Search:pai

Styles
All
The 69 Eyes - Savage Garden

The 69 Eyes

Savage Garden

12inch643008023485
Svart Records
22.11.2024

Das zweite Album von The 69 Eyes, „Savage Garden“, erscheint im November 2024 über Svart Records.
1995 veröffentlichten The 69 Eyes ihr zweites Album „Savage Garden“ auf Gaga Goodies. Dieses Album enthielt die ersten Hinweise auf die
Gothic-Richtung, in die sie sich bewegten, während sie immer noch die Fahne des Sleaze-Rocks schwenkten, für den sie zu dieser Zeit bekannt waren.
Krawallige Rockmusik und viel geradlinige, eingängige Energie mit garantiert düsterer Atmosphäre.
„Savage Garden“ wurde von Mika Jussila in enger Zusammenarbeit mit den Mitgliedern der Band in den Finnvox Studios für Vinyl neu gemastert.

pre-order now22.11.2024

expected to be published on 22.11.2024

28,15
The Mole - High Hopes (LP)

High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie. Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His co lages marry the corporeal world with an updated, digitalized age of reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

out of Stock

Order now and we will order the item for you at our supplier.

20,80

Last In: 17 months ago
The Mole - High Hopes (MC)

The Mole

High Hopes (MC)

CassetteCCK7002
Circus Company
22.11.2024

High Hopes - New album from the Mole.
High Hopes is 17 songs across 40 minutes on one slice of wax that, as advertised, sounds nothing like last month’s Ep, High Dreams. Here, rather than the long form dance form, is a continuation of the beat tape pacing from the last album, a collection of moments posing as ideas posing as a narrative stuffed with oddities and surprises that reward the close listen.
What’s heard on High Hopes is the Mole’s exploration of a love letter, from one person to a family, from the northern Pacific to the southern Atlantic, from a boy to a painted bird. Vancouver Island to Manantiales. The songs range from ambient sound bath and hip hop sludge, up to micro boogie and almost House before tumbling back down and forth again. Bubbling synths, MPCs swung out, samples chopped and chewed, bass and violins from Rick and Sophie, field recordings of birds and frogs and beaches, friends and family and fiestas. Did we mention the love ?! This album has got it all! Original collages from Antonio Carrau envelope this wax: jacket, sleeve and cookie. Antonio’s work is typified by playful combinations and bold statements about living in a embrace of analog and digital health. His co lages marry the corporeal world with an updated, digitalized age of reproduction, inducing feelings of gratitude for the simple everyday scenes we sometimes lose touch with when we forget to slow down. Good living, like breathing, requires inhaling as well as exhaling.
We can’t always produce content, make art, we must also pause, and listen. And enjoy. The Mole is joined by friends and colleagues on several songs included on High Hopes. Rick May plays bass on both Que Rico and album stand out GoinF4er. Sophie Trudeau (Godspeed You Black Emperor) plays and arranges violins on GoinF4er and Danuel Tate (Cobblestone Jazz) and Julz Chaz (Wagon Repair) both play Vibes and Emaxx throughout the album. Working with these incredible talents not only enriched this album, but fulfilled a long standing goal of the Mole’s; to work again with the musicians from whom he learned so much. People who helped inform the shape of Mole to come.
The Mole who was As High As The Sky. The Mole has been ‘recognized’ by the ‘global underground’ since his critically celebrated premiere album, As High As The Sky, but his earlier Eps (Wagon Repair, Philpot, Musique Risquee) got the attention of Top DJs, clubs, and festivals around the world first. His sound remains unique, fresh and deep: enjoying plays in a wide variety of spaces and places.
High Hopes is the Mole’s 5th solo album and his 2nd album for Circus Company (The River Widens) who have also proudly released two eps of Mole magic (Little Sunshine, High Dreams).
*Isn’t that too much time for one record? Short answer - No. Long answer - depends on the material. Due to the many quiet passages in the album, the groove spacing can be modulated and the needle can slow it’s progress towards the center/end resulting in longer sides with continued high gain and low distortion.

pre-order now22.11.2024

expected to be published on 22.11.2024

12,56
Mulay - Lavender (LP)

Mulay

Lavender (LP)

12inchLPGRON300
Grönland
22.11.2024

LAVENDER, das Debütalbum der Alternative-R&B-Musikerin MULAY, ist ein zutiefst persönliches Projekt. In zwölf kunstvoll intimen Songs verarbeitet sie eine intensive, schmerzhafte Erfahrung mit toxischer Liebe. Aber LAVENDER ist viel mehr als ein klassisches Heartbreak-Album. Es ist ein Plädoyer dafür, an Verletzungen und Enttäuschungen zu wachsen. Ein Leuchtfeuer im Sturm dunkler Zeiten, das von Heilung, Selbstentdeckung und Empowerment erzählt. Stärke durch Verletzlichkeit – das ist das Mantra dieser Platte.

