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Infoline proudly presents a compilation of tracks by Deo Cadaver on double 12' inch vinyl LP! Active from 1987 to 1993, Geneva-based trio Deo Cadaver stood at the vanguard of Switzerland’s electronic body music scene. Formed at just 17 years old, the group drew early influence from the visceral intensity of acts like The Young Gods, Front 242, Laibach, and Skinny Puppy—but quickly forged a sound and performative presence entirely their own. Their live shows became infamous: loud, theatrical, and uncompromising. Covered in grey-green clay and fake blood, suspended from chains, or locked in cages wired with sensors, projections, and video monitors, Deo Cadaver unleashed chaotic storms of samples, distorted drum machines, live percussion, and seismic basslines. At the center stood a vocalist whose voice and energy pushed the limits of physical endurance. Despite their undeniable force, Deo Cadaver remained largely unknown beyond their immediate circles. “There was no support structure—barely any venues, press, or labels for what we were doing,” they reflect. “Apart from our parents and a few community associations, we were completely on our own.” The internet, still confined, offered no relief. Connections were built face-to-face, and tapes were copied by hand. Still, the band found kinship in the Swiss experimental collective MXP, alongside other likeminded outliers pushing electronics beyond the dancefloor. Their spirit was one of invention, defiance, and independence.
While Belgium reveled in its New Beat wave and the UK fell into euphoric ecstasy, Deo Cadaver raged in the shadows—loud, isolated, and ahead of their time. This compilation finally brings their work into the light: a long- overdue snapshot of an uncompromising force from the margins of EBM history

A unique sonic journey blending jazz, candombe, dub, hip-hop, and electronic music. Written, sequenced, and recorded by Ian Lampel (Uruguay), the album captures Montevideo's vibrant essence with innovative beats and deep roots. Embark on a sonic journey through the rich tapestry of Ian Lampel's multicultural heritage with his debut solo album, "The Parque Rodó Tapes." From the echoes of his grandparents' wartime exodus from Europe's tumultuous past to the rhythms of daily life in Parque Rodó, Lampel's artistic vision was shaped by a kaleidoscope of influences: Science fiction and fantasy books, graphic design annuals, comics, films, early computers and videogames as well as music; the haunting melodies of Russian and Polish classical composers hummed by his grandmother while cooking, the choir and hammond music of the synagogue, his early explorations in club music and dub or the syncopated drumming of candombe and carnaval echoing in the streets of Montevideo. The composer, producer and bass player, wrote, sequenced and recorded practically everything that is heard throughout the album. With meticulous attention to detail, he has crafted a sonic landscape that seamlessly blends elements of jazz and Uruguayan music with the innovative spirit of dub, hip-hop and electronica; from the infectious rhythms of candombe and the raw energy of murga, to breakbeats, moog's and samples. Drawing from a treasure trove of samples collected over two decades, "The Parque Rodó Tapes" weaves together a tapestry of sound that is both nostalgic and forward-thinking, from the haunting voice of Marosa Di Giorgio and the vibrant cacophony of a carnival field recording by Lauro Ayestaran, to the guest contributions from notable musicians including Lampel's wife, singer/songwriter Eco Lopez, multi-instrumentalist Luciana Giovinazzo on flute, and Ferna Nunez on repique drum. Each track is a testament to Lampel's eclectic vision. A debut album with a certain degree of melancholy that works as a soundtrack to the world in which the artist grew up, a world now gone, without cellphones or social networks, in which everything had to be proactively pursued "in the streets".

"Oh Snap features twelve very personal songs by Cécile McLorin Salvant - plus a cover of a verse from the Commodores’ 1977 hit “Brick House” - mostly recorded outside of a traditional studio environment and showcasing her genre-spanning tastes and influences. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. Salvant has US and international tour dates throughout the summer and autumn; find more details at nonesuch

The MacArthur Fellow and three-time Grammy-winning singer and composer wrote these short, intimate songs as part of a creative quest: to place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released, using digital tools and effects that she had never played with before, like GarageBand, Logic, AutoTune, Midi plugins, drum loops, vocal effects, reverb, and filters. The songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami - from boy bands to grunge to classical to folk - and include party tracks with beats, samba grooves, and quiet folk songs.
"

Freak Show is the second album by the popular Australian band Silverchair, which charted in different lists all over the world (US, UK, Australia, Canada and many more). After their debut Frogstomp they were fusing more elements together in their music. Freak Show contains a lot of strong hooks and the song writing skills increased. This post-grunge album is more versatile in comparison to their earlier work and it marks the beginning of the definitive band sound.

