quête:p jam

Le Nomad’s new label and party series, 99 Percent Nice, is finally out in the physical world, following six digital releases since the label’s launch in October 2025.

Marking the first vinyl release, 99PN-001, each side brings a different spice—strange, bold, but always nice. This split EP features two emotionally opposing tracks from Le Nomad himself: deep, forward-pushing, and hypnotic. They’re joined by a driving deep-tech cut from Brazilian-born, New York–based artist Fi-Lo, and French/Valencian artist Jamaimoi’s cheeky electro tool, guaranteed to spark reactions on the floor.

The Activist returns to Sneaker Social Club with a fresh double-drop of mutant grime futurism featuring deadly flows from Tia Talks and Jammz.

Low End Activist first came through centred on link-ups with grime MCs before widening the scope of his sound with purely instrumental, conceptually-charged albums. This sure-shot double single reaffirms his affinity for outsider grime production as a vessel for deft bars from breakthrough talent and seasoned mic veterans alike.

On 'False Idols' and 'Atomic Clock' there's an emphasis on sharply angled, glitchy production that bends and warps well outside the established formula of MC-focused beats. Constantly shifting, hyper-detailed and front-loaded with walloping slabs of bass, both cuts are devastating in either vocal or instrumental form. Tia Talks pulls no punches stating her truth on the former, while Jammz muses on the endless battle against time on the latter, continuing the peerless run of avant-grime that courses through the Activist's back catalogue.

A joke that doesn’t make you laugh is just a sentence. Music that doesn’t make you dance and feel is just noise aimed in your direction. To make a circuit where energy flows freely, you must have feedback. Without feedback, connection is absent. As Limousine Dream enters the Age of Aquarius, we open up. Instead of trying to grow, we let it grow. Instead of building a pyramid, we see a constellation where we are all stars, and every star can equally stand out and fit in. We invite you to join us, just like we want to join you. This is where we begin our Life Spiral.

Acid banger !!!

enjoy :)

Black vinyl re-press of the initial sold out brown vinyl edition

Fausto returns to the Carpet family, this time with three tweaked out jams perfect for the Circuits series. Spread across the A-side, the 9-minute ‘Moonland’ evokes its title with driving acid and cosmic Detroit atmospherics. On the B, ‘Nacho’ is a classic mood builder, tempering its own acid lead with expansive bass and a rolling groove. The EP closes with the stepping ‘Nirvana’, perfect for closed-eyes reverie at the afters.

Zeb & Scotty without a doubt belong to the unsung heroes of the Jamaican-Caledonian underground, running tings during sound system nights all over Scotland in the 2010s – most notoriously for Mungo’s Hifi in Glasgow and Big Toe’s Hifi in Edinburgh. Wherever a heavy bass could be heard through wet nights, you could be sure the duo was tearing the place down inside.

Always getting the vibes best on a small stage next to a blasting rig, their vinyl releases remained scarce however. Luckily one of their magic moments, “Bring Di Sensi” on a Jahtari 8bit chip hop jam, was captured on tape in 2008 at the Glasgow School of Art during a Mungo’s Hifi session.

Now pressed to fine 7″ wax with an all new Dub cut on B and alongside beloved oddball reggae outro “Roll That Shit“, this heavyweight delivery is scheduled to arrive at all sound systems shortly!

Part Two of our 'Back To The Old School' series has arrived in full effect. Once again, Mr "Love" Lee updates classic disco-rap cuts for today's dancefloors while preserving their original flavour and integrity. Kicking things off is Xanadu & Sweet Lady's Jamaican version of "Rappers Delight," where Dave refreshes the instantly recognisable percussion track into a captivating jazz-funk workout, perfectly complementing Sweet Lady's luscious rapping and somehow making it even more danceable than ever. Up next, Solo Sound "We Are The Crew (Called Solo Sound)" delivers a swampy, lo-down slice of cosmic funk primed to rock any block party. On the flip is an alternate Philly flavoured take on TJ Swann's 1981 jam "Get Fly." This time Dave Lee re-tracks the MFSB backbone, putting his remixing prowess fully on display and landing squarely in the dancefloor sweet spot. As a bonus, any wannabe disco rappers can hone their skills over the B2 Shepherds Delight (No Rapstrumental Mix).

