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Jeroen Search - Time Signature Ep

Jeroen Search

Time Signature Ep

12inchFIGURE084
Figure
27.03.2017

A regular contributor to Figure SPC, it was Jeroen Search who both started the series and also put an end to its story. With this creative chapter neatly closed, he is now bringing his ever-impressive work back to the main label. Across the EP the Dutch artist doesn't stick to one style, instead he lets his infamous machines roam about freely. They take us for a smooth ride along swaying dub chords and gentle ripples until bellowing eches slowly rise above a hypnotic groove.On the B-side Search then pulls out all the stops and barges right in with fidgety claps and whirling bleeps, leaving the track itself gasping for air. This is the renowned ferocity of his live act - carved into wax! Ensuing the sonic assault, a simple synth figure emerges stoically over an almost housy bounce as nostalgic rave strings bring the EP to an epic ending. Firmly rooted in the past while always looking forward, Jeroen Search clearly is still on the top of his game. He simply keeps coming up with timeless techno - time and time again.

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8,95

Last In: 4 years ago
Begin - Ep

Begin

Ep

12inchBEGIN08
Begin 12's
23.03.2017

The always wonderful BEGIN returns after a very Balearic absence ! And what a return !
'Let's Talk' eases us in with some trademark Begin style mid-tempo mellowness, as undulating melodic elements are carried straight to the beach on gently lolloping beats
'Aight' adds a little more anticipation, with a syncopated backbone and some mesmerising Carl Craig style synth cycles...
On the B, the 'Cut The Paste' is a burly, New Beat inspired chugger, which manages to sound exactly like an early morning, strobe-lit Boccaccio moment, while simultaneously basking in the midday sun

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8,03

Last In: 7 years ago
Joakim - Samurai
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21,72

Last In: 5 years ago
Xiu Xiu - Forget

Xiu Xiu

Forget

12inchUTR091LP
Upset the Rhythm
13.03.2017

The album was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu's own Angela Seo.

It features guest appearances by fabled minimalist composer Charlemagne Palestine, L.A. Banjee Ball superstar commentator Enyce Smith, Swans guitar virtuoso Kristof Hahn and legendary drag artist and personal hero of Xiu Xiu, Vaginal Davis.

FORGET was recorded during a period of epic productivity for Xiu Xiu. While writing FORGET, they released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, composed music for art installations by Danh Vo, recorded an album with Merzbow and scored an experimental reworking of the Mozart opera, The Magic Flute. All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works.

Standout track, Wondering' is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of FORGET, it still bears an underlying tension that manifests differently in each piece. From the haunted guitar duet of "Petite", the hilariously fraught lyrics of "Get Up," the advanced industrial boxing match of "Jenny GoGo," or the experimental goth explosion of "Faith, Torn Apart", all the songs, in their own ways, build to a roiling boil of a fate in vanishing.

The calligraphy on the cover translates literally to "we forget." It bows to the universality of everything and everyone's inevitable decline and foggy disappearance. Regarding the album title, Xiu Xiu singer Jamie Stewart said, To forget uncontrollably embraces the duality of human frailty. It is a rebirth in blanked out renewal but it also drowns and mutilates our attempt to hold on to what is dear.' FORGET is both the palliative fade out of a traumatic's past but also the trampling pain of a beautiful one's decay.

Xiu Xiu is Shayna Dunkelman, Angela Seo and Jamie "Butch Jenny" Stewart.

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16,35

Last In: 9 years ago
Phew - Light Sleep

Phew

Light Sleep

12inchMKY020
MESH-KEY
03.03.2017

Mesh-Key is thrilled to present this mind-bending solo album of electronics and vocals from legendary Japanese musician Phew. Phew's career began in the late 1970s as lead singer of Osaka punk group Aunt Sally (whose only full-length was released by Vanity Records in 1979). Ryuichi Sakamoto produced her debut solo release in 1980, a two-song single, and in 1981 Pass Records released her debut album, a bonafide masterpiece recorded with original Can members Holger Czukay and Jaki Liebezeit at Conny Plank's studio in Germany. She has forged a singular path over the past thirty-plus years, collaborating with folks like Anton Fier, Bill Laswell, and Seichi Yamamoto (Boredoms). It's borderline sacrilegious to compare an artist as unique as Phew with anyone else, but for those unfamiliar with her work, 'Light Sleep' might be described as a more animated Nico singing (in Japanese) for early Suicide. Prepare to be floored.

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24,16

Last In: 8 years ago
Superpitcher - The Golden Ravedays 2
 
2
also available

3[10,63 €]

4[10,63 €]


Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. And full-length it is: The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period on record label, Hippie Dance.

The second chapter of The Golden Ravedays saga, due for release in February 2017 introduces two further tracks of the haunting sound adventure. Side A introduces a very surprising spectacle of sound entitled What do you miss This track is unlike anything Superpitcher has released in the past. What do you miss is diving into a river, serenely floating past visions that bring calm, just to be overwhelmed by jazzy white waters of saxophone and primal animal poetry all the way from forests long forgotten. Let's Play Doctor is aptly titled as one can't help but imagine a satellite-propelled ambulance meandering through the galaxies without any haste or emergency whatsoever. Almost 20 minutes in length, Let's Play Doctor never bores. It's a playful tribute to taking one's time in enjoying the very now.

The second chapter of The Golden Ravedays saga, due for release in February 2017 introduces two further tracks of the haunting sound adventure.

Side A introduces a very surprising spectacle of sound entitled What do you miss

This track is unlike anything Superpitcher has released in the past.

What do you miss

is diving into a river, serenely floating past visions that bring calm, just to be overwhelmed by jazzy white waters of saxophone and primal animal poetry all the way from forests long forgotten.

Let's Play Doctor is aptly titled as one can't help but imagine a satellite-propelled ambulance meandering through the galaxies without any haste or emergency whatsoever.

Almost 20 minutes in length, Let's Play Doctor never bores.

It's a playful tribute to taking one's time in enjoying the very now.

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10,63

Last In: 6 years ago
Voilaaa - African Music

Voilaaa

African Music

12inchFVR131
Favorite
24.02.2017

Voilaaa is one of the many projects led and produced by Bruno Patchworks' Hovart, who's proven over the past 15 years, his place amongst the finest producers of groove music in all genres.
This time exploring the wide spectrum of the African and Tropical Disco scene, he received a massive international support for Voilaaa's first album, On te l'avait dit, released late 2015 on Favorite Recordings.With a second effort already planned for spring 2017, Voilaaa has not finished to feed international dancefloors with heavy Afro-Disco vibes.Here comes the first single from Voilaaa's upcoming second efforts, made of 3 new killer tunes featuring Lass, Sir Jean, and Pat Kalla.

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9,96

Last In: 2 years ago
Deep'a & Biri - Basic Cycle

Following two staggering contributions from The Analogue Roland Orchestra and 2030 that illustrated to boundless sonic possibilities for the label, Deep'a & Biri return to their Tel Aviv-based Black Crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. For a long time one of those admirers has been Detroit techno founding father Derrick May, who has been on a mission to push the new 12s A-side, 'Basic Cycle', into instant classic territory through his unwavering commitment to making the track a highlight of his sets. May has been far from alone, with the track being one that D&B have been asked about, if not outright begged for, over the past year or so. It finally becomes available to techno fans worldwide in January 2017, backed by the pummelling rhythms of 'OverDrum', which itself has the potential to turn heads and drop jaws all by itself.

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7,69

Last In: 6 years ago
Tosca - Going Going Going 2x12"

Tosca

Going Going Going 2x12"

2x12inchK7343LP
!K7 Records
07.02.2017

Sometimes in life you find yourselves at a point where you need to walk away and leave something behind if you ever want to go back to it. Other paths must be walked, other experiences learnt from to give you a fresh view of where you've come from. In that sense going back to the roots, rediscovering their past with fresh eyes, is the concept behind Richard Dorfmeister & Rupert Huber's new Tosca album, 'Going Going Going'.For over two decades and several albums Tosca has served as a vehicle for Richard and Rupert to express their personal moods and impressions, each release holding up a mirror to their inner lives. Now though after ten albums the journey has come full circle and once again they've returned to the kind of instrumental tracks, full of deep beats and dubbed out textures that made Tosca's name. The result is 'Going Going Going', an album that Tosca fans will immediately recognize and yet one that doesn't just trade on former glories. Hitting the ground running opening track 'Import Export' sounds like a Lee Scratch Perry version of a Ennio Morricone soundtrack, a motif reoccurs throughout the album, most notably on 'Dr Dings', their reinterpretation of America's classic 'Horse With No Name'.

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25,50

Last In: 9 years ago
Black Flower - Artifacts

Black Flower

Artifacts

12inchSDBANULP02
SDBAN ULTRA
02.02.2017

Stirred up from deep within, from an abstract spiral of sound and movement, from a sensation of time and space absolving and converging at once, the Black Flower musicians have molded a tangible matter: the album Artifacts. Their second full album sounds international and ageless. Eastern influences, Ethiodub and jazz effortlessly merge. Fantasy and reality seem to fuse. In a word: nourishment for body and soul.

"Psyche-delicious and accessible 20th century Ethiodubjazz. As if John Zorn put on Fela Kuti's shoes and imbibed Mulatu Astatke's whirls."

Piloted by saxophonist /flutist /composer Nathan Daems (Ragini Trio, Dijf Sanders, Antwerp Gipsy-Ska Orkestra), this instrumental band aims for originality. Fellow musicians and 'brothers down the road' are Jon Birdsong (dEUS, Beck, Calexico) on cornet, Simon Segers (Absynthe Minded, De Beren Gieren, Stadt) at the drums, Filip Vandebril (Lady Linn, The Valerie Solanas, Antwerp Gipsy-Ska Orkestra) at the bass and Wouter Haest (Los Callejeros, Voodoo Boogie) playing keys.

For many of us, the Ethiopian aspect once made known to the world by Mulatu Astatke will stand out. Still, Black Flower further adds oriental scales, Afrobeat à la Fela Kuti, jazz in a John Zorn way and varied western music traditions such as rock and dub. The resulting melting pot is undoubtedly inspired by Nathan's distant travels and the multifariously colorful city of Brussels.

...Pretty legit if you ask me - LeFto, Studio Brussel

After their well-received debut album Abyssinia Afterlife (2014, W.E.R.F. / Zephyrus Records) that created an atmosphere of mythical figures and psychedelia, Black Flower now reflects on ancient and modern cultures. The album title Artifacts refers to centuries-old fragile objects or tools that empowered the development of human culture. The world today would look entirely different without those artifacts. The seemingly brittle suddenly becomes a powerful welding cornerstone. Add the musicians' personal musical backgrounds and the result is an album with an ageless mystique. Artifacts is the synthesis of different cultures, of the past and present, and personal and collective memories. It is the soundtrack to modern reality, based on the elements that connect us.

Brilliant - Gilles Peterson, BBC Radio 6

One of Belgium's Best Bands of these past years (...) Black Flower does not simply play a tune, they always groove! - Kurt Overbergh, Ancienne Belgique

Uncomplicated originality, plenty of space for fantasy and an organic tone: those are the ingredients for Black Flower to lay claim to an age-old human ritual: dancing! Still, Black Flower also stands out in various other settings. Their audience at a jazz club will have felt exalted, their audience at a late-night show will not have resisted dancing. The band wields influence over their surroundings in a way only heart-and-soul musicians can. This mastery has repeatedly taken them to United Kingdom, France, the Netherlands and Germany.

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16,09

Last In: 5 years ago
Awa Poulo - Poulo Warali

Awa Poulo is a singer of Peulh origin from Dilly commune, Mali, near the border with Mauritania. Largely pastoral and often nomadic, Peulh- (or Fula-)speaking peoples are found from Senegal to Ethiopia but predominate in the Sahel region of West Africa. Awesome Tapes From Africa is proud to release Poulo's newest recording of highly virtuosic folk-pop, fresh from the studio, broadcasting her vision of Peulh music beyond the grazing grounds and central markets of her remote home region in southwestern Mali. It's not very common to find a female singer performing publicly among the Peulh. But Poulo's mother's co-wife is Inna Baba Coulibaly, who is a celebrated singer most Malian music fans know. Coulibaly herself was brought into music by forces outside her control when a regional music contest required an entry from her village and she was chosen to be a singer. So, set in motion by a surprising series of events, young Poulo's entree into the music world was auspic ious as she gained popularity across the region. After several locally released tapes and CDs, this record is Poulo's first internationally-distributed record. On Poulo Warali, she and her band combine the hallmarks of Peulh music—warm flute floating over cross-rhythmic n'goni (lute) riffs and resonant calabash gourd hand percussion—with broader Malian sounds like lightly-distorted guitar and a heavier, rollicking inertia. Shapeshifting layers of rhythm and woody overtones match Poulo's commanding voice in a jocular yet deliberate dance. This is a relatively rare example of Malian Peulh music played in a modern, cosmopolitan context, reflecting the mixed society of Dilly, where Bambara, Soninke and Peulh-speaking people live among each other. Poulo's conscious lyrics about community concerns speak to the distinctive identity of her broadly-flung people. While Peulh represents less than 10% of Mali's melting pot of languages, the dynamic music here powerfully resonates well beyond the linguistic borders.

