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Nach einer beeindruckenden Reihe von Alben in den 2010er Jahren, die ihm eine treue Fangemeinde, Auszeichnungen von Zeitungen wie der New York Times, Fresh Air und Pitchfork und einen Platz in der oberen Riege der modernen Americana-Singer-Songwriter eingebracht haben, hat John Moreland in diesem Jahrzehnt bereits zwei unerwartete Wendungen vollzogen, die beide seine starke künstlerische Unabhängigkeit unterstreichen.

Zunächst veröffentlichte er 2022 mit Birds In The Ceiling eine brillante und klanglich vielschichtige Folk-Electronica-Meditation über moderne Entfremdung, die einige seiner Fans überraschte. Nachdem er im November 2022 eine schwierige Tournee hinter sich gebracht hatte, stellte er seine Arbeit komplett ein. Er nahm sich ein ganzes Jahr Auszeit von Auftritten und benutzte 6 Monate lang kein Smartphone.

Nach fast einem Jahrzehnt im Rampenlicht, in dem er ständig von den Erwartungen seines Publikums bedrängt wurde, nahm er sich zum ersten Mal Zeit, sich auszuruhen, zu heilen und zu reflektieren. Das Ergebnis dieses Unplugged-Jahres zu Hause ist 2024 Visitor, ein Folk-Rock-Album, das intim, unmittelbar, zutiefst nachdenklich und verdammt eingängig ist.

Gemma Blackshaw is a scholar, writer and curator currently Senior Tutor for research at the Royal College of Art. She has curated major exhibitions for galleries and museums in London (National Gallery; Wellcome Collection and Vienna (Leopold Museum; Wien Museum).
This is her debut album.

Who Will You Love is the debut collaborative album from The Dengie Hundred with Gemma Blackshaw. In 2023, The Dengie Hundred co-produced with Japan Blues two albums for Demdike Stare’s DDS label, and released the solo album Tube on London’s Sagome imprint; their solo debut Brackenbank appeared on Ethbo in 2022, when they also contributed to World of Echo’s Thorn Valley compilation. Here, they collaborate with Gemma Blackshaw on an album of smudged dream pop.

Gemma’s vocals were recorded from home at night on an old iPhone. Who Will You Love surfaces dark, desiring songs on the passion and exhaustion of looking after others. Emerging in simple rounds that expand with layers of field recordings, synths and drum machines, the songs include lullabies for baby boys and men, enchantments of wary lovers and spells of protection for a daughter.

Moving between her children and her lover, the mother sings of the demands of daily intimacy (play with me, carry me, sing to me…) that echo through adult relationships too.

Who Will You Love was mastered by Carim Clasmann, and mastered and cut for vinyl by Stefan Betke (aka Pole). Artist Alexis-Soul-Gray gifted Screen Memory of 2022, a painting on found paper, for the artwork. Mark Thomson designed the sleev

"Palm Reader", das zweite Album der Texaner HIGH DESERT QUEEN, strotzt geradezu vor roher Kraft und dem Donnern von gefühlt 666 heißblütigen Dieselpferden. Der Langspieler steckt voll von coolen Vibes, packenden Leads und jeder Menge Desert-Feeling. Dabei liegt der Fokus der Wüstenrocker auf großartigen Songs, statt sich hinter Genre-Zäunen zu verstecken. Diese ungezähmte Attitüde fand den Zündfunken für ihre sprudelnde Energiequelle auf der letzten Tour. Als die Band nach sechs Wochen auf Europas Straßen und Bühnen mit den legendären FATSO JETSON nach Texas zurückkehrte, hatte sie sich von deren allabendlichen Improvisationen und Jamsessions inspirieren lassen und zahlreiche Ideen notiert. Trotz Jetlag konnten es HIGH DESERT QUEEN kaum erwarten, mit neuen Aufnahmen zu beginnen. Dabei konzentrierte sich die Truppe weniger darauf, wer bestimmte Parts wie einspielte, sondern sie erlaubte sich Unvollkommenheit und ließ den Click weg. Frei von künstlichen Schranken begann ihre Musik so frei zu fließen wie nie zuvor. Schon bei der ersten Studiosession nach der Tournee entstanden gleich drei neue Songs. Die Band aus Austin, Texas hat den musikalischen Jackpot geknackt, und "Palm Reader" ist der schlagende Beweis dafür. HIGH DESERT QUEEN waren schon immer etwas anders und viel mehr als nur eine weitere Desert Rock Band. Von Sänger Ryan Garney und Gitarrist Rusty Miller im Jahr 2019 in Houston, Texas gegründet, rekrutierte das Duo bald darauf Schlagzeuger Phil Hook (MONTE LUNA) und zog 2020 nach Austin um. HIGH DESERT QUEEN wurde von Anfang an das Zeug dazu nachgesagt, die dümpelnde Wüstenrockszene wieder in Schwung zu bringen. Ihre vielseitigen musikalischen Einflüsse, die von Grunge bis Funk, sowie von Old School Metal bis Doom und vielen weiteren Musikstilen reichen, boten eine ideale Grundlage für neue Ideen und die nötige Verjüngung des Genres. Ihre donnernden Verzerrer-Hymnen kommen mit einer gesunden Portion Groove und eingängigen Melodien daher, die massiven Anschub durch eine seltene emotionale musikalische Intelligenz erhalten. Der frisch geprägte Sound ist dennoch eng mit dem reichen Erbe des Wüstenrocks verbunden - was in ihrer Stilbezeichnung "Texas Desert Rock" ein Echo findet. Mit "Palm Reader" vollziehen HIGH DESERT QUEEN den nächsten Quantensprung ihrer rasanten Entwicklung. Die Texaner haben die perfekte Balance zwischen den kräftigen Wurzeln ihres Genres und dem pointiert-eigenen Ausdruck gefunden. Angetrieben von Geist und Kraft der live gespielten Musik, rockt dieses Album hart und ehrlich!

