Search:ou

It's our great pleasure to welcome Spanish duo NX1 back onto the label following their Earwiggle debut in 2019. Much has changed in the world since then but in the world of NX1, Samot and Surit's commitment to tense sonic combat remains resolute. The "Shaked Ear" EP is some of their most accomplished work to date, and a fresh follow-up to their recent debut album on Nexe Records. Raw acid lines, earth-shaking bleeps, fizzing distortion, murky vocals and a melange of sweeping kick patterns are just some of the key ingredients on display over this crushing 5-tracker. Once again finding a unique place within hard-edged rhythmic techno and industrial, with an atmosphere all of its own, NX1 are back to shake the dancefloor to its core.

Introducing our new KAOS bomb, PROTOCYBERPUNK. This EP is a collection of heavy techno rave tracks designed as essential DJ tools to smash any dance floor.

Starting with Kontain - gunshots, a track that sets the tone with explosive stomping rhythms. Next up is Berlin-based Valerie Ace, delivering a ravy, hard-hitting track made for front-row ravers.Then, we dive into the groovy side with Marcus L from Seoul. This dark, club-oriented track is perfect for those foggy, intimate nights with a sexy vibe. Closing out the EP is Riko from Germany, drawing inspiration from '90s Euro-dance. This track is packed with powerful grooves and positive energy.

The Verb EP connects with our core a3iliations of House Music, combining classical
elements like vocal samples and hooks, along with warm basslines, into a sparkling
atmosphere and fresh interpretation.
“Get Me” is without a doubt the track that received the most spins at Dixon's and Âme’s
latest shows. Nevertheless, “Stronger” and “Blue Zone” are energiser and great
examples of how these classical elements can be worked in a way that expresses a new
and exciting touch to the scene.

The Chronics is co-manager of the respected Bipolar Disorder and Primal Instinct labels along with Chlar and Alarico, and is known for his mastery of straight-up and compelling grooves and evocative anthems. He has been releasing for over a decade now and shows his versatility again here. This new release makes a debut vinyl offering from the Anglo-Australian Transition label, following millions of digital plays since its inception last summer and support from DJs like FJAAK, Anetha, Daria Kolosova, VTSS and Boys Noize.

Opener 'By My Soul' is a techno pumper with inescapable euphoria built into the diva vocals and the smart synth loops that rise up and up through the mix. It's lean and linear but packed with feelings that burst out of the speakers and hook in your heart. Dublin's Tommy Holohan is blazing an exciting path as a fine new talent who is part of Samba Boys with Kettama and has released on SCDD, Monnom Black and more. His remix is even more maximal, with happy piano stabs dropped in and a funky bassline that brings an all-new vibe.

The Chronics then serve up 'Body Harmony', a slamming but playful cut with a colourful lead synth motif and unrelenting drums. It's warm and energising while also hitting hard, especially during the epic jungle breakdown. Acclaimed techno producer and live artist Obscure Shape recently split from his long-time partner SHDW but is already making waves as a solo talent with a huge batch of unreleased music, including this remix. It's a turbocharged and nimble loop techno offering enriched with Detroit-style machine soul and precision percussion that keeps you hooked.

One of two big previously unreleased cuts to a well loved '87 digi riddim. The Singing Melody is the first cut of this adaptation which he would go on to do a few more times, real dancehall vibes. The Rod Taylor is another great example of his small but deadly late '80s output. Both tunes voiced at Dynamic Sounds in the golden year.

Mariano DC, returns to Sequel after a VA, with his techno full of groove and old school detroit style.
Full color cover and 180g vinyl, limited edition.

Winds from remote eastern lands descend rapidly on our plains, lurking between memories and feelings, whilst the drums of liberation play the same hypnotic patterns repeatedly - as in an ancient ritual. The sorcerer behind the Dorothy's Dream alias gives us three original cuts filled with pure minimal mystery, backed up by a remix by US-based talent Chklte, who adds some harsh 909 drums on his version of "Arambol", closing the EP but not the enigma that surrounds this release.

For the next edition under the number twenty-two we have Peruvian mastermind Rufo, coming up to steer the spaceship into the right direction as he always does. Currently based in Barcelona being the resident of the legendary project Mad Radio that is expanding rapidly with the clear vision of electronic underground music. Therefore, our artist has learnt and studied the ancient methods of best of the best. The extend play is called chronicles of past millennium and explores the sound of the past with a modern twist on it. It’s sounds splendidly fresh now and with full confidence could be said it will sound fresh in all the upcoming future millenniums. The record features a vast range of sounds which shows the maestro is very versatile at the executing stunning audio puzzle pieces that are ready to blast the dancefloors of big clubs, illegal raves or the afterparties all over the globe.

