Wewantsounds is delighted to announce the release of Akiko Yano"s cult 1979 album 7 O"Clock in Tokyo, recorded live in September 1978 at a pivotal moment in Japanese music history, just as Yellow Magic Orchestra was about to take the world by storm (Yano would tour the world with the group in 1979). Featuring a very funky Yano performance accompanied by Haruomi Hosono, Ryuichi Sakamoto and Yukihiro Takahashi, plus Tatsuro Yamashita and Minako Yoshida, the album is presented outside Japan for the first time, with remastered audio, original artwork, and a four-page insert including new liner notes by Paul Bowler.
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- Sweetness And Light
- Sunbathing
- Breeze
- De-Luxe
- Leaves Me Cold
- Downer
- Thoughtforms (Mad Love Version)
- Baby Talk
- Thoughtforms (Scar Version)
- Scarlet (Scar Version)
- Bitter
- Second Sight
- Etheriel
- Hey Hey Helen
- Scarlet (Robin Guthrie Version)
Mit Gala veröffentlichten Lush 1990 ihr erstes Kompilationsalbum - eine Zusammenstellung der frühen EPs Scar (1989), Mad Love (1990) und Sweetness and Light (1990), ergänzt durch zwei exklusive Stücke: eine Coverversion von ABBAs "Hey Hey Helen" sowie den erweiterten Robin Guthrie-Mix von "Scarlet". Die Veröffentlichung markierte damals den Einstieg der Band in die US-amerikanischen und japanischen Märkte. Zum 35. Jubiläum erscheint Gala nun am 14. November 2025 in einer aufwendig neu aufgelegten Edition: als Standard-LP/CD sowie als Deluxe-Coloured-Vinyl-Boxset (3x12" + 7"). Beide Formate wurden von Kevin Vanbergen 2025 neu gemastert. Die Deluxe-Edition überzeugt zudem mit einem von Chris Bigg gestalteten Artwork, basierend auf Originalgrafiken von v23 (Vaughan Oliver und Chris Bigg), sowie einer neu verfassten Bandbiografie der norwegischen Autorin und Musikerin Jenny Hval. Erstmals seit 1990 ist Gala damit wieder offiziell erhältlich. Die Gala 35th Anniversary Edition folgt auf die 2023 veröffentlichten Remasterings der Studioalben Spooky, Split und Lovelife. Bereits im vergangenen Jahr präsentierte die Band zudem in Zusammenarbeit mit dem Criterion Channel den Kurzfilm A Far From Home Movie von Bassist Phil King - ein Werk zu Ehren des 1996 verstorbenen Schlagzeugers Chris Acland, das intime Super8-Aufnahmen von Lush-Tourneen zwischen 1992 und 1996 zeigt
Bad Brains is the self-titled debut studio album recorded by American hardcore punk/reggae band Bad Brains. Recorded in 1981 and released on (then) cassette-only label ROIR on February 5, 1982, many fans refer to it as "The Yellow Tape" because of it's yellow packaging. Though Bad Brains had recorded the 16 song Black Dots album in 1979 and the 5-song Omega Sessions EP in 1980, the ROIR cassette was the band's first release of anything longer than a single. The release includes the original liner notes by Ira Kaplan of Yo La Tengo. This reissue marks the second release in the remaster campaign on the band's own Bad Brains Records imprint with Org Music. In coordination with the band, Org Music has overseen the restoration and remastering of the iconic Bad Brains' recordings. The audio was mastered by Dave Gardner at Infrasonic Mastering.
- Jaipur
- Elijah
- Trick Mirror
- Island Garden Song
- The Coroner's Gambit
- Baboon
- Scotch Grove
- Horseradish Road
- Family Happiness
- Onions
- Bluejays And Cardinals
- Shadow Song
- There Will Be No Divorce
- Insurance Fraud #2
- The Alphonse Mambo
- We Were Patriots
Cassette[14,08 €]
Surf Ride ist ein Album mit Aufnahmen aus den Jahren 1952–54, das ursprünglich 1956 beim Label Savoy
veröffentlicht wurde. Neben Pepper sind auf dem Album auch Jack Montrose (Tenorsaxophon), Russ
Freeman/Hampton Hawes/Claude Williamson (Klavier), Monty Budwig/Joe Mondragon/Bob Whitlock
(Bass) und Larry Bunker (Schlagzeug) zu hören.
