432 pages, 20cm x 13cm x 3cm
What was it about Bob Marley that made him so popular in a world dominated by rock’n’roll?
How is that he has not only remained the single most successful reggae artist ever, but has also become a shining beacon of radicalism and peace to generation after generation of fans across the globe?
On May 11, 1981, a little after 11.30 in the morning, Bob Marley died. The man who introduced reggae to a worldwide audience
in his own lifetime he had already become a hero figure in the classic mythological sense. From immensely humble beginnings and with talent and religious belief his only weapons,
the Jamaican recording artist applied himself with unstinting perseverance to spreading his prophetic musical message.
And he had achieved it: only a year earlier, Bob Marley and The Wailers' tour of Europe had seen them perform to the largest audiences
a musical act had up to that point experienced. Record sales of Marley's albums before his death were spectacular;
in the years since his death they have become phenomenal, as each new generation discovers afresh the remarkable power of his music.
Chris Salewicz, who had a sequence of adventures with Bob Marley in Jamaica in 1979,
offers us a comprehensive and detailed account of Bob Marley's life and the world in which he grew up and came to dominate.
Never-before-heard interviews with dozens of people who knew Marley are woven through
a narrative that brings to life not only the Rastafari religion and the musical scene in Jamaica, but also the spirit of the man himself.
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It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
It's been a little over ten years since Hailu Mergia reemerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival. Finally, we have a recorded document of the keyboard player's powerful DC-based trio _ which practices each weekend in his basement _ featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA's expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities. Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like "Tizita" or "Anchihoye Lene") upside down and inside out until they emerge as molten new works, often spontaneously. Mergia's original compositions (like "Yegle Nesh") shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments _ often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age. "Pioneer Works Swing (Live)" brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents. Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he's been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
- A1: You May Be Right (Glass Houses (1980))
- A2: Sometimes A Fantasy (Glass Houses (1980))
- A3: Don’t Ask Me Why (Glass Houses (1980))
- A4: It’s Still Rock And Roll To Me (Glass Houses (1980))
- A5: All For Leyna (Glass Houses (1980))
- B1: I Don’t Want To Be Alone (Glass Houses (1980))
- B2: Sleeping With The Television On (Glass Houses (1980))
- B3: C’etait Toi (You Were The One) (Glass Houses (1980))
- B4: Close To The Borderline (Glass Houses (1980))
- B5: Through The Long Night (Glass Houses (1980))
- A1: Allentown (The Nylon Curtain (1982))
- A2: Laura (The Nylon Curtain (1982))
- A3: Pressure (The Nylon Curtain (1982))
- A4: Goodnight Saigon (The Nylon Curtain (1982))
- B1: She’s Right On Time (The Nylon Curtain (1982))
- B2: A Room Of Our Own (The Nylon Curtain (1982))
- B3: Surprises (The Nylon Curtain (1982))
- B4: Scandinavian Skies (The Nylon Curtain (1982))
- B5: Where’s The Orchestra (The Nylon Curtain (1982))
- A1: Easy Money (An Innocent Man (1983))
- A2: An Innocent Man (An Innocent Man (1983))
- A3: The Longest Time (An Innocent Man (1983))
- A4: This Night (An Innocent Man (1983))
- A5: Tell Her About It (An Innocent Man (1983))
- B1: Uptown Girl (An Innocent Man (1983))
- B2: Careless Talk (An Innocent Man (1983))
- B3: Christie Lee (An Innocent Man (1983))
- B4: Leave A Tender Moment Alone (An Innocent Man (1983))
- B5: Keeping The Faith (An Innocent Man (1983))
- A1: Running On Ice (The Bridge (1986))
- A2: This Is The Time (The Bridge (1986))
- A3: Modern Woman (The Bridge (1986))
- A4: Baby Grand (Duet With Ray Charles) (The Bridge (1986))
- B1: Big Man On Mulberry Street (The Bridge (1986))
- B2: Temptation (The Bridge (1986))
- B3: Code Of Silence (The Bridge (1986))
- B4: Getting Closer (The Bridge (1986))
- A1: That’s Not Her Style (Storm Front (1989))
- A2: We Didn’t Start The Fire (Storm Front (1989))
- A3: The Downeaster ‘Alexa’ (Storm Front (1989))
- A4: I Go To Extremes (Storm Front (1989))
