French label and promoter Much More recordings is proud to present the second vinyl of its collection. This vinyl features 6 tracks ranging from breaks to techno and passing electronica, designed for soundsystem and anchored in their proper original and analogic techno sound.
- In the cosmos of techno, a pear takes height,
As Hawking once mused, our past's pear-shaped light.
Evoking the essence of techno's design.
From acid's lemon embrace to bitter-sweet's delight,
Techno's past and future, in pear-shaped swirl.
Upon the tree stump, a glimpse of starlight,
A timeless journey, through cosmic embrace.
Techno's essence, expanding through space,
Techno's soulful evolution, a work of art. -
AudioKast joins, promoting sheer delight. Intelligent, smooth, with a touch of piano, A break-infused track, atmospheric glow. Falling Echoes, from France's southern land, Techno that lingers, both fresh and grand. Straight, mental, efficient, it ensnares, A captivating sound, with eternal affairs. Ricardo Garduno, Mexico's pride, Illegal Alien's head, his track provides heavy, straightforward, 4-to-the-floor, A dancefloor bomb, demanding much more. Johannes Astrup,
from Copenhagen's embrace, Smart-stepping techno, a timeless grace. Killing beats that reverberate and flow, Infinite rhythms, an everlasting show. Joton and Aicrag, a powerful duo, Break smart-stepping techno, boomy and true. Their collaboration, a vibrating spell, Moving bodies, a dancefloor's sweet swell. The Blackmailer, a friend tried and true, Driving, big room, a relentless beat, Techno's love, a symphony complete. Dear friends, in this cosmic dance we partake, Love and techno, our souls awake.We are back to the essence, and yet, much more.
Suche:on land
- A1: Alice George Perez & Sofa- Little Dogs 2 47
- A2: Jumbrel- Sintidesbald 4 38
- A3: T-Woc & Empress Of Nature- Rapper's Delight 3 54
- A4: Aroma Von Troisdorf (Feat Marla Bereska)- Das Ozeall 3 44
- B1: Puma & The Dolphin- How To Send Email 3 40
- B2: Mytron - Fajny Dzie? 4 19
- B3: Naomie Klaus- How Do We Make The Babies 4 20
- B4: Androo- Police Justice 1 03
- C1: A, C, And The Omni Ox3- Cyril's Stories 2 42
- C2: Felix Kubin Feat Bela Elektra- On Y Va 2 51
- C3: Sexo Y Fantasia- Gioca All'amore 5 33
- C4: Conny Frischauf - Ton Tour 5 11
- D1: Das Unkenduo- Fortifrogs 5 14
- D2: Oslo Karamell- T3 4 43
- D3: Little Boy & The Mindful Potheads- Krautkid 5 54
Belgian producer and curator soFa launches from Strangelove once again, this time with his celebrated compilation series. A second trip round the stars "elsewhere junior Vol 2" features a bunch of unknown and familiar offworld entertainers. Kosmische music lands amongst leftfield club krypton as our crew collaborate with young space cadets.
Der renommierte Blues-Gitarrist und Sänger Jim Kahr hat die Musikwelt mit seinem neuesten Meisterwerk verzaubert: „Keepin‘ It Hot“. Das lang erwartete Album ist eine eindrucksvolle Sammlung von 9 selbst komponierten Tracks und 2 Bonus- Cover-Versionen, die die Seele berühren und das Feuer des Blues neu entfachen.
Jahrelange Arbeit floss in die Entstehung dieser Albumveröffentlichung, das in Memphis vom renommierten Grammy-Preisträger JIM GAINES aufgenommen wurde und nun auf dem Label Peppercake (ZYX) erscheint.
- A1: David Holmes - It's Over If We Run Out Of Love (Feat Raven Violet - Hardway Bros Live At The Ssl Dub) (7 59)
- A2: Unloved - Mother's Been A Bad Girl (Horse Meat Disco Remix) (5 46)
- A3: Pip Blom - Keep It Together (Ludwig A F Under Pressure Mix) (3 27)
- B1: Confidence Man - Holiday (Erol Alkan Ooo Remix) (6 49)
- B2: Toy - You Won't Be The Same (Dan Carey Dub) (10 30)
- C1: Audiobooks - The Doll (Bruise Remix) (6 53)
- C2: The Orielles - The Room (Shy One Remix) (5 06)
- C3: Eyes Of Others - Once Twice Thrice (The Orielles Remix) (4 40)
- D1: Fever The Ghost - Source (Leo Zero Dub) (7 12)
- D2: Working Men's Club - The Last One (Foregmasters Remix) (8 17)
Die Heavenly Remixes-Reihe präsentiert weiterhin die besten Remixe, Versionen, Meditationen, Re-Rubs und Dubs von Künstlern aus der ganzen Welt, die auf der Liste des aufregendsten Plattenlabels des Landes stehen. In den meisten Fällen handelt es sich bei den Alben um die erste physische Veröffentlichung eines Remixes, die sie von den Streaming-Playlisten in ihr rechtmäßiges, spirituelles Zuhause auf superschwerem Vinyl (oder glänzender, supergepackter Compact Disc) befördert.
