession of Black Kings) - a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé’s dog Bolinha.
Starting Point was to mark the inception of one of Brazil’s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index’s self-titled debut, Cesar Mariano & Cia’s Sao Paulo Brasil, Azymuth’s debut and indeed Hermeto Pascoal’s Viajando Com O Som. But just like all of those titles, which were either shelved or largely ignored at the time, Grupo Um - so radically ahead of their time - struggled to find a label to release their debut album. So Lelo kept the tapes safe in his archives, which is where they sat for almost half a century. Finally, almost fifty years later, this mesmerising piece of history is here, and it was only the beginning...
Grupo Um’s Starting Point will be released by Far Out Recordings, on vinyl LP, with an insert featuring unseen photos and liner notes by the Nazario brothers, as well as a CD on 17th February 2023.
Time to welcome Session Victim back to Delusions Of Grandeur following some heavyweight releases on Toytonics and Rhythm Section International. The German duo show absolutely no signs of slowing down continuing to impress with their unique sound which combines organic live elements, fat, floor-filling beats and a deep, musical approach. Here on The Intangibles EP we’re treated to three original tracks spanning high energy jazz disco meets techno, soulful uplifting house and downtempo blunted beats.
Opener Motivation features spoken word from Ras Stimulant backed by urgent looping Rhodes stabs and an uptempo disco groove. An instant Session Victim dance-floor shaker if ever there was one, the energy cranked up to the maximum without losing sight of that all important groove.
Next up we have Dromedary Twist which keeps up the pace but goes deeper on the jazzy organ chords and lays down a heavy syncopated bass- line which ensures the funk factor remains present and correct.
Rounding out the EP in fine style, Green Run drops the BPM’s as we head into lazy, hazy, blissed-out jazzed-up beats territory. Lush strings and layers of analogue synths come together on this simple yet enchanting little tune which compliments the other tracks perfectly and will appeal to fans of SV’s more home-listening output from their 2020 LP Needledrop.
2023 Repress
It's always a huge pleasure to have him back. Lewis Fautzi's astronomic ascension is well known and we are delighted that he decided to 'play home' one more time.
Although the years are passing by, Lewis is faithful to his principles. His personal style is almost a trademark and impossible not to recognize. Techno scene has evolved and he has evolved with it but always in a straight line, adapting himself perfectly to the new tendencies and keeping his touch and his vision.
This new ep is full of trippy pads and powerful bass lines. Mesmerizeng techno as its finest and with a small cherry on top of the cake: a remix by Rødhåd. His first time with us and there is no greater feeling, specially knowing the huge artist he is. Established nowadays as a techno force, the german producer combines the hypnotic with different theatrical approaches and came a long way demonstranting the uncontainable nature of his brand of shadowy dance creations, as someone once described his work. We couldn't be happier with the result.
In summary, the first ep by Lewis Fautzi on his own imprint with a remix by Rødhåd.
Lewis, welcome back home!! And thank you for bringing such an illustrious guest.
Eric Clapton’s eponymous first solo album, originally released in August 1970, represents one of rock history’s most successful reinventions. After emerging as one of the seminal guitar heroes of the ’60s, the English superstar decisively re-established his musical priorities with Eric Clapton. The album marked Clapton’s transition from flashy instrumental icon to well-rounded recording artist, downplaying sonic pyrotechnics in favour of a song-focused ensemble approach that would lay the groundwork for his massively successful solo career. For the occasion, he surrounded himself with a new cast of American musicians, tapping into a rootsy musical foundation that provided an inspired framework for his talents. This Anniversary Deluxe Edition presents Eric Clapton – Eric Clapton in three separate mixes –
The Eric Clapton Mix, The Delany Bramlett Mix and The Tom Dowd Mix (The UK Version). The Eric Clapton mix is being released in full for the first time. This anniversary collection also includes some singles, alternate versions and session outtakes.
From New Jersey via The Netherlands: longstanding US craftsman Joey Anderson makes his debut on Deeptrax with his inspiring new album… ‘Exotic Sequence’
His fourth LP to date, ‘Exotic Sequence’ is a fully instrumental deep dive into both Joey’s machines and mindset, as he explains himself… “The title ‘Exotic Sequence’ stood out to me because throughout the LP I tended to use a sequencer for the main melody of most of the tracks. Almost every time I approach a track with techno intentions it eventually ends up being deep / housey,” states the artist who broke through 15 years ago on Qu’s Strength Music and has worked closely with the likes of Dekmantel and, more recently, Avenue 66.