- A5: Shameless (Storm Front (1989))
- B1: Storm Front (Storm Front (1989))
- B2: Leningrad (Storm Front (1989))
- B3: State Of Grace (Storm Front (1989))
- B4: When In Rome (Storm Front (1989))
- B5: And So It Goes (Storm Front (1989))
- A1: No Man’s Land (River Of Dreams (1993))
- A2: The Great Wall Of China (River Of Dreams (1993))
- A3: Blonde Over Blue (River Of Dreams (1993))
- A4: A Minor Variation (River Of Dreams (1993))
- A5: Shades Of Grey (River Of Dreams (1993))
- B1: All About Soul (River Of Dreams (1993))
- B2: Lullabye (Goodnight, My Angel) (River Of Dreams (1993))
- B3: The River Of Dreams (River Of Dreams (1993))
- B4: Two Thousand Years (River Of Dreams (1993))
- B5: Famous Last Words (River Of Dreams (1993))
- A1: Reverie ("Villa D'este") (Fantasies & Delusions (2001))
- A2: Waltz #1 ("Nunley's Carousel") (Fantasies & Delusions (2001))
- B1: Aria ("Grand Canal") (Fantasies & Delusions (2001))
- B2: Invention In C Minor (Fantasies & Delusions (2001))
- B3: Soliloquy ("On A Separation") (Fantasies & Delusions (2001))
- C1: Suite For Piano ("Star-Crossed"): I. Innamorato (Fantasies & Delusions (2001))
- C2: Suite For Piano ("Star-Crossed"): Ii. Sorbetto (Fantasies & Delusions (2001))
- C3: Suite For Piano ("Star-Crossed"): Iii. Delusion (Fantasies & Delusions (2001))
- D1: Opus 5. Waltz #2 ("Steinway Hall") (Fantasies & Delusions (2001))
- D2: Opus 9. Waltz #3 ("For Lola") (Fantasies & Delusions (2001))
- D3: Opus 4. Fantasy ("Film Noir") (Fantasies & Delusions (2001))
- D4: Opus 10. Air ("Dublinesque") (Fantasies & Delusions (2001))
- A1: Allentown (Live From Long Island (1982))
- A2: My Life (Live From Long Island (1982))
- A3: Prelude/Angry Young Man (Live From Long Island (1982))
- B1: Piano Man (Live From Long Island (1982))
- B2: Don’t Ask Me Why (Live From Long Island (1982))
- B3: The Stranger (Live From Long Island (1982))
- C1: Scandinavian Skies (Live From Long Island (1982))
- C2: Movin’ Out (Anthony’s Song) (Live From Long Island (1982))
- C3: She’s Always A Woman (Live From Long Island (1982))
- C4: Pressure (Live From Long Island (1982))
- D1: Scenes From An Italian Restaurant (Live From Long Island (1982))
- D2: Just The Way You Are (Live From Long Island (1982))
- D3: Goodnight Saigon (Live From Long Island (1982))
- E1: Stilleto (Live From Long Island (1982))
- E2: Band Intro (Live From Long Island (1982))
- E3: Until The Night (Live From Long Island (1982))
- E4: It’s Still Rock N Roll To Me (Live From Long Island (1982))
- F1: Sometimes A Fantasy (Live From Long Island (1982))
- F2: Big Shot (Live From Long Island (1982))
- F3: You May Be Right (Live From Long Island (1982))
- F4: Only The Good Die Young (Live From Long Island (1982))
- F5: Souvenir (Live From Long Island (1982))
Today we announce The Vinyl Collection, Vol. 2, an 11-LP boxset to follow 2021’s Vol. 1, which includes the remainder of Billy’s catalogue: Glass Houses, The Nylon Curtain, An Innocent Man, The Bridge, Storm Front, River of Dreams. It exclusively features Fantasies & Delusions & Live from Long Island on vinyl for the first time. The boxset includes a 60+ page booklet that highlights the era through photos, quotes, and an essay by Rob Tannenbaum. All albums remastered from original sources at Sterling Sound.
It’s been a little over ten years since Hailu Mergia re- emerged on the international music scene. Following the first in a series of his classic recordings reissued in collaboration with Awesome Tapes From Africa, Mergia assembled a band and began performing live again after many years driving a cab in Washington, DC. His first show back appeared on the front page of the
New York Times along with a stellar review and he took off from there performing his flavor of Ethiopian jazz all over the world in the years since, including Radio City Music Hall and Montreal Jazz Festival.
Finally, we have a recorded document of the keyboard player’s powerful DC-based trio—which practices each weekend in his basement—featuring Kenneth Joseph on drums and Alemseged Kebede on bass. Beautifully captured at one of their fiery live shows at the venerable Brooklyn non-profit cultural center Pioneer Works on July 1, 2016, the concert was recorded by PW staff and mixed by Ted Young with mastering by ATFA’s expert audio extraction collaborator Jessica Thompson. The performance clarifies what many people across the globe already know: in his fifth decade of music-making Hailu Mergia continues to push the boundaries of his remarkable abilities.
