The highly-anticipated third studio album from critically-acclaimed singer-songwriter Greyson Chance, released through Lowly. Available on black vinyl with gatefold sleeve, featuring "My Dying Spirit”, “Homerun Hitter,” "Athena" & more.
“The album comprises three acts," says Chance. "The first one is rebuilding and growth. The second is absolute pride. The third is a realization. Life will kick you in the ass no matter what happens. It feels timid at points, but there are big confident moments. At the end, the hero falls down a few pegs. I’ve been writing my own songs since I was a kid, and that’s the story behind it.”
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FÜR FANS VON: Steel Panther, Mötley Crüe, Poison, The New Roses, Kissin' Dynamite, H.E.A.T.
Am 17. März 2023 veröffentlichen die 80er-Hair-Metaller John Diva & The Rockets Of Love ihr drittes Album „The Big Easy“. Während die Band auf
ihrer zweiten Platte „American Amadeus“ noch die Grenzen des Glam Metal auslotete, kehren die fünf Musiker auf Album Nummer drei zu dem
zurück, was sie am besten können: gradlinigem, erfrischendem Rock mit markanten Riffs, harten Beats, vielschichtigen Texten und einem Frontmann
in Bestform. Keine Schnörkel, kein Bullshit, sondern Stadionhymnen für die ganz große Bühne. Wir haben darauf gewartet und endlich ist es so weit:
JOHN DIVA is back! „Remember 80-something — we never seemed to miss a thing“. Schon die ersten Zeilen des neuen John-Diva-Songs „Back In The
Days“ vermitteln, für welches Gefühl die Band steht. Spandex-Hosen, jugendlicher Leichtsinn, Partystimmung und volle Batterien im Walkman: John
Diva & The Rockets Of Love holen die sorglosen Momente der 80er in die Gegenwart und lassen sie klingen wie den neuen heißen Scheiß. Und
können wir nicht alle ein bisschen Sorglosigkeit gebrauchen? John Diva & The Rockets Of Love stehen für fette Partys, leidenschaftliche
Bühnenshows, aber auch für liberale Botschaften in ihren Lyrics. Bullshit? Fehlanzeige. So erteilen die fünf Musiker dem Genre-üblichen Sexismus in
ihren Texten eine klare Abfuhr, zum Beispiel in Songs wie „Boys Don’t Play With Dolls“. „Bei uns ist jeder willkommen und wird wertgeschätzt“, stellt
Frontmann John Diva klar. Gut so. Denn wir können wohl alle ein bisschen Sorglosigkeit gebrauchen.
Nachpressung: "Beach Umbrella" Vinyl (2LP Blue)! ,Pacific Breeze" dokumentiert die musikalische Explosion Japans in die Stratosphäre. In den 1960er Jahren erreichte die Nation ein Nachkriegswunder und Japan stieg zur zweitgrößten Volkswirtschaft der Welt auf. Blühende Tech-Exporte wie tragbare Kassettenabspielgeräte, funkelnde Videospiele und glänzende Autos boomten weltweit und pumpten japanische Taschen voller Yen. Der finanzielle Aufschwung Japans durchdrang auch die Populärkultur und brachte den City Pop hervor. Dieser neue Sound entstand Mitte der 70er Jahre und zog sich durch die 80er Jahre und kanalisierte die zeitgenössische Psyche des Landes. Es war anspruchsvolle Musik, die Japans Wohlstand widerspiegelte und einen Soundtrack für aufstrebende Urbanisten lieferte. City Pop verkörpert diese Ära. ,Pacific Breeze" ist eine fachmännisch zusammengestellte Kollektion von ausgesuchten Songs, die von seidigen, glatten Easy Listening Grooves über innovative Techno-Pop-Banger bis hin zu allem, was dazwischen liegt, reicht. Diese Musik wurde bisher noch nie außerhalb Japans veröffentlicht, mit dabei sind Schlüsselkünstler wie Taeko Ohnuki und Minako Yoshida, Haruomi Hosono und Shigeru Suzuki, sowie die Kultfavoriten Hitomi Tohyama und Hiroshi Sato und viele andere. Diese lang erwartete Veröffentlichung enthält auch neu in Auftrag gegebene Cover Paintings des in Tokio lebenden Künstlers Hiroshi Nagai, dessen ikonische Bilder des Resort-Lebens auf den Hüllen vieler klassischer City Pop-Alben der 1980er Jahre zu finden sind. Viele der wichtigsten City Pop-Protagonisten kamen aus der japanischen New Music-Szene der frühen 70er Jahre, wie Light In The Attic's gefeierte ,Even a Tree Can Shed Tears - Japanese Folk & Rock 1969-1973" Compilation, die erste Veröffentlichung der laufenden Japan Archival Series, zeigt. ,Pacific Breeze" versammelt nun einige der besten City Pop Stücke: aufregende Easy Listening mit mutierter Exotica, gekipptem Techno-Pop und dampfendem Boogie, der unter dem Neon-Glanz brodelt.