Heavenly Remixes Volume 7 führt nach Belfast, wo David Holmes - ein Produzent, der 1994 zum ersten Mal auf Heavenly auftauchte und den Acid von Saint Etiennes Like A Motorway aufpeppte - als Solokünstler und als ein Drittel von Unloved auftritt, die von Horse Meat Disco direkt in das Herz eines Vauxhall-Schwitzkastens befördert werden.
- The Orielles - Beam/S (Space Afrika Remix)
- Amber Arcades - Turning Light (Justin Robertson's Deadstock 33'S Meditation)
- Unloved - Number In My Phone (Black Science Orchestra Dub)
- Confidence Man - Toy Boy (Raw Silk Instrumental Remix)
- David Holmes & Raven Violet - It's Over If We Run Out Of Love (Lovefingers & Heidi Lawden Low Tide Mix)
- Baxter Dury - Miami (Pilooski Instrumental Dub)
- Out Cold - Loving Arms (Hardway Brothers Remix)
- Working Men's Club - Cut (Mella Dee Spangled On The Terrace Dub)
- Eyes Of Others - Safehouse (Decius Remix)
- Katy J Pearson - Howl (Umlauts Remix)
- Fran Lobo - All I Want (Tone Remix)
Die Heavenly Remixes-Reihe präsentiert weiterhin die besten Remixe, Versionen, Meditationen, Re-Rubs und Dubs von Künstlern aus der ganzen Welt, die auf der Liste des aufregendsten Plattenlabels des Landes stehen. In den meisten Fällen handelt es sich bei den Alben um die erste physische Veröffentlichung eines Remixes, die sie von den Streaming-Playlisten in ihr rechtmäßiges, spirituelles Zuhause auf superschwerem Vinyl (oder glänzender, supergepackter Compact Disc) befördert.
Heavenly Remixes Volume 8 beginnt mit Space Afrikas üppiger, ambienter Neuinterpretation von BEAM/S der Orielles, bevor Justin Robertson Amber Arcades' Turning Light zu acht Minuten elektronischem Dub dehnt.
- Ain’t Gotta Do It
- Spinning Round (Feat. Viktoria Tolstoy)
- Who’s Right, Who’s Wrong
- I Had To Learn Not To Care
- Moonlight (Feat. Seven)
- Turn The Lights Down Low (Feat. Kim Sanders)
- Carnaval De La Gente (Feat. Bireli Lagrène)
- Soul Searching (Feat. Nils Landgren)
- Walk Away (Feat. Randy Brecker)
- Naked Funk
- Keep On Running (Feat. Pete York)
- Wade Groove
- I’ll Do It Anyway (Feat. Ida Sand)
- Paradox Jam (Feat. Magnus Lindgren)
- Another Star
- Theme From "The Warriors" - Barry Devorzon
- Nowhere To Run - Arnold Mcculler
- In Havana - Kenny Vance With Ismael Miranda
- Echos In My Mind - Mandrill
- The Fight - Barry Devorzon
- In The City - Joe Walsh
- Love Is A Fire - Genya Ravan
- Baseball Furies Chase - Barry Devorzon
- Re Movin' Too Slow - Johnny Vastano
- Last Of An Ancient Breed - Desmond Child
- Wonder Wheel (Main Title)
- Graveyard
- Night Run
- The Orphans/Turnbull A.c.'s Pt. 1/Riff Boss
- Turnbull A.c.'s Pt. 2/Molotov Cocktail
- March To Station
- Luther Shoots Cyrus/Train Walking
- Baseball Furies Chase/The Fight
- Into The Tunnel
- Skater/Men's Room/The Fight (Alternate)
- 11: Riff's Learn Truth/Platform/Warriors & Rogues
- 12: Platform (Alternate)/Warriors & Rogue (Alternate)
The long-awaited repressing of THE WARRIORS. This deluxe double LP features the re-mastered 1979 original soundtrack, in addition to, the vinyl debut of the complete film score by Barry DeVorzon.
