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Dry Socket - Self Defense Techniques LP

Dry Socket is a politically charged hardcore band from Portland, Oregon, known for blistering performances and emotionally uncompromising songwriting. Rooted in the raw aggression of classic hardcore, their sound channels the urgency of early Ceremony, G.L.O.S.S., and Negative Approach while carving out a distinctly modern, inclusive space within the genre, one where anger, grief, and survival are not just themes, but lived realities.

Their music confronts systems of violence, coercion, and control with unflinching honesty, creating room to be unapologetically furious, vulnerable, and alive at the same time. Every riff lands like a strike; every lyric feels torn from experience rather than abstraction.

Since forming, Dry Socket has toured extensively across the U.S., Europe, and Mexico, sharing stages with Gorilla Biscuits, The Hope Conspiracy, Torso, and more.

Their latest record, Self Defense Techniques, centers on survival under constant pressure. Inspired by the practice of dehorning rhinos to protect them from poachers, removing a vital part of the animal in order to keep it alive, the album examines the compromises people are forced to make to endure a hostile world. Horns are tools for protection, communication, care, and identity. To survive, so many of us are taught to remove our own.

Across the record, Dry Socket interrogates life inside systems that demand silence, obedience, and self-erasure. Songs wrestle with exhaustion, spiritual betrayal, and economic violence, oscillating between fury and grief. Self Defense Techniques isn’t about triumph, it’s about endurance, documenting the cost of staying alive while refusing the lie that softness is weakness or that silence is peace

pre-order now24.04.2026

expected to be published on 24.04.2026

26,85 €
The Gentle People - The Peel Sessions

WRWTFWW Records releases THE GENTLE PEOPLE - The Peel Sessions, available on vinyl for the first time ever, in conjunction with the worldwide expanded reissue of the group's Soundtracks for Living. Lounge/Chill Out music reborn !

This is an exclusive 4-song EP recorded in 1997 on BBC's Peel Sessions, as The Gentle People were doing the rounds for the release of their legendary debut album. These live versions have never seen the light of day before - a must have for all the gentle fans !
When The Gentle People first glided into the mid-90s on clouds of strings, sugar and sine waves, they sounded like visitors from another, more glamorous planet. Signed to Richard D. James and Grant Wilson-Claridge's cult label Rephlex, this multinational "E-Z-Core" lounge unit took the aesthetics of 50s/60s easy listening and exotica and gently smuggled them into 1990s club culture.

Imagine KLF's Chill Out or Space growing up on French 60/70s pop, bossa nova, soundtracks, vocal harmony groups, library music and easy listening then slipping out for a late-night date with dub, ambient techno and bubble-bath pop. That's The Gentle People : music that can score cocktail hour, 4am taxi rides, and daydreams in headphones with the same effortless grace.

The Gentle People weren't just a curiosity on a weird label; they became unlikely icons of a whole loungecore moment, gracing TV, compilations and magazine spreads, and proving that tenderness could be as futuristic as any drum machine.

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Last In: 5 months ago
21,81 €
Stevie Cox and Ansboy - Twice Like Rice LP

Stevie Cox and Ansboy: two powerhouses of the Glaswegian club scene join forces for their collaborative debut EP on Rhythm Section INTL- ‘Twice Like Rice’. It’s a weighty four-track EP designed for the dancefloor, taking in myriad influences from dub techno, breaks, trance and good old fashioned house music. The Ep is full of deep, pulsating rhythms, lush textures and emotive peaks - all road tested in Stevie’s Iconic home turf: Sub Club.

Stevie Cox has long been a name long ruminating on everyone's lips, as a resident DJ of the iconic ‘Sub Club’ with an ever-growing tour schedule and back catalogue of releases via the likes of Klasse Wrecks and Optimo. Whilst the name Ansboy may be new to some, it is a fresh alias for the grammy nominated producer and mixdown engineer Robert Etherson who has long been a staple in the Scottish scene with an international touring repertoire under his belt.

The two friends met in their hometown of Glasgow and began their musical journey together last year after Robert taught Stevie how to do mixdowns. The pair clicked effortlessly, quickly discovering they shared the same passion for emotive, deep and progressive dance music. Their first track together - which took shape in the form of ‘Drift’ - a high-energy synth led anthem, came out with a special selection of tracks curated by Bradley Zero for his exclusive SHOUTS Summer sampler in 2025.

For the Twice Like Rice EP, their work evokes all corners of the dancefloor, kicking things off with ‘GC’ - a peak time breaks-infused trancey-heater - a master class in building dancefloor tension which gives way into a searing crescendo. Things spin towards a darker percussive focus on the more intense ‘Twice Like Rice’.

On the b-side things return to blissful euphoria with ‘Virgil’ - a warm up dub-techno ballad, before the emotional release of ‘Subculture closure’ inspired ‘Carter21’.

stock from08.10.2026

Last In: 12 days ago
15,08 €
IGLO & Paul Hauck - Stable Fusion

IGLO & Paul Hauck

Stable Fusion

12inchSIDEB003
SIDE B
24.04.2026

With acute focus on dance floor hypnotism and percussive pressure, SIDEB003 offers German collaboration IGLO and Paul Hauck's debut vinyl release. A third project for this duo, 'Stable Fusion' plays to the producers strengths as biting sound design unfolds through reliable groove.

'Stable Fusion' - and, in turn, its title track - presents as an uncompromising dance floor record, complete with pressing arrangements and powerful tension shifts. The infectious nature of club music comes largely from the power and insistence of its minimal elements and IGLO & Paul Hauck put chisel to stone to showcase just that. To add soul to skill, 'Neustadt' claims the A2 with added color and a silver lining in the its mood. Festive chord stabs stutter along with percussion riding up and down the spectrum, maintaining energy without losing impact. Flipping sides, 'Initiator' returns to minimalism and spaced out sequences. Dub chords boom through a low lying swing, complete with unfolding ambient textures. The track is focused and its intentions aren't shy, the slow creep to the EP's conclusion 'Celestis' is met with intrigue. Warbly synth work warms up a pulsating core, creating a more tonal sound system experience than any of its predecessors. Here, ferocity hides behind humility, and 'Celestis' is a crowd pusher with deceptive arrangement to close out 'Stable Fusion' with confirmation of quality and effect.

Words by Noah Hocker

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Last In: 73 days ago
11,72 €
Sonar's Ghost - Rinse Out EP

Sonar's Ghost

Rinse Out EP

12inchFOUNDATIONS003
Foundations Records
24.04.2026

Foundations Records brings you their hotly anticipated third release from Sonar's Ghost on Rinse Out EP - a bold four-tracker of breakbeat jungle, atmospheric jungle and jungle-tekno.

Sonar's Ghost

Starting out DJing in the peak hardcore era of 1992, Dominic Stanton rose as a post-hip-hop and ragga kid, cutting his teeth at free parties across the Shires. Drawn into the new directions of hardcore and jungle, he earned early gigs at the legendary Sanctuary, Milton Keynes, performing as Dom-unique.

Learning the art of beat-chopping on the Amiga 500, Dom landed his first release on Reinforced Records in 1995 and continued releasing into the 2000s as Static Imprints and Sonar Circle. Inspired by Dego and the evolving trajectory of 4hero, Dom began moving into more unexplored territory, producing eclectic, soulful beats under the name Domu.

After a brief hiatus, Sonar's Ghost was born - an outlet to explore the years Sonar Circle missed, from 1991 to 1995. Creating alternate journeys through that era, Sonar's Ghost reimagines the original sound palette using original sources, new blends of beats, and a lifetime of musical influence. For Dom, Sonar's Ghost is his happy place.