Mit LAVENDER setzt die in Berlin lebende Singer-Songwriterin, Produzentin und Künstlerin den Weg fort, den sie mit zwei EPs begonnen hat: ANTRACYTE (2021) und IVORY (2022) ergänzten sich konzeptionell zu einem interdisziplinären Gesamtkunstwerk aus Sound, Gesang, Visuals und Performance, bei dem ambivalente Gefühle, Licht und Dunkelheit, zusammengedacht werden. Entstanden sind die Songs zwischen Paris, London und Berlin – zusammen mit alten (Llucid, Novaa), aber vor allem mit neuen Kreativpartnern wie den französischen Produzenten/Multiinstrumentalisten Elie Zylberman und Jules Minck. Auf der Suche nach ihrer kompromisslosen Wahrheit bewegt MULAY sich fließend zwischen innovativem Songwriting und ambitionierten Produktionen, die weite, kaleidoskopartige Soundräume voll von souligem R&B, Hip Hop und Electronica aufmachen. MULAY verwandelt Schmerz und Wut in fiebrig aufgeladene, ansteckende Soundscapes, in denen Downtempo-Momente und schnellere, tanzbare Beats sirupartig zu einem emotionalen Rausch zusammenfließen.

pre-order now22.11.2024

expected to be published on 22.11.2024

22,48
Devonanon - Richard & John

10 years after their debut, City Of All Times audio-visual enquirers John B McKenna and Richard Greenan re-appear as Devonanon, to share the findings of a decade-long sonic experiment. Like its predecessor, Richard & John is a living, breathing collection of field recordings and compositions, gathered gradually from remote corners of the pair's lives. Familiar waypoints - interwoven microtonal synths, regurgitated live performances, polite whispering, and the gurgling hum of vehicles (land and sea) - all fold into the perpetual stew.

Where City read like a crumpled postcard account of fraternal reportage, Richard & John is a tone poem on something more amorphous, and out of time - a garbled history of human closeness, upheaval and mark-making, that seems to buckle and creak like a tapestry with no beginning or end. No two spoonfuls are the same, as our story reels through kosmische library stylings ('Wilderness Engine'), to cortex-quieting free association ('Generate Countryside'), and baroque instrumentation ('Blood Laughing', which features beautiful turns from Masayoshi Fujita on vibraphone, and Rosa Juritz on bassoon).

pre-order now22.11.2024

expected to be published on 22.11.2024

20,97
BZDP - JUMP SHIP, SIT LEAN, BE STILL, STAND TALL

A collaboration between Duncan Bellamy (Portico Quartet) and Belinda Zhawi (MA.MOYO), Jump Ship, Sit Lean, Be Still, Stand Tall is a collection of sonic-poetry that sets Zhawi’s illuminating, elliptical words in dialogue with diffuse, explorative music and sound by Bellamy. Fluctuating between expansive contemporary classical arrangements and intimate layered vocal experiments, together they render these disparate forms into something distinct, melancholic and luminous.

Belinda Zhawi is a literary & sound artist based in London & Marseille, author of Small Inheritances (ignitionpress, 2018), & experiments with sound/text performance as MA.MOYO. Her work explores African diaspora research and narratives, and how art and education can be used as intersectional tools. Her literary & sound works have been featured on various platforms including The White Review, Vogue, NTS, Boiler Room & BBC Radio. She’s held residencies with Triangle-Asterides, France; Cove Park, Scotland; Serpentine Galleries; ICA London and was a Brixton House Associate Artist 2022 - 24. Belinda’s the co-founder of literary arts platform, BORN::FREE. She is working on her first full poetry collection.