10 Year Anniversary Gatefold 2LP 10 year anniversary gatefold 2LP edition of Cult of Luna's take on Fritz Lang's Metropolis film, Vertikal. "Somewhere Along The Highway" and "Eternal Kingdom" were inspired by the landscape of Västerbotten, the county we are from. We realised that there was only one way to go for us: to the city, into the future. Making a droney John Carpenter-esque album would be too easy and we've never been about taking the simple route. I was studying film at the time and had been floored by the aesthetic of German expressionism. This resonated perfectly with Erik Olofsson, who had just got into Italian futurism. This was a real challenge. We put in a lot of effort to realize our vision of the stale, artificial city in all aspects of what an album is. The way we played guitar (only down strokes), the production, artwork and band photos, everything was done with the vision as a guide. "Vertikal" is the album where we had the most precise vision of what we wanted to do and worked hardest to transform it from an idea into reality. A lot of things happened during the years between "Eternal Kingdom" and "Vertikal" and I could continue writing for ages but this will do for now. Ten years have passed since its release and what felt like a rebirth of the band, the band that is still ongoing with new goals and missions. It's a full circle kind of thing. At the time we had no label and now we are releasing it on our very own. Life is strange. Johannes Persson - Umeå December 2022

LAKE's 2009 album Let's Build A Roof KLP213, produced by Northwest legend Karl Blau, is sweet, funky and nostalgic - a paragon of psychedelic pop. Originally, this landmark album had overlooked sonic anomalies now corrected by REMASTERING. Five bonus songs have been added to the DIGITAL ALBUM, creating a whole new Let's Build a Roof.Let's Build A Roof is LAKE's most popular album with many fan favorites, though every track is unique. After extensive touring in 2009, LAKE entered Dub Narcotic Studio (Olympia, Wash.) to record fresh with their live energy. In the studio they were able to fill out their jingly pop aesthetic, enhanced with the vintage sounds of instruments available at Dub Narcotic and the local community. Blazing synth solos, timpani, flutes, saxophones, cello, and marimba, are just some of the featured sounds on Let's Build a Roof.Some of the album's most requested songs: "Madagascar," a dubby, slow-groove track; "Christmas Island" a surfy Phil Spector-sounding song used as theme music for the television in show Adventure Time; and "Don't Give Up", an upbeat motivating dance song with Blau performing the hook on harmonized saxophones; "Gravel" is the first single and has that a driving intensity that we can all deeply relate to - trying to keep up.

Beeinflusst von der Musik ihrer Jugend in den Neunzigern (Funk, Soul, Latin), aber auch den Harmonien der klassischen Musik, bereitet die Brasilianerin Flavia Coelho die Bühne für ihr fünftes Album 'Ginga' (Portugiesisch für tanzen, schwingen) und lässt sich dabei von organischen Klängen und Old-School-Elementen inspirieren. Electro Pads, Orgeln, Keyboards, Gitarren und Percussion vermischen sich mit Kompositionen, die in Zusammenarbeit mit Produzent und Arrangeur Victor Vagh entstanden sind. Ihre einzigartige Stimme prägt die zehn intensiven Tracks, mit einem Timbre voller Aufrichtigkeit und Charakter.

Shit And Shine return to Riot Season where it all began with their debut 'You're Lucky To Have Friends Like Us' (2004) for their 20th anniversary.

Rum And Coke, is only available as a limited edition white vinyl LP (300 copies worldwide) with download code and hype sticker. The album also features vocals from Callum Howe (The Shits) and it’s Shit And Shine at their filthy/noisy best. NON-RETURNABLE.

Guitar/Vocals - Craig Clouse
Vocals - Callum Howe (The Shits)
Drums - He Who Will Remain a Mystery
Mastered by James Plotkin

‘Rum And Coke’ comes stumbling out the speakers with the week old stench of an alcoholic exiting his late night hideaway into the sunshine of a new day

Rum And Coke is the sound playing inside his fermented brain as he heads of in search of his next tipple

It’s grimey, it’s noisy. It’s a bit of a bastard.

Heavy, impenetrable layers of gnarled guitars, slurred vocals, pounding drums all wrapped in a blanket of thick sludge

Two years in the making, 25-year-old Angelica Garcia's album Cha Cha Palace is the result of an artist's need to SAY SOMETHING. The second song on the record, "Jícama" might only be a minute and 25 seconds in its entirety, but the message spans generations and is one that resonates deeply for Garcia with her Mexican and Salvadoran roots. Singing/shouting, "I see you, but you don't see me Jímaca, Jímaca, Guava Tree_I've been trying to tell ya, but you just don't see, like you I was born in this country," Garcia tells the reality for millions of Americans unapologetically and with passion.That feeling of being between places is something Garcia knows well having been raised between multigenerational, multicultural, homes with step-parents and half-siblings. Additionally, she made the journey from the West Coast to the East Coast and back again multiple times before finally settling down in Richmond, Virginia.She fondly recalls Mexican ranchera music always playing throughout her childhood. Ranchera was ingrained within the maternal side of her family with her Mother, Grandmother, Uncle & Aunt constantly singing the traditional music throughout the home of her Grandparents.Like Mitski, Lorde, Billie Eilish, and Rosalía, Garcia isn't afraid to tear pages out of her diary and express emotions that might be difficult and oftentimes daunting to share given today's social and political environment. Like her peers, she joins a new chapter of musicians who are connecting with their audiences on a level that lives outside the reaches of technology, trends, and social media, the daily experience of feeling torn between saying something and doing something, for being a voice and speaking with your voice, of being Latina while being American. And it's humanity and honesty that audiences are looking for and will find in spades throughout each note of Cha Cha Palace.

These recordings come from the same sessions that produced 1961's My Favorite Things. This is one of the least well-known Coltrane albums, partly because it is an all blues format and partly because it was released at the end of his association with Atlantic records.

Plays The Blues features the talents of McCoy Tyner, Elvin Jones and Steve Davis. It is the beginning of his work with Tyner and Jones in quartet form. For that alone this recording would be important. Although this album is called Plays The Blues, this is by no means the only blues which Coltrane plays. There are blues elements, moods and feelings in all of his best-known recordings. Listen to "Slowtrane," "Blue Train," "Bessie's Blues" among others and one can't help but hear the blues vibe.