The Foundations release blends the eras and directions Dom loves most - from '93 bouncy darkside through to '03 drum funk - with authentic drums and samples integral to the vibe.

Here's the support on radio:

- Makossa (Radio FM4 Vienna)
- Distant Planet (Infrared FM)
- Sun People (Sub FM)
- Alex Ruder (KEXP Seattle)
- Haus of Beats (Txapa Irratia)
- Haus of Beats (Txapa Irratia)
- Tom Ravenscroft (Rinse FM)
- Jon1st (Subtle Radio)
- Martha (NTS / BBC R1)
- Harper (Czworka Polskie Radio)
- Gremlinz (89.5FM Toronto)
- N-Type (Rinse FM)
- Michelle (NTS)
- Mathieu Schreyer (KCRW, LA)
- Darkerthanwax (The Lot Radio)
- Bevin Campbell (PBSFM Aus)
- Errol Anderson (NTS)
- Ian (94.9 CHRW)
- OPR8 (Sub FM)
- Tramma (Noods)
- Carlos Contreras (Tilos Radio Budapest)
- Jay Scarlett (BR Puls Munich)
- DJ Tuco (91.90FM Prague)
- Ed2000 (Cashmere / The Face)
- Vinyl Junkie (Eruption Radio)
- Klaus Fiehe (1WDR)
- Benji B (BBC 1Xtra)

out of Stock

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Last In: 47 days ago
11,56 €
ESPLENDOR GEOMÉTRICO - EL PULSO DEL ACERO: SHINKANSEN LP 2x12"

El Pulso del Acero: Shinkansen is Esplendor Geométrico's electrifying new album, blending trance-inducing industrial rhythms with bold voice and noise collages. Featuring 16 tracks, it revisits the raw power of their 80s classics while exploring futuristic industrial sounds, with recordings from Tokyo (2025) and a rare previously limited tracks now on vinyl for the first time. After over 40 years of continuous innovation, the influential Spanish duo continues to shape industrial, techno, and experimental noise music worldwide. Available on double vinyl and CD digipack. The raw power of their early work is also present here in some brilliant reconstructions of 80s tracks turning out very different from the originals (Rotorama, Trybuna V, Shinkansen, Héroe del Trabajo 2025, or Introspectivo). Songs such as Auto Reverse will be especially appreciated by the most avid fans of EG's early sound. Other tunes of futuristic industrial music closer to their previous album, Strepitus Rhythmicus, are also included (Experiencia AV, Isla, Por un Perro_) Ten tracks were recorded in 2025 in Tokyo, where Arturo Lanz (founding member of E.G.) currently resides. The other six were released, only on CD,in an ultra-limited edition shared with the group De Fabriek in 2023, long sold out, now finally on vinyl for the first time. Born in 1980 as a trio, and currently a duo formed by Arturo Lanz (founding member) and Saverio Evangelista (member since 1991), Esplendor Geométrico is an influential and international electronic cult band and also a rare case in the Spanish music scene, as they have developed their own independent path aside from tags, fashion or trends, in spite of being often classified as industrial music. Their career for more than four decades hasn't had interruptions. They haven't stopped composing, releasing albums or playing live.Their influence has marked many later artists, usually classified in the so-called industrial music or rhythm & noise, as well as artists from current techno and certain types of experimental noise music.

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Last In: 5 months ago
30,46 €
KÉPA - SOUL WASH SERVICES

Kēpa is built whole, even if life has broken a few bones along the way.

Back when he was a pro skater, he gave everything to the board. Today, he gives that same intensity to the stage, delivering hypnotic cine-concerts where motion, sound, and image blur into one. The only falls left now are the ringing final chords of his guitar — not just an instrument, but an extension of his body.

Fingerpicking is his native tongue. So much so that Kēpa no longer sings — he lets the strings speak. Percussive, alive, essential. This music isn’t about performance, it’s about living: a personal quest, a way to reach others by first going inward. Moving against the current without fighting the wind. Finding breath, essence, and remembering we’re all drifting on a spinning planet, surrounded by forces bigger than us.

It’s easier to look away. Easier to follow noise, fear, or false prophets. Harder — and braver — to truly connect.

Released in late 2025, Hotline Service opened the door, offering a wide-open, spiritual escape. With SOUL WASH SERVICES— produced by Timber Timbre — Kēpa goes further. Warmer, deeper, more focused. The album feels like sunlight on asphalt, a long drive with the windows down, time slowing just enough to let something real surface.

A kindred spirit to Hermanos Gutiérrez, Kēpa plays the role of a modern, pagan preacher — guiding us through a dusty, golden road movie that unfolds entirely inside the listener. His music doesn’t shout; it cleans.

Kēpa does it all: writes, plays, films, edits, mixes. Music becomes image, image becomes music. Nothing is separate, on record or on stage. There’s no excess, no showboating — just an open invitation to slow down, go deeper, aim higher.

Tracks like Solarium and Paradisiac reach the peaks with minimal gear: five strings, a few picks, and total control of touch and space. Listening to Kēpa feels like checking in with yourself — a quiet inner trip shaped by sounds from every corner of the world. Blues, not to feel them, but to leave them behind.

After years devoted to picking, his playing has become something sacred.

And if you let it, it carries you with it.

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Last In: 5 months ago
20,59 €
REGAL - FORGOTTEN HEROES

Regal delivers his first full EP on Backspin, marking a defining moment for the label he founded. More than just another release, the Forgotten Heroes EP captures the essence of Regal's vision: groovy, forward-moving techno that balances raw club energy with atmosphere, emotion and narrative.

The title track 'Forgotten Heroes' sets the EP in motion with a sense of controlled urgency. A rolling, slightly breaktinged groove pushes forward relentlessly, while an eerie, almost nostalgic synth melody hovers in the background, giving the track an emotional pull. 'Concentrate' shifts the focus inward_ bleeping motifs, tight claps and restless hihats circle around spoken fragments that feel like thoughts caught between the peak of the night and the quiet hours before sunrise.

On the B-side, 'Forte' accelerates into pure momentum: sharp, bleep-led sequences and forward pressure combine into a rush that feels like racing through the city at night. 'Soft Killer' deepens the mood with a darker, dominant edge, its stripped back power and razor-sharp sounds cutting clean through the mix. Closing track 'Wild Magic' offers a final release of tension, slowing the pace into a lighter, more house-leaning groove. Warm pads and a catchy, uplifting melody bring a sense of air and openness, letting the EP drift out on a hopeful, almost euphoric note.

Regal's comeback EP 'Forgotten Heroes' stands as a personal statement and a cornerstone release for Backspin. It's techno built on groove, contrast and character, made to leave a lasting impression on the dancefloor.

stock from12.10.2026

Last In: 17 days ago
13,66 €
Baby Ford - Built In

Baby Ford

Built In

12inchTR038
Trelik Records
21.04.2026

2026 Repress

Baby Ford is back being reissued again and we couldn't be happier about it. Few have ever matched the matter levels he achieved when it comes to deep minimal and tech house fusions. This latest on his own Trelik takes the form of three classic cuts from two much sought-after EPs - Built In and All That Nothing. The title cut is a shimmering and sublime fusion of rubbing low ends and icy hi-hats. 'All That Nothing' then picks up the pace with more dub influences and swaying drums and 'Plaza' has a tech house edge that makes for more driving grooves.

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Last In: 28 days ago
17,61 €
Alric Aerial - Hormesis EP

Alric Aerial

Hormesis EP

12inchRUNAS03
Runas
21.04.2026

With the Hormesis EP, Alric Aerial explores the delicate threshold between pressure and growth. The title a reference to the biological phenomenon where stress triggers a positive adaptation serves as the conceptual foundation for a sound born from deep introspection.