Duncan Bellamy (b. Cambridge, UK, 1986) is a multidisciplinary artist based in London. His diverse practice encompasses painting, silkscreen, photography, sound and music. His work examines the shape of time, loss and our relationship to the past and present in a period of compressed transformation. He is a founding member of Mercury Prize nominated Portico Quartet, and has contributed sound work to the artist Hannah Collins audio-visual installation I Will Make Up A Song. Bellamy is working on a debut exhibition and new music.

pre-order now22.11.2024

expected to be published on 22.11.2024

22,65
Coilguns - Odd Love

Coilguns

Odd Love

12inchHUMLPBL150
Hummus Records
22.11.2024

Initially coming from the DIY hardcore scene, Coilguns have since then crafted their very own blend of punk and ecstatic noise-rock. The history of the band is deeply bound to the development of guitarist Jona Nido’s own label – Humus Records – that now gathers up to 150 releases from Swiss artists of all sonic horizons.

Though their last two albums were 100% self-produced, engineered and mixed by the band members, Coilguns drove in the summer of 2022 to end-of-the-world’s Oceansound Recordings in Norway with producer Scott Evans to track their 4th studio album which was then mixed by grammy nominated producer Tom Dalgety.

The band is known for its raw, uncompromising and euphoric live performances, proudly serving the dancing freaks and the crowd-surfing weirdos.

pre-order now22.11.2024

expected to be published on 22.11.2024

25,17
Talia Hoit - Oceans

Talia Hoit

Oceans

12inchSAOL413
SAOL
22.11.2024

For Talia Hoit from Colorado, who has been classically trained to play the piano since the age of five, her early musical education has definitely paid off. Now she writes original songs, performs on vocals and keyboards, and composes orchestra scores for symphonic metal. For many years, she has also had a passion for writing songs outside of any formal band situation, and is now working with talented producers and musicians to bring her most personal and intimate songs to life to share with the world. For five years, Talia was the keyboardist and a songwriter for the band AnaDies. Presently she is the lead singer, orchestrator and co-songwriter in the symphonic metal band Beyond Forgiveness and the keyboardist for the metal band Ob Nixilis. As a solo artist, she recorded two original home studio albums for personal purposes, Fate’s Too Small (2007) and A Little Longer (2012), which had a limited physical CD release only, mostly just for friends and family. Back in 2019, she recorded the single Angel (produced by Jarek Musil), which just recently received a new master, and after the experience of working with a professional producer she decided to pursue her solo project, to professionally produce and commercially release as many of the personal songs she had written over the years as possible. In 2023, she released two more singles: Abandon and Whispers in the Storm. Her extensive experience in the music industry and understanding of classical music are quite audibly reflected in these works, which show a high level of quality and expertise. Talia’s music is definitely a treat for symphonic metal fans and heavy music lovers, showing influences of bands such as Within Temptation, Nightwish, Evanescence, and Visions Of Atlantis.

pre-order now22.11.2024

expected to be published on 22.11.2024

23,74
SHIGETO - FULL CIRCLE LP

Ghostly 25 Year Anniversary Edition. Thus far, Zach Saginaw's releases as Shigeto have been fragments, albeit singularly satisfying fragments -- EP-length glimpses into the Detroit producer's creative psyche. After filling two EPs on Ghostly International, Shigeto's lush, sumptuous take on instrumental hip-hop has fully materialized. Full Circle, the artist's first full-length album, completes the journey begun with Shigeto's Semi-Circle EP, synthesizing the drummer/producer's signature themes of family, continuity, and musical boundary-pushing into a vibrant, fully unified artistic statement.The sounds on Full Circle come from four years of obsessive field recording and collaboration. Saginaw brought his Tascam mini-recorder with him everywhere, capturing the "glasses, chains, breathing, children, family meals, monks singing in cathedrals, walks in the south of France, and good friends offering their musical skill" that would all find homes in the record's compositional nooks and crannies. As a result of Saginaw's constant documentation, the songs on Full Circle play like chapters in an ongoing story--as in "Escape from the Incubator", whose initial rhythmic claustrophobia opens up into a boom-clap nocturnal chase, or "French Kiss Power Up", whose romantic digital strut gives way to discord and fragmentation as the waves of synthesizer give way to a shaky, neurotic coda. Full Circle is framed by the "Ann Arbor" diptych, a pair of beat suites named after Saginaw's hometown (one featuring a sample of Detroit MC SelfSays), all double-thick synths and triple-strength kick drums. Saginaw plays the majority of his rhythms by hand, and Full Circle's consistently deep pocket is the record's secret weapon, thumping and breathing like a living being.Having set the stage with Semi-Circle and What We Held On To EPs--twin treatises on Saginaw's Japanese grandmother's escape from a US internment camp--Shigeto is clearly ready to draw the tale to a close and take center stage. "This release represents the end of the beginning--or perhaps that there is no end and no beginning at all," says Saginaw. Regardless, Full Circle is the start of something great.

