MUSTA presents an elaborate six track EP project, titled 'Tamburi
Parlanti' which translates to 'Talking Drums' in English. The body of
work marks a turning point in his career to make more than electronic
music, and delves into a plethora of live music and field recordings
recorded for the EP, ranging from polyrhythmic tribal drum-patterns to
Afro-funk bass chords, congas and jazz-keyboard, played by local
musicians as well as himself.
Musta's love for music began during his 11 years spent living in the
Dominican Republic. This encounter of Latin rhythms started the musical
genre contamination that to this day distinguishes his productions. In
this EP, like the rest of his releases, the music is diverse, tribal and
hypnotic. Respectful of the past yet constantly innovative. This love of
the past and future has led him to release edits and originals on staple
labels such as Nervous Records, Samosa Records.
Music aside the EP artwork has significant meaning, the mask shown is
that of the ancient Mamuthone icon of Sardinian folklore which goes back
further than 2000 years, defined as a representation of the collective
soul of Sardinia, the ancient ritual of the Mamuthone creatures is that
of a rhythmic dance where 12 of the creatures dance together,
representing the 12 months of the year. With this theme, Musta aims to
connect the dots of this pastime tradition into the EP, reflecting it
visually as well as through the music itself.
"Tamburi Parlanti EP is a collection of songs that I've made myself
around the world, recording and collaborating with various musicians of
many different nationalities. The music reflects my musical path in
recent years which draws strong inspiration from afro-funk and latin
disco from the 70s and 80s. My intent is to create music that presents a
journey between the hottest Latin sounds, over to more African disco
rhythms.
Поиск:o k jazz
Все
Vinyl only. Twovi aka Vito Loperfido helps Inner Balance enter its adolescence on this deep house 4-tracker. Using familiar ingredients of bumping basslines, driving percussion and soulful keys, each cut finds allegiance in a different clan of classic US house sounds...with an extra Italian flavour!Check the Jovonn swagger of 'Sweet Eyes' or the Glenn thump of 'Theo Docet', the expansive floorfiller 'Fake Love' or the jazzy interludes in 'Tropical Age': this EP takes its place in an unmistakeable tradition that goes right back to Vibraphone and MBG in '92.
Tiptoes makes a welcome return to SlothBoogie Records with a fresh four-track EP, entitled ‘The Akai Samurai Strikes Again’.
Glasgow’s Tiptoes has long been a respected name in the Scottish electronic music circuit, bringing his eclectic style to the table as a DJ, blending everything from jazz to jungle, house to techno, garage, broken beat and many more genres. His productions are a nod to his many influences and once again with this EP were treated to an amalgamation of sounds.
‘Techno Woo’ leads the way and see Tiptoes embracing a filter house feel, merging a number of choppy funk licks, vocal chants, and bass lines in an ever-unfolding dynamic matter, while dusty drums carry the bouncy groove throughout. ‘Brotherman’ then tips the focus on to soul drenched guitar lines, brass melodies, snaking bass grooves and hypnotic vocal lines alongside loose, swinging percussion.
Opening the flip side is ‘Mars Landings’, embracing a deeper house aesthetic courtesy of hazy Rhodes chords, swelling vocal loops and organic drums before ‘Strings’ rounds things out, as the name would suggest the composition is built around expansive string melodies, gritty bass stabs and sturdy, thunderous drums.
Rich Aucoin is announcing his next album entitled Synthetic - The record is a rare Quadruple Album with its 4 seasons/LPs being staggered in 6 month intervals over the next 2 years
The album, which began at The National Music Centre in Calgary, Alberta in March 2020, houses one of the world's most extensive collections of rare and historic synthesizers. There, Aucoin was doing the Artist In Residence program and recorded 51 synthesizers to begin the project. The project was paused with the start of the pandemic and Aucoin shifted back into film scoring and worked
on the critically- acclaimed and short- listed New Yorker - Films of the Year documentary, No Ordinary Man, about the trans- masculine jazz musician Billy Tipton.This record is a good demonstration of Aucoin's scoring potential as well as it's a quadruple instrumental album; a huge contrast to United States, Aucoin's previous, and most vocal heavy album to date. Lyrics just take me so long to write that I just want to take a couple years to make other kinds of albums before going back to lyrical music as I can write instrumental music much faster. This first fulllength features Aucoin as the solo musician playing some 37 synthesizers including: Arp 2600s, the Supertramp owned Elka Rhapsody 610 String Machine, Formanta Polivoks, Novatron T550, Oxford Synthesizer Company Oscar, Selmer Clavioline CM 8 and the legendary TONTO which the first release off the record
was made on.