The original six tracks are fantastic and have that same blues vibe. They hit the listener right in the heart and soul and don't let go. All six are superb, but "Blues To Bechet," "Mr. Day," "Mr. Knight" and "Blues To Elvin" are absolute classics.

Cut at 45 RPM. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

"ANNO DOMINI picks up Black Sabbath’s story in 1989, two decades and multiple lineup changes into the band’s groundbreaking career as metal originators. At the time, membership had solidified around riffmaster and founding member Tony Iommi, legendary drummer Cozy Powell (Jeff Beck, Rainbow, Whitesnake), singer Tony Martin, and longtime Black Sabbath collaborator and keyboardist Geoff Nicholls (Quartz, Bandy Legs).
The group originally released Headless Cross in 1989 on I.R.S. Records, the first of five albums Sabbath recorded for the label. Praised by fans and critics alike, the band’s 14th studio release produced three singles: “Devil And Daughter,” “Call Of The Wild,” and the title track. Bassist Neil Murray (Whitesnake, Gary Moore) joined for the “Headless Cross Tour” and stayed to record Sabbath’s next album, 1990’s Tyr. Named for the Norse god of war, the album explores similar mythological themes in songs like “The Battle Of Tyr” and “Valhalla.” On “The Sabbath Stones,” the band channels Old Testament fire and brimstone into a classic bruiser.
In 1992, following a successful world tour, this incarnation of Black Sabbath was put on hold when the band reunited temporarily with Ronnie James Dio. Two years later, Martin and Nicholls were back in the studio with Iommi to record 1994’s Cross Purposes. The band was completed with the addition of founding Sabbath bassist Geezer Butler and drummer Bobby Rondinelli of Rainbow.
The Tyr-era Black Sabbath lineup reunited in 1995 when Powell and Murray returned to record Forbidden. It was the band’s 18th studio album, and its last for nearly 20 years.
Contents:
Vinyl box set includes:
• Newly Remastered Versions Of :
- Headless Cross
- Tyr
- Cross Purposes
• Brand New Remix By Tony Iommi Of Forbidden
• 1989 Headless Cross Tour Replica Concert Book
• 40 Page Book with Photos, Artwork and Liner Notes
• 1989 Headless Cross Replica Colour Poster"

1966 soundtrack from Ennio Morricone Pressed on Transparent Green Vinyl & includes a 30x30cm insert First ever release of four tracks on vinyl! “Come imparai ad amare le donne” (How I learned to love women) is a 1966 romantic comedy directed by Luciano Salce; the cast includes internationally renowned actors such as Anita Ekberg, Michèle Mercier and Robert Hoffman, as well as a very young Romina Power who was only 14 years old at the time. The beginning of the artistic collaboration between Ennio Morricone and Salce dates back to 1961, with one of the Maestro’s very first soundtracks, “Il federale” (The Fascist); the partnership then continued with “La voglia matta” (Crazy Desire), “La cuccagna” (A Girl… and a Million), “Le monachine” (The Little Nuns), “Slalom”, “El Greco” and, finally, “Come imparai ad amare le donne”.

For this film, Ennio Morricone composed a soundtrack that is a true hymn to love, with an elegant and refined atmosphere led by the beat ballad “Pioggia sul tuo viso” performed by the English group The Sorrows, and by various romantic themes such as “La diva”, “La donna gattina” and “La donna romantica” that alternate with classical compositions such as “Alta moda” and “Alla corte di Luigi Xvi”. The love theme returns in a danceable version in the opening credits.

Originally released in 1966 and reissued in 1985, this soundtrack is finally reissued on clear green vinyl LP with a new artwork and a 30x30cm insert. In addition, four tracks are here released on vinyl for the first time. Liner notes and audio remastered by Claudio Fuiano.

For fans of Duster, LSD and The Search for God, The Microphones. Double LP (NO BOOKS!) First official physical copy of fan-made compilation of alternate tracks and demos from cult phenomenon album Deathconsciousness. Freshly remastered. With the broader adoption of the internet around the turn of the century, how people would engage with and discover underground music would change forever. As a result of the new digital era, DIY was now worldwide, and no band embraced this new frontier better than Have A Nice Life. Formed in 2000 by duo Dan Barrett and Tim Macuga, the Middletown, CT-based pair would, throughout the 00s, self-release and share a number of demos and home recordings via early social media channels as well as establish its in-house label ENEMIES LIST HOME RECORDINGS. These first steps set in motion Have A Nice Life’s rise to renown as an icon of underground music in the internet age, culminating with the release of its pivotal 2008 debut album, Deathconsciousness. Through word of mouth and online discussion, Deathconsciousness became subject to viral praise thanks to its synthesis of bleak post-punk, lo-fi shoegaze, and carpets of hypnotic drone music. Eventually, this humble self-released project would attain the status of a post-internet cult classic, amassing Have A Nice Life a fervent online following that the band would interact with in kind. In an effort to thank and continue to engage with Have A Nice Life’s internet cult following, Barrett and Macuga would regularly share links to old demos, works in progress, and outtakes from the recording of Deathconsciousness. Over time, a group of fans would compile these demos into an unofficial release. Dubbed Voids, this fan-made compilation several alternate takes of tracks from Deathconsciousness, as well as a handful of early versions of songs that would appear on Have A Nice Life’s two following albums, The Unnatural World and Sea of Worry. While undeniably reminiscent of their final album version counterparts, the earlier versions of these tracks each feel distinct in a way that makes the moody, decidedly lo-fi aura of Voids an essential slice of the Have A Nice Life discography. Hungry for more from the enigmatic duo, fans swarmed around this compilation, accompanied by loud calls for it to receive a physical release. Seeing that demand and with the band’s blessing, a pair of fan-made tape pressings of Voids would be released via Music Ruins Lives, a DIY label run by Have A Nice Life superfan Thom Wasluck, also known for his band Planning for Burial. Between both instances of the tape swiftly selling out and the compilation’s long absence from streaming services, Voids has historically been an elusive release to track down, only available in the obscurest corners of the internet or physically on the secondary market at eye-wateringly high prices.
Over a decade since its initial, unofficial release in 2011, The Flenser is proud to reissue Have A Nice Life’s Voids for the first time ever in an official capacity in physical form. Originally released digitally in early 2023 and freshly remastered for the occasion, this reissue of the beloved compilation will receive its first-ever wide release on physical formats (CD/LP/Cassette). This release also marks the first time fan-favorite tracks from Voids “Sisyphus”, “I’m Doctor House”, and “Human Error” will be available on vinyl and CD. Like a symbolic passing of the torch, the physical versions of the 2023 Voids reissue come with a foreword essay written by Wasluck, the previous custodian of Voids during the Music Ruins Lives days.

