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TO THE LIMIT ist eine durchdachte Zusammenstellung von 51 Songs aus den Studioalben und Live-Aufnahmen, die die Eagles zwischen 1972 und 2020 veröffentlichten. Die bekanntesten Titel der Band sind hier vertreten, darunter die Nummer-1-Hits "New Kid In Town", "One Of These Nights", "Best Of My Love", "Hotel California" und "Heartache Tonight". Mit Songs wie "Desperado", "Victim Of Love" und "In The City" enthält das Set auch viele Fan-Favoriten. Außerhalb des Studios beleuchtet TO THE LIMIT das beeindruckende Tournee-Erbe der Eagles mit mehr als einem Dutzend elektrisierender Live-Tracks. Dazu gehören Ausschnitte aus Eagles Live (1980) - darunter der Top-40-Hit "Seven Bridges Road" - sowie Songs aus Hell Freezes Over (1994), The Millennium Concert (2000), Live At The Forum '76 (2017) und Live From The Forum MMXVIII (2020).

If you're reading this then you will know that Instinct is one of the UK's powerhouse garage labels. Run by Burnski aka James Burnham it deals in serious tackle for rude boys and nasty girls. The drums hit hard, the reversed bassline burn goose old school cool and there gun finger salutes come think and fast throughout this EP from Mance. 'Checkpoint' opens with the dusty drum shuffles and bulbous bass, then 'The Going Is Rough' is a little more soulful and sweet with its rolling basslines and silky pads. 'Beat 93' closes down with a seriously OG garage sound that takes you back to the mid-90s.

Released in July 1994 by Atlantic Records, Cracked Rear View is Hootie & the Blowfish's most successful album, reaching No. 1 on the Billboard 200 five times during the course of 1995. It was also the best-selling album of 1995 in the United States, selling 7 million copies, and since then has gone on to sell more than 10.2 million copies, making it one of the best-selling albums of all time.

AllMusic's Stephen Thomas Erlewine says Hootie & the Blowfish, on Cracked Rear View, "...deliver the goods, turning out an album of solid, rootsy folk-rock songs that have simple, powerful hooks."

The album played a pivotal role in shaping the career of its lead vocalist, Darius Rucker, who transitioned to country music in the mid-2000s as a solo artist. Cracked Rear View was an instant sensation, with chart-topping hits such as "Hold My Hand," "Let Her Cry," and "Only Wanna Be with You." The album has a distinctive sound, blending rock, pop, and a hint of folk, using Rucker's soulful, raspy baritone as its emotional core, and his heartfelt delivery to win over audiences.

This Analogue Productions (Atlantic Series) reissue of Cracked Rear View has the essential elements that make it a standout for your collection. We turned to Ryan K. Smith at Sterling Sound in Nashville for an exemplary cut direct from the master tape. Pressing on 180-gram vinyl is by Quality Record Pressings, and the album is housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

Cracked Rear View's emotional depth and Rucker's distinctive voice left an indelible mark on the music industry, making Hootie & the Blowfish's debut album a timeless piece of musical history.

TO THE LIMIT ist eine durchdachte Zusammenstellung von 51 Songs aus den Studioalben und Live-Aufnahmen, die die Eagles zwischen 1972 und 2020 veröffentlichten. Die bekanntesten Titel der Band sind hier vertreten, darunter die Nummer-1-Hits "New Kid In Town", "One Of These Nights", "Best Of My Love", "Hotel California" und "Heartache Tonight". Mit Songs wie "Desperado", "Victim Of Love" und "In The City" enthält das Set auch viele Fan-Favoriten. Außerhalb des Studios beleuchtet TO THE LIMIT das beeindruckende Tournee-Erbe der Eagles mit mehr als einem Dutzend elektrisierender Live-Tracks. Dazu gehören Ausschnitte aus Eagles Live (1980) - darunter der Top-40-Hit "Seven Bridges Road" - sowie Songs aus Hell Freezes Over (1994), The Millennium Concert (2000), Live At The Forum '76 (2017) und Live From The Forum MMXVIII (2020).

High Roller Records, 2nd pressing, black vinyl, ltd 475, revised 425gsm heavy cardboard cover with 9 (!) mm spine, 20 page A4 booklet, 2 x double sided poster, 3 x A5 photo card in a sepcial envelope, 4 track black vinyl 10" with p/s and insert, Original transfer by Marcus Mossmann (R.I.P.) at PHONOGRAPHIC ARTIFACTS in March 2021. Audio cleaning, restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in April 2021. Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal NWOBHM classic!

