Cerca:origin

An intersection of original dubs and outernational electronica, Ashtech’s Walkin’ Target, produced and co-written by Gaudi, was originally released in 2007 on cult Canadian label Interchill and is now presented for the first time on vinyl.

Tightly structured, Walkin’ Target revolves around Ashtech’s earth rattling basslines and Gaudi's solid production aesthetic, with three of the tracks featuring the inimitable vocal stylings of Cheshire Cat (Leftfield). A former bass player with Almamegretta, Ashtech’s intuitive style combined with Gaudi’s melodic flair to create a joyful collection of groove orientated roots and downtempo dubs that upon release found a home in the collection of music lovers worldwide.

Long deleted and not available on any mainstream download or streaming platforms, Ashtech dug out the original audio files, which were lovingly re-mastered for this pressing.

Repress.


An incredibly important but left behind album from 1994 originally on the Concrete label and now fully remastered & reissued. Three piece Opik, which consisted of Murray Clark, Chris Deverell and Robert Ellerby delivered some of the most bustling, pulsating, instrumental electronic music of the 90’s. Driven along by forceful emotional basslines coupled with melodic synths and the occasional epic vocal sample. Think LFO, think Orbital, think Leftfield, think Underworld and you are nearly there. Music truly ahead of its time.

The Rhythm Section – raves first super group - consisting of Ellis Dee, Rennie Pilgrim, Newton and Ritchie T. The group disbanded in 1993 after the rise of jungle as the guys didn’t want to go in that direction and felt their job was done in building the rave scene to what it was. But then in 1995 they had a request to reform and tour America as the rave culture was growing out there. So, they did reform, minus Ritchie T, and embark on a rather rave induced tour of the US with all the antics that you would expect from those guys!

They also wanted to make some new music for the tour and The Sequel album was born. Though written in 1995, they guys purposely kept the sound retro, calling upon their knowledge of the late 80s and early 90’s London warehouse scene.

Released originally as a limited edition double album which commands a high price on Discogs, this is the second part of the album – part one being the 180g blue vinyl release on Vinyl Fanatiks last year.

»White Noise« is a cooperation project between raster-media and the Max Planck Institute for Empirical Aesthetics. Artistic sound projects generated in the context of the scientific research institute will appear at irregular intervals. The themes and questions of empirical aesthetics research are taken up, questioned or challenged in very different ways. »White Noise« is conceived as an audio archive of the MPIEA artists in residence which records the artistic works on vinyl and documents the respective concepts and working methods in text form.

Victioria Keddie’s »Pshal P’shaw« (white noise #002) is a multimedia exploration delving into phonetic expression’s auditory and rhythmic nuances of phonetic expressions through an amalgamation of text, sound, video, data, and customized learning software. Drawing inspiration from the painter and architectural theorist Hermann Finsterlin who made speculative architectural renderings, the project originated during a residency at the Max Planck Institute of Empirical Aesthetics in Frankfurt in 2023.

The project’s engagement with the sonic landscape of the eight diphthongs in US English, documented through recorded sessions at EEG labs with participants of diverse international backgrounds, is not just a technical analyses. The applied script for the recording session, infused with a contemporary Western US dialect, ventures beyond, exploring the primal essence of phonetic expression and its impact on the oral landscape of mouth, throat, and tongue.

This work focuses on the spoken aspect of language: the art of oration, conversation, and mimicry. It reflects the beauty of our perpetual change, speaking directly to our humanity and the raw, tender moments of existence. It embraces the awkward, beautiful and vulnerable essence of our shared human experience.

Victoria Keddie is a multidisciplinary artist delving into sound, video, installation, and performance. Her work uncovers hidden narratives within ordinary artifacts and spaces, emphasizing their role in shaping our collective story. The examination of acoustic phenomena and language is a recurring theme in her artistic work. Keddie’s current projects navigate the acoustic complexity of language and dialects.

For over a decade, Keddie was co-director of E.S.P. TV, exploring the televisual medium for performance and sound. Keddie has performed and exhibited internationally. Recent fellowships include the NYSCA/NYFA for Music/Sound (2022), the Max Planck Institute for Empirical Aesthetics (2023), and the Bemis Center for Contemporary Art, Sound Art and Experimental Music Fellowship (2024).