Tracks: Tonto / Hypernormalization / Algorithm / Future / Buchla / Esc / 456 /
Space Western / Return
Standing firm on a steady driving rhythmic section, Over The Leap symbolizes the awakening of the life on Earth, the arrival of the morning sun. A deep chord brings in the necessary warmth to prepare the ground for the life on earth to emerge, a bright uplifting pad signs in the beginning of a new day as the light surely gains intensity. Steve O Sullivan adds his signature steady sound to the original track. Emphasizing the comfort and warmth of the early hours of a summer day; extending time as if to focus the attention on the beauty of a world not yet awakened but ready to be. Original hovering over, remix going deep into the leap that the world is about to take every single day when the birds sing. Original Behold, Begin will be available as free download, which offer the necessary well deserved space to Heavenchord to fully express his deeper interpretation of it, giving a massive push to the Jazz influences of the track to then introduce to the audience the depth of a reshape that could only come from one of the most profound artists that Dub Techno has in store today. A release aiming to bring together the two principles of life according to ancient Philosophy : ground the feet on the soil, extend to the sky, and come back to being with a deeper focus on the feeling of being alive.
After our last release titled “jazz Baileys” we are back with House Experience Vol.2., this time in Ep format, presented by Bs As deep.
The previous volume was clearly dedicated to being a various artists, also with the participation of Bs As deep.
We have been working since vinyl number 4 with musicians, who have a participation in almost all the tracks released.
When we talk about musicians, we are including keyboardists, saxophonists, percussionists, guitarists or bassists.
Our goal or common thread has always been to achieve a warm and forceful sound, so that it can be heard in any environment, and at the same time be used at any time of the night, on a dance floor.
With those involved in both past and current releases, we share a common idea, which guides us in the interpretation of each song.
We also base ourselves on house influences from the late 90s (96,97,98,99)
Personally, we are moved by those times in which the sounds become more sophisticated, more elaborated in detail, and that is when we believe that the house that we listen to today with soul and jazz sounds, take on more relevance.
They also promote Afro and Latin percussion, leaning towards that New York and Puerto Rican fusion.
For all this, we like to include classic instruments, such as roland rhodes, the much-loved Juno, or korg packages with their inevitable M1.
Many shots are made live through a session expressed by the musician, who improvises for a while, from there we extract some part, which can be used several times in several tracks.
It is always necessary to do an editing job to adapt and correct any dissonance or variation in time that implies desynchronization in the beat. All this working in the sequencer of the daw to use.
On this album you will be able to hear soulful house sounds strongly impacted by keyboards, flutes and session basses, as well as some perfectly adapted percussion samples.
Some records just stop you in your tracks. They resonate with you and feel instantly familiar like an old friend, even on the first listen. SOYUZ's third album ‘Force of the Wind’ is one of those records. It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn’t made in Brazil and is in fact a brand-new release.
SOYUZ (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. SOYUZ's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century. For their third album, there is a stronger focus, and it is influenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he first encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non-verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in.
‘Force of the Wind’ includes songs sung in Russian and Portuguese as well as instrumental compositions. Its musical palette is both acoustic and electroacoustic: rich warm Rhodes piano, soaring string arrangements, and a controlled drum swagger sounding both relaxed yet super tight. Alongside Alex's sublime vocals, that grace the majority of the tracks, the album features guest performances by multi-talented musician and vocalist Kate NV and rising Brazilian star, Sessa. Alex also recently arranged a number of tracks on Sessa's highly praised 2022 album 'Estrela Acesa'.