"LATZFONSER KREUZ / FELTUNER HÜTTE scheduled for release on September 20th 2024 is the third single to be lifted from Ulrich Troyer's TRANSIT TRIBE due later this year.

Mamadou Diabate, originally from Burkina-Faso and now resident in Vienna, who is also a world-famous virtuoso balaphon player, collaborates on "Latzfonser Kreuz" with fellow countryman Hamidou Koita to produce a remarkable percussion track, both singing and employing talking drum and djembe to come up with a sound that can only be described as dubbed-out Nyahbinghi-style electro-beats! The track references the little church at Latzfonser Kreuz, which is the highest pilgrimage spot in South Tyrol, one of the highest in Europe; every year in June, the Black Lord, a black carved Gothic wooden cross, is brought from the village church in Latzfons to thepilgrimage church, where it remains throughout the summer.

On the flip for "Feltuner Hütte" Ulrich Troyer is joined by co-producer Osman Murat Ertel, founding member of the electro-psych-folk group Baba Zula from Istanbul, who has worked internationally for many years collaborating with the likes of Jaki Liebezeit, Fred Frith and Mad Professor. But here Murat takes us on a dub psych-out trip with his favoured electric saz, with wha wha FX, delay and echo, like Link Wray meeting King Tubby on the old streets of Istanbul."

Steve Barker (DJ, Radio Presenter - On the Wire, BBC 1984 – 2023, now Slack City Radio & reggae/dub columnist and contributor to The Wire)

Credits:

Mamadou Diabate: vocals (A) & talking drum (A)

Osman Murat Ertel: electric saz (B)

Hamidou Koita: vocals (A), djembe (A)

Didi Kern: percussion (A), drums (B)

Flip Philipp: percussion (B)

Ulrich Troyer: analog synthesizers & drum-machines, sampler, field recordings, dub effects (A+B)

A written by Mamadou Diabate, Hamidou Koita & Ulrich Troyer

B written by Osman Murat Ertel & Ulrich Troyer

Recorded by Ulrich Troyer at 4Bit Studio & 4Bit Bungalow, Vienna - except electro saz on track B recorded by Osman Murat Ertel at Saniki Studio, Istanbul

Mixed & arranged by Ulrich Troyer at 4Bit Bungalow, Vienna

Produced by Osman Murat Ertel & Ulrich Troyer

Mastering & Lacquer Cut by Kassian Troyer at Dubplates & Mastering, Berlin

Cover Drawing by Ulrich Troyer

Special thanks to Steve Barker, Mamadou Diabate, Osman Murat Ertel, Diggory Kenrick, Eva Kelety, Didi Kern, Hamidou Koita and Flip Philipp

Kindly supported by the City of Vienna (MA7 - Kultur), Federal Ministry Republic of Austria (Arts, Culture, Civil Service & Sport), SKE-FONDS (AT) & Amt für Kultur, Bozen (IT

Satya continues its release schedule this November with the Atman EP, a maiden collaboration between label founder YokoO and US talent Atish. The four-tracker continues a standout 2021 for the imprint, which saw its first release land in April of this year.

“Despite having followed seemingly different musical paths over the last couple of years, our passion for ‘moving’ heartfelt music stands at the core and remains aligned. Atish’s initial musical ideas, no matter how much they were transformed, sit at the heart of the EP. They initiated the creative process.” - YokoO.

Proceedings begin with Inner Labyrinth, a gently-building dance cut packed full of ethereal synths and dream-like pads. The title track comes next, manifesting as a similarly celestial number that’s ripe for the early hours, before Words To Say ups the tempo with driving kick-hat combos. Sunrise maestro Sepp rounds off the EP, serving up a stunning remix of the final track that marks itself as a masterclass in stripped-back, minimal house.

France’s YokoO is an esteemed talent in the electronic music scene. Releases on Lee Burridge’s All Day I Dream, as well as his recently-launched Satya imprint, have cemented his reputation for all things deep, emotive and dreamy, whilst performances across all five continents have highlighted him as a truly global artist. Based in New York, Atish has cultivated a devoted following around the world. As co-founder of the Manjumasi record label, he has created an outlet for other artists’ music as well as his own productions and his own work has found a welcome home on prestigious imprints including Anjunadeep, Kindisch, and Stil Vor Talent to name a few.

