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Fat Produce - No Way/54-46 Was My Number
  • A1: No Way
  • B1: 54-46 Was My Number

From the sunny shores of Miami, Florida, Fat Produce is leading the charge in today's soul-jazz scene. Their latest release features two classic tracks, "No Way" and "54-46 Was My Number," which are beautifully molded into Fat Produce's unique sound led by guitarist Addison Rifkind and drummer Michael Duffy. This limited 7" single offers a preview of what’s to come from this rising trio.

The influence of Boogaloo Joe Jones is undeniable, so incorporating his 1970s classic "No Way" into their repertoire was a fitting tribute for the band. With a deeper sound and an infectious groove, Fat Produce pays homage to this musical giant, guaranteed to get everyone moving on the dance floor. On the flip side, "54-46 Was My Number" is a reimagination of a Toots & The Maytals original, transformed into the instrumental style of a soul-jazz guitar trio. Rifkind's lyrical guitar work breathes new life into Toots' original vocal melodies, embodying the essence of soul-jazz and crossing genres to keep the spirit of feel-good music alive.

Both tracks were recorded on a Tascam 388 at Studio Del Sol in Boca Raton, Florida, by Travis Acker and mixed at The F-Spot HQ in Los Angeles by D.M.C. With upright bassist Nestor Del Prado joining the duo on this album, Fat Produce's forthcoming sophomore LP is set to be released in October 2025.

pre-order now11.07.2025

expected to be published on 11.07.2025

14,24
Various - Blue Planet II (2x12")

Various

Blue Planet II (2x12")

2x12inchSILLP1560DS
SILVA SCREEN
11.07.2025

A sequel to the 2001 series Blue Planet, it took 4 years to complete this seven part new exploration of the underwater worlds, with 125 expeditions across

39 countries and 6000 hours of underwater filming. The series was broadcast on BBC One on 29 October 2017 with viewing figures exceeding 10m and

its exposure of plastic pollution in our oceans has started a global conversation about reducing plastic waste, now more relevant than ever.

With over 120 soundtracks to his credit which have grossed 24 billion dollars at the box office, Hans Zimmer has been honoured with many accolades:

an Academy Award, two Golden Globes, three Grammys, an American Music Award, a Tony Award and The Henry Mancini Award for Lifetime Achievement.

His Academy Award nomination for Interstellar marked his 10th Oscar nomination.

The composition is completed by Jacob Shea and David Fleming from Emmy and BAFTA nominated Bleeding Fingers Music. Bleeding Fingers has created

original music for productions including the Fox’s The Simpsons, BBC’s Planet Earth II, National Geographic’s Princess Diana In Her Own Words, NBC’s hit

Little Big Shots, Sony’s Snatch (TV), Amazon’s American Playboy, AMC’s The Making Of The Mob, Netflix original Roman Empire and History Channel’s Mountain Men.

pre-order now11.07.2025

expected to be published on 11.07.2025

50,38
The Disciples - Chant of Freedom' / `Armageddon

* Speaker distressing early 1990s UK dub from The Disciples.
* `Chant of Freedom and `Armageddon' are dubplate cuts only ever heard before in sound system dances.
* The original versions of `Chant of Freedom' tracks appeared on 10' on the Boomshackalacka label in 1995, while `Armageddon' is previously unreleased on any format.
* Disciples, along with the likes of Sound Iration, Manasseh, Alpha and Omega and Conscious Sounds are the forerunners of what became known as the UK roots/dub scene.
* Highly regarded for their custom built dubplate cuts for Jah Shaka. Disciples have a sizable following worldwide, particularly in the UK, France, Germany and Japan.

