Buscar:ori

Bailen Records presents “Planet Juno EP” by Rene Sandoval, a vinyl release where the swing and energy of tech house define the character of the record.

Raw drum machines and analogue sounds build a direct and functional sound designed for the dancefloor.

There is something cosmic in the momentum of the EP: mechanical rhythms moving with precision, bright sounds expanding into space, and a constant sense of motion. The result is tech house that feels elegant yet physical, deep yet direct.

The energy recalls certain golden moments of European 90s house: hypnotic grooves, warm harmonies and that perfect balance between club functionality and timeless musicality.

French producer Berzingue appears with a remix that pushes the material into a more modern club territory, reinforcing the harmonies of the original track and the overall dynamics of the EP.

2026 Repress

Jing reveals her third 6dimensions release, here we get an insight into Jing probing and questioning the definitions of realities, transporting the listener through a series of thoughts, images, and sensations, often experienced when the mind surrenders to a dreamlike state.

Jing present’s 'Psychiatric Population’ a four track EP containing Jing's sound illusions, that challenge all forms of genre definitions, Jing further explicate's her work as a true creative .

With the title "Treatise On A Narcissist" hinting at the EP's thematic exploration, the four originals by Shaleen are a masterclass in atmospheric, driving techno-built on powerful basslines, intricate percussion and an unnerving emotional intensity. This formidable body of work is then subjected to four distinct and high-calibre reinterpretations, each pushing the originals into new sonic territories.

Fiedel delivers a masterclass in raw, functional Berlin Techno. His "Treatise on a Narcissist" Remix builds on a foundation of caustic percussion and echoing metallic textures to create a journey into the machine's heart, powered by monolithic kick drums and pulsating, hypnotic sequences. This is peak-time, strobelit intensity-a dark, unforgiving lesson in rhythm and propulsion.

Mareena's sophisticated version of Shaleen's "Treatise On A Narcissist" strips the original back to its essential hypnotic core. It locks into a precise, relentless rhythm with characterizing sharp hi-hats, a focused, pulsating kick drum and creates a sense of deep,
foreboding atmosphere by utilizing subtle, filtered synth drones and echo effects.

Rosati's Remix of Shaleen's "Nymphomaniac" layers hypnotic elements, leading to a massive, euphoric breakdown and creates a captivating, almost obsessive mood. This track demands movement. It's an unrelenting sonic journey characterized by a hard-thumping rhythm section that maintains relentless forward momentum.

JakoJako steps up to deliver a nuanced and immersive re-imagining of Shaleen's "Fused in Desire". Moving away from high-impact euphoria, this remix focuses on dark, driving Techno.
The textural soundscape features a powerful low-end as well as lush, evolving pads and shimmering, modulated synth textures that create a vast, emotional space to establish a profound, steady pulse. Designed for total immersion, this track serves as both a
high-energy peak-time weapon and a hypnotic journey for early-morning dancefloors.

Occibel and GRiNCH join forces for a split EP navigating the space between electro and house. Drawing inspiration from the early 2000s, the two artists deliver a complete journey where colourful synth riffs interact with heavy basslines and crunchy drums. Late Nights, Early Mornings explores a wide emotional palette, ranging from club-oriented grooves to nostalgic moods.

The A side focuses on Occibel’s work. Devil May Care (A1) opens the EP with a powerful statement, where a driving bassline and shimmering synths evoke the spirit of the 80s. Doors of Perception (A2) takes a darker turn, blending distorted textures with spooky synth lines for an explosive result.

GRiNCH takes over the B side with two solo tracks and a final collaboration. Precision Deluxe (B1) is a techy cut merging funky elements with a bouncy bassline and haunting vocal touches. Failure System (B2) builds around a hypnotic groove and sexy futuristic vocals, delivering an effective peak-time weapon for the dancefloor. Closing the EP, Nosta Roller (B3) sees both artists teaming up to craft a melancholic electro banger the perfect finale to a late-night journey.

Memory Remains unveils a deeply emotional and intimate Unknown Artist release, a record driven by feeling rather than form.
Shaped and refined through careful dancefloor testing across 2025, these tracks revealed a rare sensitivity: minimalist structures wrapped in warm grooves, gentle tension, and soulful, intimate vocals that connect on a subconscious level.

This is music that doesn’t demand attention. It breathes, resonates, and stays.
Free from names and narratives, the release invites the listener into a private emotional space, where sound speaks louder than identity.
The journey is visually completed by an original artwork from Alisa Kirik, capturing the same fragile beauty and timeless mood that defines this release on Memory Remains.

Bambino Recordings is back with the highly anticipated repress of Toka Project's 'Ego Trip’ EP due to overwhelming demand for the vinyl. W&P by Andrew Riley, renowned as one-half of the legendary Inland Knights. Originally released 21 years ago, this timeless classic is now available once again. Secure your fresh copy now before it sells out! The tracks still sound as fresh today as they did 21 years ago, one of the very reasons they have been in constant rotation in many of well known DJ’s sets for years. Expect deep, tough, bumping underground house aimed to liven up any dance floor.

London DJ/producer WILL B. and singer/songwriter YEUKAI fuse diverse influences to birth a truly special debut. Thick, soulful organ & ethereal vocals take this one so deep it should come with a lifeguard. Remixes from GLENN UNDERGROUND & ORLANDO VOORN make this an instant classic.

B3 Luigi Tozzi Rephase (Dwld cod included Luigi Tozzi bonus dgt)

A cult classic reborn for a new generation.

Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.

Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.

Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.

At Curated By Time, we’re dipping back into the archives once again, this time revisiting Westward, the collaborative EP from Kenneth Graham and DJ Kuya. Originally released in 1999, the record captures a moment where deep house grooves met a subtle tech edge, built firmly with the dance floor in mind. The title track leads the way with rolling rhythms, tight percussion and understated synth work, striking a balance between depth and drive. The rest of the EP follows a similarly focused path, keeping things stripped back and groove-led throughout. Now reissued on Curated By Time, Westward returns as a reminder of a sound that still fits neatly into today’s club landscape.

Originally released in 2002, Inner Moment / Outer Moment by UK duo Deep Space Organisms stands as a cornerstone in the intersection of dub techno and progressive house. Deep, atmospheric, and immaculately crafted, both tracks unfold with hypnotic warmth and forward momentum—designed for introspection yet perfectly tuned for an elevated dancefloor experience.

Championed at the time by Sasha and John Digweed, these cuts became secret weapons within the UK underground of the early 00s, capturing the essence of an era where melody met texture. Now remastered from original tape source material, Glossy Mistakes revives this sought-after gem as part of the Glossyfloor series, preserving its analogue depth while unveiling new sonic clarity.

Next in our original series we’re bringing together two artists from opposite sides of the globe, encompassing various influences which have helped make Seven Hills what it is today. Much like how Uruguayan dance music takes many of its cues from 90’s UK techno, not least the bleep influences from Sheffield, we’ve come full circle by becoming, in-turn, inspired by them too.

The A side is commandeered by Molen, making a welcome return to the label and delivering two groove laden, bass heavy tracks, both suitable for various peak-time situations. Whilst on the B side we’re pleased to have Harry Wills, a producer whose technical prowess we’ve respected for a long time. Harry’s tracks are more contrasting: the monster that is Big in the Backtime for those face melting moments, and Scape, a subdued, heady, space-faring excursion.

For its third release, Tremendo Recordings brings together long-sought-after tracks by Corrie, one of UK tech house’s pioneers, drawn from his early releases on Wiggle and Bosh. Increasingly hard to find in their original form, these records return as a tribute.

Taken from releases between 2003 and 2005, this selection captures a side of Corrie that feels immediately recognisable: bold, playful and unmistakably his own.

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

Originally released in 2005 and now repressed due to high demand, Da Sunlounge's ‘1972' EP remains an underground classic 20 years later. The tracks continue to appear in deep house and tech house DJ charts and influential sets around the world to this day.

The track ‘1972' features a tightly crafted groove that blends tech house elements with a gritty, bumping house sound, enhanced by sampled jazz elements.

‘Elvis' is a playful, bass-driven deep house track that flows smoothly with rich chords and spoken word samples.

'Whore House' is a club-ready banger built around cheeky spoken word samples, gritty hooks, and a funky, bumping bassline!