On the album, the trio is joined by a cast of friends; NY-based musician of Turkish origin percussionist, Cem Mısırlıoğlu, classically trained composer, Simon Hanes, who aided with string arrangements and conducting the string players, Netherlands-based Brazilian multi-instrumentalist, Gabriel Milliet, on flutes. With the collaboration of these friends SOYUZ have created nine songs/suites that are subtle and plenitude and like the best albums, leave you aching for more.
‘Force of the Wind’ is an enigma, Brazilian yet not Brazilian, vintage yet still contemporary, out of sync with modern culture yet completely relevant and necessary.
Horsey’s critically acclaimed debut album Debonair arrives on vinyl via London label untitled (recs). Made up of Jacob Read, Theo McCabe, Jack Marshall and George Bass, Horsey have built a cult live following having toured with the likes of King Krule, Goat Girl and Hinds, as well as playing sold-out shows across their hometown venues with the likes of YOWL, Hotel Lux, Norman, Ugly, Lazarus Kane and more. Horsey refused to be pigeonholed at every turn. “Debonair” is propelled forwards from the opener with an incomparable wide-eyed intensity that blurs the lines between dark, glam inflected noise-rock, surreal jazz breakouts, wonky apocalyptic pop, emphatic rock opera-esque histrionics and melancholic lo-fi without abating. The juxtaposition between maturity and immaturity is central to the album’s themes, and this contrast is not only found in the album’s dynamic instrumentation but is also prominent in Horsey’s intoxicating and coltish lyrical prose, which is all at once deeply personal, tumultuous and utterly abstract. Though often delivered with overtones of sardonic humour the subject matter carries a sincere message, one that channels the spirit of when the band first met in nursery whilst tackling the tropes of modern living. The result is a gripping and exuberant reminder that there is great value in applying some childlike lateral mentality to the all too serious events of adult life. Tracklist: A1/Sippy Cup A2/Arms and Legs A3/Underground A4/Everyone’s Tongue A5/Wharf B1/Lagoon B2/1070 B3/Clown B4/Leaving Song B5/Seahorse (Feat. King Krule)
Two decades since they formed in New York City and over ten years since their last album, Tel Aviv based quartet Shotnez are back with Dose a Nova, an album of 10 exhilarating jazz filtered jams, with vibrations indebted to tuareg desert blues, Ethiopian-jazz, 1950's Afro Cuban recordings, surf- rock and folk from across the East Mediterranean basin.
Featuring the original Balkan Beat Box producers Ori Kaplan and Tamir Muskat alongside Uri Kinrot from Boom Pam and Itamar Ziegler from The Backyard, four musicians who are all producers and share love and deep connection to hip hop and jazz, Shotnez reunited in 2020 meeting up for improvised sessions and jams, once a week over a period of about four months at a carpentry turned music studio in suburban Tel Aviv.
Downing midi cards, triggers and synths, the day to day tools for these four producers and picking up and playing their respective traditional instruments - saxophone, clarinet, guitar, bass, percussion and drums – the group was immediately liberated by the moment. In the middle of a strict lockdown, they had no preconceptions, no deadlines, no labels or managers knocking on the door. This was an opportunity to rebuild the camaraderie that developed on the other side of the world two decades back, to reconnect as brothers and seek a higher spiritual plane, all the whilst fully encouraging each other to express their diverse musical backgrounds channelled within, during their time apart.
(Late Nite Tuff Guy & Farley 'Jackmaster' Funk Remixes)
An ‘80s dance classic from the legend John Rocca, gets a fresh new take from Aussie edit king Late Nite Tuff Guy alongside a remastered reissue of Chicago house royalty Farley 'Jackmaster' Funk’s 1987 Hot House Piano Remix.
The main man behind jazz funk favourites, Freeez, John Rocca took to the studio in ’84 and whipped up an electro-fied steamer in the form of ‘I Want It To Be Real’. Tantalizing synthwork, beefed up basslines, gated snares and pure ‘80s vocals, it’s a melting pot of influences with a catchiness that caused a serious stir.