German-born, London-based producer Caldera handcrafts a fresh artefact with Schwerelos, a five-track Kimochi Sound stack, each unit housed in an individually hand-painted sleeve. Deep and exploratory, with long-form cuts 'RK01' and 'BT01', Caldera's now-established, live-jam-born workflow proves yet more productive here. Elsewhere 'Afternoons in Vertigo' stretches into spacious, heady territory before 'Seb Whatsapp' and the closing 'Innal' crop it down to shorter, moodsetter prescriptions.

Second release on Via Jupiter from label boss Psychederek this time teaming up with Behind The Groove's Bobby Thorpe for a full pelt Dancefloor 4-way
Born from a series of studio jams throughout the winter, the Manchester-based artists deliver a slick EP inspired by late 80's club joints and driven by a clean, stripped-back approach.

Artwork and label design by Ben Brumpton. Limited to 250 copies (of which we're allocated 150 - so be quick !!)

Third installment in our Bobby Aitken series, featuring long unavailable and previously unreleased works by one of Jamaican music's most elder statesmen. The A-side is the stuff our dreams are made of, previously unreleased melancholy minor key rocksteady, featuring a young Glen Adams on vocals and cut at WIRL where Bobby & The Carib Beats did a lot of work. The B-side is the great "Wonder Music", an upful horns instrumental featuring Val Bennett sitting in with the band, finally back after being long unavailable since it first surfaced in the 1990's.

The "Phunk Investigation vs. James Senese" collaboration, specifically the track "E'na Bella Jurnata,"

is seen as a high-quality fusion of Italian Disco and funky house, praised for its driving beats,

70s disco melodies, and signature saxiness from the legendary Senese,

making it an instant anthem for clubs and Ibiza.

Reviews highlight it as a grand cru of Italian dance music, blending classic vibes with modern house energy,

a must-have for disco and house lovers.

ABR002 brings Art Bleek Records back to the floor with Get Involved, a deep house cut built for late-night warmth and open-air uplift. Anchored by Phoenix’ beautiful, soulful vocal, the original version glides on a tight house groove, rich chords and that instantly memorable hook that keeps pulling you back in.
The package expands the story with a proper remix roster: David Duriez delivers both a driving club rework and an Acid Dub twist, while Jamie Anderson pushes the energy into a crisp, dancefloor-focused direction. Art Bleek rounds it off with his own remixes, from a punchy peak-time flip to a stripped instrumental for DJs who want the groove in pure form.
A versatile 12" for deep house heads, vocal heat, classic house attitude, and enough versions to fit any set.

Interstellar Echoes is a deep, hypnotic blend of Dub Techno and Dub House swing, built for late-night systems and long transitions. WM002 on Watermellow Music brings Benjamin Shock into full orbit mode: Warm chords drift through cavernous delays, low-end pulses stay locked and steady, and each track unfolds like a slow-moving spacecraft patient, spacious, and heavy with atmosphere. From the rolling drive of “Analog Odyssey” and the expansive glide of “Space & Time” to the tougher push of “Thunder Jam” and the weightless swirl of “Orbital Resonance,” this 12” is pure cosmic dubbing subtle, immersive, and endlessly repeatable.

Audios fourth installment of its “selected pieces” series featured Kolter, Traumer, Josh Butler & Hersey. Artwork by Juli Jah.

Master Tee returns to his own mighty Freeze imprint! Presenting four highly affective and characteristic house cuts that were not available on physical format before.

