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2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

“O(c)tavio’s EP brings together a global crew of producers who all share the same name and a passion for high-quality techno. The A1 kicks off with “Fadeface” by NY based producer Otavio aka Fadeface, a rolling, driving cut that balances weight with groove. A2 follows with a no-nonsense loopy techno heater by Octavio, 1/3 of the Paraguayan group LPZ — pure dancefloor pressure, stripped and effective. On the flip, Argentinian artist Octavio Octavio brings a bit more swing with a groovier B1, still rooted in the floor but with a fluid touch.

Closing things out is a collaborative B2, combining all their styles into one cohesive, heavy-hitting statement. Pressed to vinyl and wrapped in stunning artwork by the talented Brazilian graphic designer Otavio Santiago. Turns out, putting a bunch of O(c)tavios in the studio results in one hell of a techno record.”

Selected songs from Yu Hayami's album "Delicacy of Love" released in 2016, are now available on vinyl from SLENDERIE RECORD, a music label
led by Takashi Fujii!

Contains two songs "" Tokeruyouni kiss me"" a masterpiece with lyrics by Yu Hayami, music by Takashi Fujii, and arrangement by Ken Tomita, and "Boogie
Boogie Love Train (English Version)" an English cover of Anne Lewis' "Koi no Boogie Woogie Train" which was not included on the album.
Experience the charm of the songs anew with the sound that only an analog record can provide. Limited quantities available, so don't miss out.

Yu Hayami Profile
Made her debut as a singer in 1982 with "Isoide! Hatsukoi".
Has had many hits, including "Natsuiro no Nancy" and "Passion"
Yu Hayami spent her childhood in Guam and Hawaii, and is bilingual, fluent in both English and Japanese.
Graduated from the Department of Japanese Culture, Faculty of Comparative Culture, Sophia University. In 1992, she participated in the Earth Summit held in
Rio de Janeiro, Brazil, and is active on a global scale.
She is also a certified wine expert and dance fitness ZUMBA® instructor. She has a diverse range of charms not only in music but also in lifestyle.
In 2022, she will celebrate her 40th anniversary since her debut and release her best album, "Affection ~Yu Hayami 40th Anniversary Collection~".
In the summer of 2024, she released a new song, "DISCO de DISCO" (composition: DJ Night Tempo), which she wrote the lyrics for.
She currently appears regularly on NHK Radio's "Midnight Flight NEXT" and NHK World's "Dining with the Chef". She also hosts BS-TBS's "MUSIC X".
Her annual summer solo concert, "Natsuiro no Nancy Festival 2025" is scheduled to take place at Otemachi Mitsui Hall on July 13th.
In recent years, she has also been working on jazz, pursuing new musical possibilities through the fusion of pop and jazz.

For many italo disco fans, Dyva is nothing short of a mythical name. A cult act surrounded by mystery, legend, and endless debates fueled by pure passion. And it all started with their iconic track “Oh Mama Tonight”, which, adding fuel to the fire, was released only as a promo single. That rare Boot Legs vinyl became the holy grail for collectors, a lifelong hunt for true italo enthusiasts.

After just three official releases (the last one in 1990), Dyva seemingly vanished from the face of the earth… Until the early 2000s, when Finnish italo aficionado Kimmo Salo tracked them down in Sestri Levante, Italy. That unexpected meeting sparked a brand-new chapter, both for Kimmo’s soon-to-be-born label Flashback Records and for Dyva’s founding members Roberto Calzolari & Massimo Traversoni. Encouraged by Kimmo, the duo returned to the studio to bring back to life not only their long-lost 80s demos but also fresh new material.

This album is a true time capsule, covering the period between 1986 and 2024, featuring never-before-released single versions, true gems. For any die-hard Dyva fan, this is nothing less than an essential addition to the collection.

For two decades, Trad Vibe Records has been exploring and celebrating the many facets of hip-hop, funk and soul music, always driven by a passion for authentic, organic sounds. Founded in 2005, this independent French label has made its mark on the underground scene with cult releases, transatlantic collaborations and a loyalty to vinyl culture. In 20 years, Trad Vibe has brought together beatmakers, MCs and DJs around a musical vision that is both timeless and audacious. To celebrate this anniversary, the label unveils a limited vinyl edition of 300 copies, a veritable digest of its musical universe.

Side A kicks off with "Boom Bap Introduction", a track mixing jazz and boom bap in a characteristic old-school instrumentation by DJ Vince.
This is followed by the West Coast energy of DJ King Flow & Lex Lakaiser on "Money".
The soulful groove of Moar, Raashan Ahmad and Kohndo explodes on "Stand Up (Soul
Train Mix)".
Juliano concludes the side with his blues-inspired "Nothing or All".
The B-side kicks off with the classic “Rock It Feel The Groove”, a funky bomb orchestrated and scratched by Dee Nasty, a historic figure in French hip-hop.
Moar and Raashan Ahmad return with "Sky High", a track reminiscent of the golden age of 80's Disco Rap.
Followed by LS Brigandes with the sensual "You Make Me Feel", bathed in New York, Hip-Hop, Soul and Jazzy influences.
To round off the album in style, DJ Clyde concludes with a positive message on Boom Bap sounds and Lofi with “More Love”.
This anniversary compilation is available on vinyl only, in an ultra-limited edition of 300 copies. A must-have collector's item for fans of polished beats and authentic vibes.

GRAMMY-award winning blues icon Koko Taylor was a force of nature. The legendary Queen of the Blues was one of the genre’s best-selling and most recognizable artists. With her huge, gritty voice and the backing of her powerhouse band, The Blues Machine, she delivered tough Chicago blues over a 45-year career, ending with her death in 2009. For people all over the world, her music IS the blues as much as BB King’s or Buddy Guy’s. Crown Jewels is the first new Koko Taylor vinyl to be released in 35 years, and as the title makes clear, it’s packed with over 50 minutes of the finest performances from her celebrated Alligator years. These are songs blues fans know and love by heart, from “Wang Dang Doodle” to “Hey Bartender” to “Let The Good Times Roll.” It’s gritty, unvarnished, old-school blues and proud of it, every track infused with Koko’s ageless energy and passion. Fellow Chicago blues greats Buddy Guy and Carey Ball guest.

Come On Come On isn’t just Mary Chapin Carpenter’s most popular album, with sales of 3 million copies. It’s also a contemporary country landmark. No less than seven of its songs became country hits: “I Feel Lucky,” “I Take My Chances,” “Not Too Much to Ask,” “The Hard Way,” “He Thinks He’ll Keep Her,” and two inspired covers, of Dire Straits’ “The Bug” and Lucinda Williams’ “Passionate Kisses.” More importantly, though, this 1992 release pointed the way towards what country music would become in the 21st century with its savvy seasoning of pop and soft-rock sounds into a more personal style of country songwriting from a female point of view. If you’re thinking that sounds familiar, you’re not wrong; Come On Come On’s prodigious commercial prowess isn’t the only thing this record has in common with the early work of Taylor Swift. But, it also crossed over into the rock realm in a way that, arguably, Swift’s records have not; the flourishing Americana and alt-country audiences of the early ‘90s ate this album up, and guest stars like Rosanne Cash, The Indigo Girls, and Shawn Colvin just upped its street cred. Somehow, this classic record has never (come on!) made it to vinyl; we’re making up for a whole lot of lost time with a grape vinyl pressing housed inside a color inner sleeve with lyrics. Essential!

The latest hype from the Will & Ink cult is the Ottagone series. Over the past couple of months, the ever-prolific techno imprint has started dropping unannounced batches of no-nonsense, dancefloor-oriented techno grooves. Dub-heavy and club-ready, the full series is a goldmine for passionate techno DJs -- but until now... digital only. On the Ottagone Selected series, the most wanted tracks are pressed on vinyl for the first time. Essential techno gear for DJs who like to groove.

If there is one quality that best sums up the personality and music of Michel Petrucciani, it is generosity.
It was on stage, in the moment, in close proximity to the audience, in the warm intimacy of a club setting, that he most truthfully expressed his passion for sharing.
Many musicians, he confessed, play too selfishly. They play only for themselves and a few happy few. I play to please and to communicate. I’d like to think I’m a very happy person.

That’s why it’s essential for me to transmit and give others the generosity that is vital in art, music, and life.”
This is proven by these magnificent moments captured live in 1997 in Tokyo.
Accompanied by Anthony Jackson and Steve Gadd - two close friends with whom he shared an almost telepathic musical relationship - Michel Petrucciani delivers an intense hour of pianoforte, performing both standards and original compositions to unleash his boundless generosity and sensual lyrical expression live on stage.

Once again, one is struck by the solar clarity of his phrasing, the vigour and percussive precision of his touch (this master of tempo played ‘deep in the note’), and the breadth of his long lines where each note remains distinct and articulate. Michel infused everything he played with great emphasis and nuance - but above all, with sincerity. His heart sang immediately through the piano. This record is the most brilliant demonstration of that.
· Until now, this album had never been released on vinyl. Now available as a 180g double vinyl edition, mastered specifically for vinyl, housed in a 350g leather-textured sleeve with Struktura finish, offering an elegant texture and refined feel.

LP - First Pressing in White Color Vinyl - Limited to 150

Includes: Gatefold. stickers + poster (60cm x 60cm) + download code

5 Years, All Ears, All Heart. Fifteen years ago there wasn't a grand plan, no vision board or 10-year strategy. It wasn't about fame and acclaim, it has always been about feelings and encounters. Meeting people who made music, loved music, were music. Fast forward a bit and the family just kept expanding. It wasn't just producers and DJs anymore, designers, writers, random hype people, "vinyl faced" ones... Everyone brought something different to the table and somehow, through our filter, it took us here. House, Jazz, Techno, Experimental, it didn't matter. The only rule was that the music had to feel alive, with a Jazzy twist, where "Jazzy" means a propensity to improvisation, not just music. This is not a story about numbers or streams. It's about people and places. Every track has a face behind it: the producer who turned a three-note loop into gold, the designer who nailed an album cover in one chaotic night, the heads who spun the story for the release and the friends who supported and listened. That is the soul of Apparel Music and that's why the cover for this "B-Day15" isn't gleaming or shiny, it's real. It's a celebration of encounters. The messy, magical moments when people connect and make something bigger than themselves. It's a big THANK YOU to all the characters who hopped on this ride. This record, dropping in both vinyl and digital formats and featuring artists from all over the world, is the symbol of the Apparel Music essence. From the USA with Osunlade to Australia with Erin Buku & Inkswel; from Denmark with Ghosten (featuring Francesca Touré and IZZY NU) to Italy with 2KS and Kisk; Argentina and Brazil with Eduardo and HNQO (with Collateral Lab), Spain with Tuccillo, Germany and The Netherlands with Marcel Vogel & LYMA. It's about exploring genres, diving into far-off worlds, being curious about other places, other people and figuring out how to make them all feel comfy under the same roof, chilling in the same room. A room we've been furnishing for a while with our little treasures, some fancy furniture, some not-so-fancy, but always with passion. There's more music to make, more stories to discover, more people to meet. Apparel Music is not just a label anymore, it's a big, instinctive, unplanned love letter to everyone who's been and who'll be a part of it. 15 Years, All Ears, All Heart.

VERY LIMITED 2025 REPRESS ON BEAM OF LIGHT VINYL .

Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music.

Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home.

"If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.”

With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings.

“It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

"PEOPLE" (original release year : 1988)
Hothouse Flowers' debut album People (1988) was a remarkable fusion of rock, folk, and soulful blues, spearheaded by the charismatic vocals of Liam Ó Maonlaí. The album was anchored by the hit single 'Don't Go', which propelled the band to international recognition.

With rich instrumentation and passionate performances, People stood out for its refreshing blend of Irish musical roots with contemporary rock influences.

The album was the fastest-selling debut in Irish history at the time. It topped the Irish Albums Chart and peaked at No. 2 on the UK Albums Chart, while also making significant impact in the U.S. and other markets. People was certified Platinum in the UK and Double Platinum in Ireland. Backed by strong singles like 'I'm Sorry' and 'Feet on the Ground,' the album sustained impressive momentum, further fuelled by the band's dynamic live performances.

People solidified Hothouse Flowers as one of the most exciting Irish bands of the late '80s, demonstrating the band's ability to bridge genres while delivering powerful, heartfelt music.

For 2025 Hothouse Flowers celebrate both People and its follow up album Home with a UK national tour revisiting both albums in full.

London Records celebrate the tour with represses of People and Home on vinyl, with restored artwork faithful to the original editions.

Blue Transparent Vinyl Limited

Repress of a Deep House Classic. 12inch comes as blue transparent vinyl.

Andy Vaz has a giant passion for cycling, precisely for extensive trips from his Hometown Cologne to Düsseldorf and other destinations around the area on his old school flavoured VITUS 979 Duralinox racing bike. “Bicycle Love” is his personal homage to it.

F.G.S.–the musical project of Los Angeles artist Flannery Silva–announces the first-ever vinyl release of her debut album ‘Tinker Bell’s Cough’, arriving May 27 via Scenic Route. Alongside the release comes a new single, ‘The Punisher (Tinker Bell’s Edit)’, and an exclusive vinyl-only live track, ‘Passions (Live at Tinker Bell’s Clubhouse)’.

Co-created with musician and producer Chase Ceglie, ‘Tinker Bell’s Cough’ is a surreal Americana record that filters the language of girlhood, heartbreak, and fantasy through a warped, theatrical lens. It’s Lana Del Rey meets David Berman in a cartoon whirlwind, with traces of Dolly Parton, Arthur Russell, and David Lynch.

Silva describes the record as “fairy tale theatre”. It’s packed with alt-universe country hits (‘Beth’s Deth’, ‘American Shield’), uncanny ballads (‘I’m Growing A Cross Around My Neck’), and leftfield pop songs rooted in character and place. ‘Passions’, the opening track, was inspired by Mary MacLane’s ‘I Await the Devil’s Coming’, while the title track imagines Tinker Bell herself singing a lullaby to God.

New single ‘The Punisher’ is an anthemic road song about loneliness and transcendence. “It’s about driving north on I-5 in California, worrying my car will overheat, bargaining with God, and falling in love with dust tornados,” Silva says.

Raised in the woods of upstate New York and formerly one half of the cult duo Odwalla88, Silva brings a visual artist’s sensibility to music. She studied art in Baltimore and continues to make sculpture and performance work that informs her songwriting. ‘Tinker Bell’s Cough’ was written on the Rhode Island coast, where she and Ceglie met weekly to write and record—drawing from old texts, visual references, and poetry.