Nachpressung: "Beach Umbrella" Vinyl (2LP Blue)! ,Pacific Breeze" dokumentiert die musikalische Explosion Japans in die Stratosphäre. In den 1960er Jahren erreichte die Nation ein Nachkriegswunder und Japan stieg zur zweitgrößten Volkswirtschaft der Welt auf. Blühende Tech-Exporte wie tragbare Kassettenabspielgeräte, funkelnde Videospiele und glänzende Autos boomten weltweit und pumpten japanische Taschen voller Yen. Der finanzielle Aufschwung Japans durchdrang auch die Populärkultur und brachte den City Pop hervor. Dieser neue Sound entstand Mitte der 70er Jahre und zog sich durch die 80er Jahre und kanalisierte die zeitgenössische Psyche des Landes. Es war anspruchsvolle Musik, die Japans Wohlstand widerspiegelte und einen Soundtrack für aufstrebende Urbanisten lieferte. City Pop verkörpert diese Ära. ,Pacific Breeze" ist eine fachmännisch zusammengestellte Kollektion von ausgesuchten Songs, die von seidigen, glatten Easy Listening Grooves über innovative Techno-Pop-Banger bis hin zu allem, was dazwischen liegt, reicht. Diese Musik wurde bisher noch nie außerhalb Japans veröffentlicht, mit dabei sind Schlüsselkünstler wie Taeko Ohnuki und Minako Yoshida, Haruomi Hosono und Shigeru Suzuki, sowie die Kultfavoriten Hitomi Tohyama und Hiroshi Sato und viele andere. Diese lang erwartete Veröffentlichung enthält auch neu in Auftrag gegebene Cover Paintings des in Tokio lebenden Künstlers Hiroshi Nagai, dessen ikonische Bilder des Resort-Lebens auf den Hüllen vieler klassischer City Pop-Alben der 1980er Jahre zu finden sind. Viele der wichtigsten City Pop-Protagonisten kamen aus der japanischen New Music-Szene der frühen 70er Jahre, wie Light In The Attic's gefeierte ,Even a Tree Can Shed Tears - Japanese Folk & Rock 1969-1973" Compilation, die erste Veröffentlichung der laufenden Japan Archival Series, zeigt. ,Pacific Breeze" versammelt nun einige der besten City Pop Stücke: aufregende Easy Listening mit mutierter Exotica, gekipptem Techno-Pop und dampfendem Boogie, der unter dem Neon-Glanz brodelt.
