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This 8 track EP continues the trend of DONNELL offering up summer anthems with 3 new original tracks produced with his band WINGS OF SUNSHINE along- side STAR CREATURE's in-house producer E LIVE. Also included on the set are remixes from Brazil’s DONATINHO, collaborator and son of legendary bossa nova jazzman JOÃO DONATO and longtime STAR CREATURE contemporary keys wizard MILRLAQI. This is a true worldwide effort with production sessions taking place in Chicago, Edinburgh, Las Vegas, Geneva, Berkeley and Rio De Janeiro

After a successful run of early EPs and his debut double LP You!, Producer and Singer-Sing Writer Alek Lee returns to Antinote with his new album Like a Flower — an 8-track journey (plus 3 digital bonus dubs) that feels like open-heart surgery. With raw vulnerability, Lee exposes his deepest fears, pain, and inspirations, singing straight from the gut, but also sending words of inspiration and hope.

From dub-infused vibes like the opening track Alright featuring My Lord, to grungy ‘90s trip-hop stylings on Compensation and the title track Like a Flower, the album showcases Alek’s wide emotional and sonic range.

He shifts seamlessly into smoky, Sade-esque moods on tracks like Change, Let the Sun Just Shine, and Hold On — intimate ballads exploring heartbreak and existential reflection.

With his signature blend of melodica, live percussion, guitars, vocal choirs, and lush '80s synths, Alek Lee locks you into his unique sonic universe. His brutally honest, yet deceptively simple lyrics are dressed as balearic dub-pop bangers.

Freerange welcomes Italian via Berlin producer/DJ/label boss Enzo Elia for his debut on the label entitled The Lost Guitar Tapes. Enzo is someone who has been releasing consistently great music for many years, although
often hidden behind a myriad of pseudonyms and underground imprints. For starters he's responsible for a mysterious yet established and very excellent edits label as well as being a member of Balearic Gabba Sound System alongside Bjorn Torske amongst others. Following the philosophy of this collective, Enzo is also producing lovingly and respectfully created re-edits of long lost techno and house tracks as well as many new tunes
for influential labels including Golf Channel and Compost.
But for now we turn to The Lost Guitar Tapes and specifically the original mix of Drifting which opens up the release with a brilliant tension builder. A rolling bassline, crisp minimal drums and a subtly Middle Eastern-influenced melodic line give just a hint of mysticism to this jewel of a track.
For the remix we have none other than the Tel Aviv via Berlin producer Moscoman, fresh from his brilliant debut LP on ESP Institute and releases on Eskimo and his own Disco Halal label. Moscoman's organic, percussion- heavy sound and Middle Eastern roots make him the perfect choice to take
on Drifting and we couldn't have wished for a better outcome. He manages to inject his own identity to the track with newly recorded live guitar and bass parts and taking in elements of techno, new wave and house, he's created a sublime piece of dancefloor drama. Finally we have an alternate Dub version which lays down a firmer four on the floor, extra percussion and dubby stabs for a more driving atmospheric club tool.

THE SOUND OF SUMMER

Brand new tracks made from the Havana Sessions, recorded by Brian d'Souza aka Auntie Flo in downtown Havana around 2015.

'Havana City' is a joyous, summer anthem in the making, featuring Andrew Ashong on vocals and a host of Cuban musicians. Think Nuyorican Soul's classic 'I Am the Black Gold Of The Sun' with a Tony Allen-inspired drum beat, luscious string arrangements, triumphant horns and addictive keys - all given the space they deserve and fully justifying the 11.5 minutes run time.

The 2026 version of 'Die Bailando' re-invents the original minimal electro beat to a latin rhumba-influenced groover. Grammy-nominated singer Eric Alejandro aka Cimafunk's vocals are a huge highlight, now fused with new guitars from Ziggy Funk and drums from Ibibio Sound Machine's Jose Joyette.

Completing the package is a remastered version of 'Mother Theresa' - which has close to 2 million plays on Spotify but was never released on vinyl. Drift away to the sounds of the Malecon...

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be
paid to environmental charities.

Dam Swindle make their debut on PIV with 'Do What You Want'. The legendary Dutch duo has become one of the most prolific figures in the scene by now, and every release they put out is proving their consistent quality that hasn't changed since the past decade. This EP is a strong selection of 3 original tracks with the signature Dam Swindle sound we all know and love, with a remix from none other than UK maestro Burnski rounding off the release, with his own twist

Bruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle’s third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world.

Recorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album–co-produced alongside his longstanding musical partner Batata Boy–is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colours and the magic of human connection, Berle’s carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work.

“I came from nothing”–Berle doesn’t take his rise to global prominence for granted.

Born to a working class family from Brazil’s northeastern Alagoas state, one of Brazil’s most economically deprived, Bruno moved frequently in his youth to follow any job opportunities his parents could find, before eventually settling in the coastal capital of Maceió. “I used to travel to Caruaru, Santa Cruz, Recife, Garanhuns, Arapiraca, which I loved and feel it made me ready to be in this rhythm i’, but at the same time I think not having friends from childhood and being in constant change made me a little numb to the constant upheaval”. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege.