2026 Repress!

Om Unit says of this release 'For me it's another milestone as a DNB fan.. Being allowed to come back to 31 again with another shadow boxing version, being one of only a tiny handful of people being allowed to remix this classic truly is an honour, let alone twice! Also working with Thing on "something ancient" was a real blessing not only because he's original and convincing with his own work but also I think he's like me, he does his own thing without adhering to too many of the insular rules that have made dnb such a closed room over the years, and so creating this cinematic piece just happened naturally and I really love the results.

Love International return with the second release in their Floor Series, welcoming Iñigo Vontier with a remix from Eden Burns, as it rolls on - continuing its run of records shaped by the dancefloor and late-night pulse in Tisno.

For 002, Mexican producer Iñigo Vontier steps in. Known for moving between styles with ease, he lands here with something that locks to the floor - rolling, hypnotic, and just off-centre enough to keep things interesting.

On the flip, Eden Burns comes through with a killer remix that pushes the original into more immediate, dancefloor destruction, completing the four-track EP.

Kicking things off, Suavy AF sets the tone with a sensual, groove-driven cut that balances raw energy and playful finesse. Tight drums, cheeky edits and a laid-back swagger make this one built for both heads-down listening or late-night dancefloor moments. Lemon & Mint, showing they're not here to play it safe.

On the flipside, Synkro takes the original into deeper territory, stripping it back and reshaping it with weighty low-end and a more introspective swing. He offers a more hypnotic take that hits just as hard in its own way. A perfect counterbalance that rounds out the release with class!

Seven - a number steeped in mystery and meaning, woven into the very fabric of time and space. Throughout history, the number seven has stood as an immutable symbol: from the days of the week to the alchemical metals, from the kings of Rome to its seven hills. An archetype that unites astronomy, myth, and ancient civilizations, finding its deepest expression in Rome.
According to legend, the Eternal City guarded seven sacred relics, the Pignora Imperii, objects whose possession ensured divine protection, prestige, and political authority. Ovid referred to them as the "pledges of power": testimonies of Rome's Trojan heritage and its connection with peoples such as the Sabines, Etruscans, and Greeks. These artifacts, now lost, were:
I. Lo scettro di Priamo
II. Il velo di Iliona
III. Il Palladio
IV. Le ceneri di Oreste
V. Lo scudo ancile
VI. La quadriga di Veio
VII. L'ago di Cibele
From this mythology emerges the new project by Lykos Records: a narrative journey in seven chapters, each dedicated to one of these relics, unfolding through the various artists releases corresponding to catalogue numbers 7, 14, 21... up to LYKOS-XLIX.
Chapter I, "Lo scettro di Priamo" LYKOS-VII, is dedicated to the symbol of Troy's power, brought to Latium by Ilioneus on Aeneas' command as a pledge of alliance and reconciliation. It is said to have been kept on the Palatine Hill.
To inaugurate this journey, seven Roman artists - PixFoil, DJ Red, Brando Lupi, Luigi Tozzi, Feral, Sunday Bath, and Worg - will give life to a sonic mosaic celebrating the musical heritage of the capital. Their tracks will form a collective work that bridges generations and diverse artistic visions.
Each double vinyl will feature an original illustration by Roberto Mulliri, wrapping the entire front and back cover and included inside as a poster.
Within the Pignora Imperii lies the strength and power of Rome, witnesses of the city's epic saga; likewise, Lykos Records weaves its destiny into the history of these sacred Roman objects, becoming a messenger of their enduring legends.

EVPHORIA is not just a record. It’s a trigger.
140 BPM of tension, ascent and release — engineered to push the dancefloor into collective hypnosis.

Balancing power house propulsion, techno pulse and large-scale emotional lift, the track transforms a strangely familiar sensation into something raw, direct and uncompromising. No nostalgia — only forward motion. A rise that refuses to come down.

The original version unfolds as a sustained euphoric surge: driving percussion, insistent hooks and controlled repetition built for peak-time unity.
The edit version distills that energy into a tighter DJ weapon — immediate, sharp, floor-focused.

On the B-side, Inflammable Noise appears in its instrumental form — pure club mechanics, no vocals, no distraction. A stripped version that amplifies tension and turns the track into a true dancefloor weapon. Already tested in demanding environments, it notably detonated a peak-time moment when Chloé Caillet played it at Berghain — a point where the room tipped over.

EVPHORIA moves freely across scenes — from house floors pushing tempo to techno basements and high-intensity dance spaces — built for DJs chasing the rupture point.

Pressed in a strict limited edition.
Vinyl only — no digital release.

Created under the EVPHORIA imprint by Hardrock Striker — dancefloor architect and driving force behind the Skylax universe — this release stands as a physical, autonomous club statement.
Sleeve artwork by H5 (Daft Punk, Air, Étienne de Crécy, Logorama, Kanye West / Adidas), reinforcing EVPHORIA as both a sonic and visual manifesto.

EVPHORIA doesn’t ask permission.
EVPHORIA triggers.
A record for the moment the room tips over.

San Dee, TMD - Watif EP - Command Center Records - CCRE001

Command Center Records operates as a unified collective, independent label, and boutique online shop that actively energizes the local Miami community. Launched in 2019, the brand champions multiple musical styles. curating a wide array of genres while amplifying dance music to the forefront.

San Dee and TMD team up to launch this debut vinyl effort, delivering a heavy-hitting release of deep, minimal house and breaks. Across four tracks, "Watif" engineers a landscape of floor-shaking groovers, fusing sub-heavy kicks and rolling bass lines with layering drum machine textures and analog synths.

House titan Adam Collins contributes TWO masterwork Watif remixes that incinerate peak-hour sets. With the first Remix, a deeper rhythmic breakbeat and slapping hi-hats that slightly varies from the original. The second remix, being the Top Down Mix, packs a groovy Detroit electro-house feel, that you'll find yourself cruising at high speed with the top down.

Rounding out the EP is “Listening Minds" which transports the audience through a cosmic soundscape, while a recurring voice instructs the room to "Listen."

Release #50 celebrates the digging, care & musical curiosity that’s made the GSC series essential for DJs, collectors & break seekers alike.

For years GSC has built a catalog that earns immediate “cop-on-sight” status. Thoughtful edits. Deep respect for the OG recordings. Breaks that knock w/out feeling heavy-handed. The kind of taste that reminds you these are real heads behind the decks.

Side A pulls from Jerry Butler’s “I’m Your Mechanical Man,” released in ’74 on the Sweet Sixteen LP. The track contains a raw drum break hip-hop producers recognized instantly. Most famously it powers Method Man’s “Bring The Pain,” 1 of the defining solo joints from the Wu-Tang Clan era. The break later resurfaced in Missy Elliott & Method Man’s 2002 version & Snoop Dogg’s “I Miss That Bitch.”

On the flip, GSC draws the source into pure DJ tooling: a sample break edit, a full drum break edit & the “Mechanical Wu” mix — built for selectors who know the power of letting a break breathe.

Then they deliver a beautiful surprise. Instead of leaving empty wax, GSC slides in Les McCann’s “Vallarta,” from the 1977 album Music Lets Me Be. Jazz-funk heads know it instantly — the hypnotic groove behind Biggie’s “Ten Crack Commandments.”

This is why Galaxy Sound Co. matters. They’re not just pressing edits — they’re curating moments. Unearthing grooves DJs need back in rotation. Some originals now cost serious money on Discogs. Others simply faded from memory. GSC dusts them off & hands them back to the community.

50 releases in & the curiosity still runs deep.

Across twelve original compositions, Ludwig traverses a broad sonic landscape, each track threaded together

by a signature touch that feels unmistakably his. Opener ‘Three Cases Forty Years’, alongside ‘E-Trinity’ and

‘Dieper en Dieper Goes Portugal’, highlights his singular take on dub techno, while ‘This I Didn’t Know’, ‘Practice

All Their Life’ and ‘Metropolixer’ drift into more textural, exploratory electronica.

Elsewhere, Ludwig leans into the raw, stripped-back aesthetic he’s long celebrated for on ‘Come to The End’,

‘Starlab Translate’, ‘Ill Progressions’, ‘Go Real Cloudy’ and ‘Things Are Moving’, before closing track ‘Galaxie C’est

Boom’ surges forward with a percussive, driving house energy primed for the dance floor.