Translucent Grape Vinyl[32,73 €]
Released here for the first time on vinyl, Science-Fiction is one of Mazalda's early albums, originally released in 2008 on CD only. Mazalda is a legendary band for anyone who's been to French venues and festivals in the last 20 odd years ; the Lyon-based collective have played – literally – thousands of shows, always with a high level of breathtaking musicianship, sensitivity and energy.
Although mostly known for their fruitful collaboration with raïsinger Sofiane Saidi in the late 2010's, Mazalda started off as a street brass-band circa 2001. Soon, they integrated specific modern elements to their sound : 70's analog synths, psychedelic guitars, electric mandoline, Wurlitzer piano, Ewi electronic saxophone.
Stéphane Cézard, Mathieu Ogier, Lucas & Adrien Spirli, Gilles Poizat and Julien Lesuisse were influenced by numerous styles of instrumental music from across the Eurasian continent since their teenage years ; yet with Science-Fiction they broadened their field of inspiration to both pop and experimental horizons. Gilles Poizat (Orchestre Tout-Puissant Marcel Duchamp) and Julien Lesuisse (Crimi)'s clear and melodic vocals pair with a great sonic depth created by the countless possibilities of instrumental combinations.
Mazalda chose to record a handful of cover versions such as the majestic opener " Thu Og Eg " by Icelandic prog musician Gunnar Thordarson, or a funk-fuelled version of a 1920's protest song by Neapolitan singer Alfredo Bascetta. A majority of the selection, though, is masterfully penned by members of the band.
Science-Fiction captures the fresh and boundless creativity of a young band of mates who, as well as being top-rank interprets, draw unique inspiration from timeless musical wells. It just wasn't fair that this album never got released on vinyl or online. Meanwhile, Mazalda are still alive and well, as they released their latest album Special Key in 2023 (Airfono) and are currently playing shows across France and Europe with Franco-Egyptian singer Hend Alrawy (Orange Blossom) as "Zerzura".
Opaque Silver Vinyl[25,63 €]
Mona Steinwidder (Museum of No Art) and Mitko Mitkov have spent years exchanging sounds and words across Hamburg's creative landscape - Swimming Pool Reflections is where those exchanges accumulated in Steinwidder's studio beneath the slanted roof of a former barracks. Premiered in November 2024 for Gesa Troch's exhibition "you say water is sweet", the work intertwines Mitkov’s texts (originally composed as emails to members of a swimming club, as imaginary as they are real) with Steinwidder’s clarinet and synthesizer, full of dubby resonance.
Swimming Pool Reflections isn't about swimming. It's about standing at the edge and watching - the way light fractures through water, how shadows play across tile, everything that forms and dissolves in the viewer's eye. The libretto moves through straits where bodies of water collide, small lakes with white slides, pools suspended in generic landscapes generated from uploaded photographs. Binary gods and transparent shadows. Sediment and cosmic hands weaving existence on overdimensional looms.
Across two uninterrupted sides, words float like those oil spots Mitkov describes: "swallowing light, drifting between the waves, forming a strange pattern". The music holds space for these reflections without trying to contain them. Everything stays permeable. Everything keeps moving.