Now at home on the relatively new and positively thriving label arm of Dutch record store institution Deeptrax, Joey tells us where he’s at with a body of work that poignantly reminds us that it’s not the destination that counts; it’s the journey we endure to get there.
In this sense, ‘Exotic Sequence’ is the sound of Joey letting his instruments guide, inform and inspire him. Cuts like the constantly rising and hopeful ‘Sky Children’, the deep 808 bubbles and dreamy reflections of ‘Behind The Valley’ and the emotionally rich ‘Stop’ are just a handful of examples of Joey being lost in deep flow, channeling the creative energy in his studio.
It lands exactly three years after his last album ‘Rainbow Doll’, neatly bookending the strangest and most surreal start to any decade we’ve lived through since house and techno culture took root in the 80s. A timeless document that looks forward and back and remains unhurried, thoughtful and crafted with longevity, ‘Exotic Sequence’ is arguably the most honest and frank side to Joey Anderson we’ve heard in his extensive career so far.
A dancefloor killer A Side!
'Sawl' crispy bass waves create a dense acid feeling and sets the ground for 'Hibiscus' to impact with its futuristic electro patterns and aggressive sharp drums.
On the flip side 'Basilisk' runs fast, with glitchy fills and metallic percussions in an almost ethereal atmosphere.
'Innerchild' closes the record with a deep melodic journey modelled across euphoric sequences of notes, leaving a warm and wistful feeling...almost like coming back home.
Holly Lester’s Duality Trax Label has quickly become synonymous for its blend of future facing sonics and mind-warping melodies, served together with a healthy dose of nostalgia. A label just as focused on making dancefloor destroyers as it is exploring left-leaning, personal projects, it’s within this duality where the label has found its success, never afraid to shy away from b side oddities or tracks edging more towards good-old-fashioned-fun.
DUALITY5 steers towards the latter, with Manchester based DJ & producer Aiden Francis providing the serotonin on tap with three lively dancefloor cuts, including a huge remix from Italy’s Matisa. Aiden had a big 2022, releasing music on Magic Carpet, Gestalt and beloved music platform and label Houseum, solidifying himself as one to watch in the euphoric unity of house, trance and techno.
Title track ‘Plastic Fantasy’ is the star of the show, a suitably sassy roller that places everyone's favorite blonde icon front left of the speakers. Subtle old school strings contrast with alien electronics, providing familiarity in an otherwise unfamiliar world. A bubble-gum vocal then rolls in cheekily over a driving bassline and dynamic percussion - used in a way I’m not sure the original creators had in mind. ‘Future Proof’ meanwhile demonstrates Aidens’ knack for contemporary progressive house music. With warm pads, swirling sonic textures and moments of blissful euphoria, it’s energetic enough to move a dancefloor, but gentle enough for home listening too.
The record comes to a close with ‘Aquamarine’, with Aiden opting in favour of free flowing breakbeats and mind expanding synths, together radiating a feeling of warmth and hope for days to come. Italian DJ and producer Matisa is on hand to round the EP off with a bass-heavy rendition of ‘Plastic Fantasy’ a no-holds-barred speed garage licked stomper, with the power to lure smokers back inside the club with their feet firmly planted on the dancefloor.
- A1: Dancing As An Act Of Rebellion
- A2: Fuck Green New Deal
- A3: Your Miserable Fake Flag Is Not Your True Homeland
- A4: La Maté Porque Era Mía (Feat Espectra Negra)
- A5: Semiconducteur Dopage (Poupees Electriques Remix)
- B1: Embrace Capitalism (Until It Strangles You)
- B2: Fake News, Good News
- B3: Religious Music For Atheists (Feat Bavs)
- B4: Quiet Before The Last Storm
- B5: Europe Is Dead (We Are Not Brothers Rework Feat Ana Curra)
- C1: Your Miserable Fake Flag Is Not Your True Homeland (Melting Dogmas Remix)
- C2: Religious Music For Atheists (Feat Bavs) (Hbk Remix)
- C3: Fake News, Good News (José Rodríguez Remix)
- C4: Fuck Green New Deal (Soj Remix)
- C5: Embrace Capitalism (Until It Strangles You) (We Are Not Brothers Remix)
- D1: Fake News, Good News (Geistform Remix)
- D2: La Maté Porque Era Mía (Feat Espectra Negra) (Smforma Vs. Morbia Remix)
- D3: Fake News, Good News (Ober Dada Remix)
- D4: Embrace Capitalism (Until It Strangles You) (Pandemian Mascletà Dework)
Dancing as an act of rebellion is the first Abraxas LP in collaboration with the Valencian label Soil Records. A compilation of the first project recordings released between 2020 and 2021 plus some new tracks and, in addition to this, a second vinyl by other darkwave electronic artists remixing the first one: Geistform, We Are Not Brothers, Ober Dada, Melting Dogmas, SMforma, HBK1, José Rodríguez, SOJ and PanDemian.