Six tracks. Six undeniable hits. Science can't explain it.

Four dazzling pdqb originals: pop-infused disco house transmissions where retro dreams collide with absurdly modern groove technology and hyper-modern circuitry. Hooks everywhere. Basslines that flirt shamelessly with eternity. Rhythms that know exactly what they're doing.
And then Roman Flügel arrives at the party. With two remixes of such dubby, technoid magnificence that they bend the laws of physics wherever they're played.
The cover? Pure gold. A radiant golden surface punctured by bullet marks - courtesy of world-renowned artist Maurizio Cattelan. When the music hits this hard, the artwork should too.
And the vinyl itself is no less extravagant: it reveals a dramatic close-up of the Direct Hit - a colossal crater surrounded by smoky burn marks, gleaming like a tiny golden monument to impeccable taste.
A small but undeniable upgrade to the cultural history of planet Earth. Play loud. Repeat often. History will thank you.

P.S. Real-world violence is neither glamorous nor welcome - this record stands firmly for peace, joy, and the radical idea that the only explosions worth having happen on dancefloors.

After a brief hiatus, Nuances de Nuit returns with Lucho's 'RioGroove'; a tightly woven trio of deeper cuts, perfect for the hazy dancefloor and after-hours alike.

Two Lucho originals and a stripped-back, slow burning reinterpretation from Rumps.

Originally from Patagonia, Aldana grew up deeply connected to the Earth. It was in Buenos Aires, however, that she shaped her musical identity, immersed in a vibrant and inspiring scene. Influenced by the energy of parties and the community around her, she soon felt the urge to channel that intensity into her own music.

Today, she marks a new chapter for Luzerna with the label’s very first EP — a project moving between the emotional and the physical. There are more introspective moments and others that are more direct, designed for the dancefloor. It’s also very versatile and can be experienced in different contexts and moments.

The production is largely driven by intuition, allowing the sound to find its own shape.Although each track has its own identity, they are all connected by groove, like a constant pulse that brings them together.

Compounding a reputation for his unique vision on techno with an uncompromising underground ethos utilising a fusion of deep and energetic electronics, Lee’s sound always creates a myriad of tension and construction which has seen him become one of techno’s elite, appearing in the most prestigious underground venues across the planet. His consistently original and dynamic productions, which have earned him much international ecognition, are frequent and in great demand. Appearing on many impeccable cutting edge and classic imprints over the years, Lee’s music has generated relentless plays and support from the brightest and leading connoisseurs in the underground techno scene.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in Scotland, we’ve got an electronic guardian of such resolute astral belief in how the purest of dance music should be relayed to the occupants of any Celestial City. You will believe in RIOT when we say “The ‘Sentinel’ has awoken.”

Featuring eight tear drops out of the smoke fuelled rain from a distant belt in the galaxy, no ‘Moonrunner’ will be able to surf the ‘Gravitational Waves’ this Motor-City inspired journey takes you on. Book yourself passage on the Starliner ‘Off-World’ for a stargazing extravaganza into ‘The Gates Of Orion’ and witness the brightest of glimmers ........... in the dark.

The full digital release also features one bonus spellbinding track so your mind can melt into the depths of
space and time.

WARNING: YOU WILL OBEY IN ORDER THAT RIOT CAN TAKE YOU ONE STEP BEYOND …………….

Credits:

Written by Lee Holman
Mastered by Joe Farr
Artwork by Alan D. Oldham & Nomad

Back in 2020 we released the original of ‘Oliver Dollar & ADMN feat. Mr. V - Sanctuary’ on Industry Standard.

The original is a sublime track with a nod to a vintage deep house sound. ’Sanctuary’ features Mr. V’s spoken word vocal over a slick rhythm section, lush chords stabs, and ethereal synth pads.
Fast forward to 2025 and we are delivering a vinyl release featuring the original mix, and 2 new remixes from France’s DJ W!ld, and Detroit’s Bendersnatch.

DJ W!ld comes with a deep, rolling take on the track, with a low slung baseline, and trippy breakdown that will wig out the dance floor. Bendersnatch take their version into trackier territory with a heavy kick, stripped back vibe and FX on the vocals that give this version another dimension to the package.

The vinyl release will proceed this come some months before we release these remixes digitally, so get them while they are hot on wax!

Following the release of his fifth studio album ‘Magickal’ at the start of the year, Damian Lazarus now opens a new chapter in the project’s evolution with ‘Magickal Remixed (Part I)’, this first instalment of the two-part series features bold reimagining’s from Harry Romero, Jonathan Kaspar, THEMBA and Mëstiza, offering four fresh takes on standout cuts from the acclaimed long-player.

The package opens with Harry Romero’s ‘Raw Dog’ remix of ‘R U Dreaming?’, originally a deeply introspective cut featuring Canadian maestro Mathew Jonson. Here, the New York favourite dials up the low-end pressure and rhythmic weight, bringing raw tribal energy and heavyweight swing to the original’s dreamlike tones. Jonathan Kaspar’s ‘Sunrise Remix’ of ‘Falling Down’, Lazarus’ collaboration with TEED and A-Trak, comes next. Channelling radiant euphoria through rising pads and sweeping melodic phrasing, it leans into the emotional intensity of the original while transforming it into a full-blown moment of sunrise transcendence.

On the B Side THEMBA delivers striking remix of Damian Lazarus and Jem Cooke’s ‘Searchin’.
THEMBA’s remix builds on that foundation and takes it into expansive, Afro-infused club territory, layering hypnotic percussion, deep rolling grooves, and subtle atmospheric shifts that heighten the emotion and push the track into new late-night spaces. Closing out the release, Spanish duo Mëstiza return to reinterpret their collaboration with the Crosstown head honcho, ‘La Hija De Juan Simón’. Expanding on the track’s flamenco-inspired roots, they layer hand-played percussion, haunting vocal flourishes, and dense atmospheres into a hypnotic, slow-burning groove, bridging folklore and futurism in their unmistakable style.

A remarkable release in John Lee Hooker's vast catalogue, Folk Blues, released by the Crown label in 1962, puts together tracks originally recorded for Modern Records between 1951 and 1954.

Among its many highlights are Bad Boy, one of the finest examples of Hooker's wordless humming and singing in unison with his guitar figures, and Rock House Boogie, which offers a sampling of Hooker's use of bottleneck style.

"Essential in any collection of postwar blues." - ***** Downbeat:






f A6. I Need Love So Bad Solo Version







[n] B6. I Need Love So Bad [Group Version]






[f] A6. I Need Love So Bad [Solo Version]







[n] B6. I Need Love So Bad [Group Version]






[f] A6 | I Need Love So Bad [Solo Version]







[n] B6 | I Need Love So Bad [Group Version]

After two albums inspired by vast northern landscapes, the forces of nature, and an ever-present sense of duality, Glass Museum shifts gears. The Brussels-based group-originally formed in 2016 by pianist Antoine Flipo and drummer Martin Grégoire-welcomes bassist Issam Labbene as an official third member, opening up a richer, more immersive sound and setting its sights on the rhythms of the modern city.

A true turning point in Glass Museum's career, the new album 4N4LOG CITY twists the codes of electronic music, explores the depths of jazz, and asserts its eclecticism through a fresh and infectious groove.

Signed to the forward-thinking Belgian label Sdban Records, the group shapes its identity within the vaulted ceilings of Volta, a creative hub in Brussels frequented by the vanguard of Belgium's "new scene." Sharing space with acts like ECHT!, Lander & Adriaan, and Tukan, the band continues to push its boundaries through collaboration and reinvention.

Recorded between the French countryside of Drôme, the industrial edges of Brussels, and Volta, 4N4LOG CITY features striking guest appearances. Swiss drummer Arthur Hnatek-known for his work with Tigran Hamasyan and Erik Truffaz, and praised by Gilles Peterson and Laurent Garnier-drives the opener "GATE 1" into hypnotic, krautrock-inspired territory. Meanwhile, rising vocalist JDS lends soulful grace to "Call Me Names", evoking the emotive textures and elegance of vintage soul-jazz reminiscent of the likes of Jordan Rakei or Tom Misch & Yussef Dayes.