”Honor Roll Of Hits” is a 4 way vinyl split featuring 20 hard hitting tracks from the Lövely Records associated bands Sweet Teeth, GASP, First in Line, and Statues. It perfectly sums up the essence of the label and provides a glimpse into the alternative scene of Sweden, offering everything from ´90s inspired alternative rock to highly energetic hardcore punk.

"Honor Roll Of Hits" includes the following tracks: "Mercury", "Burning", "Running", "Move on" and more.

This version of the split album comes as a 1LP on transparent red vinyl.

"Fargo Year Five is the fifth season of the hit series Fargo, which premiered on November 21, 2023, and consisted of ten episodes. This season is set in Minnesota and North Dakota and follows the typical Midwestern housewife Dorothy “Dot” Lyon (Juno Temple), whose mysterious past comes back to haunt her after she lands in hot water with the authorities. The season has been met with positive critical reviews, receiving three nominations for Golden Globe Awards. Just like the first four seasons of Fargo, the music of the fifth season was created by Jeff Russo. For his work on Fargo, he won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series, Movie, or Special in 2017. Russo is also known as one of the founding members of the band Tonic. Fargo Year Five is available as a limited edition of 1000 individually numbered copies on white coloured vinyl and includes a 4-page booklet. "

FARGO YEAR 5 by Jeff Russo, released 12 April 2024, includes the following tracks: "Run", "Horror", "S5 Murder Theme", "Dot (Moving)" and more.

This version of FARGO YEAR 5 comes as a 2xLP. This release comes with (a) Booklet.

The vinyl is pressed as a white disc. Another vinyl is pressed as a white disc.

Raphael Schön might still be best known for his Fiesta 2000 hit, but that ought to be changed with Heart Times. Hailing from Augsburg in Germany, RS represents a young generation of producers that draw their own deductions from golden days (insert your favorite era here) of dance music. Respectful and without handling it with kid gloves, he manages to inject fun, freshness and a fertile imagination into these sometimes dusty topics.

Conceived during a very emotional turbulent time for Schön, it is a showcase of his whole spectrum as a producer. Imagine a singer-songwriter coming back from his first rave. So, on this six-track EP for Running Back, his sound ranges from classic house (Baerhit) to crooner prog (Sometimes I Miss You), with mellow trance (Distant City Tranceport) and jiggy hits (Do You Like That) in-between. A dance hall unifying and colorful bouquet of flowers that does not shy away from vocals, emotional undertones and most of all bass and hook lines to die for. Schön means beautiful in German and that’s what this mean record is. Do you like it like that?

Jackson C. Frank's eponymous album is the embodiment of folk legend. Issued in late 1965 on the UK Columbia label, it was for many years more famous for its producer (Paul Simon) and the musicians who would go on to cover its songs (Nick Drake, Bert Jansch, Sandy Denny) than for the hauntingly beautiful music contained inside.

Frank's backstory certainly adds to the legacy: born in Buffalo, New York, he used the settlement from a childhood accident to sail to London where he quickly became a fixture of the bustling folk scene. Performing a mix of blues standards and originals, he met fellow ex-pat Paul Simon who would put up the money to record Frank's only LP.

For such a sparsely recorded work, Jackson C. Frank covers a lot of ground. From the rugged, world-weary opener "Blues Run The Game" to the stunning melancholy of "Milk And Honey," Frank's nimble acoustic guitar and passionate howls are all that is needed to power such authentic songwriting. Captured in a single-day session, these ten tracks are stark, gritty and seemingly out-of-place with time. There may be no '60s folk record that is simultaneously as rare and influential as Jackson C. Frank's self-titled debut.

Nach dem durchschlagenden Erfolg ihres 50-jährigen Jubiläums bereiten sich BLUE ÖYSTER CULT mit der bevorstehenden Veröffentlichung von "Ghost Stories" auf ein neues, aufregendes Kapitel ihrer Karriere vor.

Dieses mit Spannung erwartete Album bildet einen würdigen Abschluss des musikalischen Vermächtnisses einer der größten Rock-Ikonen der letzten 50 Jahre. BLUE ÖYSTER CULT wird die Fans mit einer Sammlung von neu interpretierten und komplettierten Songs aus den Jahren 1978-2016 in ihren Bann ziehen. Diese musikalischen Schätze, die von Blue Oyster Cult-Enthusiasten schon lange als "verlorene Juwelen" angesehen werden, beinhalten die einzige bekannte Aufnahme ihres Konzertklassikers "Kick out the Jams" (MC5-Cover), was dieses Album zu einem wahren Zeugnis der
anhaltenden Kreativität der Band macht.