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23,49

Last In: 8 years ago
Ernie Hawks & The Soul Investigators - Scorpio Man Theme

The mystified sound emanating from the disc in question belongs to the flute wielding monster Ernie Hawks. This dynamic player has grazed the airwaves of the worldwide underground for the past two decades. Now it's his star time.This two-tracker single from Ernie's debut album "Scorpio Man" sinks the listener deep into the moods of European library music and American instrumental funk classics. On "Journey To The Bottom", backed with fuzzy synth lines, he and The Soul Investigators explore emotional funk to the fullest. Their raw sound has pushed artists like Nicole Willis, Myron & E as well as Willie West to new heights before and now it's Ernie Hawks, who holds the torch.The intro of the title track "Scorpio Man" should give the breakbeat friends something to get excited about, while the rest of the track pushes the listener into the midst of a exploitation chase scene. It's possible that it's been a while since you've heard something as hard as well as uncomplicated and sincere. Keep your senses open for the coming full-length, it should drop like a bomb soon enough.

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6,68

Last In: 6 years ago
Various - Amer

Various

Amer

10inchWRWTFWW012
WRWTFWW Records
16.01.2017

WRWTFWW Records is feverishly thrilled to announce the first ever vinyl release of the soundtrack for Hélène Cattet and Bruno Forzani's critically-acclaimed Belgian-French giallo Amer (2009), filled with superb compositions by Italian movie score legends Ennio Morricone, Stelvio Cipriani, and Bruno Nicolai, all remastered for hardcore audiophile appreciation. This limited edition of 500 comes on an arousing Pitch Black 10 vinyl, housed in heavy cardboard old Stoughton tip-on jacket. Described by The New York Times as "a surreal cinematic tone poem that pays slavering homage to Italian giallo horror films of the 1970s", Amer finds its influences in the films of Dario Argento, Luis Buñuel, or Mario Bava and makes for a truly visceral cinematic experience, thanks notably to a perfectly curated soundtrack compiling some of the best songs from cult Italian movies of the past.

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17,61

Last In: 8 years ago
Sebastian Voigt - Untitled

Outcast Oddity returns for their first full artist EP. Who better to ask than Sebastian Voigt His contribution to the label's V/A 003 compilation called 'Lux Aeterna', was a transcending techno trip that turned heads earlier this year.

Just as the EP's title, or rather the lack thereof leaves room for interpretation, this music refuses to be categorised too easily. Rough around the edges but effortlessly elegant, one foot in the past and one in the present, Sebastian delivers three mature tracks that evoke memories of acid house, UK rave, sweaty basements, strobe lights and euphoric moments.

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9,03

Last In: 15 months ago
Andre Galluzzi - Alcatraz

Andre Galluzzi

Alcatraz

12inchARAS08
Aras
19.12.2016

By his debut album "Alcatraz" in January 2015, ARAS label head André Galluzzi thrilled with a concept album inspired by occult sounds and psychedelic vocals. "Alcatraz" as a whole is a captivating piece of art, its the essence of a club night. Now after received a wave of icredible feedback from "Alcatraz", the bird returns to ARAS with a bunch of remixes of the hypnotic track "Mathilda". Time to welcome Mike Shannon and Jacek Sienkiewicz to the ARAS family. This remixes will be a blast at the club by its very deep and reduced, futuristic interpretations. Mike, as head A&R of Cynosure and formerly Revolver Canada Recordings over 10 years, has shown an uncanny ability to select and produce tracks which have become go-to fixtures in the sets of the industry's best DJs. Far from pursuing the next one hit wonder or sound of the season, his steadfast curatorial vision and passion for the music have earned him the trust of discerning music connoisseurs the world over. Alongside DeWalta, Mike impressed lately with his album "Residual" on Cynosure/ meander back in March 2016. Jacek Sienkiewicz lives in Warsaw and he is a key figure in Polish electronic music scene. He holds Recognition since 1999, one famous label based in Berlin. With one foot deep in classic Detroit and Chicago dance scene, and the other in modern jazz and classical music, Jacek's tracks for the past ten years always try to find a right balance between the avant-garde and dancefloor, between primal emotions and highly sophisticated sonic wizardry. His latest album "Hideland" has been released in August 2016 on Recognition.

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7,86

Last In: 2 years ago
Midnight Magic - Free From Your Spell

Fall of 2016 sees Midnight Magic ready to enchant us once more with the much-anticipated birth of their 2nd studio album, the wondrously eclectic Free From Your Spell. Going back to their roots in Los Angeles, Morgan Wiley, and Tiffany Roth, alongside the rest of the boogie nonet, have prepared a refined feast of genre-bending songs. The ever so diverse moods of Free From Your Spell make it a seductive journey. With each song mixed seamlessly into the next, the record coalesces into one long disco odyssey, reminiscing Giorgio Moroder and Donna Summer's concept albums "Four Seasons of Love" and "A Love Trilogy". Moods, genres, and styles intertwine like an aural kaleidoscope, the album electrifying with its striking harmony. Whilst exuberantly borrowing from past decades, Free From Your Spell more than holds its own as a self-assured, innovative body of work. Midnight Magic's Free From Your Spell is an offer one can't refuse. An attractive deal in the form of disco escapism, traveling through its various shades, emotions, and incarnations, a comprehensive revival of the genre for modern ears. It's Studio 54, It's Moroder,Amanda Lear, Gino Soccio, and Grace Jones. It's a whole palette of 1980's R'n'B and cosmic funk. Despite all the music references of past eras Free From Your Spell is very much a current album, a mature demonstration of genuine skills in songwriting, a multi-instrumental banquet of sounds, a coherent collection of ambitious dance tracks and a beautiful celebration of eclecticism. Add to this some of Tiffany Roth's most memorable vocals to date and you arrive at one of the year's most exciting releases. There is a strong reason for both "midnight" and "magic" in the name of the band after all.

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15,76

Last In: 6 years ago
New Franklin Theory - Overhill Road Variations

Outplay's newest project is a special 10" vinyl release with 2 tracks by artist New Franklin Theory.
The name was inspired by a past in Midwestern USA.
As to who is behind the project, some ears might pick up the resemblance to another artist you all know well. Digging into his past is the main inspiration behind New Franklin Theory's two-tracker.Expect two uptempo percussion filled melodic tracks with a slight afro-inspired tropical vibe.
Comes with a full colour sleeve design by joosprintsandpatterns.nl!

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9,20

Last In: 6 years ago
Jam Money - A Gathering Kind

Jam Money is the shared musical vision of Kevin Cormack and Mathew Fowler. Mathew (Bons) and Kevin (Half Cousin, Harry Deerness) first began collaborating as part of the Blank Tape Spillage Fete, an ongoing collective project of art and music which focuses on the creation and perpetuation of small DIY exhibitions, related events and limited releases that celebrates the hobbyist nature of home recording.

Jam Money revolves around a passion for the simple and sometimes restrictive nature of four-track cassette recording. Using old half-broken guitars, clarinets, charity shop keyboards, toys, family heirlooms, zithers, home-made percussion, and household objects a shared dialogue appears, involving both mark making and musical mishaps, allowing the makers to be carried along as the music finds its own way.

Genre definitions melt away in Jam Money's music as ambient dissolves into lo-fi rock, noise into fragile naive classroom melodies. Creativity beyond easy categorisation.The first recordings titled 'Blowing Stones' were self-released in 2014. The cover and insert artwork for this record featured abstract paintings by the artist Aimée Henderson whose work and process is a great influence on their music. Having played gigs alongside kindred spirits National Bedtime and Plinth, the tail end of 2015 saw the the band travel to Germany to play with the Notwist and Le Millipede for a series of 'Alien Disko' nights organised by Alien Transistor, a label with a shared kinship of both the weird and wonderful.

'A Gathering Kind' is the second album by Jam Money: a journey of sound and colour, subliminal images and narrative. The roots of this collection found Fowler and Cormack using an earthier, more instinctive language, making it a rougher-edged sibling to their other recordings, with parallels to the home-spun worlds of Flaming Tunes, Pumice, Maher Shalal Hash Baz and World Standard. Aimée's artwork features again, both paintings and music forming a collective language of dream-like adventure.

"Poignant and exploratory. Melting together acoustic and electronic elements, the narrative throughout is one of a ghostly world heading for winter. A firm fan favourite Stephen Pastel (The Pastels & Monorail Music) on Blowing Stones.

"Created in question and answer form, their songs exist like little sculptures - wayward and peaceful, sometimes whirring into automatic life under the pair's combined attention."

pre-order now25.11.2016

expected to be published on 25.11.2016

17,61
Johan Kaseta - The Erefora Land

Johan Kaseta

The Erefora Land

12inchLHLT008
Lehult
21.11.2016

The Erefora Land" is the first solo record by Johan Kaseta, Lehult founding member. It's a nostalgic, hazy affair where the tracks work both on a dancefloor and as the score to an imaginary Super Nin-tendo RPG. Squelching vocal samples ("Hi!") and bubbling synths are reminiscent of the oldschool, synth-laden nineties game soundtracks young Kaseta still can't get enough of. "The Erefora Land" is like coming across the soundtrack to Earthbound after having forgotten to have ever played it - suddenly a rush of sights, sounds and smells from the past come back to you and gently pull you in. Kaseta takes this nostalgia of the forgotten and puts it into his very own context: shuffling hihats, missed drops - a playful version of house music. Swept up to the shores of Erefora land, you're greeted by "Lei Tindissima". A seductive, blistering track on the verge of falling apart yet always staying groovy and pumping. Being somewhat ambient and airy, yet relentlessly moving, "Erefora Steps" is not just a charm to listen to, it is also one hell of a weapon in the club - tested by yours truly intensively. Grooving on a broken, somewhat latin type of bounce, there are several twists and turns between heavenly pads, psycho-vocals and, of course, echoed airhorns.The third cut, "U Timmi", is a laid back Sunday afternoon jam. Despite being light, smooth and grooving, it's layered samples and micro melodies draw you further into the mysterious sound world of Erefora land.Finally, "Me times U" could almost be the theme tune of "Erefora Land", it's blissful chords so close to a conclusion yet always behind a veil of waterfalls, trickling shakers and swooping filters.

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7,27

Last In: 8 years ago
Various - Lovebox 003

Various

Lovebox 003

2x12inchMIL015
Music is Love
18.11.2016

In the lead up to their 5th year as a label Music is love celebrate by continuing their infamous VA series the 'LOVEBOX'. Sticking to the winning formula of a hefty double vinyl package comprising of 8 tracks from 8 top artists, this time they have some familiar people alongside new faces to the label.
Kicking off the package in fine form is South London's prodigy Wbeeza and his track 'Bodyman'. It's as if this track announces the the opening of the VA with its beat-less and thickly textured opening... when that beat drops you know your in it!
Label main stay Jamie Trench is up next with his track 'Oil Spill ', this sees Jamie veering away from his tech house roots, delivering a quirky house track laced with an almost footwork groove.
On the Flip we see more new additions to the MIL roster as Ingi Visions ( Samuel Deep & Julian Alexander ) drop Nauyaca, a deep druggy track, with the kind of hypnotic flow and delicate arrangement the pair have become known for. Liam Geddes finishes up the B side , fresh from dropping the previous release on Music is Love his track 'reach out' continues to stamp his unique sound on the label.
And it don't stop...
As we reach for the second vinyl in this double pack we are greeted with a familiar site in the shape of Dutch duo New Jack City. 'Pick Me up' is everything you want from a NJC track, big, bumpy and beautiful.
Mak & Pasteman counter with their very cool track 'U Said', the boys are in serious form at the moment and this track is no different. Slick drum workouts decked out with Juno licks, what's not to love.
The final side welcomes another new act to the stable. Am Unit present their track 'Bang Dat'. With 'Bicep' style production values echoing throughout this track and THAT break, this one will be big.
Closing out the final track is label boss, Oli Furness. 'Broken Summers'. A huge 808 rave workout. Broken beats and sub rattling kicks are the setting for this track, finely polished electronic music for those with a fondness for rave.

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17,61

Last In: 7 years ago
The Future Sound Of London - Environment Volume Six

The original Environments album was conceived and written back in 1993. It became one of the great lost albums by The Future Sound Of London before the guys took in back to the studio to complete and issue in 2008. Since then has come the success of further instalments and following additional studio work during a period of extreme creativity comes two further volumes. Released separately but simultaneously, Environment 6 and accompanying Environment 6.5, when combined, create a two CDs of 46 tracks. Sweeping between luscious dreamscapes to delicately melodically compositions to intensely highly programmed electronics sculptures Environment 6 and Environment 6.5 continue the journey towards the boundaries of the future of sound. Silent Around Them' exclusive to LP vinyl (no CD/digital)

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19,29

Last In: 6 years ago
Or:la - Uk Lonely

Or:la

Uk Lonely

12inchHFT050
Hot Flush Recordings
14.11.2016

Hotflush are proud to welcome an exciting new talent to the roster. Her name is Or:la and she arrives at her debut 12' already boasting a formidable reputation as a DJ and promoter in the UK - her long-standing Meine Nacht party is Merseyside's finest and her appearances on WHP line-ups are turning heads. The 12' in question is 'UK Lonely' - a four track EP that flaunts enviable range and seems to contradict the producer's youthful years. In it she covers a broad spectrum of past and contemporary influences spanning garage, Afrobeat, breaks and dubstep.
The A-side is punchy yet elegant: vocal cut-ups drift through off-beat percussions in title track 'UK Lonely', while riddims and melodies weave in and out of each other on an exotic 'Limbosoup'. The B-side is more contemplative: 'X & O' recalls the wistful vocals and layers them over aughties breakbeats before 'Jaipur' rounds off this opening salvo in delicate and playful fashion, hinting at things to come.