Without abandoning their melodic roots and foundational approach, the trio takes daring steps into new terrain. The experimental centerpiece "III" explores the piano as a textural and rhythmic force, drifting between ambient and breakbeat. Elsewhere, the gritty "VAN GLAS"-a hip-hop-tinged track featuring rapper JAZZ BRAK of STIKSTOF-the band ventures far beyond their comfort zone, injecting streetwise lyricism in their mix of electronics and jazz.

Fueled by the heartbeat of the city, 4N4LOG CITY captures the mechanical ebb and flow beneath concrete towers-the anonymous rhythms of daily life moving over the asphalt, and the fleeting, meaningful connections made along the way. Produced by Antoine Flipo and mixed by Elsa Grelot (Avalanche Kaito), the album stands at the intersection of human emotion and urban architecture-a post-modern, deeply cinematic work that asserts Glass Museum's place at the cutting edge of European music.

Celebrating the 20th anniversary of its original release, Robyn returns with a special edition 2-LP vinyl reissue of her iconic 2005 self-titled album. Widely regarded as a pivotal moment in modern pop, this anniversary edition is pressed on a coke bottle-clear vinyl using the artwork from the Record Store Day release in 2005 which was limited to 2k. A must-have for longtime fans and collectors alike, it pays tribute to an album that helped shape the future of pop music.

Nine Inch Nails returns with over 70 minutes of new music for the motion picture TRON: Ares, the first soundtrack / score work from Trent Reznor and Atticus Ross that will live under the Nine Inch Nails moniker; consisting of all original music, complete at 24 tracks. Reznor and Ross bring their Grammy and Oscar-winning sonic vision to the Grid, crafting a soundtrack that hums with menace, melancholy, and momentum. More than an album, its architecture in sound: pulsating synths, distorted textures, and haunting melodies that rewire the TRON universe from the inside out. It is the collision of analog soul and digital dread—a score that doesn't just accompany the film, it possesses it.

Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

This 12" has got to be one of the toughest Salsoul records to find. Changing hands for up to £300 a time for a used copy. Now it has been re-mastered, re-pressed and made available again with all original label artwork intact with the permission of Salsoul Records, New York City.

Aer making everyone dance with "I'm Gonna Dance," Muzic Family Vs. Stylóo is ready to ignite the
dancefloors again with "Sweat," an adrenaline-fueled track that unites the tradi!on of Italo Disco with a
modern pop-dance sound.
At the helm of "Sweat" is Roberto Tura, one of the most influen!al producers in the Italian and
interna!onal dance scene. A key figure of 80s Italo Disco, Tura( has shaped !meless hits for ar!sts like Den
Harrow, Joe Yellow, Albert One, and Stylóo themselves, helping to define the sound of an era that s!ll
makes fans' hearts beat faster all over the world. With "Sweat," Tura( once again proves his ability to
merge the magic of those years with a modern, powerful sound, capable of winning over new genera!ons of
listeners and ge(ng everyone dancing.
By his side is Silvio Melloni, a top-level musician and arranger, who is now part of the historic band Ma"a
Bazar. Melloni brings his experience and musical sophis!ca!on to the project, cura!ng arrangements rich in
detail and nuance, where every element is calibrated to maximize the emo!onal and rhythmic impact of the
track. His ar!s!c sensi!vity perfectly matches Tura('s energy, crea!ng a winning combina!on of technique,
passion, and crea!vity.
The release of "Sweat" doesn't stop at the original version: two exclusive remixes are included to enrich the
project, promising to make the track explode on the most demanding dancefloors.
 Italoconnec"on Remix – The duo formed by Fred Ventura and Paolo Gozze( (aka Italoconnec!on)
transforms "Sweat" with their characteris!c touch: sonic elegance, pulsa!ng energy, and a refined
sound that blends dance-pop rhythms with the vibrant nostalgia of Italo Disco. It's an interpreta!on
that leaves no room for rest and pushes you to listen and move.
 A.P. Mono Remix – A.P. Mono infuses an 80s-flavored electro-disco soul: funk syncopa!on,
enveloping synths, and an irresis!ble groove. His reinterpreta!on turns the track into a true
energe!c vortex, perfect for making anyone who dances to it sweat.

The first time Ride The Lightning was performed in its entirety and "Escape" was played on stage for the first time ever. This was the first of two shows at Orion Music + More, a festival created by Metallica themselves.

Tripper’s second trip is now ready to shuffle, once again two big rolling house cuts, one x side, crafted by Matteo Floris.

Clubbing oriented as per usual, Matteo keeps blending some acid and old school vibrations on top of his characteristic stripped-down grooves serving a warm and uplifting house course.

"I'm Ready" is the EP launched Kano in 1980. Produced by the Italian trio of Stefano Pulga, Luciano Ninza/,
and Ma0eo Bonsanto, it's considered one of the fundamental tracks that defined the Italo Disco genre and
brought it to interna4onal a0en4on.
In the early '80s, the track was incredibly innova4ve. It combined a massive use of synthesizers (like the
Korg MS-20), percussive rhythms, and a vocoder, crea4ng a mechanical, "robo4c" atmosphere that became
a hallmark of the genre.
The sound of "I'm Ready" was hugely influen4al. Ar4sts like Eurythmics and New Order have acknowledged
the impact of this track, and echoes of its style can be heard in many subsequent produc4ons, especially in
electronic music. Its groove and clean produc4on were a benchmark for the era. In short, "I'm Ready" is not
just a song, but a milestone that helped define the sound of an en4re musical era.
TRACKLIST:

DVS NME is a Colorado-based Electro producer and DJ originally from Southern California. Active since 1999, he crafts stark, machine-driven music rooted in analog hardware and recorded live in single takes. Influenced by Drexciya, AUX88, and Anthony Rother, his sound blends dystopian textures with precise rhythm programming. He’s released music on respected underground labels like Solar One Music, Transient Force, and Ukonx Recordings, and now Future Tones Rcoeds. A key advocate for the genre, he also curates the long-running Dark Science Electro podcast, supporting global Electro since 2010.

1. Beam
A slow-burning opener built around a TR-606 groove, chopped vocal fragments, and delicate string flourishes. At 116 BPM, it's the most restrained cut on the EP—staccato and skeletal, but quietly emotional.

2. Carveout
Driven by a classic four-on-the-floor pulse, "Carveout" rides a surging bassline and tightly layered synths. Functional on the surface, but subtle shifts in tone give it depth beneath the structure.

3. Debt Trap
The most club-oriented track on the record. With a jerky low-end and nimble 606 programming, "Debt Trap" combines dancefloor impact with off-kilter synth work that refuses to settle.

4. Ratchet Effect
A standout cut that channels DVS NME's signature sound—sharp, modular arpeggios, machine-funk rhythms, and intricate modulation. At once clinical and soulful, it’s the EP’s most complex and defining moment.

5. Land Reform
TB-303 acid lines coil around melodic string pads and skittering hi-hats in this mid-tempo closer. "Land Reform" balances raw rhythmic motion with introspective synth textures, ending the record on a reflective note.

Repress of the early works from the french producer Franck Kartell. Originally released on the french label Elektrofon (elk09) in 2006. Limited edition

After the conceptual depth of "Parallel Traces of the Jewel Voice" (2021), dj sniff returns to Discrepant with a more direct and visceral document: Turntable Solos.

Composed from live recordings made during the latter half of 2024, Turntable Solos captures dj sniff’s improvised performances in their rawest form. At the core of his setup is Cut ’n’ Play, a software sampler he originally built in Max / MSP in 2007. Since then, he has continued developing custom tools and instruments that extend what Derek Bailey called the “instrumental impulse” — the tactile, responsive relationship between musician and machine that defines improvisation.

Following a summer 2024 tour of Japan with Gonçalo Cardoso, sniff was encouraged to document and release a selection of his live sets. Not long after, a performance at 20α (Alpha) in Hong Kong would become the emotional and conceptual anchor for the project.

In the liner notes, sniff reflects on the eerie parallels between recent footage of protestors in Los Angeles — assaulted by police using so-called “less-lethal” weapons, and civilians being abducted into detention centers — and the 2019 Hong Kong protests. A place once filled with personal nostalgia began to feel like a grim foreshadowing of what might unfold in Western societies.

