Search:p o l style

Groove To Grave Records is back with a second vinyl release, and for this one they are welcoming the Parisian trio Kitchen Plug.

From ghetto house to break and minimal these 3 silly boys love to produce tracks with nasty bass, metallic acid and raw drums. For their first solo EP on vinyl, they wanted to add a early 2000’ electro vibe to their ghetto style for a brainless result. Get ready for 4 bangers, including a tremendous remix from Karaba.

Our travel start with Hm that bass that tells the delicious story of a young pretty cuistot who discovers the secret for a round and saucy gourmet bassline. Next we have Amor da Franceca who is the class clown of this promo. Ready to throw all hopes of a bright future away only to entertain the class. Despite its quite chill demeanor, Meleee packs a devilish punch and boisterous accents of childhood, lost but not forgotten. And last, Karaba’s remix for melee, emphasises the french cancan aspect of our 3 majorettes. Dark red light, pale skin, round booties, dark blue eyes on a shady scene.

Approaching the 50th-anniversary release of Artreform, the label's boss, Kyiv-based DJ and sound producer JOSS is counting on experienced artists. The fresh record
with an updated modern design from the abstract art master Elemetalsource boasts two tech-house powerhouses at once: Fedo, the lead artist from Odessa, and Okain,
the Berlin-based musician and owner of Talman Records, who was invited as a remixer.

The three original tracks from Fedo deliver detached, robotic minimal house that could be playing on an interplanetary station as its well-coordinated machinery works
in unison. It is club-centric music with a moving, inventive groove, albeit without any live emotions. A respectful tribute to those 90s cult Plastic City records, and at the
same time, trendy sound for modern minimal and microhouse parties.

Okain's injection boosts the release's dynamics with more thumping rhythms and a hypnotic atmosphere. Nevertheless, this special guest star from Berlin flows in
organically, enhancing Fedo's material with his trademark style, perfected through years of releases on Bpitch Control and Tsuba, and thoroughly tested on Europe's best dancefloors.

clear vinyl


Brooklyn Sway returns for its fifth release with another all-star cast of names drawn from the Brooklyn underground, as always vinyl only and with label art from NYC mural legend Cern.

Label regulars Vivian Wang and DeWinter lead off the A-side in a tough-but-dreamy style on 'What About Love', the heavily processed vocals of NYC house guru Kevin Williams giving the tune a true NYC afterhours flavor. Next up is David Paglia, also a frequent label contributor, whose 'Spellbound' toughens up the rhythm section with dub bass and a steady breakbeat backbone while liquid pads and the vocal hook hold dancers in their spell.

The flipside ups the ante for grime, leading off with label head Jay Prouty, DeWinter, and NYC OG Emma's 'What We Do', precision tooled for when the afterparty gets dicey. A hip hop acapella floats through a dense web of flutes, breaks, and a rugged house beat: smart DJs will sense main floor potential here, swaying halfway between gangster lean & proper house dancing. Charles Levine from Soul Clap needs no intro, and his 'Gimme A Break' is equally literal, a funky breakbeat belter with effortless vocal flourishes that balances perfectly between hard and smooth, just the way we like it in Brooklyn.

KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ acappellas. Showcased in recent live performances, and now unleashed into the wild.

SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

We’re kicking off the new year in style with a fantastic new double header by RAXON. This Egypt-born, barcelonese powerhouse has left his scent marks all over the place in recent years. He has developed an instantly recognizable sound and that’s no small feat in these times shaped by so much formulaic dullness. “Your Fault” sees our Catalan hot shot in an exuberant disco mood. Mind bending chord progressions foiled with Raxon’s trademark vocal stutters guarantee for wonderfully twisted hands in the air moments. With “Beskar” we’re entering Star Wars nerd territory. Jedipedia says, Beskar is a uniquely resistant iron that develops a wide range of properties—and colors—in the hands of skilled metalsmiths. Alright. Musically speaking, we’re dealing with a stealthy, funky as hell trance-not-trance juggernaut. 2024 is off to a good start:)