Original Broadway Cast of Buena Vista Social Club
Buena Vista Social Club (Original Broadway Cast Recording) 2x12"
- A1: El Carretero
- A2: De Camino A La Vereda
- A3: Veinte Años
- A4: El Cumbanchero (Rehearsal)
- A5: Veinte Años (1950)
- A6: Qué Bueno Baila Usted
- B1: Bruca Maniguá
- B2: Murmullo
- B3: Drume Negrita
- B4: Candela
- B5: El Cumbanchero (Tropicana)
- C1: Dos Gardenias
- C2: El Cuarto De Tula
- C3: La Negra Tomasa
- D1: Chan Chan
- D2: Silencio
- D3: Lágrimas Negras
- D4: Bruca Manigá (Reprise)
- D5: Silencio (Instrumental)
- D6: Candela (Finale)
The producers of the new hit Broadway musical BUENA VISTA SOCIAL CLUB and WORLD CIRCUIT RECORDS present the show’s Original Broadway Cast Recording, to be released in July 2025, recording produced by Dean Sharenow and David Yazbek. Step into the heart of Cuba, beyond the glitz of the Tropicana, to a place where blazing trumpets and sizzling guitars set the dance floor on fire. Inspired by true events, the new Broadway musical BUENA VISTA SOCIAL CLUB™ brings the GRAMMY® Award-winning album to thrilling life—and tells the story of the legends who lived it. A world-class Afro-Cuban band is joined by a sensational cast in this unforgettable tale of survival, second chances, and the extraordinary power of music.
The BUENA VISTA SOCIAL CLUB™ Musical officially launched at Broadway’s Gerard Schoenfeld Theater in March 2025 to huge critical acclaim and has been nominated for 10 TONY AWARDS. The show is produced on Broadway by Orin Wolf, John Styles, Barbara Broccoli, Atlantic Theater Company, Luis Miranda, LaChanze and John Leguizamo with Executive Producer Allan Williams, with Nick Gold (World Circuit) and Juan de Marcos González (Buena Vista Social Club) acting as consultants on the production.
Django Django & Man Power present a limited edition run of their collaboration “Home” with brand new sleeve design. Previously only available on white label, this new version of Home is limited to 100 copies only and features the original version plus Man Power’s Analogue Dub and an additional instrumental version.
Originally released in October 1985, ‘Once Upon a Time’ is the era-defining #1 album from Simple Minds, containing classic hit singles ‘Alive and Kicking’ and ‘Sanctify Yourself’.
To celebrate 40 years, the album is now available as a ruby red vinyl in a gatefold sleeve, which includes ‘Don’t You (Forget About Me)’ on the tracklist for the first time ever. The gatefold spread features Anton Corbijn’s famous photo of the band taken at Live Aid in 1985.
*includes insert
Timely reissue of Only for the Headstrong, the seminal 12” from UK duo Psychotropic, arriving this November. Originally released in 1990 at the height of the Acid House explosion, the track quickly became a defining moment in UK dance music—melding house, breakbeat, and psychedelic pop influences into something utterly timeless. Revered by DJs, collectors, and ravers alike, Headstrong is a euphoric, genre-blurring anthem that retains a raw innocence and hypnotic pull even 35 years on.
Psychotropic was formed by Gavin Mills, a rising DJ with a deep love of house and hip-hop, and Nick Nicely, a seasoned psych-pop experimentalist whose history included cult releases with Arista and EMI. The pair met during the fever pitch of late '80s rave culture—bonding over illegal warehouse parties, makeshift home studios, and a shared impulse to explore new sounds and styles. Crafted using an Akai S900 sampler, a Fostex 8-track, and a Casio CZ-101, Only for the Headstrong emerged from Nicely’s South London home studio in a single inspired session, its unforgettable loops and soaring keys capturing both the chaos and euphoria of the era.
The track, and the Prince-style groove of B-side Out of Your Head, became underground hits, reaching the top of London’s independent record store charts and cementing Psychotropic’s reputation for marrying psychedelic sonic textures with club-ready grooves. Their sound stood out—rooted in DIY experimentation but elevated by emotional depth and melodic flair. Mills and Nicely’s unique chemistry would spawn further club classics like Hypnosis, Psychosis, and Feel Surreal, before diverging into solo paths in the mid-90s. Despite parting ways creatively, the duo has remained close friends, occasionally reuniting for remixes and digital reissues.