Though he’s never lacked self-belief, Berle recognises that talent alone doesn’t guarantee opportunity. “Before my second album No Reino Dos Afetos 2 everything I had ever recorded was made with the help and kindness of people who believed in my ability”. Determined to pay that kindness forward and help others from the sharp end of Brazil’s desperately unequal society, Berle produced and featured on the recent self-titled albums by his northeast Brazilian compatriots, Nyron Higor and Phylipe Nunes Araújo (both 2025), helping propel both onto the international stage. In turn, following the successes of Nyron & Phylipe’s albums alongside his own, Bruno finds himself at the forefront of a thriving community of artists now based in São Paulo, but primarily originating from northeastern states like Alagoas and Pernambuco.

Much like the famed Clube Da Esquina movement that spawned in 1970’s Minas Gerais, they operate with a free-exchange of ideas, writing songs with and for each other, performing on each other’s albums and on the live circuit together. Lead single ‘Manha’ flows from this ethos. It was written by Berle’s friend and fellow Alagoan João Menezes (writer of ‘Ate Meu Violao’ and ‘Te Amar Eterno’ from Bruno’s previous albums) and Marvin Viera, and originally recorded on their 2018 album Areia e Mar.

Sem Fronteiras opens with ‘Você Já Sabe Que Eu Te Amo’, just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of fender rhodes and the arresting call & response duet between Berle and Higor. On ‘Amor Inteiro’, the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia’s joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.

With the abundant talents of this musical community at its heart, Sem Fronteiras releases 10th July 2026 via Far Out Recordings, supported by a summer tour across Europe. Bruno Berle will perform in a four-piece band alongside Nyron Higor, Phylipe Nunes, and Batata Boy, culminating in an appearance at Roskilde festival, Berle’s biggest live show to date. He’ll continue to carry a hopeful vision of a world where artists and musicians can move as freely as their music flows.

Tracklist:

A1 “Você Já Sabe Que Eu Te Amo”
(Nyron Higor / Bruno Berle)
Nyron Higor – drums, bass, acoustic guitar, electric piano, synthesizers, vocals
Bruno Berle – piano, vocals
Batata Boy – piano
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A2 “Não Posso Viver Sem Você”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Bruno Berle – drums, bass, synthesizer, vocals
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A3 “A Noite de Estrelas”
(Nyron Higor / Bruno Berle)
Nyron Higor – synthesizers
Bruno Berle – bass, drums, vocals

A4 “Outra Noite”
(Bruno Berle)
Nyron Higor – drums
Bruno Berle – acoustic guitar, bass
Felipe Berle – congas
Lucca Francisco – guitar, vocals

B1 “Amor Inteiro”
(Bruno Berle)
Pedro Lacerda – drums, choir
Nyron Higor – bass, choir
Batata Boy – guitars, organ, electric piano, choir
Nina Maia – choir
Bruno Berle – guitars, acoustic guitar, congas, vocals

B2 “Ideias Mágicas”
(Batata Boy / Bruno Berle)
Heloisa Alvino – trombone
Batata Boy – synthesizers, beats, electric piano, organ, bass
Bruno Berle – synthesizer, vocals

B3 “Vim Dizer”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Thomas Stankiewicz – synthesizer
Nyron Higor – synthesizer
Bruno Berle – acoustic guitar, bass, vocals

B4 “Tô Assim”
(Bruno Berle)
Bruno Berle – acoustic guitars
Batata Boy – synthesizer
Nyron Higor – bass, synthesizer

B5 “Manhã”
(João Menezes / Marvin Silva)
Bruno Berle – acoustic guitar, vocals, congas, shaker
Batata Boy – piano, shaker, electric piano, vibraphone, synthesizers
Nyron Higor – drums, bass

B6 “Sem Fronteiras”
(Bruno Berle)
Filipe Mariz – guitar
Bruno Berle – acoustic guitar, vocals, bass
Jennifer Souza – vocals, acoustic guitar
Rudson França – drums

Credits:

Produced by Bruno Berle and Batata Boy
Mixed and mastered by Bruno Berle, Batata Boy and Felipe Berle

Audio engineering:
Nyron Higor (track 1 – production; track 4 with Felipe Berle)
Joe Osborne (tracks 7 and 9)
Victor Gelling (strings on tracks 1 and 2)
Filipe Mariz (track 10)

Photography: Claudio Virgínio
Design: Minchai

Recorded in:
Maceió, Alagoas, Brazil
Tamandaré, Pernambuco, Brazil
Belo Horizonte, Minas Gerais, Brazil
São Paulo, São Paulo, Brazil
London, England
Cologne, Germany

Don't Know How To Change: a timeless house music masterpiece.

Since Julian Lindsey slid smoothly into the New York House scene back in 2014, he has become renowned for his sharp musical intuition, slick selections and a symbiotic relationship with the crowd. He takes the groove on the record and transmits it to the groove on the dancefloor.

Don't Know How To Change is Julian Lindsey’s debut EP, released on the Sound of Vast. The title track is smooth beyond belief, funky house keys and a laid back soulful vocal work with the bass to make your hips start to move, before a house backbeat takes you by the hand onto the dancefloor. At 3:15 mins, Julian Lindsey plays his ace card with a TB-303 acid tweak drenched with emotion. Just superb. The Subb-an Dubmix stays true to the original, claps and snares bring a dancefloor immediacy, the vocal line chopped to bring the funk. Ibiza will go wild for this Dubmix.