As it often happens, while Richie Weeks and Jerome Derradji were working on Volume 3 of the Love Magician Archives, Richie uncovered a couple more unreleased Jammers tracks that never saw release on Salsoul. He believes these songs were intended for a second Jammers album that, sadly, never materialized.

So here you go—two absolute stormers of NYC Boogie and post-disco madness. All the usual suspects are on the tracks, delivering that signature sound. What can we say but: thank you, Richie, for giving us even more heat to play out!

When creative souls collide special things happen. After several collab sessions, Osunlade & James Curd dawned about a style of it own. Something that embodied both midwesterner’s electronic soul approach to house and dance music. After a successful release “Chocolate Puddin’” the collaborations increased and so began Nomadics. With a slew of music the approach starts here. Better Man is a future house classic in our opinion! Starting with the re sang version of the Curtis Mayfield coined, Gladys Knight delivered On and On taken from the Claudine OST. Both parties are set to release the song simultaneously. James on his Pronto imprint with the original version and remixes by the talented Frits Wentink, Too Easy & Mr Ho. While Yoruba will release Osunlade’s Yoruba Soul Mixes. We are hoping to create cross pollinated bridge with these releases. Something for everyone is our aim!

As always your support and taste are a blessing!

We present an EP from two house masters Artem Stan & Matpri on Analog Concept records.

This record was born like in the classic 90s from jam sessions in the studio, when musicians caught the groove and connected their deep universes, showing true love for house music. Everything is combined here - the sound of drum machines 909 and not only, atmospheric acid impulses of 303, classic pads that paint these paintings bright and filled with deep meaning, as well as much more. Amazing two sides and four compositions, each with its own story.

The Midnight Seduction track opens the telling of these stories on side A. From the first seconds, immersing in the atmosphere of synthesizer temptation, the analog bass line combined with the default drum section and elements of bright metal claps quickly gain the necessary energy and immerse in the images of a closed nightclub with long corridors and hidden dance floors. The light plume of the classic M1 organ and the accentuating Acid lead maintain balance. Secret nocturnal seduction, light ecstasy and an atmosphere of love.

French Kiss - everything is great here, as soon as you listen to the harmony of accordion-like synthesizers and deeply addictive pads, you are instantly transported to the image of Parisian streets. Elements of bells, a rhythm section filled with unpredictable percussion, acid inclusions and an unexpected immersion into a broken beat in the middle of the composition, a real deep French kiss.

Matpri is known for its sophisticated approach to music and is rightfully the guru of micro and minimal house. Having created the maximum sound quality of the rhythm section and the deep bass that was addictive from the first seconds, mixing old-school vibe, while not losing touch with his minimalistic sound image, he filled the House Template track with the smallest details and percussion, which is confidently based on the B-side.

Four certainly high-quality compositions were created in the studio of Artem Stan in the mountains of Krasnaya Polyana and one of the tracks on the B-side - "Nasha Polyana" - is dedicated to this location, it conveys a certain playful atmosphere of a mountain village with a vibe of complete freedom and daily carefree. A complete release with decent house music.

2025 Repress

140g vinyl, remastered, double LP with the original LP along with a second record of 14 rare tracks

Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marica Griffiths. It’s reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.

Sweet And Nice has appeared over the years with a revised running order and under different titles. But the original’s opening sequence of loping soul is legendary, even beyond reggae circles. These songs are now returned to how they were presented on that first Jamaican release, and under their intended album title. Be With doesn’t mess with magic.

Marcia’s version of “Here I Am (Come and Take Me)” has long been lusted after, played by genre-hopping selectors to snapping necks for decades now. It’s followed by the sophisticated, rollicking wah-wah funk of “Everything I Own” and the slice of smooth lovers soul par excellence that is “Green Grasshopper” and her ace, lilting Neil Diamond cover “Play Me”.

The thundering, humid funk of “Children At Play” “sounds uncannily like a precursor of Massive Attack”, as FACT Mag astutely noted when they put Sweet And Nice at number 16 in their list of the 100 best albums of the 1970s. Otherworldly, moody and essential.