F.G.S. has drawn praise from NTS, The FADER, Gorilla vs. Bear, The Line of Best Fit, Artforum, Sex Magazine, and more. With the reissue of ‘Tinker Bell’s Cough’ and the release of ‘The Punisher’, Silva continues to expand the strange, magnetic world of F.G.S., one that feels both deeply American and entirely her own.

Released in 2015, Adventure is the debut studio album by French electronic music producer Madeon. Fusing electro-pop, house, and synth-pop, the album showcases Madeon’s signature polished production and vibrant soundscapes. Featuring guest vocals from artists like Passion Pit, Dan Smith of Bastille, and Kyan, Adventure blends infectious melodies with emotional depth. Standout tracks like ""Imperium"", ""You’re On"", ""Pay No Mind"" & ""Home"" highlight Madeon’s talent for combining electronic precision with pop sensibility. Critically acclaimed and commercially successful, Adventure solidified Madeon as a leading force in modern electronic music. Its cohesive flow, creative production, and emotive energy make it a defining release of 2010s EDM and synth-pop. A must-listen for fans of genre-blending electronic music with a cinematic touch. Adventure is available as 10th anniversary edition of 1500 individually numbered copies on blue coloured vinyl.

DIG Curated is proud to announce its latest release: a jolting EP from Tbilisi's rising producer Uvall. This highly anticipated record is backed by Amsterdam's radiant force Marron, co-founder of the ever-evolving techno event Eerste Communie - a true rite of passage in the underground dancefloors.

Driven by a relentless passion for vinyl, and a vision for techno rooted in shared experiences, DIG Curated stands as a community-driven platform allowing emerging artists to be discovered through the endorsement of established diggers in the scene. Co-founded as a sub-label of DIG, by Berlin-based techno mainstays Olivia Mendez and Chami, the project is nurturing a future of vinyl curation shaped by credibility and collaboration.

For the third release on DIG Curated, Marron steps in to present a trailblazer in Tbilisi's underground scene - Irakli Bregvadze aka Uvall. He is known for groove-driven, high-energy techno, emerging from the heart of Georgia's electronic music movement, where the mantra "We dance together, we fight together" symbolises a commitment to unity and resistance. His production style - a potent fusion of hypnotic rhythms and raw intensity - is designed for big-room club spaces, capturing dancers in an immersive experience throughout. Uvall's magnetic sound lies in touching all elements while never failing to keep the minimalism as intriguing as it is mysterious. His undulating rhythms, draped with enigmatic synths, work seamlessly at both faster and slower tempos, keeping the tracks deeply captivating.

With Northern Lights' heavy pulsations that control and mold the listener, it becomes clear why Marron-who has been consistently curating the steamiest dancefloors-would choose to present Uvall's music as a precious discovery. Both artists seem to be born under similar stars, living and breathing the social movement that techno is, standing up for freedom of expression and border-transcending values.

Renowned for his deep-rooted dedication to the underground techno community, Marron lends his endorsement and artistic appreciation to the release. As a co-founder of Eerste Communie, Marron has consistently championed forward-thinking sounds and community-driven dancefloor experiences, making him the utlimate advocate for DIG Curated's mission. Always in competition with himself, Marron's fast-paced yet highly rhythmic selections are driven by his roots in African groove combined with a powerful, yet hypnotizing and atmospheric techno sound.

"With DIG Curated, we aim to harness the collective power of creativity and knowledge, and spotlight emerging artists. We want to collaborate with esteemed figures in the music scene, who have the credibility to endorse new names with distinct sounds." - Chami, co-founder of DIG Curated.
"As DIG continues to evolve and grow, we are committed to pushing the signature sound of techno that brought us together, and inspire a new movement in vinyl curation by launching DIG Curated." - Olivia Mendez, co-founder of DIG Curated.
DIG Curated 003 is a testament to the power of community, resilience, and the importance of music as an igniting tool to empower and connect dancers in times of polarisation and adversity.

'I Choose You' 3 Winans Brothers Feat. Karen Clark Sheard remixed By Louie Vega is the very reason house music is known around the world as A SPIRITUAL THING! House and Gospel have shared a dance floor from the very start thanks to pioneers like Louie Vega who harness the joy and inspiration of Gospel with the motivational energy of House. Never was this more evident than in the 1st project Louie Vega and 3 Winans Brothers Featuring The Clark Sisters came together for in 2015, DANCE which was a world renowned sensation and the catalyst for 'I Choose You'.

'I Choose You' is the result of a combined 20+Grammy Award Winning artists THE WINANS BROTHERS & KAREN CLARK including our very own Louie Vega's Grammy win bringing forth music that not only stands out but is an undeniably exceptional sound that will undoubtedly reaching past the top of the charts to blaze a path for music that celebrates being thankful for the life we are given! The 3 Winans Brothers, Bebe, Marvin and Carvin, have come together yet again with their love for writing, singing, and performing music with 'I Choose You'. Karen Clark Sheard having laid down new vocals produced by Bebe Winans himself coupled with the additional Winans soulful vocals completely enhance the reaffirming message 'I CHOOSE YOU... the POWER of HIS Love, I could NEVER deny it'.

Louie Vega has once again delivered the ultimate composition and arrangements to complement the beauty that lives in the message of 'I Choose You' and brilliantly elevates the powerful voices of the Winans and Karen Clark Sheard that bring that very deep sentiment of hope and light forward. For music with a message as enlightened as the one in 'I Choose You' Louie enlisted Axel Tosca of Elements of Life band, the Cuban born pianist with an intense passion to bring any keyboard to life who transfers that energy into this exceptional piece. Every single harmony, each key, all seamlessly aligned with in various mixes with engineer Yas Inoue of Vega Records on the boards so that 'I Choose You' can be enjoyed by those looking to fuel packed dance floor or their own individual playlists. The icing on the cake are the new vocals by Karen Clark Sheard, where she is testifying and ad-libbing powerful messages to the world! 'I Choose You' 3 Winans Brothers Feat. Karen Clark Sheard remixed by Louie Vega drop at all vinyl outlets ....AND be on the look out for future performance dates in your country and city.... this message is going world wide!

Exclusive vinyl with the singles released by the Watford post-punk band between 1981 and 1983.

"Before I began to write this piece I listened to some of the tracks and I admit there was a small tear or two as I remembered… Pet Sounds Studios, an 8 track reel to reel studio in a basement under a pet shop in Kennington, South London, our first studio experience as fresh faced 20 year olds. Surrey Sounds, a studio above a milk depot where Siouxsie and The Banshees had recorded singles, we got some studio time through the night when The Professionals (ex Sex Pistols) weren’t recording. Silo Studio in Hammersmith, the engineer was stoned, I smoked at least three packets of cigarettes during the session and having arrived at the studio with a song we believed in, we came out disillusioned and slightly underwhelmed; maybe greatness wasn’t destined to descend upon us at that stage of our career. Spaceward in Cambridgeshire, an old school building turned into a professional recording studio, where we recorded our first album Epic Garden Music over a weekend working through the night with about an hour of sleep. We returned there to record our second album, Feeding The Flame which took two months rather than two days. But my moist eyes are not for the broken dreams, the incredible highs or even the camaraderie with fellow band members, all of whom I may add we are still in touch with. My slight sadness is for my lost youth and the courageous optimism of those early days so viscerally evoked by this collection of songs. The glory of the world fades but in reality Sad Lovers & Giants goes from strength to strength, albeit in a very understated English way mainly because that’s the way we like it. So enjoy these songs which were created with passion and energy over forty years ago but still remain vivid and exciting to a new generation of listeners today." From Garce/Simon Allard's exclusive liner notes (October 2024)

Monaco (originally released in 2000) is the self-titled second and final studio album
by Monaco, following their debut album Music for Pleasure (1997).

Now 25 years after its original release, the album is finally available, for the first time ever, on vinyl.

Monaco was a side project (1995–2000) of Joy Division and New Order bass player Peter Hook, alongside David Potts,
the sole remaining member of Revenge. The album reflects Hook and Potts’ shared passion for blending rock with electronic and dance music. The album features the single I’ve Got A Feeling.

For vinyl enthusiasts, this 25th-anniversary expanded edition comes as a deluxe gatefold 2LP set, pressed on Crystal Clear vinyl
This version includes a 4-page booklet and five bonus tracks and is limited to 500 individually numbered copies.

Monaco (originally released in 2000) is the self-titled second and final studio album
by Monaco, following their debut album Music for Pleasure (1997).

Now 25 years after its original release, the album is finally available, for the first time ever, on vinyl.

Monaco was a side project (1995–2000) of Joy Division and New Order bass player Peter Hook, alongside David Potts,
the sole remaining member of Revenge. The album reflects Hook and Potts’ shared passion for blending rock with electronic and dance music. The album features the single I’ve Got A Feeling.

For vinyl enthusiasts, this 25th-anniversary expanded edition comes as a deluxe gatefold 2LP set, pressed on Crystal Clear vinyl
This version includes a 4-page booklet and five bonus tracks and is limited to 500 individually numbered copies.

LG Records presents a vinyl-only collection of songs from the archives of the friends and family of Sam Jayne. A very personal assembly of ten songs spanning over 20 years that were compiled from home demos, studio outtakes, obscure compilations, and out of print EPs. Many of these recordings had only been circulated for years amongst friends and fans, never having been formally released on a vinyl album format until now. A condensed and intimate collection of five cover songs and five original compositions that embody Sam’s endless depth of wit, absurdity, humility, passion, and heartache. Dedicated to all of the people who were graced to have shared their lives and fellowship with this beloved, one of a kind human being. Compiled by Zeke Howard and mastered by Tim Green at Louder Studios. 180g black vinyl, 500 pressed with Stoughton 28 pt tip-on sleeve.

Dark Blue Vinyl. Nina Nastasia's rare gift of a voice is an intimate, winged presence that is able to either freeze or melt your heart; that can powerfully soar and twist, or brush ultra-gently against you, suddenly summoning goose bumps. Released in 2003 by Touch and Go Records (and out of print for almost two decades), Run to Ruin is the third album by Nina Nastasia. It was recorded by Steve Albini at Black Box studio in Noyant-la-Gravoyère, France and at Looking Glass studio in New York. Combined with the prodigious talents of her backing band and the sparse but lush arrangements of the instruments, the songs on Run to Ruin evoke haunting scenes of heartache, passion and a slightly seedy world. Nina's voice is at once delicate and intense, neither sweet nor harsh, i conveys an array of emotion moving between joy and sadness with just a moment's pause.

La Pambelé Unveils Nací Mestizo, A Bold New Album Reviving Salsa with a Contemporary Twist Bogotá’s heavy guaguancó orchestra, La Pambelé, proudly presents their highlyanticipated second studio album, Nací Mestizo, now available on all major digital platforms as of November 27th. This album pays tribute to the golden era of salsa, particularly the 1970s, while breathing new life into the genre with modern lyrics and stories that resonate deeply with Latin communities.

All while maintaining a distinct Bogotan essence that highlights the city’s unique cultural flavor. Nací Mestizo seamlessly blends the timeless salsa brava sound with contemporary themes, reflecting the everyday lives of people across Latin neighborhoods. The album’s songs capture the struggles, passions, and joys of ordinary people, presented through the vibrant rhythms of salsa, creating a musical experience that connects the past with the present. Building on Their Rising Popularity Prior to the album’s release, La Pambelé debuted the singles “Amargura” and “Perdí mi Corazón”, which quickly captivated audiences and set the stage for the full album's success. The band’s electric performance of these tracks at the MedPlus Coliseum in Bogotá, before an audience of 22,000 attendees awaiting Marc Anthony, was met with enthusiasm as fans danced and applauded.

This moment marked a significant milestone for the orchestra, cementing their place as a rising force in the global salsa scene. Additionally, La Pambelé’s growing visibility has been marked by their appearances at major festivals such as Salsa al Parque and features on prominent radio stations, including Radio Nacional de Colombia and Latina Stereo. These platforms have helped introduce La Pambelé’s signature sound to a wider audience, building anticipation for the release of Nací Mestizo and reaffirming their influence in Colombia’s tropical and alternative music scenes. A Contemporary Salsa Sound with Classic Roots La Pambelé’s unique blend of traditional salsa brava and contemporary Latin storytelling is showcased through their distinctive nine-piece orchestra, which includes piano, conga, flute, trumpet, trombone, timbales, bongos, and baby bass. The dynamic vocals of Miguel RoRebolledo and Lorena Contento elevate the album’s themes, creating a sound that invites listeners to their feet and onto the dance floor. Under the direction of Camilo Toro Morato, the orchestra has honed its signature style, pushing the boundaries of salsa while staying true to its roots. As a proud defiance of stereotypes about Bogotá’s musical abilities, La Pambelé’s name pays homage to legendary Colombian boxer Kid Pambelé, symbolizing resilience and strength.

The name also draws from the Bantú language, meaning "defender of one's own," reinforcing the band’s connection to their Colombian heritage and pride in their distinctive sound. Global Recognition and Continuing Influence Since the release of their self-titled debut album in 2022, La Pambelé has gained international recognition, especially within the vinyl collector community. Theirdebut album was released in both 45” and LP vinyl editions, further solidifying their unique position in the contemporary salsa movement. Influenced by salsa greats such as Markolino Dimond, Eddie Palmieri, Edy Martínez, and Ismael Miranda, La Pambelé has carried forward the torch of salsa brava with passion and innovation. Nací Mestizo marks a significant evolution in the orchestra’s journey, melding the old and the new, and cementing La Pambelé as a driving force in the future of salsa music. A Collector’s Dream With their 2022 debut album garnering international recognition, La Pambelé’s vinyl releases—including 45” and LP editions—have become coveted items for salsa collectors worldwide. Their music is a bridge between classic salsa traditions and a modern vision, appealing to seasoned fans and new listeners alike. About La Pambelé La Pambelé is a heavy guaguancó orchestra from Bogotá, Colombia, known for their vibrant, rhythm-driven sound that blends 1970s salsa brava with modern Latin influences. With a unique nine-piece lineup and powerful vocals, the band continues to break boundaries, defying expectations and inspiring audiences around the world

Three LPs packed in a trifold jacket. Pressed on Deep Ocean Pearl, Gold & Dark Green Vinyl. Take up your sword, channel your magic or board your Mech. Chained Echoes is a 16-bit style RPG set in a fantasy world where dragons are as common as piloted mechanical suits. The game is set on the continent of Valandis during the time of a multi-generational war between three kingdoms, Taryn, Gravos and Escanya. After a great catastrophe caused by Grand Grimoire shakes the continent, the kingdoms agree to sign a peace treaty. One year later, an unknown force strives to begin a new war. A group of unlikely heroes joins forces and eventually becomes the clan of Crimson Wings in order to stop it. The outstanding soundtrack for Chained Echoes was passionately composed, arranged and recorded over four years by Eddie Marianukroh as well as many other musicians who worked under his direction. It includes 50 tracks at two hours in length. Even the game has been out for a while, Marianukroh's admiration and enthusiasm for the game and his addition to it remain undiminished: "It has been over two years now since the release of Chained Echoes, which is rather difficult for me to believe. Time really flies, and it's honestly a bit frightening when I think about it. But, despite that, when I listen to the music I've written for this game, I still very much remain proud of what I composed. I really did give my all for this soundtrack. I will forever be grateful to Matthias for trusting me with the music for his game. I can vividly remember how I felt when I first came across his project, and how I nervously reached out to him about the composer position. I truly, truly cannot thank him enough for giving me this memorable experience that I will always hold dear. Thank you, my friend."