Silverchair were an Australian rock band formed in 1992, who have sold over 9 million albums worldwide. Their sounds evolved during the years from the grunge and alternative rock to pop and art rock. In 2011 they announced their “indefinite hibernation” and it is still unknown if they ever going to return on stage.

Freak Show is available as a limited edition of 5000 individually numbered copies on flaming (red & yellow swirled) vinyl.

Two years after their formation, the English power pop band The Only Ones released their self-titled debut album in 1978.
The Only Ones played not-so-fast guitar rock that sounded deeply indebted to the New York Dolls and other mid-70s proto-punks.
Their debut album The Only Ones is regarded as a classic of the first wave of UK punk and features the brilliant hit

“Another Girl, Another Planet”, which is their most successful track and has since been covered by many other performers.
Since the Nineties, the album has appeared on several all-time greatest albums lists, including the book 1001 Albums
You Must Hear Before You Die in 2006. This edition of The Only Ones features remastered audio and is available on black vinyl.

If there is one person, who has been causing a stir on the international club circuit recently, it is Barcelona's John Talabot. Already his debut “My Old School“ (which is meant literally by the way) on Permanent Vacation in 2009 and shortly after that the single “ Sunshine”, which he put out on his own Hivern Disc imprint, made him one of the most promising musicians of the Spanish electronic scene. And those two releases also already set the mark for John Talabot’s unparalleled music: raw, loopy, heavy on the kick drum, sample based, moderate on the tempo, distorted on the drums and light years away from the clean and ever revolving house sound of today. This unique style which also blends influences from afro beat, Detroit techno, Chicago house and cosmic disco, but also northern soul or the energy of Flamenco, immediately turned some heads around. James Murphy, Âme and Aeroplane started including Talabot music in their sets like it was the most natural thing. However - and this is quite rare - he not only gained legions of fans in the house and disco community, but also amongst the leftfield pop and indie rock followers. NME and Resident Advisor both had “Breakthrough“ features on John Talabot and he can be proud of a “Best New Music“ dubbing on
Pitchfork. (Being rather elusive on showing his face in magazines or the web it also came to some funny rumors that John Talabot was the alter ego of a well-known techno producer from Detroit).
At the same time he drew the attention of like-minded artists like James Holden and Luke Abott from Border Community, Blondes or Delorean, which lead to a bunch of fertile collaborations: Luke Abbott and Blondes remixed Talabot’s “Sunshine“ single , John Talabot remixed a track by Delorean and vice versa Delorean’s Ekhi contributed vocals to the track “Journeys “ on John’s album). Another example is the Young Turks Label (home of Jamie XX, Holy Fuck, El Guincho or SBTRKT ) on which he released the “Families“ EP in 2010. It was praised beyond limits. Pitchfork for
instance hailed: “… where pop and house influences sweetly buffer up against one another to provide an unyielding sense of elation“ and even brought Talabot a comparison with artists like Four Tet or Caribou.
While staying true to his sound, John Talabot has nevertheless shown a constant evolution as a producer since his first release. He has traced a solid musical path that has turned him into one of the big references of European House and has made him also a highly in demand Remixer (for the likes of The XX, Francesco Tristano’s “Aufgang” project, Shit Robot on DFA, Thaiti 80, Joakim or Teengirl Fantasy to name just a few ).
A progression that now crystallizes in “ƒin”, his first full-length album for Permanent Vacation. A record, in which the Barcelona mastermind sets aside the danceable immediacy to expand his stylistic palette more than ever. For that purpose, Talabot melts all the elements that have constructed his distinctive sound until now and makes them emerge from a new perspective, in which the construction of complex song structures, intricate rhythms and superpositions of ever-evolving melodies and atmospheres pick up the baton of the “a kick-drum and a sampler” philosophy of his initial productions. The result brings us 11 tracks (we should call them songs really!) dominated by dark ambiances, gaseous textures and bittersweet moods that, above all, reveal a kind of vivacity that’s really hard to find in contemporary electronics. “Fin” is far from being a track collection. From the majestic opener “Depak Ine“ to it’s solemn ending with
“So Will Be Now“ , one of the two tracks that features Talabot’s soul and label mate Pional, each song traces an overall dialogue with the rest, culminating a highly emotional journey through Talabot’s always compelling and unique musical vision.