It is a testament to the idea that resilience is not just about enduring, but about evolving through the friction.

In his productions, Alric Aerial weaves together personal and cultural fragments, bridging the echoes of his heritage (Tales From The Desert Part II) with a conscious departure from familiar scenes and habits (Good To Be Gone). This work marks a natural evolution a shift from the noise of the outside world toward a more refined, intentional focus in the studio.

The tracks strike a balance between "dirty" authenticity and infectious, groovy basslines. From driving, straight-forward rhythms to melodic leads, the work shifts between cinematic tension and uncompromising momentum. Especially in the title track, Hormesis, Alric’s vision culminates in the transformation of fragmentation into energy. The music invites the listener to find a new kind of presence within the act of disappearing to get lost in the pulse, only to emerge more resilient.

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Last In: 48 days ago
13,03 €
jazzbois - Still Blunted LP

Having established themselves as one of the leading live bands in Europe, grooving to improvised jazz motifs and hip-hop beats, Budapest trio Jazzbois return with their fourth LP, Still Blunted, which sees them touch base with their beat-tape roots.

Now situated in the heart of Buda at their new studio above a club, the Hungarian trio of Bencze Molnár (Rhodes/synth), Viktor Sági (bass) and Tamás Czirják (drums) take a more considered approach to Still Blunted and offer a snapshot into the jams, sessions, and shows they have played over the past year. Still Blunted was released after the band performed at the legendary Montreux Jazz Festival in 2024 summer, but before they sold out The Jazz Cafe, London, and three more venues (Paris, Antwerp, Utrecht) on their album release tour in October 2024.

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Last In: 5 months ago
25,63 €
Various - NOW Yearbook – THE VAULT: 1983
  • Orchestral | Manoeuvres In The Dark - Telegraph
  • Blancmange | - That’s Love, That It Is
  • China | Crisis - Tragedy And Mystery
  • Adam | Ant - Strip
  • Divine | - Love Reaction
  • Yello | - I Love You
  • Talk | Talk - My Foolish Friend
  • Japan | - Canton
  • Fun | Boy Three – The More I See (The Less I Believe)
  • Tracie | – Give It Some Emotion
  • The | Teardrop Explodes - You Disappear From View
  • XTC | - Love On A Farmboy's Wages
  • The | Stranglers - Midnight Summer Dream
  • The | Kinks - Don’t Forget To Dance
  • Mari | Wilson - Cry Me A Rive
  • Bauhaus | - Lagartija Nick
  • Marc | And The Mambas - Black Heart
  • The | Glove - Like An Animal
  • Freur | - Doot Doot
  • The | B-52's - Song For A Future Generation
  • Wall | Of Voodoo - Mexican Radio
  • Joe | Jackson - Breaking Us In Two
  • Oliver | Cheatham - Get Down Saturday Night
  • Rockers | Revenge - The Harder They Come
  • Freeez | - Pop Goes My Love
  • Malcolm | McLaren - Soweto
  • Culture | Club - I'll Tumble 4 Ya
  • The | Belle Stars - Indian Summer
  • Level | 42 - Out Of Sight Out Of Mind
  • Daryl | Hall & John Oates - One On One
  • Sparks | & Jane Wiedlin - Cool Places
  • The | Romantics - Talking In Your Sleep
  • The | Fixx - Saved By Zero
  • The | Motels - Suddenly Last Summer
  • Modern | English - I Melt With You
  • Missing | Persons - Walking In L A
  • Naked | Eyes - Always Something There To Remind Me
  • Taco | – Puttin On The Ritz
  • Electric | Light Orchestra - Secret Messages
  • Men | At Work - Overkill
  • Pat | Benatar - Little Too Late
  • Journey | - Separate Ways (Worlds Apart)
  • Styx | - Mr Roboto
  • Giorgio | Moroder & Joe Esposito - Lady, Lady
  • Stephen | Bishop - It Might Be You
also available

The Vault: 1984[24,16 €]


The year that NOW’s story began, and where we started our ‘Yearbook’ series back in 2021. An incredible year in Pop music, and a fabulous selection of the years’ hits have featured on that first ‘Yearbook’, and on the ‘80-84 Final’ as part of our appreciation of 1983. Those tracks were generally the bigger hits of the year, with their Chart achievement a factor in their inclusion. However, that’s not the whole story, and our celebration of 1983 wouldn’t be complete without shining a light on some of the year’s singles that have been compiled much less frequently over the past 40 years. Welcome to the THE VAULT for 1983…Some of the tracks were Top 40 hits, some missed the Chart completely, and some were huge in the U.S. and not in the U.K. – but all are part of the wonderful Pop story of 1983. Released as 80 tracks across 4-CDs, available as a standard 4CD and as a a special edition 4CD in ‘hardback book’ packaging featuring a 28-page track by track guide, original singles artwork and a quiz and 45 tracks across 3-LPs, pressed on stunning translucent red vinyl -

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Last In: 89 days ago
24,16 €
Various - Back To The Old School Pt II

Part Two of our 'Back To The Old School' series has arrived in full effect. Once again, Mr "Love" Lee updates classic disco-rap cuts for today's dancefloors while preserving their original flavour and integrity. Kicking things off is Xanadu & Sweet Lady's Jamaican version of "Rappers Delight," where Dave refreshes the instantly recognisable percussion track into a captivating jazz-funk workout, perfectly complementing Sweet Lady's luscious rapping and somehow making it even more danceable than ever. Up next, Solo Sound "We Are The Crew (Called Solo Sound)" delivers a swampy, lo-down slice of cosmic funk primed to rock any block party. On the flip is an alternate Philly flavoured take on TJ Swann's 1981 jam "Get Fly." This time Dave Lee re-tracks the MFSB backbone, putting his remixing prowess fully on display and landing squarely in the dancefloor sweet spot. As a bonus, any wannabe disco rappers can hone their skills over the B2 Shepherds Delight (No Rapstrumental Mix).

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Last In: 14 days ago
18,07 €
Jdb - Come Over

Jdb

Come Over

12inchNPAOO04
New Palm US
21.04.2026

Josiah aka JdB is a key creative at the heart of the New Palm crew. Not only does he DJ and produce, but also he is a resident at Gradient Campout and a member of LA's PrintShop collective. He has a sound rooted in dubby drums and cavernous grooves, both of which are evident here. 'Feels Good' is a heavy warm-up sound with sparse chords slowly ramping things up, while 'Surface Area' is icy minimalism with abstract sines and FX. 'Come Over' pulls back to a more liquid dub roller and 'Dante Is Late' is an ambient soundscape with plenty of tape hiss and curious melodies drawing you in deep. Stefan Bitke of Scape has taken care of the mastering so these sound superb.

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Last In: 5 months ago
18,07 €
Merle - Likes 2 Dance EP

2026 Repress

Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.

Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.

This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.

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Last In: 21 days ago
15,08 €
GOBLIN - The Singles Collection 1975-1979 LP
  • Profondo Rosso
  • Death Dies
  • Roller
  • Chi? - Parte Uno
  • Chi? - Parte Due
  • Suspiria
  • Blind Concert
  • Un Ragazzo D’Argento
  • Opera Magnifica
  • Yell
  • Amo Non Amo
  • Funky Top

FOLLOWING THE SUCCESS OF “THE OTHER HELL”, GOBLIN ARE BACK FOR RECORD STORE DAY 2026 WITH AN EXCLUSIVE COMPILATION OF SINGLES RELEASED BETWEEN 1975 AND 1979!