Miami Air starts with a Funktion-1-lovin’ deep velvet groove. Close your eyes and you can almost smell that dusky, warm Atlantic coast beach at sunset, driving with the roof down as the lights start to twinkle across Vice City and the bass drum beats through your fulcrum. A perfect companion for Don’t Know How To Change. Francesca Lombardo’s remix takes Miami Air from dusk to deep night, A mini Moog 4/4, rimshot claps and a vintage synth line guides you past midnight onto the dark, humid dancefloor where bodies writhe.

Julian Lindsey tells us more: The EP is really the story of my relationship with house music and a snapshot of where I was in my life when I made these tracks. I have an obsession with house music that is borderline unhealthy. The sound is rooted in 2010s house music, which is the era where my love for house music really developed.

東京 / アムステルダムを股にかけるレーベルSound Of Vast から、NYC拠点のアーティスト Julian LindseyによるデビューEPをリリース！

レイドバックしたグルーヴに物憂げなコードとスムースなヴォーカルが踊るレイトナイト・ダンサー"Don't Know How To Change"、現代的でクリスピーなタッチと虚飾を捨てた洗練が宿る"Miami Air”。新鋭と聞いて疑いたくもなる研ぎ澄まされた感覚からは、さながら10年代「Pampa」や「Smallville」作品のメランコリア、Galcher Lustwerkのロウなアウトサイダー・ハウス、あるいはRed Pig FlowerやThe MoleによるSound Of Vast 原典を思い出す。実際Julian Lindsey自身、この年代のディープ・ハウスへの熱狂からキャリアを始めているようだ。

A-2には Sound Of Vast への帰還を果たしたベルリンのベテラン Subb-anの、B-2にはUK拠点のFrancesca Lombardoによるリミックスを収録。ここ数年「X-Kalay」やThomas Melchiorの「My King Is Light」等からプログレッシヴな快作を飛ばすSubb-anがアクアティックに再構築した前者、期待以上のサイケデリックなテクスチャーで時間感覚を狂わせる後者。それぞれの卓越したサウンドメイクで昇華されたDJツールが出揃っており、いずれも現代ダンスフロアからの要請に真正面から応えてくれるはずだ。

本作はJulian Lindseyのバイオグラフィーの第1弾を飾るエヴァーグリーンなディープ・ハウス作品であると同時に、常にダンサーを見つめてきた Sound Of Vast から送り出された、信頼のおけるフロア・フレンドリーなEPでもある。

Text by DNG (CYK / Lighthouse Records)

Skinned' ( released digitally in 2020) - the debut album from Danish composer, producer and singer ML Buch.
Comes with lyrics printed the inner sleeve.

After releasing her debut EP Fleshy in 2017 - Skinned that takes her expansive guitar work and catchy melodies to another territory.

With her unique experimental pop and vocals that seem to slide into your ears as fluorescent liquid, ML Buch portrays the reality of intimacy in a digital era. Working primarily with synthetic midi sounds, the general love of songwriting and guitar music is ever present.

As if in search for something real, ML Buch takes the listener on the other side of the skin. Led by tender love songs like I’m A Girl You Can Hold IRL and Can’t Get Over You With You we journey through her throat and into her intestines, discovering a fascinating realm of shiny mucus and bile in flesh and yellowish colors. Panoramic images were captured by a small pill camera travelling through the body of ML Buch and act as extensions of the architecture of the music. This literal way of internalizing modern technology is symbolic of Skinned where eclectic instrumental compositions share the space with strong hooks and ML Buch’s spherical voice.

credits

All songs composed, arranged and produced by ML Buch
All lyrics by ML Buch
‘Touching Screens’, ‘O’ and ‘I Feel Like Giving You Things’ co-written by Oliver Nehammer
Bass on Can You Hear My Heart Leave, Touching Screens and Mw by Johan Polder
Drums on Touching Screens and Mw by Kristof Gasior

Viola on Stone Bridge by Astrid Sonne

Midi drums and keys on Touching Screens by Oliver Nehammer
Mix by ML Buch, Oliver Nehammer & Jacob Brøndlund
Mastered by ET Mastering
Cover photo by David Stjernholm
Artwork by Aske Zidore and ML Buch

Any15 - Anyines 2020

Just after the success of its first solo EP, Supervision Records returns with its fifth release - another standout solo project, this time delivered by the talented b0n.

Packed with five high-impact tracks, this EP bursts with intensity, punchy energy, and an abundance of groovy sounds. A powerful and refined new chapter for the label.

The classic two EPs, Shaman and The Forgotten, now in a 2x12" vinyl package for the first time!

The Bug and Ghost Dubs relentlessly probe and atomize original material culled from Kevin Richard Martin's critically acclaimed 'Sub Zero' album. ("Monolithic and unforgiving, even by the Bug’s standards, representing his most suffocating take on ambient dub yet." Pitchfork)

Remixed to punish sound systems and freeze up the dance, both Fiedler and Martin trade fresh, contrasting blows, after their recent IMPLOSION face off album on PRESSURE last year. (Dub/Reggae album of the year, 2025, in 'The Wire')

The resulting 4 remixes are every bit as hypnotic and persuasive as you would hope for from productions fresh out the soundlabs of Michael Fiedler aka GHOST DUBS and Kevin Richard Martin under his dancefloor destroying Bug alias. Both producers intensify the desolate mood of the originals but introduce demolition inducing beats which provide the literally irresistible momentum. Echoes of the originals are respected and heard throughout, but the extra gear shifts pay off brilliantly.