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8,19

Last In: 6 years ago
Dave Ellesemere - Universal Vibe Ep

A veteran of the music industry, Dave Ellesmere is way past his hardcore drumming days. Harboring the accumulated skills with a multitude of instruments, his electronic productions are intricate and meticulous. His passion for Detroit and Chicago soundscapes is evident in his latest vinyl release for MixxRecords.

'Caught In A Moment' starts off the EP with a steady techno grip engulfing a serene melody interspersed with sharp and gritty accents.

The second track opens up with solemn piano progressions combined with high pitched synths, conjuring different spheres of the musical spectrum. Aptly entitled Universal Vibe', the track evokes a very diverse array of sounds layered on top of a dubby bassline.

The sub-bassy 'From Now On Only Good Things Will Happen' kicks off in a very introspective manner, developing into a dreamy yet dark journey filled with anxiety ridden chords and drum pads.

Label chief's Tony Rodriguez aka Brothers' Vibe is on duty for the 'Universal Vibe' remix. Percussion takes the main lead, giving the track a rolling pace. Stripping down a lot of the global elements but keeping some bell chords, Rodriguez's reinterpretation offers a tribal infused piece with a completely different mood that is just as contagious as the original.

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9,03

Last In: 9 years ago
Pastor T.l. Barrett - Do Not Pass Me By Lp

Digging deep into the annals of Gospel now, the name Pastor TL Barrett should be familiar to the eagle eyed crate diggers amongst you. An extremely "colourful" character from Chicago's Southside neighbourhood who found himself on the wrong side of the law for his involvement in some activities of a dubiously illegal nature, more importantly, besides this the pastor was widely known for his community activism and positive sermons preaching love and responsibility. Shady past aside, this fantastic 1976 LP entitled "Do Not Pass Me By" is a real Gospel beauty and features 8 tracks of resplendent hands in the air rejoicement. Having never been reissued before this rare as gem is finally back out in the open, complete with it's incredible untampered with sleeve artwork and design. Barrett's unique voice and message is timeless and instantly recognisable, you can't help but become one of the congregation whilst listening to these wonderfully rousing and positive paeans to the lord almighty. Saying that, even if you find yourself to be a non-believer, the soul, funk and jazz stylings (with the odd flourish of synth!) the good pastor is laying down will be equally as alluring to those of you who dig those particular sounds. "Do Not Pass Me By" was originally released on Miami's TK Disco offshoot Gospel Roots, it's the Pastor's second release on the label and is a beautiful snapshot of how things might have gone down at his "Mount Zion Baptist Church of Universal Awareness". A unique LP with with a somewhat lo-fi charm, the tracks contained run the gamut from slow, downtempo ballads to roof raising, danceable Disco-esque anthems.
This is the first time that "Do Not Pass Me By" has been reissued on vinyl, fully remastered from Gospel Roots/TK's original tapes, represented the way the the LP was issued in 1976 with all original cover and label artworks intact. Now, almost 40 years after it's original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of Henry Stone music / TK Disco, Miami, FL.

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14,50

Last In: 5 years ago
Cirq On - Other Side Ep

Cirq On

Other Side Ep

12inchSIL001
Silencio
09.11.2016

Silencio, a new label out of Chicago, will debut its first release from new young talent Cirq'on titled the Other Side EP. On the A-Side, 'Screaming Around', makes its presence felt with a beefy bass line that periodically stacks and stutters throughout its progression. This track is impossible to resist. Even the most hardened scenester, the type of person who never dances in an effort to look cool, will be forced to cut a rug as they acquiesce to the bombardment of this pleasing beat. Peppered throughout with spooky vocals, tempestuous tones and mysterious snippets, it leads you down a path of rhythms that pushes past the point of no return. Similar to the first transmissions intentionally broadcast out into our universe for the purpose of contacting intelligent life, 'The Messenger' delivers on the B-side with layers of haunting harmonies that unfold over simple, satisfying drums. It's steadily driven by scintillating sounds in the form earthbased radio signals that rise and fall, as if bouncing off of orbiting space debris on their journey to the great unknown. This track is best described as a mind-exp.

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8,36

Last In: 7 years ago
Forklift & Saw - Regressive Disco 12"

Andrea Pellegrinelli and Davide Brugola are two men born and bred in the traditions of italo and electro disco. The duo, as Forklift & Saw, release their debut 12', Regression, as they melt past influences into the present. Meandering hooks, emotion soaked keys and snapping rhythms are at the centre of this Milan partnership's music. Across four tracks the pair delivers crashing snares, starlit synths and rumbling arpeggiators. Infectious full bodied funk oozes from this fledgling outfit, crisp percussion supporting their night gazing melodies. Welcome to the world of Forklift & Saw.

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9,20

Last In: 2 years ago
OdD - Cold Fusion Ep

OdD

Cold Fusion Ep

12inchINFUSE016
Infuse
24.10.2016

London based OdD are a natural fit for Infuse with their rolling hypnotic grooves featuring in the sets of the Fuse crew for the past few years. Their Cold Fusion EP kicks off with Get Away, the EP's vinyl only track; a deep edged shuffler, custom fit for those hazier dance-floor moments. Roll The Beats has a distinctly tripped out sensibility whilst 'Making Moves' ups the energy
with a sprightly house-edged

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13,87

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Gonima - Grids Ep

Gonima

Grids Ep

12inchSCJ001
Slam City Jams
24.10.2016

Newborn Munich based label Slam City Jams comes around the corner with its first release from young gun Gonima straight outta Montreal, Canada. His Grids EP An exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. You can definitely spot Gonima's passion for DX7 adventures, analog drums and tape hiss right here. Opener "Grids" starts off with lush synth blips, 707 drums and a bassline Bootsy Collins would give high-fives for. "Subdivided" is one of these tracks that shows you that it doesn't need more than a few elements to get you going: A rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. The last original on B2 is the ambient-like "Organ Tutorials", which shifts your mind directly to outer space. And as if all this wasn't enough, someone really special did a great remix job - Khotin from 1080p fame, who gave the A2 cut a treat with his unique trademark sound. Four house and ambient tracks both for the floor and the couch. Or as Gonima puts it: "An EP that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. The sounds within are a ritual dance to stay warm through the procession of the seasons"

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7,86

Last In: 6 years ago
Various - Lovebox 2

Various

Lovebox 2

2x12inchMIL009
Music is Love
21.10.2016

finally repressed

Back in February 2013, shortly after their impressive first release as a label, Music Is Love launched a double VA entitled Lovebox: an 8 track double-vinyl release that included tracks from 8 talented up-and-coming producers on their roster. By innovatively previewing the producers in this way, the label laid the foundations for what listeners could expect for each artists' subsequent EPs. The artists who released on it were not hyped up flavours of the month, but rather emerging talents who sat perfectly with the label's musical ethos - quality and original underground house with a contemporary, dynamic feel. Since the VA, the label have gone from strength to strength and have firmly established themselves as one of the most brightest house labels around in the UK.

Just over a year later and following in the success of its predecessor, MIL return with their second VA and with that, a chance for listeners to hear the new additions they've acquired, in addition to some already known faces. Liam Geddes opens proceedings with Untitled. A deep sense of soul permeates the whole track as a rumbling baseline imbues the beat with an ever-present sense of groove that never lets the head stop nodding. Geddes has really fine tuned and matured his sound over the past year, and this track is further evidence of his quality as a producer. The subtle percussive rhythms, electronic bleeps and synth nuances give this track a natural flow, as Geddes conjures something altogether more hypnotic, dark and purposeful.
Mr.KS, one of the newcomers to the label, outlines his coolly crafted style with track (Music) Makes Me Stronger. Brittle drums and deep warped synths suck you in and out and shape the structure of the beat, while afflicted chord patterns combine with the hypnotic repetition of a vocal sample to give the track a gesture towards techno but with a flow that pulls in house elements. Cassio Kohl introducers himself with a warm, melodic house number; rumbling synths circulate in the background of the track while ticking hi-hats and snares play off against the sumptuous vocal sample, which builds and falls back nicely into its original path until electronic glitches sporadically ease in and move the beat forward.

Jamie Trench has been making some serious headway of late and his track I Want You with Rebel serves a timely reminder of a producer on top form. A heavy, rolling baseline resonates intently, building against murky vocal samples, shuffling snares and off-beat key stabs that grow in presence and intensity - a track that will no doubt prove a high point in any DJ set. Label boss Oli Furness has a raw knack for creating crisp, heavy sounds and Take Monday Off remains on a similar path, albeit the beauty lies in the subtlety of arrangements rather than bigger hitting sounds. Chopped shimmying keys tease, filter and build fluently with urgent hi-hats and swinging drums that flourish harmoniously together, while an understated baseline adds weight and rhythmic groove typically inherent in Furness' work.

Italian heavyweight Tuccillo has released on some of the most reputable labels on the circuit - releases for 20:20 Vision and Freerange is evidence enough of his provenance - and this time he brings his baleric house sound with the impeccable sounds of DubFlanged Gru. Shimmering percussion shakes meander against the bumping bassline while the endearing, muffled vocals that threaten to break out are superseded by breeze-block keys that filter and descend into a chattering groove. Dutch producer U Know The Drill brings things back into heavier house territory with a no-nonsense, stripped-back stomper, the type of track we've been used to hearing on Dutch affiliates New Jack City's material. Heavy snares kick with a punch, and the deep drone-like vocal swings against the wobbling baseline and tapestry of electronic bleeps. Other sampled vocals and glitches weave in with the juxtaposing elements playing off one another to huge effect, ensuring that sheer energy pervades the track.

Jackson Ryland rounds off the heavy 8 track VA - scattering hi-hats and swirling pads build, while the shuffling drums roll on until fleeting chord flourishes and a musky vocal hook bring the track into wistful nostalgia. The elements of track balance superbly and are propelled forward by the intricate drum arrangements and well-crafted hi-hat/vocal combo.
The difference in approach and outcome from each artist results in yet another highly impressive outcome, with 8 high grade tracks that show another side to Music Is Love. The sounds are tougher and the mood is darker, but the premise of the whole MIL concept remains more apparent than ever with this release: sourcing fresh underground talent, curating original electronic music and evolving artists already on the roster.

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16,46

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Statues - Alaula

Statues

Alaula

12inchC56055
Claremont 56
17.10.2016

As Claremont 56 speeds towards its' ten-year anniversary, label founder Paul Murphy continues to champion little known producers and previously unheard artists. Over the past 12 months, the label has showcased material from rising talents
such as Bella Figura, Simon Peter, Paraiso and Oma & Amberfame. Now, Claremont 56 is adding another new name to the roster: Statues. Essex-based trio Bradley Lucke (production/bass/percussion/keys), Mark Crooks (keys/production) and Grant Carruthers (vocals/guitar) has been making music on-and-off together since they were teenagers, and last year decided to come together under the Statues alias. They submitted a number of demos to Paul Murphy, who was so impressed by what he heard that he offered to help produce and write an album with them. As debut singles go, 'Alaula' is stunning. Reminiscent of many softly spun
moments from the Claremont 56 back catalogue, it builds slowly and breezily via subtle waves of organic and electronic instrumentation. Carruthers' impassioned vocals pop in and out of the mix at opportune moments, peeping above alluring acoustic guitar, bass, synthesizer and Rhodes parts. Throw in
tumbling, life-affrming piano lines and swelling cello parts - both provided by friend-of- the-family Robin Lee of Faze Action - and you've got another near- perfect chunk of sunset-friendly, horizontal brilliance. On the fip, Murphy dons his familiar Mudd alias to provide a superb Piano Dub. Building the action around a sparse, delay-laden percussion track, Murphy teases out the track's most potent moments, in the process creating something
that lingers even longer in the memory. Lee's superb piano and cello work naturally takes pride of place, as Murphy expertly emphasizes the track's impeccably atmospheric nature.

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11,35

Last In: 9 years ago
Tuff City Kids - Adoldesscent (2x12" + Mp3)

Gerd Janson and Phillip Lauer are creatures of habit. Every week, the two club veterans meet up at Phillip's studio and spend an entire day making tunes. And while Gerd often likes to joke that his role in the arrangement is limited to making coffee and looking at his cell phone, it's clear that the two men have forged a potent partnership, one that's been responsible for an astonishing amount of dancefloor heat over the past few years.

Incredibly, this German pair has managed to maintain a relatively low profile, despite the steady stream of music they've released via well-respected labels like Unterton, Delsin, Internasjonal, Permanent Vacation and Live at Robert Johnson. And then there are the remixes—Azari & III, Scuba, The Juan Maclean, Fort Romeau, Avalon Emerson, Massimiliano Pagliara and Sinkane are just a small sampling of the artists who've enlisted Tuff City Kids to work their studio magic.

