Das Album ist dem Geschmack, der Ästhetik und der „Ethik“ gewidmet. Und so kam es: Im Laufe eines Jahres wurden die Geräusche von Restaurants und Weingütern aufgenommen, ebenso wie die Stimmen derer, die in diesen Lokalen arbeiten. Wir hören u.a.
das Klirren von Gläsern, die Geräusche von Braten in Öl, Weingießen, sowie die erzählenden Stimmen von Köchen und Winzern auf Italienisch, Spanisch, Französisch, Englisch und Japanisch. Die Songs auf dem Album erzählen Geschichten von Rezepten, kulinarischen Vorlieben und Geselligkeit.
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- A1: Start This Over Again (Feat Supercoolwicked)
- A2: Jump
- B1: Virgil (Feat Mitchell Yoshida)
- B2: Bend Who (Feat Milf Melly & King Milo)
- C1: Money Hit Da Floor (Feat Supercoolwicked & Amir Hassan)
- C2: Outer Jass Authority (Feat Supercoolwicked, De'sean Jones & Ian Finkelstein)
- D1: Inner Luv (Intrumental Mix)
- E1: Aaayoooooo (Feat Alister Fawnwoda)
- E2: Multiple Orgasms
- F1: Ice Cream (Feat Alandra O Smith & Supercoolwicked)
- F2: Can't Change
- G1: My Momma & 'Nem Said I Don't Have To!!!
- G2: Miss Hunn'nay (Feat Mad Mike Banks)
- H1: Whale Sex
As the sweary, confrontational title suggests, this four-tracker from Detroit hero Omar-S is like a musical expansion pack for his much-discussed recent album, F*ck Resident Advisor. The no-nonsense Detroiter starts in fine fashion with 'Gonna Love You', a jaunty, piano-sporting peak-time loop jam crafted from old school vocal samples and snippets from a killer disco record, before reaching for cosmic synth sounds, lilting melodies and a melancholic mood on the starry deep house jam 'Bread Over Bed'. He subtly doffs a cap to Dance Mania style ghetto-house on the quirky, club-ready cheekiness of 'Shut Up', before smothering a classic house groove with heady hand percussion and snaking synth lines on dense and energetic closing cut 'Sloppy Joe'.
- A1: There's Nothing Like This
- A2: Last Request
- A3: Who Chooses The Seasons (Feat Carleen Anderson)
- A4: Best By Far
- A5: Winner
- A6: Be Thankful (Feat Erykah Badu)
- B1: Tell Me
- B2: Syleste (Lounge Lizzard Mix)
- B3: Feeling You (Feat Stevie Wonder)
- B4: It's So
- B5: Come On (Feat Kele Leroc)
- B6: Treat You (Feat Caron Wheeler)
- C1: The Man
- C2: Fuck War, Make Love
- C3: Bully (Feat The Scratch Professer)
- C4: I Love Being With You
- C5: Simplify
- C6: Gave My Heart (Feat Leon Ware)
- C7: Doobie Doobie Doo
- D1: Insatiable (Feat Natasha Watts)
- D2: De Ja Vu (Feat Mayra Andrade)
- D3: I Want It To Be
- D4: This Is Not A Love Song
- D5: Outside
Long Awaited Double Gatefold Release!
Omar Lyefook MBE is without doubt, one of the greatest soul music talents the United Kingdom has produced in the last 40 years. If anyone has doubts about that, then they might want to consider the list of legendary artists who happily line up to collaborate with him musically, or simply sing his praises - from Stevie Wonder, the late Leon Ware, Erykah Badu, Common, through to Carleen Anderson, D'Angelo, and Soul II Soul's Caron Wheeler, Angie Stone and U.K. artists Courtney Pine, Rodney P, Kele LeRoc, Natasha Watts and Estelle, all appreciate his truly original and unique voice, musicianship and songwriting talent.
When asked to reflect on his long, successful, critically acclaimed and deeply influential career that shows no signs of slowing up, Omar said "I feel blessed. I try to keep things moving and evolving, and when I finish an album, I always put my heart and soul into it. I'm looking at it from an outsider's point of view, because I never really see myself making the music. It's like I'm the vessel and somebody's controlling what I do, I just happen to be the one that gets the praise for it".
That modest statement just re-enforces the fact that Omar is simply a one off, a genuinely unique artist. That is a bold claim, but his sound is so immediately identifiable, that you will know you are hearing an Omar track within seconds - and that is the stamp of true originality.
This collection features many of his classic collaborations, from his evergreen worldwide anthem There's Nothing Like This, It's So, the dancefloor destroying banger inspired by the amalgam of sounds Omar heard at The Notting Hill Carnival.




