Side two keeps the fire burning. “Sweet, Bitter Love” should leave you swooning, and is also one of the album’s alternate titles. Curtis Mayfield’s already-eternal “Gypsy Man” is up next, recast as proto-lovers rock.

“There’s No Me Without You” is elevated to canonical status by the majestic, forlorn horns of the Federal Soul Givers and Marcia’s heartbreaking delivery. And if this doesn’t get you then surely the next track will: arguably the definitive version of Ewan MacColl’s “The First Time Ever I Saw Your Face”. Yes, seriously.

“I Just Don’t Want To Be Lonely” re-takes its rightful place at the end of the LP’s second side… but we couldn’t leave it at that. So we added an entire second record of rare material recorded around the same time as Sweet And Nice, much of it unavailable since it was originally released. Some of these songs have only ever been found on now unattainable 7" singles and no, rarity doesn’t always correspond with quality, but in this case we’re talking about some seriously jaw-dropping music.

Amongst 14 extra tracks you’ll find the exquisite late-60s singles “Melody Life” and “Mark My Word” which, along with the sumptuous reading of “Band Of Gold”, are now £100 records, if you can find them! Just sayin’. There‘s also a fantastic version of “The First Cut Is the Deepest” and an alternate take of “Play Me” with producer Lloyd Charmers adding his own vocals.

Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.

Regular contributor Vick Lavender returns to Cataleya Music for two lengthy stargazing jams. Each clock in at over 10 minutes, taking the listener on an extended musical journey. They combine Spiritual, Soulful and Jazzy House Esthetics with great results. Africanus is a moving composition with mystical melodies, thoughtful instrumentation and percussive layers. No Rhyme, No Reason offers powerful synths, mellow brass and in-step beats. Both Africanus and No Rhyme, No Reason are incredibly engaging pieces of music. The Esthetic EP is Vick Lavender’s most ambitious record on Cataleya Music so far. Listen and be rewarded!

After the massive success of Vol 1 Boogie Down Edits are back with Vol 2 keeping the same winning formula with another group of Hip Hop legends ATCQ. re-inventing some of their best-loved hip-hop cuts as party-starting house jams. Wisely, they've chosen to retain many of the key musical ingredients of their source material, subtly shifting the grooves to aid slick mixing and peak-time joy.

Limited Pressing get your orders in fast.

Glasgow, Scotland duo Thomas + James deliver their silky-smooth dub laced sounds for Federsen’s Alt Dub with the four-track ‘Realtime’ EP.

Thomas + James are a Glasgow-based DJ and production duo whose sound reflects a deep immersion in electronic music. Raised in the city’s west end and shaped by early exposure to techno pioneers like Luke Slater, Slam and Jeff Mills alongside the atmospheric legacy of ’90s drum & bass, their productions lean into a dub infused, forward-looking aesthetic.

Drawing equally from house traditions via influences such as St Germainand Laurent Garnier, the pair blur the lines between dub techno, deep house, acid and minimal.

Their new EP onFedersen’s Alt Dub captures that hybrid vision with a maturity that belies their years, being born in 2006,marking them out as a quietly compelling new voice from Glasgow’s next generation.

Leading the release is the original title-track ‘Realtime’, setting the tone with a sturdy yet pared-back rhythm section, oscillating synth flutters, bouncy sub-bass and hazy textures that subtly shift across the arrangement.

Label boss Federsen steps in next with his interpretation, reducing the track to its deepest foundations and recasting it as a delicately drifting soundscape of evolving spatial echoes, weighty low-end pressure and restrained, muted drums.

On the flip, Thomas + James return with ‘Armonia’, an ethereal, dub-leaning deep house cut propelled by billowing pads, delayed vocal chants, fluid dub chords and a heavily swung, minimalist groove.

The EP closes with ‘X-Intense’, further highlighting the duo’s groove-driven signature sound as reverberant, airy stabs weave through breathy vocals and shuffled percussion to bring the release to a hypnotic conclusion.