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13,15

Last In: 8 months ago
Tommy Guerrero - From The Soil To The Soul

2025 Repress
Yes! Tommy Guerrero’s much-loved 4th LP – the smooth West Coast classic From The Soil To The Soul - gets its first ever vinyl release. As the follow up to his revered Soul Food Taqueria, this album was originally released by Quannum Records 2006 but only on CD. Working with Tommy directly, the LP has been fully remastered, cut on to heavyweight wax, and comes with artwork freshly reworked by the man himself.
From The Soil To The Soul represents a continuation of Tommy’s blissful guitar-soul whilst demonstrating increasingly complex chops and a slightly darker side to his distinctive sound. His spare, effortless funk is blended here with elements of Americana, heavy psych, lo-fi fuzz and intoxicating Latin rhythms. Combined with his typically breezy, laid-back San Franciscan style, it’s a vibe from start to finish.
Recorded primarily in his home studio, Tommy wrote, arranged and played nearly all the instruments, including bass, guitar, keyboards, percussion and kalimba. Renowned street artist Barry McGee, aka Twist, designed the cover art which Tommy has now recast in a deep, deep red for the vinyl version.
As ever with Tommy, the highlights are many and memorable. From twinkling, sun-drenched opener “Hello Again” to the penultimate, punk-rocking track “Let Me In Let Me Out” (featuring the melodic yet fearsome rapping of Lyrics Born), the variety across the LP is relentless, but satisfying, and without once losing focus.
We’re treated to the gorgeous hip-hop blues of “The Under Dog”, Meters-style Hammond B-3 jams like “War No More” and “No Guns More Glory” and Balearic bangers like Bing Ji Ling’s star-turn on the sleazy “Don’t Fake It.”
Curumin’s soulful guest vocal elevates the already-great Brazilian lounge feels of “Salve” to hitherto unscaled heights and the heavy, driving basslines - funky and warm on “Badder Than Bullets”, sombre and intense in “Tomorrow’s Goodbye” and “Molotov Telegram” – never fail to move both body and soul.
But our favourite track is the beautiful breezy pop of “Just Ain’t Me”. A bittersweet, skipping ballad which boasts an incredibly rare instance of Tommy singing. “What you want from me, I can never give” he repeats throughout, lending the already-melancholic atmosphere greater poignancy. It would’ve been number 1 across the planet in a parallel universe.

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25,17

Last In: 10 months ago
THE BETA BAND - The Three EPs (2x12")
  • A1: Dry The Rain
  • A2: I Know
  • A3: B + A
  • B1: Dogs Got A Bone
  • B2: Inner Meet Me
  • B3: The House Song
  • C1: The Monolith
  • C2: She's The One
  • D1: Push It Out
  • D2: It's Over
  • D3: Dr. Baker
  • D4: Needles In My Eyes

BIOGRAPHY BY IRVINE WELSH
I discovered the Beta Band, like I discovered a lot of great music, basically through eventually surrendering to the enthused urgings of a mate who was cooler than me. He continually evangelized about the EP's. I was lost to the concert hall and firmly ensconced on the dancefloor by then and highly resistant, but quite taken by the idea that a band would bring out extended plays rather than singles. When I did check them out, I was instantly smitten by their originality and power.

The band, therefore, were pivotal for me in terms of my own musical journey, in that they represented a gateway back into indie guitar music, which I'd basically given up since becoming obsessed with rave and acid house.

The Beta Band were definitely a band for the cool cognoscenti- like my buddy- the ones you make a bit of a tit of yourself trying to convert quite straight boring people to.

The emotions they induced were a kind of throwback to school days when you were very pompous and prescriptive about what you liked, and derisive towards non believers. It's a testimony to the power of the music that they could take me to the raw state of the younger man.

I took it personally that they didn't hit the mainstream commercial base. At least two of the three albums they made deserved quadruple platinum status. Hot Shots II and Heroes to Zeros are permanently lodged very high in my top one hundred albums of all time.

So, the return of the Beta Band has me moving into the same mode of immature, adolescent anticipation. Everyone should have the Beta Band albums and EP's in their collection. It still kind of annoys me - in fact it bugs the shit out of me - that most of them don't.

And that really is something.

pre-order now11.07.2025

expected to be published on 11.07.2025

31,51
LARS BARTKUHN - SEE THE LIGHT

Lars Bartkuhn returns to Rush Hour with “See The Light”, as deep and complex as we have come to expect but as always his ever-present hunt for new inspiration and unique approaches is clearly evident across all 3 mixes of this beautifully deep yet pulsating track!

Originally written as a final foray into house music for the legendary Needs co-founder, this production aimed to “push boundaries within the world of electronic dance music, integrate fresh new elements, bring new compositional perspectives to the listener and to create overall rewarding experiences.”

It’s a deeply personal track, best summarised by the incredible piano solo in the Full Experience Mix. In Lars’ own words, “I am ten million light years away from being a good pianist, but for some reason I NEED to play those kind of things…even if they are raw, primitive and incomplete and lack parameters like elegance, fluidity and wisdom - I need to express myself in that very moment in this exact way.” It’s these unrestrained moments of brilliance that create rich palettes of sound with deep textures, organic rhythms and joyful melodies that keep your ear constantly engaged.