Auf Ghost Stories" sind die Mitglieder der Originalbesetzung zu hören, was eine musikalische Reise durch die Jahrzehnte ermöglicht. Die Arbeit im Studio an diesem Album wurde von Richie Castellano zusammen mit den verbleibenden Originalmitgliedern Eric Bloom und Donald "Buck Dharma"

Roeser abgeschlossen. Während BLUE ÖYSTER CULT ihren Status als "Classic Rock"-Phänomen festigt, erreicht die Vorfreude auf dieses Album ein Crescendo. Eine bemerkenswerte Reise in die Rockgeschichte.

Empires rise and fall every day in the human heart, and riding these cycles--stories with no beginning or end, only transformation--churns us through the reckless, ridiculous, rueful, redemptive. A founding member of Lake Street Dive and writer of some of their most enduring songs, Iowa-born and Brooklyn-based Bridget Kearney is known for writing smart, unexpected lyrics and melodies built for a heart-baring dance or an introspective drive. Kearney writes music as if filtered through a camera lens. Her stories, steeped in nostalgia and joy, construct a bittersweet framework around the memories that make us human, and shape who we are. As the absurdity of life abounds, Kearney can hold these fragile snapshots and rolling reruns with evident notes of levity, and compassion for a past self. On her new album Comeback Kid, produced by Dan Molad (Lucius, Buck Meek), there are reminders to cherish the moments that make up the collage of what we see in the mirror, but to also plant our feet firmly in the present, for those are the times that will come to form the future. The tracks hop through time, from the relentless, obsessive romanticization of the past, to unrestrained lust for a different future, all inherit the spirit of resilience needed for any move forward, whether it's to dive back in, walk away, or wrestle with the memory itself. In moments, our Comeback Kid wishes to encase a night in amber to revive it at will, like the old man in Jurassic Park, but ultimately is hip to the bittersweet truth that it will never be the same when you return. Kearney began making Comeback Kid back in 2021, in between her work with Lake Street Dive, and a new position as a songwriting teacher at Princeton University. During the process of Comeback Kid, Kearney took inspiration from her Princeton students, as well as her peers when she embarked on a song-a-day workshop. As she found herself surrounded by the thoughts and processes of others, she was able to pinpoint what it is about songwriting that she truly cherishes: namely, the textures and flourishes that come to form the mood of each creation. Comeback Kid is soaked in vintage synths, Kearney's soughing vocals and delicate-yet-driving percussion that ushers in a bright and serene tenor. "If you're driving, baby I wanna go," she soothes on opener "If You're Driving," welcoming us to the LP with windows down, eyes closed, air rushing through our fingers. It's a celebration of staying in the moment, of saying "yes," even though you know it won't last forever. With references to real psychological games, like Rorschach tests and the phenomenon of Ironic Process Theory, they help build the theme of the mind bending nature of obsession, memory, and perspective. Just like the acrobatic brain games we play in relationships, Kearney plays with language and references, with multiple meanings of "comebacks and coming back," and nods that run the gamut from Samuel Barber's mid-20th century masterpiece Adagio for Strings to Jerry Seinfeld's late-20th century masterpiece Seinfeld. The single "Security Camera" captures the carefree liminal space of reminiscence, as Kearney collects those significant, special moments of a past love. There is no animosity or even sorrow here but rather a warm, propulsive rush of gratitude and awe. "You have these really wonderful, blissful times in your life that are fleeting," she explains. "It's an attempt to keep loving the moments in your past, to carry them with you." These moments are carried with care throughout Comeback Kid, but with an eye on the farcicality of simply existing. Kearney is both sincere and silly, somber yet spirited, expertly gathering the iridescent spectrum of what it means to be alive.