This special double header of remixes kicks off with a brand new mix from Late Nite Tuff Guy. He builds up the brilliance with masterful effect, keeping the vocal in the back pocket till the final frontier whilst adding in some buttery new synth magic and deft filtering to the mix.
On the flip, Chicago house don Farley 'Jackmaster' Funk’s 1987 remix homes in on those blissful piano and vocal stabs for a dubbed out ‘Hot House Piano Mix’. Spiritual keys laid down with passion that will be sure to get any dancefloor hot under the collar.
DJ Feedback:
OPTIMO/ JD TWITCH
Nice! The Farley mix is an all time classic. Lovely version from LNTG.
GERD JANSON
I have love for this.
GRAEME PARK/ THE HACIENDA
I vividly remember playing this record the day it was released while working at Selectadisc in Nottingham like it was yesterday. I played it the same night at The Garage club not long after I started DJing there. It brings back some great memories and this superb remix is just wonderful. Its made me get all bleary eyed and tingly. Absolutely tremendous stuff.
AXEL BOMAN
Love this
KAI ALCE / NDATL
This is a HOT EDIT from Late Nite Tuff Guy!
A LOVE FROM OUTER SPACE/ SEAN JOHNSON
Killer - love it
NORM TALLEY
I love this!
CROSSTOWN REBELS
Nice one!!
JACQUES RENAULT / LETS PLAY HOUSE
LOVE the classic Farley piano mix and the LNTG version is a fun take too!
OSUNLADE/ YORUBA
LOVE THIS!!
DANIELE BALDELLI
Love this classic, and now more love for both new remixes
DANNY TENNAGLIA
I really like this remix
DANNY KRIVIT/ BODY & SOUL
Nice
DJ KEMIT/ ARRESTED DEVELOPMENT
An incredible beefed up edit of an international dance floor classic. 10/10
HELENA STAR / NTS
Amazing record, those chords!!
LOUISE CHEN/ NTS
I’d love to play this.
ERIC DUNCAN/ RUB N TUG
This ones cool.
MAKE A DANCE / BEN
Yes yes yes pease love the original so much.
HOT TODDY/ CRAZY P
The Farley mix is a total winner which is a new one on me, LNTG mix is pretty tasty also
TERRY FARLEY
Yes please. A big early House lesson for me BITD
SUB CLUB HARRI
Realy diigin this.
GROOVE ARMADA / TOM FINDLAY
Love this, production is so good!
SAISEI founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004.
Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day.
The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer.
With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl.
SAISEI is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. SAISEI’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.
For the 7th release Theory Of Swing welcomes the French duo Groove Boys Project to join the catalogue with their “The Manhattan Soul EP “. Lucas and Alexandre are two talented and devoted guys towards the 90’s house sound. In collaboration with some of their mates Rawaï and Dusty Fingers they created this pure NY house 4 tracker EP that respect at full the concept of the label. “Bring back that magic feel “ .
Written and Produced in the Parisian "Studio 937"and Mastered from St. David at "TOW Records Studio".
A vibrant and powerful performer, Danny Toeman seamlessly blends the classic vibes of Funk and Soul's golden age with his own inimitable London edge that modernises his work, giving it a fresh 'neo-vintage' flavour.
His gravel tones combined with an altitude-defying falsetto set him apart, creating a sound oozing with character and emotion. With his backing band 'The Love Explosion', Danny Toeman stages an electrifying show filled to the brim with feel-good funky soul, designed to make everyone get on up! Born in London, Danny was well acquainted with the Soul, Funk, and Rhythm and Blues of artists such as James Brown, Aretha Franklin, and Ray Charles from an early age, before graduating onto the hard hitting Souther Soul of artists like Wilson Pickett and Bobby Womack, and the refined uptown Philly Soul of artists like the O'Jays and the Spinners. A guitarist since the age of seven, and a singer before that, he grabbed any opportunity to perform his songs on stage for an audience. Danny Toeman truly set out to on his musical career after graduating University (where he won the regions official Battle of the Bands contest). Soon after, he was in demand as a supporting act for a number of great Soul artists, including Charles Bradley of Daptone, Michael Kiwanuka, Queen of Rare Groove Betty Wright, and 4-time Grammy winner Robert Cray. Around the same time, Danny's music reached a worldwide audience when a song of his was discovered on Soundcloud by scouts, and placed on the in-store playlists of Abercrombie & Fitch. Since then, his music has appeared in film and television shows around the world, most notably Saturday Night Live (NBC). Danny continued to perform nonstop around the UK, occasionally travelling to continental Europe for appearances. From 2019-2021, he hosted and promoted a series of headline shows at the famous Pizza Express Jazz Club, which garnered sold out crowds every night. The pinnacle of the support slots came in 2019, when Danny was chosen as the primary support act for Kool and the Gang at their o2 Arena show in London, in front of 10,000 spectators.