A band who have justifiably been championed across the world, Tokyo’s Melt-Banana have been responsible for some of the most complex punk rock ever made … that far outshines ninety-nine percent of most other bands out there. The band once described their live show as “Shooting machine gun and laser beam, chaos in order.” And I think that pretty much sums them up. — Olli Siebelt, BBC No wave without the self-conscious pretension, avant garde composition compressed into one-minute-or-less bursts, urgency, intricate destruction, pure glorious abandon. Melt-Banana play the same way that Repulsion, Naked City, The Ruins, or The Boredoms all make you want to scream and dance and kill your neighbors. This is not music that we are conditioned to accept. This is you delirious with joy scraping your five senses off the floor. —Matthew Moyer, Ink19 Melt-Banana are in a league of their own. There are other extreme hardcore bands out there who are experimental and unique but Melt-Banana are more than that. They area giants amongst infants. Masters amongst pupils. Kings amongst serfs. Nobody can do what they do and nobody can adequately use words to describe them. —Jeb, Crass Menagerie

A floating drift toward a mysterious reality, between Nature and Cosmos, poised between sleep and wakefulness, temporal co-presences and impossible spatial ubiquities. In this phantasmagorical saga, inspired by TV science-fiction as well as 60s and 70s horror movies, Nicola Giunta/Lay Llamas creates a miraculous balance between original inserts and retrievals of freely chosen fragments from old audio documentaries on vinyl, perfecting the art of sound collage in an absolutely psychedelic way. Nonlinear dream textures become labyrinths of sudden openings, empty rooms, interstellar platforms, narrating voices from other worlds or ghostly churches from beyond the grave. A piercing electronica of cosmic synths, dense with the mists and dusts of distant times, past and future at the same time, where lysergic percussions merge with echoes of flutes vibrating in endless tropical forests and natures. Until the final awakening, in the reality of the first light of dawn. Originally released on cassette by Miracle Pond

Open Air Jungle Dub. Pure Old School Breakz.

Andrea has his roots in the independent musical scene in the first decade of the 2000s. In addition to his compositional and live experience as the first Nadàr Solo drummer, he is one half of the Turin duo Anthony Laszlo with Anthony Sasso, ex guitarist and singer of Milena Lovesick. Andrea Laszlo De Simone made his debut in 2012 when he released his first homemade album, Ecce Homo. Recorded at home by makeshift means and accompanied by the following videos: Solo un uomo, 11:43, I nostri piccoli occhi, Perdutamente.

At the beginning of 2014, he met some experienced musicians from Turin’s underground scene that later, after a few months in a rehearsal room, became his band: Damir Nefat (guitar/backing vocals), Dani C (bass guitar/backing vocals), Filippo Cornaglia (drums/backing vocals), Zevi Bordovach (keyboards/backing vocals) and Anthony Sasso (keyboards/backing vocals/percussions).

Anticipated by the individual tracks Uomo Donna, Vieni a salvarmi and La guerra dei baci on June 9, 2017 - for 42Records - Uomo Donna came out. It’s Andrea Laszlo De Simone’s first real album, a well received work by both audience and critics. It also was pointed as one of the best albums of 2017 by several national music magazines.

Uomo Donna is a complex, articulate and vital album that lives in its own time - where past, present and future coexist. It’s a time in which a sonic world takes shape blending classic and modern, Italian songs with psychedelia, Battisti and Radiohead, Modugno and Verdena, the Beatles and Tame Impala, the magical flight of Claudio Rocchi and the earthly flight of IOSONOUNCANE.

The album was self-produced and then post-produced by Andrea in collaboration with Giuseppe Lo Bue, a sound engineer from Bologna. The recordings were made between October 2014 and the end of 2016 with experimental techniques straddling digital and analogic.

After playing in some important Italian festivals as Siren Festival and TOdays -- that earned him a special mention in the live scores by Rolling Stones -- on October 28, 2017 the first Uomo Donna album tour started in the clubs of the major Italian cities.

On November 30th 2017, Andrea Laszlo De Simone presented his video, Sogno l'amore, during the Torino Film Festival as a short film, shot in Sicily and directed by Francesca Noto and Andrea Laszlo De Simone.

On March 15th 2018 the music video of Gli uomini hanno fame was released, the most political song of the album, an overlook through ferocious human emotions, an eleven and fifty minutes trip within human nature portrayed even in its most ferocious instincts. The music video was directed by Andrea Laszlo De Simone and the mysterious duo Sans. The official cycle of Uomo Donna ends on 31 December 2018 with the music video of Sparite Tutti created by the creative collective Irene&Irene.

2019 was a year of new goals for Andrea, in fact, the album Uomo Donna leaves national borders and got a special mention on social media by the famous American band The Lumineers which included Andrea Laszlo De Simone and Uomo Donna among the most interesting discoveries of the international musical underground and inserts Solo un Uomo in the Spotify playlist “Inspirations”. A few days later, Solo un Uomo was broadcasted by KEXP Radio. On November 4th Andrea and his band were chosen to open for The Lumineers’ only Italian show at Alcatraz, in Milan.