- 1: Ebo Taylor - Amponsah
- 1: 2 Moussa Doumbia - Keleya
- 1: 3 Amadou Balaké - Super Bar Konon Mousso
- 1: 4 Mangue Kondé & Les
- 1: 5 Manu Dibango - The Panther
- 1: 6 Peter King - Ajo
- 1: 7 Itadi - Ayala
- 1: 8 Marumo - Khomo Tsaka Deile Kae
- 1: 9 Apples - Mind Twister
- 1: 0 The Wings - Gone With The Sun
- 2: 1 Kelenkye Band - Jungle Music
- 2: Super Elcados - Get Up And Do It Good
- 2: 3 The Apagya Showband - Kwaku Ananse
- 2: 4 Orlando Julius Feat. Ashiko - Get The Funk
- 2: 5 Alemayèhu Eshèté Feat. Hirut Beqele - Temeles
- 2: 6 Livy Ekemezie - Friday Night
- 2: 7 Willy Nfor - Boogie Down In Africa
- 2: 8 Shina Williams & His African Percussionists - Agboju Lo
- 2: 9 Soul Brothers - Bayeza
- 2: 10 Teaspoon & The Waves - Oh Yeh Soweto
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions African RARE GROOVE A journey at the heart of Nigerian afrobeat from Orlando Julius to the ethnojazz of Alemayèhu Eshèté passing by the High-life of the Ghanaian Ebo Taylor...
Welcome to another fine episode of SIRS aka »Sounds in real Stereo«! After last years' arrival on LARJ with his »Arrived EP«, Berlin based versatile DJ & producer Daniel Klein is back with »Travel To HDF.Y3D« - an utopian (or more likely dystopian) ode to space travel:
The last few remaining humans are traveling with 140bpm to the most distant galaxy in the universe on a mission to seek out a new space for mankind to live after many years of exploiting good old Mother Earth. What sounds like a horror scenario if you start thinking about it, SIRS manages to wrap up in quite a positive musical message. Thus »Travel To HDF.Y3D« becomes that hopeful uplifting slightly dreamy tune we all need these days - not unlike Christian Bruhn's theme of a certain Captain called Future back in 1980 …
It's also nice to have two more versions of such a strong tune at hand: The first one is a true first one for »Cocktail D'Amore« DJ BUDINO as she comes up with her first remix and production work ever. Budino's approach is a slightly darker, maybe indeed more dystopian one. The synthesizer bass lines dominate her remix and by getting rid of the original's playful melody she creates a very special melancholic feel.
Leipzig based PANTHERA KRAUSE's take isn't quite that different from Budino's as he too focuses on the darker vibes of this journey in space. It's his added extra dose of punch that surely will keep dancers on the floor for sure.
The former »Space Ibiza« resident SIRS now takes over the controls again with »Summer Desire« which too is destined to rule dancefloors not only in Ibiza but all over the world with its lovely airy vibe.
»Travel To HDF.Y3D« returns for one last time in form of the spoken word prolog - a nice extra tool to play with.
Funkadelic’s eleventh studio LP, released in 1979, was more militant in tone than its predecessor 'One Nation Under A Groove' which described a Funk utopia. In contrast, ‘Uncle Jam Wants You’ stated mandate was to “rescue dance music from the blahs”. The album features a 15-minute version of what was to become the Funkadelic’s last hit single ‘(Not Just) Knee Deep’, an edited version of which made no.1 in the US R&B chart. This was Funkadelic’s first album since 1972 not to feature a cover design by artist Pedro Bell (although he did contribute the interior design). A reference to the “Uncle Sam Wants You!” US Army recruitment poster, the sleeve depicts George Clinton aka Dr Funkenstein in a Huey Newton Black Panthers pose. ‘Uncle Jam Wants You’ and Funkadelic-Parliament had a huge influence on Prince, The Red Hot Chilli Peppers, Bill Laswell, Tupac Shakar, De La Soul and many more across all musical genres. George Clinton’s genius Funk & Style will continue to be an influence for many more years to come... FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE
It’s not often that an artist creates something so unique
and unpredictable that an entire genre is created
because of it, but here we are, Scene Queen and
‘BIMBOCORE’ have arrived.