Throughout it all, there have been whispers of a proper Tuff City Kids album, and now that Adoldesscent has arrived, it will be all but impossible for the duo to linger in the background. After all, the LP is anything but shy—thanks in part to hooky vocal turns from the likes of Annie, Joe Goddard, Kelley Polar and Jasnau—and even the album's instrumental cuts feature some clear nods to various eras of dance-pop, from the boogie-inflected funk of 'Wake People' to the breakbeat techno of 'Boilered' and the tweaky rave nostalgia of 'Nordo.' Elsewhere, first single 'Labyrinth' is an infectious bit of new wave, while the guitar-driven 'Scared' recalls the gloomier side of '80s pop and 'Tell Me' is perhaps the record's most playfully soulful moment.

DJs will likely gravitate toward the darting strings of 'Aska' and breezy vibes of 'Farewell House,' yet Adoldesscent isn't entirely focused on the dancefloor. Dreamy opener 'Ophmar' evokes the legacy of John Carpenter, while the crunchy 'R-Mancer' offers up a sort of psychedelic synth freakout.

Much like the Tuff City Kids themselves, Adoldesscent isn't about any one style or sound in particular. It is, however, a cohesive effort, along with proof that the different corners of the electronic spectrum have a lot more in common than we'd all like to admit. More importantly, it's a whole lot of fun, and isn't that what dance music is supposed to be about anyways

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19,79

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The Notwist - Superheroes, Ghostvillains + Stuff LP 3x12"

Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places.

Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career.

Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych.

What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last.

As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues.

Pico Be (Das Weiße Pferd)

pre-order now14.10.2016

expected to be published on 14.10.2016

29,20
Marcel Dettmann - Dj-kicks 2x12"

Marcel Dettmann has mixed the latest edition of the highly respected DJ-Kicks compilation series.
Whilst Dettmann is well-known for his incendiary sets at his residency at Berghain, his DJ-Kicks mix is crafted for listening, and displays a more reflective side of the DJ and producer. The mix explores a wide array of selections from various subgenres; ranging from the a new vocal-led Strictly Rhythm release, to rapping on Clarence G's 1991 release 'Cause I Said It Right', recently reissued by Clone Records.
Over the course of its 1hr 14 duration, Dettmann reveals multiple new original productions; most notably a collaboration with Levon Vincent, 'Can You See It'. The pair have collaborated once in the past, releasing 'Vengeance' on Levon's own Novel Sound label towards the end of 2015 to critical acclaim. 'Can You See It' sees the duo venture into darker territory; a stripped back, sub-bass laden affair, the quality of this production immediately stands out in the early stages of the mix.
Dettmann also collaborates with MDR affiliate Wincent Kunth on 'Possible Step'. In addition to five brand new original Dettmann remixes and edits, there's an unreleased remix of Marcel's 'Let's Do It' from Ostgut Ton labelmate Rolando.
Designed to be enjoyed by both the critics and more casual listeners, this mix is the latest in a long series of lifetime achievements over the course of Dettmann's career - and with so many new unreleased original Marcel Dettmann productions included, this is a landmark release for the producer

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23,49

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Dj Sneak - Blue Funk Ep

Dj Sneak

Blue Funk Ep

12inchCDSE001
Chiwax
07.10.2016

RAWAX proudly welcomes Mr. Carlos Sosa aka DJ Sneak to the Family! You can't imagine how happy and honoured we've been when we received an email from DJ Sneak paying us respect for the label work so far and offering us most of his amazing past productions. We now pay our respect to DJ Sneak and present his own series on CHIWAX called "DJ Sneak Edition", with re-issues, new productions and also with unreleased tracks from the 90's. The first release will be the legendary "Blue Funk EP" from 1994. First 500 copies will be pressed on blue vinyl - preorder necessary!

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9,87

Last In: 40 days ago
Steve Bug - Rexology Ep Rod Remix

After a run of releases including music from Rex Club residents D'julz and Phil Weeks, and a beautiful Atlantic breakaway with Fred P, Rex Club Music brings in the boss of Poker Flat Recordings, the maestro himself, Steve Bug. A gentleman and a scholar who has been a key figure of the techno scene since its very early days, Steve Bug is also the mastermind behind a prolific and in demand label. He is a man who is always on point, looking to the future, maintaining the present and drawing on the past to operate in that magical intersection between the different eras of time.Indulge in this short course of Rexology for proof of his mastery, which is expertly applied with this polished new EP.First up we have 'What's Happened', a track that occupies the space between tech house, acid and dub. Get ready for some hard stepping on the dance floor when this track is unleashed. Then ROD goes in hard with two remixes of 'What's Happened', upping the ante, increasing the tempo and urgency to create an air of emergency. With 'Remix One' ROD has us on high alert, while 'Remix Two' focuses a little more on the groove and catchy analogue flashes. On the flip we have a night of 'Berlinian Rexing', with its time-lapse atmosphere allowing us to teleport between Berlin and Paris in a cacophony of whirring synths and uplifting stabs. The track plays on timelessness, creating classic tropes and creating the kind of atmosphere that underpins all of the most unforgettable nights.

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10,04

Last In: 7 years ago
Move D / Fred P/ Christoper Rau / Easy To Remember - A Tribute To Klang Club Vol. 2

Late September marks the arrival on the second edition of Unclear Records 'A Tribute To Klang Club' featuring Move D, Fred P, Christopher Rau and label-heads Easy To Remember.
The Unclear Records imprint has carved out quite the reputation over the past few years with an already impressive back catalogue featuring material from Juju + Jordash, Rick Wade, Gigi Masin and Gerry Read. Here thought we see the welcome return of the labels 'A Tribute To Klang Club' series with its second contribution, following the inaugural various artists package that boasted material from Baby Ford, Roman Fluegel and more.
Move D opens with 'Rise!' and delivers a typically brooding, hypnotic number before Fred P follows up with 'Lush Life' laying down raw acidic bass and ethereal pads alongside shuffled rhythms. On the flip Christopher Rau's 'Unclear Joint' ups the energy levels via weighty drums and intricate use of string, bass and vocal samples before label-heads Easy To Remember round off the package with 'I Don't Know' a stripped back house cut led by sparse percussion, jazzy synth licks and soft pads.
'A Tribute To Klang Club Vol.2' is out on Unclear Records 26th September 2016.

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10,04

Last In: 4 years ago
Manatee Commune - Manatee Commune - Lp

Debut album from Pacific NW rising star, named "Best Electronic Act" in 2015 by the Seattle Weekly. ** Past Press Coverage as included: A NPR Weekend Edition Feature, Spin, Stereogum, KEXP Live in studio performce, CMJ. ** Past performance highlights: Bonarroo Decibel Festical, Bumbershoot, Capitol Hill Block Party, Sasquatch Festival, What The Festival, & Bonnaroo, as well as national tours with acts like Emancipator, Blockhead, Blackbird Blackbird, Chad Valley, Yppah, ** First single from the album "What We've Got" feat. Flint Eastwood passed 500,000 Spotify plays and 135,000 Soundcloud plays in a month's time.

Amidst the lush environs of his northwest roots, Manatee Commune has fermented an organically molded electronic sound that has been teasing the synapses of audiophiles over the last few years. While not a stranger in the Pacific Northwest, Grant Eadie's tracks have grown tentacles that stretch deep into the dance floor, fueled by natural overtones that he extracts from field recordings. Following the head-turning EP 'Thistle' on Brooklyn-based label Bastard Jazz Recordings (Illa J, Lord Echo, & others) from earlier this year, he comes to the label armed with violin arrangements, nuanced programming and pressure-sensitive LED drum breaks peppering the audio-visual experience of his participatory live performances. His debut album Manatee Commune is set for a September 16th release on Bastard Jazz, and displays the elevated confidence and deft touch of a producer truly finding his footing. Already opening for Bonobo, and recently touring with Chad Valley and Blackbird Blackbird, Manatee Commune has been featured on NPR, Stereogum, and Spin, amongst other outlets.

Eadie describes the inspiration behind his approach: "Learning how to share my creative process with my friends completely revolutionized the last of year of music for me. Inviting those I trusted and loved into my studio to spend even just an hour talking or jamming opened fountains of inventive energy for me, especially from the ones who lacked any musical knowledge. I soon found myself incredibly inspired by the originality of even the smallest interactions with people, and so I pointed my field mic at anyone who had a story, a melody, or a stumbling beat they had been absentmindedly drumming, all in the hopes of capturing their individuality and framing it with my ever expanding insight into audio production."

Reimagining his musical approach by opening his studio and microphone to friends, collaborators and loved ones, Eadie was able to release fountains of inventive energy from these deeply personal interactions, inspired by anybody who had a story, a melody or a stumbling beat to share. Key elements are amplified that get Manatee Commune audiences bouncing, while cultivating his warm and textured production aesthetic to further complexity, layer by shimmering layer.

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15,92

Last In: 2 years ago
Cristian Vogel - The Assistenz

Cristian Vogel

The Assistenz

12inchSTRIKE160LP
Shitkatapult
13.09.2016

THE ASSISTENZ is the culmination of a four year creative hot streak as vivid as any part of CRISTAN VOGEL's long career. The trio of dance oor-oriented records formed by 2012's The Inertials, 2014's Polyphonic Beings and now THE ASSISTENZ are sensual pleasures rst and foremost: a lifetime of study of frequencies and rhythms on the frontline of the world's clubs has been put into the creation of sounds that interface with the nervous system and emotional re- sponses with extraordinary immediacy. But there's much more too: together with the more ab- stracted album Eselsbru¨cke, these form an enticing sonic narrative, encoded themes running through them, each part revealing more about the whole. THE ASSISTENZ, then, is many things: a personal document, a tribute to Copenhagen where it was recorded and after whose famous cemetery it is named - but also the nal piece in this bigger puzzle, which unlocks untold secrets from the previous three records.

There's a deeper history, of course. CRISTIAN's productions going back to the start of the 1990s have woven their way into the fabric of underground culture. His own recent remasters of his early albums, and the Sub Rosa Classics 1993-1998 collections have shown just how potent his early work remains. But his new work exists in a very different world to those past works, and is far removed from the recent electronic generations who he has in uenced too. In fact, as you listen to THE ASSISTENZ, you realise that there's no point making comparisons with other elec- tronic producers at all. While you will certainly hear some of the most fundamental and enduring vectors of underground music - dub, electro, acid, funk - owing through the tracks, even those things are rebuilt from the molecular level, created completely afresh with new, precise, but some- what skewed vision.

CRISTIAN's understanding of music now is spectral. That is to say, with every step through his exploration of sound over the years, he has made more and more detailed analyses of the specif- ic frequencies that make up speci c sounds and produce speci c effects on the human mind and body. And as a result, his own sound synthesis - increasingly done via the Kyma programming platform - is more and more able to reach beyond the 'synthetic' and impact in uncanny and wonderful ways. The most obvious sense of this is the way his sounds touch on the human voice: not just in the chattering, shimmering, singing tones of THE ASSISTENZ's ghostly centrepiece 'Barefoot Agnete', in the alien radio signals of 'The Merman's Dream' or even in the subliminal 'aaah's hiding in the background of the noisy 'Vessels', but in the way any sound, anywhere in any track can sound peculiarly vocal, heard from the right angle.

And it's not just the boundary between human and non-human, or that between acoustic and synthetic, that get blurred to the point of non-existence. CRISTAN's creative methodology now is all about leaving you so uncertain about where anything came from, or what scale the sounds are operating on, that you have no choice but to let go of preconceptions and standardised criti- cal faculties and go with it. Sometimes that can take you to places where darkness and physical- ity close in on you as on 'Vessels' or 'Telemorphosis', or into haunted spaces on the edge of the void like those of 'Snowcrunch' and 'Barefoot Agnete', but even in those, there is euphoria. And in the voluptuousness of 'Hold' or the body-rocking funk of 'Cubic Haze', all the abstraction is grounded in the sheer pleasure of your own bodily responses to the sound.

So many of the science ction dreams of the 1990s are now (virtual) reality. We live in a time when social networks consciously manipulate our emotions, where data is money, where ma- chines learn, where images can't be trusted, and where the synthetic can feel more real than real. Over some 25 years, CRISTIAN's experiments have traced much of this weirdness and evolved with it, and his understanding of synthesis and algorithmic processes to create structure makes him one of the most important composers working today. But THE ASSISTENZ doesn't just ex- periment with the interfaces between mind, body and machine: it expresses those relationships in ways that are beautiful, troubling, moving and scary, and which even make you want to dance. Together with the preceding three albums it enacts a glorious, endlessly-explorable mapping of just what electronic music can do.

