Cerca:one records

This new Studio collection on Soul Jazz Records delves deep into a melting pot world of reggae and funk and dub created at the music laboratory of 13 Brentford Road, Kingston in the 1970s - an intense collaboration of crack musicians, singers, DJs and engineers under the guidance of producer Clement 'Coxsone' Dodd. Here you will find some of the deepest and rawest cuts to emanate out the Studio One factory - truly hypnotic rhythms, powerful funk guitar and bass, soaring horns and more interspersed with occasional vocals and toasting as musicians reach for the highest heights and deepest roots of reggae music.

Detroit, Michigan hip hop artist, producer and Wu-Tang affiliate Bronze Nazareth began cooking up heat in 2002. Twenty years later, ain’t a damn thing changed — except he’s bringing the noise for a new generation with fellow Detroit artist, Lord Jessiah. Their latest outing, Time Waits for No One is a bangin’ street soundtrack that’s sure to leave bullet holes in every speaker that blasts it. Features include Recognize Ali, Ty Farris and a team of heavy gunners from hip hop’s frontlines.

The second single from the Nicole Willis album Happiness in Every Style opens up the promised spectrum of joy into new ecstatic states. One In A Million is an unapologetic love song, which while connecting to this most traditional mode in soul music, also makes it correct for the dancefloor. Connoisseur terms such as 'crossover' or 'modern soul' might prove to be accurate here, but a membership in the soul scene is not mandatory to get down.

The main thing is that this up-tempo horn-driven groover, propelled by The Soul Investigators (as the usual suspects), should make things move inside, tickling nerves in scenesters as well as the layman, as their breakthrough hit If This Ain't Love did back in the day.

The world and the music business is different for Nicole Willis and the boys from up north. Nevertheless, One In A Million might be the underground hit that nobody saw coming. Or it just as well might not, but this is no excuse for not making quality music. This and more can be anticipated from the new album, dropping on Timmion Records in autumn 2015.

Soul Jazz Records follows up one its most popular Studio One releases with a brand new selection of rare and classic releases by women in reggae. Featuring legendary artists such as Marcia Griffiths, Rita Marley and Hortense Ellis (with a guest appearance by her brother Alton), alongside a host of rarities from lesser known names such as Nina Soul, Nana Mclean, Denise Darlington, Myrna Hague and also Doreen Schaeffer, a vocalist who was a founding member of The Skatalites.

There are notable covers (from Tyrone Davis’ soul classic Can I Change My Mind to the Band’s 60s psychedelic classic Turn Turn Turn in a rub-a-dub style!). Doreen Schaeffer reversions Alton Ellis’s seminal I’m Still in Love with You, Nina Soul reversions the slack rocksteady anthem Barb Wire. A number of these tracks are almost impossible to find and many have never been issued ever since their initial release.

The music on the album is of course 100% killer and features backing from all of the seminal groups at 13 Brentford Road including The Skatalites, Sound Dimension, Soul Brothers and the Brentford All Stars, and ranges from ska, rocksteady, roots, lovers and more from the 60s, 70s and 80s. All produced by Clement ‘Sir Coxsone’ Dodd at Studio One Records, the number one sound in reggae music.
The album is released on Soul Jazz Records as a double-vinyl with gatefold sleeve, download code, the CD comes in slipcase and both come with extensive sleevenotes.

The Nutty Trax Volume One EP is a record that looks at the more fun side of breakbeat hardcore whilst not descending into cheese territory. It takes its cues from the early sound of 1994, when things were a little naughty and a little annonymous. Larger than life pianos, hefty breaks, bouncy stabs and of course, the female lead vocal. This was made for midnight parties and summer afternoons, and is packed with feel good vibes!

Dirty machine gun funk, dripping in fudgy acidic grooves on this twisted heater from native London badass Shy One. Techno collides with Jazz Fusion across three jams recorded straight out the box and cut exclusively onto wax for Eglo Records. This 7" marks the first in a series of releases from the kinetic, undefinable talent.

Soul Jazz Records are releasing this 20th anniversary edition of their classic Studio One Rockers on unique Record Store Day EXCLUSIVE coloured vinyl + download code. This new edition is a one-off pressing exclusively for Record Store Day Owned and founded by Clement "Coxsone" Dodd, Studio One's output serves as a comprehensive guide to the history of Reggae music.

The music on Studio One Rockers covers all areas of Reggae such as Ska, Rocksteady, Roots and Dancehall, all areas in which Studio One led the field and has become the essential introduction to reggae fans throughout the world.


Included in this compilation are classic Ska tracks ("Phoenix City"), Rocksteady ("Feel Like Jumping"), Roots music ("Truth and Rights"), Dancehall (Freddy McGregor, Michigan and Smiley) and many more. Featured here are many of the classic tracks from Studio One. From Dawn Penn's legendary "No, No, No" to classics such as Horace Andy's "Skylarking" and Marcia Griffith's "Feel Like Jumping".

"Compilation of the year. 100% Essential” Time Out "Compilation of the year. A compilation of unbelievable quality. Awesome” DJ "A who's who of Jamaican music” The Times "An essential slice of musical history" Wire "The most credible compilation of reggae you can buy” - The Guardian.

It’s All Punk Dub………

There were two trains leaving the musical station back in the late seventies. One was punk rock the other was reggae. I had a foot in both, which we called The Punky Reggae Party.