Guaranteed to push serious air, and test the most powerful of sub woofers, these 4 remixes vary from heavy to superheavyweight. i.e. GHOST DUBS outputs a deliriously stoned headnod with his zonal refix of 'When I'm Gone', which miraculously sounds both subtley mysterious, but monolithically huge, whilst The Bug prowls ice cold, on the noirish, narcotic, instrumental hip hop of 'Too Human', which sounds like prime Mobb Deep mixed by Rhythm & Sound' at 16 bpm.

Essential remixes of an already very special album, the original atmosphere is not only captured expertly, it is categorically amplified. LARGE.

Nickodemus is a traveler at heart—a connecter of worlds, scenes, and people since the mid-90s. Over his extensive career as a touring DJ and producer, including five albums, hundreds of remixes in his “Remix Machine” and two dozen compilations of cutting edge up incoming producers from around the World, remains one of the most important leaders of global fusion and the heavy beats we yearn for in the club. His music has long thrived on the close relationships and mutual respect of friends he’s built across the continents, felt through the worldly potions he cooks up in the studio, and spanning electronic sounds rooted in Latin, African, and Eastern instrumentation. His latest album, Soul & Science is a collaborative effort between old and new friends, recorded in several countries while touring as well as his home studio / record room / memorabilia museum.

This limited 7” pairs two standout remixes from Nickodemus’ 2023 album Soul & Science, bridging deep-rooted collaboration with modern dancefloor energy. On the A-side, Ben Gomori reimagines “Rumba Tobacco y Ron”—a trans-Caribbean production born between Puerto Rico and Cuba, featuring contributions from Tempo & The Candela All-Stars and Haydee Soul—into a chopped, electronic club cut that retains its original horns, piano, and vocal spirit. On the B-side, Tigerbalm delivers a driving, four-on-the-floor remix of “Mama Tchipp (Follow Me),” flipping the Afro-disco anthem with steady basslines, punchy drums, and Pat Kalla’s infectious vocals primed for peak-time play.

With a career spanning over 25 years, Nickodemus remains a globally recognized force in eclectic, genre-blurring dance music, boasting 60k+ Spotify followers, 811k+ monthly listeners, and over 350 million streams across his catalog, alongside more than 20,000 physical records sold worldwide. His breakout collaboration with Quantic and Candela All-Stars, “Mi Swing Es Tropical,” became a bona fide international hit with over 75 million cumulative streams and a key placement in the Chef soundtrack directed by Jon Favreau. On remix duties, Ben Gomori—founder of the UK-based Monologues Records—brings his signature touch, having previously reworked artists including Oby Onyioha, Segun Adewale, Dawda Jobarteh, and Amadou Balaké. The release is already receiving strong international radio support, with airplay and tastemaker backing from Gilles Peterson, BBC Radio 6 Music, FIP, RFI, Radio 3 (Generación Ya), 2SER, KCRW (Top Tune of the Day), and KEXP, signaling strong demand and cross-market appeal for DJs, collectors, and global music audiences alike.

a A1: Rumba Tobacco y Ron (ft. Haydèe Soul) Ben Gomori Remix
b B1: Mama Tchipp (Follow Me) [Tigerbalm Remix] [feat. Pat Kalla]

[a] A1: Rumba Tobacco y Ron (ft. Haydèe Soul) [Ben Gomori Remix]
[b] B1: Mama Tchipp (Follow Me) [Tigerbalm Remix] [feat. Pat Kalla]

[a] A1 | Rumba Tobacco y Ron (ft Haydèe Soul) [Ben Gomori Remix]
[b] B1 | Mama Tchipp (Follow Me) [Tigerbalm Remix] [feat Pat Kalla]

[a] A1 | Rumba Tobacco y Ron (ft Haydèe Soul) [Ben Gomori Remix]
[b] B1 | Mama Tchipp (Follow Me) [Tigerbalm Remix] [feat Pat Kalla]

RITUAL is a poetic and political gesture by Antonio Marotta: a sonor resurrection where archaic meets electronics. Drawing on Campanian roots and European club culture, the album blends the trance of Ritual with the ecstasy of the dancefloor.
Seven beats and seven loops inspired by the Seven Madonnas of Campania, where the drum remains the visceral beat that connects the earthly to the divine.
An act of resistance that delivers new life to tradition.
The limited edition Vinyl LP contains a special insert with the visionary graphics conceived by Andrea Maddaloni, the lyrics of the 8 songs and Marotta's personal manifesto.
Grab your copy before it's too late.

Written & Created by: Antonio Marotta
Tammorra, Chitarra Battente, Chitarra Elettrica, Voci, Scetavajasse, Castagnette, Tromba degli Zingari & Live Looping by: Antonio Marotta
Lyrics Transcription & Dialect Revision by: Alessandra Ruggiero
Mixed & Mastered by: Antonio Marotta and Peter De Girolamo
Mask Artwork by: Atelier Antise
Photography: Let's Pic Studio
Art Direction & Design by: Andrea Maddaloni
Club Consulting by: Alfredo Maddaloni
Produced by: Antonio Marotta and Maledetta Discoteca
Executive Production by: Maledetta Discoteca

Brand new 7 track album of Ghetto house from Chitown's own DJ SLUGO. Fast paced, bangin' ghetto house with tracks like "BANG THAT HOE" sounding like TOO LIVE CREW if they were from Chicago and were heavily into 303 acid trax.