The Full Experience Mix is a near-13 minute trip through lush vocals, complex percussion, deep chords and raw piano solos that guides the listener through the changing motions of “See The Light”. Backed by two dub mixes, Inner Experience hones in on the keys and synths - truly elevating those striking notes. Opening with atmospheric percussion, the Dub Reprise settles into a chugging rhythm that brings the drums to the forefront.

“When a musician/composer really goes ‘all in’ there is almost nothing impossible. If you really pour out your heart and give all the sweat and tears you have you create a kind of zone where everything fits together in mysterious ways.” - Lars Bartkuhn

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12,56

Last In: 31 days ago
Various - Praise Poems Vol.11 (LP 2x12" + DL)

Jede Compilation-Serie hat ein Ende. Nach 10 grandiosen Ausgaben verabschieden wir uns nach diesem 11. Teil von der unter Sammlern und Musikliebhabern hoch geschätzten Praise Poems Reihe. Ganz bewusst wagen wir uns mit diesem letzten Teil an ein Genre heran welches wir bis dato nur in Ausnahmen mit einbezogen haben: Power Pop der späten 1970er und frühen 80er.

Los geht’s mit „Real Proof“, einem unveröffentlichten Song der ursprünglich aus Boulder, Colorado stammenden Band The Nails die einige Jahre später sogar unter Vertrag eines Major-Labels standen. Obwohl die Fingerprints ein ganzes Album aufgenommen haben hat es über 45 Jahre gedauert bis dieses schließlich 2022 veröffentlicht wurde. „Wasted On You“ stammt von einer der drei Singles die zwischen 1978 und 1980 veröffentlicht wurden. Ganz im Gegensatz zu den Fingerprints sind die Original-Singles von Naked Rush extrem selten. Dies ist wohl mit ein Grund warum keiner ihrer Songs bis dato auf einer Compilation zu finden ist. Schön, dass wir dies nun ändern. Dies gilt übrigens für die Mehrzahl der Songs auf diesem Album und generell für alle unserer Compilation-Alben. Fritz, Blue Rain, oder Holidaye machen hier keine Ausnahme. Speziell erwähnen möchten wir noch zwei Songs. Zum einen „Don’t Quit“ von The Scam der von William Garrett produziert wurde. Garrett war von 2016 bis 2023 bei Spotify als Senior Music Producer für die Einführung von Spotify Singles zuständig und hat in dieser Zeit mit Künstlern wie Elton John, Ed Sheeran, John Legend und vielen weiteren zusammengearbeitet. Zum anderen gibt’s eine tolle Geschichte zu Animal Logic. 1989 erfuhr die Band, dass Stuart Copeland von The Police eine neue Band gründete. Der Name? Animal Logic! Nachdem Bitten, den Namen nicht zu verwenden, ignoriert wurden, sahen sich die Jungs von Animal Logic gezwungen, die Angelegenheit vor Gericht zu bringen, und verkauften schließlich den Namen an Copeland. Noch viel mehr weitere, spannende Geschichten rund um die Bands gibt’s im Begleitheft der CD bzw. der LP-Beilage.

Mit “A journey into raw, energetic power pop from the 1980s” beenden wir nun unsere 10-jährige Entdeckungsreise durch die Musikgeschichte unter dem „Praise Poems“ Schirm. Wir hoffen sehr, dass euch unsere akribische Arbeit viel Freude bereitet hat. Geht eine Tür zu, geht eine andere auf. So wird es auch hier sein. Es gibt noch so unglaublich viel zu entdecken und so freuen wir uns jetzt schon auf viele weitere Veröffentlichungen!

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26,85

Last In: 10 months ago
Claap - Dimanche - 11eme Anniversaire

Celebrating the 11th anniversary - and over 4 million streams - of CLAAP!'s debut EP "Dimanche", we're releasing it on vinyl for the first time. A limited, hand-numbered edition, featuring new remixes from Justin Strauss and In Flagranti, as well as Mike Simonetti's acid DJ tool.