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16,39

Last In: 5 years ago
Rex Ilusivii - Koncert Snp 1983

Next installment of Rex Ilusivi archive uncoverings - This time a live concert from SNP (srpsko narodno pozoriste / serbian national theatre) in Novi Sad, Serbia. Again it's a sublime masterclass in layering and mixing from the much revered King Of Illusion. TIP!
.
'To this day Rex Ilusivii remains an enigma of the global music culture, caught between late cold war electronic spheres, classic and the power of found sound. A musician from the Southeast European counterculture, whose art today seems to be the worldly intelligence of the modern age. Listening to the early music of Mitar Subotic sounds like catching the future even tough you know here sounds the past. How can somebody be light years ahead of most of his contemporaries in terms of individuality and uncompromising vision, creating such musical narratives with a feeling for outernational space' It must have been the signs of his time in Yugoslavia, that lead him to compositions in which two or more antithetic forces fight each other for the cause of an unheard harmony that melts industrial, sample art, Musique concr'te and ambient. His 'Koncert SNP' from 1983 demonstrates his ingeniousness to the core ' about 38 minutes of experiment and appeal that move playful between demonstrative frankness and seductive sensuality. You hear pulsating synthesizer bliss, widescreen sample art full of Bosch-like images and elusively drama catchiness that absorbs deep. So deep that words can't express their meaning. Only notes can spell out the score. Listening to his live recording several times without a break reveals also a story arc of literary transcendence. And as transcendence is something beyond speech, the music of Rex Ilusivii can't be narrowed down in phrases. Only one thing must be recommended: surrender to it and it will surrender to you.
Michael Leuffen in June 2016

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16,77

Last In: 8 years ago
The Analog Roland Orchestra - Aftermath 2

Deep'a & Biri's Black Crow Records further expands its horizons with its seventh release, welcoming another new artist to the family following appearances by 2030, Aril Brihka, Hakimonu, Luke Hess, ROD, Inland and Markus Suckut. The Analog Roland Orchestra's label debut follows the widely acclaimed 2030 EP and shares with it a widening of the label's sonic scope to once again showcase Deep'a & Biri's desire to reach beyond techno and explore ambient and cinematic musical textures. Michal Matlak's Analog Roland Orchestra finds the Poland born & Berlin based producer in the conductor role among an array of classic electronic hardware, taking on the role of shaping & directing a free flowing sound that moves across genres, whether in a studio or live setting. His previous releases for labels including Ornaments, Rotary Cocktail Recordings and Pastamusik have seen the project indulge in an array of sounds across the techno spectrum. 'Aftermath II' is no different, moving from the classic roots techno sounds of 'Plant' and 'Father Detroit', through the dub excursion of 'Urei Dub', to the cinematic, Boards of Canada & Tangerine Dream-recalling pair 'Her' and 'Aftermath. For those with a taste for electronic music's widescreen possibilities, TARO's arrival on the Tel Aviv imprint will be a long term favourite.

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6,85

Last In: 3 years ago
Obalski - Wind - S

Obalski

Wind - S

12inchPP018
Public Possession
05.09.2016

Catalogue Number PP018 has been work in progress for quite a while now. Wind-s originally appeared in a slightly different version as part of the soundtrack to one of Rohtheaters` plays. The track features all the typical Obalski elements we have grown so fond of in the past. Dreamy pads and odd melodies create the sort of ambient that carries you away somewhere else (Bravo!). We decided that it would be interesting to hear other artists take their turn on the material. The Japanese duo Mascaras (Chida & 5ive) transformed Wind-s in an atmospheric drum workout. Fantastically incorporating the breezy synth elements of the original into their flow of percussion. Press play - Lift off. The B-Side gives space to Nick Höppner's epic Techno groove. Ecstasy - evolving - progress.

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8,03

Last In: 6 months ago
Various - Total 16 (2x12")

Various

Total 16 (2x12")

2x12inchKOM360
Kompakt
23.08.2016

TOTAL compilation series hardly needs an introduction: we rummage through the Kompakt releases to select our favorites from the past year that reflect our best and unsaid tracks, compiled and packaged as a cohesive whole.

For TOTAL 16, the 2xCD and digital track listing features 25 prominent cuts from artists such as THE FIELD, WEVAL, REX THE DOG, TERRANOVA, HUNTER/GAME, FRANKEY & SANDRINO, JOHN TEJADA, BLOND:ISH or PATRICE BÄUMEL.

On top, TOTAL 16 includes eight exclusive tracks which happen to make up the 2xLP vinyl track listing. What you have is a dynamic assortment and comprehensive profile of Kompakt's current label portfolio, including both newcomers and veteran producers in peak form.

Keeping up a good old TOTAL tradition, we also planted brandnew material from core artists and friends - check out exclusive tracks such as MICHAEL MAYER's aptly named ACTION, an absolutely rinsing acid cracker, or MATIAS AGUAYO's stellar KOMM, sitting comfortably among his best and most stirring work to date. Meanwhile, JÜRGEN PAAPE drops silky, atmospheric synth pads on EDEN and THE MODERNIST teams up with Hot Chip's JOE GODDARD for the pop-infused THE PRICE OF LOVE. Another highlight is the debut release from exciting newcomer LAKE TURNER: BEACON FIELDS is a misty- eyed, melancholic piece focussing on exquisite electronic textures and sweeping melodies.

As with previous TOTAL installments, we collect these exclusives on a separate 2xLP edition, but like to add a handful of cuts that can only be found on the vinyl version - for TOTAL 16, these include ALEX UNDER's LLAMAN A LA PUERTA, a densely layered, slow-paced synth jam that makes for a inspired detour from the propulsive, lean beats the Spanish producer has become known for. SWEET 100 present a masterfully crafted study in hypnotic minimalism on SIX, while VOIGT & VOIGT hark back to the pounding, sensual abrasiveness of early Auftrieb releases on DENKEN SIE LAUT, crossbred with the tongue-in-cheek gloom of the brothers' later, more psychedelic offerings.

The Kompakt favorites from the past year, compiled and packaged as a cohesive whole, with cuts from THE FIELD, THE ORB, COMA, BLOND:ISH, HUNTER/GAME, JOHN TEJADA, REX THE DOG, TERRANOVA and many more..

Features exclusive new tracks from MICHAEL MAYER, MATIAS AGUAYO, JÜRGEN PAAPE, THE MODERNIST, ALEX UNDER, SWEET 100, VOIGT & VOIGT and LAKE TURNER

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24,33

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Cyrk - Fantasy

Cyrk

Fantasy

12inchCYRK002
CYRK
02.08.2016

Not even a month has passed since Sierra Sam and Pascal Hetzel ´s CYRK project launched with the high impact homage 'Tribute' and they return with yet another respectfully rooted release.
Channelling the energies of Detroitian agenda-setters such as Inner City, Joey Beltram and Scott Grooves, CYRK celebrate the original template and ingredients that have gone on to inform every genre that's since passed. Easy to say... A dark art to master without repeating something that's already been done before. Safe to say that CYRK definitely have that art mastered...
Its deft ping-pong riff echoing through classic detuned synth tones and unrelenting beats refusing to stop even for the honeyed evocative tones of singer Christine Eusebio , 'Fantasy' is one of those tracks you'll feel you know but also understand its freshness instantly. The type of track that gets crowds grinning like Cheshire cats the second it pops on... Even though they've never heard it before. Rooted in history, coded in innovation, it's more proof that CYRK's three-headed formula is better than one.
Remix-wise both Pascal Hetzel and Gerome Sportelli remain in Detroit: Pascal looks towards the likes of Mills and UR's 'World Power Alliance' phase for inspiration with his heads-down, militant techno aesthetics while Gerome conjures up sensations of Cybotron and The Preps with his slinky, ice-edged electro adaptation. Both versions take Christine's surging, sensual vocals to new creative pastures... And they've invited you to do the same with the acapella version, too.
Celebrating a legacy while keeping it fresh, CYRK remind us where we've come from... And where we're heading.ind us where we've come from... And where we're heading.

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8,36

Last In: 6 years ago
Sauce81 - Make It Move

we are very proud to announce the debut release of japanese brightest hope
"sauce81" on endless flight.
we really loved his past releases on eglo,catune,wonderful noise.
this 4 tracks ep is full of love for black music which are his music roots.

enjoy!

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8,11

Last In: 9 years ago
Mentho - Teo's Socks

Mentho

Teo's Socks

12inchMD001
Mondo Discos
22.07.2016

MONDO DISKO club has been, for over the past 16 years, the flagship for discerning electronic music lovers and dancers in Madrid. With a loyal and enthusiastic crowd and a booking policy that combines a selection of solid resident djs alongside a list of high quality international artists, creating a record label seemed to be the most reasonable step to follow..

MONDO DISCOS is born as an extension of the club, with the sole intention of bringing to light musical projects that excite us, projects with which we feel particularly identified.

For our first reference, which we found particularly important as it will set the tone, we have a very special and mysterious proposal called MENTHO. This is the brand-new side project of a well known house duo that wishes to remain anonymous for now, and wanted to dig deeper into their more experimental side

Teo's Sock consists basicaly on a mix of electronic, experimental music, halfway between mental electronic vibes and instropected techno. Polirithmic and intrincate patterns with an afro sounding background, deep and moody synth work and an overall endless melodic vibe.

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8,19

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Steevio - Modular Techno Vol. 4

Following the release of 2015's Animistas album on Mindtours, Steevio returns with the fourth and final volume in the Modular Techno series after starting the project in 2012.
Initially conceived as he moved his studio practice towards a purely outboard, analogue, modular synthesiser set up, the Modular Techno series has charted the development of Steevio's exploration of this working practice both on record and on stage. The work involved in live appearances across the UK and Europe over the past four years have fed into the creative process, with rehearsals for sets often yielding the material that has ended up on vinyl.
Volume 4 is arguably the darkest instalment in the series to date, dealing in a strict economy of minimalist rhythms and off-key melodic touches while still easily identified as the unmistakable tones and distinctive grooves of Steevio. In the grand tradition of techno as visionary music, the dystopian tone that lingers throughout Modular Techno Vol 4 points to a future of uncertainty, but this is far from nihilistic music; always within the darkness remains a glimmer of hope.

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8,36

Last In: 5 years ago
Various - 96-16#3

Various

96-16#3

12inchPL012NK
PLOINK
14.07.2016

Launched in 1996, PLOINK has been a core brand in Norwegian techno for two decades now, booking the likes of Jeff Mills, Juan Atkins, Derrick May, Carl Cox, Radio Slave and Richie Hawtin, as well as launching a
record label that champions Scandinavian artists. With the likes of Prins Thomas, Mental Overdrive, Nordenstam, Mind Over MIDI and label founder Thomas Urv appearing thus far, 96-16#3 is the third and final
instalment in the 20-year celebratory releases.
One of Norway's well established electro/techno artists over the past 15 years, Skatebård begins proceedings with the sinister 'Kapitalsystemets Belastning' featuring menacing bass and otherworldly synths,
before Bergen's Kahuun demonstrates a concoction of keys, effects and atmospherics with 'Sherlock'.
Next, Kristiansand's +plattform, who's just launched his Graatone imprint, introduces powerful kicks and eerie drones in 'Reluctant', making way for the percussive and rhythmic 'Helle Farben' from analogue-loving duo Dormund. Faarikaal Records founder Henrik S' 'Phobos' then ventures into sci-fi realms with spacey aesthetics and echoing stabs until Krill Music boss Espen Lauritzen ties up the release with the intricately produced 'Tromsø'.

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7,77

Last In: 5 years ago
2030 - Timeworm, Luke Hess, Deep'a & Biri Rmxs

The sixth release on Deep'a & Biri's Black Crow label welcomes another new name into the fold: Nico Campanella has been quietly building a stellar reputations for himself over the past few years, working under a variety of aliases to explore a sound that much like Deep'a & Biri draws deeply from techno's Detroit heritage as well as the propulsive dub techno of Basic Channel. With releases for several high quality under-the-radar European techno labels, including Construct Re-form, CLFT, Monnom Black and his own label Subosc, Campanelli's Kaelan and 2030 projects in particular have won him some ardent admirers & plenty of tips as a talent to keep an eye on. It's as 2030 that he joins Black Crow, for the Timeworm EP, which is completed by remixes from FXHE's Luke Hess and the label's Tel Aviv-based founders. The EP's original track are a pair of lushly-produced classic Detroit-influenced excursions, redolent of the cascading ambient textures and string melodies found within the work of the city's first wave pioneers. A1 cut 'In aeternum' could easily be mistaken for a lost early 90s classic in the best possible sense, while the title track also draws on a similarly timeless quality. With the original track ensuring the EP package will win other home listeners, it's the remixers who shape them for the dancefloor. Luke Hess's 'In aeturnum' remix is powerful dancefloor workout that retains a softer edge, recalling the producer's recent collaboration with OB Ignitt. On the B side, Deep'a & Biri offer two of their own interpretations of the title track, pulling the track across the dub techno galaxy with their trademark dexterity. Completing a truly exceptional package is beautiful hand drawn artwork by Israeli artist Avraham Guy Barchil.

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6,85

Last In: 7 years ago
Ivan Latyshev - To My Youth Ep

St. Petersburg talent Ivan Latyshev drops a killer EP on the ever-dependable Dessous Recordings. Ivan has been making waves over the past couple of years with his distinctive brand of deep, groove-heavy house music on labels such as What's in the Box, Street King and Spaghetti Monster - but this To My Youth EP sees the young Russian step up to another level. The title track shows a deep affiliation for classic house vibes, mixed with some jazzy flourishes and swung grooves. The sense of euphoria is tangible, and the spoken word vocals add a level of house mysticism that will be always welcome on deeper leaning dance-floors. Can't Go Away goes a shade deeper still, bringing layers of delay and reverb to the track that help shape a true slow burner. Old Ages also highlights Ivan's love of jazz rhythms and sounds, building from a live drum break into a rolling deep house monster - it's infectious stuff and suggests Ivan Latyshev is going to be name to watch in the next months and years.