Dutch-born, Belgian-based artist Chantal Acda has been releasing her music and touring internationally since 2006. Her impressive and eclectic catalog includes numerous band projects, collaborations, and solo albums. The 2024 album Silently Held, recorded with The Atlantic Drifters, is nominated in 2025 for an Edison Award in the Netherlands. Her upcoming album, The Whale, will be released on September 19, 2025, followed by an extensive European tour. The album was produced by Chris Eckman (The Walkabouts) and recorded with her live band, which she has been performing with for over a decade. The songs were co-written with band members Eric Thielemans, Alan Gevaert, Gaëtan Vandewoude, and Niels Van Heertum.

The sound of The Whale is rougher and more rock-oriented than her previous projects, but her signature introspection and vulnerability remain at the core of the music. Singles “Heads” and “Make It Work” have received airplay in Belgium, the Netherlands, the UK, and Germany.

In the past, Chantal has recorded and performed with artists such as Bill Frisell, Nils Frahm, and members of Low, Múm, and Efterklang. Currently, she is also a member of the bands Distance, Light & Sky (with Chris Eckman of The Walkabouts and Eric Thielemans) and Isbells.

In 2022, Meral Polat released her debut album "Ez Ki Me" as a singer under the name Meral Polat Trio. "Ez Ki Me" roughly translates to "Who am I?". The album was a search by the singer for her Alevi Kurdish roots. In her lyrics, Meral incorporated many poems from her late father, Adi Ihsan Polat. The album received positive reviews and was nominated for a Music Award by Songlines.

On her new album MEYDAN, Meral primarily showcases her own voice, that of a woman exercising her right to live on her own terms, free from the oppressive interference of patriarchy. The album celebrates female strength, inspired by the philosophy of "JIN, JIYAN, AZADI" (WOMAN, LIFE, FREEDOM), a phrase originating from Kurdish-led women's movements. JIN, JIYAN, AZADI symbolise resistance to oppression and the fight for women's rights.

Musically, MEYDAN takes it a step further than the debut album. Meral welcomes drummer Jens Bouttery to the band, along with many inspiring guest musicians. The track "Cenek" features a determined choir of 26 women of various ages and cultural backgrounds. In "Çiya Icaro", Meral shares a duet with Bolivian artist Ibbelise Guarda Ferraguti.

On MEYDAN, Meral and her band continue their exploration of Anatolian and Mesopotamian music, particularly the Turkish psychedelic rock revolution of the 1970s and the ancient Kurdish Dengbej traditions. The band travelled to Istanbul to record with Murat Ertel from Baba Zula and trumpet player Can Omer Uygan. In addition to Anatolian music styles, influences from Mali Blues and Nigerian Afrobeat are embraced. Another notable guest is Senegalese musician Mola Sylla, who lent his voice and improvisational talent to the track "Govend".

While the drums, keyboards or guitar, and Polat's voice still form the core of the album, each track also contains its own collage of synthesisers, vocal harmonies, percussion, organ, piano, distorted guitars, and guest musicians. All tracks were mixed by the exceptional Belgian mixing engineer Pieterjan Coppejans, who added depth to their sound. All of this results in a particularly rich and uplifting album with a message.

Waxwork Records, in association with WaterTower Music, is proud to present BEETLEJUICE BEETLEJUICE Original Motion Picture Score by Danny Elfman!

Director Tim Burton once again teams up with composer Danny Elfman to create chaotic and fantastical music for the Ghost with the Most!
Though very few of his collaborations with Burton are sequels, Elfman jumped at the chance to revisit his work from the original Beetlejuice.

After 36 years, it was easy for him to get into the mindset he found in 1988. Speaking to Forbes, Elfman said that getting “the chance to jump

back into the same playground” with Beetlejuice Beetlejuice after all these years was “a real treat.”
Beetlejuice is back! Oscar-nominated, singular creative visionary Tim Burton and Oscar nominee and star Michael Keaton reunite for

Beetlejuice Beetlejuice, the long-awaited sequel to Burton’s award-winning Beetlejuice.
Waxwork Records is excited to present the debut vinyl release of BEETLEJUICE BEETLEJUICE Original Motion Picture Score by Danny Elfman as a

deluxe double LP featuring Pink and Violet Hand Poured colored vinyl, artwork by Ruiz Burgos courtesy of Bottleneck Gallery, heavyweight

reverse board packaging, and an 11"x11" art print insert.