pre-order now22.11.2024

expected to be published on 22.11.2024

22,27
Indian Pale Male - Dance Of The Red Herrings LP

Recorded by McIlroy’s long-time friend and musical associate, Big A, the songs are laden with cracked harmonies and homemade instruments, including found materials used as percussion. The pair drew on the talents of fellow travellers for backing vocals and rhythm tracks which has resulted in the live outfit expanding to a three piece, with Ben Price (bass) and Charlie Garson (drums) on board.
Commenting on the writing process McIlroy explains:
“It was written during a period of madness and adverse offending behaviours. The songs dash from one theme to another and reflect the mistaken beliefs we cling to when our perceived realities are threatened. It’s also got jokes.”
Opposing a streaming culture that values top tracks and playlists, the record is intended to be heard in one sitting, with Side A showcasing more extroverted songs, in all their loudmouth braggadocio, and Side B being more introspective and honest.

pre-order now22.11.2024

expected to be published on 22.11.2024

17,61
WEITE - 'OASE'

Weite

'OASE'

2x12inchPSYCHOBABBLE139
STICKMAN RECORDS
22.11.2024
  • Versteinert
  • Time Will Paint Another Picture
  • (Einschlafphase)
  • Roter Traum
  • Woodbury Hollow
  • Eigengrau
  • The Slow Wave

Oase is the sophomore album from Berlin-based progressive rock collective Weite, and the follow-up to the band’s 2023 debut LP Assemblage. Clocking in at almost an hour, Oase—German for "Oasis"— takes listeners on an intricate and textured journey that draws inspiration from the pioneering spirit of 70s psychedelic rock, blending influences from “Canterbury scene” prog, Krautrock, early electronica, post rock, and Americana. The new album show cases Weite's ability to merge the old with the new, creating an immersive, exploratory sound that moves from contemplative and pastoral to riffy and doomy without ever sacrificing melody. Oase is characterized by longer expansive, atmospheric compositions yet is undoubtedly more composed than the band’s debut, with more of a focus on songs, albeit in the broader sense of the word. With the focus on melody, texture and mood—although not necessarily always in that order—Weite create a sound that’s intricate and meditative, inviting the listener to embark on a journey through shifting soundscapes and evolving musical narratives. Weite was formed in Berlin in winter 2022 by bassist Ingwer Boysen (delving) recruiting drummer Nick DiSalvo (Elder, delving) and guitarists Michael Risberg (Elder, delving) and Ben Lubin (Lawns). Initially intended as a one-of recording session, the four recognized an obvious musical chemistry and common ground and decided to turn the project into a proper band. Keyboardist Fabien de Menou (Perilymph) joined in 2024.

pre-order now22.11.2024

expected to be published on 22.11.2024

39,45
Iron & Wine - Beast Epic LP 2x12"

Iron&Wine

Beast Epic LP 2x12"

2x12inchSPDX1170
Sub Pop
22.11.2024

Originally released in 2017, Beast Epic, Iron & Wine’s fourth album for Sub Pop, recasts soft power as a series of vignettes, observations and regular old songs that redeem through joy and a certain expectation of grace. Even the instant classic, “Bitter Truth, with a lyric as pained and direct as any I've heard from Iron & Wine, is leavened with background vocals recalling The Jordanaires. The album brims with surprise flourishes, classic touches and an appealing confidence that is evident on songs like “Call It Dreaming,” “Thomas County Law,” “About A Bruise” to the almost croony “Last Night.” Iron & Wine’s Beast Epic was written and produced by Sam Beam, and recorded and engineered by Tom Schick at the Loft in Chicago in July 2016 and January 2017. The musicians who played on Beast Epic include longtime Iron & Wine collaborators Robert Burger (keys), Joe Adamik (percussion), and Jim Becker (guitar, banjo, violin, mandolin), along with bassist Sebastian Steinberg (Soul Coughing and Fiona Apple), and Chicagoan Teddy Rankin Parker (cello). Beast Epic was mastered by Richard Dodd in Nashville, Tennessee. *The term "soft power" was cribbed from author and Harvard professor Joseph Nye, but used in a different context.