In Mid-2020, as the world was shutting down, Danny was approached by LRK Records to release his track 'She's Got Something About Her' on vinyl.
Within 3 months of release, the disc completely sold out due to demand, taking the European Soul Scene by storm. It garnered multiple radio plays, including from BBC 6 Music's Craig Charles, and veteran BBC DJ Robert Elms pronounced it 'his new favourite song'.
In 2022, Danny received his first spin on BBC Radio 2 for the single, 'Shake the Blues Outta Your Shoes', and was chosen out of thousands of competitors by industry professionals to act as the opening act for the legendary Diana Ross at one of her rare UK performances!
As the world starts to open up, Danny looks forward to releasing more new music, and taking his show across Europe and around the World.
Limited edition 45. Only 300 copies pressed.
- A1: Ekonda Musicians - Généalogie De La Walé (Rumba Rules Edit)
- A2: Brigade Sarbati - Rando
- A3: Lumumba Ya Muana - Tozozela Ba Ancêtres
- A4: Brigade Sarbati - Edenda
- A5: Église La Résurrection - Nzambi Ya Babo
- A6: Werrason - Block Cadenas
- B1: Brigade Sarbati (Choeur) - Ma Descendance
- B2: Brigade Sarbati - Tshouna Baby
- B3: Papa Wemba - Excuse Me (Live Au New Morning, 2006, Rumba Rules Edit)
- B4: Franco Et Le Tout Puissant O K. Jazz - Kinshasa Makambo (Live From Télé Zaïre, 1982, 2022 Remaster)
- B5: Lumumba Ya Muana - La Vie Est Belle
The official soundtrack of the 2021 'Rumba Rules, New genealogies' documentary movie by Congolese artist Sammy Baloji and Quebec filmmaker David Nadeau-Bernatchez. A deep dive into Kinshasa’s vibrant Rumba scene, including remastered classics by Brigade Sarbati, Werrason, Papa Wemba, Franco & le Tout Puissant O.K. Jazz
Rumba Rules, New genealogies is about contemporary rumba in Kinshasa, but this music has deep historical roots nevertheless. Born in the interstices of the colonial world and thriving during the three decades of the Mobutu era in Zaïre, Congolese rumba has been iconic and popular all over Africa for decades. The roots of Rumba are even deeper, and the many paths it evokes trigger the imagination. The story goes that this music came with the migration of the ‘Kumba’ drum and dance in previous centuries, African slaves having carried it all around the Americas and giving birth to Cuban ’Rumba’, Colombian ‘Kumbia’ and many others. With its varied rhythms, guitars and horns, through LPs and radio stations, Rumba came back to (re)conquer Africa throughout the 20th century, paving the way for new practices. One could say this music is a sort of palimpsest, a memory in itself of Atlantic migrations and histories.
Rumba is nowadays discussed all around the world, igniting many debates among the Congolese diaspora. Being the constant talk of the town sometimes overloads public debate, and many people get tired of this broken record. Thus, over the last decade, enterprising producers have worked hard to promote Kinshasa’s musical diversity and tried to emulate new sounds to reach worldwide attention. But Kin’ locals and urban dwellers will not be fooled : new shoots cannot hide the forest. Despite some difficulties to innovate, despite the pastoralist sermons and the diaspora fighters pushing for concert cancelations, rumba is still at the core of the Congo today. Talented artists such as Fally Ipupa, Ferré Gola, Brigade Sarbati and others are leading the fifth generation, and the religious world has also proven to be a nurturing environment for the cultural and economic dynamism of this music.