On November 8th Andrea released a brand new work, digitally and on vinyl for 42Records, Immensità, a ‘suite’ of four singles: Immensità, Conchiglie, Mistero and La Nostra Fine. Turned into a medium-length film using Immensità as the soundtrack.

Immensità was presented with four special sold out concerts in Rome, Turin, Padua and Milan. For these shows Andrea Laszlo De Simone was accompanied on stage by a mixed orchestra composed of synths, electronics, choirs, strings and woodwinds. Classic and modern instruments that are intertwined in a nine elements formation: an immersive concert, a contemporary version of chamber music.

In March 2020 Immensità was released also in France, UK, Canada, Belgium and the United States with Ekleroshock/ Hamburger Records (Roster: Benjamin Clementine, Polo & Pan, Limousine and many others). The response of the transalpine press and media, sector and not, was unexpected: major French newspapers and magazines - from Le Monde to Liberation, Vanity Fair and Les Inrockuptibles - dedicated entire pages and rave reviews to Immensità and Andrea Laszlo De Simone. The track Immensità entered, after a few days, at the fourteenth rank of Spotify’s Top viral 50 playlist and broadcasted on France Inter and Radio Nova.

“Immensità” is a complex cross media work of music and images. A project divided into four chapters (the songs) for nine tracks (each chapter has a prologue or a conclusion). A true suite, using the classic term that best describes an instrumental composition in several stages, that can be enjoyed in its entirety only by listening to vinyl or digitally in the innovative single track format, without pauses: a single symphony of 25 minutes and 6 seconds.

In September 2020, Dal giorno in cui sei nato tu was released on all italian platforms, a song dedicated to Andrea’s children, a real love letter in the form of a small speech, where he tries to give them the three keys to approaching life: fantasy, music and irony. Martino, 8 years old, replies to his father’s love letter by making the video accompanying the song, created in Super 8. It's the story of the world through the eyes of the child. It is also an homage to the new little girl in family, Lucia.

Strawberry Wind, produced by Richard Swift (Nathaniel Rateliff and The Night Sweats, Foxygen, The Shins) not only delivers on a promise to create an honest album for kids and parents but it represents what Baylin calls the “beautiful divide,” of juggling family life with her creative life, a difficult task by any measure. “The divide in me is easy to feel because I invest 100% of myself into my family and often the creative gets put to the side,” she explained, “so when I decided to begin writing for this album it just poured out of me.” Now singer / songwriter Jessie Baylin shares that creative outpouring on her debut children’s album, ‘Strawberry Wind’. Throughout the album, Baylin doesn’t hold back on telling it like it is. Weaving through lyrical themes of dream life, supermoons and summertime vibes are some gentle doses of reality. “I don’t want to lie to my kids. Life is hard sometimes and you need to find a way to deal with it... there will always be things in life you can’t control. But, you can dream of a better world and make your own refuge,” says Baylin, who is mom to 4-year-old Violet and is expecting her second child with her husband. Baylin, who’s released four critically-acclaimed albums over the years, says the seed was planted for this album after recording a cover of Harry Nilsson’s He Needs Me from the kids’ film Popeye. “The song has a childlike sense, but the message is very deep. It’s magical, it’s dark, and it hit all the right notes. I wanted to do an album that feels like that” she says. “Since becoming a mother, I found myself being around the house a lot and I started gravitating to these wonderful albums I remembered from my own childhood - The Beatles, Harry Nilsson’s The Point!, John Lennon, Roger Miller’s Robin Hood and Carole King’s Really Rosie." The magic of those iconic 1970s records she mentions is that they’re all grounded in solid songwriting and were never dumbed down for the audience. “Those records felt very honest and that was my mission here. I also wanted it to feel magical and remind people of the child inside of all of us that is filled with a sense of wonder and pure joy and hope.”

Having been based in Sussex, Philip moved to an old mill in France and never stopped writing. In 2014 he released his organic and honest solo debut album "I'm Not The Man I Used To Be". This was followed up by the critically acclaimed Mental Home Recordings is upon us. And now Philip Parfitt is set to release Dark light via Chicago/London/Paris based label Tip Top Recordings.

A significant milestone in his long accomplished career, Dark Light features 10 beautifully crafted pieces, including deep cuts 'I know I shouldn't but voices' and 'Dark light' the title track, give ample evidence of Philip's prowess as a wordsmith and musician, but also arranger and producer. Think Nick Drake and Captain Beefheart accidentally bumping into each other at a private viewing of Bright Sta
in Heaven, you won't be too far out of the crease. Philip is accompanied by a merry band of friends and luminaries including Alex Creepy Mojo, Amelie Fish, Lucie Robet (who also wrote title track Dark Light with Philip), Gilda Scouarnec, Rog Mogale (who also mastered the album), and Mark Refoy.

Dark Light is released on digital, CD, limited edition vinyl LP with 200 copies in black and 200 copies in dark purple to match the darkly beautiful artwork by Fernando Ruibal. Sleeve notes come from Matthew Spector within the included booklet with art from Joane Charlotte Senechal, photography by Sarah Baba, and design by Anna Mort.

The MOD scene evolved on the cusp of the sixties as Britain was emerging from the postwar blues.

Back In Stock!

a special 2x12" with some funky old school house classics !! limited re-stock !!!!

Some songs are so ingrained in our consciousness that they are immediately identifiable upon hearing one or two notes. Featuring one of the most indelible riffs ever played, Foghat's air-guitar anthem "Slow Ride" is such a tune. The hit single turned the British band into stars and catapulted 1975's Fool for the City up the charts. And what a ride it is.

We hear a lot of yearning today about the good-old, glory days of rock and roll, the simple kind that just locked into a good beat, turned out a raunchy groove, and simply kicked you in the butt. The no-pretense type meant for kicking back, letting loose, and surrendering to the melody. Bare-bones music that doesn't need image or looks as a crutch.