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17,44

Last In: 9 months ago
Various - Kapote presents Italomania Vol. 3 (2x12")

Toy Tonics ITALOMANIA Vol. 3 is a compilation dedicated to NEW ITALIAN DISCO. (Not Italo Disco.) 14 young contemporary Italian producers made new organic disco, indie dance, pop house tracks with Italian vocals. Everything on this compilation has been produced in 2024. Fresh dance music by Italian artists Paul Older, Riva Starr, Valentino Vivace, Sam Ruffillo & Fimiani, Kymono, Mille Punti, Mind Enterprises, Bruno Belissimo and legendary cosmic disco pioneer Daniele Baldelli + french italo hitmakers Dov'e Liana. The ITALOMANIA compilation was initiated by Toy Tonics boss Kapote. Italo-German producer, DJ, keyboarder and head of Toy Tonics and Gomma records. ITALOAMNIA is a MANIFESTO to show the status of Italian Disco of today. Kapote invited the most relevant Italian producers to make new tracks with Italian vocals and show different styles of modern Italian disco with Italian vocals.

Italian Disco is not Italo Disco. The last years the trashy pop music of the 1980’s called Italo Disco (with English lyrics) had a big revival. But this compilation is about something else: It’s about this Italian Disco. Because the popularity of good Italian pop music is rising all over the world. And Toy Tonics want to show a new way to combine Italianity with dance culture. Its funny that also in France, Swiss and Germany there are new artists singing in Italian. Let’s not forget: The culture of party, dancing, show bizness and pop music would be unimaginable without the heritage and creativity that Italians contributed Italy is not just the country of good food, beaches and high fashion, but it’s also the original country of dance music. Since the ancient roman times the Italians have been the kings of entertainment. And if it comes to music; The DISCO wave of the 1970ies and the Pop music of the 1980ies has been co-created by Italians (and Italoamericans in New York).

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20,38

Last In: 15 days ago
Plunky & Oneness Of Juju - Made Through Ritual
  • A1: Share This Love
  • A2: Made Through Ritual
  • A3: In Due Time
  • A4: Free Spirit
  • B1: Shades Of Light
  • B2: Freedom’s Call
  • B3: Cosmic Dust
  • B4: Children Of The Drum

Strut present the first international release in over 30 years by legendary Afro-jazz group Oneness Of Juju with their new album Made Through Ritual on 11th July 2025.

In 1975, the late DJ / producer and jazz distributor Jimmy Gray and James “Plunky” Branch joined a musical revolution, founding Black Fire Records and releasing the label’s debut album, the classic African Rhythms by Oneness of Juju. This July, Plunky brings this important musical relationship full circle with Made Through Ritual, produced by Plunky’s son Jamiah “Fire” Branch and Jimmy’s son Jamal Gray.

The album takes a novel approach to beat culture. Working from demos created by Jamal using a selection of original jazz samples, Plunky took the tracks, replayed and re-interpreted the arrangements using live musicians. “The album explores the art of deconstruction and reconstruction in music - sampling, sequencing, and live improvisation merge with multi-track recording to craft intricate harmonies and arrangements,” explains Plunky. “The process became a ritualistic expression of creativity and transformation.”

The resulting album is a fascinating listen. Opening with the meditative soul chant ‘Share This Love’ voiced by regular Oneness vocalist Charlayne “Chyp” Green, the album opens out into a series of jazz vignettes including the title track, ‘In Due Time’ and ‘Free Spirit’. The powerful album closer, ‘Children Of The Drum’ celebrates black culture and legacy through the poetry of Roscoe Burnem.

Released on 1LP and 1CD with specially commissioned cover artwork by contemporary Ivorian artist Maxime Manga, Made Through Ritual represents an important new chapter in the Oneness story. The album will be supported by a selection of European tour dates during Autumn and Winter 2025.

pre-order now11.07.2025

expected to be published on 11.07.2025

21,81
UNIVERSE - UNIVERSE
  • Twilight Winter
  • Cocaine
  • Universe
  • Rolling
  • Spanish Feeling
  • The Annexe
  • Bleak House
  • Track Four

# 1st official vinyl reissue in over 30 years # sourced from tape # 8 page color bboklet with large-format hotos and full liner notes # band members' stories told at last // Universe was a Welsh rock band formed in the late 1960s, marrying progressive and blues musical elements with a powerful sound. Guitarist Steve Finn, bassist John Healen, and drummer Rob Reynolds formed the nucleus of the band, initially playing under the name Deep Blue Centre, then Spoonfull, rehearsing a set that included covers and originals influenced by acts like Cream, John Mayall, and Jimi Hendrix. By 1970, they had become Universe, the name reflecting the expansive ambition of their evolving music. Universe became known for their stellar live performances, playing countless gigs across Wales and well beyond. They shared stages with acts such as Jethro Tull, Yes, and Graham Bond, while also enduring a character-building but arduous tour of Hamburg and Norway. The constant touring polished their sound and inspired original material such as "Twilight Winter" and "A Woman's Shape." In 1971, the band recorded an album and a single, both self-titled, in Norway; these recordings later became prized finds among collectors. Though Universe's time was brief, their music endures as a fascinating chapter of the underground rock scene in Wales. With Steve Finn's ongoing solo work and the reissue of their recordings, Universe holds a unique place in early '70s rock history.