Quintessential compilation of early collaborations by Silverlining (aka Asad Rizvi) with other artists between the golden years of 1996 and 2001. The album reinvigorates several timeless tracks—some known, others rare or unreleased—across a beautifully packaged 3LP with extensive sleeve notes and exceptional analogue mastering. The album includes sought-after and rare works by Two Right Wrongans, Impossible Beings, Appleheadz, Southern Comforters, and Bluegoose vs. Silverlining. The compilation includes one previously unreleased Impossible Beings track rescued from DAT archives. Moving from blissed-out listening into up-tempo underground grooves and then back, the anthology serves both headphone and heads-down-on-the-dancefloor listeners alike.

After years of reluctance, finally a new album from Dada Pogrom. The Icelandic musician Kenneth Walter Balys has created a masterpiece of elaborated synth passages with wonderful pop melodies. His performances are few and far between, but in March 2024 he had already played some of the new songs in front of a full sold out house at the Kernkrach Festival. The audience was thrilled and demanded encores. The synth god in perfection!

Musique Pour La Danse proudly presents "8 COFFINS", an essential collection of original tracks by the British duo Dougie Wardrop (of Conscious Sounds fame) and Nigel Lake as Jungle Neck unearthed from the mid 90s from original masters for all fans of the Jungle Sound. These impressive and mind-blowing soundclash ready weapons feature the deepest analog subs and sharpest drums, killer reggae samples to fit any sound system, and stands out as possibly the only jungle album in the bizness with an innovative and effective live dub production feeling. This unique characteristic makes it even more essential and one-of-a-kind, capturing the raw energy and innovation of the era.



For fans of the peak era of Jungle, with shades of reggae and dub, warehouse raves, heavy basslines and 160 BPM.

Death Is Not The End's 333 series continues with this killer slice of digi roots out of late 90s NY, also a big Jah Shaka selection at the time.

Take It Easy was produced by Ricky "Mad Man" Myrie - a reggae/dancehall producer active since the early 90s, and who was also providing writing and production on breakthrough albums for VP from Sean Paul, Capleton & others at this time. Featuring a sharp and poignant vocal from Gumbae Culture, it was recorded at the legendary Philip Smart's Long Island-based HC&F Studio, under the engineering guidance of Smart's brother-in-law and long time studio partner, Michel McDonald. The record's haunting xylophone licks, razor sharp snares and menacing subs perfectly combine throughout the vocal cut, and really come to the fore on the version for a raw and stripped back masterclass in digital dubwise.

Following on from his previous debut album Tape 1/Tape 2 on Soundway, Felbm delivers Tape 3/Tape 4 : an intimate, emotional, lilting and melodic solo project. These 14 lo-fi, instrumental, jazz-infused sketches were written on guitar, with cascading keyboards, vibraphone and drum machine. Possessing a restorative and soothing quality, it goes some way to balancing out a chaotic year for the world
at large.

With echoes of the dreamier end of 1980s English indie-pop, minimal ambient music and Brazilian bossa-nova, Topper’s musical storybook includes touches of The Durutti Column, hints of Antônio Carlos Jobim and Baden Powell, whilst all set firmly in the summer fields of Germany and the Netherlands. The recording method used for the creation and recording of Tape 3 and Tape 4 follows the same as his previous release: all sketches were initially recorded onto cassette on a 4-track tape machine. Most notably a vibraphone finds its way onto
almost every track fitting Topper’s sound-palette perfectly: warm yet distinctive, a percussive as well as sustaining sound that evokes some melancholy and a certain timeless nostalgia. Features that most certainly also apply to the other ‘new’ instrument on the tapes: mellotron flutes.

Tape 3/Tape 4 navigates the space between quiet, open, meditative tunes and more solid instrumental works, reflecting his constant search for an optimal balance between stillness and movement.

Grammy Award-winning band Phoenix returns with their next full length, Alpha Zulu, due out 11/4/2022. This follows their 2020 single "Identical,'' which went #1 at AAA radio, from the Motion Picture "On The Rocks". The project was recorded during the height of the pandemic in Paris, at the iconic Louvre museum. Phoenix are set to perform at festivals like Primavera Sound (Barcelona), We Love Green (Paris) and Austin City Limits (Texas) and will embark on a full headline tour in the US, UK, and EU in Sept 2022. The band has seen over 1.5B+ streams across their catalog, and have previously headlined Coachella, Governors Ball, Primavera Sound, Austin City Limits, and more. They've performed on Saturday Night Live, The Tonight Show with Jimmy Fallon, amongst others.