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7,27

Last In: 7 years ago
Orbe / Kristina - Analog Theories

The new Analog Solutions 018 , label owned by the Spanish producer Eduardo de la Calle, will be released in May.This time presenting a various artists, by Kristina and ORBE, that combine an ep with a personal character, full of floating arrangements and inherently techno flavor, but sophisticatedly Dub. It seems that the label Analog Solutions will take refuge next references on collaborations lauching a series of various artists so better to be alert .

Different artists will take the place like Japanese Takairo Oishi, already on catalog reference 015 from the spanish label, and also appear in the reference 019 coming soon.

On side A we have 2 tracks of ORBE, the first A1 titled "Modern Cicles it is certainly an exercise in resilience and compromised to the authentic,
where Fernando Sanz aka ORBE develops a track infinite and penetrating where arrangements certainly exemplify the finest and purist made in Spain techno.

The second ORBE track A2 , entitled "Beyond The Ubiquity" reflects the good moment that Madrid based producer ORBE is going on with , and drops certainly an epic ideal for closing sets track with melodic nuances and highly useful for high voltaje DJ,S .

The novel but solid Kristina opens side B1 with his tool "Hydragea", where again, based dub elements, manages to build a disciplined rhythmic atmosphere , at the same time delicate, and that will delight lovers techno more fluctuating.

In the side B2 kristina it attack with "Dicentra" .A extremely funk track with multiple hi hats variants, and where the first minute of listening past, one enters a deep cerebral hypnotism .Dicentra is without any doubt one of the highlights of the record, where Kristina synthesized based revers again and again succulent and repetitive sounds, which make the reference number 18 Analog Solutions certainly Essential to find a place in the case of any dj.

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7,35

Last In: 5 years ago
Fp-oner - 6

Fp-Oner

6

2x12inchMULE200
Mule Musiq
27.05.2016

he second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.
it is the second part of a trilogy that features his detailed sonic landscapes that are full of mystery and power. while his last fp-oner album 5' was leaning more to the jazzier, relaxed and atmospherically side of his artistically deep house expressions, the runner-up grinds even deeper into spherical worlds that enhance deep meditative highs.
they are not made for club use only. in fact all eleven compositions work also massively without big speakers. again the new york city native that is working on his very own music for almost 20 years produced a journey inwards that is compelling, mesmerising and enchanting.
you find cosmic dust in it as well as dark entropies, percussive power, sweet seducing melodies and rolling bass power that shakes your inner and outer profoundly. the tracks are listening to names like awakening co creator', alternate reality' or adjusted perception' and the album title 6' stands for a meaning,
that fp-oner describes like this: 6 represents the number of man and his or her limitations, weakness and imperfections.
this body of work examines and looks towards one awakening. adapting to a new way of being creating an alternative and reaping a higher state of mind and being. enhanced by love and serenity, satisfaction and joy.'
all tunes are produced around the world, as he is a guy who never stops feeling in sound. that is why he caries his studio around to get up in the middle of the night or right in the morning after a sweaty party to transfer his emotions directly into sound. the result is massively powerful music with slow, intimate passages for treacly melodies, stirring synth-lines and little rhythmical quaintness.
an almost lyrical house journey that works like a musical sculpture in which organic machine grooves float along keys on air. the evolution of the each track is impeccable and their power grows with any new listening session. fp-oner himself characterizes his art like that: 'my music is designed to enhance deep meditative, or altered states, to allow the listener to personally connect to the creator of all that exists in the universe.
my music style is to first create a foundation using cyclic, polyrhythmic music, then build several layers of improvised leads and rhythms that allows you to transcend time and space... we have memories of past lives that reverberate in our hearts like echoes from ancient caves'.
there is nothing more to add, except that those who do not know fp-oner so far should know that he danced in his younger years in legendary new york city clubs like the red zone, sound factory or tunnel to dj sets of larger-than-life selectors like david morales, frankie knuckles or danny tenaglia.
during those nights he learned that sometimes less is more. and that he should rather listen to your heart and soul, then to the susurrus of the music market. most of the eps and albums that he produced under his other monikers like fred p or black jazz consortium have been released via his very own label soul people music, which exists since more then ten years.
as fred p he also dropped 12inches on jus-ed's underground quality imprint as well as on toshiya kawasaki's mule musiq label. for the latter he now is working on a trilogy under the fp-oner alias. this little paper introduces the second part of it. the final one will hit your heart and soul in an unwritten future. whatever circumstances of life will be around by then: you can be sure that fp-oner will transfigure them into a dynamic emotional and spiritual terrain.

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16,09

Last In: 4 years ago
Near The Parenthesis - Helical

Near The Parenthesis

Helical

12inchMD245LP
n5MD
19.05.2016

In 2006, Tim Arndt released the first Near the Paren- thesis album "Go Out and See". Arndt had intended to follow up that release with a more beatless ambient album, where percussion was left to the side and com- position took center stage. A shelved Idea that we now get the benefit of a full ten years later.

This new album Helical is the realization of Arndt's stripped down ambient concept. Helical features Arndt's characteristic experimental modem classical instrumentation and compositional style, but slows things down and stretches them out. The focus on the organic is clear, but moments of ethereal breath weave in and out and prevent the album from becoming too self aware.

Helical, as a loose reference to the geometric structure of our very DNA and it contains themes that are driven by a recent discovery of Arndt's past and ancestry. The release seamlessly stitches all of these concepts together and marks an unique release and new direction for Arndt's Near the Parenthesis.

Helical will be available in limited transparent coke bottle green and opaque grey vinyl flavors as well as compact disc on May 20th.

-7th album from bay area experimental composer Tim Arnt.
-Limited Grey and Coke bottle Clear Vinyl
-Near The Parenthesis has 3 tracks with over a million plays on Spotify.

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16,77

Last In: 9 years ago
Francesca Lombardo - Freefall

Past releases - Crosstown Rebels, One Records, Leftroom Limited and FFRR Party Affiliations - Circoloco, Flying Circus, Luciano & Friends Francesca Lombardo has cultivated a sound of her own, one that represents her multi-disciplinary musical background and transcends the dancefloor with ease. Creating emotional narratives via wistful soundscapes, stirring melodies, hypnotic rhythms and her own mesmerising voice distinguishes her from the crowd.

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9,71

Last In: 3 years ago
Foreign Material - Omega System Ep (hiver Remix)

Our next release is by a young Brussels based artist that will be a new name to most of you.
Foreign Material has been into music since his youth. After studying percussions at the Conservatory and graduating in history, his interest in dark atmospheres led him to techno music. The spirit of his music is a mix of ancient myths and futuristic visions. Conceptual music, both mystical and cosmic, with a link between past and future. Here's what he had to say about his EP:
"'Omega System' is a journey to deep space and beyond, to the unknown destinations allowed by the mythical and mysterious Omega relay that's been turning around Omega's red sun since ages. But beware, the path that you will follow is dangerous and nobody ever came back. Some say that you will find death. Others that you will find great treasures. But some wise people think you will finally find Truth."
On remix duties are label friends Hiver, also known for their residency at Milan's Dude Club. Whereas the original tracks are more deep and floating, the Hiver remixes will be of high interest to many a dancefloor, you can trust us on that one.
First pressing on marbled vinyl.

DJ FEEDBACK
Early support from
Sven Väth: Nice spacey sounds !
Len Faki: awesome deep down grooves! beyond omega system are great. thX Len
Ame (Kristian): thanks
Marcel Dettmann: thx
Nick Höppner: I'm really into Hiver recently. Remix 2 is beautiful, will play for sure!
Locked Groove: great stuff
Baikal: remixes are nice especially 2
Pablo Bolivar: Serious tracks here, Hiver remix 2 is my pick!
Bruno Dietel (Radio Fritz / BLN.fm): Hiver Remix 1 is my favourite!
Tomaz (22tracks): love both hiver mixes
Deg (Fuse club): Thanks Tom !

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7,52

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Santos - Tapeology Ep

Santos

Tapeology Ep

2x12inchKRLVK5 2X12"
Karlovak Records
28.04.2016

Next up on Karlovak is Italian DJ and producer Santos. Having released music since 1995 on labels such as Crosstown Rebels, Desolate, Ovum and Bedrock; Santos has an impressive string of releases in his back. We are thrilled welcoming him to Karlovak with this 2x12" containing four house burners thats been road tested and approved by the label heads themselves, Mr.Tophat & Art Alfie, over the past year.

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5,84

Last In: 7 years ago
Duktus - Hannah

Duktus

Hannah

12inchTL011
ThinkLoud
28.04.2016

The warm dim light of the bedside lamp conjures up a kind of shadow theatre, sends the little stars on the ceiling into a spin, and fills the bedroom with a sense of profound peace. A small music box rounds out the evening atmosphere with soft little melodies. Perched at the side of his daughter's little bed, he watches over his little beat princess' slumber and her dreams, all while enjoying with satisfaction the unencumbered lightness of being at night...

The EP Hannah by the Leipzig-based beatmaker Duktus is a musical tribute to his three-year-old daughter and a personal instrumentalization of fatherhood.

A story told from Duktus' point of view in six different pieces, we can become part of little Hannah's world, as she plays in her room and runs around the playground, goes on adventures during the day and dreams at night.

In EP Hannah, Duktus casts his musical gaze backward in two different ways - both in terms of the experience of being a father and the moments, great and small, that this involves, as well as in terms of his musical influences over the past three years. This produces an atmosphere which, however, does not waver from Duktus' musical direction between uptempo broken beats and downbeat house grooves.

The EP Hannah cover was painted by Hannah herself at the age of two. And it is being produced in a complicated silk-screen process, printed in purple - Lila's favorite color! - on uncoated paper, making for a tactile homage to the little beat princess.

It is only a matter of time before Hannah discovers the record for herself as well. She already got her own record player as a present - from her dad, of course - and is a big fan of old fairy tale records. In the eyes and ears of a DJ and beatmaker, this is all a matter of early musical education.
- I dedicate this record to my daughter Hannah'
- Duktus -

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12,56

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Various - Monolith Records 000

Supernovas originally formed the basic chemical elements which subsequently merged in a myriad of variations, creating life as well.
All the components of our world descend from that single original replicating molecule.
In a primitive stage, a functional distribution of energy was regulating the self-selection as the only workable explanation for the design and variety of all life on this planet. Such harmony meant prosperity of hearth as a whole unique entity, a perpetual thriving of life cycles.
Meanwhile, humans developed their own ego to the point to think that they were fallen angels rather than risen apes. Their unique highly developed intelligence made humans the only rational beings on the planet, but it is by rational choice that they consciously keep inflicting pain and humiliation, a planetary torture running through the ages.
Proliferation of humans doomed the dynamics, tampering with the energy fluxes and distorting the relationships amongst the entities. By rationally choosing to ignore their native compassion, humans become guilty and they self-sentence their own end. We have gone too far and sacrificed too much to disdain the future that we designed now, while the metastasizing process of the planet grows, the past increases and the future recedes.

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9,03

Last In: 3 years ago
Adrian Younge Presents Venice Dawn - Something About April Part 2 LP 2x12"

In the years since the release of Adrian Younge's Something About April, he has been coined America's black genius: the evocation of analog vestige in a digital era. His majestic music has garnered him reverence, likened to Ennio Morricone's best work and the Beatles' tenacity to create new sounds. Fortuitously, Something About April has made an indelible impression on modern vinyl heads and producers alike, being sampled by DJ Premier, Jay-Z, Common, 50 Cent and more. The Something About April brand is an axiom to the modern 'Breakbeat' and Linear Labs is happy to announce its successor: Something About April II. Recorded with Younge's collection of rare instruments, Something About April II advances his musical paradigm with enterprising concepts and grander compositions — it synthesizes the boundaries between dark American soul and classic European cinema. With effervescent conviction, Younge executes with an array of entrancing vocalists: Laetitia Sadier (Stereolab) and Bilal perform duets on 'Step Beyond' and 'La Ballade,' reminiscent of Serge Gainsborg and Jane Birkin; Raphael Saadiq blends 'Black Jazz' vocals with psychedelic soul on 'Magic Music;' Israeli star, Karolina, delivers haunting chants over concertos like 'Hear my love' and 'Winter is Here;' Loren Oden croons as if the apparent ghost of Donnie Hathaway created one last love song, 'Sandrine.' Younge is the experimental spirit of the modernist vanguard, looking at the past to create the future. What this album extrapolates, from vinyl culture, will become further magnified by its sampling down the line. Something About April II will replace the former as a holy grail for producers and collectors alike.