Directed by Walter Hill and based off the 1965 novel by Sol Yurick of the same name, THE WARRIORS is the absolute definition of an influential cult-classic film. THE WARRIORS has permeated the landscape of pop culture, music, film, fashion, comics, and video games.
Waxwork worked directly from the original master tapes of both the original 1979 soundtrack and film score to bring audiences a brand-new transfer of every musical cue heard in the movie, for the very first time on vinyl.
Features artwork by Marvel Comics artist Dave Rapoza, Double LP 180 gram “Warriors” red and rust vinyl, printed insert, and deluxe packaging.
Errare Humanum Est comes from the Latin proverb "To err is human" as a musician and a human-being, you are constantly facing "mistakes" on your compositional work and your instrumental interpretation, Felipe Gordon presents his second conceptual album under this premise, you should accept and make mistakes as a crucial part of art and life. During late 2022 and beginning of 2023, the musician and producer worked on a new long play in his home studio "El Dorado" in Bogot?, Colombia. Trying to create a whole new concept and universe he re-visited some forgotten musical sketches, going from breakbeats, synthesis, boom bap, deep acid and house music Felipe presents us his new album, a melting pot of musical ideas, again not trying to achieve a club track filled long play but a whole listening experience, not focusing only on dancing matters but also on every day musical enjoyment. With the forward-thinking distribution and collaboration from the Rotterdam based power house, Clone Records and looking for a way to create a more independent environment for his releases, Felipe is creating his own "Wide Awake", a new record label focused only on sharing and creating a platform for his constant output. As in "A Landscape Onomatopeya" (Felipe's first LP) Primer Ocaso took over the editorial design on their talented hands, creating an amazing Gatefold 2X12'' - 140 Gr Solid White Album edition
In a world seemingly gone crazy a bit of good old common sense is as necessary as a simple cup of black coffee.” A random quote out of the ether but one that could define the sound, the style and craftmanship of The Irrational Library. Based on a foundation of groove set forth by Mishal Zeera on the bass guitar and Lars van der Weiden on drums; this sets the locomotive in motion for the guitar and baritone sax of Tom de Haan to build upon. A sonic sound that continues to search in between the lines, to reach where most musician dare not to dwell. A musical landscape so familiar yet fresh and new for these times. And
always waiting and watching, ready to jump that train are the poetic and socially zoomed in words of Joshua Baumgarten.
Félicia Atkinson: »Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe)« (2021)
Félicia Atkinson’s Ni envers ni endroit que cette roche brûlante (Pour Georgia O’Keeffe) is approached as a meditation, not as meditative music, but as a reflection on the art of creation: how to inhabit one’s creation, how to convey it, domesticate it and live with it. Drawing inspiration from the artist Georgia O’ Keeffe, both in her work as a painter and in the houses in which she lived in New Mexico, and even in the landscapes that surround them, Félicia Atkinson has composed a piece that evokes and celebrates, in a poetic and holistic way, the mystery of art, the somnambulic oscillation that accompanies the act of creating. Blending fragmentary voices, islands of piano, electronic textures and patterns, and field recordings, Félicia Atkinson’s music is sincere and inspired, a meditation, then, but also a lesson we sometimes forget: being an artist is not an activity, even less a profession, it’s a singular way of approaching the world and, in so doing, densifying it.
Richard Chartier: »Recurrence.Expansion« (2020)
Richard Chartier’s music takes up residence at the frontiers of the audible, on the edge where sound diffracts into an inter-dimensionality where sounds, space, listening and silence recombine in an arborescence of becomings that present themselves to us and then disappear. The space-time in which Richard Chartier’s music unfolds is a stretched space-time, barely emerging in the world of sound. The delicacy, precision and accuracy of the composition Recurrence. Expansion lies precisely in this dialogue between a shape that is exposed and developed in an inspired and masterful way, and the sonic biotope in which this shape develops. It is from such an encounter that the singularity of Richard Chartier’s music emerges, music of attentive listening, but also sensitive, inhabited music, a music of discreet metamorphosis.
Explorations was born from the inquisitive spirit that Hypnotica Colectiva has always had for the world of experimental music. We can classify it as an ambitious project, based on the fact that it is the first official sub-label of HC Records, but also pointing to the musical section both on the publishing side and on the live art side. The main objective is not to adhere to any pigeonhole, seeking to cover a wide range of unconventional sounds and rhythms without straying too far from recognizable and danceable patterns. That is why we want to create space for this project on and off the track, without barriers, and with our eyes mainly set on the future.
To kickstart the project, we look within for answers, paying attention to our mother label. John and Paul Healy hide under the name of Somatic Responses, two Welsh brothers with a long and proven career in intelligent music. We won't say that they are pioneers, but they did manage to forge a characteristic sound and style that has accompanied them since they began their career in the mid-90s.