»White Noise«, 40 p. magazine English/German, vinyl LP, cardboard box

After Deano and Faretrades inaugural release on the Knowledge Imprint DFT sublabel comes a remix pack of those first collaborative tracks. Following the sonic palette of the originals, the artists have enlisted some of their favourite young producers to contribute their interpretations. On the A Side youll find Border One and Quelza, while on the B Side youll
find CONCEPTUAL and D Leria, all of whom put their idiosyncratic touches into the package, guiding the listener through everything from driving and bright to warm and hypnotic. Also contributing an exclusive digital-only remix is Portugals own prodigy Norbak
to round things off in solid fashion.

Kiria Records proudly presents "Vintage A EP", a collection by Direkt that embodies the essence of modern groove with timeless and elegant influences. This EP explores different sonic shades, perfect for enriching any moment of a DJ set.

On side A, we have "Vintage A", a track that stands out for its sophisticated groove and immersive structure. The blend of delicate synths and sharp percussion creates an atmosphere perfect for lighting up the dancefloor and taking listeners on a hypnotic journey. Following that, Cally’s remix delivers an innovative and minimal reinterpretation of the original track. With tight rhythms and subtle nuances, this version captivates the audience and adds depth to transitional moments.

On side B, "Best Kick Forward" opens with a powerful rhythmic drive, characterized by strong basslines and an engaging progression, making it perfect for the most dynamic moments of a set. Closing the EP is "Fragments", a track that plays with atmospheric elements and refined grooves. Intricate percussion and ethereal melodies intertwine to create a finale that leaves a lasting impression.

With "Vintage A EP", Direkt and Kiria Records deliver a must-have musical chapter, crafted for DJs and collectors seeking unique and uncompromising sounds.

Azzurro 80's new album—his first ever on LP—is a beautifully faded Polaroid that, like a true flashback, plunges listeners into the heart of the 1980s. It's a sonic journey that captures the essence of a decade, distant yet vividly etched in our collective memory.

The Roman producer unleashes his sonic vision with even greater intensity than before, weaving through dreamy italo-disco, electric atmospheres, soundtrack-worthy synth-pop, and boogie-funk grooves.

Each track opens a window onto an era the artist experienced only fleetingly as a child, yet he evokes it with a powerful and refreshingly original touch. Much like a classic library music record, these tracks conjure a wealth of images, scenes, and visual sequences—perfect soundtracks for imagined films or evocative advertising campaigns: as seductive as a perfume ad, as desirable as a car commercial, and brimming with the bright future the 80s promised.

It's no surprise that cinematic references spring to mind even before musical ones. The album echoes the dreamy atmospheres of early 80s Italian cinema, particularly films like Carlo Verdone's "Acqua e Sapone" (1983) and Carlo Vanzina's "Amarsi Un Po'" (1984). Meanwhile, flashes of New Romantic aesthetics and hints of electro-funk transport you to a neon-lit dance floor where a DJ is spinning the vinyl copy of Flashback.

Azzurro 80's new album is a vibrant, energetic work, balancing groove and emotion in equal measure and infused with a sense of nostalgia that feels remarkably contemporary.

Available May 9th on LP and Digital from Four Flies Records!

Electronic musician and singer/songwriter originally from Greece, ELLI, has called London home for the past 15 years, balancing her career as an automotive engineer with her passion for creating music. After collaborating
with several producers as a vocalist, she released music on renowned labels like Connected, Anjunadeep,Objektivity, and Truesoul. In addition to her successful collaborations, ELLI's solo journey began with her debut
single "Race My Heartbeat" on Prins Thomas’s Horisontal Mambo label.

She followed up with "Just for Me & You", released as part of Steven Julien's DJ Kicks mix on iconic !K7 Records.
Channelling a broad range of influences, her solo project explores the intersection between ambient/electronic ethereal soundscapes and a more upbeat side that leans towards cosmic synth-pop.

Erstmals veröffentlicht in 2002 - 'Oblivion with Bells' (Reissue).

Underworld sind ein echtes Unikat, das auf den größten Festivals und Veranstaltungen der Welt als Headliner auftritt, in Underground-Techno-Clubs und Lagerhäusern spielt, Theaterproduktionen vertont oder Kunstgalerien, stillgelegte Schuhläden und japanische Kaufhäuser bespielt.