In this turbulent context, 20α stands out as a space of resistance and renewal — a beacon for a new generation of experimental musicians, growing in defiance of increasing censorship and surveillance. "Turntable Solos" is both a personal statement and a public act of sonic resilience.

Originally released in September 2024 we continue the re-release of Clark’s recent catalogue with the chance to get some limited vinyl versions of ‘In Camera’. Since his first composition credit in 2016 with The Last Panthers (Warp) Clark has built a reputation for expanding film and TV scores into intricate, exhilarating soundworlds of their own. Here Clark has expanded his score for Naqqash Khalid’s award-winning debut feature ‘In Camera’ stretching out the film’s surreal ‘modern fairy tale’ atmosphere with reversed vocals and gauzy synthpop-esque chords. Of the recording process Clark says: “Using my vocals but abstracted in a way that totally matched the film was the most unique challenge. I was going to just include the cues but got far too into recording new stuff that fitted the tone and emotion of the film. The record has a very distinct colour/ feel. It’s drenched in muted joy/ dark euphoria”. This includes a gnarly cover of the Carpenters’ ‘Superstar’ that burns closer to the frazzled Sonic Youth version.

Loopaina Records presents its fourth vinyl release with a high-caliber collaboration between Ricardo Garduno and Drucal. This split EP strikes the perfect balance between personal identity and sonic connection, delivering a solid and immersive experience for lovers of pure techno.


On Side A, each artist contributes an original track that precisely reflects their unique style: Ricardo Garduno delivers a raw, hypnotic piece full of groove, while Drucal offers a more introspective track with mental pulses and immersive textures.


Side B brings it all together with a brilliant remix exchange: Garduno reimagines Drucal's track with his signature percussive approach, turning it into a powerful dancefloor tool, while Drucal transforms Garduno's original into a deeper atmosphere, adding layers and rhythmic complexity.


Carefully crafted in both sound and design, LPR-V004 confirms Loopaina Records as a label to watch in the underground circuit. A must-have vinyl for those seeking high-quality techno.

The SILVER SKYLARKS team up with jazz legend RONNIE LAWS on two new tracks: "NATURAL HIGH" and "THAT'S THE GAME". 5 mixes including the jazzy originals plus a peak hour house remix of "NATURAL HIGH" from NRG (LUKE SOLOMON and CHRIS PENNY) and an extended disco edit by EASTWOOD DISTRICT of the flip.

Limited repress!

What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

Im Januar 1977 veröffentlichten Pink Floyd ihr zehntes Studioalbum „Animals“. Das Werk eroberte Platz 1 der deutschen Charts, gilt als eines ihrer besten – und es wird nun, 45 Jahre später, als Deluxe Gatefold, CD, LP und Blu-ray wiederveröffentlicht. Zum ersten Mal überhaupt wird das Album in 5.1 Surround-Sound zu hören sein. Die einzelnen Versionen werden ab dem 16. September 2022 erhältlich sein, die Deluxe-Version folgt am 7. Oktober.

Pink Floyd – David Gilmour, Nick Mason, Roger Waters und Richard Wright – nahmen „Animals“ 1976 und Anfang 1977 in den bandeigenen Britannia Row Studios in London auf und produzierten auch selbst.

„Animals 2018 Remix“ wird als CD, LP (mit Klapphüllen-Artwork), Blu-Ray und als Deluxe-Gatefold-Format veröffentlicht. Die Deluxe-Gatefold-Version beinhaltet eine LP, CD, Audio-Blu-Ray, Audio-DVD und ein 32-seitiges Booklet. Die Audio-Blu-Ray und -DVD enthalten den Remix von 2018 in Stereo, in 5.1 Surround (beide von James Guthrie) und den ursprünglichen Stereo-Mix von 1977. Das 32-seitige Booklet gewährt mit selten gezeigten Fotos einen Blick hinter die Kulissen des Shootings für die Plattenhülle sowie Live-Bilder und Memorabilia. Das Album-Artwork wurde für diese Veröffentlichung mit einem zeitgemäßen Motiv neu interpretiert.

„Animals“ ist ein Konzeptalbum, das sich kritisch mit den sozialpolitischen Verhältnissen im Großbritannien der mittleren 1970er-Jahre auseinandersetzt und damit eine Abkehr vom Stil der früheren Arbeiten der Band markierte. Aus einer Ansammlung ursprünglich nicht miteinander zusammenhängender Songs entwickelten Pink Floyd ein Konzept, das den offenkundigen sozialen und moralischen Verfall der Gesellschaft beschreibt. Inspiriert von George Orwells „Farm der Tiere“, verbildlichen sie die menschliche Natur mit einer Analogie zum Tierreich und teilen die Menschen in drei Klassen von Tieren ein: Die Schweine stehen an der Spitze der sozialen Kette, die Schafe tun als hirnlose Herde, was man ihnen sagt, und die Hunde sind die Geschäftsbosse, die sich am Profit und ihrer Macht über andere schamlos bereichern. Seit 1977 ist viel Zeit vergangen – und dann wieder gar nicht, denn die Erzählung des Albums hat als Kommentar auf unsere gesellschaftliche und wirtschaftliche Situation nichts von ihrer Aktualität verloren.

Das berühmte Cover von „Animals“ zeigt ein aufblasbares Schwein (heute bekannt als Algie), das in luftigen Höhen zwischen zwei Schornsteinen der Battersea Power Station in London schwebt. Die Idee für das Cover kam von Roger Waters, die Umsetzung übernahm der langjährigen Kreativpartner der Band, Storm Thorgerson von Hipgnosis Studios. Für die jetzige Neuveröffentlichung wurde das Artwork von Storms Hipgnosis-Partner Aubrey „Po“ Powell für die heutige Zeit neu gestaltet. Basierend auf neuen Aufnahmen des Gebäudes während der jüngsten Umgestaltungsarbeiten (das ehemalige Kraftwerk wird für die kulturelle und gewerbliche Nutzung umgebaut, gestaltet von Frank Gehry und Norman Foster), experimentierte Po mit neuen Blickwinkeln und erschuf einige beeindruckende neue Varianten des berühmten Originals. Po dazu: „Das Original-Albumcover von 1977 ist ikonisch und steht so sehr für sich, dass ich eine Menge Respekt davor hatte, ihm ein Update zu verpassen. Doch Hipgnosis nahm die Gelegenheit zum Anlass, das Motiv neu zu fotografieren und damit eine sich verändernde Welt widerzuspiegeln. Durch den Einsatz moderner digitaler Färbetechniken konnte ich Pink Floyds düstere Botschaft des moralischen Verfalls beibehalten, und auch die Orwellsche Tier-Analogie in Form des Schweins Algie lebt in dem neuen Artwork fort.“

Pink Floyds „Animals 2018 Remix” kann ab jetzt hier vorbestellt werden.

Inspired by the lyrics of Ric Ocasek, Beroshima's "This Could Be Love" was released in a more stripped down fashion some years ago. Thanks to new technology, voice modulation and the recent attention it gained, it now appears in as a totally different version, on vinyl for the first time. For the lovers of the golden Electroclash era, this is your jam.

Move recordings continue the relaunch with this wonderful MV06 from By:Them, new duo former by Ludwig Buez & Jerome Lipani. Including a fantastic remix from the sound designer, DJ & Producer Hermanez. A 100% Belgian product!

"Never too old to dance," evolves with a big intensity, layering elements that cultivate an incredible atmosphere. The track unfolds through melody songs, progressing towards rich, deep chords punctuate, the experience with a sense, till a melodic break.

The Hermanez remix for Move recordings is an amazing sunny tune. Following his refreshing style, Hermanez remixing "never too old to dance" with grace and unequivocal individuality. With his captive melodic, he empowers the atmosphere, with a high-energy and a sexy flavor. A pure track to rock the summer.

Through defined grooves and rolling bass lines blends, "Rising away" melodic and atmospheric sounds to create a transcendent listening experience. With an energic groove, this track showcases an exceptional range, to craft atmosphere that goes beyond the dancefloor.

By:them truly strikes for his first ep and presents us with two dance floor weapons with a fantastic Hermanez reinterpretation.