Well, this is it, friends, classic meat-and-potatoes 70s rock that comes with killer slide-guitar solos, crunchy leads, driving rhythms, and soaring vocals. No need for any further instructions or explanations. The pact between artist and audience is understood. Here, the band trusts that you know what to do and is ready to rock out with anyone in earshot.

Pressed at Fidelity Record Pressing, Mobile Fidelity's remaster of this Foghat gem bring to the surface the band's marble-solid sturdiness and bluesy structures like never before. Bass notes are thicker and richer, the dual guitars bite and snap, and Lonesome Dave Peverett's singing comes across with realistic grit. This LP invites you to hear and feel the energy Foghat brings to the boogie-infused title track, great cover of the Righteous Brothers' "My Babe," and, of course, the everlasting "Slow Ride."

Kurt Wagner is back, mit neuer Platte, neuen Sounds und neuen Überraschungen, alles wie immer eigentlich, nur anders. Die Songstrukturen entstanden nicht wie üblich an der Gitarre, sondern wurden als Midi-Piano Miniaturen geboren." Die Befreiung von diesen Einschränkungen führte zu einem überraschenden neuen Sound, mit abgeschliffenen Kanten und durch Kurts eigene, spezifische Linse betrachtet. Etwa zur gleichen Zeit bereitete er sich auf eine Live-Show beim Eaux Claires Sommerfestival in Wisconsin vor, das ursprünglich von Justin Vernon von Bon Iver und Aaron Dessner von The National gegründet wurde. Inspiriert von der Originalität der Performances, die er während des PEOPLE Festivals 2018 in Berlin gesehen hatte, und einigen der Leute, die er dort getroffen hatte, machte er sich wieder einmal auf die Suche nach etwas Neuem und wandte sich an Ryan Olson und Andrew Broder, um seine groben Piano-Ideen zu konkretisieren. Wir müssen an dieser Stelle nicht erwähnen, dass die Show nie stattfand, aber die Ideen wuchsen weiter und führten zu etwas Größerem, zu einer ganz neuen Ära für Lambchop. Außerdem mit dabei Trompeter CJ Camerieri und Grammy-Preisträger Jeremy Ferguson kehrt als Co-Produzent zurück. Da schien es auch ein günstiger Zeitpunkt zu sein, einen weiteren Musiker an Bord zu holen, der ganz hervorragend zu Lambshop passt, eine Zusammenarbeit fühlte sich für viele längst überfällig an. Zum ersten Mal spielt James McNew, ein langjähriger Freund sowie Mitglied von Yo La Tengo, am Kontrabass.

"Couldn't find any acoustic covers of these two masterpieces by Gigi Masin from 1989, so decided to give it a go with one of my biggest local musical idols, Olli Aarni who I am proud to call my friend. I consider the original tracks quite holy, so it took me years of courage to ask Olli to record these with me. Never had any goal to release these in any professional way, we just had an idea, for fun, to salute the golden era of YouTube when people made these poorly recorded acoustic YouTube covers. Thanks Pete & Janne for making the record happen and thank you Gigi Masin for the incredible music!"

DJ Support: Kerri Chandler, Jimpster, Dave Lee, Kevin Yost, Brian Tappert, Don Carlos, Seamus Haji, Marcel Vogel, David Harness, Marc Cotterell, Dirtytwo, Demarkus Lewis

Get yourself geared up for summer season with some fierce dancefloor prime time certified with the Groove Culture Deep Stamp. DEEP INTO HOUSE vol.2 includes some fresh House/Deephouse actions from Milton Jackson, Sebb Junior, Luca Olivotto and Folkness. Energy, Groove, moods and vibes. An essential package for diggers.

rush2theUnknown is a project born in pandemic-era provincial New Zealand, developed in the hills of Izu Peninsula, Japan, but forged in the fire of potent teenage memories — the flames of the future sounds of jungle and drum 'n' bass that exploded onto dance floors across the urban centres of New Zealand in the mid 90's. Two old friends, both who played pivotal roles in the development of New Zealand's own jungle and drum 'n' bass scenes in the 1990s, estranged for decades, reunited amidst the isolation and chaos of covid. They began an experiment, attempting to recapture the feeling of having their heads overwhelmed by sounds they couldn't quite comprehend as adolescents — in particular, channeling the energy, spirit, and vibe of 1995 to 1997, where the ever-mutating evolution of jungle intersected with the dawning of drum 'n' bass to create a utopian future vision, before the latter genre changed course and moved increasingly darker.

By weaving in the influences that these two long-lost friends had accumulated over the decades, most notably from ambient, kankyõ ongaku, new age, minimalism, and some of the deepest research into the history of Japanese video game music ever conducted, the pair attempt to discover new terrain from an specific era of dance music that was never fully explored.

avigating vibrant influences of Latin-jazz, Tropicália and joyful grooves; multi-instrumentalist, songwriter, singer and producer Inês Loubet presents her utterly gorgeous debut album ‘Senga’. The album covers Inês’ experiences over the past five years, originating in Portugal, travelling through Brazil, before finding home in London.

Previously, Inês co-wrote and performed on Caravela’s album 'Orla' on None More Records, which was praised by the likes of Gilles Peterson and The Line of Best Fit. Her music has been played on Jazz FM, BBC 6 Music, BBC Radio 3, NTS and Soho Radio. A relentless live performer, she’s played alongside Brazilian legends Gilberto Gil & João Bosco, graced the stage of The Royal Albert Hall, Union Chapel, and O2 Shepherds Bush, around UK and international tours.

The album explores a range of profound themes including nature, travel, grief, unconditional love, separation, family dynamics, and the nuanced experience of womanhood in contemporary society. Dedications to the music, philosophy and revolutionary history of samba (‘Sambo Mesmo Sem’), everyday observations of joy (‘Guri’), and motivating generational change for the better (‘Sab Sabim’); glide across romantic harmonies and the Brazilian rhythms at the melodic heart of the album.