pre-order now11.07.2025

expected to be published on 11.07.2025

29,83
Art Blakey and The Jazz Messengers - Blue Night LP 2x12"

Blue Night is the expanded edition of Art Blakey and The Jazz Messengers recording released in 1985. Art Blakey led the Jazz Messengers
for 35 years, mentoring countless musicians and encouraging their growth into influential bandleaders. By 1984-85, his band included five
prodigious talents: Terence Blanchard (trumpet), Donald Harrison (alto/soprano sax), Jean Toussaint (tenor sax), Lonnie Plaxico (bass), and Mulgrew Miller (piano). Despite being 65, Blakey remained as vibrant as his young bandmates, inspiring and pushing them to develop their distinct musical voices. Blue Night showcases the Art Blakey and The Jazz Messengers hard bop excellence, featuring originals by Blanchard, Harrison, Toussaint alongside the classic “Body An Soul”. The 2LP expanded edition of Blue Night features alternate takes of “Two Of Kind”, “Blue
Minor” and “Mr. Combinated”, includes liner notes by Scott Yanow and is available on vinyl for the first time.

pre-order now11.07.2025

expected to be published on 11.07.2025

40,76
WILLEM NYLAND - PIANO STUDIES 337
  • A1: 337
  • A2: 337
  • A3: 337
  • B1: 337
  • B2: 337
  • B3: 337

Sublime private-press piano improvisations channeled from another world by Willem Nyland. Remastered from the original tapes and reissued for the first time, with in-depth liner notes by Matt Marble of the American Museum of Paramusicology. A Columbia-educated chemist by profession and a self-taught pianist by affinity, Willem Nyland (1890-1975) is known as a spiritual teacher in the tradition of Greek-Armenian mystic George Gurdjieff. In the mid/late 1960s, a split with Gurdjieff led Nyland to start his own group in upstate New York. There, after a Friday night lecture on 'The Work' and a shot of brandy, Nyland would launch into remarkable piano improvisations on a specially tuned baby grand, sometimes playing for over an hour. Each improvisation was meticulously recorded and cataloged, a major part of Nyland's teachings. 16 of these recordings were released as standalone LPs on Nyland's own Gauge Hill Press, with artwork by Hungarian American decorative artist Ilonka Karasz, Nyland's wife of over 50 years. These records, with their cascading, deeply emotional playing and beautiful cover art, have become highly coveted by collectors and "paramusicologists." Each contains depths of spiritual information and lyrical, almost visual instrumental storytelling. Nyland deftly and subtly shifts moods and tones throughout these truly inspired extended improvisations.

pre-order now11.07.2025

expected to be published on 11.07.2025

23,95
Cisco Cisco - Why Can't I Be You / The Heat

Apersonal Music, the Barcelona-based imprint known for its sun-drenched blend of house and disco since 2010, proudly presents the new EP by one of its longest-standing artists: Cisco Cisco. Portuguese duo Cisco Cisco are renowned for crafting emotional and uplifting house and disco, filled with hypnotic sampling and shimmering effects. Their sound has become a signature of Apersonal’s catalog, and The Heat EP is a glowing continuation of this.

On the A side “Why Can’t I Be You?” brings classic disco energy to the table — lush, melodic, and full of that heartfelt groove Cisco Cisco do so well. Plus returning to remix duties alongside Cisco Cisco is Ron Basejam, whose unmatched ability to transform disco originals into
dancefloor monsters shines once again. His remix of “Why Can’t I Be You?” stretches nearly eight minutes, slowly building and wrapping the listener in a deep, infectious groove.

On the B side “The Heat” is a bold detour into early-2000s French electro house, evoking the raw drive of the 2000s. “Under the Bridge” channels the spirit of a Generation X Parisian house party, with filtered synths and punchy basslines reminiscent of Daft Punk’s earliest work. And rounding out the EP Rayko delivers on his finest style, bringing a darker, late-night vibe to the release. His remix of “The Heat” is a driving, immersive journey blending electro and techno influences tailored for the deeper hours on the floor.