Focusing on the music of Brigade Sarbati and his Orchestra, this record offers a deep dive into Kinshasa’s rumba scene. Halfway between professional studios and Zoom H4 field recordings, the rumba herein is about today’s youth: dense, full of energy and breakdowns, insights and name-dropping. The cavacha rhythm, the solo and bass guitar’s playing style, the singing style and numerous dedications all resonate with the history of Rumba. In an era where digital sound is taking over, it is interesting to highlight the instrumental and live performance compositions of this music. Digital technology is indeed used during the recording and mixing phases, but Congolese rumba still relies strongly on instrumental playing. There is all that but also, many other things to hear on this record… It’s time to let it be. A big thanks to Étienne Tron for making it possible: it is on his initiative and through his patience that this album is in your hands today. (David Nadeau-Bernatchez, december 2021)
- A1: Mick & Marc – Jazz (Three Blunts Later Instrumental Remix)
- A2: Mick – Kaffee Des Hauses (Lars Looper Remix)
- A3: Mick & Marc – Chill Out
- B1: Mick & Marc - In Your Town
- B2: Mick & Marc - Melodie A Paris
- B3: Mick & Marc - 3 Min 33 Sec Relax
- C1: Mick & Marc - Song For Martin (Remix)
- C2: Mick & Marc - Ghostrider
- D1: Henkubiks - Kriz Gratin (Boku Wa Jazu Ga Suki Da –Hofuku Sochi 2021 Version)
- E1: Henkubiks - Kriz Gratin (Rory Hoy Remix)
- E2: Henkubiks - Liza's Stardust (Uppercut Continue Remix)
- E3: Henkubiks - Liza's Stardust (Dirk Burkardt Remix)
- F1: Henkubiks - Song No 1 (Matthias Wagner Remix)
- F2: Henkubiks - In Den Grasgaerten (Ambigue Remix)
As a tribute to the 20th anniversary of the music label Twin Town Production (*11 Sept 2001), Nicolas Molina and Stachy.DJ presented "The Sound of Twin Town: Tribute Mix Pt. I", a personal selection of remastered music from the catalog of the first decade.
An eclectic mix of Soulful House, Chillout, D&B, Acid Jazz, IDM, Dubstep and Breaks takes the listener on a journey through time to the musical roots of the label until the dawn of the second era of digital mania.
Now this compilation package offers homelisteners and DJs all the
remastered tracks of the DJ-Mix in full length on vinyl.
CAUTION: THE PACKAGE TAPE IS PART OF THE ARTWORK. PLEASE READ THE TEXT FOR HANDLING!
The package can either be opened only on the outer edge to access the vinyls, or it can be sliced on all sides to flip through the entire story. Don’t handle with care!
*** The entire case study on the artwork will still be published in the fall of 2022 by Manuel Wesely himself.
PicCover[27,31 €]
Mr Bongo are delighted to present an officially licensed re-issue of this underground Japanese rock rarity 'Uganda (Dawn of Rock)' by Akira Ishikawa & Count Buffaloes. This album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.
The respected Japanese jazz drummer Akira Ishikawa was not messing around when he recorded the 'Uganda (Dawn of Rock)' album with his band the Count Buffaloes. For this offering, originally released in 1972 on Toshiba Records, Akira Ishikawa takes us on a deep tripped-out journey. 'Uganda (Dawn of Rock)' is a fusion of progressive and psych rock with African percussion workouts, dergy-wah wah blues-funk, and jazzy sensibilities; with different genres morphing and uniting as they progress.
A long way from his funk and afrobeat album 'Back To Rhythm’, re-issued on Mr Bongo in 2019, this record has a darker, deeper, abstract and experimental stoned tone with the listener being pulled into its vortex for the ride. This record doesn’t pull any punches.