“I started writing whilst living in Salvador da Bahia, Brazil, in February 2020”, says Inês. “I was shy and hadn't written fully composed tracks before then. During lockdown I received support from The Arts Council’s DYCP, started making demos, gained confidence and started playing them live”. In October 2022 Inês was presented with the Drake YoLanda award and went to Giant Wafer studio in Wales for three days, before recording the final vocals at her home studio and mixing and mastering in Porto, Portugal.

Inês is joined on the album by a band of close friends. Percussionist and long-time collaborator Jansen Santana from Salvador da Bahia brings the soul of the drums, the tambor. “I always have the Bahia drums present in my mind when I write a new composition. I studied Latin percussion at University and then lived in Salvador absorbing all that heritage and knowledge”. Playing four different stringed instruments on the album, Greg Sanders is a long-time friend and collaborator from London “I met him in a samba band in 2015 and he was the first person I ever showed my songs to and played with”. The band is completed by Ruta Sipola on flute, Jake Burgess on tenor sax, Peu Meurray who recorded a lot of the percussion and lead vocals, and bassist Julio de Castro from Sao Paulo. “I was blown away by his bass playing, his swing and creativity, his ton of experience and professionalism but also his voice - he's an amazing singer and I believe that adds a lot to the magic”.

Inês concludes, “Last year, I had a show in London and I asked everyone in the audience to write down what they felt when they listened to the music. These are some of the things they wrote: wholesome, refreshing, lifted, moving, joyful, happy, nostalgic, warmth, force, goosebumps, emotional, togetherness, transported, rooted”. ‘Senga’ captures all of these feelings and more in a memorable first impression from a highly talented musician.

Out on STY TRU BTS, ‘Sarang / 사랑’ is the latest album offering from South Africa’s multi-hyphenate star Sio. Presenting 11 heart-felt and deeply personal tracks, Sio presents ‘Sarang / 사랑’, an album packed with impeccable storytelling and soul-stirring lyricism. Unveiling a vulnerability like never before, Sio’s latest project is a joint venture between herself and long-time collaborator, producer Daev Martian. Stand out tracks include ‘Twilight’, a celebration of the journey that is life where Sio invites listeners to delve into introspection and legacy. Neo-soul erupts into Amapiano on ‘No Lymyt’, while closing track ‘Hey Lover’ is finally given the spotlight 16 years after its inception. Featuring two interludes, Sio’s spoken-word glides over soundscapes, further drawing you into her poetic magic

In a flurry of madcap sampling pitched towards the heat of the night, Pedro Zopelar builds on the premise of his 2022 electro- funk love letter Charme, shifting his approach towards a particular

90s flair and a method with a specific end result. Ritmo Freak took root in studio experiments for a momentous — and rare — live set at São Paulo festival Não Existe in 2023, where Zopelar was caught up in one of those right-place, right- time moments we carry with us through life. As he explains himself: “This album is dedicated to freaky club culture. While I was playing at the festival there was a crazy tropical storm outside and the room was packed with the freakiest crowd. I’ve tried hard to immortalize that feeling on this record.” With the intended energy in mind, Zopelar focused on a particular mode of production centred around 12-bit sampling from his ample record collection. Considering his background as a trained pianist, here his musical instincts are forced to work within the limitations of short, snappy cuts from dusty 12”s. The lo-fi sound sources and the resourceful ways Zopelar works them gives the record an unmistakable old-skool flavour which he applies to forthright house, techno and electro funk rhythms, always taking care to draw out the soul of the music.

The stylistic touchstones flow past thick and fast on Ritmo Freak. From the amped up fierceness of the title track with its gaudy, cut n’ paste, vintage techno flavour to the effervescent electro funk of ‘Gabriellinha’s Boogie’ on to the surreal Balearic inversion of ‘Distraction’, this is a high-velocity, endlessly charming record bursting with the musicality Zopelar has made his name on. As the driving force behind many warehouse parties in São Paulo,

Zopelar has been immersed in club culture for a long time, and his distinctive catalogue of jazz, funk, acid and techno has graced highly respected labels like Apron, Selva Discos and Mother Tongue. Throughout, he’s displayed an affinity for the tangled roots of the groove with an open-eared, big-hearted sound. That’s what comes through on Ritmo Freak

Greg Foat is a London-based keyboardist, composer, bandleader and DJ. He claims his life-long love/hate relationship with the piano began at age 3, when he fell off a piano stool at his aunt's house. He started composing around age 11, and at 15 attended a jazz workshop with Jeff Clyne, Olaf Vas, Trevor Tomkins and Nick Weldon, igniting his obsession with jazz music. He furthered to study jazz at Middlesex University, and then studied for 6 months in Sweden on an Erasmus grant. He played his first professional studio session there at 21, and has been working as a professional musician ever since.

Snake Plant Shuffle and Spider Plant Blues are inspired by the the plants on Gregs bedside tables - which periodically move around the house dependent on his mood. The plants provide a good source of oxygen in the room and create a calm soothing atmosphere for Gregs musical projects. Together the tracks feature live drum kits by Ayo Salawu, Fender Rhodes and a plethora of Vintage Synthesisers.

Snake Plant Shuffle has had radio plays in Gemany, Poland and Canada, as well as being heavily featured in Amazon Music's Jazz playlists, including 'Fresh Jazz', 'Coffee Shop Jazz' and 'Café Jazz'. Both tracks are featured in Apple Music' 'Jazz Scene: UK' and 'New Latitudes' playlists.

The Finnish composer, producer, and pianist Otto Taimela is ticking at 6000+ monthly listeners on Spotify with streams in the 100s of thousands. His discography covers everything from avant-garde piano to breakbeat, ambient-dub techno back to cinematic contemporary classical music, with releases on labels such as Cold Blow, Ultraääni, Cudighi Records, Reflections by Anjunadeep and Finite Source. Otto has performed in festivals such as Ilmiö and Solstice. Kimmeltie LP, the 2020 predecessor to Inner Beauty has become a rare collector's item.

His rendition of Clouds together with Olli Aarni received praise from Gigi Masin himself, commenting "Maybe the BEST cover ever".

On the 24th of May Otto was the "selector of the week" on the largest radio station in Finland, YleX, playing a track from Inner Beauty.