Dive into the enchanting world of Middle-earth with our compilation LP featuring the most iconic tracks from The Lord of the Rings - Themes. This stunning collection captures the heart and spirit of the epic saga, making it a must-have for fans and music lovers alike. The Lord of the Rings film trilogy, directed by Peter Jackson, is based on the classic novels by J.R.R. Tolkien with The Fellowship of the Ring (2001), The Two Towers (2002) and The Return of the King (2003).

Marty Willson-Piper is an English guitarist, singer, and songwriter best known as a longtime member of the Australian band The Church (1980–2013). With a career spanning over 45 years, he has contributed to a wide range of musical projects, including his solo work, collaborations with All About Eve and The Saints, and his own band, Noctorum.

In 2025, Willson-Piper launched Archaeological Dig - Volume 1, the first in a planned trilogy of releases where he re-records over 30 songs from his extensive catalog. This re-imagined collection features ten songs from different time periods, played with strings, acoustics, piano, and keyboards while still incorporating bass, drums, and multi-layered vocals. The album revisits material from his solo career—including selections from In Reflection (1987), which also received a Record Store Day 2025 reissue, and Art Attack (1988)—as well as songs from his tenure with The Church, drawing from landmark albums like Heyday (1985) and Starfish (1988).

Included in Volume 1 are fan favorites like "Tristesse," originally featured on Heyday (1985), and "Spark," from the platinum-selling Starfish (1988). These songs highlight the diversity of Willson-Piper’s catalog and showcase his evocative songwriting and signature guitar work.

Adding to the album’s distinctive presentation, the cover art for Archaeological Dig features a themed sci-fi illustration, with each of the three volumes depicting Willson-Piper in a different setting alongside UFOs. The release is available across all planets and throughout the galaxy via the In Deep boutique label in conjunction with Schoolkids Records.

Blending psychedelic rock, folk, and alternative influences, Willson-Piper’s music remains deeply atmospheric and introspective. Beyond his recording career, he is also an avid vinyl collector, music historian, and passionate champion of independent artistry.

12" EP. Azmari is thrilled to announce the release of their fourth opus, 5-track EP 'In Oculis'. The EP is a reflection of the band's collective desire to reinvent themselves. With a more minimalistic approach, the four musicians have created an eclectic, intense, and vibrant body of work, recorded during various residencies in Belgium and abroad. The result is a fusion of genres that range from powerful grooves to cinematic jazz, from floating melodies to entrancing soundscapes.

For this new project, Azmari teamed up with a long-time collaborator, Guillaume Souffrice (alias Mosso Mosso), who had already been Azmari's guitarist in the band's early days. Souffrice's expertise as a music therapist and multi-instrumentalist, combined with his passion for cross-cultural rhythms and melodies, adds a new depth and dimension to the band's sound.

Souffrice's extensive travels have taken him from Iranian Kurdistan, where he studied the daf (a large frame drum used in Sufi ceremonies), to northern India, where he immersed himself in the modal subtleties of the shehnai (Indian oboe). His love for psychedelic guitar tones and the classic wha-wha pedal remains at the heart of his musical approach, creating a fusion of tradition and experimentation.

The EP opens with 'Night Plants Can Run,' a track that starts with a rhythmic loop on the Berimbau, a Brazilian percussion instrument traditionally used in Capoeira. The song offers a steady, groovy journey between Rio de Janeiro and Sarajevo, with a guitar theme doubled by the saxophone, all underpinned by a deep 4/4 groove. The middle part of the track introduces a lot of percussion (an Azmari signature move) that gives a sense of urgency and chase, inspired by the band's experience playing the track in the studio, imagining a pursuit through the depths of the Amazon.

Next, 'Disassembling the Matrix' takes listeners on a 9/4 march that feels both elusive and powerful. Born from a jam session where an arpeggiator loop wouldn't stop, the band decided to continue with it, highlighting the beauty of a spontaneous creation once again. 'Lizzard's Dream' is a guitar-driven trip that gradually intensifies in energy. The song surprises with a sudden groovy break - a moment that was initially the core of the track - before returning to its soft and introspective theme, closing out the A-side of the vinyl.

The fourth track, 'Eyelights,' was born from the shores of Vevey Lake in Switzerland. It reflects the result of a long period of mental observation and rhythmic exploration. Three different time signatures were used to create the song's intro, which comes together as they go along. The melody loops with a peaceful and nostalgic vibe, creating a dreamlike atmosphere. Under the direction of Frederik Segers, who produced the EP, 'Eyelights' takes on a cinematic feel, with classical upright piano sounds that are a first for Azmari.

The EP closes with "17th Tiger Print," which takes us to the banks of the Ganges. Souffrice's shehnai leads the track into a hypnotic, hallucinatory dimension, where the interplay between his instrument and the baritone saxophone creates a textured, mystical atmosphere. This track encapsulates the essence of Azmari, a sound that bridges cultures and emotions in a minimalist yet highly effective way.

'In Oculis' marks another milestone in Azmari's musical evolution, blending the band's signature style with new influences and experimentation. Whether you're a longtime fan or new to their sound, this EP promisesto take you on another ride around the world.

Discover the groundbreaking sound of Los Texao, a legendary Peruvian rock band that helped shape the music scene in the 1970s. Born in the culturally rich city of Arequipa, Los Texao's journey to stardom was paved with innovation, passion, and an undeniable connection to their roots. Their music fused the energy of psychedelic rock with Latin American influences, captivating audiences across their native Peru, Los Texao's psychedelic phase was marked by experimentation with new sounds and instruments. This release comprises their complete recordings, including all their singles and also covers of some of the most influential rock bands of the era, most of them previously unavailable on vinyl. Formed in 1969, the band took their name from Arequipa's emblematic flower, the nasturtium, and made an immediate impact with their debut at a local band contest. Soon after, they recorded their first 45 RPM single, which included covers of tracks by Chilean group Los Beat 4. But it was in the early 70s when Los Texao truly found their voice. With a dynamic lineup, including the talented Fernando "Feño" Humbser and Juan Núñez on guitar, Víctor Dibán on vocals and bass, and Edgar "Chito" Manrique on drums, their musical evolution began to take shape. The addition of Julio Torres, a keyboardist and guitarist from the iconic bands Los Beatniks and Los Dig It, further elevated their sound. Los Texao's psychedelic phase was marked by experimentation with new sounds and instruments. They embraced the emerging trend of playing rock in English, despite the language barrier, and incorporated cutting-edge gear. With the help of the legendary Peruvian jazz musician Jaime Delgado Aparicio, they created hypnotic tracks like 'Algún día' and 'Nunca cambias,' capturing the essence of 70s rock with swirling textures and atmospheric vibes. But it wasn't just the melodies that set them apart - their electrifying rhythms and powerful arrangements, like those heard in 'Stone' and 'La pelea del gobernador,' showcased their refined musicianship and intense dedication. Los Texao quickly became a sensation in Peru, performing in cities like Puno, Moquegua, and Arica (Chile), and sharing stages with iconic bands like Los Shain's, Traffic Sound, and Telegraph Avenue. Their infamous hit 'La pelea del gobernador' tells a tale of generational conflict and rebellious youth, captured in a live performance that still resonates with audiences today. The band's wild live shows became the stuff of legend, with fans packing into intimate venues to experience the raw energy of their loud, unapologetic rock. In addition to their 45s, Los Texao also recorded covers of some of the most influential rock bands of the era, including Cream, Steppenwolf, and The Guess Who, showcasing their versatility and love for classic rock. Unfortunately, this session remained lost for years and some of these covers have never been available on vinyl before. Despite their growing success, Los Texao eventually disbanded in 1975 due to personal and professional challenges. But their legacy never faded.

CAJU, THE SECOND ALBUM BY BRAZIL'S UPCOMING STAR - LINIKER

A SEAMLESS BLEND OF POP, SAMBA, JAZZ, R&B, AND HOUSE, FEAT. LULU SANTOS, PABLLO VITTAR, TROPKILLAZ, MELLY, PRISCILA SENNA, BAIANASYSTEM, AMARO FREITAS & ANAVITÓRIA

LIVE - JUNE 14 - ELECTRIC BRIXTON

VINYL IS A 2LP GATEFOLD with a 4Page Booklet

+ OBI & PRINTED INNER SLEEVES

BorninAraraquara/SãoPaulo,Liniker is a multitalented artist - singer, songwriter, music producer, and actress - whose passion for the arts began in childhood. Influenced by her mother and uncles, who were active in samba rock circles, Liniker's early musical experiences planted the seeds for her future career. Today she is one of the most exciting Brazilian artists. In 2022, she won the Best Brazilian Album category at the Latin Grammy Awards with Indigo Borboleta Anil. In 2023, Liniker became immortalized by the Brazilian Academy of Culture, taking the seat once held by Elza Soares, the eternal Brazilian singer. Liniker's sophomore album CAJU, released in August 2024, has quickly become a classic in Brazilian popular music. The album's 14 tracks—some extending beyond 7 minutes—demonstrate Liniker's commitment to artistic expression over commercial constraints. Liniker showcases versatility and artistic growth through a seamless blend of pop, samba, jazz, R&B, and house. Songs like "Veludo Marrom", "Tudo" and "Ao Teu Lado" shine for their musical complexity and emotional depth. Its success led to multiple wins at 2024 Multishow Brazilian Music Awards, including Artist and Album of the Year. The album features Lulu Santos, Pabllo Vittar, Tropkillaz, Priscila Senna, Melly, BaianaSystem, Amaro Freitas and ANAVITÓRIA.

Listen to This.” As the original working title for Bitches Brew, the instruction and invitation remains to this day as the best way to approach a record that shattered conventions, altered music history, and, 55 years later, still sounds far ahead of its time. The template for jazz fusion, Bitches Brew is rightly ranked by virtually every significant outlet among the 100 greatest albums ever made. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity’s UltraDisc One-Step 180g 33RPM 2LP vinyl set.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing in California, this definitive-sounding 55th anniversary reissue enhances every element of a double album that established new possibilities for studio recording techniques. You’ll hear wide and deep soundstages, separation between instruments, and an extremely broad dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Davis conceived Bitches Brew by having the musicians stand in a semi-circle. There, he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Benefitting from the ultra-low noise floor and superb groove definition of this pressing, these distinct creations take shape with utmost realism. Compositions stretch across jet-black backgrounds and paint canvases laden with millions of colors and shades. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.

Bitches Brew also boasts visionary artwork. By design, the lavish packaging and gorgeous presentation of the UD1S Bitches Brew set call attention to such matters. Housed in a deluxe slipcase, it features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendor of the recording. It is made for discerning listeners who desire to fully immerse themselves in everything surrounding the album, from the images to the tones. And this is one effort where every last detail matters.

Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to “put together the greatest rock and roll band you ever heard.” Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that makes rhythms a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories. At once hypnotizing and grooving, they chart maverick adventures via quixotic rock, funk, and R&B elements.

A without-a-net experiment involving interchangeable double-quintet lineups, Bitches Brew explores the previously unimaginable with electrified instruments — Fender Rhodes piano, processed trumpet, dissonant guitars, and bass among them — and an emphasis on feeling over composition. Mesmerizing and soothing, jarring and smooth, overt and subtle: The music seemingly covers an entire map of emotions and sensations, and like no record before, ties together the groundbreaking creativity of the multiple disciplines that were changing popular culture at the end of the 1960s and dawn of a new decade.

Conceptually, Davis described Bitches Brew as “a novel without words” and “an incredible journey of pain, joy, sorrow, hate, passion, and love.” The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of the watershed effort lies in how it resists definitive interpretation and encourages free thought — the very principles Davis used to conceive Bitches Brew.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab’s UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called “converts”) are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

Johnny Mathis (born September 30, 1935) is an American singer. He is one of the best-selling recording artists of the 20th century. Starting his career with singles of standard music,

Mathis became highly popular as an album artist, with several of his albums achieving gold or platinum status and 73 making the Billboard charts. Mathis has received the Grammy Lifetime Achievement Award and has been inducted into the Grammy Hall of Fame for the single “It’s Not For Me To Say”. Although frequently described as a romantic singer, his discography includes traditional pop, Latin American, soul, rhythm and blues, soft rock, blues and country music.

On this compilation some of his greatest hits like “Wonderful, Wonderful”, “Chances Are”. Johnny’s voice & music has been used in countless Hollywood movies, TV shows, and even video games for theme songs & background music to enhance a particular setting or segment. Just to name a few: Family Ties, Gremlins, Criminal Minds, Soul Train, Goodfellas, The Simpsons, Desperate Housewives, EastEnders, Mad Men, and Close Encounters of the Third Kind.

Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica and impact on succeeding generations earned comparisons for him to such seminal artists as Django Reinhardt, Charlie Parker and Jimi Hendrix. His virtuosity and musical innovations fundamentally altered many listeners’ expectations of what was possible on blues harmonica. He was inducted into the Rock and Roll Hall of Fame in 2008 in the category Sideman, the only artist to be inducted specifically as a harmonica player.

This album consists of a combination of hits from Little Walter such as “Mellow Down Easy”, “Nobody But You” and “My Babe”.

- 180 GRAM AUDIOPHILE VINYL
- PVC PROTECTIVE SLEEVE
- SCORE BY JOHN DEBNEY
- CONTAINS A 8-PAGE BOOKLET
- LIMITED 15TH ANNIVERSARY EDITION OF 500 INDIVIDUALLY NUMBERED COPIES ON TRANSPARENT RED VINYL

Passion Of The Christ (2004), composed by John Debney, is the original score for Mel Gibson's controversial film The Passion Of The Christ. The soundtrack received an Academy Award nomination for Best Original Score and it was on the first place in both Top Christian Albums and Top Soundtracks in 2004. In 2005, the album won a Dove Award for Instrumental album of the year at the 36th GMA Dove Awards.

The soundtrack succeeds as a coherent, moving, well-executed musical statement whether or not has seen the film. The album is a combination of folk instruments, Eastern-tinged harmonics, solo, and choral voices. Debney has used the Indian master violinist and vocalist L. Shankar, and singer/double-violinist Gingger Shankar.

