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“Vox Flora Vox Fauna” is an invocation in which ECE CANLI channels the voice of Earth itself. A ritual of breath, rebirth, bone, and buried memory. Like the most transcendent moments of Dead Can Dance, the soundscapes are primitive, tribal, atmospheric, and utterly cathartic: echoes of a wounded planet, mourning and resisting at once. They unleash the raw force of Gaia, vibrating through ancient rhythms and spectral chants that seem to rise from the soil itself. In an age of collapse, this is music as prayer, protest, and purification, an elemental cry from the Mother to all who still listen. ECE CANLI “Vox Flora Vox Fauna”. Ltd. Edition Album presented in ONE-OFF truly limited edition of 100 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. Includes a printed innersleeve.

Following up a string of releases on labels such as Mana, Sun Ark, Orange Milk Records and Abyss, Other People are honoured to present the new album Fobia by Argentinian musician and sound artist aylu, real name Ailin Grad. Inspired in part of Grad's many collaborative projects over the last few years, Fobia sees her collecting and rearranging the music and sounds fostered within these to create an intimate, spiritually charged album that turns personal struggle into collective resistance and resilience. What initially started as a way for Grad to process her own experiences with agora- and claustrophobia, and an attempt to navigate feelings of shame and a perceived demand to keep these feelings bottled up and hidden from the world, she began to realise how mental health struggles are not isolated incidents but part of broader systems of collective suffering and injustice. “It took a long time for me to discover that my issues were part of a system that produces these kinds of symptoms and that it takes a lot of courage to find a way around them. I have the feeling that more and more people suffer from these kind of things in some way or another, and what was at first taught as something you should be silent about and keep private, I discovered that the more you talk about it and share it with people you trust, the more you realise that it’s part of something much bigger.” This tension and constant pull between fear and joy, light and dark, is present throughout the album. From the strained breathing featured in opening track Yodo echoing the suffocating feeling from claustrophobia interspersed with the lighter textures of Obelisco Elysium and Prospero offering up a sense of relief, to the almost cacophonous, immersive soundscapes of El Sol Mal, mirroring the complex, often contradictory emotions when navigating mental health challenges. Fobia invites listeners to move through pain with honesty, finding strength in shared experiences.

Repress 2026













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[k] D1 | The Train (King's Cross) [Feat. Caroline Polachek]











[k] D1 | The Train (King's Cross) [Feat. Caroline Polachek]

‘When The 2000s Clashed: Machine Music For A New Millenium’ is the story of how, 25 years ago, a new form of electronic music – known as electroclash - reignited a tired clubland and gave the indie scene and mainstream pop a shot in the arm in the process. Over this 3LP highlights set, carefully curated from the 5CD box of the same name (also released, 3rd October) the collection showcases the back-to-basics electronic beats that heralded in a new generation of exciting and innovative new artists - Hot Chip, Peaches, LCD Soundystem, and Ladytron, to name a handful. It also shows how the sound and attitude of electroclash plugged into the decade’s cutting-edge indie bands, (Franz Ferdinand, Bloc Party), and became intrinsic to the way chart pop would sound in the first decade of the 2000s (Kylie, Goldfrapp).

The collection also shows how the scene’s underground DIY ethos evolved and inspired the next generation of electronic buccaneers (Simian Mobile Disco, Justice Vs. Simian). ‘When The 2000s Clashed’ brings together a dazzling, diverse selection of artists, producers and remixers from right across the 2000s zeitgeist – from The Chemical Brothers and Daft Punk, from M.I.A. to Soulwax and many points in-between. For good measure, there’s also one side of LP3 given over to the original post punk and electronic sounds (including Kraftwerk, The Human League and Cabaret Voltaire) who’d played such a big influence on the electroclash sound. ‘

When The 2000s Clashed’ was compiled and sequenced for Demon / Edsel by Jonny Slut, founder of London’s electroclash citadel Nag Nag Nag. Established in 2002, in a small Soho venue called Ghetto, ‘Nag’ quickly became THE hottest club, first in London and then in the whole world. A glorious mess and hedonists’ hotspot, a night at ‘Nag Nag Nag’ (if you could get in!) saw the capital’s club kids, students and creatives rub up alongside names from the fashion and music worlds - Björk, Pet Shop Boys, Kate Moss, Boy George, Alexander McQueen, and Pam Hogg were among the regulars. Madonna visited, so did John Peel, Yoko Ono asked to perform and did, Throbbing Gristle’s Chris and Cosey DJ’d, so did Marc Almond, and Too Many DJ’s.