For this album, Akira is joined by Hideaki Chihara on bass, guitarist Kimio Mizutani, sounding at times like an early 70s Peter Green, percussionist Larry Sunaga and composer Takeru Muraoka.
The album has become highly sought-after amongst psych, prog and acid rock collectors and due to the rare nature of original copies they come at a hefty price tag.
We are delighted to present an officially licensed re-issue of this underground Japanese rock rarity.
Available in 2 formats: Original LP in Box version & Tip-on Sleeve with OBI version.
• Highly sought-after underground Japanese rock rarity, originally released in 1972.
• Feat. Hideaki Chihara, Kimio Mizutani, Larry Sunaga and Takeru Muraoka.
• Available as the original LP in Box version & Tip-on Sleeve with OBI version.
Trad Vibe records is happy and proud to present you this project as well execptional as unpublished!
We are in 1994, DJ Clyde left the group Assassin and launched the 1st French Mixtapes but he sees even further and launches into the production for the 1st time since he became a hip-hop activist. His set up seems very simple but unusual and innovative for the time especially in France with a SP1200 and two S950 and a maximum of Soul, Funk, Jazz vinyls that he digs with his crew Hypnotyc Djs (Dj Clyde, Dj Max, Dj Asko). The project is also exceptional because it comes from a cassette archived by Clyde of beats sent for the album Paris Sous Les Bombes of the famous group Suprême NTM (3rd album of the group).
Of course you will not find the beats released with his last but all the unselected gems that reveals the talent and the advance that Dj Clyde had taken in the production at that time! More than an instrumental album or beat tape, this project is a testimony of the history of Hip-Hop and moreover of Beatmaking in France in the 90s which was not supposed to see the day.
The cover is made by the talented grafiti artist Cyril "Kongo" of the famous and historical crew of graffiti artists MAC (founded in 1986 in Montreuil).
The next release in CUE Music's catalogue sees Butane teaming up once more with Riko Forinson for "Brainstorm" EP alongside Nima Gorji on remix duties. The record definitely adds extra magic to the label's discography, lining up to the previous releases from Elchinsoul, Sascha Dive, Sascha Sonido, Danilo Schneider, Dubphone, Heerd and label head Sven Jaeger, among many many others.
A firm believer that the long hours of studio work keep a musician grounded, Butane boasts an impressive discography, released by some of the most highly regarded labels in the business, such as Crosstown Rebels, Sci+Tec, Hottrax, Fuse Records, Lauter and Get Physical. As a label owner, he's the founder of three influential underground dance music imprints of his own, Alphahouse, Little Helpers and Extrasketch.
Riko Forinson is an Italian artist passionate about the sound of drums and piano which he studied intensively from an early age. After a while of exploring the acoustic dimensions of music, he immersed himself in the world of digital electronica, performing as a DJ at various events and releasing with labels like Orpheus Recordings, Lucidflow, Dushe Label and Bar 25 Music. Nowadays he's an author, composer and producer who loves to play with various techniques while integrating jazz, reggae or classical aspects into his compositions or sets.
In charge of the reinterpretation of the title track, Ibiza-based Nima Gorji is well-known on the international scene, with a career that spans more than three decades. In 1999 he founded Welt Recordings followed by NG Trax and Need For Sound, relentlessly following his passion for electronic music by releasing numerous personal works as well as promoting other artists. His rich discography includes materials published through labels like Sci+Tec, Deeperfect, Fuse London, Bondage Music, Out Of Orbit, Love Letters From Oslo, Indigo Raw, Out Of Orbit, Cocoon, Murmur, Natural Rhythm, Bla Bla Records, ÉTÉ,
Classic jazz-funk fusion from the late, great Japanese guitarist Ryo Kawasaki. Recorded in New York, and originally released in 1976, 'Juice' presents Ryo at the height of his powers.