Fed up with a genre of music filled with gatekeepers
and judgmental hard rock purists, Scene Queen has
unleashed the most daring, provocative, indefinable
music the world has ever seen.
Songs like ‘Pink Rover’ and ‘Pink Panther’ are as
daring and raunchy as they are inclusive and
community building.
In Scene Queen’s world, one can wear pink and like
‘girly things’ while gutturally screaming relatable lyrics
over a metal riff.
Blending metal, hard rock, and explosive pop, Scene
Queen is making music for a genreless TikTok
generation - the alt kids, the misfits, and the ones that
don't fit in.
With a heavy following on TikTok and a wildly
entertaining live show that is an experience of a
lifetime, ‘BIMBOCORE’ is the debut of a young scene
kid emerging into the leader of a movement.
For fans of Ashnikko, Bring Me The Horizon, Poppy.
Recently performed at Reading & Leeds Festival and
The Great Escape. Upcoming touring with Palaye
Royale (US) and Wargasm (UK).
- 1: Anthem
- 2: I Like That - Janelle Monáe
- 3: Outernet
- 4: Spider
- 5: Ballet Memory
- 6: I Got 5 On It (Feat. Michael Marshall) - Luniz
- 7: Beach Walk
- 8: First Man Standing
- 9: Back To The House
- 10: Keep You Safe
- 11: Don't Feel Like Myself
- 12: She Tried To Kill Me
- 13: Boogieman's Family
- 14: Home Invasion
- 15: Once Upon A Time
- 16: Run
- 17: Into The Water
- 18: Spark In The Closet
- 19: Escape To The Boat
- 20: Femme Fatale
- 21: Silent Scream
- 22: News Report
- 23: Zora Drives
- 24: Death Of Umbrae
- 25: Somber Ride
- 26: Immolation
- 27: Down The Rabbit Hole
- 28: Performance Art
- 29: Human
- 30: Battle Plan
- 31: Pas De Deux
- 32: They Can't Hurt You
- 33: Finale
- 34: Les Fleurs - Minnie Riperton
- 35: I Got 5 On It (Feat. Michael Marshall)
Waxwork Records is proud to present the Us Original Motion Picture Soundtrack featuring a score by composer Michael Abels. Us, released in March 2019, is an original nightmare written, directed and produced by Academy Awardr-winning visionary Jordan Peele (Get Out). Set in present day Santa Cruz on the iconic Northern California coastline, the film, starring Oscarr winner Lupita Nyong'o and Black Panther's Winston Duke, pits an ordinary American family against a terrifying and uncanny opponent: doppelgängers of themselves. A blockbuster that earned raves from critics and audiences alike, Us earned more than $250 million at the worldwide box office to become one the highest grossing R-rated horror films of all time, buoyed by an unexpected and innovative soundtrack and by a groundbreaking, terrifying original score by Abels. Us marks the second collaboration between composer Abels and Peele, who first worked together on Peele's 2017 Oscar-winning horror film, Get Out. For the Us score, Abels explored themes of duality and discord. "Sonically, what defines 'scary' is the unfamiliar," Abels says. "It is the things that we can't place, and that we don't expect, that take us to that place of fear. We wanted to really strike terror into the audience." Central to the score was the opening track, an anthem for the doppelgängers, known in the film as The Tethered. Abels hit on the idea of using choral elements. "Jordan really loves the sounds of voices, and the human voice is an incredibly expressive instrument that anyone can relate to," Abels says. "The anthem sounds a little like a march of people preparing for battle, like an uprising maybe, but the sounds are not in a recognizable language. In other parts of the film there are vocal effects, just these strange sounds. They're designed to really freak people out." Abels featured a 30 person choir, a third of them children, in the "Anthem," and implemented Eastern European instruments, violins, percussion and a virtual instrument called a Propanium drum. "It makes this trashy metal sound, but you can also play melodies on it," Abels said. "The Propanium drum has a sound that's both otherworldly but not electronic or like science fiction. It's a sound you can't quite put your finger on, which is why it works well in this film." Also included on the soundtrack is the 1995 hip-hop hit "I Got 5 On It" by Luniz and the stand-out track "I Like That" by Janelle Monáe. Abels also helped with a new arrangement of the Luniz hit, which is featured on the soundtrack as the 'Tethered Mix from Us'.