Die "French Touch Collection" ist eine Doppel-LP-Serie, die der französischen elektronischen Musikszene gewidmet ist. Beeinflusst von neuen Musikgenres wie House, Hip-Hop, Techno und den Rave-Partys, beteiligten sich Mitte der 90er Jahre mehrere französische Produzenten an der Demokratisierung der elektronischen Musik. Ihre Musik, die der britische Journalist Martin James "French Touch" nannte, wurde 1996 zu einem neuen, international bekannten Musikgenre, das sich durch elektronische Produktionen und Musiksamples aus Hip-Hop, Funk oder Disco auszeichnete. Anfang der 2000er Jahre erfand sich die "French Touch"-Szene mit einer neuen Generation ungehemmter Künstler neu, getragen von einem rohen, rocknahen Sound. Die 2010er Jahre brachten eine neue "French Touch"-Welle mit sich, die von der Popmusik beeinflusst war und sich mehr auf Melodien und Oneiric Universes konzentrierte. Dieses neue Werk ist dem House gewidmet, mit Künstlern und Tracks, die zur Entwicklung des "French Touch" beigetragen haben: "Bon voyage"!

Mit einer Yamaha-Orgel und einem Traum begann der Südafrikaner Pops Mohamed seine musikalische Reise Mitte der 1970er als Bandleader von Black Disco und schuf eine angesagte Chill-Out-Jazz-Melange mit futuristischen Drum-Machine-Sounds und spirituellen Obertönen. Ihm zur Seite standen die beiden gefragten Sessionmusiker Basil Coetzee (sax) und Sipho Gumede (bass). Mit den polyphonen Beats von Mohameds E-Orgel und später mit einem Drummer ausgestattet, schuf Black Disco in einem Ausbruch von Kreativität 1975-76 einen unverwechselbaren Sound und eine Trilogie innovativer Alben. Das italienische Boutique-Label Afrodelic präsentiert die erste vollständige Reissue des 1975er Debütalbums von den Originalmasters.

Die Musik ist tief in der DNA der Buddha-Bar verwurzelt und hat schon immer eine Schlüsselrolle in unserem Universum gespielt. Unsere musikalische Handschrift, die 1996 in Paris entstand, spiegelt die traumhafte Atmosphäre unserer Restaurants perfekt wider. Subtile und hypnotisierende Mixe, eine perfekte Mischung aus mystischen House- und elektronischen Rhythmen mit afrikanischen, asiatischen, indischen, lateinamerikanischen oder orientalischen Klängen... Buddha-Bar Music verbreitet seit 1996 seine guten Vibes in der ganzen Welt. Dieses dreifache Best Of zeichnet unsere Geschichte von 2014 bis 2024 nach und versammelt von Ravin sorgfältig ausgewählte Titel und Künstler, darunter Buscemi, Sahalé, Desert Dwellers, Kenneth Bager, Ali Kuru, Santi & Tugçe, El Bùho, Troels Hammer, ...

Samosa Records dips its toes back into the Afrikano waters with Volume 3 of the Afro themed, genre-busting series and features four deadly tracks from some of Samosa’s most trusted lieutenants.

Breaking the ice as the first track of this exceptional EP is Vincent Galgo and ‘African Rebel’. Mr Galgo has clearly read the brief here – giving us a 125bpm marauder that’s a melting pot of unstoppable horns, furious rhythms and an Afro-pop style bass that is the beating heart of the track.

Track 2 is Samosa regular Frank Virgilio who introduces us to his ‘Mistress’. As a straight up jazz-infused, mid-tempo rhythmic chugger, ‘Mistress’ quickly gets down to the important business of racking up the beats and instrumentation. The generous spread of guitar riffs, assertive bass and organ stabs are expertly lifted by the layered and always rolling drums and bongos induce a trance-like state of mind, so be warned!

On the B-Side Samosa newcomer Casper Leo wears his Tribal heart on his sleeve with the enchanting and utterly captivating jangler - ‘Tom Tom’. You can never have too much Kora guitar and ‘Tom Tom’ has lashings of it, with delicious sprinkles of melodic Marimba – perfect for West African sunsets.

Closing the EP off in style is Afro beats grand master, Lego Edit and the filthy-sexy ‘El Safari’. No other producer can take the essence of the Afro beat structure and bend it to their will like Lego Edit can. Like a late night fist-fight in Club Coco Bongo, ‘El Safari’ punches its way out of the doors. A slinky, wily alley cat of a tune that digs deep with its claws and doesn’t let go and another masterpiece from Lego Edit.

Afrikano Vol.3 has done the impossible and set the bar even higher for this wonderfully diverse Samosa series. We want more. We want ‘4’. With this in your record box, you’ll come with a warning.