Mergia and his veteran band energetically and playfully unpeel layer after layer of harmonic and rhythmic interest out of a spectrum of Ethiopian repertoire. Modern jazz demands constant reinvention and improvisation, night after night creating new works out of known modes and classic standards. This band is unstoppable when it comes to turning age-old melodies (like “Tizita” or “Anchihoye Lene”) upside down and inside out until they emerge as molten new works, often spontaneously. Mergia’s original compositions (like “Yegle Nesh”) shine brighter than ever here as well. Moving from keyboard to organ to accordion to melodica, he deftly switches instruments—often during the same song. Mergia at 77 years old seems to be working harder than musicians half his age.
Pioneer Works Swing (Live) brings into focus the kind of onstage group improvisation and deadly solo passages that reach for places Mergia and the band have never gone, on festival and club stages across four continents.
Now that Mergia has released two new recordings along with four classic reissues, he is eager to let everyone hear what he’s been doing on the road since he re-took the global stage for his victory laps. So much more than an old act from yesteryear, Mergia balances his legendary Ethiopian recordings with good old fashioned sweat-soaked live concert triumphs such as the one we have here.
- 1: New England
- 1: 2The Milkman Of Human Kindness
- 1: 3To Have And Have Not
- 1: 4The Man In The Iron Mask
- 1: 5St. Swithin's Day
- 1: 6The Saturday Boy
- 1: 7Between The Wars
- 1: 8The World Turned Upside Down
- 1: 9Which Side Are You On?
- 1: 0Levi Stubbs' Tears
- 1: Greetings To The New Brunette
- 1: 2There Is Power In A Union
- 1: 3Help Save The Youth Of America
- 1: 4She's Leaving Home
- 1: 5She's Got A New Spell
- 1: 6Must I Paint You A Picture
- 2: 1Waiting For The Great Leap Forwards
- 2: The Internationale
- 2: 3Tank Park Salute
- 2: 4Sexuality
- 2: 5Accident Waiting To Happen (Red Star Version)
- 2: 6Upfield
- 2: 7The Boy Done Good
- 2: 8Walt Whitman's Niece
- 2: 11California Stars (Live)
- 2: 1Some Days I See The Point
- 3: 1England, Half English
- 3: 2Take Down The Union Jack (Band Version)
- 3: Old Clash Fan Fight Song
- 3: 4I Keep Faith
- 3: 5Bugeye Jim
- 3: 6Never Buy The Sun
- 3: 7No One Knows Nothing Anymore
- 3: 8Handyman Blues
- 3: 9The L&N Don't Stop Here Anymore
- 3: 10King Tide And The Sunny Day Flood
- 3: 11Mid-Century Modern
- 3: 12I Will Be Your Shield
- 2: 9Way Over Yonder In The Minor Key
- 2: 10My Flying Saucer
Orange Vinyl[24,79 €]
2023 will see Billy Bragg and Cooking Vinyl celebrating forty years of music from the singer, songwriter, activist and author, with a selection of releases to appeal to casual admirers and die hard fans alike. Each format has been compiled by Billy beginning with a 1LP 13-song "primer" on LTD Edition orange coloured vinyl, a 40-song LTD Edition Deluxe 3 LP collection on three shades of green vinyl, and a 40-song 2CD in card digisleeve with 16 page booklet. The vinyl formats contain a download card.
- A1: Thunder
- A2: Daddy Pop
- A3: Diamonds And Pearls
- B1: Cream
- B2: Strollin’
- B3: Willing And Able
- B4: Gett Off
- C1: Walk Don’t Walk
- C2: Jughead
- C3: Money Don’t Matter 2 Night
- C4: Push
- D1: Insatiable
- D2: Live 4 Love
- E1: Gett Off (Damn Near 10 Min.)
