PulciPerla will unveil “Tatekieto”, their new album, on its release, January 04, 2025, on Prado Records / Cie Pulcinella / The Pusher. This opus will be presented on Wednesday, February 05, 2025, on the stage of FGO - Barbara, Paris (France) during an exceptional launch concert. The eponymous single “Tatequieto” was released on all platforms on November 22, 2024.
Take an iconoclastic and energetic quartet from Toulouse, combine it with a female power trio from Bogotá, shake it up, and you will get Pulciperla!
After an explosive encounter in Colombia in 2019, the fiery trio La Perla and the unclassifiable Pulcinella decided to create an original repertoire: a hybrid, swaying, and sensual music where vocals, saxophone, keyboards, double bass, and percussion blend generously, driving a powerful trance-like pulse. A quirky and striking repertoire infused with bullerengue, reggaeton, funk, and champeta influences, which stirs the fire and gets you moving. The tribal music of La Perla’s percussionist singers merges with Pulcinella’s explosive groove to electrify the audience and awaken their primal instincts!
PulciPerla is composed of :
La Perla: Diana Sanmiguel: vocals, maracas, guacharaca;
Giovanna Mogollón ‘’Roberta Leono’’: vocals, tambor alegre;
Karen Forero:vocals, gaïta, tambora
Pulcinella: Ferdinand Doumerc : saxophones, flutes, keyboards;
Jean-Marc Serpin: double bass;
Bastien Andrieu: keyboards ;
Pierre Pollet: drums
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Introducing What I Love by Orlando Voorn + Han Litz - A 4-Track EP Get ready to dive into the rich fusion of soulful beats and sophisticated grooves with What I Love, the latest 4-track EP by electronic music pioneer Orlando Voorn and jazz flautist Han Litz. This release perfectly captures Voorn's innovative mastery in electronic music paired with Litz's exquisite melodic touch. What I Love is a sonic journey, mixing the best of house, jazz, and electronic fusion with a unique, timeless vibe that fans of both artists have come to adore. Each track on this EP is crafted to captivate and elevate - from soulful harmonies and intricate rhythms to Litz's mesmerizing flute lines that add an organic, uplifting energy to Voorn's powerful beats. Whether you're a DJ, a long-time fan of house music, or new to the genre, What I Love offers a fresh take on sophisticated soundscapes. Don't miss your chance to experience this extraordinary collaboration. What I Love is out now, so bring it to your collection and let the groove take over!
Ring the alarm - multi-instrumentalist Jimi Jules scheduled for the album „+“ in 2022, executive produced by Innervisions label boss Dixon. The album features the most sought after and requested tracks of the last month including „My City's On Fire“, revolutionary „Der Aufstand“, dancefloor romance „Burning“ and „Clinomania“ featuring Joy Tyson, and fabulous Lily Allen / Elton John drummer Nathan Curran. The artwork concept is developed and designed by iconic graphic artist Trevor Jackson, whose multi-disciplinary works formed the graphical identities of design, music, fashion, and art by the likes of Soulwax, HFD / Comme des Garcons or Apple Music. Jimi Jules’ second album signifies his return to future-focussed album concepts. A welcomed novelty and venture. Exploring themes such as free thoughts and togetherness after a period of interpersonal absence. Better Together Forever.
A unique character in the electronic music scene, Jimi Jules is a multi-instrumentalist and school-trained musician with much more to offer than the standard four-to-floor sound. Jimi plays nearly everything from drums to trumpet and sings almost all the vocals himself. The talent probably lies in his roots, as many of his family members are known for their playing in jazz bands and classical ensembles. Most recently awarded a silver disk marking 200,000 copies of the 2020 track “Pushin On” in the UK, Jimi Jules also commenced a new collaborative partnership with Berlin-based booking agency, Temporary Secretary, earlier this year.