Debney's soundtrack is an interesting and highly recommended work. It will offer those who choose to encounter it a far-reaching and deeply affective listening experience that is as aesthetically beautiful and unsetting as it is evocatively familiar.

Available as a limited 15th anniversary edition of 500 individually numbered copies on transparent red vinyl.

"Petrol", one of Manu Kenton's most iconic tracks, makes its highly anticipated return in a limited edition that will appeal to both collectors and techno enthusiasts. This special version features not only the original track, but also exclusive remixes that reinterpret the piece from different angles, offering a diverse and exciting sonic palette.

Manu Kenton, staying true to his creative genius, revisits his own track by adding an energetic and catchy vocal, bringing a fresh new dynamic to the already electrifying atmosphere of the original.
The Gregor Size remix is a true powerhouse: dynamic, industrial, and powerful, it transforms "Petrol" into a heavy, punchy piece, with dark textures and irresistible rhythms that leave a lasting impression.
Greg Denbosa, on the other hand, delivers a progressive techno remix, with a dynamic and repetitive beat that builds tension, creating a hypnotic experience perfectly suited for the dancefloor.
Finally, Bestien offers a nervous, straight, and punchy version, ideal for the peak moments of a night. His explosive remix ramps up the intensity on the dancefloors, with raw energy and power that demands attention.

Visually, this vinyl stands out with its "Yolk" effect, a unique blend of white and white with luminous accents, creating a striking and modern design that will enhance any collection.

Français

"Petrol", l'un des morceaux les plus emblématiques de Manu Kenton, fait son grand retour dans une édition limitée qui séduira aussi bien les collectionneurs que les passionnés de techno. Cette version spéciale inclut non seulement la version originale du titre, mais aussi des remixes inédits qui réinterprètent le morceau sous des angles différents, offrant ainsi une palette sonore variée et excitante.

Manu Kenton, fidèle à son génie créatif, revisite son propre morceau en y ajoutant un vocal énergique et entraînant, donnant une nouvelle dynamique à l'atmosphère déjà électrisante de l'original.
Le remix de Gregor Size est un véritable tour de force : très dynamique, industriel et puissant, il transforme "Petrol" en une œuvre lourde et percutante, avec des textures sombres et des rythmes irrésistibles qui marquent les esprits.
Greg Denbosa, quant à lui, propose un remix techno progressif, avec un beat dynamique et répétitif qui crée une tension croissante, offrant une expérience hypnotique et parfaitement calibrée pour les sets dansants.
Enfin, Bestien livre une version nerveuse, droite et percutante, idéale pour les moments intenses d'une soirée. Son remix explosif fait monter l’intensité sur les dancefloors, avec une énergie brute et une puissance qui ne laisse personne indifférent.

Visuellement, ce vinyle se distingue par un effet "Yolk", un mélange unique de blanc et de rouge lumineux, créant un visuel frappant et moderne qui enrichira toute collection.

The Passion of the Christ is a 2004 biblical drama film by Mel Gibson with music composed by John Debney. The soundtrack received an Academy Award nomination for Best Original Score and it was on the first place in both Top Christian Albums and Top Soundtracks in 2004. In 2005, the album won a Dove Award for Instrumental album of the year at the 36th GMA Dove Awards. The soundtrack succeeds as a coherent, moving, well-executed musical statement whether or not one has seen the film. The album is a combination of folk instruments, Eastern-tinged harmonics, solo, and choral voices. Debney worked together with Indian master violinist and vocalist L. Shankar, and singer/double-violinist Gingger Shankar. The Passion of the Christ is available as a limited edition of 750 numbered copies on gold coloured vinyl and includes a 4-page booklet.

Over the last ten years, Brazil’s Millos Kaiser has cultivated a reputation as a top-ranking selector passionate about bringing his home country’s underappreciated music to the world. After starting as a punk and indie musician in Niterói, Rio de Janeiro, he turned his hand to DJing in the late 2000s and relocated to Sāo Paulo. There, he spent the 2010s rocking city squares, warehouse parties and street parties with DJ Trepanado in the Selvagem duo before cofounding the celebrated Selva Discos label in 2017.

Since 2019, Millos’s focus has shifted to his solo DJ career and ventures as an edit maker, reissue compilation curator, audiophile bar co-owner, and now producer. Planet Trip Records has been very good friends with Millos for a long time and is very pleased to present his first original release, the Te Quero Perto (I Want You Close) EP, available in vinyl and digital formats.

Assembled like a DJ-friendly 12” for late 20th-century nightclub specialists, Te Quero Perto kicks off with Millos’ original ‘club mix’ and an accompanying ‘instrumental’ version (digital.only). Driven by an uptempo machine beat straight out of the mid-'80s, rave pianos, 303 acid bass, and an explosive Brazilian pop vocal sung by Juju Bonjour, it’s an absolute belter of a tune and a masterclass in in-period styling.

Elsewhere on the EP, Millos’s European friends Lipelis & Orion Agassi turn in an equally belting Latin Freestyle remix in vocal, dub and instrumental mixes (instrumental is digital only). Rounding things out, fellow Rio de Janeiro producer Paco Cabana throws the tune into a cocktail shaker before pouring a sunkissed, percussion-heavy reimagining for us to sip on. Front to back, it’s an all-killer, no-filler debut from a generational talent.

Transport yourself to the vibrant streets of Havana with the Buena Vista Social Club's eponymous album, a captivating journey into the heart of Cuban music! Recorded in 1996 by acclaimed producer Ry Cooder, this timeless masterpiece celebrates the rich tapestry of Afro-Cuban rhythms and soulful melodies that have enchanted audiences for generations.

Buena Vista Social Club is both the name given to this extraordinary group of musicians and the album, recorded in just seven days in 1996 in Havana's 1950s vintage EGREM studios. From the infectious energy of "Chan Chan" to the heartfelt nostalgia of "Dos Gardenias," each track immerses listeners in the intoxicating blend of son, bolero, and guajira styles. Led by legendary musicians such as Ibrahim Ferrer, Compay Segundo, and Omara Portuondo, the Buena Vista Social Club ensemble delivers performances that are as exuberant as they are intimate, capturing the essence of a bygone era while igniting a passion for Cuban music that knows no bounds.

The acclaim of the original album has elevated the artists (including Ibrahim Ferrer, Rubén González and Omara Portuondo) to superstar status, inspired an award-winning film by Wim Wenders, and has contributed to popularizing Cuba's rich musical heritage. Produced by Ry Cooder for World Circuit, the timeless quality of the music and the sheer verve of the veteran performers have ensured that this will go down as one of the landmark recordings of the 20th century.

This 45 RPM Analogue Productions reissue pressed by Quality Record Pressings on four dead-silent LPs makes every note a transcendent experience. Meticulously crafted using the finest materials and exacting standards, this reissue pays homage to the golden age of vinyl, capturing the warmth and depth of the original recording in stunning detail. The package includes a 12-page booklet with lyrics and stunning studio images, topped off by a tip-on old style gatefold double pocket jacket made by Stoughton Printing.

Embark on a musical odyssey filled with warmth, joy, and the irresistible allure of Havana nights!

Patricia Kaas' 2008 album Kabaret is a tribute to the glamorous world of 1930s cabaret, blending elements of French chanson, jazz, and pop. The album features a mix of original songs and covers, all delivered with Kaas' signature smoky vocals and dramatic flair. Standout tracks like "Et s’il fallait le faire" and "Le jour se lève" showcase her emotional depth and ability to evoke nostalgia, while the arrangements bring a modern twist to classic sounds. Inspired by legendary performers like Marlene Dietrich, Kabaret reflects themes of love, passion, and melancholy, all set against a backdrop of sophisticated, retro-inspired melodies. With its cinematic atmosphere and elegant production, Kabaret is a must-listen for fans of Patricia Kaas and lovers of classic French music, offering a timeless journey into the cabaret era. Kabaret is available as a limited edition of 1500 individually numbered copies on turquoise coloured vinyl.

Toy Tonics Music Berlin presents "Para Mytho Disco". The 2nd "Kapote" album of label founder and creative director Mathias Modica.
Keyboarder, DJ, producer, music nerd, graphic designer, multi-instrumentalist, sub-culture impressario and artist (formerly known as Munk of Gomma records.)

Kapote & Toy Tonics
In the last years Kapote was in the spotlight mainly for building the Toy Tonics label with his friends. Developing a platform for new positive quality dance music with a human touch. Toy Tonics is the opposite of the dark, druggy Techno and Trance sounds of the last years.
The warm inclusive music of Toy Tonics represents a new vibe that a young generation of diverse, stylish and culturally intersted generation of dancers loves now. Kapote's Toy Tonics became the key label for that vibe. (In 2024 Toy Tonics made 150 Toy Tonics events in 18 countries. With more than 150.000 people dancing. 90 millions streams on their music.)
Toy Tonics is more than a music label: It's a audio - visual universe. A community, almost a movement.
Based on a new positive attitude and aesthetic diversity. Mixing musicianship with DJ culture, analogue music with electronic, ideas from the past with sounds from now. To create something new. Connecting dance music with graphic design, art and underground fashion.
Kapote and his gang release vinyl, posters, shirts, art fanzines and make exhibitions and partys.

Toy Tonics started in Berlin as a underground niche project. But now became the key label of the new house, wild style disco and organic dance music scene.
Probably one of Berlin's biggest electronic music phenomena along with Keinemusik and Live from Earth.

It went fast: 2020 Kapote's crew started to make small parties in Berlin's off spaces. The "Toy Tonics Jams". The parties became "talk of the town", and Berlin clubs like Griesmühle and Panorama Bar invited the crew. Then international clubs and festival called. Toy Tonics were invited to SONAR (playing the mainstage with Kaytranada and DJ Tennis), KALA festival, Montreux Jazz festival.
Now TT has a residency at Panorama Bar Berlin and sold out events in Europe leading clubs like Phonox in London, Rex Club in Paris, Tunnel in Milan.
Toy Tonics now is the reference brand of a new generation of music loving dancers. Similar to Gomma records, Kapote's former label (2003 - 2015) that was one of the key labels of the "indie dance" scene of the Y2K years (along with DFA and Output Records).

Kapote created a multi-cultural movement with graphic designers, photographers, illustrators from the Berlin scene.
They publish the Toy Tonics Pocket Poster magazine, posters and design shirts. They organize the Toy Tonics Pop Up Galleries mixing music and art. In underground venues in Berlin and in new gallery spaces and museums around Europe.
Toy Tonics has been invited by Palais de Tokio museum in Paris, Triennale Museum Berlin, Design week Milano to create events.
The new Kapote album
The 12 tracks have a very own style. Based on dance music, but going much further. "Para Mytho Disco' is a futuristic mix of sounds. It's far away from the dark monotone techno and trance music from Kapote's hometown Berlin. Instead, he creates warm friendly atmospheres full of sonic colours and little musical surprises.
Kapote's knowlege of music history and his backround as a jazz piano student and son of classic music composer is clearly inside this music. Before turning into a DJ and electronic music producer he has been playing in bands since he was 13 years old.
The album is full of emotional chord progressions played by Kapote on various keyboards. Sometimes reminding music from the past, without being retro at all. The basslines and melodies are inspired by jazz fusion from the 1970ies. And he programmed syncopated grooves that come from afro-american dance music. There are influences from Japanese electronic music (Yellow Magic Orchestra), from 1980s Synthwave and from 1990s electronica (like Squarepusher and Luke Vibert).

Kapote plays keys, bass, flutes and percussions, he plays synth solos and sings on a few tracks. The complexity of the arrangements makes this music never boring. Lot of melodies and solos that catch the listener. Colourful soundscapes that make you want to listen or dance to this album more, and discover details also after you heard it several times.

Kapote background

Before starting Toy Tonics, Kapote used to run a label called Gomma. He produced four albums under the name Munk and music for other artists.
He produced music with Peaches, Franz Ferdinand founder Nick McCarthy, with New York street art legend The Rammellzee, Italian actress Asia Argento, the first three albums of WhoMadeWho and worked with LCD Soundsystem (listen to "Kick out the chairs", the Munk song with James Murphy )
In those "Gomma days" Kapote aka Munk was also one of the main DJs for VICE magazine parties and made music for art projects and fashion brands (Margiela, Prada, Colette).
In 2015 he stopped Munk and Gomma and started Toy Tonics. He found young producers and helped to develop their sound (Coeo, Cody Currie, Gee Lane, Barbara Boeing, Sam Ruffillo). Later he founded the sublabel Kryptox to release music by Berlin based bands that make new forms of jazz or neo classical sounds.

Under the name Kapote Mathias didnt release much:
Only his Kapote debut album "What it is" (2019) and an EP called "Electric Slide" (2022) and a collabo EP with Italian producer Sam Ruffillo ("Robot Salsa").

An although his Munk and Kapote music was an underground phenomena his music has always been a favourite of many great people from the scene.
Supported by DJs like Harvey, Chromeo, Moodymann, Jennifer Cardini, Gerd Janson, MYD, Andrew Weatherall to Blessed Madonna, Justice and Laurent Garnier… to name just a few.

SATYA is thrilled to announce the next chapter in its vinyl-only catalog: an evocative EP by São Paulo-based producer Dru. Scheduled for release on March 21, 2025, this record captures the serene yet dynamic energies of Dru's distinctive sound, blending aquatic themes with dubby textures and grooves.

Dru is a producer and DJ with a passion for minimal and microhouse. He has steadily risen through the scene, earning the support of luminaries such as Mihai Pol, Arapu, and Barac. With previous releases on his own labels, Totoyov and Microdots, Dru has honed a sound that is both personal and universal, reflecting his unique journey.

Rooted in the calming beauty of Brazil’s pristine beaches, Dru explains that the EP emerged during a reflective chapter of his life. "I was looking to produce tracks on a more dubby vibe," he shares. "The aquatic and fresh feel of the tracks reflects my connection to the sea and the tranquility I find there." This theme flows through the EP, offering listeners a refreshing escape into soothing yet intricate soundscapes.

The EP comprises two standout originals:

"Lax" captures a serene moment in Dru’s life, characterized by personal harmony and simplicity. The title itself is an 
abbreviation for "Relax," reflecting the calm state of mind during its creation.

"Afterbreak" marks a transitional period post-breakup, yet the track maintains a composed energy, symbolizing growth, 
renewal, and forward momentum. 
Dru draws on a broad spectrum of influences for this EP, from the African-reggae-inspired percussive touches to the intricate dubby aesthetics of Andrey Pushkarev’s Luck of Access label. These elements intertwine with Dru’s Brazilian roots, creating a fusion of global sounds with a personal twist. 
One of the most exciting milestones during the production process was securing remixes from Nicolas Duvoisin and Superlounge, both of whom enthusiastically joined the project early on. With contributions from these respected artists, the EP transcends boundaries, bridging dubby minimalism and deep house groove.