'Trying Times' is a record about being in love whilst battling the limits of the self against a backdrop of global uncertainty. James Blake explores the tension between intimacy and isolation, the pressure to curate and perform even as everything, inside and out, feels fragile and precarious. Themes of reflection, both literally and metaphorically, run through the record’s visual presentation, as Blake holds a mirror to the contradictions of modern connection - how we see ourselves, how we’re seen by others, and what gets lost in between. It’s about the disorienting loop of joy and dread: feeling safe in love, yet knowing the bubble could burst at any moment; struggling to stay present while global anxiety and private doubt pull you in different directions. A meditation on love, identity, and fragility in an age where the world feels balanced on a knife edge

13 Track Album is James' seventh studio album and first fully independent release Album features British rapper Dave, and singer-songwriter Monica Martin Marketing plan will support long term growth, audience building and connecting with super fans Strong Content Plan including Single / Focus Track Performance Videos Alternative album versions TBC inducing deluxe, piano version and more

Repress!

Kirk Degiorgio’s influence on electronic music cannot be overstated, having been responsible for producing some of the most emotive and soulful machine music dating right back to the early 90’s. As a leading figure in UK techno his As One, Elegy and Future/Past output on labels such as B12, R&S and his own Applied Rhythmic Technology (A.R.T.) have rightly become revered classics and helped shape ambient techno and what would come to be known as IDM/Future Electronica. His connection with Cyphon co-founder Jamie Odell also dates back to the turn of the millennium when Kirk invited Jamie to play keys on his 21st Century Soul LP released on Ubiquity and subsequently releasing an EP together under the name Super Aloof on Exceptional.

The Four Owls debut album ’Nature’s Greatest Mystery’ returns on 2x12” Black and Yellow Galaxy Repress across 500 copies (never to be repressed in this colourway).

Celebrating FIFTEEN YEARS since the original release (and with rumours of a new album in the works) ’Nature’s Greatest Mystery’ Black and Yellow Galaxy Repress is a critically acclaimed UKHH classic!

The Four Owls are Big Owl (Fliptrix), Rusty Take-Off (BVA), Bird T (Verb T) and Deformed Wing (Leaf Dog) who also handles all of the production.

’Nature’s Greatest Mystery' features guest appearances from Q-Unique (Arsonists), Dirty Dike and Jam Baxter. A critically acclaimed modern day UKHH classic!

Limited edition pressing of 500 copies.

Black and yellow galaxy vinyl, full colour 350gsm reverse board gatefold sleeve. 14-track album. Shrink wrapped.

DJ Support: Damian Lazarus, James Zabiela, Chloé Caillet, Luke Slater, Solomun, Huxley, Peggy Gou, Alan Fitzpatrick, TSHA, Mat.Joe, Eliza Rose.

It’s been a standout year for X & Ivy following the release of “Let The Bass Kick” on Forever Days. The duo have earned support from heavyweights including Peggy Gou, Todd Edwards and DJ Tennis, with their Chic-sampling club weapon lighting up dancefloors worldwide all summer.

Now, they hand the reins to DJ/producer Jennifer Loveless, who flips “Let The Bass Kick” into a fresh, forward-thinking rework built for the dancefloor.

Little is known about Em Vee, the elusive German editor and producer whose dusty vinyl crates have unearthed some of the most coveted disco and boogie reworks of the last decade. Born somewhere between the fading echoes of Berlin’s underground clubs and the hidden record shops of Hamburg, Em Vee’s story is as much about myth as it is about music.

From the funk fuelled hands in the air love bomb of Where Is The Love to the arms embracing body jam of Body to Body. On the flip the heavy disco balearic boogie monster, All Night Long takes it up a few gears before the rounding the EP off with the dramatic closer, Pleasure Island. Em Vee delivers an outstanding EP that covers all bases, that will no doubt appeal to late night disenfranchised Disco fiends.