Now, in 2025, Only for the Headstrong returns to vinyl in its full analog glory—remastered and recontextualized for a new generation. With freshly penned liner notes by Nic Nicely, this nostalgic reissue captures the raw, open-minded energy of a pivotal moment in UK dance music and reconnects us with the heady, DIY spirit of early rave culture.
- A1: Chic – Le Freak (Edit)
- A2: Sister Sledge – We Are Family (Single Edit)
- A3: Gloria Gaynor - I Will Survive (Single Version)
- A4: Sylvester – You Make Me Feel (Mighty Real)
- A5: Chaka Khan – I'm Every Woman
- A6: Candi Staton – Young Hearts Run Free
- A7: Diana Ross - Upside Down
- A8: Sheila & B. Devotion – Spacer (7'' Edit)
- B1: Amii Stewart – Knock On Wood (7” Edit)
- B2: The Three Degrees - Givin' Up Givin' In
- B3: Eruption - I Can't Stand The Rain
- B4: Boney M. - Daddy Cool
- B5: Village People – Ymca
- B6: Michael Zager Band - Let's All Chant
- B7: Lipps Inc. - Funkytown (Single Version)
- B8: Dee D. Jackson - Automatic Lover
- C1: Donna Summer - Macarthur Park (Single Version)
- C2: Earth, Wind & Fire With The Emotions - Boogie Wonderland
- C3: Mcfadden & Whitehead - Ain't No Stoppin' Us Now (Single Version)
- C4: Marvin Gaye - Got To Give It Up
- C5: Harold Melvin & The Blue Notes Featuring Teddy Pendergrass - The Love I Lost (Single Version)
- C6: George Mccrae – Rock Your Baby
- C7: Tina Charles - I Love To Love
- C8: Andrea True Connection - More, More, More (Single Version)
- D3: A Taste Of Honey - Boogie Oogie Oogie
- D4: Diana Ross - Love Hangover
- D5: Grace Jones - I Need A Man
- D6: Amanda Lear - Follow Me (Single Version)
- D7: Patrick Juvet – I Love America
- D8: Frantique - Strut Your Funky Stuff (Single Version)
- E1: Baccara - Yes Sir, I Can Boogie
- E2: Belle Epoque – Black Is Black
- E3: Alicia Bridges - I Love The Nightlife (Disco 'Round) (Single Version)
- E4: Rose Royce - Car Wash (Single Version)
- E5: The Real Thing – Can You Feel The Force (7” Single Version)
- E6: Kool & The Gang - Ladies Night (Edit)
- E7: Barry White - You See The Trouble With Me (Single Version)
- E8: Yvonne Elliman - If I Can't Have You
- F1: Elton John - Are You Ready For Love ('79 Version Radio Edit)
- F2: Heatwave - Boogie Nights
- F3: The Emotions - Best Of My Love
- F4: Labelle - Lady Marmalade (Single Version)
- F5: Cheryl Lynn - Got To Be Real
- F6: Odyssey - Native New Yorker
- F7: Thelma Houston - Don't Leave Me This Way (Single Version)
- F8: Donna Summer - Last Dance (Single Version)
- D1: Frankie Valli & The Four Seasons – December, 1963 (Oh, What A Night)
- D2: The Trammps – Disco Inferno (Single Edit)
NOW Music proudly presents the next release in our “NOW That’s What I Call An Era” series – NOW That's What I Call An Era - Disco: 1973-1980 – a dazzling celebration of the golden age of disco.
This stunning 3LP set, pressed on blue, violet and pink vinyl, showcases 48 essential tracks that lit up the dancefloors, charts, and airwaves at the height of disco fever — an era when glittering anthems, euphoric grooves, and iconic vocal performances defined nightlife around the world.