As the new era is underway for Innervisions, Jimi Jules “+” takes center stage of the label’s fundamental core - artist first, label second. For Jimi Jules especially, this new project represents the beginning of a whole new platform and innovative space for collaborations and symbiosis of mixed media.
2025 Repress on clear orange Vinyl!
“Okie Dokie It´s The Orb On Kompakt“ is already the 13th album of one of Britian's most prized cult bands. We feel it's better that way, because the music of The Orb only has an intensive effect when taken in as a long playing full length. And it proves with this lovingly conjured collection of songs brought together like a collage. The first half of Okie Dokie showcase The Orb´s love for minimal Techno and Schaffel/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented Chill Out and Ambient House in the first summer of love 1988, an incredible amount of things have occurred. The following timeline should give you a rough idea. - Alex Paterson gives up his job as roadie for Killing Joke. - “A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld” is not only the record with the longest title of the world, but it also marks the departure into the new sonic worlds of post-Rave Ambient. - While Cauty goes different ways with The KLF, The Orb re-form themselves and have a big hit with Little Fluffy Clouds in 1990. - The debut album “The Orb´s Adventures Beyond The Ultraworld“ hits the Top 30 in England. - The Orb produce “Higher Than the Sun“ for Primal Scream. - The Orb perform “Blue Room“ as chess-playing aliens at Top Of The Pops. Everything goes. - “Blue Room“ clocking in at 39:58 minutes goes into music-history as the longest time for a chart single ever. - The Orb achieve great success in Glastonbury '92 + '93. - The Copenhagen double concert “to the sunrise and sunset” is eternalized on record: “Live 93“ - Previously a floating member of The Orb, Thomas Felmann becomes a fix member in 1997 - No joke: Robbie Williams takes part of The Orb for a short time. The collaboration “I started A Joke“ is released on a benefit compilation - After 2002 The Orb found with Kompakt a new ambient-loving partner and release a row of singles and play live, as the trimmed-down version as Le Petit Orb. And one more for the extra hush-hush: The Orbs first album “A Huge Ever Growing Pulsating Brain...” was actually a Kompakt release. You can check it out. Besides the actual label Wau! Mr. Modo you can read... Kompakt Discos. Ha!!
Mit „Okie Dokie It´s The Orb On Kompakt“ liegt nun das circa 13. Album der britischen Kultband vor. Das ist gut so, denn The Orb's Musik wirkt eigentlich erst im Longplay-Format so richtig intensiv. Die Stücke sind, wie man das von ihnen kennt, liebevoll collagenhaft miteinander verwoben. In der ersten Hälfte tritt The Orb's Liebe zu Minimaltechno und Schaffel in den Vordergrund, während die zweite Hälfte ausschliesslich der Orbschen Ur-Domäne Ambient vorbehalten ist. Es gibt wunderbare Gastauftritte, wie etwa Schneider TM und Kompakt's Ambient-Guru Ulf Lohmann. Zur Geschichte von The Orb könnte man ganze Bücher schreiben, denn seit Jimmy Cauty und Alex Paterson im Rausch der Euphorie des ersten Summer of Love anno 1988 Chill Out und Ambient House erfunden haben ist viel passiert. Extrem viel. Die folgende Auflistung soll einen ungefähren Eindruck davon vermitteln. -Paterson hängt seinen Job als Roadie für Killing Joke an den Nagel -„A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld“ ist nicht nur bis dato die Platte mit dem längsten Titel der Welt sondern markiert den Aufbruch in die neuen sonischen Welten des Post-Rave Ambient. - Während Cauty mit The KLF andere Wege geht, reformieren sich The Orb und landen 1990 mit “Little Fluffy Clouds“ einen Riesenhit. -Das Albumdebut “The Orb's Adventures Beyond The Ultraworld“ geht Top30 in England -The Orb produzieren „Higher Than The Sun“ für Primal Scream -The Orb performen „Blue Room“ als schachspielende Aliens verkleidet bei Top Of The Pops. Alles geht. -“Blue Room“ geht mit 39.58 