Abraxas is a halfway project between dark dance electronic music, philosophical reflection, socio-political activism and musical entrepreneurship. Its main goal is to shake bodies and minds by spreading messages of individual and social self-criticism from the point of view of duality, extremes and contradiction, inherent to the human being and capitalist society.
2023 Repress
Originally given a digital-only, Bandcamp-only release back in the summer of 2016 RVDE's '90s Hammer' has become a sleeper hit, slowly but surely growing through word of mouth, YouTube plays and DJ support. Now Perc Trax has licensed it from its original home T/W/B, added two brand new remixes and given it the vinyl release it always deserved as the label's final release of 2019.
It all starts with the original mix, a whirlwind of heavy kicks, triplet synths and gangster shout-outs. Heavy music isn't often as hook laden as this and you can see why Perc has been a huge fan of the track since its original release.
Next up Perc Trax welcome's Slovakian legend DJ Boss to the label for the first time. Boss is already a hero to many Perc Trax artists including Sawf and Perc and as usual he doesn't disappoint with a sub-heavy rolling 4/4 mix.
Flip it over and up steps Perc for the second of the new remixes.
The Perc Trax boss pulls no punches as he adds gun shots and his trademark slicing snares to an explosive arrangement that has been a highlight of his sets around the world since summer.
Finally Anthro's excellent remix from the original T/W/B release completes this four track 12". The noisiest and grimiest of all the mixes on show here, it rounds off one of Perc Trax's most solid pieces of vinyl in a long time.
- A1: Craftsman
- A2: Searchin (Ft. Kuf Knotz)
- A3: That Good Old Tomorrow
- A4: Come With Me (Ft. Victoria Bigelow)
- A5: Home
- A6: Freaky Circus (Ft. Napoleon Da Legend & Mr. Lif)
- B1: Forbidden Cabinet
- B2: Just Rock On (Ft. Mattic, Ill Conscious, David Bars, & Kuf Knotz)
- B3: Let Them Know (Ft. Voice Monet & Lojii)
- B4: Shaman In Your Arms (Ft. Jennifer Charles)
- B5: No More Magical (Ft. Mick Jenkins)
- B6: The Final Note
Wax Tailor announces the release of his new album "Fishing For Accidents" on February 10th, 2023, accompanied by a new international tour.
"The starting point of this record is a quote from the film director Orson Welles, which evokes the notion of accident in the creative process. I always thought that accidents were an integral part of creation and the job of a film or music director is also to know how to capture them in order to make the accident an artistic intention. I decided not to follow a well established concept but this more instinctive guideline and to go fishing for accidents".
In this new opus, Wax Tailor explores with his sampler a world of vinyls and cinematographic references, brandishing as a flag a stamped musical culture and multiplying references to the 7th art in a music written in 33 rpm and 24 images seconds. After the dark "The Shadow Of Their Suns" released in 2021, Wax Tailor takes us with "Fishing For Accidents", on a brighter and more colorful side without ever betraying his universe and his convictions.
A multi-recidivist talent scout, he gathers around him a prestigious cast ranging from hip hop (Mick Jenkins, Mr. Lif, Kuf Knotz, Lojii, Napoleon Da Legend, Ill Conscious, Voice Monet, David Bars, Mattic) to the indie rock scene (Jennifer Charles, singer of the legendary band Elysian Fields and Victoria Bigelow).
With one eye on the past and the other on the horizon, Wax Tailor instills the incandescence of an organic sound and distills his art of sound anachronism in a wide gap between nostalgia and modernity that has made him one of the leaders of the international electro hip hop scene for over 20 years.
Rico Herrera is back on Roots Underground after his previous works for Marco Celeri’s label, Uno Ep (2018) and Excursions Vol.1 (2021), with four brand new tracks forming this release "Under Your Spell EP”,
full of collaborations, with a result that surely will not disappoint all the soulful and jazzy house music’ lovers.
The record opens with the catchy Slow Down (A1), rhythmic broken beat, pressing stab, perfectly matched with cosmic synth leads by Filippo Guerrieri and the beautiful voice of Scottish’ Jane Hamilton, whom we already had the opportunity to appreciate on 'Excursions Vol.1'.