Wir beginnen das neue Speicher-Jahr stilvoll mit einem fantastischen neuen Doppelwhopper von RAXON. Dieses in Ägypten geborene Kraftpaket aus Barcelona hat in den letzten Jahren überall seine Duftmarken hinterlassen. Er hat einen Sound entwickelt, den man sofort wiedererkennt, und das ist keine kleine Leistung in diesen Zeiten, die von so viel formelhafter Langweiligkeit geprägt sind. “Your Fault” zeigt unseren katalanischen Draufgänger in ausgelassener Disco-Stimmung. Verrückte Akkordprogressionen, gepaart mit Raxons Markenzeichen, der Stotterstimme, sorgen für wunderbar verdrehte Hands in the air Momente. Mit “Beskar” betreten wir Star Wars Nerd-Territorium. Laut Jedipedia ist Beskar ein besonders widerstandsfähiges Eisen, das in den Händen geschickter Schmiede eine breite Palette von Eigenschaften – und Farben – entwickelt. Nun gut. Musikalisch gesehen haben wir es mit einer verstohlenen, verdammt funkigen Trance-Not-Trance-Rakete zu tun. 2024 hat einen guten Start hingelegt : )

Adrien Calvet returns to the limelight on Stay At Home, presenting a remarkable 4-track compilation that pays homage to his immersive travels through Korea, with a special focus on the iconic district of Itaewon, renowned as the epicenter of Seoul's vibrant nightlife.

In this latest musical endeavor, Adrien Calvet expertly fuses a myriad of genres into a singular project, demonstrating his ability to draw inspiration from a diverse spectrum of musical styles beyond the realm of pure electronic music.

New school Tech House hero Ben Sterling makes his debut on Oblong with the "Step Forward" EP as an ode to late great Nathan Coles.

The title track is a peak time rolling groover which is complimented by label boss Bushwacka! remixing it in his trademark Breaks style.

The EP is completed with 2 more late night floor fillers "Outtaspace" and "Derp-Ous" which would definitely not be out of place at the legendary Wiggle parties run by Nathan.

Trushmix the now well known underground mix series created by DJ Fett Burger and L.A.2000, and still going strong since 2011, providing underground talent and spreading vibes in a vibrant small community of music lovers. After 13 years of Trushmix, it is about

time to make a record to celebrate this! The initially plan was to make it as a 10 year anniversary release. Now it's 13 years, even better! So Trushwax is born!

A three track 12 " with underground house and techno tracks, recorded and produced by DJ Fett Burger and L.A.2000 between 2010-2021. Three simple, rough and emotional underground cuts in the vein of Trushmix!

"Trush Your Body" The opening track and the newest production of the three. A melodic house track, with the classic 909-groove and some acid! Driving and dreamy at the same time, and also with a melancholy twist. A place where simplicity and emotions meet!

The second track "Hello Awreibody" underground club track based on a live recording from 2010, with a distinct driving bass line, 808 beats and a big deep melody that gives the tack a massive feel! Rough underground club and basement style!

"Quack" the last track on the record, also based on a live recording from 2010, a rough live sounding recorded track with a groovy classic 707 workout, a soft bass line and a strong touch of melodic elements to keep the track deep, mysterious and driving.

KAOS FUEGO IS HERE, A NEW SERIES WERE WE PUSH THE LIMITS IN THE VERY KAOS STYLE, BECAUSE WE ARE PUNK AND WE DON'T CONFORM. PROUDLY INTRODUCING SITA'S FIRST EP, KITSCH MAXIMALIST QUEEN, ONE FOR THE REBELS, FOR THE THOSE WHO ARE LOOKING TO FIND SOMETHING OUTSIDE THE USUAL.

BRINGING KAOS TO A NEW DIMENSION, THIS IS FUEGO01

Official reissue of Dortmund's self-released single from 1981. For those in the know a sought-after gem, for everybody else the single you didn't know you need in your life! Comes in picture sleeve with the original artwork. Limited edition.

'Titanic' - quite self-explanatory - is about the queen of the ocean and her sinking as a ship believed as unsinkable. Starting off with its morse code-like sounds it evolves into a heavy grooving mélange of alternative rock, funk, new wave and synth pop.

The B-Side 'The Deep' explores depths you didn't know about. This instrumental jazz boogie funk fusion piece takes you on a five minute journey that will be your life-saver on any day.

In the early 1980s the scene of the Ruhr area was alive and kicking but still under the radar. Musicians played in different bands and projects of various styles. Three guys gathered simply under their city name "Dortmund" and did their own thing which led to this conceptual single - their only release.

Before that Elmar Krohn (keyboards) and Thomas Meyer (vocals, bass, guitar, keyboards) were part of the "Mardi Gras Band", a funk and soul band with a great reputation for their live shows. They were also involved in writing 'Blame It On The Boogie' which got performed by "The Jacksons" in 1978 but that is another story. On the drums they were joined by Siegfried Hermes who also played in the band "Die Salinos".