For the very first time on vinyl, this compilation gathers together all the singles released by Goblin during their golden era between 1975 and 1979, a journey that begins with the explosive, legendary debut Profondo Rosso, a true chart phenomenon of its time, and reaches the rare Amo Non Amo, passing through unforgettable milestones of Italian film music and progressive rock.

The collection opens with Profondo Rosso and Death Dies, taken from the soundtrack of Dario Argento’s masterpiece that catapulted Goblin to fame, blending dark atmospheres, virtuosity, and a unique sense of cinematic tension. It continues with Roller and Snip Snap, drawn from the instrumental album Roller (1976), a record not tied to any film, yet considered a cult cornerstone of Italian progressive music for its intricate structures and expressive power.

Chi? and Chi? - Parte Seconda follow; two tracks originally composed as the theme for a 1976 RAI television show, which saw Goblin bring their unmistakable sound to a different medium, experimenting within a shorter, punchier format.

Next comes Suspiria with its haunting counterpart Blind Concert, from the soundtrack of Argento’s 1977 horror classic. This remains one of Goblin’s most iconic and unsettling works, where music becomes an active narrative force: hypnotic, percussive, and filled with eerie vocal layers that made it a cornerstone of horror soundtracks worldwide.

From Il Fantastico Viaggio del Bagarozzo Mark (1978) come Un Ragazzo d’Argento and Opera Magnifica, two tracks that highlight the band’s more conceptual and visionary side, a move away from cinema toward a self-contained narrative and progressive experimentation.

The single Yell stands as another late-decade gem. Originally composed as the opening theme for the RAI television series “Sette storie per non dormire” (1978), it captures Goblin’s ability to merge rock energy with electronic pulse, proving their versatility far beyond the horror realm.

The compilation closes with Amo Non Amo and Funky Top, taken from the soundtrack of the 1979 film Amo Non Amo, one of the group’s lesser-known but fascinating cinematic works.

Far more than a simple anthology, The Singles Collection 1975–1979 maps the evolution of Goblin’s sound, from the worldwide success of Profondo Rosso to their most mature and experimental phase. It finally restores to vinyl a body of work that had long been scattered across rare 45 rpm releases, offering fans and collectors a complete, vivid portrait of one of Italy’s most inventive and influential musical ensembles.

pre-order now18.04.2026

expected to be published on 18.04.2026

36,93 €
Various - What Dance Is This? UK Post Punk Dancefloor Vol.1 (1979-1983)
also available

Vol.1[27,52 €]


Straight from an alternative dancefloor, a recollection of stone cold classics from huge & influential post-punk pioneers. They called it white funk once, but here you can even catch echoes of latin, dub and club influences, a mutant disco manifesto from a series of British champions such as Normil Hawaiians, Glaxo Babies, Playgroup, C Cat Trance, Suns of Arqa & Prince Far I and many more.

Tracklist Side A:
Normil Hawaiians - Obedience
Vee VV - Keep Beat
Spit Like A Paint - For The Life Of Me
Group Therapy - Arty-Fact
C Cat Trance - Hypnotised

Tracklist Side B:
The Chicken Granny - Quit The Body
Machine Gunn Hogg And Co - Bed Bound Saga
Playgroup - Hoggs Might Fly
Glaxo Babies - Shake (The Foundations)
Suns of Arqa feat. Prince Far I - G.D. Magik

pre-order now18.04.2026

expected to be published on 18.04.2026

27,52 €
Keith Tippett - At The BBC 1969-70 (LP)
  • A1: Portishead Suite - 1. First Generation
  • A2: Second Generation
  • A3: Third Generation
  • B4: Charles Fox Speaks
  • B1: Hail Conquering Hero
  • B2: Five After Dawn
  • B3: Green & Orange Night Park

Keith Tippett was just twenty-one when his group recorded the first of these sets for BBC’s Jazz Workshop on May 21st 1969, three months before the recording of his first album, You Are Here – I Am There. Featured on Side One is the three-part “Portishead Suite,” which presents three stylistically different musical portraits of three generations of the Somerset town. The first is comparatively gentle and flowing but the second portrait is more insistent, its 5/4 tempo bringing to mind themes heard on early King Crimson albums. The third portrait has something of the Caribbean in its playful rhythms. “Hail Conquering Hero” can be heard on Side Two, and is described by Tippett as ‘a jazz study of war.’ None of these compositions have ever appeared officially in any form. Also included on Side Two are two tracks from Tippett’s August 1970 session for BBC Top Gear that was advertised as by Keith Tippett & Heavy Friends.
Keith Tippett – piano; Mark Charig – cornet; Nick Evans – trombone; Elton Dean – alto; Gill Lyons – bass; Alan Jackson – drums. Sleevenotes by Duncan Heining

pre-order now18.04.2026

expected to be published on 18.04.2026

20,13 €
Keith Tippett - At The BBC 1967-68 (LP)

These two very different sessions involving John Surman and Mike Osborne have much in common. They both share a wonderful sense of liberation, of the joy of making music together and of finding collectively new ways of making jazz happen. And even more importantly, they speak volumes about the eclecticism and openness of British jazz in those years of the mid- to late-sixties and about the creative ambitions of John Surman. In the current absence in the market of his first LP, this is an essential purchase for Surman fans. Notes by Duncan Heining with suggestions from John Surman. These sessions have never previously appeared officially in any form.
Side One 26.2.67 - Mike Osborne (as), John Surman (ss, bs), Harry Miller (b), Alan Jackson (d) - Side Two 17.7.68 - Sterling Betancourt for Alan Jackson and add Russ Henderson (p)

pre-order now18.04.2026

expected to be published on 18.04.2026

20,13 €
Various - Naive Melodies (Tape)

Various

Naive Melodies (Tape)

CassetteBBE424CTP
BBE Music
17.04.2026

Naive Melodies is a bold and visionary tribute to the music of Talking Heads, reinterpreted through the lens of Black musical innovation. Curated by Drew McFadden — the creative mind behind BBE’s acclaimed Modern Love (David Bowie tribute album) — this new collection dives deep into the Afro-diasporic rhythms and experimental soul roots that helped shape Talking Heads’ unmistakable New Wave sound. Inspired by artists like Fela Kuti, Parliament, and Al Green — whose influences loomed large in the band’s rhythmic DNA — Naive Melodies shines a light on the Black music traditions that underpinned their artistry. Far from a conventional tribute, Naive Melodies reframes the band’s catalog through the voices and visions of a new generation of genre-defying artists. These interpretations illuminate the foundational grooves and sonic textures that fueled Talking Heads’ rhythm-forward aesthetic, bringing them full circle with authenticity. “With Naive Melodies, I wanted to spotlight the deep and often overlooked influence of Black music on the sound of Talking Heads, drawing from the rhythmic foundations of Afro-diasporic traditions, soul, gospel, Latin, and spiritual jazz. This project is a chance to reimagine Talking Heads’ legacy through the lens of the very innovations that helped shape it, bringing those influences to the forefront through the voices of today’s most forward-thinking artists.” — Drew McFadden The album features a globally minded lineup, including Liv.e, Bilal, Rogê, Miguel Atwood-Ferguson, Aja Monet, Georgia Anne Muldrow, Theo Croker, Kenny Dope, Rosie Lowe, Pachyman, W.I.T.C.H., and more — spanning Afrobeat, jazz, soul, funk, gospel, dub, electronica, orchestral, and Latin styles. It reflects not only the boundary-pushing ethos of Talking Heads, but also the influence of Black music as a cultural force that helped shape it. This is not just a tribute album — it’s a recontextualization. A cultural conversation. A rhythmic reawakening.