The second full-length album from Simon Herody - French born, Berlin based multi-instrumentalist and composer. Featuring the visual universe of Paul Waak.

Water from Mars retraces the imaginary odyssey of a near-future conquest of space - a sonic journey conceived as a soundtrack for the imagination. Blending acoustic and electronic instruments, Herody navigates between sci-fi jazz, left-field ambient dub, space lounge, and 4th world music, crafting a world where melancholy and forward-thinking curiosity coexist in weightless suspension.

Indulgent, textured, and uncompromising - for fans of glitchy synthesizer textures, cinematic atmospheres, and music that refuses easy categorization.

“So Help Me God is the long-awaited second album from Kelsey Lu, arriving June 12 2026 via Dirty Hit. Moving between shadow and release, the 10-track record follows her groundbreaking 2019 debut Blood and is co-produced by Lu, Jack Antonoff and Yves Rothman, mixed by Oli Jacobs, with contributions from Sampha, Kamasi Washington and Kim Gordon. Across the record, Lu blends distorted guitars, choral swells and dark electronic pulses into a sonic landscape that moves between devotional intensity and cinematic scale. So Help Me God expands Lu’s singular creative universe - where music, visual art and performance converge into one multidisciplinary project, marking the return of one of contemporary music’s most singular voices.”

RAW SOUL returns with its twelfth release, welcoming Hamburg-based producer, multi-instrumentalist, and creative force FRAG MADDIN - also known as BERUS and FMN - to the catalogue.
Across four tracks, Maddin channels the energy of live improvisation straight into hardware, capturing each take in the moment before refining the best parts himself and passing them on to mastering engineer Matthias Heinstein for the final polish. The result is a tightly focused, floor-ready record: deep, cavernous basslines, raw drum programming, and a sound firmly rooted in the spirit of original Chicago house while remaining fully present in today's underground.
Since 2012, FRAG MADDIN has been active internationally, releasing on respected labels such as Kerri Chandler's Madhouse Records, DVS1's Mistress Recordings, Glasgow Underground, and Snatch! Records. As an artist, he moves fluidly between groove, experimentation, and cross-genre expression - something that also shines through in his projects BERUS and FMN.
A standout moment on the EP is "Excuse Me," on which Maddin provides his own vocals - unfiltered, direct, and perfectly placed in the mix.

Wabi-Sabi Records embraces imperfection, incompleteness, and the ephemeral essence of sound. The second chapter of the Ensō Series, “アシッドの道 - The way of Acid” is raw and hypnotic acid house journey where undulating acid lines, relentless grooves, and altered states of consciousness intertwine.

Brutkho strikes back on Goldmin Music with his very first vinyl release. A first physical release is always something special and exciting, So of course, it had to be a very personal and deeply touching package of music. Horvath Tamas alias Brutkho is actually one of the artists we feel since the first listen of his music. This hungarian producer has the power to play with the unexpected, to build captivating structures without losing sight of the essential simplicity this music needs."Now & then", his first ep on Goldmin Music and "Magic 32" on the compilation were already authentic demonstrations of this guy's assertive personality and aspirations but he definitely pushed the process further on this record.
Gabriella and Coleman are two massive deep-techno stompers focused on the atmosphere, the texture, the immersion which will play with your senses from the beginning to the end and fool your previous certainties without any doubt.Tel-Aviv based producers Deep'a & Biri who recently joined Derrick May's Transmat agency and who deliver some of the finest dub techno cuts of today catched the original track delicious pianos and dropped them into their sumptuous cinetic industrial groove.French producer Jan Hendez drives it into a pure rhythmic and organic piece of music unbound by usual genre limits. Menacing, very cold yet still deep and sexy remix that reminds both his first releases and his newer strictly atmospheric and mental approach.That's exactly the point with this record. It's a meeting of spontaneous artists who never stop their musical research, who don't mind about fleeting trends and who push boundaries further on every single track they do.

Following "The Edge" & "Void", french producer and Goldmin Music label owner Romain Lanteaume aka EinKa delivers his first album "To Waken Doubt In One".

2026 Repress !

First release from Siffleur, a collective of DJs from Mediterranean Europe giving a contemporary dance-floor boost to Italian pop and disco from the past... Let's whistle a catchy tune!

One of the key architects of Gospel House Music, DJ Spen, gets set to release his brand new full-length artist album, ‘The Praise Party’ on Quantize Recordings. DJ Spen’s weekly Sunday ‘Praise Party’ live stream was born in the pandemic, when a heartfelt idea from his wife Kelly, “go live and bring hope to people”, grew into a global online family united by music, faith, and irresistible gospel house edits. Six years on, that community still gathers, and ‘The Praise Party’ album carries that legacy forward, continuing to bring hope and inspiration through music. A true labour of love, this album sees DJ Spen deliver fifteen uplifting songs where joyful voices rise together in spine-tingling harmony, and stunning solo performances flow over a musical feast of heart lifting, hand clapping and roof raising Gospel grooves.

The second instalment of the recent Mixrace studio sessions!!! Session 2 continues the Paradox and Trax partnership with trademark razor sharp breaks and blissful atmospherics.