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13,87

Last In: 44 days ago
John Foxx And The Maths - Evidence LP

John Foxx And The Maths

Evidence LP

12inchMETA31LP
Metamatic
11.07.2025
  • A1: Evidence (Featuring The Soft Moon)
  • A2: That Sudden Switch (Featuring Xeno & Oaklander)
  • A3: Talk (Beneath Your Dreams) (Featuring Matthew Dear)
  • A4: Changelings (Featuring Gazelle Twin)
  • A5: My Town
  • B1: Have A Cigar
  • B2: A Falling Star (Featuring Gazelle Twin)
  • B3: Walk
  • B4: Only Lovers Left Alive

Originally released in late 2012, the third John Foxx And The Maths album brings together collaborations with The Soft Moon (the post-punk psychedelia of the title-track); Gazelle Twin (including the strikingly beautiful 'Changelings'); New York duo Xeno & Oaklander and Ghostly International's Matthew Dear, plus a Pink Floyd cover and some new Foxx/Benge material. This includes the rich analogue glow of 'Walk' and apocalyptic ballad 'Only Lovers Left Alive'. Meanwhile, regular Maths live band member Hannah Peel plays violin on 'My Town’. This new vinyl reissue includes only the vocal tracks from the album.

pre-order now11.07.2025

expected to be published on 11.07.2025

23,49
Madlib / Georgia Anne Muldrow - Seeds
  • 1: Seeds
  • 2: Wind
  • 3: Calabash
  • 4: Kali Yuga
  • 5: The Birth Of Petey Wheatstraw
  • 6: Best Love
  • 7: Husfriend Intro
  • 8: Husfriend
  • 9: Kneecap Jelly
  • 10: The Few
  • 11: Remember
  • 12: Poet
  • 13: Illicit Funk
  • 14: Dirty Dude
  • 15: East Meets West
  • 16: Sally
  • 17: Young Spirit
  • 18: Cake Boss
  • 19: Violet Sky
  • 20: Cops Still Ain’t Shit
  • 21: Travlin’
  • 22: Fonky Soul

The original Madlib instrumentals to Georgia Anne Muldrow’s critically acclaimed album; “Seeds” which was released in 2012 on SomeOthaShip Connect. Heralded as one of her most captivating and immediate front-to-back statements of purpose, a deeply spiritual collection of songs. It was the first time in her career where she handed over all production duties to someone other than herself, that someone being the legendary Madlib.
The beats on “Seeds” are naturally heavy, funky, soulful, abrupt yet hypnotic. All the characteristics of Madlib’s signature sound we know and love.

On the B Side of the vinyl is a collection of Georgia Anne Muldrow instrumentals from across 3 Dudley Perkins albums, “Young Spirit”, “Self Study”, and “Holy Smokes.” Beats with synths reminiscent of J Dilla’s electronic era but with enough G-Funk influence to melt your Raiders hat. Bass lines that could get The Click back together. Georgia Anne Muldrow is a master of her craft on the beats and the microphone. This record is a testament to that. Rediscover “Seeds”, the magical powers of Madlib, and why beat tapes will never go out of style.

pre-order now11.07.2025

expected to be published on 11.07.2025

33,57
PELICAN - FLICKERING RESONANCE LP 2x12"
  • Gulch
  • Evergreen
  • Indelible
  • Specific Resonance
  • Cascading Crescent
  • Pining For Ever
  • Flickering Stillness
  • Wantering Mind
also available

ORANGE VINYL[31,05 €]

LTD. BLUE MARBLE VINYL[32,35 €]