When I cut tracks for the `It’s All Punk Rock’ album, released in October 2021, I always cut a dub / version of the track. Some came out as the flip side of the 7’’ singles in true reggae style and some were worked on more and changed. Some I dropped different lyrics on top of the backing track simply because it seemed to work. All had the bass /drums pushed up,
lyrics dropped in /out when needed. I always saw these as a different way of listening to the tracks and these seem to work together as an album release.

Hope you enjoy the ride…

1976 the writings on the wall
Police and Thieves, Riots at the Carnival
Dreadlocks In Moonlight, Anarchy In The UK
New Rose, M.P.L.A.

1977 the Silver Jubilee
Two Sevens Clash, In The City
The red, white & blue meets the red, green & gold
It’s a punky reggae party, so I’m told

1978 Ah Strictly Roots
Gabicci tops and bondage suits
Nah pop no style in me whistle and flute
Creepers, Clarkes & DM boots

1979 this is No Fun, Rasta No Pick Pocket
Got me copy of Hong Kong Garden
looks like we a buying what we are sold
Cos the punks & teds are fighting in the King’s Road

Punk Rock meets version International herb
Pass the ready rub
You’ve had It’s All Punk Rock
Now It’s All Punk Dub …..

Limited Edition 500 copies

One Day is the third album from the Cactus Blossoms - featuring eleven songs written, produced, and harmonized by brothers Jack Torrey and Page Burkum

Recorded and mixed by longtime collaborator Alex Hall using a mobile rig in Page's Minneapolis basement, the album continues the evolution of the band's signature blend of country, soul, and 60"s rock sounds, all anchored by the brothers' core sibling harmony vocal style.Ltd Crystal Amber vinyl.

For fans of - St. Paul & The Broken Bones, Mayor Hawthorn, Nathaniel Ratelif. Oliver James is a time capsule. Raised in a family of musicians and a man who has been performing live since he was a child, Oliver comes to his love of soul music in a most honest and authentic way. Growing up listening to gospel, blues, and R&B from the classic early Stax era, his influences as a musician, songwriter, and producer are clear. After a stint working as a songwriter for Rick Hall, Mr. James is now set to start his own career. Producing, editing, mixing, and performing completely to tape, Oliver makes his mark with his debut single "One And Only" on Colemine Records

Los Yesterdays made a big debut on Penrose with their first single and it is still getting heavy plays by soul DJs all over the place. Now they return with another perfect delivery of mid-tempo excellence that will appeal to fans of Eddie Holman and Billy Stewart. 'Nobody's Clown' pirouettes on splashy cymbals with natty chord riffs and twirling drums that dance their way into your heart. On the flip is the more forlorn and beautifully pained 'Give Me One More Chance.' It's about a love lost, like all the best tunes, and frankly, given the performance, it is a chance Mr Victor Benavides well deserves.

A repress to celebrate the 6th birthday of Svalbard's incredible debut 'One Day All This Will End'

Svalbard have grown ever more maximalist with their approach to melody and intensity in the relatively short period of time they have been together. From the almost gruff-punk-goes-black metal-goes post-rock leanings of 'Unnatural Light', to the tale of two halves presented by 'The Vanishing Point' which swings from a haunting gaze to an almost positive post- hardcore resolution, Svalbard weave
disparate influence into a seamless whole with aplomb.

While sailing safe towards the glorious shores of release number 60 across the whole catalogue, we are proud to present you a previously unissued alternate take of the immense recording that saw the light on Brute in 1967, and earned a well deserved induction in the hall of fame of the greatest rare soul records of all times by becoming a steady classic at all major worldwide soul events starting from Stafford.

Limited to 500 copies worldwide* 1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that most music aficionados would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut
45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sydney, Melbourne and Brisbane
opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.
Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.
File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and
to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan –
Scandinavia’s biggest record fairs

A blend of Nu-Disco/Disco-funk, trip hop and cosmic with a touch of jazz from the one they call Super Paolo across 2 x 12 Inch records that has been lighting up dancefloors the world over.


DJ Support:
Ashley Beedle, Daniele Baldelli, LTJ Trevisi, Severino, Francesco Mami.

If you read the comment you will know that this record IS the record of the year to me thanks to the B side of the B record.
The records to Be with !

BLASTERS TUNES !

Heir Corpse One is one of the latest projects of
multi-shredder / vocalist Rogga Johansson
(Paganizer, Stygian Dark, Massacre, Blood Gut,
Dead Sun, Megascavenger, Ribspreader,
Putrevore, Revolting).
 For this zombie horror-themed album he teamed
up with some friends from the Swedish death
metal scene: Kjetil Lynghaug (Mordenial,
Paganizer), Peter Svensson (Furnace Moon) and
Marcus Rosenkvist (Assasins Blade, Void Moon).
 ‘Fly The Fiendish Skies’ is a concept story about a
zombie apocalypse that starts after a plane cockpit
crew crashes and dives in a zombie filled swamp.
Expect dirty old school Swedish death metal as
only the Swedes can produce.
 For fans of Unleashed, Grave, Entrails, Bloodbath,
(old) Entombed

The collectable 1994 EP for the first time on vinyl or as deluxe 2CD combining including the full album version of “Unplugged”. Remastered for the best audio experience!