CEPX002 is around the corner and marks the second chapter of the X Series on CEP Records. With this release we welcome vinyl head Eubo from Glasgow to the label. From the first track he sent us it was clear that this is the direction we want to push. A strong old-school influence, shaped by vinyl culture and the energy of the early two thousands. The connection felt natural from the start.

A1 'Iron' is probably the most intense track on the record. A rolling bassline, sharp and slippy drums, and a lead that lays over the track with deep mids. It brings a short moment of calm, while the drive stays constant. A2 'Aluminium' stands out with its clear high hats and a modular synth that recalls sweaty and dark mornings. The sound has a slightly hypnotic and metallic touch. On the B side, 'Steel' moves through the interplay of its synths. The kick and bass stay steady and driving. A timeless track that can underline the peak moments in a DJ set. Closing the release is 'Lead'. It brings a funky bass together with serious, almost contrasting synth stabs.

Mastering by Paul Mac

Casino isn’t just a track to me. It comes straight from my love for the classic Italian American gangster films I grew up on. Being Italian, I was obsessed with movies like Casino and Goodfellas. I’ve watched them more times than I can count. The style, the tension, the way the characters talk and carry themselves always hit me differently.

The idea for this track actually came from one of those iconic moments: a scene between De Niro and Pesci as their relationship starts to unravel. I’d seen it countless times, but this time I stopped and thought: what if I used this in a track? Would it elevate the music or would I ruin one of the greatest films ever made? That thought lit the spark.

I wanted to capture that same energy. The power. The danger. The drama. And bring it into sound. Casino is the result. Raw, cinematic, and authentic. I hope it hits you the same way those films have always hit me.

–EDEF

Enter the debut LP of the now Spatial regular Chronicle - Expect a joyous, varied blend of old school brand new atmospherics from one of the scene’s most talented producers. A1 - 20th Century Man Straight into the beats for the deliciously cheery opening, 20th Century Man encapsulates so much of what Chronicle does best - old school breakbeat sensibilities delivered with an inimitable atmospheric charm, strongly reminiscent of that peak Good Looking era we all adored. Incredible synthwork and analogue drums layered with danceable 2-step breaks and melodies take your mind exactly where you want to be. A2 - Terraformers Seminal synths and birdsong effects prepare us for an impossibly crisp breakbeat and 808 bassline to drive this track along, coloured by a myriad of subtle blips and bleeps, delicately flecked across a detailed and optimistic soundscape. Very DJ-friendly from the first to the final bar, the purity of Chronicle’s approach to atmospheric drum & bass is once again at its best here on Spatial. B1 - Boundless Space Playful twittering birds, gentle hi-hats and panning synths introduce Boundless Space, a blissful, serene treat for the senses which soon kicks into flourishing life with the timeless Circles break. Vocal samples punctuate the soothing breakdown with exquisitely programmed effects dotted here, there and everywhere, completing a stunning composition that both reflects on the past and looks forward in equal measure. B2 - Ephemeral Style A light, delicately calming pad-laden intro with echoing melodies opens Ephemeral style, soon punctuated by a sublime 808 bassline preceding the drop. Chronicle showcases his dancefloor breakbeat prowess with an energetic 2-step break pattern, expertly programmed and riddled with detail and density, creating a wonderful collage of sound and a perfect addition to any era-spanning atmospheric set. C1 - Modular Expansion Eerily reminiscent tones harking back to the golden, ultra-classic Good Looking era introduce us to Modular Expansion, a track which quickly adds layer upon layer of original identity to the vibe with crisp breaks, a wonderful metallic backdrop snare and subtle vocal samples. The joyously retrospective breakdown complements the energy of the track beautifully, capping off another gem for the record box. C2 - Limbic System Chronicle introduces Limbic System with swathes of swirling pads and synths, straddled with a subtle yet enigmatic melody carrying us through the drop, where we are treated to a lusciously constructed old school break pattern with a modern twist. Enter the breakdown and the keen ear will spot sampled quotes from Total Recall, which fit the vibe perfectly. “You went to Recall?” - yes, we sure did. And we enjoyed the trip! D1 - Non-Euclidian Continuing the blissful retrospective atmospheric tone of the album, Chronicle serves up Non-Euclidian which opens with a wonderfully synthy intro flecked with old school break samples and an earworm melody, before the onslaught of layered breaks provides variety as well as a thoroughly danceable pattern to unleash on the discerning dancefloor. Trademark dotted effects punctuate the track throughout. D2 - Deep Thought Capping off the LP we have Deep Thought, setting a calming and quietly brooding vibe before impossibly crisp beats kick in and elevate proceedings nicely. Chronicle effortlessly leads the listener through the drop with an analogue punch, earthy basslines and fluttering effects with the kind of flair we’ve come to love from such a vastly experienced and talented producer - perfectly complementing the vibe here at Spatial. Words by Chris Hayes (Spatial / Red Mist)

On Board Music returns with its next remixes package. Following the "Point C Remixes" in 2024, the Rotterdam based label now revisits four tracks taken from its charity compilations "The Meaning of Time" and "The Meaning of Time II" - all reimagined by fellow On Board artists. Born during the global health crisis of 2020, "The Meaning of Time" series explored the shifts, fractures, and altered perceptions of time experienced during that period. This new remix edition not only reshapes selected pieces through the vision of close label affiliates and takes them closer to the dancefloor, but also sees all tracks freshly remastered by Neel. The four tracks were given a new life in two different ways - by remastering and reinterpretation. Luigi Tozzi treats Polygonia's aquatic ambient piece "Magnetic Force" and pushes the track deeper into dark and hypnotic late night territories. Vera Logdanidi's emotionally charged arpeggiated electronic work "Water bubble Floating In Space" receives a peak-time reinterpretation by Non Series head Psyk. Swedish artist Dorisburg reworks Human Space Machine's "Danz7" into a dreamier and more percussive journey. Closing the release in true deep On Board fashion is label head Laura BCR, who reinterprets Bas Dobbelaer's "T2310" in an earthy and textured manner, while keeping its ambient techno & dubby spirit vividly alive. Photography by Marius Renard.