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22,27

Last In: 10 years ago
James K - Pet

James K

Pet

12inchDIALLP035
Dial Records
15.04.2016

James K is a stranger to obviousness. Over the past few years the New York native has quietly honed her sound and peculiar aesthetic. Equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. James K is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. James K stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. James K creates a mythology of her own.
'PET,' her first LP due out in early 2016, will be a co-release with Dial and her own label, She Rocks! A special edition of the album with added bonus tracks and interludes with be released on cassette through Canadian label 1080p.
In James K's words: 'The underlying desire of 'PET' divides into two parts: an escape into ethereality and a mischievous denial of my own experience. It narrates my search for honest expression by means of the premature denial- a childish excursion into a world of monstrosity and innocence.
PET reflects my mental state during its production - as a person, I was owned, objectified and hurt by other, and that wound I then unwillingly internalized. I turned to my music as a way to dissect these thoughts. The product became my possession, or 'pet.' In retrospective, this process gives me strength over myself; love—knowledge and wisdom enacted. The arrangement of the music and the PET itself relates to my endless struggle, namely, my attempts to reclaim myself.'
Her 'Sokit' 7' is a double track single for her album, which she released last Spring. James K is featured on the recent compilation released by Dial Records for their 15-year anniversary, and a mini LP of her noise pop project SETH (along with producer Gobby), was also recently released by label 1080p in June, in cassette and digital form. She rocks.

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15,08

Last In: 2 years ago
Bushido - Grandmaster Cash

Up next to bat for the Astral Black label is Glasgow's Bushido and he looks set to hit his debut 4-track EP straight out the park. Over the past 18 months Bushido's playful, dance-hall infused take on UK club-music has built a steady reputation, with his soundcloud page showcasing a blaze of radio rips lifted from 1xtra, Rinse & NTS. His Beach Stage set at last years Outlook Festival was picked by The Daily Street as their personal highlight and his collaborations with label-mate DJ Milktray & contributions to releases from Liminal Sounds & LuckyMe's 14/15 advent calendar have picked up DJ support from the likes of Hudson Mohawke, Mssngno & Nina Las Vegas as well as press from the likes of The Fader & FACT.

On 'Grandmaster Cash', Bushido turns in 4 sweltering, hyper-tropical, club tracks - the arpeggiated cowbells & vocal chops of opener 'Palm Trees' sounding like you've hit the jackpot on a fruit machine. 'Palm Trees' has become a firm favourite in sets from the likes of Mr Mitch & Murlo and its clear to see why. The sino-centric 'Cherry Blossom' is up next, it's half-step breakdowns offering some mild respite before culminating in an arsenal of pan-flute chops & triplet hi hats. The mavado-sampling 'Just Us' rings out at the top of side B, a stripped back offering of anthemic vocal-chops, 808 kicks, sub bass and rim shots. Finally, leaving the B'more bounce of Boxed-favourite 'Jersey' to seal the deal.

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8,19

Last In: 6 years ago
Gari Romalis & Lello Di Franco - The Union

Gari Romalis and Lello Di Franco - Dreamin For the uninitiated, our man Gary Romalis is the unsung master of Detroit's house and techno scene. Having DJed across the motor city's top venues for the last three decades, Gary is somewhat of a seminal figure for many of Detroit's DJs currently at the forefront. Following a slew of high quality releases on various labels over the past few years, Gary now unleashes that special flavour on us for SKYLAX 142! He is not alone though. With him, he brings all round Italian partymaker, and top selector in his own right, Lello Di Franco. Let me tell you, this duo's collaboration is something to behold. Throughout all 3 tracks on the record, Gary and Lello maintain the essence of what the Detroit underground is all about; stripped back tracks with soul that never feel like they go 'big' for the sake of it. While Dreamin (Wanda Mix) may be packing a big kick and power clap combo, it's the elegantly filtered, jazzy sample that will leave you wishing that the track lasted forever. The vibe takes a dip right into the deep in Detroit Underground (Beat Dat Mix). Spacious pad synths alongside a mesmeric vocal carry us through. Taking a step back up, Afrobeat rounds off the EP, made with a solid toolkit of afro-centric samples.

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8,36

Last In: 10 months ago
Steven Wobblejay - Hang Out Ep, Matt Chiavaroli Rmx

Our french friend Steven Wobblejay strikes back! After the sublime shake your tingsz EP' (QE 45), Steve presents again some dope deep raw tunes. Lots of old school flava with a new school twist! His partnership with Pablo Valentino as Creative Swing Alliance (Wolf Music, Faces, Tsuba a.o.) has been a great base for developping his own style. Another great talent is past, present and future Quintessentials artist Mat Chiavaroli, who's delivering a rugged and freestylish remix. Hang out - the way we love it!

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7,44

Last In: 8 years ago
Casino Times - Familiar Circles

Casino Times

Familiar Circles

2x12inchWOLFLP003
WOLF MUSIC
05.04.2016

Over the past 7 years WOLF Music have steadily blossomed into a bonafide platform for both auspicious and established producers of classically-minded House and Disco catering for listeners and DJs alike.

Having amassed a catalogue of EPs and LPs including the likes of Frits Wentink, Medlar, KRL, Mr Fries and Inkswel they are now ready to release their 4th full length LP this time from long term label friends Nicholas Church and Joseph Spencer a.k.a Casino Times.

Having first appeared on WOLF for the label's 23rd release - Casino Times have since released music through their own Casino Edits imprint, Futureboogie and Permanent Vacation.
Across each release the duo have built a musical identity that's characterised by subby electronics and off-kilter sampling.

Now they get chance to stretch their legs across 10 tracks, delving into an array of new territories, which pieces together their début LP, Familiar Circles.
Ranging from the beautifully breezy Oddity to the break-laden Love In Time the album begins to take shape as a masterclass in arresting sampling.

Continuing with the subtly mournful I Hope This Find You Well featuring Desert Sound Colony, followed by the potent, burly drums of Overcome. Panning out across its entirety as an album that achieves something rare in deftly dialing a broad spectrum of moods, adding further facets to WOLF's ever-expanding catalogue.

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19,29

Last In: 14 months ago
The Last Of The Garage Punk Unknowns - Volume 8

15 prime slabs of mid-60s USA garage punk MISERY - garage punk SADness in GATEFOLD SLEEVED luxury with liner notes, band photos, label scans. (NOTE: This is an entirely NEW series and NONE of these tracks were on the old series 'GARAGEPUNKUNKNOWNS'.) The Other Side "DARK SIDE", The Pastels "HOW MANY NIGHTS", The Toads "STAY AWAY", The Henchmen "SHE STILL LOVES YOU", The Night Walkers "STIX AND STONES", The Time Takers "LOVE ME LIKE YOU DID BEFORE", The Night Riders "SHE WON'T MISS YOU", The White Angels "BUT HE NEVER COMES BACK", 24. We The People 'ALWAYSLIES', The Dominions "I NEED HER", The Saxons "THE WAY OF THE DOWN", The Sonics "YOU DON'T HEAR ME", The Mystics "ORPHAN", The Vacant Lot "HEY BABY". The Squires "WHY OH WHY"

pre-order now01.04.2016

expected to be published on 01.04.2016

20,59
Sasha - Late Night Tales Presents Sasha : Scene Delete 3x12"

+ Downloadcode!

The first Late Night Tales release of 2016 is a very special project by Sasha.

Imagine listening to music inspired by Frahm, Richter and Steve Reich, but made by one of the UK's leading house and techno DJs. Away from the hubbub of the club, the craziness of Ibiza, there's a contemplative side to everybody. Forget the beats and the sweat and the billowing anthems; this quiet, undulating, at times pastoral piece is less about songs and anthems and more about texture and atmosphere. 'Scene Delete' is a side of Sasha you've never heard before. I love post-minimalist modern classical, I love to listen to something completely different that's quite hypnotic as well. It almost purges the system.

About three years ago, my collaborators David Gardner and ThermalBear and I wrote a song called 'Bring On The Night'. I sent it to Ultraista and within a few days she sent it back with this amazing vocal on, with Nigel Goodrich playing keyboards. We tried to do club mixes but we just couldn't get it right. So it sat there doing nothing.

Tracks like this kept building up, until finally last summer my frustration boiled over. We'd made so many tunes that I couldn't remember the names of half of them: What was that thing with a bass sound and a string line It drove me mental. At the same time as we were logging these tracks, I was listening to the Jon Hopkins' Late Night Tales and I thought a lot of the music we'd been working on was in the same vibe. So I sent the music over to Late Night Tales and they really liked it.

Initially, I thought we'd just do a Late Night Tales compilation with maybe a few pieces of my own music. But as we went through everything we'd worked on in the last two years, we realised we had about 50 pieces of music. So we started editing and compiling: 'Scene Delete' is the end result.' - Sasha, January 2016

Think of 'Scene Delete' as somewhere between a mix album, an artist album and a gentle stroll through the soundtrack in your mind. Make sure you switch off the lights before you enter.

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26,47

Last In: 13 months ago
Cb-r - Drsl

Cb-R

Drsl

12inchCMM0110
Cut Mistake Music
29.03.2016

Bret Winans (aka CB-R & CB Radio) produces music out of a studio in Brooklyn. Using a variety of gear that has been amassed over the past decade, he's experimented with house, italo, techno and more. 2014 saw the release of CB-R's Inside Existence, an EP of dub techno and ambient textures that launched the S//P//A imprint. He's also appeared on the 100% Silk 2015 label comp, Sunset Silk, as CB Radio with the more italo leaning Pacific Ocean Blues.' With each release we're opened up to another side of the producer's world. Available on Full Color Jacket LP by New York based visual artist and musician Jay Goitia.

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8,36

Last In: 10 years ago
Orlando Voorn - Collected Ep #1

repressed !

First Ep (of four) announcing the forthcoming Orlando Voorn COLLECTED double CD that will showcase what we believe is the best from the Dutch producer in his early days. This EP focuses on the housier side of Orlando Voorn and gather on one slice of wax 4 useful classic tracks for the djs.
Orlando Voorn, the artist:
He who started in the late 80's as a successful DMC DJ in The Netherlands, mixing electro and hip-hop tracks, established thenafter an historic musical connection between Amsterdam and Detroit. Orlando Voorn's unique signature of early productions, analog tweaks, funky beats and cosmic chords, quickly attracted the attention of the like of Juan Atkins and Kevin Saunderson, for which he produced game changing classic tracks like "Game One (as Infiniti)" and "Fix (as Flash)" in the early 90's only to continue to do so until today on numerous labels (R&S, Fragile, Nightvision...) and under various aliases (Playboy, Ghetto Brothers, Format...).
Musique Pour La Danse, the serie:
COLLECTED is about... collecting definitive and inestimably valuable works by key dance producers from the past and digging with them classics, hard-to-find and unreleased gems from their vaults to bring them back for your sole and only pleasure. Stay tuned for more house music and beyond.

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8,19

Last In: 6 years ago
Claudia - Macumba / Baoba

Claudia

Macumba / Baoba

7"-VinylBRZ45.39
Brazil 45
18.03.2016

Our leading lady of the series, Claudia, is back once again, this time with a double A-side.
'Macumba' is taken from one of her several self-titled LP's, the one in question released in 1970 on Premier, Brazil. Sought after in its original form.
Psychedelic, orchestral, MPB, exotica with hints of Bollywood! Horns strings and spaced out male vocals back Claudia's amazing lead. Highly unique.
'Baoba' is taken from Claudia's all-killer-no-filler Jesus Cristo LP,
from Odeon released in 1971.
Heavy on the strings and tough on the funk drums, before it breaks into a vocal jazz section, then back into the groove. Reminiscent of Swedish folk-funk singer Doris, whose album we reissued in the past.

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13,24

Last In: 6 years ago
Christians Catch Hell - Gospel Roots, 1976-79
 
18

Utterly magnificent, sublimely soulful survey of the Gospel Roots label, subsidiary of the mighty TK Records at the height of the Miami Sound. Beautifully presented... the LPs with a 12"-square, full-colour, sixteen-page album of photos and original artwork. Check!!
A&R was co-ordinated by Gospel legends Ira Tucker — from the Dixie Hummingbirds — and Ralph Bass, veteran producer with Savoy, King and Chess. The label was run by Timmy Thomas, who had recently smashed with Why Can't We Live Together, for another TK spin-off, Glades. Operations were overseen by Henry Stone himself, unlikely King of Disco, who had recorded a young Ray Charles, and pushed forward James Brown. They drew in artists from all over the US, from St. Louis, Columbus, Memphis, Brooklyn, Cabrini Green in Chicago: unknowns like Camille Doughty, reluctant to jeopardise her job at GM ('Generous Motors') in Detroit, and huge-sellers like the revered Brooklyn All Stars, who started out on Peacock in 1958.

Choral belters, deep ballads, harmony quartets, epic city-blues, gritty funk, powerhouse female soul... Killer-diller Philly like a scorching version of Harold Melvin & The Blue Notes' Wake Up Everybody, and Jean Austin's raw Spirit Free, co-written by Ronnie Dyson, produced by Jesse James at Future Gold. Chicago Sound like The Fantastic Family Aires — named after the family's furniture store on North Cicero, but reminiscent of the Staple Singers at their best — through to the full-blown glory of The Fountain Of Life Joy Choir, led by Marvin Yancy from The Independents, and featuring Natalie Cole... Singers like Versie Mae Gibson, from the Jordans, by rights up there with Irma, Etta and Ree... Bangers 100%-guaranteed to find their way into Theo Parrish sets, and mortal delirium for the prissiest of soul and gospel purists.