Canadian minimal titan Akufen dominated the scene at the turn of the new millennium and has a fine back catalogue full of classics. Now the Montreal man is back with new music though and it's like he never went away - 'Breakin' Free' (feat Dominique Fils Aime) is a slow, smoochy sound with low-slung drums and r&b vocals, while 'You Naughty Scamp' is a little more propulsive as it rolls through deep house and bright, textured synth melody. 'Rubber Ducky' is another playful jam with jazzy top notes, sampled vocals cut up and smeared through the mix and languid bass funk. 'Sensitive People (With So Much To Give)' is another symphonic and soulful house sound.

DJ Support: Nic Fanciulli, Joe T Vannelli, Danny Tenaglia, Richie Hawtin, Nick Curly, Shiba San, Adam Beyer, Marco Bailey, Boris, Jamie Jones, Markus Schulz, Tom Novy, John Digweed, James Zabiela, Tiesto, Claude VonStroke, Roger Sanchez, Blond:ish, Adriatique, Paul van Dyk, Joris Voorn, Deer Jade, Vintage Culture & Paco Osuna

Few labels can claim true legendary status in dance music - where trends fade as quickly as they emerge and icons are made and broken overnight. Yoshitoshi stands as one of those rare exceptions.

The label makes its return with a statement of intent: a definitive new remix package of Alcatraz’s era-defining “Giv Me Luv”, a dancefloor classic that hasn’t seen fresh interpretations in over a decade. While the original has remained a staple for those who know, it’s now primed for a new generation of club enthusiasts.

“Giv Me Luv” represents everything Yoshitoshi has been standing for: raw energy, unforgettable hooks, and that indefinable magic that makes a track timeless. Bringing it back with new remixes after all these years demanded artists who could match its legacy.

Enter Sébastien Léger, the French maestro whose thirty-year journey has seen him perform everywhere from Coachella to the Great Pyramids of Giza. His interpretation delivers the sophisticated, hypnotic drive that has made him one of electronic music’s most respected tastemakers and the founder of the acclaimed Lost Miracle imprint.

Alongside him, progressive titan Jerome Isma-Ae, whose unique fusion of trance, techno and house has dominated Beatport charts and earned him breakthrough recognition from Armin van Buuren, unleashes his signature sharp, breathtaking power on the classic.

The vinyl also includes the original mix on the B-side, completing a package that marks Yoshitoshi’s triumphant return to form.

LA-based producer Real Bad Man and LA musician Genevieve Artadi announce their new collaborative album Everything Is Under Control, out October 3rd via the producer’s own Real Bad Man Records. Alongside the announcement, the duo are sharing two new singles from the forthcoming album, “Don’t Gotta Think About U” and “Little Claws”. The former is an electro pop banger that propels Artadi’s intoxicating vocals to the forefront and arrives with an accompanying visual. With Everything Is Under Control, Real Bad Man is proving his versatility as a producer, crafting intricate and lively electronic-forward foundations for an old friend in Genevieve to explore an eclectic, funky approach to her vocals.

Speaking about the single, Artadi says, "'Don’t Gotta Think About U' is about a person celebrating the explosion of her most recent unhealthy romantic relationship. Her spitefulness and delusion of freedom indicate she’s still inside the pattern she hasn’t yet realized she keeps signing herself up for. The sound is melancholic pop, the thread that has always tied Adam and me together despite our musical differences."

"I love juxtaposing dense drums and a very pretty voice," Real Bad Man says of collaborating with Artadi. "That’s what 'Don’t Wanna Think About U' is. We’re also trying to make something catchy at the same time, that’s what I’ve always been drawn to musically is blending genres and moods and get them to work together. As well as pulling Genevieve away from what she does with Knower and her solo stuff.