The vinyl-only release marks an exciting new chapter for Dru and SATYA. With its aquatic themes, dubby energy, and heartfelt storytelling, this EP promises to captivate both seasoned collectors and fresh ears alike.

Take Five - Great Jazz Instrumentals by Various Artists, released 21 March 2025, includes the following tracks: "My Funny Valentine", "Cast Your Fate To The Wind", "Desafinado" and more.

This version of Take Five - Great Jazz Instrumentals comes as a 2xLP in a(n) Gatefold Sleeve packaging.

After an extended break from vinyl releases, Mothball Record is back with a long awaited Italo-disco reissue.

A longtime passion project of label owner Hysteric, “Take Me… Mr Love” is something of a unique entry in the later years of Italo-disco, forgoing the typically smooth and processed sound in favour of a rough and low budget production, making up in charm what it lacks in polish.

The release is completed by a powerful remix from the Dutch Italo sensation Luca Dell’Orso. Coming off the back of a string of successful releases on Bordello A Parigi, Red Laser Records and Ritmo Fatale, here he brings new life into the track and takes it into well and truly to the dancefloor.

When it comes to musical discovery, sometimes the stars just align. DJ and record collector, Steve KIW, put Mr Bongo onto this amazing Chilean cover version of Jamie Principle & Frankie Knuckles' all-time classic 'Your Love'. Despite being originally released 13 years ago, it had recently started to prick the ears of house and Balearic connoisseurs in the UK, further cemented by inclusions in the Idjut Boys epic sets. Steve heard them play it, tipped us off and it soon became a favourite at Mr Bongo HQ.



By pure chance when the Mr Bongo DJs joined Luke Una to play at La Paloma ballroom in Barcelona a few weeks later, Luke dropped this incredible interpretation at the peak of his set. A good friend of his, Michelle from Huddersfield, had also put him onto the track and he instantly fell in love. A serendipitous coming together, 'Tu Amor' seemed like the perfect next instalment in the E Soul Cultura discography. The version in question was released in 2012 as part of a digital-only EP.



It came courtesy of the Chilean DJ, producer and singer Mamacita (Carolina Vallejos) and producer Sebastian Roman, aka Persona RS. Meeting Sebastian while out partying in Santiago during a boom time for electronic music in Chile, their shared passion for making house music in Spanish and their admiration for Frankie Knuckles led to the creation of this raw and unique cover version. Recorded on lo-fi equipment, including an old Windows laptop and a borrowed Neumann microphone, it nods to the DIY ethos of the early Chicago productions. The result is a stripped-back, quirky cosmic take on a stone-cold classic, full of squelching synthlines and Carolina's stunning Spanish vocals, that became a club hit on Chile's underground circuit. However, aside from some Latin American and US DJs picking it up, it never got the international recognition it deserved.



Fast forward to 2025, and E Soul Cultura is proud to present the glorious 'Tu Amor' on vinyl for the first time, backed with a new, extended, club re-edit by E Soul Cultura captain Luke Una and Luke Solomon (Classic Music). On first hearing 'Tu Amor' Luke Una recalls, There was a real charm to it, it was quite an unorthodox arrangement, a huge wonkiness and just sounded so DIY in a brilliant way. I was chatting to Luke (Solomon) about how much we loved it and we decided to re-edit it together. Accentuating the wonk of those crazy synths, we've extended it to make a fiercer underground club tool, without taking away that very charming cosmic feel.

With a much-loved signature sound heavily influenced by many active years in the trance scene, Fernie’s blend of emotive pads and cosmic soundscapes has secured him a discography that spans some of deep techno’s most revered labels. Having releases on the likes of Monument, Khoros, KVLTÖ and Informa Records to name just a few, as well as heading up his own imprint Space Textures, curating the Monument podcast, and co-running the Orbits parties with fellow Glaswegians Deepbass and Repart - Fernie’s passion for the deep techno community resides in the energy he consistently commits to our scene.

The third release in our catalogue comes as a limited edition 140g transparent vinyl with black smoke, pressed in Italy and presented in a matte sleeve with full colour artwork. Celestial is a carefully woven journey that searches and probes, be it the outer reaches of space or the inner depths of oneself. Perfectly blending the themes of space exploration and astrology, the EP opens with a brooding wash of atmospheres and voice samples, before broken rhythms, lush pads and moody ethereal tones carry the voyage through the A Side. The B Side sees the record open up into two tracks perfect for deep immersion on the dance floor, with Unbound offering an atmospheric cruise fit for early morning bliss. And finally, we are humbled to have a remix from deep techno stalwart Ness closing out the EP - a ritualistic stomper that reworks the original atmospheres of Critical Functions into an uptempo dub techno infused gem.

* 12” orange vinyl, 3mm spine sleeve, inner black bag, 180Gsm
* Following on from the success of the 'Ram Reloaded' repress vinyl series, we are pleased to announce our next project in collaboration with Ram Records. As part of Ram Records’ 30th anniversary, we have put together a series of new remixes and VIP’s of some of the labels biggest releases from the early 90’s.

* The Touch (Ant Miles Remix)
Being one half of Origin Unknown alongside Andy C, Ant Miles located the original floppy Akai sample disks from way back in 1993 and was able to load them up into his Akai sampler. He went on a mission to not only recreate the sound and vibe of the original A side of RAMM004, but to then go on to enhance and tweak all the elements, including various elements from the 'Part 2 mix' that came out later in 1993. 

* The Touch (Ruff and Ruffer Remix)
Two DJs also from Hornchurch in Essex, have already lined up their debut 12" which will be released later this year on Out Of Romford Records. From the strength of this forthcoming Hardcore tear out 12" they were invited to submit a remix of 'The Touch'. Being long-time fans of the Ram and Liftin Spirit labels, they took the samples and went in with a passion to create a twisted up and slammin’ remix which so far has blown everyone away with its energy and overall technique. These two brothers are ones to watch out for in 2024.

* Valley of the Shadows (New Decade Remix)
New Decade (Out Of Romford Records) follow up their run of outstanding remixes; 'Cold Fresh Air' and 'The Big Bang' this time visiting the anthemic 'Valley of the Shadows' a.k.a. Long Dark Tunnel. Encapturing the sound and vibe of the 1993 original, New Decade have taken it further, enhancing and twisting the hypnotic atmospheres, yet keeping the original rolling feel of the drums and basslines whilst also including the occasional nod to the remixes that appeared throughout the 1990’s. The initial reception of this remix has been exceptional and has completely stunned and transfixed the masses, being commented on by many as perhaps the best of the four remixes that have landed over its 31 years.

* Valley of the Shadows (Awake '96 Mix)
This was the second remix to appear three years after the original in 1996 and has been carefully remastered with today’s technology for this final Ram Reloaded 2024 12" release. Andy C & Ant Miles took the original and slightly sped up the tune utilising subtle tweaks and enhancements with the added vocal 'Awake in Another Dimension'. This mix featured prominently on Kiss FM and Radio 1 back in the day.

La Pambelé Unveils Nací Mestizo, A Bold New Album Reviving Salsa with a Contemporary Twist Bogotá’s heavy guaguancó orchestra, La Pambelé, proudly presents their highlyanticipated second studio album, Nací Mestizo, now available on all major digital platforms as of November 27th. This album pays tribute to the golden era of salsa, particularly the 1970s, while breathing new life into the genre with modern lyrics and stories that resonate deeply with Latin communities.

All while maintaining a distinct Bogotan essence that highlights the city’s unique cultural flavor. Nací Mestizo seamlessly blends the timeless salsa brava sound with contemporary themes, reflecting the everyday lives of people across Latin neighborhoods. The album’s songs capture the struggles, passions, and joys of ordinary people, presented through the vibrant rhythms of salsa, creating a musical experience that connects the past with the present. Building on Their Rising Popularity Prior to the album’s release, La Pambelé debuted the singles “Amargura” and “Perdí mi Corazón”, which quickly captivated audiences and set the stage for the full album's success. The band’s electric performance of these tracks at the MedPlus Coliseum in Bogotá, before an audience of 22,000 attendees awaiting Marc Anthony, was met with enthusiasm as fans danced and applauded.

This moment marked a significant milestone for the orchestra, cementing their place as a rising force in the global salsa scene. Additionally, La Pambelé’s growing visibility has been marked by their appearances at major festivals such as Salsa al Parque and features on prominent radio stations, including Radio Nacional de Colombia and Latina Stereo. These platforms have helped introduce La Pambelé’s signature sound to a wider audience, building anticipation for the release of Nací Mestizo and reaffirming their influence in Colombia’s tropical and alternative music scenes. A Contemporary Salsa Sound with Classic Roots La Pambelé’s unique blend of traditional salsa brava and contemporary Latin storytelling is showcased through their distinctive nine-piece orchestra, which includes piano, conga, flute, trumpet, trombone, timbales, bongos, and baby bass. The dynamic vocals of Miguel RoRebolledo and Lorena Contento elevate the album’s themes, creating a sound that invites listeners to their feet and onto the dance floor. Under the direction of Camilo Toro Morato, the orchestra has honed its signature style, pushing the boundaries of salsa while staying true to its roots. As a proud defiance of stereotypes about Bogotá’s musical abilities, La Pambelé’s name pays homage to legendary Colombian boxer Kid Pambelé, symbolizing resilience and strength.

The name also draws from the Bantú language, meaning "defender of one's own," reinforcing the band’s connection to their Colombian heritage and pride in their distinctive sound. Global Recognition and Continuing Influence Since the release of their self-titled debut album in 2022, La Pambelé has gained international recognition, especially within the vinyl collector community. Theirdebut album was released in both 45” and LP vinyl editions, further solidifying their unique position in the contemporary salsa movement. Influenced by salsa greats such as Markolino Dimond, Eddie Palmieri, Edy Martínez, and Ismael Miranda, La Pambelé has carried forward the torch of salsa brava with passion and innovation. Nací Mestizo marks a significant evolution in the orchestra’s journey, melding the old and the new, and cementing La Pambelé as a driving force in the future of salsa music. A Collector’s Dream With their 2022 debut album garnering international recognition, La Pambelé’s vinyl releases—including 45” and LP editions—have become coveted items for salsa collectors worldwide. Their music is a bridge between classic salsa traditions and a modern vision, appealing to seasoned fans and new listeners alike. About La Pambelé La Pambelé is a heavy guaguancó orchestra from Bogotá, Colombia, known for their vibrant, rhythm-driven sound that blends 1970s salsa brava with modern Latin influences. With a unique nine-piece lineup and powerful vocals, the band continues to break boundaries, defying expectations and inspiring audiences around the world

third album, "Magic Seeds". The record represents his most personal and collaborative work and blends live recordings and analogue synths to create an organic, rhythmic sound reminiscent of trip-hop and hip-hop.

"Magic Seeds" explores themes of growth and reconnection, featuring unexpected musical moments and influences from 90s electronic music to neoclassical. Tracks like "Smoke in the Air" and "Inner Child" highlight his ability to balance emotional peaks with deep, moody atmospheres. The album’s dynamic range and authenticity reflect James's commitment to musical freedom and societal reflection, making it a compelling sonic collage of his recent experiences.

Over the past few years, Leifur James has steadily built a reputation as a vital new voice in electronic music on both sides of the Atlantic. He’s played prestigious London venues like the Barbican and Village Underground in London and toured Europe, as well as being named Pitchfork and KCRW’s ‘best new music’ in the US, and his music has been championed by the likes of tastemakers Gilles Peterson, Mary Anne Hobbs, Bradley Zero and actor Cillian Murphy, and from BBC 6Music to NTS via KCRW and RMC Italia. James has also enjoyed further flagship press support from Consequence of Sound, Clash, CRACK, Passion of the Weiss, XLR8R, Complex, MixMag, DJ Mag, The Vinyl Factory, and more

Founded by Matt Hodgson in the mid 90s, 7th Voyage quickly became a cult imprint.
 Despite a modest catalogue, the label earned a devoted following among vinyl collectors. Revered for its raw energy and timeless quality, these records have become treasured, often commanding hundreds of euros on the second hand market - some of the rarest electro tracks out there for those who know…

London based Hodgson, a passionate music lover and vinyl purist, poured his heart and soul into every release, crafting records that resonated deeply within London’s underground scene of the 90s. Following the recent reissue on Sushitech, Matt and Yossi have joined forces to present a
retrospective 7th Voyage release on Pariter, a label sharing a natural synergy with the ethos of 7th Voyage, this release honours the legacy of Matt’s work while breathing new life into these rare and sought-after tracks.

‘The Return Voyage’ is a carefully curated compilation of seven standout tracks from the label’s back catalogue, encapsulating its signature sound and unique musical journey.

First released over 30 years ago, this EP, as with Volumes 1,2 & 3, is where The Future Sound Of London started in 1991, these tracks under their pseudonyms. All four tracks were instrumental in establishing a new genre of electronica within dance music. They were ahead of their time and extremely progressive, and here three decades later they are making an impression. All four tracks are iconic, and big influences to the hardcore scene that followed. This edition of The Pulse EP is the first reissue in this original vinyl form since 1992, those initial pressings now expensive on Discogs. Genuine underground hardcore/rave history on vinyl to obtain one more time, all sounding as fresh today as it did back in the early 90s.

Two records came out in 1988 that forever changed the perception of "experimental" or "serious" music produced in Portugal. These were "Plux Quba" by Nuno Canavarro and "Música de Baixa Fidelidade" by Tózé (António) Ferreira. Both were released by the same label - Ama Romanta -, an influential independent imprint closely linked to avantgarde pop band Pop Dell'Arte. Because those records appeared in what could be perceived as an "alternative pop" framework, they rescued this difficult music from Academia. It helps that Canavarro played in a successful new wave pop band (Street Kids) during the period 1980-83. By association, being a friend since 1976, António was in close contact with many of the musicians and bands that were part of the equally celebrated and detested Portuguese Rock Boom (roughly 79-82).

He was not a musician then but through his friendship with Canavarro, who had the means to acquire electronic equipment, António became involved with that equipment and shared Canavarro's passion for experimentation and curiosity for knowledge. They tried to get hold of as many technical magazines as possible and learn while testing ideas. In 1983, Street Kids were about to break up, young lives drafted into the Army and maybe, in Canavarro's case, a whole new passion for challenging music similar to his bandmate Nuno Rebelo, by then in the process of discovering a wide range of "other" music mainly through Jorge Lima Barreto. Barreto, who had started Telectu with Vítor Rua, possessed a huge book and record collection and, like Rua before them, Canavarro, Rebelo and Ferreira became fascinated by the pool of knowledge they now had access to by frequenting Barreto's house in Lisbon. He was roughly a decade older, had published several books and other writings throughout the 1970s, cultivated an anarchic stance and a penchant for cultural indoctrination. Rebelo was the first to be introduced via his contact with Rua (who had invited him to play in his other band GNR).