Minuten als längste Chart-Single ever in die Musikgeschichte ein - The Orb legen 92 + 93 Glastonbury flach - Ein Copenhagener Doppelkonzert zum Sonnenauf- und Untergang wird auf Platte verewigt: „Live 93“ - Bisheriges „floating member“ Thomas Fehlmann wird 1997 festes Mitglied - Ohne Scheiss: Robbie Williams wird für kurze Zeit The Orb-Bestandteil. Die Kollaboration „I Started A Joke“ erscheint auf einer Benefiz-Kompilation. - Ab 2002 finden The Orb mit Kompakt einen neuen ambientverliebten Partner und veröffentlichen eine Reihe wunderbarer Maxis und treten live, vornehmlich in abgespeckter Form als Le Petit Orb in aller Herren Länder auf. Ein kleiner Treppenwitz am Rande für Erbsenzähler : Schon The Orb's erste Platte („A Huge Ever Growing Pulsating Brain...“) war eigentlich eine Kompakt-Veröffentlichung. Ihr könnt nachschauen. Neben dem eigentlichen Label Wau! Mr. Modo stand nämlich folgendes ...Kompakt Discos. Ha!
The multi-faceted and multi-talented Alberto Melloni returns once more to Bordello A Parigi to unveil his musical multi-verse. “Lago Lungo”, the title piece, sets the tone for the quartet of tracks. Steady kicks thud next fizzing hi-hats as a rich and full-bodied piano melody takes hold, Melloni’s instrumentation creating sheer peaks and creamy amber plains. “Promised Land” offers a different audio topography. Key stabs are bolstered by incising beats as a late-night italo infused romp undulates from speaker cones. Underscoring the EP are influences from both disco and house, sun-kissed chords countered by textured percussion. These twin inspirations combine in the groove laden “Paradise Pie”. Clean notes are refracted in neon, undercurrents of acid lurking just below the vibrating hardwood floor. The mirrorball takes the limelight for the finale. Breathy, smokey vocals orbit funk dipped lines of “Only You”, warbling vocoders dancing under the glittering beams to the close.
More Rice Co-Founder DOTT returns with his first solo EP on More Rice since MR002.
One the A-side Semitone Revolution brings a groovy repetitive bassline with an unpredictable transparent rhythm with a combination of different sounds and a quirky sequence that makes it a dancefloor track for many occasions. One Foot Forward, not a typical Tech-House track that uses detailed sounds and interesting swing. The original track is accompanied by a remix from groove addict Sweely, adding that Sweely touch, making it playable at almost any time.
On the flip side, About Quality Time, DOTT shows off his signature bassline with his interpretation of House music with his groovy rhythm, a track that truly combines after hours and peak time. About Quality Time comes equipped with a remix from Mr_Barcode or Jay Tripwire, putting a super trippy spin on the original track.Sleep deprivation is the secret sauce to his sound.
Lescale Recordings continues to establish itself as a prominent label in contemporary techno music.
Available exclusively on vinyl, the EP opens with "Quartette", where Hendriks Toth (BODY PARTS) blends a jazzy flow of harmonic percussions that intertwine brilliantly.
Following this, label founder Ramona Yacef collaborates with Floog (PREMIESKU) to expand the soundscape with "Sintetica," delivering a range of deep industrial beats.
Next up, Federico Grazzini (TENAX) and F.T.G (FUCK THE GOVERNMENT) work their magic on "Scrambled Bells", incorporating 90's rhythms with analog drums and progressive synths.
On the flip side, Late Nite Guy (HOWL RECORDS) takes on "Rave Eart Stab", lowering the tempo to create a laid-back, dub-inspired track featuring rough stabs and lush pads. To close the set, Rayo (ALL IN RECORDS) pushes the limits with "Doloni", serving up spacey breaks and steady beats in a magical atmospheric setting.
Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.
Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.
The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.
'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.
Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.