pre-order now17.04.2026

expected to be published on 17.04.2026

25,17 €
The Black Watch - Varied Superstitions LP

It is with some degree of surpriseand delight that we were contacted by John Andrew Fredrick, the founder and omnipresent member of Santa Barbara’s the black watch to see if Blue Matter would be interested in putting out their newest album. Of course we were. One listen was more than enough to convince us that it would fit perfectly on to the label. Perhaps a little more indie than other albums we’ve released, but sowhat? ‘Varied Superstitions’ is an intriguing collision of Cure-style indie and trippy psych which had us buzzing right away. the black watch (lower case intentional) wasformed in 1987 by John Andrew Fredrick in Santa Barbara, California, and he has been (and still is) it’s guiding light. They have released 25 albums over the last 38 years and show no sign of ageing. With a fantastic band behind him, John has presented us with a wonderful batch of songs ranging from mesmeric psych to indie/punk. In late 2025 John paid a brief visit to the UK to see friends and also to do a couple of live acoustic performances. The Bevis Frond was lucky enough to share the bill with John at London’s Betsey Trotwood for a wonderful evening of acoustic revelry. Not only is he a hugely talented musician/songsmith, but a thoroughly decent fellow. It’s a true privilege to be able to put out ‘Varied Superstitions’ on our label.

pre-order now17.04.2026

expected to be published on 17.04.2026

25,00 €
CHROMA - 25 Forever LP

CHROMA

25 Forever LP

12inchALCOPOP308X
Alcopop
17.04.2026
  • What!
  • Riverhouse
  • Lifehack
  • Straight Men
  • 25: Forever
  • Coalminer's Granddaughter
  • Matching Tattoos
  • Sometimes
  • People Pleaser
  • It's Stupid

"This album is everything that CHROMA is, and has always been to us, as a band and as individuals," enthuses Mather. "All of us are immensely proud of this record and feel that we've served our younger selves by creating it." "The album is dynamic in the sense that we think people might be surprised to see a different side of CHROMA, as you progress through the record. We can't wait to blend the tracks into the live show which will also now include more energy, some heavier riffs, but also some softer, more subtle songs.

pre-order now17.04.2026

expected to be published on 17.04.2026

23,49 €
MAGUS - MUSIC FOR MANDRAX LP
  • 1: Through Darkened Glass
  • 2: Very Heavy Greening
  • 3: Wet Skull
  • 4: The Magus
  • 5: Exodus
  • 6: Music for Mandrax
  • 7: Return to Earth
  • 8: The Middle Way

A magus is a wizard…a sorcerer. Magus, the band, is certainly interested in such things (who isn’t), but the name is especially apt due to the band’s approach to alchemy, the blending of rock, gothic, proto metal, and psychedelic styles to create a sound that is, ultimately, unique. Part of that uniqueness comes from the instrumentation. While guitar is often a dominant instrument of the rock oeuvre, the Fender Rhodes generally plays a supportive role. Not so here, where Jessica Weeks’ deft use of the keyboard dovetails with Greg Weeks’ more standard six-string approach. Not standard is the band’s sound. Doomy yet inspirational, dour yet vibrant, the duo’s tunes map sinister realms whose subjects span metaphysical creatures to enigmatic portals. You know, the typical stuff that rubs elbows with a magus.

Formed in late 2024, Magus sprung from a desire by both artists to experiment with darker, heavier sounds. Long enamored of artists like Flower Travelling Band,, Black Sabbath, and Deep Purple, the duo delved deeply into trance like riffs and euphoric solos to create the backbone of what has become their debut album, Music for Mandrax. This thirteenth Language of Stone offering features grounded, metronomic grooves, organic, lugubrious synth lines, and tandem vocals (supplied by both Weekses) that, in total, weave a heavy, trancelike spell sure to entice fans of bands as disparate as Sabbath is to Pink Floyd. Recorded at Weeks’ Hexham Head studio (to analog tape, of course), the band enlisted long-time counterparts Jesse Sparhawk (bass) and Ben McConnell (drums) to round out their sound and lock down the grooves that propel the album.

Mixed by Brian McTear and Amy Morrisey at Miner Street in Philadelphia, the band’s fully realized vision came to fruition, which left only the album art to contemplate. The band, wishing to further the gothic aesthetic of their sound, enlisted fashion designer and artist extraordinaire Hogan McLaughlin (Game of Thrones) to create the starkly beautiful line drawings of the front and back covers. The duo travelled to Salem, MA to complete the package with Courtney Brooke Hall, who shot the moody and evocative photographs that grace the gatefold release’s inner panels.

pre-order now17.04.2026

expected to be published on 17.04.2026

28,99 €
Roxette - Baladas En Español (2x12")

Roxette

Baladas En Español (2x12")

12inch5026854652610
Parlophone
17.04.2026
  • A1: Un Dia Sin Ti (Spending My Time)
  • A2: Crash! Boom! Bang! (Spanish Version)
  • A3: Directamente a Ti (Run To You)
  • A4: Alguien (Anyone)
  • B1: No Sé Si Es Amor (It Must Have Been Love)
  • B2: Quisiera Volar (Wish I Could Fly)
  • B3: Como La Lluiva En El Cristal (Watercolours In The Rain)
  • B4: Cuánto Lo Siento (I´m Sorry)
  • C1: Habla El Corazòn (Listen To Your Heart
  • C2: Tímida (Vulnerable)
  • C3: El Día Del Amor (Perfect Day)
  • C4: Quiero Ser Como Tu (I Don´t Want To Get Hurt)
  • D1: Soy Una Mujer (Fading Like A Flower, Every Time You Leave)
  • D2: Lo Siento (Salvation)
  • D3: Tu No Me Comprendes (You Don´t Understand Me)
  • D4: Una Reina Va Detrás De Un Rey (Queen Of Rain)
also available

Red Vinyl[46,64 €]


For the first time ever, Roxette release ‘Baladas En Español’ on vinyl. The relationship between Roxette and Spanish-speaking audiences has been a love story since the early ‘90s and this release celebrates that special relationship. The release is timed with Roxette’s 40th anniversary and their return to South America for live shows in April. The album will be available on vinyl and CD, featuring 4 bonus tracks compared to the original release. The vinyl will be released in both a limited coloured edition and standard black.

Roxette have some exciting plans to celebrate their 40th Anniversary this year, including extensive touring, further anniversary re-releases, video upgrades, contemporary remixes and much more!

pre-order now17.04.2026

expected to be published on 17.04.2026

40,29 €
Doodswens - Doodswens

Doodswens

Doodswens

12inchSVART378LP
Svart Records
17.04.2026
  • 1: Driven by Death
  • 2: Verrot
  • 3: The Black Flame
  • 4: These Wounds Never Healed
  • 5: She Carries the Curse
  • 6: Devils Stone
  • 7: Vlaamse Vloek
also available

Violet Vinyl[26,01 €]


Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort. If you've been on the verge of ending your life, or think about it more often than not, then you're living with a death wish. A heavy feeling, like a gray cloud hovering around you, gasping for breath and blurring your vision. This is incomprehensible to anyone. Except for those caught in the middle of it. But this album isn't about giving up. It's about finding strength, about someone who regains new energy after facing death.