[xi] 35 I GOT 5 ON IT (FEAT. MICHAEL MARSHALL) [TETHERED MIX FROM US] - LUNIZ
Funkadelic’s eleventh studio LP, released in 1979, was more militant in tone than its predecessor 'One Nation Under A Groove' which described a Funk utopia. In contrast, ‘Uncle Jam Wants You’ stated mandate was to “rescue dance music from the blahs”. The album features a 15-minute version of what was to become the Funkadelic’s last hit single ‘(Not Just) Knee Deep’, an edited version of which made no.1 in the US R&B chart. This was Funkadelic’s first album since 1972 not to feature a cover design by artist Pedro Bell (although he did contribute the interior design). A reference to the “Uncle Sam Wants You!” US Army recruitment poster, the sleeve depicts George Clinton aka Dr Funkenstein in a Huey Newton Black Panthers pose. ‘Uncle Jam Wants You’ and Funkadelic-Parliament had a huge influence on Prince, The Red Hot Chilli Peppers, Bill Laswell, Tupac Shakar, De La Soul and many more across all musical genres. George Clinton’s genius Funk & Style will continue to be an influence for many more years to come... FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram colored vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE
- A1: Ebo Taylor - Amponsah
- A2: Moussa Doumbia - Keleya
- A3: Amadou Balake - Super Bar Konon Mousso
- A4: Mangue Konde & Les 5 Consuls - Pop Konde
- A5: Manu Dibango - The Panther
- B1: Peter King - Ajo
- B2: Itadi - Ayala
- B3: Marumo - Khomo Tsaka Deile Kae
- B4: Apples - Mind Twister
- B5: The Wings - Gone With The Sun
- C1: Kelenkye Band - Jungle Music
- C2: Super Elcados - Get Up & Do It Good
- C3: The Apagya Showband - Kwaku Ananse
- C4: Orlando Julius - Get The Funk (Feat Ashiko)
- C5: Alemayehu Eshete - Temeles (Feat Hirut Beqele)
- D1: Livy Ekemezie - Friday Night
- D2: Willy Nfor - Boogie Down In Africa
- D3: Shina Williams & His African Percussionists - Agboju Logun (Mr Bongo 7" Edit)
- D4: Soul Brothers - Bayeza
- D5: Teaspoon & The Waves - Oh Yeh Soweto
Das neue Album ‚Untamed‘ der französischen Sleaze Rock-Formation BlackRain ist ein ebensolcher Fall. Obwohl mit ihren sechs bisherigen Ver-
öffentlichungen bereits etabliert und auch auf Tourneen (unter anderem mit Europe, Alice Cooper, Scorpions oder Steel Panther) sehr erfolgreich,
legt das Quartett um Sänger Swan jetzt ein Werk vor, das in jeder Hinsicht neue Qualitätsstandards setzt. „Wir lieben den kraftvollen Sound, die
knalligen Drums, diese tolle Mischung aus catchy Melodien und Aggressivität, die ‚Untamed‘ von Beginn an durchzieht“, freut sich Bassist Matthieu de la Roche und benennt auch gleich den Produzenten der neuen Wertarbeit: Hannes Braun, Frontmann der deutschen Hardrocker Kissin`
Dynamite und auch als Tonmeister eine feste Größe. De la Roche: „Hannes sagte zu uns: ´Ich liebe eure Songs, mich begeistert eure Show, ich
weiß genau, wie eure nächste Scheibe klingen sollte!` Dank seiner Hilfe haben wir exakt den Sound gefunden, den wir seit zehn Jahre suchen.“
Veröffentlicht wird ‚Untamed‘ am 25. November 2022 über Steamhammer/SPV. Man sollte sich den Termin im Kalender rot anstreichen!