This Is With Artmann an Artist Straight From Netherlands, That House Puff Records Released His 25nd Ep. He Produced 4 Tracks With His Proper Style.

Always the Same recipe, Organic Drums, Deep Chords and Thundering Basslines Suited for Summer Sunsets and Dark Dance Floors Alike....

No time to rest at Dubquake Records HQ! Freshly recovered from the release of O.B.F's brand new 'MIXXTAPE', the Dubquake team kick off 2024 with an explosive double drop; putting all their energy into one of dub’s most exciting project: Iration Steppas and O.B.F's joint album 'Revelation Time' due to release on April 5th.

The label unleashes 'Warrior' & 'Serious Time', the first two singles built by Mark Iration, Dennis Rootical & Rico O.B.F. Putting the massive to work while they prepare for the double LP and live show to kick-off.

Both tracks are taken from the album, mixed octopus-style, dubplate-style and pressed onto transparent vinyl in screen-printed sleeves. Exclusively available on Bandcamp and in record shops. Strictly sound system material!!

No time to rest at Dubquake Records HQ! Freshly recovered from the release of O.B.F's brand new 'MIXXTAPE', the Dubquake team kick off 2024 with an explosive double drop; putting all their energy into one of dub’s most exciting project: Iration Steppas and O.B.F's joint album 'Revelation Time' due to release on April 5th.

The label unleashes 'Warrior' & 'Serious Time', the first two singles built by Mark Iration, Dennis Rootical & Rico O.B.F. Putting the massive to work while they prepare for the double LP and live show to kick-off.

Both tracks are taken from the album, mixed octopus-style, dubplate-style and pressed onto transparent vinyl in screen-printed sleeves. Exclusively available on Bandcamp and in record shops. Strictly sound system material!!

Weldon Irvine was one of the finest American jazz pianist and composers of his generation. He released several classic albums man of which are now being reissued thanks to P-Vine, but not before being fully remastered for the occasion. Weldon and The Kats was one that he put out on his own label Nodlew Records after releasing some albums through RCA and Strata-East. It is perfectly indicative of his style and has his early work 'Mr.P.C' on it, which was recorded in 1968 with Steve Grossman on tenor sax and sometime Miles Davies associate Lenny White on drums. This one has never been reissued before so snap it up before it goes again.

Opening a new chapter for DNO Records, PLLFRY debuts on the label with five raucous halftime tracks that also feature collaborations with two vocalists – NST & Genoveva. The ‘Overexciting’ EP is built around iron-clad percussion and a healthy dose of mangled sonic futurism, but the dominating flavour throughout is big, bold, unadulterated bass.

As might be expected of tracks called ‘Demolition’ and ‘Collapse Of The System’, there’s plenty of damage being dealt; the former’s wrecking ball bassline spins violently as its supporting beats splinter and fall, while the latter’s destructive low-end hacks chunks from its itchy sci-fi soundscape like some psychotic sentient buzzsaw.

There’s room for nuance too, however. The title track is all about contrast, its rumbling bassline winding along like a colossal serpent, while hi-hats chitter, and Macedonian vocalist and producer Genoveva delivers a haunting, silvery vocal that’s cold and alluring in equal measure. And as if the undulating low-end and metallic melody of ‘Water Fire’ weren’t enough to make heads spin, the track features a vocal from South Russian up-and-comer NST that seems to slip and slide at will, pulling the track forward and always remaining just out of reach.

Bonus track ‘Old School’ nods to the golden age of hip-hop, taking a tough boom bap-style beat and scratch samples, but flipping it script with machine glitches and pellets of acid.

Like a collection of missives sent back from a hi-tek future, the ‘Overexciting’ EP serves as a reminder that DNO can’t be pigeonholed, and always stays one step ahead.

Rhythms of postmodern realism at the very bottom of the DNO.

Appalachian style old-time banjo and guitar player Nora Brown joins with award winning fiddler Stephanie Coleman (of Uncle Earl) to present their new EP, Lady of the Lake, featuring two tight-harmony songs and two instrumental duets.

Brought together by Brooklyn’s tight-knit old-time music community, Nora Brown and Stephanie Coleman share a rich musical partnership. Nora is a singer/banjo player, and has released 3 albums on Brooklyn based Jalopy Records. Stephanie is an award winning old-time fiddler, and has recorded with and toured with celebrated artists such as all-women string band Uncle Earl, Watchhouse’s Andrew Marlin, and more.