pre-order now22.11.2024

expected to be published on 22.11.2024

34,41
The Cruel Visions - The Cruel Visions LP

There are few hidden gems that we can find on the different streaming channels, and it is precisely our job to have them for you. This Saturday we want to bring you a Chilean band that is born from transversal rock and its variants. We talk about The Cruel Visions. The Cruel Visions is the name that Pablo Giadach (founder) proposes to imagine a luminous and nostalgic interior landscape, expressed in songs of subtle composition and evocative beauty. The guitarist and musician in the bands Casino, Trancemission and The Ganjas, brings with him an album weathered by the passage of time in nightly improvisations and his recording studio, influenced mainly by the sounds of the early 80's, new wave, paisley underground, post punk and dark wave. The Cruel Visions was born from the idea of grouping together different recordings that Pablo made in parallel to his work with The Ganjas between 2015 and 2017 at different times and formats. Most of the album is a collection of demos and improvisations with a Rickenbacker 12-string guitar, an echo chamber and a drum machine, which were then worked on for almost 3 years in the free time at Estudio Lautaro, where he also performs. as an engineer and producer. His authorial present discovers the ethereal and light sounds that bands like The Cure or The Jesus and Mary Chain decanted, who left the initial rawness to give way to a more atmospheric and personal repertoire, which, although luminous, maintains traces of the darkest noise of the post-punk era. This time the path taken in other formations where Pablo provides precise sounds, completed with effects such as reverb and distortion, gives shape to a more personal list of songs that sails with the wind in its favor through foggy waters, already known to listeners of English 80's alternative music. Vocals and some arrangements were done at Woodbine St Recording by John A. Rivers, who has produced records by Love and Rockets, The Specials, Nikki Sudden, Close Lobsters and Dead Can Dance, among many others

pre-order now22.11.2024

expected to be published on 22.11.2024

27,69
Eric B. & Rakim - Paid In Full LP 2x12"

Eric B.&Rakim

Paid In Full LP 2x12"

2x12inch5741453
UMC
20.11.2024
  • A1: I Ain't No Joke 3:54
  • A2: Eric B. Is On The Cut 3:48
  • A3: My Melody 6:46
  • B1: I Know You Got Soul 4:46
  • B2: Move The Crowd 4:23
  • C1: Paid In Full 3:50
  • C2: As The Rhyme Goes On 4:00
  • C3: Chinese Arithmetic 4:07
  • D1: Eric B. Is President 6:15
  • D2: Extended Beat 3:49

Hip-hop debut albums simply do not get more legendary than Eric B. & Rakim’s Paid In Full!!

Paid in Full is the debut album of American hip hop duo Eric B. & Rakim, released on July 7, 1987, by Island-subsidiary label 4th & B'way Records. The duo recorded the album at hip hop producer Marley Marl's home studio and Power Play Studios in New York City, following Rakim's response to Eric B.'s search for a rapper to complement his disc jockey work in 1985. The album peaked at number fifty-eight on the Billboard 200 chart and produced five singles, "Eric B. Is President", "I Ain't No Joke", "I Know You Got Soul", "Move the Crowd", and "Paid in Full".

Paid in Full is credited as a benchmark album of the golden age hip hop. Rakim's rapping, which pioneered the use of internal rhymes in hip hop, set a higher standard of lyricism in the genre and served as a template for future rappers. The album's heavy sampling by Eric B. became influential in hip hop production. The record has sold over a million copies and the Recording Industry Association of America (RIAA) certified it platinum in 1995. In 2003, the album was ranked number 228 on Rolling Stone magazine's list of the 500 greatest albums of all time.

pre-order now20.11.2024

expected to be published on 20.11.2024

36,09
RZA As Bobby Digital - ReAction Figure

RZA As Bobby Digital

ReAction Figure

equipment840049881488
SUPER 7
20.11.2024

Bobby Digital doesn’t need a corporeal form to chase his hedonistic exploits! The latest 3.75” scale, articulated Ghost of Bobby Digital RZA ReAction Figure is inspired by vintage Bobby Digital neon shirt graphics and features RZA’a alter ego in clear, injected-plastic with bright green paint detailing, and comes with a coordinating blaster accessory. It’s clear to see that any hip-hop collection would be incomplete without this Ghost of Bobby Digital ReAction Figure- grab yours today!