- E2: Gett Off (Houstyle)
- F1: Violet The Organ Grinder
- F2: Gangster Glam
- F3: Horny Pony
- F4: Cream (N.p.g. Mix)
- G1: Things Have Gotta Change (Tony M Rap)
- G2: Do Your Dance (Kc’s Remix)
- G3: Insatiable (Edit)
- G4: Diamonds And Pearls (Edit)
- H1: Money Don’t Matter 2 Night (Edit)
- H2: Call The Law
- H3: Willing And Able (Edit)
- H4: Willing And Able (Video Version)
- H5: Thunder (Dj Fade)
- I1: Schoolyard
- I2: My Tender Heart
- I3: Pain
- J1: Streetwalker
- J2: Lauriann
- J3: Darkside
- K1: Insatiable (Early Mix - Full Version)
- K2: Glam Slam ’91
- K3: Live 4 Love (Early Version)
- L1: Cream (Take 2)
- L2: Skip To My You My Darling
- L3: Diamonds And Pearls (Long Version)
- M1: Daddy Pop (12" Version)
- M2: Martika’s Kitchen
- M3: Spirit
- M4: Open Book
- N1: Work That Fat
- N2: Horny Pony (Version 2)
- N3: Something Funky (This House Comes) (Band Version)
- N4: Hold Me
- O1: Blood On The Sheets
- O2: The Last Dance (Bang Pow Zoom And The Whole Nine)
- O3: Don’t Say U Love Me
- P1: Get Blue
- P2: Tip O’ My Tongue
- P3: The Voice
- P4: Trouble
- Q1: Alice Through The Looking Glass
- Q2: Standing At The Altar
- Q3: Hey U
- Q4: Letter 4 Miles
- R1: I Pledge Allegiance To Your Love
- R2: Thunder Ballet
- S1: Thunder
- S2: Daddy Pop
- S3: Diamonds And Pearls
- T1: Willing And Able
- T2: Jughead
- T3: The Sacrifice Of Victor
- U1: Nothing Compares 2 U
- U2: Thieves In The Temple
- U3: Sexy M.f
- V1: Insatiable
- V2: Cream/Well Done/I Want U/In The Socket (Medley)
- W1: 1999/Baby I’m A Star/Push (Medley)
- W2: Gett Off
- W3: Gett Off (Houstyle)
- X1: Etching
Paisley Park Enterprises, in Partnership with Sony Music Entertainment and Warner Records, announces expanded reissue of Prince & the New Power Generation’s multi-platinum album Diamonds And Pearls. This 12LP+ Blu-ray features 47 previously unreleased tracks and over two hours of live filmed concert footage in high definition.
Following the successful release of the 1999 Super Deluxe Edition (2019), and Sign O’ The Times Super Deluxe Edition (2020), the Diamonds And Pearls Super Deluxe Edition represents the third deep dive into Prince’s vault. It includes a total of 75 audio tracks across 7x CDs and 12x 180g vinyl records.
The set offers a newly remastered version of the album, plus 15 of the incredible remixes and B-sides from the era, including the never commercially released “Gett Off (Damn Near 10 Min.)” mix. The Super Deluxe Edition also features 33 previously unheard studio gems from Prince’s Illustrious vault, ranging from alternate versions of album tracks to numbers Prince gave away to other artists, and songs recorded while on the road in 1990.
Prince & The NPG previewed the Diamonds And Pearls Tour at Prince’s Minneapolis club, Glam Slam, on January 11, 1992. The sweaty, sold-out, last-minute show captures the sheer joy and sense of endless possibility that came to define this era. This previously unreleased live concert performance has been mixed from the 24-track master and rounds out the audio content of this 12LP set.
This same previously unreleased concert is also presented in stunning 2K video on the Blu-ray disc that accompanies both Super Deluxe Edition formats, in Stereo, 5.1 Dolby True HD, and Dolby ATMOS audio formats. The Blu-ray also features Prince & The New Power Generation’s performance at The Special Olympics at the Metrodome in Minneapolis in July 1991 (also in Stereo, 5.1, and ATMOS), as well as a previously unseen soundcheck.
The Blu-ray is completed by the long out of print Diamonds And Pearls Video Collection, originally released on VHS and LaserDisc in 1993. The 120-page hardback book which accompanies the SDE set features unseen photos by Randee St. Nicholas, and essays by: author & broadcaster Andrea Swensson; Archivist and Senior Researcher for the Prince Estate Duane Tudahl; British music critic and Prince expert Jason Draper; De Angela L. Duff, an Industry Professor at NYU Tandon School of Engineering in Brooklyn; Social Media Personality KaNisa Williams; and an introduction from Public Enemy founder, Chuck D.
- 1: The Tickle – Subway (Smokey Pokey World)
- 2: The Move – Mist On A Monday Morning
- 3: Tyrannosaurus Rex – Debora
- 4: Junior's Eyes – Black Snake
- 5: Procol Harum – Magdalene (My Regal Zonophone)
- 6: The Iveys – Maybe Tomorrow
- 7: Tucker Zimmerman – Bird Lives
- 8: Gentle Giant – Pantagruel's Nativity
- Side B
- 1: Strawbs – Witchwood
- 2: Mary Hopkin – Streets Of London
- 3: T. Rex – Children Of The Revolution
- 4: Sparks – Under The Table With Her
- 5: Thin Lizzy – Dancing In The Moonlight (It's Caught Me In Its Spotlight)
- 6: Hazel O'connor – Will You?
- 7: The Boomtown Rats – Fall Down
- 8: Dexys Midnight Runners & Kevin Rowland – Show Me
- LP 2:
- Side A
- 1: Modern Romance – Best Years Of Our Lives
- 2: Altered Images – Bring Me Closer
- 3: Difford & Tilbrook – The Apple Tree
- 4: Adam Ant – Apollo 9
- 5: U2 – A Sort Of Homecoming
- Side B
- 1: Luscious Jackson – Fantastic Fabulous
- 2: The Dandy Warhols – Hit Rock Bottom
- 3: Manic Street Preachers – Cardiff Afterlife
- 4: Kashmir – Kalifornia
- 5: Kristeen Young – Pearl Of A Girl
- 6: Stephen Emmer – Untouchable (Feat. Glenn Gregory)
- 7: The Good, The Bad & The Queen – Lady Boston
- 6: The Moody Blues – Your Wildest Dreams
- 7: The Seahorses – Blinded By The Sun
Demon Records is proud to present ‘Produced by Tony Visconti’, a new definitive retrospective compilation assembled with the assistance of legendary record producer Tony Visconti.