Heavy Metal hat eine lange Geschichte und eine tiefe Verbindung mit Teufelei, Devianz und der dunklen Seite allgemein. Die Rückkehr der Friends Of Hell kann diese Bindung nur stärken. Durchdrungen von reinstem Old-School-Metal und dreckigem Doom ist das neue Album 'God Damned You To Hell' ein rostiger Dorn in den Augen von Ungläubigen. Der lang erwartete Nachfolger des dämonisch spannenden Debüts, hinterlässt verbrannte Erde auf allem, was heilig ist. Noch trotziger altmodisch und düsterer als sein Vorgänger zollt sein primitives Sperrfeuer entsetzlicher Härte den Heavy Metal und Doom-Größen gruseligen Respekt, während es gleichzeitig neue, Dämonen beschwört. Zusammen mit Hellbutcher (Nifelheim) am Mikro und Bassist Beelzeebubth (Mystifier) sind Friends Of Hell nun bereit ein musikalisches Höllenfeuer auf die Metal-Gemeinde loszulassen. Sie tun dies auf Lee Dorrian's (Cathedral) Kult-Label Rise Above mit den drei Formaten CD, LP und Limited Red LP!

Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and New Zealander A. S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.

After an EP and a split with Portugal's Necrobode, Nadsvest crafted their definitive debut album. Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music, yet unmistakenly capturing that old school sound as only forged in Eastern Europe. Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.

Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.

Nadsvest is a black metal entity based in Serbia, comprised of Serbian native S and New Zealander A. S (Gorgoroth) and A (Barshesketh) crossed paths in 2015, and after a clear musical symbiosis had become evident, formed Nadsvest.

After an EP and a split with Portugal's Necrobode, Nadsvest crafted their definitive debut album. Musically, Nadsvest is a hellish combination of the first, second-wave and bestial black metal scenes, with unhealthy doses of heavy metal and nods to Serbian folk music, yet unmistakenly capturing that old school sound as only forged in Eastern Europe. Lyrical themes deal with the black arts through the lens of the darker aspects of Serbian folklore.

Conceptually, Slovo meseca i krvi is an epic poem exploring the stages in the process of awakening the primal werewolf force in the warrior, the triumph of the spirit and the ultimate sacrifice of the flesh.

Leader Brooks Nielsen continues to perform those songs alongside his new material to sold old crowds across the US. Hung at Heart was originally produced by Dan Auerbach but shelved and replace with a hastily recorded album, that included the anthem "One Million Lovers". This new remastering has brought the album forward in a remarkable way making it a brand new listening experience.

This live album recorded at Sentrum Scene in Oslo, was originally released in 1993, following their fifth album Let's Have It, and also features the swedish singer Olle Hillborg.

Sophie Lloyd is one of the most prolific guitarists on the world wide web, a trailblazer who is redefining the concept of a "bedroom" guitarist. A talented composer and accomplished musician, Sophie graduated from the prestigious BIMM in 2018 with a First Class Honours BMus in Popular Music Performance, honing and refining a talent she has nurtured since childhood. Since then, she has amassed the kind of following that even the guitar gods she grew up idolizing would be envious of, with a reach surpassing 3 million followers across her social channels, built through a steady stream of sharing her talent via guitar "shredleys", covers and her own original material. In addition to her own content, Sophie's talent and popularity has led to collaborations with brands such as Amazon Prime, Hard Rock Cafe, LiveNation and Harley Davidson, her own Guitar course on Truefire and a stunning performance at Paris Fashion Week for Redemption Brand Clothing. She has also released her own signature guitar, becoming the first female artist to do so for exclusive Californian Guitar maker KIESEL.

Most recently, Sophie could be seen shredding on stage as guitarist for multi-platinum recording artist Machine Gun Kelly on his recent Mainstream Sellout World Tour, which included sold out shows at legendary venues such Madison Square Garden in New York and Wembley Arena in London.

At 27 Years Old, Sophie Lloyd is just getting started, with the upcoming release of her debut solo album. The first few songs have already been released to rapturous reception, including "Fall Of Man (Feat. Matthew K Heafy)", "Do Or Die (Feat. Nathan James)", "Lost (Feat. Cole Rolland)" and "Runaway (Feat. Michael Starr)" with some more exciting names including Lzzy Hale (Halestorm), Chris Robertson (Black Stone Cherry), Tyler Connolly (Theory Of A Deadman) and Brandon Saller (Atreyu) all appearing.

Bogus Blimp. The Spectacular Rock Orchestra. Like the vaudeville acts of old they offer tuneful melodrama to the masses. Each song is another act in a play venturing from dark, exotic, and bombastic monuments to stumbling and naked moments of beauty. Bogus Blimp combine the dark 30's of Europe with the avantgardism of our times' rock 'n roll into a genre of its own making: Cabaret Core, Silent Movie Punk, or Horror Pop.

Bogus Blimp. The Spectacular Rock Orchestra. Like the vaudeville acts of old they offer tuneful melodrama to the masses. Each song is another act in a play venturing from dark, exotic, and bombastic monuments to stumbling and naked moments of beauty. Bogus Blimp combine the dark 30's of Europe with the avantgardism of our times' rock 'n roll into a genre of its own making: Cabaret Core, Silent Movie Punk, or Horror Pop

Bogus Blimp. The Spectacular Rock Orchestra. Like the vaudeville acts of old they offer tuneful melodrama to the masses. Each song is another act in a play venturing from dark, exotic, and bombastic monuments to stumbling and naked moments of beauty. Bogus Blimp combine the dark 30's of Europe with the avantgardism of our times' rock 'n roll into a genre of its own making: Cabaret Core, Silent Movie Punk, or Horror Pop

She Told Me Where to Go by Old Man Luedecke, released 24 May 2024, includes the following tracks: "Going on the Mountain", "The Raven and the Dove", "My Status is the Baddest ", "Misfits in Old Clothes" and more.

This version of She Told Me Where to Go comes as a 1xCD in a(n) Digipak packaging.