Lady of the Lake is the first time Nora and Stephanie have recorded together since Nora’s 2019 debut album Cinnamon Tree, and portends more exciting developments to come.

The EP will be released on vinyl and via streaming and digital download.

The special edition vinyl is available as a 10” 45rpm record, in a beautiful custom printed chipboard jacket and sleeve with liner notes by the artists.

Dive into the groundbreaking soundscape of Byron the Aquarius, where innovation meets house music in a mesmerizing fusion. Phonogramme is proud to present "Dey Know Vol.1," a groundbreaking EP showcased on a Transparent Red Splattered Vinyl. Renowned for his avant-garde approach in the house music genre, Byron curates an EP that pushes the boundaries of house music. From the infectious beats of "Black Is Black" with the collaboration of Brandon Banks on "Dr. Devil," each track is a testament to Byron's unique artistic vision. "Real MF From The Avenue" and "Rock That 808!!!" featuring Jordan GCZ further amplify the EP's genre-defying brilliance. The see-through red splatter on this special vinyl screams Byron's style, making "Dey Know Vol.1" more than just an EP – it's a vibe. Brace for it: "Dey Know Vol.2" drops next year.

There’s something to be said for getting noticed, for standing out from the crowd. West London’s T.Williams is one of those people, having accomplished a full sweep of merited recognition over the years. Emerging onto the house scene in 2010, T.Williams instantly marked himself as a breakthrough artist with a difference; his unique take on house music turning heads.

Far from a newcomer, his path as a musical artist started in the grime scene as Dread.D. Signed at the tender age of 17 with grime anthem Invasion on Jon E Cash’s Black Ops label, Williams went on to have mass success in the grime and bass world selling thousands of singles worldwide. After a five-year reign, Williams found himself veering towards the world of house music. With a new found love for the sound and its sub-genres, T.Williams forged a signature sound influenced by his grime days, jungle, and garage. With a style that undoubtedly impacts, T.Williams’ crossover has been the catalyst for his success. Not only rife with groove and feeling but meticulously produced and engineered with deep rumbling basslines, the unapologetic bounce of grime and smooth vocals that bleed through African infused percussion work.

While in 2010 the industry took note when hit record ‘Heartbeat’ featuring vocalist Terri Walker made an impression, it was throughout 2011 that T.Williams defined himself - releasing solo works on his imprint Local Action and Pattern with remixes for Maya Jane Coles, Ben Westbeech and Skream. Not stopping at pricking the ears of fellow artists and those on the dancefloor, the end of 2011 saw Williams nominated for ‘Best Breakthrough DJ’ by DJ Mag, ‘DJ Stars of 2012’ by Time Out and featured in The Guardian.

Two relationships came to the forefront in 2012 that propelled Williams to greater heights. The first was his weekly show on legendary London station, Rinse FM and the second, Williams’ relationship with label PMR through his remix of Javeon McCarthy’s ‘Lost Time’. The remix was named Record of the Week by BBC Radio 1 and supported by tastemakers Annie Mac and Fearne Cotton. From here T. signed to the label exclusively releasing his debut EP for the label in September 2012, and in the process receiving further support from BBC Radio 1. Further remixes of Mikky Ekko, Wretch 32 and Lianne La Havas followed suit, as well as his biggest to date - Disclosure’s ‘Latch’. Powering dancefloors across the globe, T. went on to play three US tours, numerous festival stages, and deliver a second EP on PMR titled ‘Feelings Within’. The EP once again spanned a number of bases, from club bangers to heartfelt vocal driven tracks alike. Gaining his own monthly residency show with BBC Radio 1, 2013 ended with T. having played over 100 shows across four continents.

2017 marked the launch and release of the first collaborative EP with UK producer Julio Bashmore, via their joint independent Conch Records, a label aiming to push out more underground cross-genre music with heavy rotation from the likes of Moxie and Shy One. With an ever-expanding global tour schedule and further solo releases on the legendary NYC house label Strictly Rhythm turning heads, T.’s upward trajectory has never showed signs of slowing down. Selected to soundtrack the social media campaign for boxer Anthony Joshua in 2019 and now using his technical prowess as a musician to educate the next generation of rising stars at London’s respected Point Blank Music School has cemented his status as one of the UK music scene’s key players.