Overwhelmed, he felt the need to share his enthusiasm with friends and eventually took a few to the house in true pilgrimage fashion. To see the Light. Among the few he led there was even João Peste, founder of Ama Romanta. Canavarro and Ferreira preceded him.

Ferreira recalls an exciting learning process added to his experiments with Canavarro's array of synths such as the Korg Ms 20, Korg polysix, ARP Axxe, Roland SH-01, the Ensoniq Mirage sampler... He read in a magazine article about someone who had studied at the Institute of Sonology (then in Utrecht, Netherlands) and went there during a vacation trip in the Summer of 1983. He became excited by the prospect of studying at the Institute but money was a problem. Canavarro, on the other hand, was admitted there in the following year. Back in Portugal, Ferreira eventually abandoned his Chemical Engineering studies in Lisbon's Technical Institute in favour of a more focused music practice. He collaborated with Telectu during 1984 and 85 as a sort of technical engineer, implementing some recording solutions and background tapes and went to work at a thermoelectric power plant in Sines, hoping to make enough money to fund his musical studies. He did and proceeded with the paperwork for admission at the Institute of Sonology, now based in The Hague. António studied there in 1986-87 and the present album includes two compositions developed at the Institute: "More Adult Music" and "This Is Music, As It Was Expected", both featuring the voice of Rodney Waschka II. Among other activities and talents, Rodney is an expert in computer music and to António his voice sounded similar to Robert Ashley's, whose work he admired.

What happened at the Institute was a systematization of António's self-taught practice. Computer software, Musique Concrète, noise and silence, organisation of abstract ideas and sounds. The original notes on the back sleeve of the LP give some indication of process and thinking, but a more detailed account was given by António in the liner notes of the CD reissue in 2002, which are also included in this 2025 LP reissue.

The music sounds deep and detailed, despite the fact of António calling it low-fi ("Baixa Fidelidade"). It flows like an improvised performance where several musicians might be responding to each other, respectful of their mutual space. Drama occurs, as a natural emotional connection is sought by the listener. Piano, bells, drone, processed voices, even the clear narrative of Rodney Waschka II, contribute to create a sort of alternative perceptual reality. The sounds are almost tangible, more a part of the physical world than ethereal manifestations and thus it would not be correct to invoke "ambient music" as a selling point. But although "physical" and distinct, this music is still alien, more so in Portugal's 1988 environment. In March, helped by Canavarro, António set up a home studio and there he recorded the remaining material for this album: "Algumas Pessoas Olharam O Sul E Viram Deserto", "Um Som, Seguido De Uma Cena Negra E Malva" and "O Verão Nasceu Da Paixão De 1921".

"Música de Baixa Fidelidade" stands not only as a proof of great resilience but as one of those magnificent works of art coming from someone who balanced technical inclination and emotional sensibility. Because of that, Tózé Ferreira is able to decode the phantom world of sound for anyone who cares to experience the sensation of inhabiting a version of the Future. First ever vinyl reissue, reproduction of the original artwork with an additional insert. Made in collaboration with the artist and the support of Paulo Menezes (Plancton Music), who provided valuable assistance. Remastered by Taylor Deupree.

Superior Viaduct and our new artist label, W.25TH, are proud to continue to be the home for Cindy Lee with the physical release of the celebrated album Diamond Jubilee. Universally praised, shortlisted for the 2024 Polaris Music Prize, and already hailed by Pitchfork as the 3rd best album of the 2020s, anticipation and conversation around the record has been high.

Cindy Lee is the performance and songwriting vehicle of Patrick Flegel (who previously fronted influential indie group Women). Over several albums, Flegel has combined delicate melodies and sheer beauty with moments of experimentation. With Diamond Jubilee, Flegel’s undeniable songcraft comes to the foreground, embracing a more instant connection and accessibility. Timeless tales of love and longing, surrounded by sticky hooks, take the listener on an unforgettable journey. Diamond Jubilee was written and recorded over several years by Patrick Flegel in Toronto, Durham, Calgary and Montreal at Realis- tik Studios. The album was mixed by Steven Lind, who also contrib- utes to several tracks and co-wrote “Baby Blue,” and was mastered by Joshua Stevenson.

Triple LP on black vinyl comes with 24” x 36” poster.

"This album is a superb collection of Frank and friends from a part of Frank’s career that’s long been underrated. Here, Sinatra scales the jazz summit with Louis Armstrong on “Birth Of The Blues” and does three electrifying collaborations with one of his favorites, Ella Fitzgerald. Ella’s voice is at her best in each. Rival Elvis Presley gets the Chairman’s respect on a wonderfully playful meeting-of-the-icons medley of “Witchcraft”/”Love Me Tender.” The tunes are bright and lively and many benefit from Nelson Riddle’s arranging genius. Frank and Dean are great, improvising and playing off one another as always. But wait until you hear “Together” in which Bing joins Dino and Frank for a happy, hilarious threesome.

Mother’s Spiritual is the eighth studio album by New York City-born singer, songwriter, and pianist Laura Nyro. The album was originally released at the beginning of 1984, following a year of difficult and expensive recording sessions, and came more than five years after its well-received predecessor, 1978’s Nested. Thanks to a small buzz surrounding Nyro’s return to the spotlight after a period of semi-retirement, Mother’s Spiritual became her last US chart entry, reaching #182 on the Billboard 200.

Musically, the album stands out as the most serene and easygoing of all Nyro’s works, presenting a more maternal tone compared to the wilder and more experimental nature of albums like Eli and the Thirteenth Confession and New York Tendaberry. Thematically, the focus shifts from personal explorations of passion and love to broader societal concerns, such as environmentalism, motherhood, and feminism. Laura Nyro was Inducted into the Songwriters Hall of Fame in 2010 and the Rock and Roll Hall of Fame in 2012.

Diamond Dogs may be a bunch of renaissance rockers deeply rooted in the early 70s British rock and roll, but just like our forerunners, we owe
almost everything to Little Richard, the architect of it all! It's impossible to even imagine rock and roll without him.

Little Richard is the soul, spirit and passion of the Diamond Dogs lifestyle, and I was six years old when I first heard 'Rip It Up' with love at first feel.
The raw energy and the blood screaming lyrics over that manic hammering piano embodied everything I craved in music, straight from the speakers to my young heart. Even if I discovered a lot of other influences later on in life, I always kept Little Richard close to where he once hit me. One of Diamond Dogs' early tunes is called 'Lunatic Eye-Rolling Delivery' which is a line nicked from a concert review of Little Richard, and we believe it sums up the essence of his greatness pretty well. He was much more than a rock pioneer, the way he dressed up and spoke was something the world had never experienced before.

Little Richard got Paul McCartney to write 'I Saw Her Standing There', got James Brown a new haircut, and put a silly little mustache on Prince!
So, the idea of recording a homage to the true king of rock and roll had been with all of us for many years when Chris Spedding one day called me
and asked if we should record something together. Of course, I immediately said yes, and then asked him to join Diamond Dogs in the upcoming
studio session to record some well selected Little Richard gems for an LP. All said and done, and Chris was extra thrilled that his favorite 'Send Me
Some Lovin'' was among the songs we picked.

And on a cold and windy January day we gathered the Dogs and the new old puppy in the sweet premises of Dog Pound Studios, along with our
beloved friend and engineer Jonas Åhlén.

So, when the room is geared up, we do our melodies as we normally do it, no rehearsals, all live, straight to tape. One hour per track is usually a
good thing! An amazing energy and swagger filled the atmosphere as Diamond Dogs and Chris fulfilled my dream.

Now that I'm listening through the vinyl, I must say that I've never been prouder of anything we've achieved with this shady bunch so far. It's like
walk the full circle, like I've been graduating from the 12-bar rock and roll academy.
Sulo, Stockholm/Sweden, 2024

Sound Like: The Faces, Rod Stewart, Frankie Miller, Elton John, Mott
The Hoople, J Geils Band, The Rolling Stones, Steppenwolf, Little
Richard

Diamond Dogs may be a bunch of renaissance rockers deeply rooted in the early 70s British rock and roll, but just like our forerunners, we owe
almost everything to Little Richard, the architect of it all! It's impossible to even imagine rock and roll without him.

Little Richard is the soul, spirit and passion of the Diamond Dogs lifestyle, and I was six years old when I first heard 'Rip It Up' with love at first feel.
The raw energy and the blood screaming lyrics over that manic hammering piano embodied everything I craved in music, straight from the speakers to my young heart. Even if I discovered a lot of other influences later on in life, I always kept Little Richard close to where he once hit me. One of Diamond Dogs' early tunes is called 'Lunatic Eye-Rolling Delivery' which is a line nicked from a concert review of Little Richard, and we believe it sums up the essence of his greatness pretty well. He was much more than a rock pioneer, the way he dressed up and spoke was something the world had never experienced before.

Little Richard got Paul McCartney to write 'I Saw Her Standing There', got James Brown a new haircut, and put a silly little mustache on Prince!
So, the idea of recording a homage to the true king of rock and roll had been with all of us for many years when Chris Spedding one day called me
and asked if we should record something together. Of course, I immediately said yes, and then asked him to join Diamond Dogs in the upcoming
studio session to record some well selected Little Richard gems for an LP. All said and done, and Chris was extra thrilled that his favorite 'Send Me
Some Lovin'' was among the songs we picked.

And on a cold and windy January day we gathered the Dogs and the new old puppy in the sweet premises of Dog Pound Studios, along with our
beloved friend and engineer Jonas Åhlén.

So, when the room is geared up, we do our melodies as we normally do it, no rehearsals, all live, straight to tape. One hour per track is usually a
good thing! An amazing energy and swagger filled the atmosphere as Diamond Dogs and Chris fulfilled my dream.

Now that I'm listening through the vinyl, I must say that I've never been prouder of anything we've achieved with this shady bunch so far. It's like
walk the full circle, like I've been graduating from the 12-bar rock and roll academy.
Sulo, Stockholm/Sweden, 2024

Sound Like: The Faces, Rod Stewart, Frankie Miller, Elton John, Mott
The Hoople, J Geils Band, The Rolling Stones, Steppenwolf, Little
Richard

Welcome to 'Instrumental Dubs #3', the ongoing series that delves into the world of the Dub Version and beyond. Side one explores the axis of UK Street Soul and Reggae with the opening two tracks produced by Howard Hill and originally released on his Passion Enterprises label in the late eighties. Both 'Versions' have a machine lead rhythm section paired with a reggae skank and snippets of soulful vox. The Proto House of Protek's 'I Love to Dance With You' featured on a Jura Soundsystem DJ Mix for Planet Trip, a one off single from the now sadly deceased Errol Parkes that's been re-edited with love by The Nightlark from Edinburgh.

The B side features The Cool Notes 'Natural Energy', which isn't strictly speaking a Dub Version, but it has that vibe with a primarily instrumental backing track featuring sparse vocals and spacey FX. The album closes with a secret weapon of Ilija Rudman 'Dub 4 Love' that pays homage to a famous track from Acid House's heyday.

Pressed on 180g Heavyweight Vinyl with full sleeve jacket design by Bradley Pinkerton.

WRWTFWW Records is in a state of total bliss as it announces the release of the Pitstop Box compiling all 24 tracks from Japanese house music pioneer Shinichiro Yokota’s two acclaimed albums Do It Again and Again (2016) and I Know You Like It (2019). The collection, available on vinyl for the first time ever, is presented as six 45rpm-cut 12inches housed (!) in a superb slipcase box set created by Lopetz, designer, illustrator, typographer, and co-founder of Swiss graphic design studio Büro Destruct. Included as bonuses are two sticker sheets.

Previously only available on CD in Japan via cult electronic label Far East Recording, Shinichiro Yokota’s album discography finally gets a long overdue vinyl release in the form of a limited-edition box set housing (!) six 12inches and a total of 24 songs showcasing the house legend’s celebrated sound. With a production style drawing from a rich blend of funk, hip hop, electronic, and Japanese influences, Yokota’s music is loved for its simplicity, its hypnotic quality, and, most importantly, its SOUL – homegrown 90s soulful melodic club music…pure love!

The Pitstop Box, full of dancefloor treasures and sprinkled with downtempo gems, not only defines Yokota’s personal journey but also resonates as an essential contribution to the house genre and Japanese music in general. It includes his house hits (“Right Here Right Now”, “Night Drive” and the list goes on), a cover of “Simoon” by Haruomi Hosono’s Logic System, and a collaboration with his longtime partner and electronic music hero Soichi Terada.

Shinichiro Yokota began his musical history in Tokyo, inspired by electronic music giants such as Yellow Magic Orchestra and Kraftwerk. He co-founded Far East Recording with the great Soichi Terada (who also worked with WRWTFWW for the Omodaka compilation) in 1990. After releasing the now highly sought after Far East Recording album with Terada in 1992 (from which his viral hit “Do It Again” is from), he took a hiatus from music and, most notably, brought his passion for sports cars to the next level by launching Night Pager, a company he started with his wife, specializing in tuning sports cars and modifying limiters for competition racers. It’s this side of Yokota’s life which has inspired the design of the Pitstop Box. He triumphantly came back to music with the album Do It Again and Again in 2016, consisting of unreleased 90s recordings as well as new material, and followed it up with I Know You Like It in 2019. His work has influenced generations of producers, and has expanded Japanese house music's reach on the global stage. Experience it on vinyl now.

Full unadulterated pleasure forever - from night drives to dancefloors.

Enhancer Dub EP includes 4 tracks playing carefully with elements of Afrobeat, Dub & Techno. As a rare groove connoisseur and vinyl collector, Didier dlb has been delving into essential wax for almost 3 decades, navigating the underground music scene with a disregard for genre boundaries. Forget marketing hype – this is about the scientific exploration of sound, and an existential love for rave culture.

In 1999, armed with a basic setup featuring an Atari, Akai MPC 2000, Yamaha DX, and Korg 770, he ventured into music production. No flashy equipment, just a raw passion for sonic experimentation and analog sound. As a result, releases on Sonar Kollektiv, Get Physical, Klasse Recordings & Rotary Cocktail followed.

Didier dlb's undying dedication to exploration is reflected in his collaborations, residencies, and releases. He doesn't chase the limelight, instead immersing himself in the science of sound, shaping his own sonic universe. This is the story of an artist who has been shaping the underground landscape with a commitment to the art form.