Real Bad Man’s collaboration with Artadi is a radical shift in approach for the producer, whose previous full-length projects this year were rooted in the distinct strain of underground hip-hop that he’s amassed an extensive catalog in. Everything Is Under Control marks an entirely different, and unpredictable, sonic approach for the duo, embracing experimentation and synth-led electronica that’s reminiscent of Artadi’s work as part with Pollyn (her former band with Adam/Real Bad Man) as well as current duo KNOWER with Louis Cole. Real Bad Man’s latest project extends his prolific run of collaborations this year, embarking in a new genre and sound entirely after releasing full-length projects with ZelooperZ (Dear Psilocybin), Boldly James (Conversational Pieces) and Willie The Kid (Midnight) in the first half of 2025.

Known for her complex, yet playful writing style, Genevieve Artadi has made a name for herself through four solo albums that stretch the gambit of jazz, dream pop and dance music. The last three albums were released on iconic label Brainfeeder Records and the fourth (Another Leaf) was made as part of her being a composer-in-residence with Sweden’s Norrbotten Big Band. She’s also been an accomplished collaborator with her bands Expensive Magnets, Pollyn and KNOWER, and performing and recording with the likes of Thundercat and Snarky Puppy.

Check out “Don’t Gotta Think About U” and “Little Claws” above, see below for more details on Everything Is Under Control and stay tuned for more from Real Bad Man coming soon.

L0N3R is a new label from French artist Elise Massoni, conceived as a space for inward movement, solitude and quiet attention, where introspective, groove-led techno takes shape through stripped-back structures and rhythmic, machine-driven jams. With its debut EP, the label sets out a warm, reduced and exploratory sound - rooted in rhythm yet open to narrative shifts - speaking as much to private listening and introspection as to the dancefloor.

Collecting Orders For 2025 Repress

Backing it up can mean so many things. According to the urban dictionary, it means to carry on drinking the next day in spite of a rather large one the night before. According to Apple, it means to take your I-phone and attach it to an I-pad or Apple Mac - and copy the information to the cloud. Or the device. But in music.....what we mean is basically this....."Damn......that was a big hit......how the hell are they going to emulate that success on the next one."And it's hard for so many reasons. Was it luck Timing That one in a million sample With all the pressure, soon the artist can start second guessing themselves........and that's when backing it up becomes a real problem.But not for our boy PURPLE DISCO MACHINE. If BODY FUNK, his last outing on CLUB SWEAT, wasn't one of THE biggest songs of last year, from Ibiza to Miami and back again.....played by every single DJ under the sun, from BLACK MADONNA to JAMIE JONES to your mama......then I'm not sitting at my lap top writing this shpeel....which I'm very sure I am. AND I'm going to back myself (see what I did there) - and say that DISHED (MALE STRIPPER) is the best way to back up a hit ever. With another hit. Doesn't sound the same....doesn't worry about what the last one did...just does what it does.....which to be honest - is GO OFF!!!! It builds and builds and builds and......In the same way that BODY FUNK masterly made the sum of 2 disco songs bigger than their parts had ever been, this time PDM takes some Italo Disco from MAN TO MAN MEET MAN PARRISH's MALE STRIPPER and mashes it with the aptly named ELLIS D's DISHAPELLA to create a 12/10. Back it up PDM - you are a legend!!!!

Collecting Orders For 2025 Repress

Featuring PDM hits, Music in You, Body Funk, Love For Days, the Faithless collab on 'Let The Music Play', CeeLo Green fronted 'Pray For Me' alongside super hit 'Devil in me'

2026 REPRESS

Pure, Distilled Dub. Upholding Jamaica's Legacy As Well As Germany's Unequivocally Influential Dub Techno Spirit, Moonshine Recordings Proudly Welcomes Their Next Addition To The Roster. On The Controls For The 9th Full-length Album Release, A True-to-the-roots, All-analogue Musician: Another Channel. Having Put Himself On The Map With Releases On Soukah's Blacksoil Records, Bristol's Transient Audio As Well As On Australian Imprint Modern Hypnosis, It's Now Time For The Album Release, We've All Been Waiting For. No Computer Involved As Impeccable Arrangements And Analogue Reverberations Unfold. Live And Direct In The Original Dub Mixing Fashion, The Augsburg-based Artist Uniquely Transports The Sonic Characteristics Of Rhythm & Sound Into The Present Time.