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24,50

Last In: 10 years ago
Voiltion Immanent / Zombies Under Stress / Mark Forshaw - Few Tricks For Nervous Dealmakers Ep

REPRESSED !!
Contort Yourself has once again gathered the best and boldest from past and present for its fourth EP. To begin with we have the grimacing visage of Volition Immanent, an intense live act made up of Parrish Smith and Mark Van de Maat (Knekelhuis). Behind rawkish distortion, splintered beats and acrid bars screams a boiled anger; a track spitting on the divides of punk and electronics. Nastiness is taken up a notch as noise ne'er-do-wells Zombies Under Stress take over. Static is bent and doubled across thick chords and collapsed clap in the 1986 "Maan Zal Zijn" before the raw and raging battery of "In Onze Tijd." L.I.E.S. regular Svengalisghost grapples with "Maan Zal Zijn, channelling the original's rage into a mechanical monster. The 12" is bookended with bite as Mark Forshaw (Tabernacle/Berceuse Heroique) closes with the tortured and torrential thump of "Submission." A callous, caustic and fervently cruel EP.

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10,04

Last In: 6 years ago
Metropolitan Soul Museum - Tesla Ep, Tuff City Kids Remix

limited to 300 copies
The latest Toy Tonics release comes straight from London with a remix by Germany's finest TUFF CITY KIDS. Metropolitan Soul Museum or MSM are Nick & Filippo. The pair have been running together Nick's Teng Records for the past 3 years - the label was set up to release Nick's Akra project music as well as other artists. Heads will remember this great imprint. Always crossing borders. Never being boring. Nick was also part of Mock & Toof, a duo that had quite a buzz when they were releasing freaky house music just few years ago. MSM have had a good start already: they self-released their Ruff Trk 4 a few months ago - including a remix by ROUND, the guy from Talabot's Hivern Discs. The interesting thing about MSM is also their live act: Playing with 707, Vintage keys, Machine and various effects - a similar set up for their studio production brought on the dance floor. There will be a lot more to come from MSM. This is just the beginning. house. Just good taste.

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7,27

Last In: 6 years ago
Guardians Of The Galaxy - Songs From The Motion Picture 2x12"
 
26

In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan. In order to evade Ronan, Quill is forced into an uneasy truce with a group of misfits including Gamora, Rocket, Drax the Destroyer, and Groot. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must rally his ragtag rivals for a last, desperate stand - with the galaxy's fate in the balance. Staring Chris Pratt, Zoe Saldana, John C. Reilly as well as the voices of Vin Diesel and Bradley Cooper.

This deluxe double vinyl edition of the soundtrack to the James Gunn-directed 2014 film Guardians Of The Galaxy includes classic 1970's songs from the movie like Blue Swede's "Hooked on a Feeling," David Bowie's "Moonage Daydream," 10cc's "I'm Not in Love," the Jackson 5's "I Want You Back," Redbone's "Come and Get Your Love," and The Runaways' "Cherry Bomb" plus the film's original score composed by Tyler Bates.

Music plays a major role in Guardians of the Galaxy as the 1970's songs featured in the film are part of the storyline in a unique way. Explaining how the songs come to play in the story, director James Gunn says, "One of the main story points in the movie is that Quill has this compilation tape (Awesome Mix #1) that he got from his mother before she died that she made for him. It was of songs that she loved, all songs from the 1970s, and that's the only thing he has left of his mother and that's the only thing he has left of his home on Earth. He uses that as a connection to his past and to the sadness that he feels of having left all that and lost all that."

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18,70

Last In: 7 years ago
Tonight Will Be Fine - Elephant Island

Gone with the flow - after a little break the German musicians Julius Steinhoff and Abdeslam Hammouda revived their musical adventures and left all electricity untouched this time. For their new acoustic project the duo has chosen the alias Tonight Will Be Fine - a name that is familiar to those who followed their work in the past years. As Steinhoff & Hammouda they used the name for their first 12" on Smallville Records, the worldwide acclaimed house and beyond label and record store that Steinhoff co-runs. Now they reheated the phrase and chose it as the alias for a bittersweet acoustic singer/songwriter project. Their wonderful, captivating new musical venture came into life due to happenstance and old ferventness. After their trips into house music the duo parted geographically. Hammouda moved away from Hamburg while Steinhoff strengthened his label Smallville, built up a global DJ career and produced acclaimed house records on diverse labels - solo" and with his buddy Dionne as Smallpeople. In all the time Steinhoff and Hammouda never stayed out of touch, bound together through deep friendship.

At some point they met again for musical missions and started to record music that had nothing in common with their prior work. Steinhoff re-activated his self-taught guitar abilities and entered the studio of his friend Lawrence in the back of the Smallville record store to capture some steeldrums and vibraphone sounds. Hammouda brought more instruments like a banjo, a violine and tablas and they just started to record sketches and songs. Hammouda's musical backround leads to a widespread range of influences while growing up, before he got into producing hip hop and electronic music. For Steinhoff, the transformation from an electronic music producer into a singer/songwriter wasn't that new too, as his first musical steps have been routed in band music. Until his late teenage years, when he discovered house and techno, he played drums in a local indie group in Freiburg and for Tonight Will Be Fine he now also freed his old drum kit from cellar dust.

After the duo felt that their musical communication elevates into something more profound then a session thing, they provided themselves with additional instruments like new guitars, claves, an accordion, a piano and more. Initially the songs were very rough and sketchy. Musical ideas that did not have a real song structure. Then we started to arrange the tracks and added our voices and lyrics.' both reveal. Their charming singing covers almost the whole album with a characteristic sense of deep winking melancholy. Their lyrics are exercising the possibilities of words and are inspired by life, the world and all the those questions a human can ask in his time on earth. At some point both started to show their new songs to some friends and they liked it and encouraged the duo to move on. Somehow one of the tracks landed in Toshiya Kawasaki's mailbox. He instantly fell in love with it and asked if they would like to do an album for Mule Musiq. They did what was asked and after some reformatting and reinventing Tonight Will Be Fine originated 13 songs full of sweeping acoustic guitars, airy rhythms, piano melodies, gloomy accordion emotions, touching voices and a bunch of other exotic instruments, done without the help of electronics. They all form Elephant Island' - an incredibly inspirational place where impressionistic lyrics dance gently with kinetic acoustic music that comes out of plain jamming fun. The melange of a structured song base and free improvisation injects all songs a loose feeling. And shows two handsome fellas carving out their own musical utopia. It is a warming one, full of hope and musical freedom powered by an unabashed instrumental playfulness.
nstrumental playfulness.





É a5 | soliloquy

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14,66

Last In: 9 years ago
Dbr Uk - Rough Edges Album Part 2

Dbr Uk

Rough Edges Album Part 2

10inchDISLTDLP02S
Dispatch LTD
15.02.2016

* Returning to Dispatch LTD after a string of successful and hard hitting releases, DBR UK are back to present their debut album, entitled 'Rough Edges', comprised of sixteen original productions from the UK trio.

* 'Rough Edges' is an ethos by which DBR UK live by in the studio, an ethos and distinctive style which has been developed over the years and throughout their own influences. Made up of varying elements, styles and attitudes within drum & bass, the album covers the trio's full spectrum, carried out with their own unique flair. * Certified masters of crafting their basslines and low ends to perfection, the pulse keeps every track pumping with soul, carefully mapped out and delivered to a tee, whatever the chosen direction. Eloquently arranged, but purposely gritty, dynamic but not over-complicated and never straightforward, glossy or predictable, it's an ideology the group stand by, whether it's a melodic vocal swathe or a murderous minimal mod. * Equipped with murky steppers for the shadowy back rooms such as 'Demolition' (ft. Slippy Skills), the album journeys through old skool & dub focused influences, like reece thronged 'Dark Alley' and hypnotic stroller 'Man Hunt'.

* Alongside their solo productions, the album also sees guest collaborators from the past and present combining efforts, with Skeptical, Structured, Gremlinz & Ahmad helping craft the gullied landscapes, the poignant and piercing vocals of MC Fokus striking at the jugular in 'Blood Water and the smooth, dulcet tones of Amanda Seal perfectly contrasting to the darkness and hysteria, before leading the listener back up the garden path.

* Back on the scene with a vengeance, having blown us away with an astounding quality and output, DBR UK deliver their first long player, 'Rough Edges', utilizing their subtly edged weaponry to maximum effect.

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7,77

Last In: 10 years ago
Tadeo - Chronicles Of The Future

I started this album simply writing a script, I think it is important that an album has a continuity that gives the album a cinematic sense, basically this must to tell you a story. For this time I chose the topic of: the development of human evolution in the future.'
I find it interesting to experiment with the sound and textures of the classical music, but not with the idea of how to adapt a techno track with classical instruments, I prefer to writing scores from scratch for each of the instruments and adapting synthesizers as part of that orchestra. I think that all this brings us an epic ingredient, that from the beginning I think it was the link between classical and techno music.
Besides the classical music, I have been experimented with different kinds of recording and synthesis, also I created almost all the sounds from zero. I have included different fx sounds, developed it with techniques as morphing and overlapping layers of sound, all to setup the tracks with a complex and rich textures, but with care about do not obtain something pasty.
I worked a lot with the space' in the tracks, trying to place each sound in a particular three-dimensional situation with clean reverbs, also the feeling of tension' is highly significant in this work, but ultimately the most important thing has been to build on a script written -as I said before- so that the narrative is a fundamental part of the album.

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16,43

Last In: 2 years ago
My System Echo - So Near To My Revival Ep

Heralding from Brighton, married (production) couple Sam and Tracy presented Classic with some music Classic was very familiar with. Not only is Sam a member of the legendary Gramme, but has also featured on a number of past Luke Solomon originals for Classic...so are already part of the extended family.

Classic immediately warmed to the music and the music already felt at home. Looking for the right remixer begun - Classic played the tracks to long-time member of Crazy P - a certain Mr Basejam and immediately leapt to them and remixed not one - but both of the records on the EP as he loved them both so much.

The result is a meeting of minds sounds and words.

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8,19

Last In: 3 years ago
Bodhi - Howler Ep

Bodhi

Howler Ep

12inchBLKBTR91
Black Butter Records
01.02.2016

Following releases in the past for Exploited Records, Rinse FM and Future Classic to name just a few, Cardiff-based duo Bodhi have found a new home on Black Butter Records.
With the release of the 'Howler' EP, they'll be joining a roster that includes Woz, My Nu Leng, Rudimental, Gorgon City and Clean Bandit.

Includes the acid tinged title track, and Mr Fingers style 'Brawd' with an insistent vocal loop steadily building the energy before fizzing synth pads and pneumatic drumwork come to the fore, transporting the track to moody late-night club territory.

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10,71

Last In: 8 years ago
Andy Vaz - House Warming Lp (2lp Gatefold)

With House Warming - Andy Vaz returns with his 3rd full lenght album on his own Yore Imprint. Due to Andy's half Indian roots, he is lucky enough to owe a Beach House just outside of Mangaluru, South India in the State of Karnataka. - where most parts of the Album were written over a period of 6 months. In this totally isolated, entirely tourist free hidden spot, which had become Andy's second home over the past years, he found himself away from the usual routines of western life, to find himself in a position to simply sit down and create. The result is House Warming". As the Title suggest's - think of house, sure and no doubt- but here on this album, thought all the way thru from beginning to end. The result then is House Music in all it's aspects: The Soulful, the deep and the raw or if you want - Deep House, Acid House, Garage/Vocal House - the joints range from downtempo, elektro and even hip hop beats. Oldschool you may think Maybe in spirit, as entirely produced with analogue synths & the roland series from 808, 909, 505, 606 to the original 303, but used in a modern studio environment. Andy Vaz is someone who has been around long enough to know how to programme his very personal idea's into the music - without denying influences such as Detroit, Chicago and New Jersey, to create something that goes further than a simple reflection of the past. Deep isn't a genre, it's a feeling. A warm feeling most of all. Be invited to come and see if you'll find it here.

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17,86

Last In: 6 years ago
Maurizio Abate - Loneliness Desire And Revenge
  • 1: In My Heart For A While 06:44
  • 2: Omens 03:46
  • 3: Once Upon A Time 0:26
  • 4: Tomorrow's Plan 06:39
  • 5: A Safe Place 03:42
  • 6: Sweet Motherfucker Blues 0:5
  • 7: Life Beyond The Wall 04:1
  • 8: No More Prohibited Games 06:17

This 8 track acoustic guitar album is a big change for the experimental musician Maurizio Abate. After many years of psychedelic albums in which improvisation was combined with a creative recording process, he composed an entire album based on a more traditional method: acoustic guitar solo.
During winter 2014 he organized a series of italian screenings preview of the documentary ' In Search of Blind Joe Death: The Saga of John Fahey' and that occasion encouraged Maurizio to experience the guitar solo language.
After playing these compositions at live shows, Maurizio decided to record the tracks in an almost definitive way, nevertheless the live interpretation of the songs is always different and mutating.
He recorded alone in his house between Christmas 2014 and new year's day on a reel tape recorder, performing acoustic guitar and, in a couple of songs, electric guitar and harmonica. "Loneliness, Desire and Revenge" it's an intimate and confidential album, it evokes moods and emotions of the musician during the past 2 years.

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