- Ltd. 2LP: (180g schweres schwarzes Doppelvinyl. Auf halber Geschwindigkeit geschnitten und sorgfältig auf höchste Audioqualität getestet. Double-Gatefold mit dem klassischen Design der Originalpressung und neuem LP-Cover-Rücken-Artwork, das neben den anderen 2025er LP-Reissues der Band ein einheitliches Bild ergibt.)

Tresor resident DJs LNS and DJ Sotofett have for some years been developing a style at the club‘s Globus floor, and their new EP is a die cut of exactly the classic techno, electro, and house music they play.
Here are no productions drenched in reverb, no hi-fi obsessions or generic algorithmic patterns – this is Globus Trax, the duo's third release on Tresor Records, four tracks consisting of real TR-909 workouts, rude and driving basslines, live runs through the mixing desk, and a Blake Baxter cover version with LNS on vocals.
LNS & DJ Sotofett programmed an EP to perfectly fit their warehouse style of DJing, bringing out colour and variation in a spectrum more similar to a club compilation than a dogmatically reduced concept. With a single repeated vocal sample, Globus Trax opens bombastically with ClickClickClick, a dub -infused UK garage house track anyone in the world can easily describe in the course of a second.
Following this comes Gearbox which is a hefty slab of big room electro featuring a centerpiece arpeggio and the warmest harmonic pads on the EP's four tracks, which not-so-subtly makes reference to the pioneering band that shares a name with Globus and Tresor's home, the Kraftwerk.
The house vibe returns on Destination 909, which is nothing but a manifesto for the TR-909, where the beloved drum machine's jacking beats meet galactic strings and synthetic bass, only to be ripped apart in a slamming break that sees the machine take centre stage as it cuts in-and-out of the mix, again a clear nod to the duo’s sets in the club.
LNS steps up on vocal duties and DJ Sotofett keeps the 909 running for their final cut, taking a deeper dive into the realms of classic techno and paying tribute to “The Prince of Techno” Blake Baxter by covering his Reach Out originally released on Tresor Records in 1995.
The 12” was cut by DJ Sotofett himself at Manmade Mastering, where he resurrects the lost art of late-90s loud cuts with sonic presence and punch, optimal for the club-focused 12” format, and is the first to come in the new Tresor Sleeve, boasting an embossed logo on either side.

CS003, our next offering on wax, is home-grown. The Instruction EP features three original productions by label co-founder Niall Kelly complimented by a remix from the inimitable Carl Finlow. Niall’s debut EP showcases his prowess as producer harking to a pool of influences found in the sonic DNA of our hometown of Leeds, with added firepower provided by a legendary artist with close ties to the city.

Echoes of the rowdy bygone Mint Club ooze through the slappy tech house roller ’Section 1’ which opens the record. The chunky basslines retro synths and robotic vocoder connect the dots from Niall’s palette to the unmistakeable sound of Yorkshire Bleep on ‘Seven Wolves’. Carl’s treatment of ‘Section 1’ pivots into a darker, dystopian soundscape full of fizzing hi hats and dizzying synths that amalgamate into a dancefloor shaker that is unmistakably Finlow. The EP is rounded off by Groove Key, a track which serves up a special disorientating euphoria designed to be heard on large soundsystems and felt deep within your bones.

This is an awesome under the radar hardcore release to get you buzzing! The guys behind Dub Base and 2 Slices Of Jam create 4 tracks of absolute joy. And as is always the case when it comes to a Vinyl Fanatiks repress, the original 1993 release is highly sought after.

Produced by Chez Damier and Ron Trent, the track was born in NYC, inspired by a transformative night at the legendary Sound Factory Club. In the early morning haze, as the echoes of basslines and rhythms lingered, the duo channeled the energy of the dancefloor into their studio. The result captured the raw, soulful essence of Deep House, reflecting the dancefloor communion that transcended time and space. To extend the feeling while honoring the original, Atjazz was invited to bring his jazz-influenced touc

With his deep understanding of groove and texture, he reimagined the track through two distinct remixes, each offering a fresh perspective. While both versions explore different nuances, they remain faithful to the track’s core essence, maintaining its hypnotic flow while adding a renewed vibrancy to the dancefloor. The duo of Chez Damier and Ben Vedren, proudly welcome French producer Fred H, one of the closest members of their extended musical family, to deliver a special remix of their track "Berlin Nights In Paris".