“This boxset covers five and a half decades of my efforts in the art of making iconic recordings. Some of it is familiar and some will have a eureka moment, ‘I didn’t know Visconti produced that one!’
I am honoured that Demon Records took on this enormous task.”
– Tony Visconti
Often described as one of the most important
producers in rock, Tony Visconti has helped create
countless classic musical moments. His work can be
heard on celebrated albums by artists such as T. Rex,
Procol Harum, The Moody Blues and Thin Lizzy to
name but a few.
• This new collection features 30 tracks personally
curated by Visconti, gathering together some of his
favourite production work from across his career.
• Includes tracks by T. Rex, Sparks, Thin Lizzy, U2,
Dexys Midnight Runners, Gentle Giant, The
Boomtown Rats, Manic Street Preachers, The Good,
The Bad & The Queen, and many more.
• Pressed on 2 x 140g LPs, mastered by Phil Kinrade at
AIR Mastering, approved by Tony Visconti. Artwork
designed by Grammy-winning creative studio
Barnbrook.
• Includes a 12-page booklet with previously unseen
photographs, and extensive track-by-track liner
notes by Mojo writer Mark Paytress based on new
interviews with Tony Visconti.
x 5. U2 – A Sort Of Homecoming Live
- 01: Dear Spirit, I`m In France
- 02: I`m From Hell, Open A Windle
- 03: Panda Strong
- 04: Your Street Vs. Wall Street
- 05: Horses Are Ok
- 06: And Giraffe, Natural Enemies
- 07: Riki Creem Calls This One
- 08: Boss Kitty (1St Peel Session)
- 09: Half, Half & Half (1St Peel Session)
- 10: Panda Strong Part 1 (1St Peel Session)
- 11: Everlong (1St Peel Session)
- 12: Panda Strong Part 2 (1St Peel Session)
- 13: And Giraffe, Natural Enemies (1St Peel Session)
- 14: Dear Spirit, I`m In France (1St Peel Session)
- 15: I`m From Hell, Open A Windle (1St Peel Session)
- 01: Trophy
- 02: Final Song
- 03: Moonshine
- 04: Bird Of Prey
- 05: Dying Breed
- 06: El Diablo Iii
- 07: Dry
- 08: Lucky 57
- 09: White Russian
- 10: Cuss
- 11: Moonshine (Demo)
- 12: Dry (Demo)
- 13: Lucky 57 (Demo)
- 14: White Russian (Demo)
- 15: Dying Breed (Demo)
- 16: King Of Mexico
- 17: Old Work Song
- 18: Angelus Occultation
- 19: Like A Killer (Outtake)
- 20: Missouri Boat Ride (Outtake)
Discipline Through Sound 25 is the new album by Big'n, a noise-rock band from Chicago that formed in 1990. At the time, the band consisted of vocalist William Akins, guitarist Todd Johnson, bassist Mike Chartrand, and drummer Brian Wnukowski. This outstanding expanded reissue was intended to come out in 2021 to commemorate the 25th anniversary of Discipline Through Sound, Big'n's indisputable masterpiece originally released on Gasoline Boost in 1996, but was delayed due to a PVC shortage and the fallout of the COVID-19 pandemic. DTS 25 is a massive album. It contains two pieces of superb- quality vinyl with a reissue and remaster of Discipline Through Sound on the first disc. Side C contains unreleased demos from the album. As for Side D, it contains three previously CD-only tracks from a split with OXES
—plus two never-before-heard outtakes. The records are packaged in a6mmspinegatefoldcoverwithmattefinish.Thereleaseissupplemented by a 12-page booklet featuring never-before-seen photosofthe band, a foreword by Steve Albini , and writings from Big'n's associates. The entire package is housed in a sleek, tactile, Type-2 aluminum packaging newly developed and designed by Computer Students.Don'tmissyourchancetoownabrilliant,undersung artifact of '90s noise-rock in Chicago—refreshed, expanded,andmore venomous thanever before.