This album isn't about wishing for death, but the death of the wish. Band’s establisher I. talks about the new single "Driven by Death": “For me, it was on the way back from a spontaneous adventure, full of music, new connections, and inspiration. A path without a plan and a journey without a goal, with only a very strong feeling that this is where I'm meant to be. With a misty horizon of endless asphalt before me. A large tree at the edge of the road, in the corner of my eye, screaming that this could just be the end. But what I felt wasn't fear, it was happiness. With the thought that if I crash into that tree now, I won't care at all. Because up until this moment, I've done everything possible, experienced every adventure, and each time, gotten up again and faced life with that gray cloud around my head. I have a death wish, so if it happens now, it's okay, and I'm at peace with it. This was the moment I realized, I'm not afraid of life. I'm driven by death.”

pre-order now17.04.2026

expected to be published on 17.04.2026

25,17 €
Doodswens - Doodswens

Doodswens

Doodswens

12inchSVART378LPB1
Svart Records
17.04.2026
  • 1: Driven by Death
  • 2: Verrot
  • 3: The Black Flame
  • 4: These Wounds Never Healed
  • 5: She Carries the Curse
  • 6: Devils Stone
  • 7: Vlaamse Vloek
also available

Black Vinyl[25,17 €]


Uncompromising Dutch Black Metal – DOODSWENS’ sophomore album out in April via Svart Records Doodswens is a Dutch Black Metal band formed in 2017 by I. Live she performs the drums and vocals, joined by R. & P. on bass and guitar. Doodswens translates to Deathwish, but the meaning and heavy load to the word in Dutch translates better to Driven by Death. The self-titled sophomore album by Doodswens is out on April 17th 2026.

After establishing themselves in the Dutch scene, Doodswens gained an international following doing tours with Marduk & Gorgoroth. Doodswens’ performances are ceremonial and ritualistic, which have been reported to be as uplifting as they are devastating, depending on the demons you bring them to offer. Whatever you carry with you will be exposed. They like to confront instead of bringing comfort. If you've been on the verge of ending your life, or think about it more often than not, then you're living with a death wish. A heavy feeling, like a gray cloud hovering around you, gasping for breath and blurring your vision. This is incomprehensible to anyone.

Except for those caught in the middle of it. But this album isn't about giving up. It's about finding strength, about someone who regains new energy after facing death. This album isn't about wishing for death, but the death of the wish. Band’s establisher I. talks about the new single "Driven by Death": “For me, it was on the way back from a spontaneous adventure, full of music, new connections, and inspiration. A path without a plan and a journey without a goal, with only a very strong feeling that this is where I'm meant to be. With a misty horizon of endless asphalt before me. A large tree at the edge of the road, in the corner of my eye, screaming that this could just be the end. But what I felt wasn't fear, it was happiness. With the thought that if I crash into that tree now, I won't care at all. Because up until this moment, I've done everything possible, experienced every adventure, and each time, gotten up again and faced life with that gray cloud around my head. I have a death wish, so if it happens now, it's okay, and I'm at peace with it. This was the moment I realized, I'm not afraid of life. I'm driven by death.”

pre-order now17.04.2026

expected to be published on 17.04.2026

26,01 €
Various - The Gaiety Records Story Volume 2 LP
  • Checkerlads - The Dreamer
  • Checkerlads - Behind Ev'ry Man
  • White Knights - There She Goes
  • White Knights - Run Run Baby
  • Tomorrow's Keepsake - Eat Your Hot Dog Boy
  • Plague - Love And Obey
  • Plague - We Were Meant To Be
  • Lexington Avenue - Wendy Taylor
  • Lexington Avenue - Flowing Kind Of Feeling
  • Lexington Avenue - Good To Me
  • NRG - It All Comes Back To Me
  • Solid Reputation - Things

Highlights include more terrific songs from the Plague and Lexington Avenue, bands whose members would be better known when they created the Jarvis Street Revue. Twelve tough tracks by the Checkerlads, White Knights, Tomorrow's Keepsake, NRG, and Solid Reputation . The Gaiety roster was rich in talent (the 49th Parallel, Jarvis Street Review, and Souls of Inspyration, not to mention the Checkerlads, White Knights, Dewline, Tomorrow's Keepsake, NRG, Merriday Park, and Portland Street South) -- but it was not rich in resources, which is why these singles are as relatively unknown as they are even today

pre-order now17.04.2026

expected to be published on 17.04.2026

33,82 €
The Jam - Retrospective – A Visual History Book

A4 paperback, 120 pages

The second in our series of book relaunches is one of the original books on The Jam ( the first being The Sex Pistols
Retrospective ).

The Jam one of the most important British groups of all time, crashed on the scene with the Punk Explosion, but soon found their own niche. Charting consistently from 1977’s `In The City’ debut to 1982’s `Beat Surrender’ single.

The book details the groups worldwide releases with over 200 colour and black and white illustrations, The Jam 7” worldide release chart and a detailed timeline of the bands history and list of gigs and appearances up to the bands split in 1982.

The Jam are one of the UK’s most loved bands and have been surely missed but more importantly not forgotten.

The Jam were very much a vinyl orientated phenomenon that consisted of great artwork. So sit back and enjoy their story through their releases around the world.

Over 200 pictures of rare and deleted releases throughout the world
Plus history of the band and list of gigs and appearances.

Author: Agent Provocateur
Weight: 550gm
Height: 297mm
Width: 210mm
Depth: 10mm

pre-order now17.04.2026

expected to be published on 17.04.2026

10,88€
Sofia Isella - Something Is A Shell LP
  • 1: Numbers 3:7-8
  • 2: Out in the Garden
  • 3: Star v
  • 4: The Chicken is Naked and Afraid
  • 5: Above the Neck
  • 6: Evergreen Soldier
also available

Clear Smoke coloured vinyl[27,94 €]


Isella doesn’t flinch from the horror stitched into the fabric of the feminine experience. Citing writers like Plath Margaret Atwood, and Mona Awad as germinal influences on her lyricism, Isella plunges into the underbelly of expectations of good-girlhood, of valiant womanhood. In her songs she splays out the stakes of it all, plumbing the viscera, unearthing the blood, guts, dirt, and decay lurking beneath. By the time she hit fifteen, Isella’s taste had expanded and grown darker and more mature. Artists like Nine Inch Nails and Tom Waits became a conduit for the kind of raw intensity she’d always been drawn to, and gave her permission to push herself to new depths of expression. This is evidenced on her latest EP; That freedom that Reznor et al. endowed to the songwriter are evidenced on her latest EP; Something is a shell . Isella’s vocals swing from coolly detached to emotional detonation, often in the span of the same song. She brings listeners into a world colored by feminist hyper-realism, challenging listeners to re-define ideas of femininity, and safety; to see that things are not okay.

pre-order now17.04.2026

expected to be published on 17.04.2026

27,94 €
Yot Club - Simpleton LP

Yot Club

Simpleton LP

12inchYC6
Many Hats
17.04.2026
  • 1: Simpleton
  • 2: Projecting
  • 3: Bones
  • 4: Make It Easy
  • 5: Here & Now
  • 6: Romanticization
  • 7: Alien
  • 8: Honor Roll
  • 9: Serotonin
  • 10: Changes
  • 11: Okay
  • 12: Today
  • 13: Uphill Road

SIMPLETON, the third album from multi-platinum indie-rock singer/songwriter YOT CLUB, dismantles the utopian view of the American suburbs, treating finely manicured life as a mirage. Across its 13 tracks, the LP wrestles with how curated feeds and predictable routines can blur, and even erase, empathy and responsibility, creating a world where difficult questions and harsh realities are easy to ignore. In 2019, Ryan Kaiser started Y ot Club in his college dorm, crafting a lo-fi, classically cool indie rock sound grounded under a dreamlike haze. Two years later, his breakthrough single “YKWIM?” quickly reached viral status on TikTok (today, it’s been streamed more than 1 billion times) and has since taken him around the world at festivals like T reefort, Kilby Block Party and Pitchfork Paris

pre-order now17.04.2026

expected to be published on 17.04.2026

28,78 €
Natalia Lafourcade - Un Canto Por Mexico Vol.1 (2x12")
  • A1: El Balajú / Serenata Huasteca
  • A2: Mexicana Hermosa
  • A3: Veracruz
  • B1: Una Vida
  • B2: Hasta la Raíz
  • B3: Ya No Vivo por Vivir
  • C1: Mi Religión
  • C2: Para Qué Sufrir
  • C3: Nunca Es Suficiente
  • C4: Sembrando Flores
  • D1: Lo Que Construimos
  • D2: Un Derecho de Nacimiento
  • D3: Mi Tierra Veracruzana
also available

VOL. 1 black vinyl[31,51 €]


Un Canto por México, Vol. 1 is the eighth studio album by Natalia Lafourcade. The album was part of a project destined for the reconstruction of the Centro de Documentatión del Son Jarocho at Jáltipan de Morelos, a cultural building that was damaged after 2017 Puebla earthquake on 19 September 2017.