Pelican has always been a band that's not just from Chicago, but distinctly of Chicago. Formed in 2000 by guitarists Trevor Shelley de Brauw and Laurent Schroeder-Lebec alongside brothers Bryan and Larry Herweg on bass and drums respectively, Pelican's foundation was built upon the rule-free, genre-agnostic scene synonymous with the Fireside Bowl. "The `90s in Chicago was a free-for-all. Everyone was just coming from a place of pure creativity," says Shelley de Brauw. With Schroeder-Lebec returning to the band following Dallas Thomas' departure in 2022, this reunified version of Pelican allowed the band to tap back into the spirit of their formative era and build something distinctly new with Flickering Resonance. While longtime Pelican fans will recognize the album as an update to the band's ethos_one that's been constantly evolving since their very first EP_their new partnership with Run For Cover Records emphasizes something that's always been implicit to the Pelican formula. These songs take as much inspiration from titanic `90s post-hardcore, space-rock, and emo as they do traditional metal, showing that though Godflesh and Goatsnake records occupied the shelves of Pelican's songwriters, so too did Quicksand, Christie Front Drive, and Hum. "A lot of people didn't hear it at first," says Schroeder-Lebec. "I was like, well, I guess the metal world is where we fit. But now, we're more willing to acknowledge all the suits we're wearing."On Flickering Resonance, Pelican doesn't attempt to reinvent itself as much as emphasize the elements that were so often overlooked. Though Pelican's thick sonic backbone remains intact, the songs on Flickering Resonance show a more humanistic side of the band. Tracks like "Evergreen" and "Indelible" tease Pelican's doom-metal roots, but these songs feel equally, ebullient and truthful, playing like Texas Is The Reason songs transmuted into a post-rock landscape. Recorded with longtime musical compatriot Sanford Parker, who recorded their first EP, Pelican begins this new chapter of their career with an album that's neither full reinvention nor back-to-roots revivalism. After so much time apart, and with so much life having been lived between the original Pelican lineup's last recording sessions together, the band approached it with renewed vigor and a more communal spirit."There was more room for openness and critique with the understanding that we're all trying to craft the best song possible and that every suggestion is valid until it's proven invalid," says Shelley de Brauw. That process allowed everyone to embrace the material with a shared vision. "We didn't move forward unless we all wanted to move forward, and that felt like real community building," says Schroeder-Lebec of this unified approach. "I went from seeing it as my art and my craft to our craft that we were shaping together."In doing so, Pelican allowed themselves to look at their music less as a means of hard-earned catharsis and more as an appreciation for the glimmers of joy that occur even in the bleakest landscapes. Songs like "Cascading Crescent" and "Indelible" don't languish in what's been lost, these tracks see the band embracing what remains in their hands instead of lamenting what's slipped through their fingers. It's a concept that's mirrored in the artwork of Christian Degn that graces the cover of Flickering Resonance. It's a piece built off the concept of flame meditation, and how the smallest flames can often bring about the biggest transformations. A song like "Flickering Stillness" exemplifies this feeling through its sonic expanse, putting the band's sonic density and hyper-focused clarity on display, but with an emphasis on the profound human connections that have kept Pelican going all these years. "When Laurent left and we were able to carry it through, there became a real sense of gratitude for the fact we still have this artistic outlet and a community of people who want to be a part of it" That feeling of deep, grounded appreciation isn't just one that's within the band members, it's expressed in every track on Flickering Resonance. Because at the very core of Pelican, are four individuals who have grown both separately and together, and always will.Like a distant light faintly glowing in the darkest night, Flickering Resonance is a reminder of all that has passed us by, but also all that is still to come.

pre-order now11.07.2025

expected to be published on 11.07.2025

31,64
Amina Claudine Myers - Solace of the Mind LP
  • African Blues
  • Song For Mother E
  • Sensuou
  • Steal Away
  • Ode To My Ancestors
  • Voices
  • Hymn For John Lee Hooker
  • Twilight
  • Cairo
  • Beneath The Sun

Over sixty years into a life in music, Amina Claudine Myers revisits old compositions with a quiet force on Solace Of The Mind, her first solo record since receiving an NEA Jazz Master honours. Recorded for Red Hook Records and produced by Sun Chung, it hears Myers at the piano, Hammond B3 organ and mic, reinterpreting personal standards such as 'African Blues', 'Song For Mother E', 'Cairo' and 'Steal Away' with patient, spacious phrasing and the tonal sensitivity she's honed since her days with the AACM. Chung's production renders every harmonic shimmer and pause with startling clarity; a glistening move compared to last year's duo release with Wadada Leo Smith, adding a returnal layer to an otherwise eclectic discography, spanning free jazz and blues-rooted experimentalism. In her words, "I wanted to play (the originals) differently this time."

pre-order now11.07.2025

expected to be published on 11.07.2025

25,17
The Kinks - The Journey - Pt. 3 LP 2x12"

The Kinks

The Journey - Pt. 3 LP 2x12"