The result is a re-imagination of the track, introducing a percussive soundscape that drives the rhythm forward while offering a space for the listeners' minds to wander, immersing them in an atmospheric journey. This reinterpretation preserves the original’s essence while infusing it with new textures, dynamic movement, and a hypnotic flow that deepens its emotional impact.

This collaboration is more than just a remix. It’s a testament to the creative synergy within their musical circle, reinforcing the timeless spirit of house music while pushing it forward. er. Through his deep connection to what truly ignites the dancefloor, DJ SOURIRES maintains the emotive spirit of the original track, keeping its essence intact, yet injecting fresh dynamics that transforms it into a high-octane dancefloor heat track. His intricate, oscillating drum programming and masterful arrangement drive the rhythm forward, creating a compelling urgency that commands attention and movement. The remix swells with intensity, amplifying the hypnotic elements of the original while layering in driving percussion, rich basslines, and sharp, yet spacious synths that build tension and release in all the right moments. Every twist and turn in this remix is an invitation to lose yourself in the dance.

Renato Cohen, the Brazilian techno and house producer and DJ best known for his iconic track *Pontapé*, has been a powerhouse in the electronic music scene since the late '90s. Born in São Paulo in 1974, Cohen's career has spanned nearly three decades, marked by releases on some of the industry's most respected labels, including Carl Cox's Intec, Technasia's Sino, Marc Romboy's Systematic, Pets Recordings, and Defected. Known not only for his studio work but also for his dynamic live P.A. shows, Cohen is a true legend. We had the fortune to connect with him after a Boiler Room set in Brazil where he played *Sting the Floor*, a true floor-filler that electrified the room. Since then, our friendship has flourished, leading to this powerful EP. The EP features « Roaring », an outstanding house track that channels Cohen's heart and soul into every arpeggio and swirling melody, bringing to mind the best of Todd Terje's hypnotic grooves. It's a piece that builds momentum with finesse, crafting a sound both grand and intimate, resonating with every listener. « Roaring » is Cohen's homage to house music—a track that encapsulates his passion and mastery. Accompanying « Roaring » is « Wet Desert », a high-caliber production that's as immersive as it is intense. The track carries a deep, evocative energy, combining Cohen's deft touch with an expansive, desert-inspired soundscape. Through our connection, we've brought in The Floorfillers for an acid remix of « Roaring », putting a fresh twist on Cohen's original with a pulsating acid bassline that's reminiscent of our own « Edit1 ». It's a version that takes « Roaring » to new, harder-hitting heights, perfect for late-night dance floors. To complete this standout release, Skylax's own Maltitz has crafted a stunning Italo-Balearic remix, drawing from the spirit of the late David Mancuso. With its warm, nostalgic vibes, Maltitz's remix adds a lush, sun-soaked dimension to « Roaring », perfect for balmy evenings and open-air gatherings. This EP marks a powerful comeback for Renato Cohen, celebrating his career while pushing forward with new, fresh sounds that honor his legacy.

Introducing ‘Principauté de Bowl-Air’.

A brand-new label founded by DJ Bowlcut from South Korea, a key figure in supporting Seoul’s underground scene through Seoul Community Radio. This project presents his vision of deep, glitchy, minimal house music—woven with the story of a secret micronation hidden in the heart of Seoul.

The debut vinyl release, PBAVINYL001, features an original track by DJ Bowlcut, alongside reinterpretations by his friends DOTT and Rudolf C.

The A-side opens with “Tibetan Bowl”, a track built around the sound of a Tibetan singing bowl and vocal samples taken from a singing bowl tutorial—inviting listeners into the surreal world of Bowl-Air.

The second A-side track, “The Moment”, delivers a minimal yet gritty bassline and a hypnotic minimal house rhythm, layered with glitchy, acidic patterns and a Korean vocal sample that says, “Now it’s the moment you are waiting for.”

The B-side features remixes by DOTT and Rudolf C. DOTT reimagines “Tibetan Bowl” into a deeper, darker exploration of Bowl-Air’s hidden layers. Meanwhile, Rudolf C transforms “The Moment” into a nostalgic machine-funk-style track reminiscent of the early 2000s—perfect for injecting some funk into the dance floor.