LP1 opens in iconic style with Chic’s monumental ‘Le Freak’ followed by Sister Sledge’s equally legendary ‘We Are Family’, and Gloria Gaynor’s empowering #1 ‘I Will Survive’. Anthems follow from Sylvester with ‘You Make Me Feel (Mighty Real)’ and Chaka Khan with ‘I’m Every Woman’, ahead of the timeless ‘Young Hearts Run Free’ by Candi Staton and the first side finishes with production by Chic’s Nile Rodgers and Bernard Edwards on massive hits for Diana Ross with ‘Upside Down’, and Sheila & B. Devotion with ‘Spacer’. Flip the LP over for Amii Stewart’s version of ‘Knock On Wood’ followed by The Three Degrees, Eruption and the first smash from Boney M., ‘Daddy Cool’. The Village People topped the chart with ‘YMCA’ which has become an enduring party favourite, which leads to the infectious ‘Let’s All Chant’ from the Michael Zager Band, Lipps Inc. with ‘Funkytown’ and to close the first LP, sci-fi disco from Dee D. Jackson with ‘Automatic Lover’.
LP2 begins with Donna Summer’s epic version of ‘MacArthur Park’, before Earth, Wind & Fire with The Emotions bring pure euphoria on ‘Boogie Wonderland’, and McFadden & Whitehead with the floor-filling ‘Ain’t No Stoppin’ Us Now’. Great vocals from Marvin Gaye and Harold Melvin & The Blue Notes come ahead of George McCrae’s ‘Rock Your Baby’, one of the collections’ earliest and inspirational moments. UK artist Tina Charles hit the top with ‘I Love To Love’, and Andrea True Connection complete the side with the ear-worm ‘More More More’ whilst over on the other side legends Frankie Valli & The Four Seasons hit dancefloor gold and the #1 spot with ‘December, 1963 (Oh, What A Night)’, ahead of The Trammps with their era-defining ‘Disco Inferno’. A Taste Of Honey, Grace Jones and a second appearance from Diana Ross are up next – before the LP closes with an enduring classic, ‘Follow Me’ from Amanda Lear, Patrick Juvet’s ‘I Love America’, and Frantique with ‘Strut Your Funky Stuff’.
LP3 bursts to life with the international smash and UK #1, ‘Yes Sir, I Can Boogie’ from Baccara, before a huge hit cover from Belle Epoque with ‘Black Is Black’. Next; Alicia Bridges, Rose Royce and UK chart toppers The Real Thing, ahead of funk-infused disco brilliance from Kool & The Gang and Barry White – whilst the side closer is Yvonne Elliman’s ‘If I Can’t Have You’, from the Saturday Night Fever soundtrack and over on the final side there’s a stellar run of Disco nuggets: kicking off with Elton John’s irresistible ‘Are You Ready For Love’, originally released in 1979 and a #1 in 2003 along with ‘Boogie Nights’ from Heatwave, The Emotions with ‘Best Of My Love’, and LaBelle’s influential ‘Lady Marmalade’. The anthemic ‘Got To Be Real’ from Cheryl Lynn is next ahead of the trio of closing tracks: Odyssey with the sublime ‘Native New Yorker’, Thelma Houston’s Grammy-winning ‘Don’t Leave Me This Way’, and fittingly, Donna Summer’s iconic ‘Last Dance’, ending the collection in perfect style.
An unforgettable journey through the songs that defined the dancefloor: NOW That’s What I Call An Era – Disco: 1973-1980 — the definitive celebration of disco’s golden age.
Played out a couple of times by the KM crew, and eagerly anticipated by the community, &ME's remix of UNKLE's already classic tune „Only You" is available now. The original track taken from UNKLE's 2019 album The Road: Part II / Lost Highway features regular UNKLE collaborators including West London's Miink on vocals and celebrated composer and arranger Wil Malone on strings, famed for his work on Massive Attack's Unfinished Sympathy and The Verve's Bittersweet Symphony. Here we once again witness &ME feeling through the source material just to do what he does best: adopting the emotive essence of a track and moulding it into a reduced and unpretentious, yet highly compelling club-weapon of anthemic magnitude. This one will be all over the place, that's a given.