Born in Japan in 1947, Ryo had a long and stellar career recording and releasing music up until his passing on 13 April 2020, in Tallinn, Estonia. Ryo is one of the pioneers of the jazz fusion genre, with the Japanese jazz fusion / funk sound becoming extremely influential within the 80s UK club scene and amongst its DJs. His track 'Trinkets & Things' became a bonafide underground classic. In the US he worked with some of the greats of jazz, such as Elvin Jones, Chico Hamilton and Bobbi Humphrey, to name but a few. A forward-thinking and ever-evolving musician, Ryo collaborated with the Roland Corporation and Korg on the 'guitar synthesizer' and later wrote music software for computers. Later in life he relocated to Estonia and worked there, as well as Finland, Sweden, and the Baltic states.
'Juice' has become a much-loved album for crate diggers and jazz-funk enthusiasts, with its tracks frequently being sampled and re-imagined in hip-hop. The smokey, beat-down, spiritual funk jam 'Bamboo Child' has been flipped by Diamond D, Puff Daddy, and Kool G Rap. The album was released in 1976 on RCA Records and features the musicians' drummer Jimmy Young, rhythm guitarist Hugh McCracken, and bassist Stu Woods amongst other luminaries. A solid album throughout that incorporates a heavy dose of tripped-out synths alongside the emerging disco sound of the time. Tracks such as the opener ‘Raisins’, with its drum beat intro and bubbling bass-line, rivals The Headhunters at their finest. A superb album from an underground legend.
- A1: South Funk Blvd - Skying High (Getting Off On Your Lovin')
- A2: Ad Libs - Don't Need No Fortune Teller
- A3: Atlantis - Hung Up About You
- A4: Smoke Inc - Waitin' For Love
- B1: Mandisa - Summer Love
- B2: City Lites - Now You've Gone Away
- B3: Papaya - Favela
- C1: Alcione - Este Mundo Tem
- C2: Quintaessencia - Serrado
- C3: Superior Elevation - It Was September
- C4: Keith Chism & Light - My Life & Song
- D1: Belita Woods - Magic Corner
- D2: Spare Hare - Ain't No Doubt About It
- D3: Sammy Acuna - Never Found A Girl
- D4: Sweet Mixture - House Of Fun & Love
Yellow Vinyl[30,67 €]
Here we are at the dawn of a new compilation series and we’re kicking things off with an absolute gem that features a selection of hard-to-find records (some impossible to find) and some that have been hiding in plain sight all along. They all share common qualities, being that they are beautiful, soul quenched songs that sing of love, peace and unity.
‘With Love: Volume 1’ has been compiled by Miche and presents a curated selection of rare Brazilian, gospel, modern soul and jazz-fusion fire. We have Brazilian rarities by Alcione and Quientaessencia, UFO gospel by Keith Chism & Light, the jazz-funk/AOR sounds of City Lites taken from a Radio Station album, and the anthemic feel-good emotional soul of Belita Woods to name but a few.
Tracking down artists and musicians from the past is an art form. Like a seagull swooping for treats, sometimes the prizes are easily found, and at other times, it’s the result of very late nights trolling through Facebook profiles, message boards, hitting dead ends and following red herrings, and yet still the search goes on. This compilation is a true labour of love with all the artists tracked down and licensed by Miche. It has long been an ambition of the London based musical connoisseur to compile an album, and like anything that requires craft, care, and knowledge - it takes time. There are many twists and turns in the hunt for those records that make your jaw drop.
In 2018, when just 24, Miche became a music programmer for London’s illustrious Spiritland group of venues. From this musical sanctuary, he was able to listen, learn and meet some of the best selectors from around the world. It was a musical education, and he was particularly drawn to the deep sessions by DJs such as Mark Taylor, George Arthur, Kev Beadle, Patrick Forge, Dr. Bob Jones, and Colin Curtis to name a few. He also used this time to begin running his re-issue label Discs of Fun and Love with co-owner and friend Frederika.
Sometimes the cynical knock compilations, there is certain snobbery amongst some about the original pressing, but music shouldn't just be about lucky collectors giving over large sums of money to record dealers. It's also about a bridge to the past, a celebration of the legacy of somebody’s art, and a second chance for initially overlooked work to shine. As with all the best compilations, it has been compiled with love…




