EXPLORATIONS 01 was not conceived as an LP is usually made. When contacting the artists, they sent us a large number of tracks that they thought would fit the label's preferences. From here, the Explorations team selected the 13 tracks that now come to you, trying to find the balance between the three main styles we bet on for this first release: IDM, Ambient and Drone.
"HC Records is expanding its horizons with a new parallel yet ambitious project. In an effort to broaden its recording legacy from an evolutionary perspective, the Valencian label is venturing into the field of experimental sound. This new direction signifies a rejuvenation and adaptation to a new era, where music fragments and expands towards infinite horizons. Complex compositions, abstract designs, and extreme sound treatments define this innovative approach, pushing music beyond its limits and sacrificing some of its essential properties in the process."
Ximo Noguera @Industrial Complexx
- A1: Monuments Of Mars
- A2: Running Around
- A3: Darker Than A Shadow
- B1: Brother To Brother
- B2: Speak Your Peace
- B3: Imagine A Nation
Mr Bongo is thrilled to announce a special RSD Black Friday edition of 'Speak Your Peace,’ a stunningly beautiful album by the legendary Terry Callier. This remarkable record not only showcases Terry Callier's immense talent, but also features production by Bluey (Incognito) and Marc Mac (4 Hero). It includes the single, ‘Brother to Brother’, a song co-written and performed with British musical icon, Paul Weller. This stellar cast of producers and collaborators infuses the album with modern sensibilities while maintaining the integrity of Terry Callier's unique sound.
'Speak Your Peace' is a testament to Terry Callier's enduring legacy as a singer-songwriter and guitarist. Known for his ability to blend genres seamlessly, here he takes listeners on a transcendent journey through soul, jazz, folk, and blues. His captivating voice and exceptional guitar playing create a musical landscape that is both timeless and profound. This collection of songs tackles a range of themes, from love and introspection to social justice and the human experience. Terry Callier's poignant lyrics and soul-stirring melodies intertwine, creating a multi-dimensional work of art. It rates with his incredible Cadet work in its vision, articulation, and execution.
Mr Bongo Records is honoured to present 'Speak Your Peace’ and to celebrate the legacy of Terry Callier and his impact on the musical landscape.
: Written and recorded in a series of bedroom studiosin England and France, London-based Gareth Donkin’s extraordinary debut, Welcome Home, showcases the 23-year-old’s stunning mix of instrumental virtuosity and emotional intuition, blending highly sophisticated melodic and harmonic craftsmanship with deeply moving lyrical explorations of longing, desire, and determination. The songs here draw on soul, funk, pop, yacht rock,hip-hop, jazz, and even bossa nova, hinting at times to everything from Michael Jackson and Bill Evans to George Benson and Jamiroquai, and Donkin’s performances are nothing short of mesmerizing, layering up instrument after instrument in the best one-man-band tradition of Prince or Stevie Wonder. The result is a moving work that’s equal parts brain and brawn, a masterful coming-of-age self-portrait from a young artist discovering himself—and his sound—one song at a time. Born with perfect pitch, Donkin was already fanatically obsessed with both jazz piano and drums before he turned twelve. In high school, he began DJing and teaching himself to record and sample, and by the time he headed to the Leeds College of Music to pursue a degree in production, he was already writing and recording his own material at home. His first single, “Catharsis,” would go on to rack up more than a million streams on Spotify, and a series of subsequent tracks would find similarly organic success and help land him a deal with the burgeoning drink sum wtr label.
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.
Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more
The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.
Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more
From his early days with Henry Cow, Fred Frith was seen as a brilliant instrumentalist and improviser, but what has been overlooked is what a first-rate composer he is. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles. Fred Frith, as an infusion of energy and inspiration. ''Something about this Landscape was commissioned by Ars Musica in 2018. I composed the piece during a residency at Lou Harrison's straw-bale house in the desert at Joshua Tree, California. It's an inspiring place for a number of reasons - the silence, the light, the life, the history. The extraordinary diversity of birds during the migration season. Both other pieces are improvisations. The first one is the one we did during the concert (in public), the other one, very different, is the one we did during the dress rehearsal (on the day of the concert).'' Fred Frith.
Crashing dirty carnage somewhere between Neuroot, Ripcord, and Sacrilege lands in your lap with Stingray’s debut LP. Tin Savage barks his brutish textural east London drawl on top of unrefined metal-tinged hardcore punk veering between scandi wallop, jacked up amphetamine hardcore and jaw snapping mosh lusciously and confidently. Recorded by Jonah Falco at Fuzzbrain Studios, mixed and mastered by Chris Corry in the Paincave, Fortress Britain is a ruthless and unrelenting blunt instrument.