Either Recordings welcomes Icelandic artist Hjalti onto its roster with the Skarðsheiði EP, accompanied by a remix from Thor under his Sanasol guise.
Jamie Clarke’s Either Recordings has moved from strength to strength since its inception back in 2020, acting predominantly as a home for the label bosses own music while also welcoming remixes from the likes of Barac, Silverlining and Ryan Crosson, plus original material from Jay Tripwire and now, Hjalti.
Title-track ‘Skarðsheiði’ opens, an eight minute dynamic excursion through delicately intertwined synth melodies, bass grooves and expansive effects before ‘One Small Step’ shifts gears into a more loop-led territory, fusing organic percussion with classic stab sequences, airy chord melodies and weighty subs.
Icelandic icon of Dub Techno Thor then steps up under his Sanasol alias to open the flip side, reworking ‘Skarðsheiði’ with their unique twist on the ‘Found Space Mix’, extracting fragments of the original and shaping it into something deep and atmospheric whilst still retaining a sturdy dance floor focused foundation. ‘Kjölur’ then concludes the EP, embracing minimalistic rhythms with cinematic electronica textures and classic stab sequences throughout.
- A1: Edges (Christian Wolff)
- A2: Six For The New Time (Pauline Oliveros)
- B1: Having Never Written A Note For Percussion
- B2: Six (John Cage)
- B3: +- (Takehisa Kosugi)
- B4: Voice Piece For Soprano (Yoko Ono)
- B5: Piece Enfantine
- B6: Four 6
- C1: Treatise (Page 183)
- D1: Six (4Th Take)
- D2: Burdocks
- D3: Piano Piece #13 (Carpenter's Piece)
- D4: Pendulum Music (Steve Reich)
"Goodbye 20th Century", a double album originally released in 1999, features versions of pieces by avant-garde composers such as John Cage, Yoko Ono, Steve Reich and Christian Wolff played by Sonic Youth and various collaborators such as Christian Marclay, William Winant, Wharton Tiers and Takehisa Kosugi.
Fresh off the back of a breathtaking performance for System Error on the MS Hoppetosse, we are genuinely thrilled to present this record from the sensation from Sicily, Monica Venturella.
Just 22 years old and already rocking the most revered venues with sets of 100% own produced tracks, we think this is the beginning of something special…
A young, self-taught musician, Monica has already forged her own unmistakable sound, with her very personal take on high-energy electro fused beats filled with emotion.
This record is no exception. Every track expertly delivering her urgent, high-energy sound. This is a guaranteed dancefloor damager.
‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise
‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times
‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut
Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.
Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.
“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”
The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”
Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.
One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.
Cassette[15,08 €]
Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.
“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.
West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.
Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.
“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing
Wewantsounds is delighted to announce the reissue of Ammar El Sherei's sought-after instrumental album " Music From The East" from 1976. Here, the iconic Egyptian musician and composer revisits seven classic compositions by another Egyptian legend, Mohamed Abdel Wahab, in his own hypnotic way. Mixing Arabic music with funky arrangements and electric keyboard experimentations, the album is a perfect showcase for El Sherei's artistry. Curated and annotated by Lebanese-born Arabic music expert Mario Choueiry from Institut du Monde Arabe in Paris, this reissue has been newly remastered and comes with original Soutelphan artwork.
Trinkais about the strength of the encounter that music provides between Dandara Modesto, Brazilian singer and songwriter, João Pires, Portuguese composer and guitarist and Juninho Ibituruna, Brazilian percussionist. Sewing of Atlantic music, they build a path between Bahia, Portugal and Minas Gerais. Each arranged in one place echoing the connection through the music that unites them in complementarity: João's melodies and guitar with Dandara's voice and interpretive power and the pulse rhythm ancestor of Juninho.
Globetrotting Texan trio Khruangbin are set to release ‘Hasta El Cielo’, the band’s glorious dub version of their second album ‘Con Todo El Mundo’. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.