Soulful and radiant, ALA.NI shines in Sunshine Music. Ten years after "You & I", which left a mark in France and internationally (with collaborations including Iggy Pop, Lakeith Stanfield, and Jon Batiste), the golden-voiced Londoner returns with a new album blending vintage tones and Caribbean influences. Shaped by a two-year stay in Jamaica, the musician delivers eleven timelessly elegant tracks infused with the laid-back charm of life surrounded by lush nature. Calypso, ragga, bossa, rocksteady... In this new album, ALA.NI allows herself subtle rewritings of the most emblematic Caribbean rhythms, with interpretations that go as far as Brazil. Her crystalline voice dances, with jazz inflections reminiscent of Sade Adu and Minnie Riperton.

Focus Track: Bear Hill Album Description: Raekwon’s The Emperor’s New Clothes is a sharp return to form, showcasing the Wu-Tang veteran’s lyrical precision and timeless street wisdom. The album is powerful with equal parts - high-quality bars and carefully sculpted production. Raekwon recruits a stacked lineup of guests, including Nas, Griselda, Method Man, Inspectah Deck, and Ghostface Killah, injecting the project with gritty energy and legacy chemistry. Marsha Ambrosius and Stacy Barthe provide smooth, soulful hooks, adding emotional layers to the hard-edged verses. Production comes courtesy of Nottz, Swizz Beatz J.U.S.T.I.C.E League and more. The LP is a reminder of Raekwon’s enduring power as a lyricist and curator. A veteran artist showing that mastery doesn’t need excess. The Emperor’s New Clothes is regal, streetwise, and sharply tailored for those who value craft.

Celebrating 50 years since the release of the iconic Cathedrals album, U.S. disco legend D.C. LaRue returns with never-before-released remixes of all four original classics—pressed on strictly limited vinyl.
Top contemporary disco producers The Reflex, Dr. Packer, and Mannix breathe new life into LaRue’s 1976 masterpiece:
The Reflex (Stevie Wonder, Cerrone) delivers dancefloor-driven edits using digitized analog multitracks.
Dr. Packer (First Choice, Loleatta Holloway) reinvents one of LaRue’s biggest hits with fresh, soulful energy.
Mannix, head of Dafia Records, adds deep, dubby textures to complete this dynamic remix package.
Each track is respectfully reimagined—maintaining the emotional depth of the originals while enhancing clarity, rhythm, and relevance with modern production.
Bonus: Includes two standout remixes from LaRue’s second LP The Tea Dance—"Overture" (The Reflex) and "O Ba Ba" (Mannix).
These remixes aren’t just nostalgic—they’re timeless. Essential for collectors, DJs, and anyone who lives for disco.
Grab your copy before it’s gone.

The Ocean And Me is the seventh studio album by Swedish singer/songwriter Sophie Zelmani.
With no musical background and without ever having performed in public, Zelmani rose to the top of the charts in
995 with her self-titled debut album. Until now, she has released up to fifteen albums and was described as
Sweden's answer to Norah Jones. The Ocean And Me, featuring 12 self-written songs combining Nordic folk with
melancholic country-pop, was well received by critics and is influenced by the likes of Bob Dylan, Norah Jones,
Leonard Cohen and Van Morrison.
The Ocean And Me is now available as a limited edition of 750 individually numbered copies on crystal clear vinyl and includes a 4-page booklet with lyrics.

Released in 2005, The Aftermath is a compelling live album by Danish alternative rock band Kashmir.
The album includes live versions of tracks like Surfing the Warm Industry, Rocket Brothers, and selections from No Balance Palace, highlighting the band’s musical evolution and stage presence.
The Aftermath is available on black vinyl.

"Impressed are thrilled to be presenting The Bamboos Best, a compilation in celebration of twenty five year anniversary of the formation of The Bamboos.

The definitive collection of one of Australia’s most celebrated, influential and enduring Soul & Funk acts - tracing the history of the band that laid the foundation for the now internationally recognised Australian Soul scene.

Twenty songs taken from across their extensive catalogue, including many that have been unavailable on vinyl since their original release, and one track appearing in the format for the very first time.

From their raw Deep Funk origins through their own genre defying musical path, The Bamboos have reinvigorated a classic sound whilst seamlessly incorporating contemporary influences to create something altogether brand new.

Managing to appeal to both Soul/Funk purists as well as casual music fans along the way, the band have always focused on what’s important: songwriting, groove and powerful vocals.

Impressed is partnering with Burning Rope Records & Faction Records to bring you an exclusive Australian pressing of James Vincent McMorrow's debut album - Early in the Morning, celebrating it’s 15th anniversary and his forthcoming tour.

Originally released in 2010, and recorded in isolation at a house on the Irish coast, James Vincent McMorrow produced every sound on the album himself, including piano, guitar, and drums - resulted in an album that captivated the world.