Justin Timberlake was refused entry (too many bodyguards)… even Cilla Black was spotted getting down! Jonny shares these reminisces – and many more - in the collection’s sleevenotes. Named after the 1979 Cabaret Voltaire classic, ‘Nag, Nag, Nag’ became the first place to hear the seemingly endless flow of thrilling new tunes coming from every direction during that decade of dance. Many of them are included on this collection.

Originally released in 1995, Open Systems EP by Astrocat returns in a remastered reissue that reintroduces one of the most refined and forward-thinking releases from the underground electronic scene.
Blending futuristic electro, alien breakbeats, and hi-tech ambient textures, the EP remains a bold exploration of sonic architecture—timeless in its vision, and still resonant in today’s electronic landscape.
This new wax is the usual Orange Wedge way to connect past innovation with today’s listeners.

Anothr World steps onto the bridge between Paris, the Ruhr Area, and Berlin.

Marking its debut with a vinyl-only release, the label presents a compelling Various Artists compilation that sets the tone for its unique sonic identity.
From France, Berlin-based Casual Treatment and Paris-native Hemka contribute powerful tracks. Representing the Ruhr Area, Rostom and Verschwender bring their own distinctive energy, grounding the release with gritty, hypnotic textures and raw groove.

This first offering is a bold statement of intent - a fusion of cities and sounds.

What happens when you combine SUMAC: a band that uses the volume, distortion, and guitar-centric approach of metal to make music that has the malleability of jazz and textural exploration of noise with Moor Mother: a poet and sound artist that has deconstructed hip hop to a point where it"s less about rhyme and rhythm (though obviously both are present in her work) and more about oratorical cadence and power.

The Film is an album that takes attributes of both artists" work and finds common ground in shifting musical patterns, and expressive force. The record is a musical thumbing of their noses at the more traditional approaches of their respective fields, an innovative, powerhouse of an album. The Film"s moniker speaks to the fact that it is conceived and delivered as a complete album, a full story or narrative. Moor Mother puts it best: "The idea is to create a moment outside of the convention. This is a work of art.

Thinking about the work as a Film, instead of an album or a collection of songs. This task is impossible in an industry that wants to force everything into a box of consumption. You won"t understand or get the full picture until the artwork is completed. This work is developing and is requesting more agency within the creative process." The Film is just such a work, a nebulitic collaboration between SUMAC and Moor Mother.

ZUG is without a doubt one of the leading and most compelling forces in contemporary European body and minimal electronic music. Once again joining forces with Oráculo Records, they present a retrospective that traces the arc of their already extensive and influential career. The result is a powerful compilation that blends previously unreleased material with some of their most iconic tracks to date—specially remixed and remastered for this edition. Every piece captures ZUG’s signature approach: a fusion of machine precision and raw physicality that transcends genre limitations. Tailored for fans of truly experimental, humanized electronica, primal drum patterns, and proto, body-shaking basslines, this release is a visceral listening experience from beginning to end. This is body music in its purest form. Presented in a ONE-OFF, truly limited edition of 300 copies, lacquer-cut and pressed on 180g high-quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Estado de Bienestar is the bold new solo project from Nico Cabañas, co-founder of the record label Oráculo Records and Ombra Festival. Emerging from a period of personal transformation, the project marks a departure from Cabañas’s earlier ventures — including Synths Versus Me (“So Far”, 22 Recordings) and Almax und Forte (“Nois d’Avui”, Oráculo Records). The latter had already begun shaping the sonic direction Cabañas now fully embraces: a raw, visceral, and fully analog “proto” sound. Chapters 1 and 2 of Estado de Bienestar offer a genre-defying journey through twisted, reimagined darkwave. As if curated by a seasoned digger, subgenres collide and dissolve — EBM blends seamlessly with breakbeat, industrial goth meets trip-hop, and dub-industrial collides with jazz, creating a rich and unpredictable listening experience. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid ORANGE and YELLOW vinyls. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).