(Platipus 30 Years vinyl part 9/12, remastered audio) This edition brings together the legendary Union Jack – "There Will Be No Armageddon (Original Mix)", the driving grooves of Jamnesia – "Get Busy (Original Mix)", the atmospheric depth of Paragliders – "Lithium (Original Mix)", and the timeless journey of Quietman – "Now + Zen (Original Mix)".
Marking another milestone in the celebrated anniversary series, Platipus 30 Years – Volume 9 lands with four defining tracks that capture the label’s pioneering spirit and enduring influence on global trance culture. This edition brings together the legendary Union Jack – There Will Be No Armageddon (Original Mix), the driving grooves of Jamnesia – Get Busy (Original Mix), the atmospheric depth of Paragliders – Lithium (Original Mix), and the timeless journey of Quietman – Now + Zen (Original Mix). Each cut represents a cornerstone of the Platipus catalogue A true collector’s piece, Volume 9 continues the story of one of electronic music’s most iconic imprints.
- A1: God Of Bangalore (The Shackleton Version)
- A2: Sunbeam Spirits (The Shackleton Version)
- A3: The Rite Of Rain (The Shackleton Version)
- B1: Northern Wind Brings Redemption (The Shackleton Version)
- B2: Where Is That Blossom (The Shackleton Version)
- B3: Earth, Water And The Holy Groove (The Shackleton Version)
Mit 3 - The Shackleton Versions erscheint eine faszinierende Neuinterpretation des gefeierten Saagara-Albums 3. Der britische Produzent Shackleton verwandelt die Originalstücke in ein düsteres, hypnotisches Paralleluniversum zwischen Dub, Ambient und globaler Rhythmik. Statt klassischer Remixe liefert er ein ganzes "Schattenalbum", das die Klangsprache von 3 aufgreift, erweitert und neu beleuchtet. Waclaw Zimpel, einer der spannendsten Musiker Europas, hat sich in den letzten Jahren vom Jazz-Klarinettisten zum innovativen Elektronik-Produzenten entwickelt. Gemeinsam mit Saagara - einer virtuosen Formation südindischer Perkussionisten - erschafft er Klangräume, die zwischen Tradition und futuristischer Clubästhetik oszillieren. Shackleton greift diese Vision auf und führt sie weiter: Die Tracks wirken wie ein Dialog zwischen zwei musikalischen Welten, voller Respekt, Tiefe und rhythmischer Spannung. Besonders eindrucksvoll: "Northern Wind Brings Redemption" und "Where Is That Blossom" - im Original stark, in Shackletons Version nahezu magisch.
Die erste Single von einem der vielversprechendsten neuen Stars der aktuellen Soul-Szene. Tauche ein in die Welt von Taylor Williams, einem talentierten jungen Soulsänger aus Greensboro, North Carolina. Er wurde der Colemine-Familie durch Blake Rhein, dem Gitarristen der Indications, vorgestellt und fand sofort eine kreative Verbindung zu Label-Besitzer Terry Cole. Seine erste Single für Colemine wurde in der Portage Lounge in Loveland, Ohio, mit Charles Alley am Schlagzeug aufgenommen. Taylor strahlt einfach Talent, Charisma und Freundlichkeit aus. Kurz nachdem die Rhythmus-Tracks für ,Dreaming" aufgenommen waren, schrieb er schnell den Refrain und die Strophen und nahm seinen Gesang im ersten Anlauf auf. Auf der B-Seite dieser 45er-Single ist Taylor Williams mit seiner Interpretation eines Juwels der Numero Group von The Exceptional Three zu hören. Produziert von Leroi Conroy in roher und minimalistischer Weise, bringt Taylor diesen staubigen Song ins Jahr 2025, ohne dabei die eindringliche Authentizität des Originals zu verlieren. Mr. Williams verleiht dem Track nicht nur seine hochfliegende und gefühlvolle Stimme, sondern spielt auch Gitarre, Orgel und Vibraphon. Ein wahrer Renaissance-Soul-Mann!




