Support by, Timo Maas, Joris Voorn, Alex Neri, Nick Varon, Just Her, Paco Osuna, Danny Howells, Ilario Alicante, Sahar Z, Nhar, Michel De Hey, Sasha, Adriatique, The Micronauts,

It's time for a new compilation in our house and we have some good music to fill it up. This collection of talent is going to be served in two flavours, the physical one a four cut vinyl EP featuring previously only digital tracks and the second one a ten track selection from our back catalogue featuring some of the best producers in our family.

Asier Morillas ( A4 ) is probably one of the most original sci fi specialists out there and he's been part of our sound since his first steps into production. His track Kynosoura is a perfect example of hi tech jazz.

David Reina is also a science fiction specialist, also featured with a full length work in our catalogue, our pick for this collection is Autoscopy, a mental and complex sonic voyage into the best outer space techno.

From Mod 21 we have selected one of his most played tools, Escalation of Violence, the perfect hypnotic drill to boost your mixes properly.

Vertical Spectrum brings us to hyperspace in BALN006 combining a distorted groove with floating alien bleeps in a sci-fi techno masterpiece.

This four cuts will be pressed on wax, let's talk about the next eight:

From his Idle Ep we have chosen Temudo's Spiritual Song, a merciless floor weapon heavily tested on the best clubs and big stages out there.

Next comes BiiBii by Null Forms approaching a more abstract and sci-fi terrain, maintaining the danceable pulse and well-managed distortion. The result is more mental and synthetic. A kind of controlled chaos.

Axial Rotation from Translate starts with a fast paced groove, heavily bass fuelled with a continuous synth line moving across the basement. All sound elements are constantly mutating and evolving although the mood is linear and loopy.

Eight cut comes from Dutch veteran Dimi Angelis, the third from his
A Journal of Impossible Things EP from 2023. The hypnotic bleep penetrates your mind while the dirty sound of the old drum machine sets the pace for your feet. Special mention to the occasional resonant sweep that appears from time to time creating the required tension.

On the ninth, Ruman's Lizard from Where The Ring Ends LP, mental and hypnotic, perfect for adding tension to a mix, again heavily tested on the best dancefloors extensively.

Closing the release, CONCEPTUAL with Red Sun a magnificent closing anthem, no more words needed here.

With this collection you get a tiny snapshot of the sonic palette of Warm Up Recordings sound. Check our full catalogue to get the proper picture.

We Release JAZZ is honored to announce the release Shoals, a magnificent full-length album from Earth and Bones, the duo consisting of Liran Donin and Idris Rahman of acclaimed jazz outfit Ill Considered. Their majestic offering is available in an ultra limited edition 180g vinyl LP housed in a heavyweight sleeve with an original artwork by Dutch artist Vincent de Boer.

Carried by Liran Donin on double bass and shakers, and Idris Rahman on bass clarinet, tenor sax, shell, and Tibetan singing bowl, the 5-track album is a deeply entrancing meditative-shamanistic-ambient-jazz journey. The members of Earth and Bones poured their heart and beliefs into the project:

"From shamanic cultures and forgotten traditions, we delved deeper searching our ancient healers, exploring who they heal, what they heal, and how they do it. We wanted to focus on the poisonous human attributes that affect our animal kingdom, as well as how we can heal ourselves by balancing darkness and light. We express our forever gratitude to our community, tribe and animal kingdom.

Despite how governments and multinational corporations try to isolate us from one another, we can't make it alone without our shoal. To truly have a shoal, we need to accept each other for what we are."

Their friend, Vincent de Boer, delivers the visual side of Shoals:

"The living world and all its particular (eco)systems s increasingly a source of inspiration for my art process. When Idris and Liran showed me the new recording and the thoughts behind it, it immediately fell onto good grounds. A school of fish is eminently a metaphor for collective improvisation, something we are all engaged in on an artistic level. The group decisions go beyond causality, the energies provide a simultaneous awareness for choices of direction. The space between the entities thus form a new entity. Non-matter becomes matter and vice versa: an area where music and visual art meet.

I drew a school of fish and tried to make it look like a fixed entity, so that multiple lives become one collective. As a bird and perhaps as a rock or cave: outside becomes inside becomes outside: so that all domains of the living world are linked: the swimming, the crawling, the flying and the playing. The spiritual connection with the music of Idris and Liran is grand, the places it takes me are at once very distant and extremely close. From otherworldly to within the body: the opposites as well as the harmonies are of shamanistic proportions."

Points of interests

For fans of ambient-jazz, meditative music, shamanistic rituals, improvisational process, deep vibes, Ill Considered, Vincent de Boer, heartful connections, healers and healing, the body, the otherworld, life within and outside.

.Super limited edition vinyl of Earth and Bones' debut !

Bedouin return with their first release on their Human By Default label of 2025, ‘Heavy On My Mind’ – a super-group collaboration with London-born mainstay Robin M and Morcheeba co-founder and lead vocalist SKYE.

A masterclass in blending live instrumentation with subtle musicality for the dancefloor, ‘Heavy On My Mind’ brings SKYE’s entrancing original vocals to the fore over a grooving backdrop of organic beats, lush Spanish guitars, and rippling piano chords. The result is a seven-minute ethereal odyssey set to dazzle wide-eyed dancers as they march into the cosmic unknown.

Widely renowned DJ and producer duo Bedouin have cemented their status as global tastemakers, known for their deep, hypnotic, and worldly musical sensibilities. As they gear up for another standout summer season, including high-profile festival appearances at Sonus, Sziget, and the return of their award-winning SAGA residency on the White Isle, Bedouin team up with Robin M and SKYE to deliver one of their most intimate productions to date.

"We made this tune with summer on our mind... our new collab with Robin M and Skye is now ready to be your soundtrack on and off the dance floor" Bedouin

"I’m delighted to be part of this stunning track. It has an energised spiritual vibe. Lyrically speaks of yearning and desire. I cannot wait to hear it played loud in the club” SKYE

“Heavy on Your Mind came together in one of those rare, effortless sessions, where it just clicked. Bedouin and I went back and forth after, refining the track with such a natural flow. We knew it needed a fresh vocal to really elevate it, and the first person who came to mind was my friend Skye from Morcheeba. She absolutely nailed it and her top line brought the whole track to life" Robin M

DJ Support: Mark Grusane, Darryn Jones, Tone B Nimble, Danillo Plessow, Miche, Luke Una, Charlie Dark, Folamour, Mike Shawe

Presenting to the altar, a batch of Gospel edits by Admin. Chopped and boosted to get the holy spirit grooving your body. Uplifting funky disco sounds to elevate the mind and prepare the listener for a new horizon... Originally released as unmastered digital files on Bandcamp only, these edits have now been fully mastered and pressed to vinyl for the first time.

- Originally released in 1993, 'The Brown Album' marked a significant evolution in Orbital's sound - and was met with widespread critical acclaim. NME awarded it 9/10 in their review, and it was chosen as one of Mixmag's best albums of all time.


- Standout track, "Halcyon + On + On", became an instant classic, known for its ethereal atmosphere and haunting vocal sample from Opus III's It's a Fine Day. The track's dreamy progression and uplifting yet melancholic tone made it a staple in film soundtracks and DJ sets, embodying the emotional depth electronic music could achieve. "Impact (The Earth Is Burning)" is another defining moment, an evolving journey of layered breakbeats and dynamic synth arrangements, reflecting the duo's ability to create both club-ready and introspective music. Meanwhile, "Lush 3-1" and "Lush 3-2" demonstrate Orbital's knack for crafting intricate, evolving grooves, balancing pulsating rhythms with melodic flourishes that keep the listener engaged.


- 'The Brown Album' 2LP reissue has been cut at half speed, to ensure maximum audio fidelity for this landmark release, and is the first time the album has been pressed on vinyl for over ten year

- The Brown Album' 2CD includes a 2nd disc of rarities, including the full 11:09 version of Halycon and the 13-minute Underworld mix of Lush.

Ten City is universally known as one of the foundational House Music artists who helped to preach the gospel of House from Chicago out to the world during the genre’s formative years in the late 80’s. Remarkably Ten City is still recording and performing, with the voice and face of Ten City Byron Stingily delivering classic songs like “That’s The Way Love Is,” “Devotion” and “Right Back To You” to adoring fans from multiple generations around the world.