Highlights

Inspired by RZA’s album Bobby Digital in Stereo
Figure is 3.75” scale with five points of articulation
Features clear, injected-plastic body with bright green paint detailing
The perfect gift for RZA fans; collect the entire lineup of RZA and Bobby Digital action figures by Super7!

out of Stock

Order now and we will order the item for you at our supplier.

23,11

Last In: 17 months ago
Viv Albertine - Flesh LP

Viv Albertine of The Slits' rare, long-unavailable EP gets a special release for the first time ever on vinyl. As Viv writes: 'The tracks on Flesh were recorded in 2009 and originally released on CD by Thurston Moore on his Ecstatic Peace label. The songs were written at a time of personal and emotional upheaval in my life, still I think there is something optimistic and naive about them. I hadn't played guitar for twenty years so had to relearn how to play - it all came back to me - not the technicality, which I never had, but the sound, my sound. The track I Should Have Known was recorded a couple of years later. When Mick Jones heard me play the song live he said he would like to do a remix of it. He also added more guitar and backing vocals (I've always loved his voice). He said he gave the backing vocals a Jagger-ish twang. I did the meat paintings at Chelsea & Westminster Art School in 1974 / 75 - which is where I first met Mick. ' Limited to 1, 000 numbered copies and pressed on Ruby Red vinyl, includes bonus unreleased track and four postcards in a series of Viv's meat paintings from Chelsea & Westminster Art School in 1974 / 75.

pre-order now20.11.2024

expected to be published on 20.11.2024

22,90
Dreems - Diamond Bay

Dreems

Diamond Bay

12inchMCLP005
Multi Culti
20.11.2024

Dreems returns with his second full-length album, a languid journey through ambient dimensions. Following up his self-titled debut from 2014, these two LPs will stand together as test of time, a snapshot of the atmosphere that surrounded him throughout the decade.

As a versatile club-DJ with a respected catalog of mixed-tempo club remixes, and as half of the ‘Krautback’ / elementally Australian industrial act ‘Die Orangen,’ Dreems merely hints at his musical identity as an album artist, an expansive space in which he truly does soar with the spirit of a true artist, plumbing the depths of his emotional being, achieving catharsis in the shimmering pleasure of sound.

Diamond Bay’s 12 tracks surprise and reward the listener with the great gift of capturing your attention without ever attempting to hijack it. In a world gripped by the algorithmic nightmare of millennial whoops and material hooks, Dreems has charted a course for something altogether different - a peaceful kind of sonic painting. These are pastoral, passing vignettes. They highlight our awareness without forcefully directing our thoughts, except on the vocal pieces which reinforce the contemplative themes, adding not only specificity, but bringing a real sense of intimacy to the record.

out of Stock

Order now and we will order the item for you at our supplier.

17,02

Last In: 12 months ago
Miraclis - Origin Of Truth LP

The making of a maiden album can be a capricious process. One moment of outright musical flow paired with another period of sustained creative struggle are feats experienced by seasoned producers the world over. So when Miraclis was forced to hole away in his makeshift studio - in the midst of a global pandemic - the stage was set for something magical. Now it will see the light of day for the very first time.

Having released two singles on Secret Teachings to critical acclaim already this year, Chilean talent Miraclis will accomplish a milestone achievement in July with the release of his debut album: Origin Of Truth.

Difficult experiences were fundamental to the creation of such work, as were Miraclis’ inherent musical interests. He explains: “Origin Of Truth had its birth during the pandemic. I created it as a way of communicating to myself the sensations and feelings that were spinning around my head at the time. I've always been inspired by Bristol trip hop, as well as classical rock, and these genres definitely contributed to the making of these melancholic tracks. In a way I wanted to fuse all the musical influences that were part of my childhood, up until this point now, so this album really means a lot to me. It was my way of communicating, when there was a lack of social contact and communication itself was hard to come by.”

It's this meditative quality that initially drew Damian Lazarus to the project. “It’s a record that has its roots in electronic music, but it’s a very alternative, very deep, melancholic album. I find it both soothing and stirring at the same time, and that’s a quite interesting juxtaposition in that it feels edgy but delicious at the same time,” says Lazarus. “The fact that this was written in this place surrounded by the most incredible desert landscapes makes this a very important piece of work to me. It doesn’t sit in any particular genre, which is why it feels right for a Secret Teachings release. It hints at so many genres that I as a DJ am quite into, and it feels like a first as it’s unique and unclassifiable. That mystical, esoteric, edgy feel makes this a perfect release for the label.”