Since his early days with Henry Cow, Fred Frith has been regarded as a brilliant instrumentalist and improviser, but what has been overlooked is that he is also a first-rate composer. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles. Fred Frith, as an infusion of energy and inspiration.
''Something about this Landscape was commissioned by Ars Musica in 2018. I composed the piece during a residency at Lou Harrison's straw-bale house in the desert at Joshua Tree, California. It's an inspiring place for a number of reasons - the silence, the light, the life, the history. The extraordinary diversity of birds during the migration season. Both other pieces are improvisations. The first one is the one we did during the concert (in public), the other one, very different, is the one we did during the dress rehearsal (on the day of the concert).'' - Fred Frith
Musiques Nouvelles is one of the two most successful and diversified contemporary music ensemble in this country with Ictus. With, under the influence of Jean-Paul Dessy, a deeply spiritual and mutual listening aspect. This meeting with the legendary Fred Frith will remain as an important step.
Toy Tonics going New Wave Disco with Baby’s Berserk’s self-titled debut album (to be released on 29 September).
There are many shades of funk in dance music. Berlin’s Toy Tonics label brings up artists that reflect many of these different aspects in dance music. Now the label comes up with a band! A band that is inspired by 1980ies New Wave as well as the Y2K Indie dance scene. Two guys and 2 girls from Amsterdam and Montreal called Baby’s Berserk.
Baby’s Berserk is about taking the freedom to be who you want to be, about being comfortable. Having played in all-girl punk bands since the age of 14, the bands singer Lieselot is an expert on female empowerment. “Dress like a girl and act like a boy,” is a catchphrase she lives up to every day and it clearly is a message that resonates with the band’s wild fans.
In the great tradition of Roxy Music, Throbbing Gristle and Malcolm McLaren, Baby’s Berserk is not just about the edgy music, but also about a very strong own visual style. They readily blend their sounds with underground fashion. What you see is what you get and seeing Baby’s Berserk is feeling right at home. Lieselot is a visionary when it comes to stage presence. Have you always wanted to see an electronic band with a punk attitude perform wearing a mix of haute couture and Flintstone-style rags? Look no further, it’s Baby’s Berserk.
Following on the critically acclaimed singles ‘What I Mean’ (2020) and ‘Toxic Kisses’ (2022), Baby Berserk’s highly anticipated self-titled full-length is now finally about to see the light on Berlin’s Toy Tonics records. Sonically designed for gritty rock venues as well as up-to-date edgy dance clubs, Mano’s lush compositions smoothly intertwine with the highly associative lyrics written by Puggy and Lieselot. Poets and literary addicts may think they’ve just discovered the rock & roll equivalents of Sylvia Plath, Kurt Vonnegut and Allen Ginsberg. To tell you the truth: their wild guess is pretty accurate as the works by these greats lie scattered around the Baby’s Berserk studio for inspiration.
The band was born in a laboratory back in 2019. Tired of being in bands with unruly and unpredictable humans, Mano Hollestelle set out to create a group of high precision robots to create the post-punk sound he had in mind. His outdated technology of floppy disks and cassette tapes worked well to program the androids, until one day a 90s rave mixtape was mistakenly entered into his computer. House music is a feeling and the punk bots instantly got hooked on it upon hearing it for the first time. They could never be reset to factory settings again. Mano worked tirelessly with his androids, currently known by their humanoid names of Lieselot Elzinga, Puggy Beales and Eva Wijnbergen, to fulfil his evil plan to make the rockers dance and the dancers rock. Baby’s Berserk is the fiendish extension of this plot. Beware, the band’s bass driven grooves and computerized beats have been known to cast a spell upon all within earshot.
So what do the songs on ‘Baby’s Berserk’ tell you? That it’s totally fine to have lots of fun in life! To have a boyfriend as an accessory (‘Accessories’), to get inspired by Sponge Bob (‘Dancing with the Fish’) and to blend your spirits with mixers whenever the hell you feel like it (‘Rum ‘n’ Kola’).
Baby’s Berserk member Puggy Beales on ‘Limousine’: “Decant the wine from my tip jar to yours. Soon we'll be on easy street, chauffeured home from the rat race each evening. Is it everything you'd hoped it would be?”
Check not only the debut album but also the forthcoming Remix EP with remixes by Each Other, Niklas Wandt, Sam Ruffillo, Kris Baha and Nicolini.



