Subtle Vinyl Crackles Gently Introducing Meditative Beats, 'run Dub' Sets The Pace. Keen Listeners Find Themselves Embedded In Lively Echoes And Reverbs, Left To Bask In Smooth, Sonic Contemplation. Engineered To Soothe The Soul, Timeless Foundation Sound. Intensified Groove Meets Low-frequency Pressure In 'amir Dub' Among Haunting Melodica Fragments. '(yes!) Badness' Unsheathes Its Off-kilter Swing, Vocal And Foley Samples Musing In The Distance - Further Showcasing Another Channel's Technical Prowess. Heavy Chord Stabs And Delicate Overdrive Counterpoint The Immense Scope Of Conjured Space In 'ael Na Dub', Concluding A Beautiful A-side.

Lush Chords Lure Us To The Flip-side - 'solid' Kicks Off With A Staccato Bass-line In The Midst Of Lavish White Noise Surges And Minimal Drums. Rooted In Endless Feedback Trails, Steadily Kept In Check. Previously Teased, The Mighty 'ethiopian Dub' Steps Through In Full Glory, Carried By Militant Drum Motion And Forceful Low-end. On A More Spacious Excursion, 'uranus' Takes A Brightly Lit Stroll Through The Analogue Dub Universe, Led On By Another Channel's Signature Groove Propulsion. Pointing Back Towards A-side, Prolific Dub Proponent Babe Roots Presents His Musical Qualities In A Monumental Remix Of 'run'.

Klubb Global Groove returns with its third release in the series of hidden gems across the globe.

These four cuts are carefully edited in the spirit of the OG for maximum pleasure on the dance floor.


On the A-side, “Okej, Daddy” delivers a piano-driven SA house heater, while “Kojo” an electronic highlife jam with hypnotic energy. On the flip side, “Tå Dans” a funk-heavy boogie cut with vocal hooks, followed by “Bäbä Groove”—a euro-house curveball for the deep diggers.


Limited release. No repress. No digital.
Move fast—or live with regret.

A collection of fourteen digital reggae, deep roots and dub rarities from the Nigerian underground, spotlighting a time when Jamaican reggae entwined with Nigerian styles, politics and consciousness, creating a bridge between Lagos and Kingston. Fight the Fire is a companion piece to Soundway"s seminal "Doing it in Lagos" and "Nigeria Special" compilations, celebrating the innovation and musical experimentation of Nigeria in the 80s. Features rare tracks from key figures of the time including Oby Onyioha (with a crucial Burning Spear cover) and Orits Williki.

Early support by Gerd Janson, Moxie, Tim Sweeney, James Zabiela, Prins Thomas

Berghain’s Panorama Bar resident and Love On Rocks founder, Paramida delivers her take on Deep Dish’s classic ‘Say Hello’.

For the Lisbon based, international superstar DJ and producer, it’s a full-circle moment. As a teenager living in Tehran, she listened to “Say Hello” on her daily car rides to and from an internship at an Iranian newspaper while attending a German school.

Paramida explained the remix idea came together very quickly, in a single take, with everything falling perfectly into place.

An essential remix that is sure to be played everywhere from sweaty basements to festival throughout the Summer.

Experience the raw electricity and boundary‑pushing creativity of Jimi Hendrix with this definitive 1‑LP black vinyl edition of BBC Sessions — a release showcasing some of the most dynamic and intimate performances ever captured by the BBC. Recorded between 1967 and 1969, these sessions highlight Hendrix at his most spontaneous and inventive, delivering explosive renditions of his classics, unexpected covers, and rare arrangements unique to these broadcasts.