Some info on the background for the upcoming album, "Police Deranged For Orchestra"."Copeland explains that the “derangement” of The Police’s music “began as the score for a movie I made out of Super8 footage of the band that I had shot during our rise to glory. Film puts capricious demands on music, so I had to carve up the songs to serve the scenes in the movie, and once the scalpel was out, a whole new frenzy of inspiration from Police music began.” He shares that “delving into the multi-tracks of our original recordings and live performances revealed lost guitar solos, bass lines, and vocal improvisations that were just too cool to leave in obscurity... this discovery is what brings us to this performance: Sting’s songs, Andy’s inventions, and my impunity; all on the page for a wild ride with orchestra and unique musicians from around the world to adapt some of the most loved The Police hits for old and new audiences alike.
Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions is conducting a systematic retrospective of the storied group, including a multi-year LP reissue effort and a forthcoming comprehensive CD box set and an over five hundred page book. Recorded and self-released by the group's own Dry Leaf Discs in 1993, City Lights is the debut record of the then duo Graham Lambkin and Darren Harris_an assured arrival statement teeming with stripling angst and ambition. Lifelong chums Lambkin and Harris were barely nineteen and living at home in the seaside town of Folkestone, Kent, with few overhead expenses. The two were freshly employed as a forklift operator at a hardware store and an aide at a home for children with disabilities, respectively, affording them the time and funds to commit to a proper full-length release. Frontman Lambkin describes the album as a "microscopic examination of leisure activities, this time centered around a nightclub," a conceit surging through its lyrics, song titles, cover art (depicting an audience of cats and mice at the Leas Club, a Folkestone fixture), and flip side (replete with fictional bandmates and pseudonymous liner notes). On a recently-acquired secondhand guitar, Lambkin plays repetitive, brooding licks that form the record's backbone, weaving in and out of sync with Harris's free-form percussion and the pair's sing-song poetry. Tracks range from unraveling nursery-rhyme ditties to extended jams awash with Casiotone and toy piano noodling. The duo's musical hobby-horses work themselves in: the influence of Mark E. Smith's breathless deadpan, the headless outer-edges of ESP-Disk's back catalog, the eerie atmospherics of Hirsche Nicht Aufs Sofa, and the deconstructed rock tunes of the Dunedin scene are all detectable, although there is a sui generis quality to the Shadow Ring's artless temerity. "I've got to see and taste those city lights," intones Lambkin on the album's title track_indeed, this is a record of naked drive and pent-up desperation, and a shimmering glimpse of what's to come. For Fans of The Fall, Royal Trux, The Dead C, Shirley Collins, '70s British progressive rock, Dean Blunt.
Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP "Ongaku Zukan", originally issued in Japan on his own School label in 1984.
The reissue will replicate the original Japanese release which offered two versions: a normal edition featuring the LP with a bonus 2-track 7" EP (WWSLP71), and a limited edition which includes a 3-track 12" EP in place of the 7" (WWSLP72)
Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra 2-page insert with new liner notes by Andy Beta
The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's "Merry Christmas Mr. Lawrence" (a film in which he had also acted), had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the influential, globally successful pop trio calling it quits after the release of their 1983 album "Naughty Boys".
Against this backdrop, Sakamoto descended on Tokyo's Onkyo Haus Studio to record his fourth solo album, "Ongaku Zukan" ("Musical Encyclopedia") accompanied by a handful of musicians including his ex-YMO partners Haruomi Hosono and Yukihiro Takahashi, and the prolifically talented Yasuaki Shimizu, Tatsuro Yamashita and Toshinori Kondo. Sakamoto began with no particular plan in mind, recording 30 basic tracks over the best part of 1983. It was on his return to the studio the following year that the album truly began to take shape. Accompanied by a newly acquired Fairlight CMI sampler, the musician made extensive use of the revolutionary equipment to create a wide palette of sound textures which he added to the tracks, a creatively fertile process that was captured on film for the French documentary "Tokyo Melody, A Film about Ryuichi Sakamoto".)
Released in August 1984 the album "Ongaku Zukan" proved a huge success, providing Sakamoto with his first top 5 hit in Japan. Filled with inspired melodies that showcase his unique gift as a composer, it offers up a fascinating mix of styles. Asiatic electro pop nuggets ("Tibetan Dance") share space with futuristic ambient pieces ("Hane no Hayashi de"), and brilliantly creative fusions of jazz, funk, techno and reggae ("Etude" and "Tabi no Kyokuhoki.")
Two simultaneous editions of the album were released in Japan: the regular one featuring a bonus 7" EP with two extra tracks: "Replica" and "Ma Mère l'Oye" while a limited edition added a 12" EP (in lieu of the 7") which included a third track, "Tibetan Dance (Version)." An international version was released two years later in 1986 by 10 Records/Virgin under the title "Illustrated Musical Encyclopedia," but with a very different track list. Five tracks from "Ongaku Zukan" were dropped, namely "Self Portrait," "Tabi no kyokuhoku," "Mori no Hito," "A Tribute to N.J.P" and "Tibetan Dance (Version)", to be replaced by two non-album singles from 1985, "Stepping Into Asia" and "Field Work."