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2026 Rerpess

Interweaved yields the first volume of a new series curated by Brawther and one that underlines its credentials as an outlet for fresh new underground talent. Three producers here - Frederik Anthony, Mahar, and ICTV - were finalists in the 2023 "Minimal" Producer Challenge judged by Cassy, Losoul and Daniel Paul. Anthony opens with 'Interiddim', a lithe broken beat here through with warm chords. Mahar's 'Relaxed' is a silky and minimal dub tech cut and Omar Fayyad's 'A Mutual Thing' offers trippy late-night charm. Finally, ICTV's 'Oracle Night' is also deep and dubby but a little more menacing.

Repress, Clear Orange Vinyl

Internationally acclaimed producer and DJ Tripmastaz is proud to announce the launch of his sublabel, Respect The Craft.Legacy, a heartfelt tribute to his early creative roots. Marking a significant milestone in his career, the first release on the new sublabel revisits and completes his unreleased projects from the early 2000s.

This series encapsulates an era of raw creativity and innovation, showcasing tracks that were originally started between 2000 and 2004. Until now, these works have remained unfinished and unheard—hidden gems from Tripmastaz’s studio archives. Through the new label, the producer has brought these ideas to life, meticulously completing each track while staying true to the essence of the time they were created.

The series bridges the past and present, blending the raw energy of the early 2000s with today’s refined production techniques. The debut release drops soon, promising a timeless tech & deep underground sound.

“This is a closure for me—an opportunity to honor my creative journey and give these tracks the life they deserve,” Tripmastaz explains. “The early 2000s were a formative period for me as an artist, and these records embody the passion and ideas that shaped my path. Completing and releasing them now feels like a full-circle moment.”

Multi-instrumentalist, visual artist, and scene creator, Jonathan Uliel Saldanha, has been releasing music under various guises for two decades. With the successes of his moniker HHY (Nyege Nyege Tapes) whether in symbiosis with The Kampala Unit or the syncopationophilic big band of The Macumbas, Jonathan Uliel Saldanha's sonic signature continues to grow more and more singular. Ever synthetic and digital, Uliel Saldanha's work-ethic never eases—having recently started a label of his own, Horror Vector.

Surface Disorder sees the release of the music from Jonathan Uliel Saldanha's large-scale exhibition of the same name that occurred in Porto & Lisbon, (2024-25). As with much of his work, there is a Ballardian sense of a near-future in dystopia. And since we're already living the apocalypse, there's never a hidden moral to veer away from the torment. Instead, Uliel Saldanha dives into it and catalyzes it further.

Information from Angels feels like a cunty John Dee AI (credited as The Mouth) becoming an oracle of information overload, accompanied by an instrumental bidirectionally that splits into a lush harmonic layer of blissful punctuated pads and another that is a speedy but subdued melodic bassline. The Mouth intones a 15-minute fever dream that flows through themes that have occupied Uliel Saldanha for quite some time.

On Swarming the Pit, the intricacy of Jonathan Uliel Saldanha sonic wizardry is on full display. A constantly moving swarm of granulated particulates of sonic material morph into a variety of textures: coins or gunshell casings hit the floor, engines rev their monstrosity, rubber-like pulses are splayed into spectral blurs and pops. This is clearly an update on music conrète's obsessions.