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of the best crate diggers around to curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both his own and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything having to sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of thebest crate diggers around to curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both his own and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything having to sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

"Throughout all my time as a musician and producer, ever since Jack the Tab, I've been focused on developing a single idea: Blending psychedelic sounds and effects with rhythm." Richard Norris, Strange Things Are Happening White Rabbit 2024

Over the past few years Eskimo Recordings have invited some of the best crate diggers aroundto curate compilations that don't just reveal the hidden contents of their record bags but something about themselves too. Now, following in the footsteps of the likes of Bill Brewster and Psychemagik, producer, musician, DJ, writer and more, Richard Norris, takes us on a globetrotting psychedelic journey with the epic 42 track collection, Mr Norris Changes Brains.

For over forty years Richard has played a part in many of the UK's most important music subcultures. Whether sharing stages with the likes of Tracey Thorn as a pubescent punk in St. Albans, or running freakbeat nights in Liverpool and working at the pioneering psychedelic label Bam Caruso, co-producing the UK's first acid house inspired LP with Throbbing Gristle's Genesis P. Orridge or riding the wave of creativity that the second summer of love unleashed all the way to the Top of the Pop studios as The Grid, Richard's career has continually seen him work to expand both hisown and the public's musical horizons.

With Mr Norris Changes Brains it's the most recent part of his mercurial career that he's focused on. Drawing inspiration from his post 2006 adventures as one half of Beyond the Wizard's Sleeve, alongside Trash's Erol Alkan, this compilation shows how a more connected world has blown the dust off a paradoxically sometimes straightjacketed scene. The result is a dizzyingly wide-ranging collection that explores the further out there reaches of worldwide psychedelia and dancefloor mayhem.

"A lot of these tracks are fairly recent discoveries, things that I've discovered from around the time I started working with Erol and going right up to today," Richard explains. "Whether that's from going out to play and finding new records in places like Istanbul or just connecting with people online from all around the world. Psych can sometimes be a sort of narrow-minded field, with everything havingto sit in its specific niche, but more and more people are open to new sounds and that's allowed for a much broader selection."

Despite their disparate origins what does unite these tracks is that they aren't just there to zone out to on a bean bag as projections of swirling coloured oils and psychedelic patterns wash over you. Mr Norris may change brains but his DJ sets also move feet, and whether it's their killer guitar riffs, oscillating synths floor shaking drums or soulful Hammond organs these are all cuts that from festival tents to underground clubs have proven time and time again to get people dancing.

"With a lot of these tracks there's a kind of fun element in them," says Richard. "It's still psychedelia, but they've also got these solid, funky grooves. They sound phenomenal on the dancefloor and as much as these records might excite old psych heads, this compilation is also for a new generation out there who might have never heard anything like this before and, just like when I was 18 and heard The 13th Floor Elevators for the first time, think 'Oh, my God, what on earth is this and more importantly what else is out there?'"

Crowns by The Rebel feat. Corey James Gray is out now on 7’’ via Little Beat More!
The Rebel, aka Tommaso Taroni, producer from Rome and Founder of DJ’s Choice label, delivers a raw, soulful track that opens the door to his debut album. Crowns features the sharp lyrics and smooth, magnetic delivery by Corey James Gray (FKA Ill Spookin), riding over a sturdy groove with crisp drums and deep guitar loops.
On Side B a further explosion comes: Clap! Clap! signs a Power Trio remix of the track that flips everything on its head. With thunderous syncopated riddim and wild brass stabs, this version hits like a futuristic brass band from New Orleans: unrelenting, joyful, and rhythmically overpowering. A bold reimagining by one of Italy’s most visionary electronic producers.
Packaged in a stunning disco bag illustrated by El Moro, this 7” is both a record to play and a piece to keep. A snapshot of a fresh project in the pipeline, ready to go!

Good things take time, and this time they bring us a true gift: Brett Johnson, a living house legend. From his base in Austin, he delivers a special mix of two classic tracks and two new ones, all with his unmistakable sound that has moved dance floors worldwide. His timeless beats return in the most beautiful format: vinyl. A unique release to enjoy!