The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t fnd this a surprising release. Dubs of tracks from their frst album ‘The Universe Smiles Upon You’ appeared on limited vinyl releases of ‘People Everywhere’ for Record Store Day 2016 and ‘Zionsville’ on the Boogie Futuro remix 12”. The especially eagle-eared willhave caught a dub of ‘Two Fish And An Elephant’ playing over the credits of the track’s celebrated video.
“For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The frst dub albums we listened to were records mixed by Scientist featuring the music of the Rootsb Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.”- Khruangbin.
Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.
Since the album’s release, the band have continued their almost non-stop approach to touring, playing over 130 dates in 2018 alone. They return to the UK this summer for festival shows at Green Man, Latitude, Mostly Jazz, Funk & Soul Festival and Barclaycard British Summer Time.
La Pointe debut on Damian Lazarus’ Secret Teachings with ‘Umbra’, featuring remixes from Nathan Fake and Jonny Rock. The experimental label opens its 2025 schedule on 24th January with the Geneva-based trio’s warping original backed by a pair of late-hours remixes from two of the best in the scene.
Emerging from a confluence of rave culture and artistic mastery, La Pointe make an impressive label debut on Damian Lazarus’ Secret Teachings imprint with the enigmatic ‘Umbra’. The release, set for 24th January, is accompanied by stellar remixes from revered producer Nathan Fake and the ever-versatile Jonny Rock, delivering a sonic journey that transcends the ordinary. La Pointe, a trio formed by Geneva-based techno pioneers Crowdpleaser and Entlet alongside New York City’s Jonny Sender, represents a fusion of cultural and musical legacies. Rooted in the dynamic after-hours scenes of Geneva and New York’s underground club culture, the trio creates music that is both innovative and steeped in tradition. Their studio, located in an old factory by the meeting point of the Rhone and Arve rivers, lends its name—and its industrial inspiration—to their project.
The original mix of ‘Umbra’ is a hypnotic exploration of light and shadow, blending atmospheric melodies with deep, pulsating rhythms—a testament to their ability to craft soundscapes that resonate emotionally and physically. Nathan Fake’s remix ventures into intricate, textural layers, marrying ethereal tones with electronic intensity. Jonny Rock injects a raw, off-kilter groove and late-hours energy into his reinterpretation, blending his eclectic influences from disco, funk, house, and beyond. The genesis of La Pointe is as captivating as its sound. Crowdpleaser and Entlet are celebrated architects of Geneva’s rave scene, running the legendary after-hours party The Shark for over a decade and hosting luminaries like Alexander Robotnik, Boo Williams, and Sonja Moonear. Jonny Sender, a stalwart of New York’s downtown music revolution in the 80s to 00s and bass player of post-punk band KONK, brought his unique perspective honed in venues like Mudd Club to the trio when he moved to France. This debut appearance on Secret Teachings is not just a collection of influences but a narrative woven from decades of underground culture and musical exploration - making it a perfect fit for Lazarus’ label as he continues to champion boundary-pushing artistry, curveball signings and inspired remix curation.
'La Quinqui' / 'Llora' is Gipsy Power Band's debut single, where they merge flamenco rumba, rock and funk astonishingly, evoking a unique era of Spanish music.
Formed in Madrid in 2022, Gipsy Power Band was originally conceived to pay live tribute to the music of the Spanish exploitation film genre known as "cine quinqui", performing tracks from those movies and many other foundational songs: hits, some flops and hidden gems released in Spain from the mid-70s to the early 80s. Rock, funk, disco and flamenco rumba productions by Los Chichos, Las Grecas, Los Chunguitos and Los Chorbos, among others.
After two years setting the Madrid stages on fire and making the public dance to this vintage repertoire, the time has come to move to the next level. The band has evolved and now they are releasing their first own songs: a dramatic love story told from two points of view worthy of a period "cine quinqui" movie, the spirit of which inspires the compositions.




