This is the very first time that the two 1984 Japanese editions of Ryuichi Sakamoto's classic album have been released internationally in collaboration with the artist's management and Midi Inc., with remastered audio and the original artwork faithfully reproduced, paying tribute to one of contemporary music's undisputed geniuses.
Wewantsounds is delighted to announce the release of Ryuichi Sakamoto's classic LP "Ongaku Zukan", originally issued in Japan on his own School label in 1984.
The reissue will replicate the original Japanese release which offered two versions: a normal edition featuring the LP with a bonus 2-track 7" EP (WWSLP71), and a limited edition which includes a 3-track 12" EP in place of the 7" (WWSLP72)
Remastered by Saidera Mastering in Tokyo the reissue boasts the original gatefold artwork plus an extra 2-page insert with new liner notes by Andy Beta
The early '80s were a turning point for Japanese musician Ryuichi Sakamoto. As a solo artist, the smash hit soundtrack he had composed for 1983's "Merry Christmas Mr. Lawrence" (a film in which he had also acted), had put him on the verge of becoming a global superstar. Meanwhile he had called a halt to his work with Yellow Magic Orchestra; the influential, globally successful pop trio calling it quits after the release of their 1983 album "Naughty Boys".
Against this backdrop, Sakamoto descended on Tokyo's Onkyo Haus Studio to record his fourth solo album, "Ongaku Zukan" ("Musical Encyclopedia") accompanied by a handful of musicians including his ex-YMO partners Haruomi Hosono and Yukihiro Takahashi, and the prolifically talented Yasuaki Shimizu, Tatsuro Yamashita and Toshinori Kondo. Sakamoto began with no particular plan in mind, recording 30 basic tracks over the best part of 1983. It was on his return to the studio the following year that the album truly began to take shape. Accompanied by a newly acquired Fairlight CMI sampler, the musician made extensive use of the revolutionary equipment to create a wide palette of sound textures which he added to the tracks, a creatively fertile process that was captured on film for the French documentary "Tokyo Melody, A Film about Ryuichi Sakamoto".)
Released in August 1984 the album "Ongaku Zukan" proved a huge success, providing Sakamoto with his first top 5 hit in Japan. Filled with inspired melodies that showcase his unique gift as a composer, it offers up a fascinating mix of styles. Asiatic electro pop nuggets ("Tibetan Dance") share space with futuristic ambient pieces ("Hane no Hayashi de"), and brilliantly creative fusions of jazz, funk, techno and reggae ("Etude" and "Tabi no Kyokuhoki.")
Two simultaneous editions of the album were released in Japan: the regular one featuring a bonus 7" EP with two extra tracks: "Replica" and "Ma Mère l'Oye" while a limited edition added a 12" EP (in lieu of the 7") which included a third track, "Tibetan Dance (Version)." An international version was released two years later in 1986 by 10 Records/Virgin under the title "Illustrated Musical Encyclopedia," but with a very different track list. Five tracks from "Ongaku Zukan" were dropped, namely "Self Portrait," "Tabi no kyokuhoku," "Mori no Hito," "A Tribute to N.J.P" and "Tibetan Dance (Version)", to be replaced by two non-album singles from 1985, "Stepping Into Asia" and "Field Work."
This is the very first time that the two 1984 Japanese editions of Ryuichi Sakamoto's classic album have been released internationally in collaboration with the artist's management and Midi Inc., with remastered audio and the original artwork faithfully reproduced, paying tribute to one of contemporary music's undisputed geniuses.
Carole King is the most successful female songwriter of the 20th century, having written or co-written 118 pop hits on the Billboard Hot 100 between 1955 and 1999. Carole King has won four Grammy Awards and was inducted into the Songwriters Hall of Fame and the Rock and Roll Hall of Fame for her songwriting.
Love Makes The World was officially released in 2001 and features a variety of well-known musicians, including Babyface, Steven Tyler, Céline Dion, Wynton Marsalis and k.d. lang. The album was produced by Humberto Gatica (Céline Dion, Michael Jackson, Barbra Streisand), Babyface, and King herself. The tracklisting includes “You Can Do Anything” and “The Reason”.
Love Makes The World is available as a limited edition of 1500 individually numbered copies on translucent pink coloured vinyl and includes a 4-page booklet.