Sonnet opens proceedings, with ghostly vocals residing next to raw instrumental elements throughout. Miraclis’ signature guitar riffs soon converge on saddened keys, paving the way for Scienter. It takes the form of an instrument-based, electronic-inspired cut, building slowly before reaching a crescendo midway through via an enrapturing acoustic solo.

Floating Child comes next, brimming with a darker intensity courtesy of broody synth pulses and rhythmic hi-hats, as Shiver arrives next. There’s a rock-leaning sensibility to the piece that gives way to earnest lyrical offerings, opening swiftly into the breakbeat-esque world of Perceptions. Hard-hitting drums act as the focal point, with electric chords adding depth and intrigue, whilst Bright continues in a similarly heartfelt vein.

Introspective pads leave us feeling pensive, ahead of Interstellar taking us on a celestial journey through warped bass tones. Acting as the LP’s penultimate number, it’s a four-and-a-half minute showcase of guitar-based musical goodness and one that perfectly sets the stage for Trapped, a closing saga of suitably emotive proportions.

Miraclis earned his stripes as a DJ under the name Max Clementi in his native Chile, as well as Spain after a stint at the Barcelona SAE Institute. Playing and writing music since his parents gave him his first guitar at age twelve, he found himself inspired by synth wave, electronic pop, trip hop, and psychedelic rock of the ‘80s and ‘90s, drenching himself in music by the likes of Massive Attack, Tricky, Depeche Mode, and Nine Inch Nails. However, it wasn’t until he had to move back to Pucón to take care of his father during the pandemic that he began working on what would become Origin Of Truth.

Serendipity seems to play a large part in Crosstown Rebels’ new label Secret Teachings. Just look at the story of how Damian met Miraclis in the first place. It involved a chance midnight encounter in Pucón, Chile at a woodland campfire after the DJ was locked out of his hotel room. This meeting of minds was the start of a remarkable friendship, where Miraclis invited Lazarus to stay at his house and break bread with his family. The two kept in touch, exchanging music and ideas as a result.

out of Stock

Order now and we will order the item for you at our supplier.

17,61

Last In: 3 years ago
La Fine Equipe - La Boulangerie II (Part 1 & 2) LP 2x12"
out of Stock

Order now and we will order the item for you at our supplier.

29,20

Last In: 17 months ago
Andrea Belfi & Jules Reidy - Dessus Oben Alto Up
 
4

Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much in common, bringing together compositional precision and electroacoustic rigour with improvisation freedom, the immediate gratifications of rhythmic pulse, and an overtly lyrical sensibility. Working together during a residency at the sound studio of Berlin’s Callie’s, an arts institution housed in a 19th century machine factory, the pair (with Marco Anulli manning the desk) have conjured up four expansive pieces where the beautifully recorded percussive clarity of Belfi’s drums threads through a sparkling haze of guitars and electronics.

Opener ‘dessus’ begins with Reidy’s distinctive just-intoned guitar figures, shimmering over a delicate substratum of Befli’s brushwork and bass drum accents. As in all of Reidy’s recent work, the guitar is twisted out of cliché by the unfamiliar tuning and electronic processing. Hanging almost inaudibly in the background for much of the piece, a rush of synthetic tones surges into the foreground to end it. ‘oben’ is built from kinetic patterns of picked guitar arpeggios, locking into irregular grooves with Belfi’s drums, which move from elegant rolls and cymbal patter to driving closed hi-hats and explosive rock interjections. Around the traditional instruments and across the stereo field, electronic sounds swarm and swirl, fizzing and popping in a sun-drenched soundscape that at points suggests both vintage analogue synth destruction and glitching harmonies. ‘alto’ begins in similar territory but turned up a notch, eventually settling into a propulsive 6/8 groove of shifting drum accents, manically strummed 12 string acoustic, and burbling synth chords.

The B side is dedicated to the fifteen-minute ‘up’, where the strategies adopted on the other pieces are put in the service of a more relaxed, slowly unfolding epic. Anchored by a steady pulse throughout, the piece combines chiming guitars, dubbed-out bass lines and constantly adjusted percussive details into a complex flux of sound. Change is at once so subtle and so ever-present that, at any given moment, the listener can never be entirely sure quite how they got there.

pre-order now20.11.2024

expected to be published on 20.11.2024

20,80
Items per Page:
N/ABPM
Vinyl