The album was a great success and gave Lafourcade three Latin Grammy Awards and the album also won the Best Regional Mexican Music Album at the 63rd Annual Grammy Awards.

Un Canto por México, Vol. 1 is available as a limited edition of 2000 individually numbered copies on yellow vinyl, packaged in a gatefold sleeve, with printed inner sleeves

pre-order now17.04.2026

expected to be published on 17.04.2026

55,88 €
John Lee Hooker - ”That’s My Story: John Lee Hooker Sings The Blues ”

That’s My Story“ ist das 1960 erschienene Album der Blues-Ikone John Lee Hooker, das ursprünglich bei
Riverside Records veröffentlicht wurde. Das Album zeichnet sich durch einen für einen Country-BluesSound rohen, reduzierten Ansatz aus. Hooker spielt Akustikgitarre in Titeln wie „I Need Some Money“
und „No More Doggin’“, um eine fesselnde Sammlung zu schaffen, die sein Können gekonnt zur Geltung
bringt. Diese Ausgabe wurde bei QRP auf 180-Gramm-Vinyl gepresst und von Matthew Lutthans bei The
Mastering Lab von den Originalbändern remastert (AAA).

pre-order now17.04.2026

expected to be published on 17.04.2026

34,03 €
Various - Scorcese Sounds - A Tribute To Martin Scorsese (2x12")
  • A1: Dean Martin - You're Nobody Till Somebody Loves You
  • A2: Tony Bennett - Rags To Riches
  • A3: The Ink Spots - Whispering Grass (Don't Tell The Trees)
  • A4: The Shirelles - I Met Him On A Sunday (aka "Da Doo Ron Ron")
  • A5: Robert & Johnny - You're Mine
  • A6: Howlin' Wolf - Smokestack Lightning
  • A7: The Cramps - The Creature From The Black Leather Lagoon
  • B1: Jimmy Smith - Walk On The Wild Side
  • B2: Jimpson & Group - The Murderer's Home
  • B3: Santo & Johnny - Sleep Walk
  • B4: Lonnie Johnson - Tomorrow Night
  • B5: Glenn Miller & His Orchestra - Moonlight Serenade
  • B6: Muddy Waters - Hoochie Coochie Man
  • B7: The Berlin Radio Symphony Orchestra - Radetzky March
  • C1: The Harptones - Life Is But A Dream
  • C2: Bing Crosby With Victor Young's Orchestra - Just One More Chance
  • C3: Charlie Parker - I'll Remember April
  • C4: Johnnie Ray - Cry
  • C5: Benny Goodman - Moonglow
  • C6: LaVern Baker - Tweedlee Dee
  • C7: Frankie Carle - I Want a Girl (Just Like the Girl)
  • D1: Ray Charles - Come Rain Or Come Shine
  • D2: Bo Diddley - Road Runner
  • D3: Brenda Lee - I'm Sorry
  • D4: The Marvelettes - Please Mr. Postman
  • D5: Jackie Gleason - Melancholy Serenade
  • D6: The Hot Club of France with Django Reinhardt & Stéphane Grappelli - What Is This Thing Called Love
  • D7: The Danleers - One Summer Night
pre-order now17.04.2026

expected to be published on 17.04.2026

25,17 €
The Last Ten Seconds of Life - The Dead Ones
  • 1: The Dead Ones
  • 2: Make It to Heaven
  • 3: Rat Trap
  • 4: Freak Reflection
  • 5: 1-800-DO YOU WANT TO DIE?
  • 6: Stiletto
  • 7: Stereo
  • 8: Dollar to a Dime
  • 9: Corruption Concerto
  • 10: XXXXXXXXXX

Intense and intensely personal, The Dead Ones marks The Last Ten Seconds of Life’s Metal Blade label debut. 10 original tracks of pulverizing deathcore produced by Carson Slovak and Grant McFarland of Pennsylvania’s Atrium Audio. In creating The Dead Ones, “everyone took what we learned from the past two releases and assembled what we thought would bring out the best of us from song structure, tonality of instruments, the mix/master, and the lyrical themes,” furthers McLaughlin.

The end result reflects a more personal and human experience rather than the philosophical and fictional approach used on earlier releases. The Dead Ones follows 2024’s acclaimed No Name Graves in the theme of death and rebirth, but in contrast, is directly focused on the human experience and the band members’ own struggles.

pre-order now17.04.2026

expected to be published on 17.04.2026

25,17 €
Prince Daddy & The Hyena - Hotwire Trip Switch
  • 1: 24-03-04_Birthday_B4
  • 2: Big-Box Store Heart
  • 3: NQA
  • 4: Sure Could (A Random Exercise In Life-Altering Party Fouls)
  • 5: The Luna Project
  • 6: Crash Taylor
  • 7: 30days30days30days
  • 8: SHITSHOW or Boulevard of Soaking Dreams
  • 9: Oh, Donna
  • 10: WTEN
  • 11: Something's Gotta Give
  • 12: Pinch Me

When you name your band Prince Daddy & The Hyena, you sort of accept that chaos isn’t a chapter in your story – it’s the entire ethos. Since forming out of Albany, NY’s DIY scene, Prince Daddy & The Hyena have built a career out of reaching their breaking point and continuing forward anyway. Their first LP, produced by Joe Reinhart, captured a very young band figuring things out in real time; their massive conceptual undertaking Cosmic Thrill Seekers followed and pushed their ambition (and patience) to new extremes. Not long after, a serious van accident nearly took their lives, directly informing the intensity of their self-titled record.

Over the last decade, the band has lost close friends and collaborators, endured relationship struggles, and faced countless moments that would have ended most bands without question. But those experiences never slowed Prince Daddy & The Hyena down. On their upcoming fourth album, Hotwire Trip Switch, they recalibrate and reconnect with their roots while sounding more focused and self-aware than ever. Reuniting with Joe Reinhart for the first time in nearly a decade, the album pulls from the punchy lineage of Green Day, the hook-driven quirk of Weezer, the snarky urgency of Joyce Manor and Jeff Rosenstock – all through the distinctly bratty lens of songwriter and vocalist Kory Gregory.

pre-order now17.04.2026

expected to be published on 17.04.2026

22,65 €
Annihilator - Criteria For A Black Widow (LP 2x12")
  • A1: Bloodbath
  • A2: Back To The Palace
  • A3: Nothing Left
  • A4: Schizos (Are Never Alone) Part Iii
  • A5: Criteria For A Black Widow
  • A6: Punctured
  • B1: Loving The Sinner
  • B2: Double Dare
  • B3: Sonic Homicide
  • B4: Mending

Criteria for a Black Widow was a love letter to old-school Annihilator fans. It hit record shops at the precise moment the delirium of the 90s cleared and metal was ready to get heavy again. From the pummeling attack of opener Bloodbath to the classic brawl of Back To The Palace and the album's searing title track – all festooned with Jeff's ability to fuse the finesse of six stringed virtuosity with the auditory effects of a hand grenade – this was more than a return to form; it was the sound of Annihilator coming full circle.

pre-order now17.04.2026

expected to be published on 17.04.2026

25,42 €
Natalia Lafourcade - Un Canto Por Mexico Vol.1 (2x12")

Un Canto por México, Vol. 1 is the eighth studio album by Natalia Lafourcade. The album was part of a project destined for the reconstruction of the Centro de Documentatión del Son Jarocho at Jáltipan de Morelos, a cultural building that was damaged after 2017 Puebla earthquake on 19 September 2017.