2x12inch6414364
BMG Rights Management
11.07.2025

The Kinks kündigen den dritten und letzten Teil ihrer ganz besonderen Anthologie-Reihe an: „The Journey
– Part 3“.
„Part 3“ behandelt ihre transformative RCA/Arista-Zeit von 1977 bis 1984, eine Zeit, in der die Band
endgültig in Amerika durchbrach, ihre legendären Pop- und Experimentalphasen hinter sich ließ und zu
einem frischen und prägnanten Stil des klassischen Songwritings zurückkehrte, der von ihrem eigenen,
ausgeprägten britischen Selbstverständnis zeugt.
CD 1 / LP 1 enthält Klassiker und Hits aus dieser Zeit, persönlich von der Band ausgewählt und von den
Original-Sampler- und Produktionsbändern remastert, darunter „Come Dancing“, „Destroyer“ und „Living
On A Thin Line“.
CD 2 / LP 2 enthält bisher unveröffentlichte Aufnahmen des Hit-reichen Auftritts der Band in der Royal
Albert Hall im Juli 1993, darunter fesselnde Interpretationen von „You Really Got Me“ und „Till The End
of the Day“ und vielen anderen.
Sowohl unsere 180-g-Doppel-LP als auch die Doppel-CD enthalten Track-by-Track-Kommentare der Band
sowie neue Linernotes von Phil Alexander.

pre-order now11.07.2025

expected to be published on 11.07.2025

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MAYSSA JALLAD - MARJAA: THE BATTLE OF THE HOTELS
  • Ete
  • Kharita
  • Baynana
  • Mudun
  • Haigazian (October 22)
  • Burj Al Murr (October 25 To 27)
  • Markaz Azraq (December 6)
  • Markaz Ahmar (December 6 Suite)
  • Al Hisar (December 8)
  • Holiday Inn (January To March)
  • Holiday Inn (March 21 To 29)
  • Al Irth

Mayssa Jallad is a Beirut-based bilingual singer-songwriter, architectural researcher and teacher. Her work deals with the highly personal as well as the political, as with her first solo album "Marjaa: The Battle of the Hotels", which explores the histories of urban battles that occurred before she was born, during the Lebanese Civil War, through a collaborative musical and architectural lens. "(Marjaa) is, as one might expect, a sombre affair largely comprised of Jallad's delicate vocals backed by acoustic guitar and ethereal synthesizer. Elsewhere, co-composer and producer Fadi Tabbal adds the crackle of distant artillery and a ghostly wind between the high-rise blocks." - Daniel Spicer, Songlines, April 2023 "Historical trauma, strings, drones, metallophones and buzuks wrap around powerful stories and gossamer vocals on Lebanese singer's tender, intimate debut. With shades of Nico, Jarboe and Elizabeth Fraser, '80s' 4AD fans will rejoice." - Andy Cowan, MOJO `Marjaa_' (tr. `reference') combined Mayssa Jallad's two main vocations: music and urban research/architectural history. The album was co-written with Fadi Tabbal and based on Mayssa's Historic Preservation master's thesis (`Beirut's Civil War Hotel District: Preserving the World's First High-Rise Urban Battlefield'). The thesis examined a 5-month conflict that took place within Beirut's skyscraper-laden luxury hotel district of Minet El Husn near the start of the Lebanese Civil War. Addressing a post-war generation who have never been taught this difficult history, `Marjaa_' was an attempt to process trauma, and "a call to protest for the renewal, rather than the recycling of the political class that once destroyed the country and holds us, to this day, hostage of its violence". In 2013, Mayssa founded indie-pop band Safar with guitarist Elie Abdelnour, releasing debut album In Transit with Lebanese indie label Ruptured in 2017, and follow-up EP Studies of an Unknown Lover in 2019. Both albums were produced by Lebanese producer Fadi Tabbal at Tunefork Studios in Beirut. Mayssa's most recent multi-genre collaborations include "Madina min Baeed" (2022) with electronic musician/producer Khaled Allaf; "Bi Kheir" and "Fil Aatma" (2022) with indie supergroup Baada Ab (Dani Shukri, Ezra Tenenbaum and Omaya Malaeb), released by Thawra records and Found Sound Nation. Next is the Versions version of Marjaa, which sees Civilistjävel! (aka Swedish producer Tomas Bodén) apply a stripped, dub methodology to Mayssa's original rich stems, refracting the Arabic source through the hazy prism of Northern European electronica. 140gsm vinyl, jacket printed on 20pt board with aqueous gloss coating, with a 3.5mm spine and a black paper inner dust sleeve.

pre-order now11.07.2025

expected to be published on 11.07.2025

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