The album quickly garnered critical acclaim for its warmth and intimacy. Critics highlighted McMorrow's soft falsetto and the Americana/Folk influences present in the tracks. The opening song, If I Had a Boat, begins with a cappella harmonies before developing into a reflective ballad, illustrating the album’s understated style.

The hotly anticipated follow-up to 2007"s Horizons, Deep Blue raised the bar in every conceivable way. While maintaining the band"s uncompromising metallic-hardcore style at its core, it pushed into exciting new realms, drawing from a wider scope of influence, incorporating everything from anthemic pop-punk to bloodcurdling death metal. With improved musical abilities and a thoroughly inspired approach to songwriting, Parkway Drive has tied the music and lyrics together into one all-encompassing concept. "It"s basically about the search for truth in a world that seems to be devoid of that," says vocalist and lyricist Winston McCall, explaining the narrative running through Deep Blue. "The story is told through the eyes of a man who wakes up and realizes that his life is a lie and nothing he believes in is real. So he tries to find the truth within himself and his journey takes him to the bottom of the ocean and back again."

On his new album All Cylinders, Yves Jarvis expresses a brazen songcraft and pure musicianship. 11 tracks he played himself, without a single additional contributor, transforming his now four-time-Polaris-nominated vision into the stuff of verses and choruses, hooks and hits, vibrating like a cosmic anthropology. Whereas once he had fetishized analog tape, now Jarvis appreciated the value of working without any such preciousness: much of All Cylinders was recorded on bare-bones Audacity, sans plugins, channeling the spirit of Paul McCartney’s II.

Jarvis is an omnivore, and All Cylinders smashes together a stunning array of influences: Serge Gainsbourg, Judee Sill, Sheryl Crow, Captain Beefheart, Jackson Browne, Throbbing Gristle, Ray Charles, Brian Eno, Fleetwood Mac… All distilled into tunes that feel like taking sips from a cup, or drags from a cigarette. Vivid and self-contained songs that are just two or three minutes long. “I feel like this is the least contrived thing I’ve ever done,” Jarvis declares. Lyrics that matter. Vocals up front, where people will actually hear them. “If something’s true to you,” he explains, “it’s probably true to a million other people.”

The first run of All Cylinders on limited edition vinyl sold out, leading to this highly anticipated second pressing. This edition includes 4 bonus tracks from the forthcoming deluxe release, making it an essential piece for fans and collectors alike. Originally released via In Real Life to critical acclaim from Pitchfork, Financial Times, NPR, Aquarium Drunkard, Far Out Magazine, New Noise, Out Front, KCRW, RANGE, Atwood Magazine, The Luna Collective, Billboard Canada, The Fader, Blamo! Podcast, Stereogum, and Guitar World.

A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.

Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.

She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."

Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.

Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.

Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.

In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.

"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.

Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.

A1 - The Moon On The Moors
ASC opens the EP with a distinctive, purposeful and dancefloor-friendly piece, driven by an intensely memorable drum pattern that will have your head nodding instantly - that's before the deep, earthy room-filling bassline quakes below. Filtered metallic breakbeats join the mix periodically along with string melodies and a plethora of sci-fi effects and classic micro samples. Absolutely essential stuff from the atmospheric wizard that is ASC.

A2 - Persuasion
A measured approach introduces Persuasion, with light hats and a subtle bleepy melody gradually pulling us toward a stunningly crisp slice of breakbeat heaven. Impossibly detailed rapidfire snares dominate the mix with incredible clarity that just has to be heard to be believed. Light bongos and airy synthwork nestle beautifully alongside trademark old school high pitched female vocal hits to cap off another stunner.

AA1 - Time and Again
Setting the tone immediately with thunderous, deep Hot Pants breaks - finely crafted as ever - Time and Again sees ASC explore an other-worldly setting with an uneasy intrigue to the echoing keys, while rousing strings provide a suitably nervy backdrop to the mix. A mellow yet tense breakdown is quickly nudged aside with the crunching breaks and darkly bassline, while echoed vocal hits add further texture.

AA2 - Severance
A wonderfully old school slice of breakbeat action quickly unfolds as Severance sees ASC playfully experiment with varied break patterns riddled with delicious little details you will pick out with each repeated listen. Sublime intent is present throughout with a heavy undertone bassline, not to mention the excellent sampled quote from the show of the same name - eventually we all have to accept reality. If this is our reality, bring it on.

Words by Chris Hayes (Spatial / Red Mist)