- 1: The Last Time
- 1: 2Let It Slide
- 1: 3Moonshine
- 1: 4Nobody's Cryin
- 1: 5You Don't Even Know Me
- 1: 6Somebody's Baby
- 1: 7Out Of My Head
- 1: 8Half Moon
- 1: 9Again, I Need Your Lovin
- 1: 0Lucky
- 1: Dreams & Dreams Of You
- 2: 1Sidecar
- 2: Love You Anymore
- 2: 3Underdog
- 2: 4Honey, They're Onto Us
- 2: 5Hollywood Lovesong
- 2: 6Keep It Together
LTD. TURQUIOSE MARBLE VINYL[46,18 €]
Dirty Dollhouse is the multi-genre music of Philadelphia-based artist Chelsea Mitchell, a folk chanteuse with classical training and a retro-pop composer with a soft spot for country. After releasing her first lo-fi EP, Married in the Aviary, Mitchell received the Tri-State Indie Vocalist of the Year award and the lyrics to her song Nobody's Daughter were showcased in American Songwriter Magazine. Her follow-up EP, 25 Shades, saw a departure from traditional folk and embraced a Nashville vibe while 2017's full-length album Vinyl Child was a mixture of darkly contemplative pop songs and quiet, intimate confession. Drawing from many muses has produced a uniquely diverse catalogue, but it has also made it near-impossible to pin down who Mitchell sounds like. In sultry-toned moments you might hear Nicole Atkins, a soft bird-like peak could make you think of Kacey Musgraves, and a certain belt may summon Brandi Carlile. Though her vocals range from soft twang to unabashedly operatic, it would suffice to say that Mitchell's songs all fit under the same 'singer-songwriter' umbrella as her lyrics weave a diary page to life and her band expands on structural simplicity with subtle grace. As bassist Joshua Machiz, drummer Eric Lawry, and lead guitarist August John Lutz II are now full-time members, Dirty Dollhouse has found a new and exciting momentum, opening for rising stars like Nikki Lane and Amanda Shires and playing to a wider audience.
Marilyn Jess is the other icon of French erotism. This new book is the first one ever dedicated to the movie career of our beloved "Patinette" (her nickname), from her debuts to the erotic masterpieces directed by Gérard Kikoïne, Claude Mulot or Jean Rollin.
The book also takes a look at the US, italian and german productions she starred in, her collaboration to cult satirical magazine Hara Kiri and her photo novels, and we will investigate extensively the story of the movie she made with Traci Lords, Traci I Love you (1986).
304 pages of stories, anecdotes, firsthand accounts and many rare and unpublished pictures, and a complete filmography, as well as original pieces of art from illustrators and painters. A big and beautiful book with 276 color pages, 10.35 x 11.5 inches in size, hardcover with soft touch finish.
Now Available In A Limited Edition Red Vinyl Pressing. Ayalew Mesfin stands aside the likes of Mulatu Astake, Mahmoud Ahmed, Hailu Mergia and Alemayehu Eshete as a legend of 1970s Ethiopia. Mesfin’s music is some of the funkiest to arise from this unconquerable East African nation. Mesfin’s recording career, captured in nearly two dozen 7” singles and numerous reel-to-reel tapes, shows the strata of the most fertile decade in Ethiopia’s 20th century recording industry, when records were pressed constantly by both independent upstarts and corporate behemoths, even if they were only distributed within the confines of this East African nation. Though Mesfin was forced underground by the Derg regime that took control of Ethiopia in 1974, he has returned almost 50 years later with this triumphant set albums – the first time that his music has been presented in this form. These albums give us a chance to discover a rare and beautiful moment in music history, in anthologies built from Mesfin’s uber-rare 7” single releases and from previously unreleased recordings taken from master tapes. Mot Aykerim gives us a chance to discover a rare & beautiful moment in music history, in an anthology built from his uber-rare 7” single releases. Contains an oversized 11” x 11” 16 page book that tells the story of modern Ethiopian music and Mesfin’s role within it.
Vinyl was made in two versions - black and limited to 100 copies black&white vinyl. Both 180g.
The debut album from our specialist in bass sounds from Wrocław - TVB. AAfter many bootlegs and two acclaimed EPs (including official Sam Binga remix), the time has come for the official cross-genres long play, where, apart from solo tracks, there are many vocal guests - Mila, Bryndal, Cheeba, Krzaquu, Marceli Bober and JupiJej. An amazing mix of experienced MCs with a new generation of artists.
"The Very Bass" LP is a fresh club sound inspired by the British wave of bass music, which resulted in a mix of 2step, UK garage, dubstep and drum'n'bass.
Vinyl was made in two versions - black and limited to 100 copies black&white vinyl. Both 180g.
The debut album from our specialist in bass sounds from Wrocław - TVB. AAfter many bootlegs and two acclaimed EPs (including official Sam Binga remix), the time has come for the official cross-genres long play, where, apart from solo tracks, there are many vocal guests - Mila, Bryndal, Cheeba, Krzaquu, Marceli Bober and JupiJej. An amazing mix of experienced MCs with a new generation of artists.
"The Very Bass" LP is a fresh club sound inspired by the British wave of bass music, which resulted in a mix of 2step, UK garage, dubstep and drum'n'bass.




