How much weight does it take before something finally shifts? Character Builder EP is Voorman's introduction to Stelus, four functional studies arranged as a single passage. The A-side carries weight: 'Dense' opens with compressed momentum, focused and unrelenting; 'Pressure' follows with restrained propulsion, austerity with distance held deliberately between the music and any release. The B-side turns inward. 'Angst' sits inside psychological friction without resolving it, letting the feeling stand on its own terms. 'Relief' closes the EP with a gradual lift, not resolution exactly, but the slow return of space. Personal development is built under load.

After shaping a strong identity through our first three releases, this new record marks a tighter and more assertive expression of our influences through new sonic explorations.

This EP reflects the journey Triple Phase has taken so far. Inspired by one another, our music has grown denser and now moves toward something more physical, rawer, and more club-oriented.

More frontal and rooted in the dancefloor, these new tracks explore a palette where techno, breakbeat, and tech house intersect. Spirits captures the spirit of three passionate producers: each track retains its own strong character, while the connection happens through the energy that runs across the record as a whole.
Triple Phase is finding itself and falling into alignment. A new statement, still driven by the same desire: to create music that feels free, inhabited, and deeply alive.
Pressed in a limited edition, TPH03 is made to be played, passed on, and kept in circulation.

Belgian-based guys of Lemakuhlar are back on Goldmin Music with their first vinyl release: Lauper.
More subtle and abstract than anything we've put out yet, this 3-tracker record definitely demonstrates full
range of their talent with "Sigulha" a more than 12 minutes epic deep minimal track starting with an eternal
organic groove leaning towards this absolutely unusual break that you're not going to forget. Nevertheless, B
SIDE "Night comes soon" & "Lauper" keep the same intriguing and damn rare quirky imperfection, brought in part
by tape recordings, studio noise recordings and of course artists' huge creativity.

Butter Side Up’s 15th release comes from a familiar face. DANCE PROTOCOL (FKA Midge Thompson), responsible for the label’s second release some 7 years ago, returns to the label with The Shop Floor EP, another chapter in a relationship that stretches back to the party’s earliest years.

A self professed audio nerd, Midge has been operating quietly but consistently for well over a decade in Leeds and more recently London, honing an intentional studio-craft which draws inspiration from quite literally anything he can get his hands on, from 12-bit samplers and vintage synths to YouTube interviews and iPhone field recordings.

If his productions have earned their place through character and an unmistakable sense of groove, The Shop Floor EP is a culmination, presenting perhaps his strongest work to date.

Across four tracks, subtle textures and repeated vocal samples are stretched and twisted over broken beat rhythms and heavy sub-bass. A fine balance of UK-rave tropes and European minimal sensibilities that glide patiently, building and dissipating tension. From the driving, acid-tinged The Shop Floor to the bouncy, breaksy Riding Up Front and deeper Perry Lane, there’s a breadth of moods across the EP, which peaks with the celestial The Back Bench, surely one of the BSU’s most sunrise coded tunes, an softly inviting ‘Give Me Some More’ vocal refrain accompanied with woozy chords, pads and a chunky slap baseline.

All dubbed-out edges and low-end pressure for listeners and advanced record entertainers — former London, now Seoul-based DJ Botermelk drifts into dubwise territory with ‘Favourite Worst Nightmare’ : delay-led, sirens and bass heavy. Jorg Kuning reworks the track, soaking further in with his trademark modular sound palette. Flip-side business: ‘Knock Knock’ locks into a straight acid line, tight and elegant, while ‘Chunky Monkey’ opens the frame again — rhythm breathing, dub fragments drifting loose.

Deep Inspiration Show Records continues to defy the norms of electronic music vinyl culture, seamlessly bridging the gap between dancefloor energy and deeper, more emotive soundscapes. Their latest release, “Friends of the Deep”, is another standout EP to celebrate the 10th record. The original coming from Sundaze Lab & Melchior Sultana, and the remix by the legendary Zarenzeit. In addition, there are two exceptional contributions from deep house stalwart Brad P (Brad Peterson) which help deliver a rich, immersive journey through classic original deep house. From the sundrenched textures of “Seaside,” with its lush pads, rolling bassline, and signature jazz guitar touches by Melchior Sultana, to the dreamy, exploratory tones of “Zarenzeit,” the A-side sets a warm, evocative mood. On the flip, Brad P brings his unmistakable depth and musicality — “Years Don’t Lie” unfolds as a mature, emotive piece layered with soulful strings and an bass driven groove, while “Metaphysics” channels the timeless spirit of classic labels like Deep4Life and Nu Groove, building from stripped-back percussion into a full, uplifting but heady arrangement. A must-have for true deep house heads — “Friends of the Deep” is a heartfelt, groove-driven collection that rewards both the deep dancefloor and the soul