The album was a great success and gave Lafourcade three Latin Grammy Awards and the album also won the Best Regional Mexican Music Album at the 63rd Annual Grammy Awards.

Un Canto por México, Vol. 1 is available as a limited edition of 2000 individually numbered copies on yellow vinyl, packaged in a gatefold sleeve, with printed inner sleeves

pre-order now17.04.2026

expected to be published on 17.04.2026

31,51 €
Heartbreak Hombres - Heartbreak Hombres

Baby Rollén and Wilba (Fraise), embark on their new collaborative project Heartbreak Hombres. Straight ahead dancefloor house cuts and no nonsense!

Already drawing support from a diverse spread of DJs including Raresh, Ben UFO, Dr Banana, Eris Drew, Chris Stussy, Wallace, Louise Chen (NTS) and more - the Heartbreak sound is designed for the DJ; a selectors handy weapon at the ready!

stock from12.10.2026

Last In: 4 days ago
13,03 €
Intercommunal Free Dance Music Orchestra - Vol. 2 Concert A Prades Le Lez

Concert at Prades-le-Lez marks the origins of the Intercommunal Free Dance Music Orchestra. In 1974, François Tusques and his companions (Michel Marre, Jo Maka, Adolf Winkler and Guem), in the spirit of Don Cherry or Chris McGregor, playfully dismantle all borders and all styles of creative music.

On this second volume, the Intercommunal builds unprecedented soundscapes around a song of revolt, a dance tune, or a burst of dissonance. The journey is unforgettable, no question about it. On repeat listening, it even becomes… lunar!

“The music that we make is primarily meant to be listened to live,” warned a leaflet from the Intercommunal Free Dance Music Orchestra. This is precisely why the (restored!) reissue of the two volumes of Concert at Prades-le-Lez, recorded on January 25 and 26, 1974 by François Tusques and his comrades, is such an important event.

In 1971, after recording a series of albums that would leave a lasting mark on French jazz (Free Jazz, of course, with Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais, but also Le Nouveau Jazz with Barney Wilen, or the solo Piano Dazibao), François Tusques founded the Intercommunal—a grouping whose very name called for the fraternization of the various communities making up the country: Our music will help, we hope, to resolve the contradictions that exist between workers be longing to different communities, by breaking down various forms of national chauvinism, and more particularly the chauvinism of certain French people toward the cultures of Third World countries… Long live the friendship between the peoples of the whole world!

Among the great records made by the Intercommunal Free Dance Music Orchestra, the two volumes of Concert at Prades-le-Lez come first, before L’Inter Communal, Vol. 4, Le Musichien, and Après la marée noire (four titles already reissued by Souffle Continu). François Tusques and his companions (Michel Marre and Jo Maka on saxophones, Adolf Winkler on trombone, and Guem on percussion) performed on January 25 and 26, 1974 at the Moulin de Prades-le-Lez, a few kilometers from Montpellier. It was thus in the southern region of Occitanie that the first echoes of this musical vision of a borderless brotherhood were recorded.

“We’re not among the Colonels,” the Intercommunal reassures us right away, performing a stride piano tune carried by African winds that the audience cannot resist for long. The energy is already striking and it never lets up throughout these two recordings, from start to finish: jazz, blues, traditional music, minimalism, even funk… The musicians of the Intercommunal have heard a lot of great music and now delight in reinventing it by mixing it all together.

“We want the song form to take its place as a weapon in the struggle against capitalist exploitation and all those who oppress us morally and materially,” declared an Intercommunal leaflet, quoting Jean-Baptiste Clément, author of the lyrics to “Le Temps des cerises.” The struggle was therefore serious—but it did not prevent François Tusques and his group from waging it in a festive spirit: each piece on Concert at Prades-le- Lez sends out a call for love and fraternity. Fifty years later, the message remains as relevant as ever—and once again, it is François Tusques who makes it heard.

pre-order now17.04.2026

expected to be published on 17.04.2026

23,95 €
Intercommunal Free Dance Music Orchestra - Vol. 1 Concert A Prades Le Lez
  • On n'est pas chez les colonels
  • Intercommunal Blues
  • Mazir
  • Kan-Ha-Diskan - We shall over come
  • African Rythm-N-Logy
also available

2[23,95 €]


Concert at Prades-le-Lez marks the origins of the Intercommunal Free Dance Music Orchestra. In 1974, François Tusques and his companions (Michel Marre, Jo Maka, Adolf Winkler and Guem), in the spirit of Don Cherry or Chris McGregor, playfully dismantle all borders and all styles of creative music.

On this first volume, the Intercommunal takes its audience from New Orleans to Brittany and on to North Africa. The journey was bold, without a doubt—and its memory remains unforgettable.

“The music that we make is primarily meant to be listened to live,” warned a leaflet from the Intercommunal Free Dance Music Orchestra. This is precisely why the (restored!) reissue of the two volumes of Concert at Prades-le-Lez, recorded on January 25 and 26, 1974 by François Tusques and his comrades, is such an important event.

In 1971, after recording a series of albums that would leave a lasting mark on French jazz (Free Jazz, of course, with Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais, but also Le Nouveau Jazz with Barney Wilen, or the solo Piano Dazibao), François Tusques founded the Intercommunal—a grouping whose very name called for the fraternization of the various communities making up the country: Our music will help, we hope, to resolve the contradictions that exist between workers be longing to different communities, by breaking down various forms of national chauvinism, and more particularly the chauvinism of certain French people toward the cultures of Third World countries… Long live the friendship between the peoples of the whole world!

Among the great records made by the Intercommunal Free Dance Music Orchestra, the two volumes of Concert at Prades-le-Lez come first, before L’Inter Communal, Vol. 4, Le Musichien, and Après la marée noire (four titles already reissued by Souffle Continu). François Tusques and his companions (Michel Marre and Jo Maka on saxophones, Adolf Winkler on trombone, and Guem on percussion) performed on January 25 and 26, 1974 at the Moulin de Prades-le-Lez, a few kilometers from Montpellier. It was thus in the southern region of Occitanie that the first echoes of this musical vision of a borderless brotherhood were recorded.

“We’re not among the Colonels,” the Intercommunal reassures us right away, performing a stride piano tune carried by African winds that the audience cannot resist for long. The energy is already striking and it never lets up throughout these two recordings, from start to finish: jazz, blues, traditional music, minimalism, even funk… The musicians of the Intercommunal have heard a lot of great music and now delight in reinventing it by mixing it all together.

“We want the song form to take its place as a weapon in the struggle against capitalist exploitation and all those who oppress us morally and materially,” declared an Intercommunal leaflet, quoting Jean-Baptiste Clément, author of the lyrics to “Le Temps des cerises.” The struggle was therefore serious—but it did not prevent François Tusques and his group from waging it in a festive spirit: each piece on Concert at Prades-le- Lez sends out a call for love and fraternity. Fifty years later, the message remains as relevant as ever—and once again, it is François Tusques who makes it heard.

pre-order now17.04.2026

expected to be published on 17.04.2026

23,95 €
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