Throughout his career, Byron has always had a keen sense of where House Music is going both on a musical and cultural level, and the role Ten City could play to stay at the forefront. He saw that now in the year 2025 the time was right to collaborate with a new generation producer who could “walk the walk” in terms of knowing how to utilize to the fullest the multiple emerging production techniques making House Music dancefloors jump. At the same time, whomever he worked with to create a new Ten City album had to be so well versed and respectful of the group’s legacy that they would not stray too far from what the original songs and albums were all about.

He found his man in another Chicago native DJ Emmaculate, who is well known among house music fans as one of the most talented writer / producer / DJs in the genre.

For the new album on Nervous Records, appropriately entitled “The Next Generation,” Byron and Emmaculate have expanded the Ten City sound both musically and in terms of vocal contributors. While “Voice Of House Music” Byron Stingily still delivers slam-dunk hits with his inimitable style, the album also includes supreme vocal contributions from Mon’Aerie, Uneq’ka, DRAMA D. Lylez, and a rap delivery from OVEOUS.

This Double Pack vinyl consisting of 8 songs with a custom jacket is a priceless and must-have addition to anyone and everyone who is a fan of the house music genre.

"Written in 1992 and with only 1000 copies pressed, this track developed into a much sought-after UK Soul track amongst soul enthusiasts preferring the UK Street Soul sound, drawing influences from our Caribbean heritage, genres and lifestyles."

In-demand UK street soul 'Midnight Love' by early 90s Birmingham-based duo Stirling McLean, comprised of vocalist Rosemarie Smith and musician Andrew McLean. Originally released in 1993 on UK-based indy-label Contribution Records amongst a roster of artists from the West Midlands, Manchester and Scotland, 'Midnight Love' has remained the label's stand-out cut for street soul heads. Produced by Frank O'Donnell, this 45 single comes with the previously unreleased instrumental version sourced from the master tapes.

Classically trained, with a background in jazz, soul and gospel, Laura Mvula emerged from Kings Heath, Birmingham in 2012 with her first EP, She. The following year her debut album, Sing To The Moon, dropped to enthusiastic reviews; earning two MOBO awards (plus nominations for both the Mercury Prize and two Brits) and going gold. Preceded by Laura’s most popular single, ‘Green Garden’, a hymn to her west midlands home, Sing To the Moon was described in The Guardian as ‘Gospeldelia’, a genre unto itself, which may have been a small exaggeration but speaks to the album’s ambition, inventive arrangements and striking originality.

The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil. Svart Records are hellishly excited to bring you an official reissue of The Meteors’ 2007 album Hymns For The Hellbound. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or blood-dripping red vinyl and wrapped in a gatefold jacket.

The original creators of Psychobilly Music, The Meteors began as a reaction against soft neo-rockabilly music of the late 70’s rock revival era. Since then the loud, sneering lovers of horror, perversion and death have released a few dozen records and are still going strong, 40 years into their career of evil. Svart Records are overwhelmed with psychotic joy to present an official reissue of The Meteors’ 2003 album Psychobilly. Long out of print on physical formats, this authorised reissue comes with a secret bonus track, all pressed on pitch black or poisonous green vinyl and wrapped in a gatefold jacket.

‘(Listen for) The Rag and Bone Man’ - Reissued and available on vinyl for the first time, was the album that marked the renaissance of the band in 2007, bringing them out of the quietest and most hermetic period of their existence and setting them back on course to establishing themselves as the global, underground phenomenon that they are today.
This new, remastered, edition includes six previously unreleased pieces, written during the same period but not included on the original album.
A work that takes us on a dreamlike journey through dark landscapes coloured by a guitar that brings to mind the trademark sound of their formative years and populated by characters as diverse as the nursery rhyme like ‘A man with a drum’ to William Faulkners ‘Candace’.
The vinyl comes as a gatefold, double album. Also available on CD with booklet including lyrics and photographs. ‘And Also The Trees’ are currently writing their sixteenth studio album and will be performing live in numerous European venues throughout 2025.

Hip Hop legends Micall Parknsun, Joker Starr & MCM (Caveman) join forces over a dope Jazz T boom bap killer "Nebula X". 7" vinyl with the instrumental on the B-side and amazing artwork by Matt Littler!

The KNOW was an early 80's electronic duo, comprised of brothers Garry and Neil Todd from Stoneydelph, Tamworth (near Birmingham), UK. After playing in a conventional rock group and having to deal with the issues of too many cooks spoiling the broth, they decided to stay a two piece while the affordability of synthesisers and drum machines came in handy to replace additional human band members – shall we say for the better in the end?!

Regarding the name, Neil says: “Garry and I came up with this name in relation to the saying, oh you know he’s in “The Know” you know.“ The KNOW released only two tracks “Times Change“ and “Knights of Pleasure“ on a 7“ single in 1982, which is ultra rare now (only being sold once on Discogs for almost €300). Neil used Korg Micro Preset M-500, Moog Liberation, Roland Jupiter-8 synthesisers, and a Roland CR-8000 drum machine to create these two minimal synth pop anthems.

The original masters have been lost over the years, but the recordings have been carefully digitized from vinyl and meticulously restored and remastered and sound better than ever before. Additionally, five cover versions have been added by no less than minimal electronic synth pop heroes BLIPBLOP, doing both tracks, the THE SILICON SCIENTIST adding his dreamy synth pop melancholia signature sound, FLASHBACKS (aka Echo West, Silent Signals) with his icy cold yet playful minimal electronics, and TWINS NATALIA featuring KRIISTAL ANN delivering a rather faithful to the original yet up-to-date version while adding lots of new bits like a choir, vocoder, and one of Dave Hewson's unique synth solos.

All of this is pure and classy 80s electronic synth pop bliss!

FARMED REALITIES ANNOUNCES DEBUT VINYL RELEASE: FRAWAX001

Zurich-based label Farmed Realities proudly unveils its first vinyl release, FRAWAX001, a dub and minimal-oriented record that sets the tone for the label’s innovative vision.

Leading the release is label co-head Reto Erni with his signature deep dub groove on the A1 track, delivering a hypnotic and immersive sound. The track is reimagined by Lola Palmer, whose remix infuses an energetic and powerful drive, transforming it into an instant dancefloor classic.

On the flip side, Leeni and Danilo Kupfernagel offer a melancholic and melodic reinterpretation of the original, maintaining its core groove while adding a soulful, introspective layer.

FRAWAX001 is a bold statement from Farmed Realities, blending dub’s depth with minimal’s precision, available now on vinyl.

Interpit celebrates its tenth edition in glorious fashion. This anamalous record sports 2 remixes recorded by label founder Ohm Hourani.

The original songs are by George Wassouf, one of the most iconic singers in Middle Eastern music and an absolute living legend. Wassouf is a musical phenomena that will never be repeated, and an international treasure.

"Helef El amar" on the A-side is a song that has captured the ears and the hearts of millions since its release in 1988, and still does to this day. Play through the first bar or two to coax forth a smile on the listener's face or a tear on a lover's cheek.

On the B-side you'll find a more mysterious and trippy journey with a remix of an even older El Wassouf classic entitled “Dibna/inti ew ana ya rait anna kookh.” The remix is designed to make you visit places deep within your soul.

The creation of this record is a lifelong dream that carries an immense amount of emotion, and therefore we can't wait to share it with you.

TCHDWN — former DMC Vice World Champion and Barcelona-based artist — makes his vinyl debut on Track Deluxe with BCN City Of Mind Spring Collection, a sonic tribute to the city that shaped his journey.

The EP includes five original tracks, an intro, interlude, outro, and a unique scratch bank sourced from the project itself. A locked groove nods to TCHDWN’s turntablism roots, making this a treat for vinyl heads.

“Every beat is infused with the energy and inspiration I’ve found here,” says the artist. The result is a fresh, timeless soundtrack that captures the essence of a Barcelona spring.

Early support from: Velasco, Gabbs, Lukas...

Mysterious amazing Detroit Techno! Admist this cultural famine, artists in the underground must survive many battles. With the starving wolfpack the battle within to remain true, and love, can feel impossible at times. But if we don’t do this for the love, we cannot endure.This is total heart and soul. If you dont believe in it I don't think you should get in it. All music is original, handcrafted and focuses on intrinsic groove.