Modern Sounds in Country and Western Music Vol. 1 is a studio album by American singer and pianist Ray Charles. It was recorded in February 1962 at Capitol Studios in New York City. It featured country, folk, and Western music standards reworked by Charles in popular song forms of the time, including R&B, pop, and jazz. Charles produced the album with Sid Feller and performed alongside saxophonist Hank Crawford, a string section conducted by Marty Paich, and a big band arranged by Gil Fuller and Gerald Wilson. Modern Sounds in Country and Western Music Vol. 2 features one side performed by the Ray Charles Big Band with the Raelettes, while the other side features a string section and the Jack Halloran Singers. Including "I Can't Stop Loving You", Bye Bye Love", "Half As Much", "You Win Again", "Careless Love", “You Are My Sunshine” and many more.

Greatest Hits is a compilation album of hits from Buddy Holly. It includes top ten hits like "Peggy Sue", "Oh, Boy!", “Maybe Baby” and “Rave On” along with the number-one hit in the UK "That'll Be the Day" what was the first number one hit from The Crickets, the band formed by singer-songwriter Buddy Holly in 1957.

An accomplished musician and songwriter, Ray Charles was considered the creator of the soul music genre, a unique R&B forerunner to rock ‘n roll and other musical offspring. During a career that spanned some 58 years, Charles performed a total of more than 10,000 concerts, and starred on over 100 albums, many of them top sellers in a variety of musical genres. On this compilation you will find twenty four of his greatest hits. With “Georgia On My Mind”, “Hit The Road Jack”, “I’ve Got A Woman”, “I Can’t Stop Loving You”, “I’ve Got News For You” and many more.

MC Fats was a beloved figure in the drum and bass community, known for his smooth vocals and infectious energy on the mic. With a career spanning over two decades, he collaborated with some of the biggest names in the genre, including DJ Hype, Calibre, Alix Perez, and of course the multi genre chart topping Chase & Status!

Sadly, MC Fats passed away in March 2023, leaving behind a legacy of incredible music and unforgettable performances. But his influence lives on, and his music continues to inspire and uplift fans around the world. One of MC Fats' final releases is a new single called Anytime, in collaboration with Drum and Bass legend and producer partner Cool Hand Flex.

As one of Suburban Base original artist roster we were delighted to welcome them ‘back home’, and Fats was excited to see the reaction and plays the Anytime was already gaining. Having discussed with Flex, his dear friend and long-time collaborator, we together feel that it's appropriate that this release goes ahead as a tribute to our brother.

The track features MC Fats' signature soulful vocals, layered over Flex's classic jungle beats and modern production techniques. The single also includes an incredible remix from up-and-coming producer FreezeUK, adding a stunning version to the package which is already gaining maximum play nationwide.

Anytime is a testament to MC Fats' enduring talent and passion for Drum and Bass music. It's a reminder of the joy and energy he brought to the scene, and a tribute to his unforgettable voice and spirit. As we mourn the loss of MC Fats, we celebrate his incredible legacy and the impact he had on the Drum and Bass community.

His music will live on, inspiring new generations of artists and fans alike. Don't miss your chance to own this essential piece of Drum and Bass history - pre-order your copy of ‘Anytime’ now, and join us in celebrating the life and music of MC Fats.

ANYTIME will be released on vinyl & digital formats April 2023

The highly acclaimed U.K. post-punk band Joy Division was originally called Warsaw. Formed in Manchester, England in the late 1970s, the group consisted of Ian Curtis on vocals, Bernard Albrecht (aka Sumner, aka Dicken) on guitar, Peter Hook on bass and Stephen Morris on drums. Hook, Albrecht and Curtis hooked up at a local concert and later formed the group Warsaw. The band’s name was taken from a David Bowie-Brian Eno composition, “Warszawa”. The 5 bonus tracks on this album are demos cut by the group at Pennine Studios in Manchester on July 18, 1977 with Steve Brotherdale on drums. The first eleven tracks presented here were the result of a recording session for that album that took place in early May of1978. Rehearsals leading up to the session resulted in two new songs being added to the group’s existing repertoire: “Interzone” and “Transmission.” “Interzone” was based on the backing track of the song “Keep On Keepin’ On,” to which the band added their own lyrics. The result was a song distinctively their own. “Transmission” was written by the band during the final week of rehearsals. The first verse contains a quotation from Alistair Crowley’s The Book Of Thoth. The two recordings are interesting renditions of songs which would later became famous.

Dentelles Records is proud to present its latest vinyl release!

We are excited to share the newest release from Greg All, the founder of Dentelles Records and the visionary behind the celebrated Les Dentelles Electroniques festival. This 2-track EP is a perfect reflection of his passion for music that unites people on the dance floor, offering two tracks that will resonate with house music lovers worldwide.

The first track, Last Night, delivers a powerful Tech House groove that will get you moving from the first beat. With its infectious rhythm and captivating vocal layers, this track is a true crowd-pleaser — full of energy and just the right amount of tension to keep the dance floor alive.

The second track, Tomorrow, shifts gears into the realm of Afro House, offering a rich, percussive journey complemented by an evocative vocal performance. It’s a track that speaks to both body and soul, with a driving energy that builds towards an emotional crescendo, sure to resonate deeply with listeners.

This EP marks another milestone for Dentelles Records, bringing together the unique sounds of Greg All with the infectious spirit of the festival. Whether you’re experiencing it live in the club or streaming it at home, Last Night and Tomorrow will transport you into the heart of the celebration.

Dentelles Records est fier de présenter sa dernière sortie vinyle !
Nous sommes ravis de vous présenter la toute nouvelle sortie de Greg All, fondateur de Dentelles Records et créateur du célèbre festival Les Dentelles Electroniques. Cet EP de deux titres est un parfait reflet de sa passion pour la musique, une musique qui rassemble les gens sur le dancefloor, et offre deux morceaux qui résonneront avec les amateurs de house à travers le monde.

The SteelDrivers are more than the launching pad of Chris Stapleton’s career and the home-base to the multi-talented musician and songwriter Tammy Rogers. They’re an ever-evolving group of seasoned veterans who have reinvigorated bluegrass by mixing in their individual influences and histories. Stirring Southern soul, Nashville country, deep blues, and wooden-church gospel into bluegrass, The SteelDrivers created a hybrid old as the hills and fresh as morning dew. Or, as a slack-jawed Vince Gill described their sound more directly, “an incredible combination.” Over the past 20 years, The SteelDrivers have become one of the biggest names in progressive bluegrass. After four Grammy nominations, the Americana Music Association’s New Artist of the Year and IBMA’s 2009 Emerging Artist of The Year, The Muscle Shoals Recordings took them to the next level, winning the band their first Grammy Award and landing them another #1 Bluegrass album. In every way, The Muscle Shoals Recordings was a major step forward for the group. Former bandmember Chris Stapleton contributed a new song, “Drinkin’ Alone,” and longtime fan Jason Isbell shows up on a few tracks as co-producer and guitarist. The core of the SteelDrivers stepped up as well, with even richer and more evocative songs and performances that cut deeper than ever. It sounds like an album that should have always existed on vinyl but somehow never was. Until now. Vinyl debut of the Billboard #1 Bluegrass Album & Best Bluegrass Album Grammy winner Featuring production & guitar by Jason Isbell Includes "Drinkin' Alone," written by former SteelDriver Chris Stapleton "Their playing is magnetic" —NPR "The group has rarely sounded more focused or passionate

Village Of The Sun return today with the announcement of their highly anticipated debut LP “First Light”. Due out 4th November on heavyweight vinyl via London analogue specialists Gearbox Records, the record follows their widely acclaimed double A-side single “Village Of The Sun / “Ted”. Village Of The Sun is an enigmatic collaboration between UK jazz virtuosos Binker Golding & Moses Boyd and electronic music legend Simon Ratcliffe of Basement Jaxx fame. Born out of a shared passion for improvised instrumental music, the new project sees all three of the artists steps into relatively new territory, combining their respective sensibilities to create something all at once atmospheric and danceable. Evocative of some of Simon’s inspirations such as Alice Coltrane, Airto Moreira and Masters at Work, Village Of The Sun embodies a hybrid of electronic beats, heady jazz improvisation, and sheer, raw energy, breaking ground between pseudo-Samba rhythms, dreamy ambient textures, and explosive sax and percussion. The new single “The Spanish Master” is a total embodiment of what Village Of The Sun is at it’s heart. Combining atmospheric synth lines with percussive electronics, which gently ebb around Boyd’s intricate drumming and Golding’s expressive sax. With tension building around every element the track careens into a movement of frenetic drumming, electronic idiosyncrasies, and fervent sax breakouts, which find the trio performing at their energetic, adrenaline-fuelled best. The album is truly a project of passion and exploration, and one that refuses to follow just one path. Tracks such as “Cesca” and “Tigris” emphasise Ratcliffe’s ability to weave shapeshifting keys and electronics around Golding and Boyd’s interplay, changing the mood and direction of the track at a moment’s notice. Whereas the title track “First Light” channels the sound of the current UK jazz scene with Ratcliffe imbuing a sense of dramatic tension and release with electronic atmospherics and keys that ferment alongside the almost shamanic, semi-free sax lines and uncomprimising drums. As part of one of British dance music’s biggest ever acts, Basement Jaxx, Ratcliffe and collaborator Felix Buxton led the progressive house sound in the 90s/00s with ground-breaking albums Remedy and Rooty, and by releasing a string of Top 10 singles including Red Alert, Rendez-Vu, Romeo, and Where’s Your Head At?. Ratcliffe’s own solo work includes the 1995 EP City Dreams and the 2011 EP Dorus Rijkers - both releases prove his musical versatility and virtuosity. Speaking about the Village of the Sun collaboration, Simon says, “I’ve always liked improvised instrumental music. It has this intensity and eccentricity that takes me places.

Album was made in two version (with two different covers). Classic black vinyl and limited (hand numbered 100 copies) with color vinyl. Both versions has 180g vinyl records.

Himalaya Collective is probably the biggest crew of beatmakers in Poland (more than 30 official members). Collaborations are the theme of this third album for U Know Me Records, resulting in a multi-genre album that showcases Himalaya Collective's strength in all its glory.

"After two years since "Latawce", we are back with our third vinyl album released by U Know Me Records. We have been working on a unique, fully collaborative project for over a year. Each track is a result of cooperation - without restrictions on the choice of artists and collaborators.

The idea was simple: each member of the collective was to enrich their track with the vision of another person. They could be producers, vocalists, instrumentalists - both from within the collective and from further corners of the world. This is how a network of artistic connections was created, which reflects the way in which Himalaya Collective has been growing since 2016 - as a team united by passion, inspiring each other and involving other exceptional people in cooperation.

Thank you for your patience, see you again."

Album was made in two version (with two different covers). Classic black vinyl and limited (hand numbered 100 copies) with color vinyl. Both versions has 180g vinyl records.

Himalaya Collective is probably the biggest crew of beatmakers in Poland (more than 30 official members). Collaborations are the theme of this third album for U Know Me Records, resulting in a multi-genre album that showcases Himalaya Collective's strength in all its glory.

"After two years since "Latawce", we are back with our third vinyl album released by U Know Me Records. We have been working on a unique, fully collaborative project for over a year. Each track is a result of cooperation - without restrictions on the choice of artists and collaborators.

The idea was simple: each member of the collective was to enrich their track with the vision of another person. They could be producers, vocalists, instrumentalists - both from within the collective and from further corners of the world. This is how a network of artistic connections was created, which reflects the way in which Himalaya Collective has been growing since 2016 - as a team united by passion, inspiring each other and involving other exceptional people in cooperation.

Thank you for your patience, see you again."

The Holiday Album That Turned Mariah Carey into the Queen of Christmas: Featuring the Standard “All I Want for Christmas Is You,” the Singer’s Blockbuster Merry Christmas Exudes Joy, Spirituality, and Conviction
Sourced from the Original Master Tapes, Presented in Audiophile Sound for the First Time, and Strictly Limited to 3,000 Numbered Copies:

Mobile Fidelity’s UltraDisc One-Step 180g 33RPM LP Set Plays with Superb Detail, Openness, and Definition
1/2" / 30 IPS / Dolby SR analogue master to DSD 256 to analogue console to lathe

Mariah Carey didn’t become the Queen of Christmas just because of her fervent love of the holiday. Or as the result of a brilliant marketing plan. The iconic singer earned her title by way of her blockbuster Merry Christmas, a 1994 album that quickly joined the likes of Bing Crosby’s White Christmas, A Jolly Christmas from Frank Sinatra, and Nat King Cole’s The Christmas Song as an all-time holiday vocal classic. Featuring a balanced mix of inspired originals and well-chosen covers, Carey’s fourth studio record has only grown in stature as new generations discover its magic. Mobile Fidelity’s 30th anniversary edition reissue of Merry Christmas makes her spellbinding performances and upper-tier register come alive like never before.

Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3,000 numbered copies, the pioneering label’s UltraDisc One-Step 180g 33RPM LP set of Merry Christmas plays with superb detail, depth, and dimensionality. Available in audiophile quality for the first time since its original release three decades ago, and featuring the bonus track “God Rest Ye Merry, Gentlemen,” the nine-times-platinum set breathes with a newfound openness and transparency that enhance the spirituality, passion, and festive tenor of Carey’s singing.

Benefitting from superb groove definition, a nearly inaudible noise floor, and dead-quiet vinyl surfaces, the music takes on a heightened energy and anticipatory emotion synonymous with the holiday season. Carey’s signature vocals explode with liveliness and dynamics, the full scope of her acrobatic range presented in clear, transparent sound that practically places her on a small stage in your listening room. This collectible version also breathes with the kind of warmth, intimacy, and coziness you want from a landmark vocal album.

Recorded when Carey helped put “diva” back into everyone’s vocabulary, Merry Christmas gave the New York native another smash right out of the box. What nobody knew at the time was the degree of the album’s staying power — and how, many years removed from its initial promotion cycle, its legend would still grow and even spark a 2010 sequel. Having re-entered the Top 200 charts every year since 2019, Merry Christmas ranks as one of the three most commercially successful holiday LPs ever made and, in due time, will likely earn the top distinction in that class. A global blockbuster, it seamlessly ties together Christian, gospel, and secular threads and speaks to a boundless audience, independent of denomination.

Most obviously, the record remains inescapably connected to “All I Want for Christmas Is You,” an uptempo anthem that towers as a holiday standard and one of the biggest-selling singles in history. Punctuated with celesta chimes, sleigh bells, springy keyboards, and joyous beats, the song echoes the simple albeit engaging melodies and doo-wop style of beloved holiday classics of yore — and blends such elements with contagious dance-pop rhythms to create an atmosphere rich in joy, wonder, and excitement. Radiant with golden soulfulness and sincere conviction, Carey’s exuberant singing and on-point phrasing put it all over the top. And how.