Side A continues with Train Home (A2), a powerful jazz-dance track in house music sauce, features, in addition to our Rico and the aforementioned Guerrieri, here on bass & synths, also Paolo Peewee Durante, on organ and additional synths
Side B opens with the title track Under Your Spell (B1) exquisite classic soulful house music featuring the collaboration of Amsterdam-based keyboardist Soul Supreme on piano as well as Hamilton's incredible vocal line.
While With Love (B2) closes this precious EP with the most Detroit Deep House feel, produced entirely by Rico Herrera, here with the persuasive voice of Wallace.
Roots Underground continues its series of top-quality releases able to satisfy the most demanding taste in house music with classic, deep, jazzy & soulful approach and this "Under Your Spell EP" by Rico Herrera is just the latest example.
British musician, multi-instrumentalist, producer and DJ cktrl returns with the release of his new EP ‘Yield’. Born from a desire to change the narrative around contemporary Black British music, the boundary-pushing musician aims with this project to prioritise the art of bonafide musicianship. A stark departure from cktrl’s previous work, ‘Yield’ is a celestial and palpably more inward body of work that harkens back to the pre-electric age of modal jazz while simultaneously pulling in elements from the disciplines of classical and baroque music. Speaking on the project’s sonic identity, cktrl says: “I want to be able to show that you can make things from scratch again that have that feeling and beauty without having to sample an old record. Even though that’s an art-form within itself, I want to show raw orchestration and instrumentation can be the sole source” The origins of the title came from a period where cktrl was looking to find solace in himself after an introspective period of grief and heartbreak. As an intentionally instrumental project with minimal vocals, cktrl wants prospective listeners to see these new songs as guided meditations where they can wholly insert themselves in it. Eliciting and reaping whatever feelings come to the fore. Speaking on what ‘Yield’ means to him as a concept, cktrl explains: “Some people who I've asked to define the word ‘yield’ have looked at it from a harvest point of view, whereas others have seen it as something to submit to, to render, like you're giving up yourself. I see it as a barometer for how you feel - no matter if you're at your lowest or your highest vibration, you still need to show up for yourself. You still have to be present. It’s about getting the best from yourself no matter where you are in life” The new project is the follow up to last year’s ‘Zero’ which featured collaborations with esteemed contemporaries like the GRAMMY-nominated Mereba and anaiis. Upon the project’s release, it was met with a plethora of critical acclaim from highly regarded publications and platform such as British Vogue, Dazed, CRACK Magazine, Resident Advisor, NOTION, Harper's Bazaar and ES Magazine for its sprawling and experimental scope, spanning avant-garde jazz, classical music, alternative R&B and electronica. cktrl has a tune for every occasion: as content making beats by himself at home in Lewisham as he is amongst this generation’s fashion and cultural vanguards. Music has been a part of his life for as long as he can remember: from clarinet lessons throughout his school life to fond memories from his NTS days. Moulded by a unique blend of his West Indian heritage, years of classical training in both the clarinet and saxophone, cktrl strives to do what hasn’t been done before. His approach to creation is decidedly wide-ranging and broad. In fact, where sonic descriptions might fail to encompass the breadth of cktrl’s scope, three words surface when he unpacks his musical aims: freedom, range and feeling. Elsewhere, throughout his career, cktrl has been recognised and heralded by fashion and film VIPs as he firmly embeds himself within the black cultural renaissance emerging here in Britain. Acquiring a global network of creatives that include the late Virgil Abloh, Bianca Saunders, Tremaine Emory, Saul Nash, Maximilian Davis, Ahluwalia, Stephen Isaac Wilson, Sean Frank, Campbell Addy, Ib Kamara and Jenn Nkiru who secured him a cameo in Beyoncé’s ground-breaking film ‘Black Is King’.
Dear listener,
On behalf of re:discovery records, it is with great excitement that we announce the release of Stryke – The Introspection Trilogy (1994-2022). rd011 features a track that is very close to my heart. My senior year in high school. I was heavily into chill-out music at the time. Labels like FAX, Instinct Ambient, Reflective, Astralwerks, em:t, Silent, Moonshine, Rising High, Warp, Exist Dance, Visible, Eye Q and others were giving me such a wide array of beautiful sounds of more subdued techno and rhythmic ambient music. I was buying every compilation I could at the time that looked remotely different based on the artwork, the unusual artist names or the tracks. I was soaking in everything I could under the chill-out style. That year 1994 I picked up the 2nd edition of Moonshine's 'United State of Ambience 2'.