A Colourful Storm launches Delicate Bloom, a new series of dancefloor sprouts. Klon Dump reinterprets a medieval choral song into two propulsive, forward-thinking wigglers.

Follows EPs for Thomas Melchior's My King Is Light and tunes that found heavy rotation by the likes of Raresh, Christian AB and Peach. Rave like it's 1299!

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

Released in 1979, "Tutti Fluti" is undoubtedly one of Teddy Lasry’s most unique and poetic albums.
Entirely centered on flutes, of which he is an undisputed master, this record offers a dreamlike dive into
ethereal jazz, naturalistic ambient, and subtle electronic experimentation.
Teddy Lasry, an original member of Magma, is known for his distinctive approach to wind instruments
and synthesizers. As a composer, performer, and texture inventor, he builds here a delicate,
contemplative, and timeless sound world.
On Tutti Fluti, flutes become voices, breath, wind, and a call to the imagination. Accompanied by
luminous keyboards and subtle rhythms, they shape an organic, soft, and introspective music—perfect
for active meditation or immersive listening.
A rare and atypical album, Tutti Fluti now finds its place among the great classics of auteur library
music, between spiritual jazz and the imagined soundtrack of a film never made.
Limited edition – A precious reissue for collectors, dreamer flutists, and sonic explorers.

With "Modern Way", Teddy Lasry delivers one of his most accomplished albums, where analog
synthesizer mastery meets a distinctly modern vision of instrumental music. Originally released in 1981,
this rare record embodies both the elegance of jazz-fusion and the boldness of electronic
experimentation.
Known for his key role in Magma, Teddy Lasry established himself as a discreet yet essential pioneer
of French cosmic music. A saxophonist, flutist, and keyboardist, he began developing a rich and
personal body of work in the 1970s, blending film scoring, sonic science fiction, and synthetic
dreamscapes.
On Modern Way, he explores a new path, at the crossroads of space funk, futuristic library music, and
cinematic synthetic landscapes. Each track evokes a scene: a race against time, a machine-city, a
digital dream... An imaginary soundtrack for an era that still believed in tomorrow.
Reissued on vinyl for the first time, Modern Way is a key work for fans of rare electronic gems,
atmospheric jazz, and avant-garde music long left in the shadows.
Limited edition – The future won’t wait.

An incredible journey through the dark and seductive soundtracks of the Italian nights, this compilation takes you deep into the after-hours soul of Rimini, Riccione, and Milan between the late 1980s and the early 1990s — a period of wild experimentation, underground parties, and sonic exploration. Eight rare and visionary tracks, all produced in the Belpaese, reflect a sound that was too ahead of its time to be fully appreciated back then, yet feels incredibly fresh and relevant today, as if they were made for the dancefloors of now.

In the middle of this evocative collection, a blasting remix by Milord stands out — a peak-time weapon that has already destroyed dozens of dancefloors with its hypnotic energy and raw power. Also featured is the stunning debut of Luca Sorrentini, who breathes new life into an obscure Italo-Arabic track originally composed by Ray Ridha
Credits.

Ajere” tells the story of the sudden end of a love story: the disorientation, the balance, and the strength to say “Nun te vogl’ chiù manco je!” (I don’t want you anymore either!).

In this reggae reinterpretation, Chiara Della Monica meets Tonico70, who with his direct language brings a concrete, urban and visceral charge to the song.

Available on 45 rpm vinyl, with the song on side A and the instrumental on side B, “Ajere” blends Neapolitan melody and Jamaican groove, transforming a breakup into an act of liberation.

The follow up to the critically acclaimed 'Environments', the new album takes a new, more melodic orientated path for the band.
The album is truly epic; 14 tracks and 57 minutes of strings, choirs, sea sounds, cellos, light beats and, of course, everything that made the first Environments album great.
Since the original release of the CD in 2008, and subsequent releases in the series to 'Environment 5' in 2014, there has been growing demand for vinyl and so for the first time this year we bring 'Environments 2' in that format. (CD TOT 62 still available)

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Pleasure of Love reissue imprint, New Islands, is back with another stunning restoration of a sought-after 12” gem. Originally produced by Paul Robb of Information Society in 1987, Venus II emerged as an otherworldly girl group in the Minneapolis scene. The mysterious duo wrote, programmed/sequenced, and performed everything live in the studio and on stage, including their local hit “Oh Boy.” Over the years, balearic heads have come to know and love this rare 12”. Now New Islands, sourcing from the original multi-track tapes, delivers a wicked, lush reissue of the original songs along with a pair of Justin Strauss remixes. Recommended if you like Nu Shooz, Tom Tom Club, and Torch Song.

In an ever-expanding musical universe, Azymuth have long existed as a celestial giant, drawing countless artists, musicians and followers into their orbit. Marking fifty years since their 1975 debut album Azimuth, their new album Marca Passo proves that the band’s alchemic brew of Brazilian jazz-funk and cosmic samba soul remains as vital as ever, as the group honours the profound legacy of their departed founders.

Recorded in Rio de Janeiro, Marca Passo is the first full-length release since the passing of founding drummer Ivan "Mamão" Conti in 2023, following the earlier loss of keyboardist José Roberto Bertrami in 2012. Alex Malheiros, the sole remaining original member, sees his stewardship of the band’s musical legacy as his spiritual duty. He is joined by the equally devoted Kiko Continentino (Milton Nascimento, Djavan) on keyboards, who has been with the group since 2016, and new recruit Renato Massa (Marcos Valle, Ed Motta) on drums.

Yet since their earliest recorded music, Azymuth have always been far greater than the sum of their parts. The "three-man orchestra’s" unmistakable sound is rooted in Brazil's MPB studio scene of the 1970s and early 1980s—a time when artists blended traditional Brazilian rhythms with global jazz, rock, and emerging psychedelic and progressive elements. Marca Passo continues this legacy, seamlessly fusing Brazilian musical traditions with global influences while showcasing the exceptional musicianship that powers Azymuth's distinctive, multi-dimensional sound.

The album is produced by studio mastermind Daniel Maunick, responsible for Azymuth’s two previous studio albums, Fênix in 2016 and Aurora in 2011. Daniel’s credits also include albums by Marcos Valle, Sabrina Malheiros and Terry Callier. Azymuth also invited Daniel’s father, British jazz-funk royalty Jean Paul “Bluey” Maunick, of Incognito, to play guitar on a new version of Azymuth’s eighties classic “Last Summer In Rio”, in tribute to the song’s composer, José Roberto Bertrami. Equally, “Samba Pro Mamao” is a new composition dedicated to Azymuth’s beloved original drummer, Ivan “Mamão” Conti.

Credits:

Alex Malheiros - Bass, Acoustic Guitar & Vocals: 1,2, 3, 4, 5, 6, 7, 8, 9, 10
Kiko Continentino - Keyboards, Organ, Vocoder & Vocals: 2, 3, 4, 5, 6, 7, 8, 9, 10
Renato Massa - Drums & Vocals: : 2, 3, 4, 5, 6, 8, 9, 10
Ian Moreira - Percussion: 1, 2, 3, 4, 5, 6, 8, 9, 10
Sidinho Moreira - Percussion: 1, 2, 3, 4, 5, 7, 8, 9, 10
Dudu Viana - Keyboards & Vocals: 1
Victor Bertrami - Drums: 1
Mangueirinha - Repinique: 3
Jean Paul ‘Bluey’ Maunick - Electric Guitar: 5
Jose Carlos Bigorna - Soprano Sax: 9
Daniel Maunick: Additional Percussion, Synths & EFX: 1, 2, 3, 4, 5, 6, 7, 8, 9

Produced, Engineered, Mixed & Arranged by Daniel Maunick
Co-Produced & Arranged by Alex Malheiros
Executive Producer: Joe Davis


Recorded by:
Daniel Maunick & Leonardo Vieira @ Estúdio Nos Trilhos, Santa Teresa, Rio, Brazil
Daniel Maunick & Amadeu Signorelli @ Sigstudio, Niterói, Rio, Brazil
Daniel Maunick & Alex Malheiros @ Estúdio Basslab, Piratininga, Rio, Brazil
Mixed by Daniel Maunick @ The Sugar Shack, Carluke, Scotland


Artwork & Design: Tyler Askew