Riviera Records is a brand new label that kicks off with ‘Move’ - a statement of intent from founder X-Coast. Continuing to perform across the USA, Canada, Europe and Asia, X-Coast is an unconventional character and little is known about the mysterious Serbian other than the concept for the alias is that it exists “somewhere in the deep blue Caribbean Sea, between your imagination and what’s real.” Having released on labels like Hot Haus, Lost Palms and Steel City Dance Discs, X-Coast now launches Riviera Records with a promise to be an uncompromising clash of sounds” and the label stays true to that from the get-go.
There is no mucking about here as X-Coasts demonstrates his versatility as a producer with three varying mixes of ‘Move’ making up the bulk of the package. First up is the Trans Mix: an arms-in-the-air, throwback trance track with euphoric vocal stabs all primed to inject real energy into any set. House Mix then bounces and bumps with a refracted garage vox and endless old school dynamism, before the twisting and turning Breaks Mix follows with its thumping drums, hits and rattling dub sounds that all explode to life. Finally, ‘Naos’ totally flips the script with a slow, deep, cosmic workout build on a rugged bassline. A breathy voice, warm chords and balmy pads all wash over you like a Balearic breeze and take you to hedonistic dance floor somewhere in 80s Ibiza.

Baba Stiltz continues to showcase his songwriting capabilities with Relief.
Backed by Ilari Larjosto on drums, Relief sees Stiltz delving deeper into the slacker-country territory explored on his last album, Paid Testimony, though here the sound is more refifined and hi-fifi. The track hints at the indie apathy of decades past while maintaining a distinctly contemporary sensibility.
A dubby yet fractured-sounding bassline and sparse three- chord verse structure intertwine with Theo Stocks’ beautiful lap steel arrangement, while Larjosto’s steady, Moe Tucker- esque drumming keeps the song moving forward.
Lyrically, Stiltz navigates pop songwriting tropes with restraint and precision. The repeated refrain of “congratulations” feels both strung-out and melodic, while fragmented, Garielle Lutz- like imagery — “tick tock, wrist watch, clif bar, trunk car, its cargo” — quietly sets the scene. Somehow, the juxtaposition resolves elegantly.
When asked about the theme of the song, Stiltz simply responded: “There is relief in acceptance.”
With Relief, Stiltz offers another compelling glimpse into his evolving songwriting practice, and perhaps an indication of what is still to come. The release follows a prolifific start
to the year for Stiltz, including Blurb 2 with Okay Kaya, co- production, writing and mixing work on Ana Roxanne’s Poem 1, and co-production and mixing on the SY3 EP for Music From Memory.

Life In Patterns welcomes Amsterdam-based live act and producer VNTM for his debut appearance on the label with “Ostbahn”, a five-track EP arriving on vinyl and digital formats on 24 July 2026. For VNTM, Ostbahn marks a departure from his usual creative process. While most of his productions are conceived and developed within the familiarity of his studio, every track on this release originated elsewhere — each one tied to a specific place, encounter, or moment beyond its walls. These external sparks became the foundation for a collection that feels both deeply personal and unmistakably geared towards the dance floor. Across the EP, VNTM explores the intersection of emotional depth and physical intensity. Dark, immersive pads and melancholic atmospheres are woven into powerful techno frameworks, driven by heavy low frequencies, tightly locked grooves, and a precise sense of movement. The result is a body of work that balances introspection with impact, equally suited to peak-time systems and solitary listening. Based in Amsterdam, VNTM has established himself as one of techno's most distinctive live performers, appearing at major festivals and clubs worldwide with a hardware-focused setup dedicated entirely to his own productions. His sound combines harmonic exploration and narrative-driven composition with distorted percussion, futuristic sound design, and a constant embrace of emerging synthesizer technologies. Beyond his performances, VNTM is the driving force behind the acclaimed Mindscape events at Amsterdam's Lofi, where he has hosted artists including Len Faki, Kangding Ray, Sterac, Âme, Recondite, Polygonia, Luigi Tozzi, Vril, and JakoJako. Recent highlights include his debut on the Awakenings Festival Mainstage, an all-night-long live set at Lofi Amsterdam, and a sold-out debut performance at Refuge in New York City. With “Ostbahn”, VNTM delivers a compelling first chapter on Life In Patterns — a release shaped by experiences beyond the studio, translated into hypnotic, emotionally charged techno built for deep immersion and maximum physicality.

SEVEN brings together a fine selection of fresh producers delivering everything from proper house slappers to drifting deep house cuts and progressive house on their latest Various Artists compilation. This VA highlights a bunch of promising newcomer artists across Berlin, Paris, Hamburg and Switzerland, each with their own distinct sound - alongside the already established Nesa Azadikha, a percussionist and producer from Iran. She dedicates her music to the people of Iran fighting for freedom, using house the way it was originally intended: as a rhythmic, electronic escape and a form of cultural expression for oppressed people and communities.

Fuzzy Blanket Recordings drops their third vinyl release, Form Is Emptiness, a four-track Various Artists EP that navigates a shift into darker, more melancholic territory.

Rooted in the label's signature warmth, the collection further expands the fusion of deep house with shoegaze and dream pop. Twilight atmospheres and a hypnotic, ambient house pulse unfold across the release, creating a record equally at home in the collective haze of a late-night dance floor or the solace of a tea house.