Panthera is a mysterious figure, and that’s how they plan to keep it. Arriving at the Bordello in a veil of secrecy, the four tracks of Synthesizer Hits do the talking for this unknown artist; and you better believe this music has something to say. The gloriously uplifting “Eurodrink” opens. Beaming bars border on pure elation and sullen sorrow, a tight drum keeping time in this space opera soundtrack. That same line of joy and sadness is maintained in the considered and reflective “20000” with its distant words and epic synthwork. “Bra” melts the pulsating energy of disco with complex percussions while a future vision melody descends. The close comes in the form of “Il Vizietto.” A daring work of astral electronics that takes its cue from the masters of silver screen and beyond. A stunning debut from an artist who music lovers will want to know.
- A1: Attila The Hun - Scorpion
- A2: Lord Caresser - Exploiting
- A3: Wilmoth Houdini & The Bamboo Orchestra - Poor But Ambitious
- A4: Duke Of Iron - Don't Stop The Carnival
- A5: Lord Invader - Rum & Coca Cola
- A6: The Mighty Sparrow - Benwood Dick
- A7: Harry Belafonte - Jamaica Farewell
- B1: Sonny Rollins Four - St. Thomas
- B2: Lord Invader - Old Time Cat-O'-Nine
- B3: Mighty Dougla - Ancient And Modern
- B4: Mighty Terror - That Woman Could Lie
- B5: Mighty Panther - The Bedbug Song
- B6: Henri Debs Sextet & Paul Blamar - Moune A Toupé
The Music Lovers collection brings you a cool selection of Calypso hits for our greatest plaisure!
- A1: The May 4Th Movement Starring Doodlebug
- A2: Black Ego
- A3: Dog It
- B1: Jettin
- B2: Borough Check
- B3: Highing Fly
- B4: Dial 7 (Axioms Of Creamy Spies) (Axioms Of Creamy Spies)
- C1: The Art Of Easing (Ny 21 Theme)
- C2: Kb's Alley (Mood Dudes Groove)
- C3: Graffiti
- C4: Blowing Down
- D1: 9Th Wonder (Blackitolism) (Blackitolism)
- D2: For Corners
* Dazed and Amazed Duo Color Vinyl * Fully printed inner sleeves * Liner notes by Larry Mizell Jr. // The album is named for the combs used to maintain an Afro hairstyle, and that's significant. The group's Ishmael "Butterfly" Butler said it summed up what they wanted to do with it: "It means the utilization of the natural, a natural style," he has said. Like with 1993's debut _Reachin' (A New Refutation of Time and Space)_, 'utilizing the natural' meant creating hip hop that blended jazz with the formidable rap skills of the aforementioned Butterfly, Craig 'Doodlebug' Irving and Mary Ann 'Ladybug Mecca' Vieira. Unlike that debut, it meant broadening to include guests such as Gang Starr's Guru, Jeru the Damaja, and Jazzy Joyce. Following the gold-selling commercial success of their debut, they here set out to prove their artistic prowess. This is intelligent, alternative hip hop that sounded like party music. Its lyrics are dense with wit, social commentary and politics - and its original inner sleeve was modeled on the newspaper of the Black Panther movement.
- A1: Manu Dibango - The Panther
- A2: Ebo Taylor & Uhuru Yenzu - Love And Death
- A3: Mulatu Astatke - Yègellé Tezeta
- A4: Super Elcados - Get Up And Do It Good
- A5: Teaspoon & The Waves - Oh Yeh Soweto
- B1: Pat Thomas - Awurade Mpaebo
- B2: Wallias Band - Muziqawi Silt (Instrumental)
- B3: Marumo - Khomo Tsaka Deile Kae?