The Mouth on the closing track, Wolf & Virus Dialogues, has a completely different texture from the first, alerting the listener to the uncanny nature of its genesis. Here the instrumental sounds are all triggered by the articulations of the voice: a weird unison, it serves as its own artificial accompaniment. The reiteration of a self-model (a rabid 'my') creates a greater tension between computational self-certainty and the terror of its inevitable actualization.

Archeo Recordings is a record label.

Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene mostly from Italy but also from all over the world for a wider audience of collectors, DJs and music lovers. All releases are limited edition.

This release is a Limited Edition 12" (100 on Sun Orange Marbled vinyl). New life and an expanded treatment of Feel Fly's epic Balearic / Italo House Sole (Flexi Cuts 2024), with the Extended Versione Tramonto (previously unreleased on vinyl) and 3 new Remixes by none other than Radiomarc (Popcorn Groove), Issam Dahmani and Amarcord.

Archeo Recordings is a record label.

Old, lost, obscure and forgotten gems and a boundless focus on the new Balearic scene mostly from Italy but also from all over the world for a wider audience of collectors, DJs and music lovers. All releases are limited edition.

This release is a Limited Edition 12" (100 on Sun Orange Marbled vinyl). New life and an expanded treatment of Feel Fly's epic Balearic / Italo House Sole (Flexi Cuts 2024), with the Extended Versione Tramonto (previously unreleased on vinyl) and 3 new Remixes by none other than Radiomarc (Popcorn Groove), Issam Dahmani and Amarcord.

Repress

At Sounds Of Sirius Music, we keep it real—no tricks, no filters, just straight-up, raw music. SiriusB is our new sub-label, and we're taking that vibe even further while keeping it classic.

SiriusB001 brings you sound that feels both timeless and ahead of its time. A fresh take on underground music that’s real, raw, and relevant. Straight from the source, no filters, no distractions. And to kick things off, Jay Tripwire is the real deal to launch this new label.

Cover of a song made famous by Hot Butter, which reached the Top 10 in the United States in 1971 and the Billboard Hot 100 as well as being a hit in Europe, Australia and other countries. This 12″ version reworked in perfect contemporary house style is pressed on a beautiful orange vinyl.

Japans kultige Goldgrube DD. Records wurde innerhalb weniger Jahre eröffnet und wieder geschlossen. In dieser kurzen Zeit (1980-1985) erschienen 222 Tapes (und einige Vinyl-LPs) mit der seltsamsten, gewagtesten und süchtig machendsten subversivsten Musik aus ihren sozialen und kreativen Kreisen, die ausserhalb Japans nicht zu finden waren. Jedes Tape enthielt abstrakte, xerografische, oft von Musikern selbst erstellte Grafiken, während sich die inhaltliche Bandbreite von Avant-Punk, kubistischer Ambient-Musik, Soundcollagen, Pop-Concréte, Jazz-Prog bis zu früher Computermusik erstreckte. Zum Abschluss erschien vorliegende Compilation als Abschiedsgeschenk, die 5 fieberhafte Jahre neuer Musik abrundete und die kreative Identität des Avantgarde-Labels unterstrich. Darin befinden sich 13 endlose und merkwürdige Schätze, die jetzt nochmal das Licht der Welt erblicken.

Music For Pleasure is the 1997 debut studio album by Monaco, a side project of New Order bassist Peter Hook. When New Order went on a hiatus after 1993’s Republic, Hook took the group’s sound and spirit with him and founded Monaco together with David Potts. Hook’s distinctive pulsating bass lines united New Order’s marriage of post-punk and pop, creating an identity so recognizable that Monaco’s first single, “What Do You Want From Me?”, was often mistaken for a New Order track. Upon its release, the album hit #11 on the UK album charts and sold more than 500.000 copies worldwide Music For Pleasure is for the first time available as an expanded edition featuring 6 bonus tracks, including remixes by Joey Negro and Farley & Heller. The 2LP Music For Pleasure (Expanded Edition) is available as a limited edition of 2.000 copies on orange coloured vinyl, housed in a gatefold sleeve, and includes a 4-page booklet.