It has so many good tracks on it. One track that always held a special place in my heart was Stryke's 'Introspection pt.1'. The simple but catchy melody layering. The easy atmosphere made me feel like I was floating in the ocean. The deep 808 bass notes (I hope one day you and I will hear this on an amazing sound system). The amazing strings reach a crescendo nearing the end. This track has so many simple but beautiful sounds on it. It's a great example of what I call sequencer-styled electronic music. At a time when producers layered tracks in more of a sequence then building or placing sounds. In 2021 I was able to get a hold of Greg Chin to see if he was interested in putting the track on my label and letting it breathe freely on its own side alone as the highlight of an EP. Greg was enthusiastic about the opportunity and told me that he always wanted to complete the trilogy he had in mind of a part 2 and 3. The ominous and eerie part 2 adds a terrific tension to the finale of part 3. The last being almost an updated part 1 really concluded the trilogy for me. Both parts melded together on side B pushing near 17 minutes. I want to thank Greg for letting us be a home to complete his journey.
- Tim Humphrey aka TIM aka errorsinspace
Arma Records is about to drop its 25th release, an album by Vakula, an Ukrainian producer, active contributor to the underground community that has been united around Moscow's Arma17 since early 2010s.
On the 25th of June, '108 Mysteries' — a double vinyl comprising 9 tracks created by Vakula at his studio, mostly by the artist himself, few in collaboration with the vocalist Amrita Ananda — will be available on major distribution platforms.
Affected by circumstances, the release was repeatedly postponed until a mutual decision to move forward with its publication was made by the artist and the label. The tragedy that was forced upon Ukrainian and Russian people, throwing both nations into an unthinkable circle of pain, hatred and death, had a devastating effect on our cultures, historically perceived as a whole. The catastrophe unwraps further, taking lives, burning homes, destroying connections between people. At that terrifying moment we, the community of artists, still have the voice that used to bring us together — our music.
Philosophical and meditative, '108 Mysteries' is a new chapter in Vakula's discography. 'Highest Love', 'A Breath Of Life', '?????? ?????', 'Spirit Okarine' are a high-spirited mix of oriental and Ukrainian folk motifs — an unusual combination that happens to sound so full of life.
Following up on the worldwide success of their new album Education & Recreation, Surprise Chef drops a must have two-sider for those of us who can't get enough 45s. The A side, "Money Music" is a bassline driven mid tempo tune that catches you from the first note and carries you through all the gorgeous changes. Piano, vibraphone, and guitar trade places over a watertight drum track that builds up, drops down, builds up again, and changes to half time to take it all home. The B side "Suburban Breeze" kicks in the door with an intro that is bound to be sampled and will get your blood racing and your head nodding. They lure you in with the neck snapping intro that is bound to be sampled and bring you from mood to mood as they change the energy from tough as nails to floaty and groovy, and back to tough as nails. Also Available From Surprise Chef: Education & Recreation LP / CD, Velodrome b/w Spring's Theme 7”.
Your Old Droog is back with another exhilarating hip-hop opus. Fresh off a series of outstanding projects, the prolific rhyme author is now debuting the new album Yod Stewart. Featuring captivating beats by Tha God Fahim, Nicholas Craven, Conductor Williams, Lee Scott, and more, the collection illuminates YOD's world-class songwriting and highly relatable storytelling prowess. Yod Stewart is a conceptual endeavor set within an intriguing narrative context: a recording artist comes across a Rod Stewart wig, takes it home, falls asleep, and becomes the pop star of his dreams. Follow the superstar on his turbulent but ultimately rewarding journey filled with musical meditations on lucid dreaming, keys to success, lost friendships, toxic relationships, teenage heartbreaks, and more. Your Old Droog does it all, again.
Flexi Cuts is pleased to introduce Lazy Snail's new EP, Lucky Life. A truly valuable work, the result of time and research, where Alessandro (aka Lazy Snail) wanted to explore different sides of electronic music of an inner and mature nature at the same time.
Lucky Life is like going up to the attic and finding something precious to take care of; it sums up a long musical journey, from the past to the present, in five tracks full of meaning.
The first track, Remèrcier, is a tribute to 'dance' music, an intense talk over a hypnotic moog bass.
This is followed by Vagrants, dedicated to his hometown (Cudgnola), where we find an 808 rhythmic patterns as involving and beating as a walk in the rain.
The B-side opens with One Place, which features a vocal stunning collaboration with Flicker Fox, who brings the track into a techno universe with percussion and intimate echoes.
Climbin' High was inspired by Alessandro's passion and admiration for the mountains. He composed it imagining an extreme climb, and immediately afterwards an equally dangerous but necessary descent. Just like in reality.
The record ends with No Evil, an ambient-flavoured gem that opens on the climax in a riot of expert snares and synths.




