The song stands as the only effort in Billboard history to top the Hot 100 chart during at least three separate runs. Carey’s blockbuster has already hit No. 1 during five runs, spanning every year between 2019 and 2024. That’s just one of the many records the singer holds — and only one of the multiple highlights from Merry Christmas, which includes two other Carey-penned originals, “Miss You Most (At Christmas Time)” and “Jesus Born on This Day.”

Though slightly lesser known, Carey’s remarkable rendition of Darlene Love’s “Christmas (Baby Please Come Home)” further links her album with the big, lush, Wall of Sound heritage that helped inspire its production. Carey’s heartfelt take and transformation of the traditional “Santa Claus Is Coming to Town” into an animated tune that even adults can believe, as well as her clairon reading of “Joy to the World” — cleverly augmented with bits of Three Dog Night’s 1971 hit of the same name — further reinforce her status as Queen of Christmas.

At the peak of her powers, Carey finds equivalent success when tapping more spiritual veins. Witness the reverence she brings to the timeless carol “Silent Night,” the piousness she invests in “Jesus Oh What a Wonderful Child,” and the sacred feeling she conveys throughout “O Holy Night.” You’ll also never think of “Hark! The Herald Angels Sing” and “Gloria (In Excelsis Deo)” the same way again after hearing Mimi pour her heart and soul into them, and pair the songs together.

Indeed, it’s Carey’s pliable voice, melismatic technique, and five-octave range — on display here in definitive fashion — coupled with her undeniable love for Christmas and understanding of the religious significance of the season that make Merry Christmas a must-have holiday staple. And on Mobile Fidelity’s LP, something you better add to your wish list.

Pedro The Lion Covers “B” By Lync. Lync “B” Original Version On The Flip Side. One-Time Retail Pressing Limited To 450 Copies. Pressed On Opaque Purple Vinyl, Includes Download Coupon. The early ‘90s Olympia trio Lync harnessed the same raw energy and passionate discord of the era’s San Diego and DC chapters of post-hardcore while building their songs on the foundation of the Pacific Northwest indie rock scene’s clever hooks and sophisticated melodies. In celebration of the recent reissue of Lync’s sole LP, These Are Not Fall Colors, singer-songwriter David Bazan has re-envisioned the album opener “B” under his Pedro the Lion moniker, stripping away the celebratory distortion and riotous clamor of the original for a hushed acoustic rendition in line with Bazan’s most austere slow-core moments. Paired together as a 7” single on Suicide Squeeze Records, these two versions of “B” highlight the multifaceted power of the original song, with Pedro the Lion’s version elevating its fundamental melodic weight, idiosyncratic chord structure, and poetic power, and the original Lync version reminding us how their distinctive brand of expressive dissonance and adrenalized execution transformed their cerebral pop songs into jagged masterpieces of the post-Nevermind punk underground

Soul Quest Records, one of the most exciting new labels to emerge from the soulful end of the deep house spectrum recently, proudly announces the release of ‘Quest One’ its first-ever vinyl-only compilation. This limited-edition vinyl release brings together five of the most popular tracks from the label’s impressive catalogue, offering a must-have collector's item for deep house enthusiasts. Since its inception just 18 months ago, Soul Quest Records has made waves with a string of eight successful releases, capturing the hearts of fans and tastemaker DJs such as Gilles Peterson, Antal, Danny Krivit, Glenn Underground, Laurent Garnier & Kai Alce with its signature blend of deep, soulful, and sexy sounds.

Now, ‘Quest One’ spotlights that winning formula with tracks from standout artists such as 2fox, KingCrowney, Zoe Kypri, as well as two of the label's co-founders, Slxm Sol and Max Sinàl.

The release cements Soul Quest Records' reputation for curating quality music that resonates deeply within the house community. The attention to detail and passion that has defined Soul Quest’s journey is encapsulated in this exclusive release, making it a must-have for vinyl collectors and house music aficionados.

After an extensive tour of the UK at the end of 2022, the band decided to head into the studio to record their first long form offering. Following a passion for storytelling, they pulled together influences from Pulp Fiction to Fleabag, from Zadie Smith to Edward Hopper. They wrote relentlessly during 2022, diligently crafting what was to become this debut album. Released independently on their own Life and Times Recordings, Exit Strategy is a 13-track labour of love, recorded at Abbey Road Studios and Love Electric, enlisting the production smarts of Bernard Butler. The album is in two halves (divided literally by the two sides of the vinyl edition) entitled Galway and London and presents a multifaceted band, pushing themselves and exploring the limits of their philosophy.

Exit Strategy centres around a protagonist who moves from Galway to London in search of meaning, certain that, as the main character in the film of his own life, the solution lies in changing his surroundings and acting as someone he’s not. Both a mirror and a portal, the album promises encounters with manipulative bosses, evil ad agencies, a broken pact to flee to Australia, run-ins with the law, cheating boyfriends, drug fuelled youths, heartache, paranoia, social media anxiety and a drunk singer dressed as Jesus. Thematically the album races between emotions, between irony and sincerity, between soul searching and tongue-in-cheek finger pointing and ends where it all started, both musically and in terms of single rollout, with the nostalgic/euphoric first single Westway.

Explaining the album’s genesis and cinematic influence, James McGregor says: “We were always sure we wanted the album to be greater than the sum of its parts, so decided to create the world of a film, entitled Exit Strategy. We envisaged the record as a series of snapshots, telling the story of a group of characters trying to navigate through life.”

Hallmarked more by a philosophy than a sound, The Clockworks weave pop sensibilities with noisy, post-punk, rock-influenced stylings. The songs seem swaggering and dark yet often have an epic, nostalgic quality. They sit poetic introspection beside witty, kitchen sink drama to create something intense but playful.

With the release of Exit Strategy, The Clockworks have created a world to be explored, to be analysed and to be deciphered, but most importantly to be felt.

Cinthie steps up to Aus Music's 200 series with Rave Baby EP.
The popular underground mainstay offers three effective and emotive house weapons Cinthie has been at the heart of the European underground for many years. The Berlin-based artist heads up her cultured 803 Crystal Grooves label and the well-respected Elevate.Berlin recordstore. She has a vast vinyl collection and a deep understanding of house that makes her a favourite all around the world. She has long been a key part of the Aus family and has recently branched out into playing live, all while continuing to serve up timeless sounds that range from rave-ready to deep and driving.
This EP is the third in a run of four releases from different artists to mark the 200th outing of Will
Saul's influential Aus Music. It is an era-defining label that has platformed some of the scene's
brightest stars way before they broke out. Since launching in 2006, the label has remained dedicated to releasing club-ready music with a cultured edge from deep and melodic house to the earliest bass-driven post-dubstep fusions.

Cinthie pushes herself into a more ravey fast-paced direction with her lead single 'Rave Baby'. The well swung kicks are full of warmth as a nimble bassline phrase gets hands in the air and crisp percussion cuts up the beats. It's peak-time fun that completely takes off with the raved-up piano stabs and a steamy female vocal. 'I Warned You Baby' sinks into a deeper groove that harks back to 90s New Jersey with diffuse chords, Nu Groove style vocals and punchy drum programming full of good vibes. Closer 'What's Poppin'' is passionate house music with depth and drive. Raw percussion, turbo-charged retro stabs and another standout bassline make it a high-class weapon.

Mixtacy, a new independent label based in Tokyo, was launched in 2024 by DJs, for DJs, and of DJs. Their passion lies in updating the classic house style with modern underground artists. The first EP features four exclusive tracks by mysterious Japanese underground artists, available only on vinyl. All tracks are mastered by the Romanian talent, Dragutesku. A1 Addictive Desire by YAMADAtheGIANT, whose debut 12inch vinyl sold out 200 copies in just two months in Japan. This raw acid deep house track made by hardware synths, sequencers, and sampled vocals from the cult NY house track The Playground/Desire (1992). A2; Nightfall Yearnings by P.S. Morris, a 20 years experienced master of MPC from rural Japan. This classic-style deep house tune boasts a phat groove focused for the dance floor. B1; Forest is by Bitowa, originally from the Japanese hip-hop underground, now coming into the techno field from Okinawa, southwest Japan. This modern tech house track features acapellas sampled from garage classics and disco, resulting in a unique texture. B2; Lost Sweet Cherry is made from cut-ups of Japanese porno analog tapes by the owner of strange vinyl shop Tonotopica in Asahikawa, northeast Japan. This dub sets a psychedelic atmosphere as the night starts.

"Long sought-after by those in know, this essential Irish jazz album finally gets a vinyl reissue on Outernational Sounds! Fully licensed from producer John D’Ardis, remastered at Abbey Road from the original tapes, and with lacquers cut at Dubplates and Mastering, the Noel Kelehan Quintet’s stunning 1979 Ozone is presented with unseen photographs of the band and commentary from original band members.

Featuring moody, modal jazz of the first order, subtle and original composing and world- class playing, Ozone was the creation of Ireland’s most respected jazz composer and musician, pianist Noel Kelehan (1935-2012). The only small-group album under his name, and arguably the first ever Irish jazz LP, Ozone was a landmark recording, but it was far from Kelehan’s only achievement. Born in Dublin, Kelehan had studied music from an early age. From the mid-1950s he worked at state-broadcaster Radio Éireann (RÉ, later RTÉ – Radio Telefis Éireann), and from the early 1960s he fronted Dublin’s first be-bop unit, the Jazz Heralds. A busy professional career saw him compose for numerous Irish pop stars, arrange and conduct many of Ireland’s Eurovision entries, and even contribute string arrangements to U2’s Unforgettable Fire LP.

But jazz was Kelehan’s first passion, and he never stopped playing in both small modernist units and composing for his own big band. The late 1970s saw him fronting the Noel Kelehan Quintet, alongside drummer John Wadham, saxophonist Keith Donald, bassist Frank Hess and trumpeter Mick Nolan. Playing weekly in Dublin for several years, they opened for visiting stars including Dollar Brand and the Ronnie Scott Orchestra, and eventually played a two-week residency at Ronnie Scotts in London. Though Kelehan had recorded a big-band LP of traditional Irish songs arranged as easy jazz in 1970, Ozone was his first album of modern jazz. Released on John D’Ardis’s independent Cargo imprint and press on blue vinyl, it featured original compositions such as the deep collectors cut ‘Spon Song’, subtle Latin flavours on ‘Spacer’s Delight’ and a beautiful modal arrangement of the traditional Irish air ‘Castle of Dromore’. A legendary recording in Ireland, Ozone reflected Kelehan’s keen appreciation of classic quintet-era Miles, with touches of the cerebral fusion of Ian Carr and the arranging genius of Neil Ardley. Not just a landmark Irish jazz set, Ozone is a lost classic of European jazz more widely."

Having worked silently in her sonic philosophy for almost a decade, vocalist, music producer and Dj Telva has launched her music label byt’, starting with the publication of her debut album. The album, ‘Revelation’, opens with an unusual and experimental offering, which sets the tone for the label's subsequent eclectic and unexpected releases. The compilation of 10 tracks, has been documented for 5 years through an experimental vocal, instrumental sonic journey, that is composed of Telva's life experiences during this period.

Telva is a vocalist, producer and only vinyl Dj based in Berlin. Defining her path through art in every sense of it by turning passion into a way of life, she has been playing and collecting records as main craft since 2016. Followed by uninterrupted hours in the studio, her creations and sonic philosophy, aka record label byt’, have been materialized by the wide range of influences she’s been absorbing along her way as an artist, where different cultures, scenes, and places have shaped and influenced her understanding and projection of her musical vision. Her love for the underground movement and the deep work in silence have made her music shows special and respected. For listeners and dancers, her well-chosen exposure is an unexpected experience. Her purpose is to offer quality music based on eclectic diversity, that surprises the audience with the love it spreads through sound, aiming to touch their hearts. ‘Music is a channel of transmission in where to materialize one’s lifetime vision’

Byt' (быть in Slavic meaning 'to be' / pronounced 'beat') is a music philosophy, also known as a record label, focusing on the connection between music and artist as a primary form of communication and source of expression. It represents 'the music of the being'. 
 The meaning and purpose are to comprehend the concept of musical interpretation through the artistic vision of the person behind it, by appreciating the significance of conveying a life experience through sound, making a recognition on what is behind the music we listen to. The label will be composed of solo releases, sonic cinematic experiences, collaborations and other archives, spanning an unlimited wide range of genres, yet rooted mainly in electronic music.

The short but intense initial phase of Jumbo’s career, marked by the release of three albums in 1972/1973, revealed their distinctive approach to Italian progressive rock and rapid artistic growth.

“Vietato ai minori di 18 anni?”, released in 1973, represents the peak of this era, showing the band’s evolution from an English beat-related beginning to a more mature and meaningful work for Italian prog fans.

On the occasion of the 50th anniversary of this masterpiece’s release, Jumbo were invited to the prestigious Prog and Frogs festival, where they performed the entire album live, enriching the experience with interesting explanatory introductions for each track. During the show, Jumbo amazed the audience, displaying the same drive and passion as they used to fifty years ago.

Simply put, a must-have for lovers of Italian progressive rock music! Clear orange vinyl edition with gatefold cover.

"Between Two Fires is an album by English singer Paul Young. It was originally released in 1986 and peaked at #4 on the UK Albums Chart. The album, featuring a combination of cover versions with original songs written by Young and Ian Kewley, went on to achieve Platinum certification. It features the singles ""Wonderland"", ""Why Does A Man Have To Be Strong"", and ""Some People"" amongst others. In 2007, an expanded edition of the album was released on CD. This vinyl release of Between Two Fires presents this expanded edition for the very first time available on vinyl, including 7 bonus tracks containing 12"" mixes and B-sides. Between Two Fires (Expanded Edition) is available on vinyl for the first time as a limited edition of 1000 individually numbered copies on flaming coloured vinyl and includes an insert with lyrics. "

Released in 1974, "Lotus" by Santana is a landmark live album showcasing the band's incredible fusion of rock, jazz, and Latin music. Recorded during their Japan tour, the album features Carlos Santana's signature guitar work and the band’s dynamic improvisations. "Lotus" captures performances from Tokyo, presenting a mix of Santana's classic hits and extended jams, including tracks like "Toussaint L'Overture" and "Oye Como Va." Known for its energetic solos and vibrant rhythms, the album highlights Santana’s ability to blend diverse musical influences into a cohesive, powerful sound. The 1974 release is praised for its high-quality sound and passionate performances, solidifying Santana’s reputation as a pioneering force in rock and Latin music. For fans and collectors, "Lotus" remains a quintessential representation of Santana’s live prowess and innovative spirit. Lotus is a limited edition of 1500 copies on translucent yellow coloured vinyl.