- B4: Roger Damawuzan & Les As Du Bénin - Wait For Me
- B5: Shina Williams & His African Percussionists - Agboju Lo
- B6: Girma Bèyènè - Enkèn Yèlélèbesh
- C1: Tee Mac & Majorie Barnes - Nam Myoho Renge Kyo
- C2: Yta Jourias - Adore Nyueto
- C3: Peter King - African Dialects
- C4: Alèmayèhu Eshèté - Tchero Adari Nègn
- D1: Tesfa-Maryam Kidane - Heywete
- D2: Amadou Balaké - Super Bar Konon Mousso
- D3: Kelenkye Band - Jungle Music
- D4: Orlando Julius & Ashiko - Get The Funk
Musicking is Old Time Relijun's tenth studio album.The record pounces fierce with the protest anthem "Break Through". Arrington De Dionyso's voice has gained some grit and even more gravitas. Like an overloaded speaker, he booms the words into the stratosphere. "Break through the wickedness, break through the lies, Break through the glass; don't stand in my way!" The band hits the groove and the vibe moves through the eleven songs swiftly - like Panther Juice and Rum. It does not stop, it does not let up, it does not let you sleep.Musicking is the latest example of the Old Time Relijun push and pull. They are the rarest breed of musical combo - - - insatiable, living raw, always on the margins, consistent as hell. You know what to expect, and yet haven't a clue what's coming next. Old Time Relijun conduct sweaty, compulsively danceable performances that never fail to inflame. Their songs are simple, but no one in the world could imitate them. Their albums are packed with sing-along hits mixed with sonic experiments and cosmic jests. The loose swagger belies years of practice, fastidious arrangements and a gut-level understanding of musical how and why.
• Brings together themes from popular soundtracks and TV series
• Ramin Djawadi Game of Thrones, Max Richter The Leftovers, Downton Abbey main theme, Lalo Shiffrin Mission Impossible, Henri Mancini The Pink Panther, and many more
1. Ramin Djawadi
Game of Thrones Medley (Main Theme/The Night King/Light of the Seven)
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
2. Lalo Schifrin
Mission: Impossible
arr. & orch. Matthieu Gonet
3. Justin Hurwitz
La La Land Medley (Mia and Sebastian theme/ Another Day of Sun)
arr. Matthieu Gonet
4. Trad. Scottish, late 19th century
The Skye Boat song (Outlander)
arr. Julie Berthollet, Camille Berthollet
5. Trad. Italian, late 19th century
Bella Ciao (La casa de papel)
arr. & orch. Matthieu Gonet
6. Boots Randolph & James Rich
Yakety Sax, (The Benny Hill Show)
arr. & orch. Matthieu Gonet
7. Max Richter
The Leftovers Suite
arr. Julie Berthollet, Camille Berthollet
8. John Barry
The Persuaders! (Amicalement vôtre)
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
Side B:
1. Ludovico Einaudi
Fly (Intouchables)
arr. Julie Berthollet, Camille Berthollet
2. Julie Berthollet
Flashback
words and music by Julie Berthollet, arr. Camille Berthollet
3. John Lunn
Downton Abbey Main Theme
arr. & orch. Matthieu Gonet
4. Henri Mancini
The Pink Panther
arr. & orch. Matthieu Gonet
5. Lorne Balfe, Rupert Gregson-Williams and Hans Zimmer
The Crown Main Title
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
6. David Arnold & Michael Price
The Game is on (Sherlock)
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
7. Loik Dury & Christophe Mink
Dix pour Cent
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
8. Mathieu Lamboley
Arsène (from the Netflix original series Lupin)
9. Kyle Dixon & Michael Stein
Stranger Things Main Theme
arr. Matthieu Gonet; orch. Matthieu Gonet & Ronan Maillard
10. Danny Elfman
The Simpsons Main Title
arr. Matthieu Gonet
11. Camille et Julie Berthollet
Générique
music by Julie Berthollet, arr. Camille Berthollet




