Acclaimed guitar duo Loren Connors and Alan Licht celebrate their 30-year collaboration with release of their eighth album - At The Top Of The Stairs. Across the decades, their improvisations turned increasingly abstract and atonal, while still maintaining complex, ethereal arrangements. The harmonious blend of Licht's meticulously crafted feedback and harmonic patterns with Connors' ghostly blue tones remains the core sound of this partnership. At The Top Of The Stairs was recorded live in 2018. Across two side-long pieces, the duo ascends slowly, through layers of atmospheric tension punctuated by thunderous waves of Connors' effects. For fifty years, Connors's adaptation of acoustic Delta blues has transmuted into miniature gray scale compositions and howling riffs. His collaborators include Oren Ambarchi, Keiji Haino, and Kim Gordon. Rock/experimental musician Alan Licht was a member of the bands Love Child, Run On, and Lee Ranaldo & the Dust, and has released a range of acclaimed rock and experimental albums. He is an author with books published by Rizzoli, W.W. Norton, Faber & Faber and Blank Forms.

"Message From The Country was the fourth and final studio album by The Move, a British rock band that consisted of Roy Wood, Jeff Lynne, and Bev Bevan. After the release of this final studio album, the trio went on and founded Electric Light Orchestra. The influence of The Beatles runs through most of the songs stylistically, while still sounding like the first ELO album, which was recorded during the same lengthy recording sessions as Message From The Country. The Move generated what was, song for song, their most complex and challenging album. Message From The Country is available as a limited edition of 1000 individually numbered copies on white coloured vinyl. "

Message From The Country by The Move, released 12 April 2024, includes the following tracks: "No Time", "Until Your Moma's Gone", "The Minister", "The Words Of Aaron" and more.

This version of Message From The Country comes as a 1xLP.

The vinyl is pressed as a white disc.

Bad Bad Hats traffic in playful concepts and warm scenes of youth, celebrated for crispy, lived-in melodies, big choruses that stick for days, and an easy musicianship that carries across their eclectic, wide-ranging releases. The new album – filled with their trademark freewheeling songs, pristine tones and several unexpectedly funky turns – suggests a band still having deep fun creating and playing, inviting listeners new and old to live life to their heartfelt tunes.

If the setting is right, magic will happen. And so, this record came into being. Sunburned Hand of the Man, three decades into their one of a kind run, still possess the ability to amaze, stupefy and astound - even themselves. Recorded over a week at Big Blue, Adam Langellotti’s (Kurt Vile & The Violators) studio/house, "Nimbus" sees the band's amorphous lineup produce results such as high-test workouts, cryptic readings & a choice cover (Sun City Girls). A record that this band could only produce in 2024 and the required next step for the devoted fan base and or those interested in doing some self-work in an unconventional setting.

"Nimbus" by Sunburned Hand Of The Man includes the following tracks: "Ishkabibble Magoo", "Lily Thin", "Walker Talker" and more.

If the setting is right, magic will happen. And so, this record came into being. Sunburned Hand of the Man, three decades into their one of a kind run, still possess the ability to amaze, stupefy and astound - even themselves. Recorded over a week at Big Blue, Adam Langellotti’s (Kurt Vile & The Violators) studio/house, "Nimbus" sees the band's amorphous lineup produce results such as high-test workouts, cryptic readings & a choice cover (Sun City Girls). A record that this band could only produce in 2024 and the required next step for the devoted fan base and or those interested in doing some self-work in an unconventional setting.

"Nimbus" by Sunburned Hand Of The Man includes the following tracks: "Ishkabibble Magoo", "Lily Thin", "Walker Talker" and more.

”Road Runner” is the debut album by Gothenburg, Sweden’s Upploppet. A perfect mix between punk and rock, this electrifying 10 track studio recorded release pays homage to the old punk and rock ‘n’ roll legends while at the same time embracing the new. Upploppet injects a vibrant and youthful energy into their performance resulting in a release that’s equal parts fresh and vintage sounding. Filled to the brim with fast paced, guitar-driven tracks, ”Road Runner” is an 28 minute minute, hard hitting explosion that is destined please the rock-yearning ears of any fan of Turbonegro, The Sonics, Gluecifer, The Hellacopters, and New Bomb Turks, and other high octane acts. ”Road Runner” was recorded at Welfare Sounds. The album is produced, recorded, and mixed by Per Stålberg (Division of Laura Lee, Pablo Matisse) and Pontus Robertsson. Mastered by Hans Olsson Brookes (Bombus, Spiders, Graveyard, Blues Pills) in Svenska Grammofonstudion. ”Road Runner” is released by The Sign Records on vinyl and digital formats.

"Road Runner" by Upploppet includes the following tracks: "I Want To Love You", "Ibuprofen", "Thinking of me ", "Bombay Boogie" and more.

This version of the album comes as a 1LP on transparent red vinyl.